Relevant bibliographies by topics / Cultural and creative industries

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural and creative industries'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 July 2025

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Journal articles on the topic "Cultural and creative industries"

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Rodríguez-Ferrándiz, Raúl. "From Cultural Industries to Entertainment and Creative Industries. The Boundaries of the Cultural Field." Comunicar 18, no. 36 (2011): 149–56. http://dx.doi.org/10.3916/c36-2011-03-06.

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This article analyzes the current trend towards dilution of the concept of «cultural industries» and the increasing usage of terms such as «entertainment industries», «leisure industries» or even «creative industries». We review recent specialized literature, identify overlapping between the above terms and conclude that this change is a new turning point in the concept of culture, closely associated with new spaces and times for its enjoyment, with the technological evolution of cultural products, changes in the ownership of their suppliers as well as with the shifting roles of author, actor
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Qi, Xueyuan. "Analysis on the Marketing Strategies of Cultural and Creative Products Based on Case Study of Beijing's Palace Museum." Advances in Economics, Management and Political Sciences 26, no. 1 (2023): 33–40. http://dx.doi.org/10.54254/2754-1169/26/20230537.

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With the improvement of people's spiritual and cultural needs, cultural and creative industries are rising all over the world. Museums are pioneers and important carriers of cultural and creative industries. A good industrial strategy should be consumer-centric. The Palace Museum has played a leading role in the domestic cultural and creative industry and has successfully attracted many consumers with its excellent marketing concept. However, there are still some shortcomings in the commercialization of museums' creative cultural products. This article takes the Palace Museum as an example to
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Abankina, T. "Creative economy: Towards cultural heritage capitalization." Voprosy Ekonomiki, no. 4 (April 20, 2017): 100–116. http://dx.doi.org/10.32609/0042-8736-2017-4-100-116.

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The paper analyzes trends in the development of the creative economy in Russia and estimates the export potential of the Russian creative industries. The author demonstrates that modern concepts of cultural heritage preservation focus on increasing the efficiency of its use and that building creative potential and systematic support of the creative industries are becoming a key task of the strategic development of regions and municipalities in the post-industrial era.
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GALYUK, Svyatoslav. "Cultural space of creative industries." ART-platFORM 9, no. 1 (2024): 382–402. http://dx.doi.org/10.51209/platform.1.9.2024.382-402.

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The purpose of the work is to justify scientific approaches to defining the essence of creative industries, identifying ways of their functioning, and outlining specific ways of development in the context of the television and film industry. The author reveals the specified topic, relying on the legislation of Ukraine and scientific works of Ukrainian and foreign researchers. The researcher emphasizes that todayʾs creative industries provide a chance to realize the intellectual potential of the individual, to reveal creative talents and to have a powerful influence on the cultural and artistic
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Miller, Toby. "FROM CREATIVE TO CULTURAL INDUSTRIES." Cultural Studies 23, no. 1 (2009): 88–99. http://dx.doi.org/10.1080/09502380802326660.

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Garnham, Nicholas. "From cultural to creative industries." International Journal of Cultural Policy 11, no. 1 (2005): 15–29. http://dx.doi.org/10.1080/10286630500067606.

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Hui, Desmond. "From cultural to creative industries." International Journal of Cultural Studies 9, no. 3 (2006): 317–31. http://dx.doi.org/10.1177/1367877906066878.

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Zeng, Hui, and Lei Yang. "The Innovation and Development Path of Cultural and Creative Industries in Anhui Province, China: Nvivo12-Based Policy Text Analysis." Computational Intelligence and Neuroscience 2022 (July 20, 2022): 1–11. http://dx.doi.org/10.1155/2022/6202746.

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The policy planning of cultural and creative industries is the leading factor affecting the development of cultural and creative industries and is also an important factor in driving China’s economic transformation. How to combine the policy with the actual industrial development and how to scientifically assess the construction effect of cultural and creative industries and build the corresponding planning system are the key points of the current development of cultural and creative industries in Anhui Province, China. The study first analyzes the regional cultural characteristics and develop
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Wu, Maoguo, and Qingshu Li. "Impact of Cultural and Creative Industries on Regional Economic Development in China — A Spatial Econometric Approach." Research in World Economy 9, no. 1 (2018): 46. http://dx.doi.org/10.5430/rwe.v9n1p46.

