Academic literature on the topic 'Cultural anthropology|Womens studies|Ethnic studies'

Despite the ambiguous attitude of legal researchers to the place and role of legal customs in modern legal systems, this topic is of great interest in domestic science. The transitive nature of Russian society is a recognized reason. The goal was set — to conduct a comparative analysis of approaches to this phenomenon in three social sciences and humanities — philosophy, cultural studies and legal anthropology. Based on the analysis of a number of works of the last 5 years, it was concluded that the greatest cognitive potential is contained in legal anthropology — a relatively young science that studies the legal existence of mankind (and its constituent ethnic groups, peoples, nations) at all stages of the development of this existence, from archaic to modern. English version of the article on pp. 184-193 at URL: https://panor.ru/articles/the-concept-of-legal-custom-in-philosophy-cultural-studies-and-legal-anthropology/65909.html

When henry nash smith defined American Studies in 1957 as “the study of American culture past and present, as a whole,” he summarized more than two decades of a wide-ranging and self-conscious critical analysis of culture in the United States and, at the same time, initiated the search for the unified or holistic “method” through which American Studies would, finally, achieve maturity as an (interdisciplinary) discipline. The 1930s were the decade when, as Warren Susman pointed out years ago, the complexity of American culture as well as the culture concept were discovered and discussed in the wider public. We think of the work of cultural anthropology, of the studies in cultural relativism by Margaret Mead or of patterns of culture by Ruth Benedict that emphasized the unity of cultures and often were written with a self-critical look at American culture in mind. What was, however, even more important was the fact that during the 1930s American culture manifested itself as a multiculture, as a culture that was characterized even more by variety, heterogeneity, tensions, and alternative traditions than by the strong drive toward national identity and consensus. Cultural anthropologists, critics, and (“documentary”) writers such as “native anthropologist” Zora Neale Hurston, Constance Rourke, or James Agee (with photographer Walker Evans, in Let Us Now Praise Famous Men) worked out radical new methods and strategies of cultural critique and ethnographic writing in the study of American cultures, in the plural. Thus, historian Caroline F. Ware, writing for the American Historical Association in The Cultural Approach to History, could argue in 1940 that the “total cultural approach” does by no means imply that American culture is something like an organic unity, but that “American culture” is exactly the multiplicity of regional, ethnic, and class cultures and the interactions of these cultures in terms of rhetoric as well as of power, not some “common patterns” or the Anglo-Saxon tradition the “other” groups have to “contribute” to.

The origins of photography and sociology date back almost at the same time, but the relationship between them was not as intimate as it was to be. Sociologists refrained from using photography as a method in their researches until the importance of qualitative research was realized. Debate is still going on whether photographs expose total social reality or just provide the possibilities of subjective interpretations in the form of partial truths. Anthropologists, to some extent, are ahead in using photographs in their ethnographic works from early years. The essay deals photography only as a means of sociologists’ engagement with issues of identity formation with reference to ethnicity. The narrative potentiality of photography, which is crucial to uncover the meanings embedded in peoples’ struggles for identity, becomes its strength to claim as a research tool in qualitative research in sociology. Furthermore, enriched with meanings photographs bring subjectivists and constructivists closer to the discipline of photography. The importance of photography in constructing meanings through grounded theory method research on ethnic identity concerns of various cultural groups, largely in south Asia, cannot be underscored since the photographic practice has already made its claim for the place in qualitative sociology and anthropology. Himalayan Journal of Sociology & Anthropology - Vol. VII (2016), Page: 75-95

In "The Making of Chumash Tradition" (Current Anthropology 38(5):761-94, December 1997) Brian Haley and Larry Wilcoxon offer a provocative argument regarding ethnic identity, environmental politics, and anthropological complicity in the construction of modern Chumash "traditionalism." Their argument centers on the ironic juxtaposition of Indians and anthropologists in the contemporary practice of cultural resource management in general, and traditional cultural property evaluation in particular. While their description of contemporary Chumash ethnic politics is complex, the centerpiece of their narrative concerns the cultural claims advanced in reaction to a 1978 proposal to construct a liquefied natural gas (LNG) terminal near Point Conception, in the vicinity of Santa Barbara, California.

