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Dissertations / Theses on the topic 'Cultural and artistic heritage'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

van, Eps Michelle. "Reconstructing Cultural Identity in Artistic Practice : Embracing Mixed Heritage Through Framing Pride and Prejudice." Thesis, Griffith University, 2010. http://hdl.handle.net/10072/365415.

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This paper is a Doctoral exegesis which discusses, analyses and contextualises the artistic quest of contemporary Australian-born artist, Michelle van Eps, to reconstruct her cultural identity in her artwork through investigating her paternal Dutch ancestry. Addressing Australian artists with mixed cultural heritage, the paper explores the phenomenon of a foreign ‘missing culture’ created by the dismissal of the validity of a past as well as a present, cultural ancestry. In this exegesis, the dilemma of the mixed heritage artist is related to Australian sociocultural dynamics and cultural myth

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2

Mcclure, Kathryn Raeburn. "Development of new extraction methods for analysis of natural and synthetic organic colourants from historical and artistic matrices." Master's thesis, Universidade de Évora, 2020. http://hdl.handle.net/10174/29168.

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Abstract: In this thesis, an innovative approach for the extraction and clean-up of natural and synthetic textile dyes based on a recently developed ammonia extraction protocol and a novel Dispersive Liquid-Liquid Microextraction (DLLME) is presented. The thesis builds upon recent research highlighting the benefits of the ammonia-based extraction protocol for efficient extraction and preservation of the glycosyl moieties present in some types of natural dyes. This state-of-the-art extraction technique requires the use of a clean-up step to purify and preconcentrate the dye molecules for analys

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3

Bauer, Letícia Brandt. "O homem e o monumento : criações e recriações de Rodrigo Melo Franco de Andrade." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2015. http://hdl.handle.net/10183/134298.

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A tese estuda os processos de construção e reconstrução de Rodrigo Melo Franco de Andrade como homem-monumento ao longo do tempo. O personagem foi o primeiro diretor do Instituto do Patrimônio Histórico e Artístico Nacional (IPHAN), instituição federal criada em 1936 para selecionar e proteger o patrimônio cultural brasileiro. Rodrigo permaneceu no cargo durante 30 anos e sua gestão tornou-se conhecida como a “fase heroica” da instituição. O trabalho divide-se em quatro capítulos e busca analisar as diferentes formações discursivas relacionadas ao diretor, investigando, primeiramente, sua esco

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4

De, Marco Giovanni. "Conversione per il Semantic Web e pubblicazione nel Linked Data di dati relativi ai beni artistici e culturali della regione Emilia Romagna." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amslaurea.unibo.it/2360/.

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Ururahy, Heloisa Pinto. "Museus na internet do século XXI: a caminho do museu ubíquo." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/93/93131/tde-25042014-112545/.

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A pesquisa observa as novas relações de produção e difusão da arte que surgiram com a utilização da internet e das novas tecnologias, pelas instituições culturais, para a expansão de suas atividades. A investigação propõe que essa nova forma de comunicação pode unir o alcance das plataformas virtuais, a credibilidade de grandes centros artísticos e a força dos processos colaborativos de criação em rede para ampliar a propagação da arte e da cultura. O estudo pretende mostrar como museus, galerias e instituições culturais em geral, têm desenvolvido trabalhos na world wide web, desde o começo do

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6

GASPARINI, LUCIA. "IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1801.

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La ricerca affronta il tema del crescente spazio che la considerazione del patrimonio culturale immateriale ha acquisito nel panorama mondiale a partire dagli ultimi decenni, in particolare dal 2003, quando l’UNESCO ha stilato la Convenzione per la salvaguardia del patrimonio culturale immateriale. Oltre a ripercorrere le tappe storiche che nel XX secolo hanno condotto a tale risultato, esso traccia un ancora poco esplorato parallelismo - formale e teorico - tra l’evoluzione del concetto di patrimonio immateriale e lo sviluppo delle forme dell’arte contemporanea a partire dal secondo dopoguerr

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GASPARINI, LUCIA. "IL PATRIMONIO CULTURALE IMMATERIALE: NUOVE PROSPETTIVE CONCETTUALI, ARTISTICHE, MUSEOLOGICHE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2013. http://hdl.handle.net/10280/1801.