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In the 1990s, the United States and some developed European countries began to focus on developing some emerging industries, such as the cultural and creative industries, which developed effectively with traditional industries and achieved great economic benefits. With the worldwide economic integration, as a developing country, China has gradually realized the importance of emerging industries in the 21st century. Cultural and creative industries have also attracted more attention and achieved rapid development in the past few years. However, cultural and creative industries in China are stil
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Yatsko, Kateryna. "Cultural Industries as a Method of Self-Expression." Culture and Arts in the Modern World, no. 21 (July 22, 2020): 191–200. https://doi.org/10.31866/2410-1915.21.2020.208255.

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The purpose of the study is to identify the features of the cultural industries’ concept formation and potential. The research methodology is based on a comprehensive approach. The research applied general scientific and cultural methods, which promoted the detailed reading of the “culture industries”, “creative economy”, and “cultural industries” concepts, in particular, the method of structural and functional analysis, to consider their organisational components; a systematic method that, by incorporating elements of interdisciplinary analysis, has h
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Dissertations / Theses on the topic "Cultural and creative industries"

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Yang, Haihuan, and 杨海寰. "Creative industries, creative industrial clusters and urban regeneration : a case study in Shanghai, China." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hdl.handle.net/10722/194615.

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Under the transformation from “rural China” to “urban China”, cities in this country are confronting with the increasingly complicated problems of urban decline, not just physical decay as well as functional deterioration. The approach prevalently adopted, however, is of tearing down the old and starting the new from scratch, which relies on immediate measures of physical construction but neglects the objectives of social inclusion and heritage protection. For Chinese cities, it is necessary to reconsider the issue on urban regeneration from a more holistic and multidimensional perspective.
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Luca, Mariavittoria <1991&gt. ""Cultural and Creative Industries: the Role of Culture in the Economy"." Master's Degree Thesis, Università Ca' Foscari Venezia, 2017. http://hdl.handle.net/10579/10068.

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In the first chapter I will discuss the cultural industry making an historical overview, classification and analysis concerning the measurement methods related to it. In the second chapter I will speak about the cultural attractors (museums, theaters) and how these drivers create new jobs. In the third chapter instead I will consider the relationship between the creative and traditional industries. The final chapter will be about the policy and the access to finance for the cultural and creative sectors.
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Maddah, Lina. "Essays on Cultural and Creative Industries: Clustering, Location and Employment Growth." Doctoral thesis, Universitat Rovira i Virgili, 2021. http://hdl.handle.net/10803/671553.

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Aquesta tesi contribueix al debat contemporani sobre el paper econòmic de les Indústries Culturals i Creatives (ICCs). En primer lloc, la tesi analitza l'impacte de l'especialització en les ICCs sobre el creixement total de l'ocupació entre el 2001 i el 2011 a nivell local, a Catalunya. Partint d'una especificació OLS i després aplicant una regressió quantílica (QR), els resultats revelen que l'especialització en algunes ICCs impulsa l'ocupació, però només per als municipis d'alt creixement (en termes d'ocupació). En segon lloc, la tesi investiga a fons l'Àrea Urbana Funcional de Barcelona
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Doneman, Michael. "Creative industries development in regional Queensland." Thesis, Queensland University of Technology, 2006. https://eprints.qut.edu.au/16281/1/Michael_Doneman_Thesis.pdf.

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Creative industries have significance in considerations of regional development because of their potential for both social-cultural and political-economic benefit. This is especially the case in Indigenous communities, given the potential of traditional and contemporary cultural expression for industry development and employment. This research set out to explore and evaluate an action research approach to creative industries development in regional contexts, stimulated by a research initiative of　Queensland's Department of State Development in cooperation with Queensland University of Technolo
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Doneman, Michael. "Creative industries development in regional Queensland." Queensland University of Technology, 2006. http://eprints.qut.edu.au/16281/.

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Creative industries have significance in considerations of regional development because of their potential for both social-cultural and political-economic benefit. This is especially the case in Indigenous communities, given the potential of traditional and contemporary cultural expression for industry development and employment. This research set out to explore and evaluate an action research approach to creative industries development in regional contexts, stimulated by a research initiative of　Queensland's Department of State Development in cooperation with Queensland University of Technolo
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Nasta, Luigi. "Team dynamics and technology impact on creative and cultural industries." Doctoral thesis, Luiss Guido Carli, 2017. http://hdl.handle.net/11385/201146.