This study helps address gaps in knowledge concerning the lives of Indo-Fijian immigrant women in California and offers a space for their voices to be heard. The subsequent chapters investigate the lives of five Indo-Fijian immigrant women and their experiences upon migrating to Modesto, California. Using a qualitative research approach, data were collected through participant-observations, semi-structured in-depth interviews and informal conversations. The data are presented as anthropological silhouettes, a form of life-writing (the recording of events and experiences of a life), which explores each individual woman’s experience with life in Fiji to her eventual migration and transition to life in California. The study reveals heterogeneity amongst the women’s experiences and perspectives as well as commonalities that arise in their collective experiences as Indo-Fijian immigrant women residing in the city of Modesto. Overall, the anthropological silhouettes reveal that migration has led to shifts in the women’s identities and their prescribed gender roles. Furthermore, despite some of the challenges that came with immigrating, the women have experienced social, political and economic mobility since arriving to California. All five women have accepted the United States as their adopted homeland, and as a result, have no plans of re-migrating to Fiji.

The purpose of this study was to observe the correlation between ethnic identity and gender as well as the relationship between ethnic identity and one’s country of origin. The study participants (n=335) were recruited through the social media sites Facebook, Twitter, Linked In, and Reddit. Participants completed the 15-question Multigroup Ethnic Inventory Measure (MEIM) and a Demographic Questionnaire, all done completely online. It was hypothesized that participants’ level of ethnic identity as measured by MEIM scores would differ significantly between the genders. Furthermore, it was posited that participant’s level of ethnic identity would differ significantly between countries of origin. Both hypotheses were supported. Implications of the study findings and recommendations for future research are discussed.

Located in South America, and being a post-colonial Dutch colony, Suriname has an ethnically diverse population of transplants. After its independence in 1975, Suriname underwent gruesome civil unrest while ruled by a Militia coup that killed specific ethnic groups for claiming their own identities, juxtaposed to its acceptance of ethnic diversity. The film, Suriname’s Identity Construction and Negotiation by Danielle Celeste Castillo, follows a select group of people who claim to be Surinamese and something else, as they reject or claim prescribed forms of identities further negating ethnicity and nationality’s relationship with a person’s internal and external selves. This project shows identity is fluid and also fixed depending on the context while also expanding anthropological, psychological and sociological works on ethnic and national identities.

The musical traditions of New Orleans are largely patriarchal. As the predominant sonic signifier of New Orleans, the brass band amplifies this gender bias more than any other musical tradition in the city. Brass band song lyrics can at times revolve around the subjugation and objectification of women, which renders the brass band canon tricky to access for female musicians. These symbolic issues become socially reified in the male control of instruments and the barriers to professionalization experienced by female musicians. Indeed, female brass band musicians are in the minority, constituting few more than ten musicians in a city with somewhere in the vicinity of fifty bands, all of which feature about ten musicians. The available literature on brass bands has thus far focused almost exclusively on black men and, mostly due to the relative absence of women in brass bands, neglects to view gender as a category of analysis, reflecting the gender bias of the scene at large. Using black feminist theory, this thesis seeks to introduce gender as a key element to brass band research by studying the only current exception to male dominance in New Orleans’ brass band community, an all-female brass band named the Original Pinettes Brass Band. Their example forces us to reconsider the domain of brass band music not only as one where brass band instruments articulate power, but where gender is a primary element in the construction and consolidation of this power.

The Occupy movement galvanized people from across the United States and around the world to stand up against corporate profiteering and political corruption. The revolutionary energy spread from community to community and Occupiers began to create a reality moving beyond racism, hierarchy, and patriarchy. Feminist activists, both women and men, had a major voice in Occupy. They called into question sexist behavior, unrecognized privilege and gender inequality in conjunction with other forms of oppression. Unfortunately the breakdown of the encampments and the backlash in the mainstream media led to a critical view of the movement. In reality, Occupiers formed networks of mutual aid which continue to expand and transform today.

