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Books on the topic 'Cultural and artistic heritage'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Desai, Renuka. Cultural and artistic heritage of Gujarat. Vishwa Gujarati Samaj, 2001.

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2

Wim, Beuken, and Freyne Sean, eds. The Bible as cultural heritage. SCM Press, 1995.

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3

Akwari, Philips Agwu Igiri. Abiriba: A photographic narrative of a rich cultural heritage. M-Visuals Limited, 2020.

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4

Pablo, Zunino, and Verstraeten Xavier A, eds. Argentina: Cultural and natural heritage: bicentennial album. Ediciones Verstraeten, 2008.

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5

Khoshroo, Sajjad, 1984 or 5-, ed. The cultural and artisitc heritage of Iran. Sepeed Payaam, 2004.

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6

Gerstenblith, Patty. Art, cultural heritage, and the law: Cases and materials. Carolina Academic Press, 2004.

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7

Carr, Gillian. Cultural heritage and prisoners of war: Creativity behind barbed wire. Routledge, 2012.

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8

Traviglia, Arianna, Lucio Milano, Cristina Tonghini, and Riccardo Giovanelli. Stolen Heritage Multidisciplinary Perspectives on Illicit Trafficking of Cultural Heritage in the EU and the MENA Region. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-517-9.

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It is a well-known fact that organized crime has developed into an international network that, spanning from the simple ‘grave diggers’ up to powerful and wealthy white-collar professionals, makes use of money laundering, fraud and forgery. This criminal chain, ultimately, damages and dissipates our cultural identity and, in some cases, even fosters terrorism or civil unrest through the illicit trafficking of cultural property.The forms of ‘possession’ of Cultural Heritage are often blurred; depending on the national legislation of reference, the ownership and trade of historical and artistic

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9

Knoepfli, Albert. Inventories of the artistic, architectural and cultural heritage in the European countries: Present state and theneed for their promotion. Council of Europe, 1985.

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10

Workshop, Westridge Young Writers, ed. Kids explore America's Hispanic heritage. J. Muir Publications, 1992.

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11

Satarova, Lyudmila, Natal'ya Styuflyaeva, Liliya Shkurat, et al. The artistic world of M.A. Sholokhov: a new context of understanding. INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1214582.

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The textbook discusses the current problems of modern scholastic studies, due to the new general cultural context that has developed over the past decades. The problem of the identity of the resurgent Cossacks is revealed depending on its adequate perception and development of the historical and cultural heritage of the past, drawing lessons from it. The work of M.A. Sholokhov is presented as part of the Russian world, which arose on the basis of traditional Orthodox Christian values. Meets the requirements of the federal state educational standards of higher education of the latest gene

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12

Sdegno, Emma, Martina Frank, Pierre-Henry Frangne, and Myriam Pilutti Namer. John Ruskin’s Europe. A Collection of Cross-Cultural Essays With an Introductory Lecture by Salvatore Settis. Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-487-5.

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Ruskin’s work is strongly inscribed in the great European context, marking an important moment in the movement for the establishment of a community culture and spirit. The essays collected here intend to place the theme of Ruskin’s fruitful and essential relationship with Europe at the centre of a critical reflection, presenting themselves as opportunities for an in-depth study and a discussion on issues related to aesthetics, the protection of material and immaterial heritage, cultural and literary memory. By bringing to the attention of the scientific community the multiple aspects – geograp

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13

Union, IUCN-The World Conservation, ed. Cultural heritage. IUCN--the World Conservation Union, 2000.

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14

Yu, Pei-Lin, Thanik Lertcharnrit, and George S. Smith, eds. Heritage and Cultural Heritage Tourism. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-44800-3.

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15

Magliacani, Michela. Managing Cultural Heritage. Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137481559.

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16

Mahadeo, Premlall. Mauritian cultural heritage. Gold Hill Publication Ltd., 1995.

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17

Silverman, Helaine, ed. Contested Cultural Heritage. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7305-4.

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18

Ioannides, Marinos, ed. Digital Cultural Heritage. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8.

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19

Obad Šćitaroci, Mladen, Bojana Bojanić Obad Šćitaroci, and Ana Mrđa, eds. Cultural Urban Heritage. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6.

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20

Kremers, Horst, ed. Digital Cultural Heritage. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-15200-0.

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21

Parowicz, Izabella. Cultural Heritage Marketing. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-00287-9.

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22

Metuh, Emefie Ikenga. Nigerian cultural heritage. IMICO Pub. Co., 1990.

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23

Symposium, Australian Academy of the Humanities. Our cultural heritage. Australian Academy of the Humanities, 1998.

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24

Chaedan, Hanʼguk Kukche Kyoryu, ed. Korean cultural heritage. Korea Foundation, 1994.

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25

Foundation, Korea, ed. Korean cultural heritage. Korea Foundation, 1997.

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26

O, Ekechi F. A., ed. Imo cultural heritage. Ministry of Information and Culture, 1991.

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27

Ruth, Redmond-Cooper, Palmer N. E, and Institute of Art and Law (Great Britain), eds. Cultural heritage statutes. Institute of Art and Law, 1999.

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28

Rob, Pickard, and Council of Europe, eds. European cultural heritage. Council of Europe Pub., 2002.