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La ricerca affronta il tema del crescente spazio che la considerazione del patrimonio culturale immateriale ha acquisito nel panorama mondiale a partire dagli ultimi decenni, in particolare dal 2003, quando l’UNESCO ha stilato la Convenzione per la salvaguardia del patrimonio culturale immateriale. Oltre a ripercorrere le tappe storiche che nel XX secolo hanno condotto a tale risultato, esso traccia un ancora poco esplorato parallelismo - formale e teorico - tra l’evoluzione del concetto di patrimonio immateriale e lo sviluppo delle forme dell’arte contemporanea a partire dal secondo dopoguerr

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Pozzer, Marcio Rogerio Olivato. "Políticas públicas para o patrimônio cultural na América Latina: a experiência brasileira e equatoriana e o papel do Banco Interamericano de Desenvolvimento." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-09102012-101928/.

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As reformas orientadas para o mercado realizadas no Brasil e no Equador a partir da década de 1980 e de 1990 diminuíram os gastos públicos e os recursos humanos das organizações nacionais de patrimônio cultural. Para suprir a demanda por tais recursos, surgiu, na arena política do patrimônio cultural, o agente financeiro internacional. Nesse contexto, esta dissertação busca compreender a relação de poder e as formas como são feitas as escolhas políticas entre os órgãos de patrimônio nacionais e a instituição multilateral que financia diversas políticas públicas culturais. Para tanto, partiu-se

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TRICARICO, MARGHERITA. "DIGITAL HERITAGE. STRUMENTI E SOLUZIONI INNOVATIVE PER LA CONOSCENZA, LA VALORIZZAZIONE E LA FRUIZIONE DEL PATRIMONIO ARCHEOLOGICO, ARTISTICO E MONUMENTALE E PER L’INDUSTRIA CULTURALE CREATIVA." Doctoral thesis, Università degli studi della Basilicata, 2021. http://hdl.handle.net/11563/149162.

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This research work focuses on the topic of the opportunities offered by the digital world for scientific knowledge and communication through the graphic language of documentation, investigating the tools and methods of acquisition and representation of cultural heritage, with greater reference to archaeological heritage. The research starts from the study of theoretical and methodological experiments of graphic representation that are, in part, at the origin of contemporary archaeological research, emphasizing the importance of the visual document (technical surveys, excavation photographs, p

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Leone, Alice. ""L'opera ostinata e devota del personale rimasto" : l'’Amministrazione italiana e la protezione del patrimonio artistico tra 1943 e 1945." Doctoral thesis, Scuola Normale Superiore, 2017. http://hdl.handle.net/11384/86051.

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Mehadji, Meriem. "Les politiques culturelles et le processus de développement dans le monde arabe : analyse d’une série d’indicateurs." Thesis, Paris 5, 2014. http://www.theses.fr/2014PA05D005/document.

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En 2010, le bilan sur les objectifs du millénaire pour le développement (OMD) a révélé que l’ensemble des pays ainsi que les différents acteurs impliqués dans ce processus devaient redoubler leurs efforts afin de mettre en place des projets adaptés à la nature des diverses sociétés. À cet effet, la question de la « culture » s’est imposée comme un facteur évident et inhérent à l’accomplissement de ces objectifs. C’est dans ce cadre que se pose notre problématique de recherche à travers une zone géostratégique qui subit de grands bouleversements au niveau politique, économique et social. De cet

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Cantale, Claudia. "Studiare il patrimonio culturale nella contemporaneità." Doctoral thesis, Università di Catania, 2018. http://hdl.handle.net/10761/3781.

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Il lavoro di ricerca proposto si colloca nel campo delle Digital Humanities, ed ha come oggetto principale un complesso architettonico, il Monastero dei Benedettini di San Nicola l Arena di Catania. Di esso si propone la rappresentazione attraverso le tecnologie semantiche, al fine di potere indagare le relazioni tra uomini, luoghi e testi che ne hanno caratterizzato il contemporaneo cantiere di recupero guidato dall architetto Giancarlo De Carlo. Lo strumento qui fornito, l Ontologia del Monastero dei Benedettini, si pone come base di partenza per metodologie di sperimentazione di semantica

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SERANDO, MANUELA. "Tecnologia e Patrimonio Culturale. Una riflessione metodologica e applicazioni pratiche legate ai Beni dell’Ateneo." Doctoral thesis, Università degli studi di Genova, 2022. https://hdl.handle.net/11567/1098134.