Based on ethnographic research conducted at Occupy Los Angeles and Occupy Long Beach, this thesis project explores a feminist perspective of the Occupy movement. Inspired by applied visual anthropology and new media, Occupy Feminism is an interactive zine interspersed with writing, photographs and videos. This project is an educational resource for those who want to understand feminist theory, the Occupy movement and how they intersect.

This thesis is a study about Mapuche rural-urban, indigenous migration in Chile and how Mapuche have experienced their individual and familial migratory processes. Previous studies on Mapuche migration have taken a macro approach to examine this phenomenon and have concentrated on the experiences of migrants after their migration has taken place. This thesis, adding a new perspective to the current body of knowledge, studies the migration of Mapuche beginning with the inception of the process and continues through to trace their settlement in Santiago. With this, the study analyzes the character of Mapuche migration, examining the reasons and expectations behind this migration as well as how this process has been initiated and sustained through time. In addition to this, the study focuses on the social and cultural consequences that stem from Mapuche migrating and settling in Santiago, and pays special attention to the role that kin networks have in this process. This thesis, then, analyzes the particular characteristics of Mapuche rural-urban migration and considers the significance of individual agency in constructing different migratory paths by examining individual migration stories. In this thesis, I also examine the different mechanisms that Mapuche in Santiago have put in place to grapple with the social and cultural challenges behind their migration to and settlement in the city.

Cooperation between members of subordinate and dominant national groups under conditions of alien rule is routine: rulers demand it, and the ruled—willingly or unwillingly—supply it. Yet the boundaries of acceptable and unacceptable cooperation—what I term interactional norms—vary. Scholars have yet to explain how and why cooperation varies under military occupation, colonial rule, or other cases of asymmetric power relations between distinct identity groups. This study fills that gap by assessing fluctuations in Palestinian cooperation with Israel from 1967–2016, building a theory of Purpose-Driven Boundary Maintenance. It process-traces a causal story, beginning with leadership dynamics, working through social purpose, and noting distinct and probable outcomes around interactional norms. Social purpose— the shared goals of a group that create obligations to behave in ways that aim at achieving collective goals—is considered a necessary condition for realizing clear interactional boundaries for subordinate groups under alien rule. Social purpose is triggered with cohesive leadership, producing sharp interactional norms and encouraging norm-compliance. When national strategy aims toward diplomacy, interactional norms will be positive (promoting cooperative relations with the dominant group), and compliance will be high. When national strategy aims at resistance, interactional norms will be negative (prohibiting certain interactions with the dominant group), and compliance will be moderate. Fragmented leadership, on the other hand, fails to trigger social purpose, resulting in social anomie. Where compliance exists, it is sporadic and isolated from a cohesive national strategy. This study draws on 2 years of fieldwork and process-traces changes in Palestinian interactional norms from 1967–2016, highlighting critical junctures and explaining shifts in five major phases of contestation: (1) The beginning of occupation—1967–1987 (2) the first intifada—1987–1993 (2) the Oslo years—1994–2000 (3) the second intifada—2000–2006 (4) and the post-inqisam years—2006–2014.