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29

Moral-Andrés, Fernando, Elena Merino-Gómez, and Pedro Reviriego, eds. Decoding Cultural Heritage. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-57675-1.

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30

Ruth, Redmond-Cooper, Palmer N. E, and Institute of Art and Law (Great Britain), eds. Cultural heritage statutes. The Institute, 1999.

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31

editor, Ciagà Graziella Leyla, Lupo Eleonora editor, Trocchianesi Raffaella editor, PRIN "Il design del patrimonio culturale tra storia, memoria e conoscenza.", and Italy. Ministero dell'istruzione, dell'università e della ricerca, eds. Design & cultural heritage. Electa, 2013.

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32

Maynor, Bikai Patricia, Dailey Thomas A, and Harrison Timothy, eds. Madaba: Cultural heritage. American Center of Oriental Research, 1996.

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33

Korea's cultural and artistic heritage. Korean Overseas Information Service), 1989.

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34

Armenian artistic heritage in Romania: Between exilic nostalgia and cultural integration. NOI Media Print, 2011.

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35

Wilson, Ross J. Cultural Heritage of the Great War in Britain. Taylor & Francis Group, 2016.

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36

Wilson, Ross J. Cultural Heritage of the Great War in Britain. Taylor & Francis Group, 2016.

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37

Gerstenblith, Patty. Art, Cultural Heritage, and the Law: Cases and Materials. Carolina Academic Press, 2019.

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38

Gerstenblith, Patty. Art, Cultural Heritage, and the Law: Cases and Materials. Carolina Academic Press, 2019.

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39

Cultural Heritage of the Great War in Britain. Taylor & Francis Group, 2013.

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40

O'Keefe, Roger. Protection of Cultural Property. Edited by Andrew Clapham and Paola Gaeta. Oxford University Press, 2014. http://dx.doi.org/10.1093/law/9780199559695.003.0020.

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International law protects cultural property in armed conflict from damage and destruction and from all forms of misappropriation against belligerents who have always looked to raze or plunder the enemy’s cultural heritage. ‘Cultural property’ may include buildings and other monuments of historic, artistic or architectural significance, as well as artworks, antiquities, manuscripts, books, archaeological sites, and archives. This chapter focuses on the relevant bodies of international law and international humanitarian law designed to protect cultural property during armed conflict, including

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41

Art, cultural heritage, and the law: Cases and materials. 2nd ed. Carolina Academic Press, 2008.

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42

Art, cultural heritage, and the law: Cases and materials. Carolina Academic Press, 2012.

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43

Circle of friendship: Asian Pacific American artists : cross-cultural heritage and the American experience : a cultural education project. Asian American Arts and Media, Inc., 1992.

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44

Art, Anthropology, and Contested Heritage: Ethnographies of TRACES. Bloomsbury Publishing Plc, 2019.

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45

Schneider, Arnd. Art, Anthropology, and Contested Heritage: Ethnographies of TRACES. Bloomsbury Publishing Plc, 2021.

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46

The Protection of Historic Buildings and Their Artistic Contents Against Crime and Wilful Damage: Proceedings (Antwerp, Belgium, 3-6 November, 1992) (Cultural Heritage). Manhattan Pub. Co., 1995.

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47

Missouri Remembers: Artists in Missouri through 1951. Nelson-Atkins Museum of Art, Kansas City Art Institute, St. Louis Public Library, 2021. http://dx.doi.org/10.37764/5776.

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Missouri Remembers: Artists in Missouri through 1951 is a collaborative project of The Spencer Art Reference Library of The Nelson-Atkins Museum of Art, in partnership with the Kansas City Art Institute and The Saint Louis Public Library that will document the state’s artistic heritage. To create this freely available online resource partner institutions are mining their artist files and archival collections to document the many artists who called Missouri home. The portal allows researchers, art enthusiasts and students to learn about Missouri artists and to study the relationships between th

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48

Kádár, Judit Ágnes. Ethnic Positioning in Southwestern Mixed Heritage Writing. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781666990478.

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Ethnic Positioning in Southwestern Mixed Heritage Writing explores how Southwestern writers and visual artists provide an opportunity to turn a stigmatized identity into a self-conscious holder of valuable assets, cultural attitudes, and memories. The problem of mixed ethno-cultural heritage is a relevant feature of North American populations, faced by millions. Narratives on blended heritage show how mixed-race authors utilize their multiple ethnic experiences, knowledge archives, and sensibilities. They explore how individuals attempt to cope with the cognitive anxiety, stigmas, and percepti

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49

Bodenstein, Felicity, Damiana Oţoiu, and Eva-Maria Troelenberg. Contested Holdings: Museum Collections in Political, Epistemic and Artistic Processes of Return. Berghahn Books, 2022. http://dx.doi.org/10.3167/9781800734234.

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Going beyond strictly legal and property-oriented aspects of the restitution debate, restitution is considered as part of a larger set of processes of return that affect museums and collections, as well as notions of heritage and object status. Covering a range of case studies and a global geography, the authors aim to historicize and bring depth to contemporary debates in relation to both the return of material culture and human remains. Defined as contested holdings, differing museum collections ranging from fine arts to physical anthropology provide connections between the treatment and con

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50

Architectural Heritage (Cultural Heritage). Council of Europe, 1993.

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