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The thesis presents a multidisciplinary analysis, both theoretical and practical, on the application of digital technologies to cultural heritage, in terms of study, preservation, valorization and dissemination, including, for this last aspect, a special focus on accessibility. Specific attention is given to the incredibly rich universitarian cultural heritage. The technical partnership with a digital industry permitted experimentation and implementation of a variety of different state of the art techniques, and even to develop specific purpose oriented solutions on a case by case basis. In

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Derolez, Séverine. "La patrimonialisation des objets scientifiques contemporains et leurs contextes de valorisation : cas de l’accélérateur de particules Cockcroft-Walton." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE1274/document.

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Notre recherche en didactique des sciences, explore la potentialité des objets scientifiques contemporains à devenir des objets de patrimoine à travers un cas d'étude : l'accélérateur de particules Cockcroft-Walton (CW). Nous faisons l'hypothèse que la valorisation des objets scientifiques contemporains, étape importante du processus de patrimonialisation, est spécifique et nécessite une expertise particulière. Notre travail a été réalisé grâce au dispositif CIFRE, nous permettant de travailler aux côtés du musée des Confluences à Lyon, qui expose un accélérateur de particules CW dans Sociétés

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Arana, Cobos Itziar. "La soppressione degli ordini monastici e il patrimonio artistico dei conventi madrileni." Doctoral thesis, Università degli studi di Padova, 2013. http://hdl.handle.net/11577/3423635.

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This thesis is based on the analysis of an unpublished set of documents that contains the inventories of paintings and sculptures created between 1835 and 1836 –immediately after the Ecclesiastic Confiscation- in some thirty Madrid based convents. The inventories were created with the purpose of gathering the secularized cultural heritage and place it in museum of new creation known as Museo Nacional de la Trinidad (National Holy Trinity Museum), whose collection was ultimately taken to the Prado Museum in 1892. In the long process of establishment of the Museo Nacional, the origin of the work

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Innocenti, Perla. "From cultural heritage to cultural heritage informatics : critically investigating institutions, processes and artefacts." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4658/.

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Background and rationale: Collecting is a basic human activity, a cultural phenomenon establishing cultural values, defining authenticity and creating new identities for collected objects and collectors. For more than a decade, I have studied cultural heritage collections from three key interwoven perspectives. These approaches are evident in the six publications selected for this submission: • Architectural and organisational perspective: at the Vatican Gallery (Innocenti 2001a), Uffizi (Innocenti 2003a) and Biblioteca Laurenziana (Innocenti 2002a) I investigated institutional collector and k

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Khabra, Gurdeep. "The heritage of British Bhangra : popular music heritage, cultural memory, and cultural identity." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2015320/.

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Authorised narratives of British popular music history have been deployed as representations of national identity by a range of institutions and individuals. The London 2012 Olympic Games opening ceremony, for example, presented a range of musical artists and songs that had been selected to represent aspects of British cultural identity to an international audience. The following year, a speech delivered by British Prime Minister David Cameron cited examples of British popular music in order to demonstrate British cultural successes in an international field. This thesis argues that authorised

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Galves, Beatriz Lourenço Peixoto. "Cultura e patrimônio." Pontifícia Universidade Católica de São Paulo, 2008. https://tede2.pucsp.br/handle/handle/3988.

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Made available in DSpace on 2016-04-26T14:57:22Z (GMT). No. of bitstreams: 1 Beatriz Lourenco Peixoto Galves.pdf: 2655447 bytes, checksum: 26883e1bde2071a73c633f99a6623753 (MD5) Previous issue date: 2008-10-28<br>This thesis presents a reflection upon the notions of culture and historical-cultural heritage as presupposition for understanding the activities of the Conselho de Defesa do Patrimônio Histórico, Arqueológico, Artístico e Turistico [Council for the Defence of the Historical, Archaeological, Artistic and Touristit Heritage] of the State of São Paulo Condephaat. The Council was cra

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Mori, Eva Kaiser. "Caracterização de pinturas do artista Alfredo Volpi por meio de métodos não destrutivos: espectrofotômetro, EDXRF, MEV e imageamento multiespectral." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/44/44144/tde-17112015-151200/.