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The creative economy has become a powerful transformative driving force in the world. Its potential for development is vast and waiting to be totally unlocked. It represents one of the most rapidly growing sectors of the world economy, not just in terms of income generation but also for job creation and export earnings. For these reasons, an increasing interest on the contexts of creative and cultural industries has emerged in the last years and, since human creativity and innovation, at both the individual level and group level, are the key drivers of these industries, they have attracted the
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Tsai, Hui-Ju. "Creative industries policy in Taiwan : the effects of neoliberal reform." Thesis, Loughborough University, 2018. https://dspace.lboro.ac.uk/2134/36207.

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Since 2002 Taiwan has transformed its cultural policy, following the lead of the UK's creative industry discourse in particular and neoliberal policy regimes in general. This thesis investigates the processes through which neoliberal thinking shaped changing cultural policy and the impact this has had on cultural workers and practices in Taiwan s cultural landscape. I examined policy making documents and interviewed a range of involved actors, including government officials and cultural workers to learn more about the policy process and its impact. The research argues that the creative economy
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Conefrey, Carmel. "Creative rural places : a study of cultural industries in Stroud, UK." Thesis, University of the West of England, Bristol, 2014. http://eprints.uwe.ac.uk/24003/.

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This thesis explores how different geographical places and space shape the way cultural industries work. In a departure from much of the existing literature, this study focuses on rurally based industries. In particular, it seeks to identify the ways in which and the extent to which a rural setting shapes the workings of rurally based cultural industries. A rural focus will help to broaden the intellectual knowledge base and adds to an emerging body of economic geography inspired study that is looking to refocus the cultural industries research agenda away from a pre-occupation with cities. Th
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Viktoriya, Pisotska. "Management of Tensions and Paradoxes in the Cultural & Creative Industries." Doctoral thesis, Luiss Guido Carli, 2022. https://hdl.handle.net/11385/222478.

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Tensions in cultural &amp; creative industries: a consolidating review and framework. How entrepreneurial practices balance art and business: insights into creative entrepreneurship in the European film industry. Project governance and owner organizational identity: the Venice Biennale case. The COVID-19 pandemic, cultural work and resilience: “The Darkest Hour Is Just Before Dawn”.
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Oruc, Sercan. "Modeling The Dynamics Of Creative Industries: The Case Of Film Industries." Master's thesis, METU, 2010. http://etd.lib.metu.edu.tr/upload/12611988/index.pdf.

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Dynamic complexity occurs in every social structure. Film industry, as a type of creative industries, constitutes a dynamic environment where uncertainty is at high levels. This complexity of the environment renders the more traditional operations research models somewhat ineffective, and thus, requires a dynamic analysis. In this study, a model showing the dynamics of film exhibition is given. The interactions within and between the theatrical and the DVD sales channels are implemented by the model. Later on, the possible effects of piracy to the model are discussed, using the inferences obta
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Books on the topic "Cultural and creative industries"

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Peris-Ortiz, Marta, Mayer Rainiero Cabrera-Flores, and Arturo Serrano-Santoyo, eds. Cultural and Creative Industries. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-99590-8.

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Lindqvist, Katja. Cultural and Creative Industries Policymaking. Springer International Publishing, 2024. http://dx.doi.org/10.1007/978-3-031-48094-2.

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Klasik, Andrzej. Kreatywne przemysły, kreatywne aglomeracje: Creative industries, creative agglomerations. Komitet Przestrzennego Zagospodarowania Kraju PAN, 2011.

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Weckerle, Christoph. Creative industries Switzerland: Facts, models, culture. Birkhaeuser Verlag AG, 2008.

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Walmsley, Ben, Emilee Simmons, and Michelle Wright. Fundraising in the Creative and Cultural Industries. Routledge, 2022. http://dx.doi.org/10.4324/9780429057427.

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Xiang, Hardy Yong, and Patricia Ann Walker, eds. China Cultural and Creative Industries Reports 2013. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-38157-7.

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Dellisanti, Roberto. Cultural and Creative Industries and Regional Development. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-29624-6.