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Alfredo Volpi (1896 - 1988) é um dos mais importantes pintores brasileiros contemporâneos. Sua extensa obra foi marcada, principalmente, por composições cromáticas e abstrações geométricas. Foi um artista que dava importância muito grande à técnica e aos materiais, tendo desenvolvido uma maneira própria e sistemática de trabalhar: confeccionava suas próprias telas, tintas e até pigmentos, com terras naturais. Analisou-se ao todo 11 pinturas a têmpera em diversos suportes (tela, aglomerado de madeira e mural), 10 delas realizadas na década de 1950, período em que a obra do artista passou

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Schaub, Mareike. "Natural and Cultural Heritage in Tourism on Gotland : Heritage Tourism Characteristics and the Relation of Natural and Cultural Heritage." Thesis, Uppsala universitet, Institutionen för samhällsbyggnad och industriell teknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414410.

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This thesis researches into the heritage tourism characteristics on Gotland. Many destinations see a great potential to develop new tourism products around their heritage and thus meet a rising demand for enriching and unique visitor experiences. However, different considerations and stakeholders need to be taken into account to foster a sustainable development. The Swedish island of Gotland in the Baltic Sea has a long history as a tourism destination and is rich in heritage resources of diverse origin. A qualitative approach has been taken to study which traits characterise heritage related

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Schmahl, Karolin. "Open Cultural Heritage – zum Hören!" De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36386.

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Digitale oder digitalisierte Tonaufnahmen sind zunehmend gefragte, wichtige Quellen für die Wissenschaft und als Dokumente des kulturellen Erbes auch für eine breite Öffentlichkeit von großem Interesse. Die Online-Bereitstellung frei zugänglicher Audiodokumente als Open Cultural Heritage erweist sich für Bibliotheken und Archive in der Praxis jedoch häufig als schwierig. Der Beitrag umreißt die besonderen Herausforderungen bei der Digitalisierung und Bereitstellung von Tondokumenten und skizziert – auch anhand von Praxisbeispielen – verschiedene Wege, auf denen Sammlungen den Anforderungen von

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Kasiannan, Senthilpavai. "Cultural Connections amidst Heritage Conundrums." Thesis, The University of Sydney, 2011. http://hdl.handle.net/2123/11419.

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All communities form attachments, both physical and metaphysical, and these define a community’s cultural identity. The social phenomenon that connects people and places is as significant as the material heritage; at times more significant. The dominant disourse of heritage has long focused on the preservation and conservation of material remains, and as a consequence it has drawn attention away from the social and cultural contexts which are important. Originating from a set of Western elitist ideas, the ideas of patrimoine and historic monument directed the heritage conservation of the early

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Silva, Mara Teresa Caldeira da. "Novel biocides for cultural heritage." Doctoral thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21001.

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Many microorganisms, influenced by environmental conditions, are the main responsible for biological contamination in built heritage. Biocides based on chemical toxic compounds have been the most often used to mitigate this problem. Thus, it is of vital importance to develop proper remediation actions based on environmentally innocuous alternatives. Bacteria of the genera Bacillus are emerging as an optimistic alternative due to their capacity to produce secondary metabolites with antagonistic activities against many fungal pathogens. This work aimed to develop ground-breaking research in the

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Haw, Nicole. "Cultural heritage management within nature conservation areas : heritage manager's guide." Pretoria : [s. n.], 2006. http://upetd.up.ac.za/thesis/available/etd-05272008-144143/.

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Carbone, Fabio. "Cultural heritage quality management: analysis of archaeological heritage managers' perception." Doctoral thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/16439.

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Doutoramento em Turismo<br>With this work we propose to analyze the perception of the concept of quality by managers of museums and archaeological sites. To this end, we chose to analyze some heritage areas open to the public and certified by HERITY - World Organisation for the Certification of Quality Management of Cultural Heritage, the only international certification of this kind which has been officially recognized by UNESCO and the World Tourism Organization. The application of the principles of quality and Total Quality Management to cultural heritage management is part of the efforts t

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Nemaheni, Tshimangadzo Israel. "A cultural heritage resource management plan for Thulamela heritage site." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-02082005-085954.

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DI, MAGGIO Fabiola. "L’Archivio S.A.C.S. del Museo Riso di Palermo. Valorizzazione dello Sportello per l’Arte Contemporanea della Sicilia." Doctoral thesis, Università degli Studi di Palermo, 2021. http://hdl.handle.net/10447/522006.

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L’archivio d’arte contemporanea è un dispositivo culturale attivo volto a selezionare, catalogare, divulgare, esporre e promuovere la creatività artistica in divenire. Queste pratiche di salvaguardia e valorizzazione dei beni artistici sono attività necessarie per la gestione e l’elaborazione del patrimonio culturale, come anche per l’interpretazione del presente. La ricerca sul S.A.C.S., lo Sportello per l’Arte Contemporanea della Sicilia del Museo Riso di Palermo, nasce per valorizzare, attraverso l’approccio integrato della museologia e della fenomenologia dell’arte contemporanea, un giovan

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Tam, Yuen-yee Chloe. "Cultural tourism Singapore and Hong Kong /." Click to view the E-thesis via HKUTO, 2001. http://sunzi.lib.hku.hk/hkuto/record/B31953256.

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Nicolson, Kenneth N. "Conserving Hong Kong's heritage cultural landscapes." Click to view the E-thesis via HKUTO, 2005. http://sunzi.lib.hku.hk/hkuto/record/B32045219.

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Han, Sangwoo. "Cultural heritage management in South Korea /." ON-CAMPUS Access For University of Minnesota, Twin Cities Click on "Connect to Digital Dissertations", 2001. http://www.lib.umn.edu/articles/proquest.phtml.

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Seddon, Robert Francis John. "The ethical patiency of cultural heritage." Thesis, Durham University, 2011. http://etheses.dur.ac.uk/3289/.

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Current treatments of cultural heritage as an object of moral concern (whether it be the heritage of mankind or of some particular group of people) have tended to treat it as a means to ensure human wellbeing: either as ‘cultural property’ or ‘cultural patrimony’, suggesting concomitant rights of possession and exclusion, or otherwise as something which, gaining its ethical significance from the roles it plays in people’s lives and the formation of their identities, is the beneficiary at most of indirect moral obligations. In contrast, I argue that cultural heritage, as something whose existen

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Zhang, Wei. "Reanimating cultural heritage through digital technologies." Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6341/.

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Digital technologies are becoming extremely important for web-based cultural heritage applications. This thesis presents novel digital technology solutions to 'access and interact' with digital heritage objects and collections. These innovative solutions utilize service orientation (web services), workflows, and social networking and Web 2.0 mashup technologies to innovate the creation, interpretation and use of collections dispersed in a global museumscape, where community participation is achieved through social networking. These solutions are embedded in a novel concept called Digital Libra

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Russell, James Edward. "Cultural property and heritage in Japan." Thesis, SOAS, University of London, 2011. http://eprints.soas.ac.uk/14043/.

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Jote, Kifle. "International legal protection of cultural heritage /." Stockholm : Juristförlaget, 1994. http://catalogue.bnf.fr/ark:/12148/cb37165744h.

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Macdonald, L. W. "Realistic visualisation of cultural heritage objects." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471969/.

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This research investigation used digital photography in a hemispherical dome, enabling a set of 64 photographic images of an object to be captured in perfect pixel register, with each image illuminated from a different direction. This representation turns out to be much richer than a single 2D image, because it contains information at each point about both the 3D shape of the surface (gradient and local curvature) and the directionality of reflectance (gloss and specularity). Thereby it enables not only interactive visualisation through viewer software, giving the illusion of 3D, but also the

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Jennings, Theresa. "Leaving school and intangible cultural heritage." Thesis, Curtin University, 2015. http://hdl.handle.net/20.500.11937/2512.

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This thesis uses the example of school departure rituals, such as the school ball and graduation ceremony, to examine how Intangible Cultural Heritage is represented in scholarly heritage literature. The study draws on interview data collected from secondary students in their final year of schooling to establish if there is a place in heritage literature and policy for Intangible Cultural Heritage performed in a Western context by young people.