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Keegan, Robin. Creative New York. Center for an Urban Future, 2005.

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Kīatnākhin, Sakchai. Thun khwāmkhit sētthakit sāngsan =: Creative capital for creative economy. Samnakphim Wailāi, 2010.

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Hesmondhalgh, David, and David Hesmondhalgh. Creative labour: Media work in three cultural industries. Routledge, 2010.

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Book chapters on the topic "Cultural and creative industries"

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Valiati, Leandro. "Creative and Cultural Industries." In The Political Economy of the Creative and Cultural Industries. Routledge, 2024. https://doi.org/10.4324/9781003434252-2.

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Handke, Christian. "Cultural Policy and Development." In Creative Industries in India. Routledge India, 2022. http://dx.doi.org/10.4324/9781003129370-3.

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Rudgard, Frances, and Phloeun Prim. "Negotiating cultural industries." In Routledge Handbook of Cultural and Creative Industries in Asia. Routledge, 2018. http://dx.doi.org/10.4324/9781315660509-27.

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Santagata, Walter. "The Cultural and Creative Industries." In The Culture Factory. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-13358-9_9.

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Luckman, Susan. "Cultural policy and creative industries." In The Routledge Handbook of Global Cultural Policy. Routledge, 2017. http://dx.doi.org/10.4324/9781315718408-22.

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Wessels, Bridgette. "The Creative and Cultural Industries." In Exploring Social Change. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-47142-0_8.

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Campbell, Miranda. "Inclusive Spaces for Small-Scale Cultural Production." In Reimagining the Creative Industries. Routledge, 2021. http://dx.doi.org/10.4324/9781003031338-7.

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Luckman, Susan. "Conclusion: A ‘Slow Creative Industries’ Movement?" In Locating Cultural Work. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283580_7.

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Parung, Christabel Annora Paramita. "Exploring Cultural Sustainability Through Contemporary Indonesian Fashion Brands." In Sustainability in Creative Industries. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-52726-5_13.

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Moeran, Brian. "Creative worlds." In Creative and Cultural Industries in East Asia. Routledge, 2021. http://dx.doi.org/10.4324/9781003177074-4.

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Conference papers on the topic "Cultural and creative industries"

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Yanyan Liu, Yanling Li, and Xianli Xue. "Exploring Beijing cultural and creative industries." In 2011 International Conference on Computer Science and Service System (CSSS). IEEE, 2011. http://dx.doi.org/10.1109/csss.2011.5975040.

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Signore, Stefano, Aurora Rimini, and Mariangela Lazoi. "Evaluating Process Maturity in creative and cultural Industries." In 2021 IEEE International Conference on Engineering, Technology and Innovation (ICE/ITMC). IEEE, 2021. http://dx.doi.org/10.1109/ice/itmc52061.2021.9570242.

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Cao, Cheng-ming. "The analysis of Guangxi's cultural and creative industries development." In EM 2011). IEEE, 2011. http://dx.doi.org/10.1109/icieem.2011.6035586.

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Shih, Meng-Long, Ke-Chung Peng, Pei-Wen Wang, Shu-Hua Hsiao, and G.-Lun Chung. "The linkage analysis among the cultural and creative industries." In 2010 3rd International Conference on Information Sciences and Interaction Sciences (ICIS). IEEE, 2010. http://dx.doi.org/10.1109/icicis.2010.5534709.

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Chang, William S. "The process of value generation in cultural creative industries." In 2011 Eighth International Conference on Fuzzy Systems and Knowledge Discovery (FSKD 2011). IEEE, 2011. http://dx.doi.org/10.1109/fskd.2011.6019828.

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Božić Miljković, Ivana, Nikica Radović, and Marija Nešić. "Contribution of Creative and Cultural Industries to Development of Cultural Tourism in Serbia." In SITCON 2018. Singidunum University, 2018. http://dx.doi.org/10.15308/sitcon-2018-86-94.

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Beales, Richard, Ajay Chakravarthy, Sam J. Kuhn, et al. "ICON: Authentic 3D Cultural Heritage Models for the Creative Industries." In Electronic Visualisation and the Arts (EVA 2011). BCS Learning & Development, 2011. http://dx.doi.org/10.14236/ewic/eva2011.23.