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Lombardi, E. "BIOTECHNOLOGIES FOR RESTORATION OF CULTURAL HERITAGE." Doctoral thesis, Università degli Studi di Milano, 2014. http://hdl.handle.net/2434/247228.

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Abstract In recent years, operators in the restoration sector are adding to their historical-artistic competences also scientific knowledge in order to find solutions more and more effective and respectful toward the cultural heritage, the operator and the environment. Among the different scientific branches, biotechnologies allow for an innovative and precise approach to the complexity of the problems that the restorer has to face in his own daily work. Biotechnology research in the field of cultural heritage develops in two directions: on the one hand focuses on the development of accurat

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Ferreira, Isabel Maria Cardoso. "School films & education: cultural and artistic investigations." Master's thesis, Universidade de Aveiro, 2012. http://hdl.handle.net/10773/10299.

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Mestrado em Línguas, Literaturas e Culturas<br>Esta dissertação visa questionar as representações da escola através da cultura fílmica anglófona produzida entre 1960 e 2006. Os filmes selecionados são o ponto de partida para uma reflexão sobre educação, pedagogia e cultura através das lentes críticas de alguns cineastas britânicos e americanos. Deste modo, os filmes apresentados foram desconstruídos e analisados através de um hipotético diálogo entre a ficção e a realidade e o meta-diálogo ficção-ficção, tendo como estratégia o contraste e a comparação dos textos fílmicos de épocas díspares, c

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Arsal, Mustafa Kerem. "Governance in online communities of artistic cultural production." Thesis, Boston University, 2013. https://hdl.handle.net/2144/12047.

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Thesis (D.B.A.)--Boston University<br>While scholars have brought much insight into the governance of online communities engaged in the production of goods with relatively established quality criteria, such as open source software, they paid less attention to the governance of online communities of artistic cultural production. In artistic cultural production, due to its drive for novelty and potential resistance to institutionalized norms, it is difficult to create agreements and shared routines among participants -particularly during initial emergence when participants are new to one another

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Terway, Saakshi. "Preserving the Intangible Heritage: Neemrana Kala Kendra – A Crafts and Tourism Complex." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491316750330776.

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Patel, Bhadresh. "Enhancing student cultural tolerance through the discovery of cultural heritage." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD_0015/MQ47286.pdf.

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Lord, Torvfelt Lovisa. ""När ni går bort, tro inte att det är slut." : En analys av den samiska artisten Maxida Märaks medverkan i Jills veranda." Thesis, Linnéuniversitetet, Institutionen för musik och bild (MB), 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-79444.

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Undersökningens syfte har varit att skina ljus på porträttering och urval. Närmare bestämt inom området för den samiska musikkulturen och via mediaframställningen av en samisk artist i Jills veranda. Genom ett utvalt program ur serien där den samiska artisten Maxida Märak medverkar genomförs detta. Sett utifrån sin omnämning som samisk artist i-och i anslutning till programmet står Märak och den förmedlade bilden av henne i fokus för undersökningen av hur det samiska framhävs. Genom att undersöka både det klingande och hur man pratar om musiken förs urvalen fram. Dessa utgör innehållet för hur

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Peacock, Janice, and n/a. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today." Griffith University. Queensland College of Art, 2006. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20070327.140720.

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This exegesis examines the context of my studio work submitted for the degree of Doctor of Visual Art at Griffith University in 2004. My art practice reflects my identity, which is complex and many-stranded, but at its core is my identity as a 21st century woman of Torres Strait Islander descent. I also acknowledge multiple heritages and, like many of my contemporaries, I am a descendant of those two thirds of the Torres Strait population who now live on the Australian mainland. Having been born and brought up on the mainland also means that I am connected to, and have been affected by, wid

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Peacock, Janice. "Inner Weavings: Cultural Appropriateness for a Torres Strait Island Woman Artist of Today." Thesis, Griffith University, 2006. http://hdl.handle.net/10072/365502.

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This exegesis examines the context of my studio work submitted for the degree of Doctor of Visual Art at Griffith University in 2004. My art practice reflects my identity, which is complex and many-stranded, but at its core is my identity as a 21st century woman of Torres Strait Islander descent. I also acknowledge multiple heritages and, like many of my contemporaries, I am a descendant of those two thirds of the Torres Strait population who now live on the Australian mainland. Having been born and brought up on the mainland also means that I am connected to, and have been affected by, wid

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Unver, Eda. "Sustainability Of Cultural Heritage Management: &quot." Master's thesis, METU, 2006. http://etd.lib.metu.edu.tr/upload/12607428/index.pdf.

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This thesis evaluates the Keklik Street and its Surrounding Conservation and Development Project with respect to sustainability principle of Cultural Heritage Management. The achievements and deficiencies of the Project will be discussed and a performance measurement of the physical, functional and organizational sustainability will be done. Finally, the thesis will emphasize the contribution of the sustainability principle of the management approach and its instruments to the heritage conservation process.

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Smith, Amanda Jane, and n/a. "Making cultural heritage policy in New Zealand." University of Otago. Department of Political Studies, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070530.152110.

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This thesis examines how cultural heritage policies are developed in New Zealand. Cultural heritage symbolises the development of a society, illustrating past events and changing customs and values. Because of its significance, the government has accepted responsibility for protecting cultural heritage, and has developed a number of institutions and a variety of policies to address this responsibility. It is important to understand how the goverment uses these mechanisms to protect cultural heritage, and the subsequent relationships that have developed between actors in the cultural heritage a

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FESTA, GIULIA. "Neutron-based imaging applied to cultural heritage." Doctoral thesis, Università degli Studi di Roma "Tor Vergata", 2009. http://hdl.handle.net/2108/887.

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La scoperta di oggetti antichi solleva una serie di questioni quali la corretta determinazione del contesto storico-culturale, la provenienza ed il metodo di lavorazione, oltre alla scelta dei trattamenti e delle condizioni di restauro e conservazione. Vengono qui presentati risultati riguardo l’applicazione di tecnologie neutroniche nel campo dei beni culturali e promettenti prospettive future nel binomio scienza-tecnologia per lo studio di oggetti archeologici. Vengono discusse attività relative allo sviluppo di strumentazione ad hoc quali un sistema di posizionamento successivamente integr

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Lorenzini, Matteo. "Metadata Quality Evaluation in Cultural Heritage Domain." Doctoral thesis, Università degli studi di Trento, 2022. http://hdl.handle.net/11572/330448.

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Metadata are fundamental for the indexing, browsing, and retrieval of cultural heritage resources in digital repositories. Since the manual control of metadata quality in digital repositories may not be feasible, especially when working with large collections, this Ph.D. thesis focuses specifically on the problem of automatic metadata quality assessment. Taking as the main reference the Metadata Quality Framework developed by Thomas Bruce and Diane Hilmann, we propose to evaluate metadata information according to three aspects. The first is metadata Completeness, approached as a statistical an

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Dragasvic, Dolja. "Meyerhold, Director of Opera : cultural change and artistic genres." Thesis, Goldsmiths College (University of London), 2005. http://research.gold.ac.uk/10907/.

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This dissertation on Meyerhold situates his theatre practice, and, notably, his work on opera in the context of the changing political and cultural climate in Russia during the period 1905 - 1939 and its impact on developing artistic genres. It studies the way different genres in his theatre interlocked with, anticipated or captured cultural changes in relation to the aesthetics of the World of Art group, Imperial Theatres and the Soviet Policy on the arts and theatre. Meyerhold's work encapsulated the main tendencies and problems of the Russian avant-garde at the time, and the educational rol

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Shore, Nicolas. "Whose heritage? : the construction of cultural built heritage in a pluralist, multicultural England." Thesis, University of Newcastle Upon Tyne, 2007. http://hdl.handle.net/10443/1654.

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Much recent debate surrounding the conservation of cultural built heritage (CBH) concerns its instrumental role in society. In Britain, the ascendance of openly contested identity politics and New Labour's orthodoxy of socially progressive reform draw attention to particular challenges facing heritage conservation activities in a pluralist, multicultural society. Here, it is argued, ethnic minorities face exclusion from state-defined heritages which they may not share. Yet despite its appropriation to pursue social objectives, the meaning of CBH, in terms of what it is and what it does at loca

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