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Zhang, Nina. "Literary Creativity from the Perspective of Cultural and Creative Industries." In 2017 International Conference on Economic Development and Education Management (ICEDEM 2017). Atlantis Press, 2017. http://dx.doi.org/10.2991/icedem-17.2017.16.

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Angelova, Miglena. "Application of Blockchain Technology in the Cultural and Creative Industries." In 2019 II International Conference on High Technology for Sustainable Development (HiTech). IEEE, 2019. http://dx.doi.org/10.1109/hitech48507.2019.9128267.

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Tak-Chi Lee and Patrick Kai-Ching Chan. "Integrated Creative Platform (ICP)™: Strategic innovation for China’s creative cultural industries." In Conceptual Design (CAID/CD). IEEE, 2008. http://dx.doi.org/10.1109/caidcd.2008.4730815.

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Reports on the topic "Cultural and creative industries"

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Wollongong. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206965.

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Wollongong’s geographic proximity to the southern sprawl of Sydney, accessible transport and cultural diversity have been an attractor for many inward bound creative migrants, helping it diversify away from its industrial past. Wollongong City Council, understanding the importance of the creative industries, has been very proactive in ensuring that the heart of the city has been well and truly activated by sectors of these industries, while the University of Wollongong and its Innovation Campus have also proved a boon to both specialist and embedded creatives. Wollongong maintains a balance be
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Marrickville. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.208593.

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Marrickville is located in the western heart of inner-city Sydney and is the beneficiary of the centrifugal process that has forced many creatives out of the inner city itself and further out into more affordable suburbs. This locality is built on the lands of the Eora nation. It is one of the most culturally diverse communities in the country but is slowly being gentrified creating tensions between its light industrial heart, its creative industry community and inner city developers. SME’s, co-working spaces and live music venues, are all in jeopardy as they occupy light-industrial warehouses
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Jeary, Lois, and Simon Brawley. Cultural and creative industries: resources, funding, support and future. Parliamentary Office of Science and Technology, 2024. https://doi.org/10.58248/hs76.

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McCabe, Helen. Participation, diversity and inclusion in cultural and creative industries. Parliamentary Office of Science and Technology, 2025. https://doi.org/10.58248/hs115.

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Vena, Anne. Cultural Center Annual Report 2013. Inter-American Development Bank, 2014. http://dx.doi.org/10.18235/0006016.

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During 2013 the IDB Cultural Center raised its international profile by dramatically increasing strategic partnerships and advancing the cultural and creative industries agenda.Cultural Development Program grants were distributed to 45 partners in 25 nations.
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Cunningham, Stuart, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis - Innovation Precincts in Adelaide. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206903.

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There is a fraught history to the relationship between creative industries on the one hand and innovation and entrepreneurship policy and programs on the other. Such policy and program frameworks have rarely been inclusive of creative industries... This is, however, what we see happening in South Australia.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Geelong and Surf Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206969.

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Geelong and the Surf Coast are treated here as one entity although there are marked differences between the two communities. Sitting on the home of the Wathaurong Aboriginal group, this G21 region is geographically diverse. Geelong serviced a wool industry on its western plains, while manufacturing and its seaport past has left it as a post-industrial city. The Surf Coast has benefitted from the sea change phenomenon. Both communities have fast growing populations and have benefitted from their proximity to Melbourne. They are deeply integrated with this major urban centre. The early establish
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Murciano Martínez, M., and C. González Saavedra. The cultural and creative industries in the Spanish regions: The case of Catalonia. Revista Latina de Comunicación Social, 2018. http://dx.doi.org/10.4185/rlcs-2018-1250en.

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Hearn, Greg, Mark Ryan, Marion McCutcheon, and Stuart Cunningham. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Fremantle. Queensland University of Technology, 2021. http://dx.doi.org/10.5204/rep.eprints.216570.

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Fremantle is a small port city of only 29,000 people (36,000 if East Fremantle is included) that has vibrant and diversified creative industries and is geographically close to WA’s capital city Perth. Fremantle has a kind of New Orleans cultural DNA, where live music is cheap and affordable. Fremantle has a unique socio‐ cultural fabric that has contributed to the city’s large arts community and its reputation as an energetic creative city.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Ma
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