This research stems from my questioning regarding the lack of research of precolonial archaeological sites and their almost complete absence in the new industry of tourism. I chose my field site on the city of Granada because of the historical importance in the economy of the country, its foundation as the first establishment of Spanish colonizers, and its centrality today in Nicaraguan tourism. Babb (2004) argues that the introduction to tourism industry provides the opportunity to the Nicaraguan government to remake its image to the outside. This remaking of the country’s image will affect how Nicaraguans view themselves. In that sense my main question is: what are the effects of tourism on the identity of granadinos? I argue that the Nicaraguan government takes an active position in presenting tourists with a modernized (not indigenous or black) Nicaraguan community by silencing their past and present, and presenting to tourists only the European heritage of the country; such narratives gives a partial representation of the Nicaraguan identity to foreign visitors; at the same time it projects and naturalizes Nicaraguan identity as “mestizo.” I conclude tourism narratives are reinforcing a mestizo identity through the colonial heritage. Young mestizos as well as indigenous people continue to admire and emulate foreigners’ accents, clothing, sports, hairdo, etcetera.. I believed that the reason for these changes were rooted in the introduction of tourism and new cultural expressions, however, from this research I concluded that is rooted in the effects of the colonial period on the identity of the population. For centuries the Spanish crown and later the national governments eroded the foundation of the indigenous identity, thus the origins of mestizo identity as well. Thereby creating an identity crisis among both ethnic groups and a deep tension on the subject of identity, furthering the racialization of indigenous and Afro-descendant communities. Mestizaje successfully silenced indigenous populations, and ignored the indigenous origin of mestizos. However, currently mestizos do participate in indigenous cultural expressions departing from the hegemonic concept of mestizo - as in complete opposition to indigenous identity -, although they deny or ignore and racialize indigenous people. I consider that the introduction of tourism has brought changes in the Nicaraguan population. The government narratives based on colonial identities create a new environment where colonial relationships are reproduced. In my opinion this is a negative impact of tourism, however, it may lead to new conversations about colonialist interactions, ethnic identity and racism that remain covert in the everyday lives of Nicaraguans.

AbstractA significant effort in theorising and conceptualising the visual has been made within various disciplines. To mention only a few, Howard Becker (Art as collective action. Am Sociol Rev 767–776, 1974) in visual sociology, Lucien Taylor (Visualising theory. Routledge, 1994), Marcus Banks and Howard Morphy ((eds): Rethinking visual anthropology. Yale University Press, London, 1999) and Jay Ruby (Picturing culture: explorations of film and anthropology. University of Chicago Press, Chicago, 2000) in visual anthropology, Chris Jenk ((ed): Visual culture. Routledge, 1995) in cultural studies, Gillian Rose (Visual methodologies: an introduction to the interpretation of visual methods. Sage, 2001) in geography and Sarah Pink (Doing visual ethnography. Sage, London, 2001) in visual ethnography, all produced fundamental works focusing on the visual in social sciences. This book, however, without diminishing the disciplinary work within the subject, proposes to approach visual methodologies in the specific context of a field of study, adopting an interdisciplinary approach that brings together geography, sociology, anthropology and communication studies. As Adrian Favell (Rebooting migration theory: interdisciplinarity, globality and postdisciplinarity in migration studies. In: Brettell C, Hollifield J (eds) Migration theory: talking across disciplines. Routledge, pp 259–278, 2007, p. 1988) has suggested: “On the face of it, there could hardly be a topic in the contemporary social sciences more naturally ripe for interdisciplinary thinking than migration studies.” In this piece we will attempt to explain why the adoption of visual methodologies in the field of migration studies is of particular interest.

At the Thai-Malaysian border, a majority of the population comprises the Thai-Melayu ethnic group, as speakers of the Pattani-Malay dialect. Here, heritage language maintenance presents a salient factor. The ethnicity resides on both sides of the border. This study aims to investigate the heritage language maintenance and identities of the Thai-Melayu ethnic group in Jaleh Village, Yarang District, Pattani, Thailand, and to examine their attitudes towards the language used in their community. The samples-set comprised 20 local respondents who were born and raised in the village. A questionnaire addressing the effects of the heritage language maintenance of the Thai-Melayu was employed as a tool of data collection. A descriptive analysis method was used for data analysis. The results of the study revealed ideological underpinnings of the ethnic group with regards to language, as well as demographic information that informs population and cultural studies. These factors include that the Pattani-Malay dialect constitutes a major language, where the Thai language in comparison has a minor usage in the community. The Pattani-Malay dialect is used in the family domain, with extended families, or with neighbors, and in ritualistic or religion domains. In contrast, Thai is used with strangers, in government and official domains, in the school domain, and in the domain of public health. Moreover, the results support that the dialect has not as yet become endangered, evidenced by that the samples prefer the Pattani-Malay dialect as the main language for daily life, and for passing on their ethnic language to younger generations, a process labeled as ‘accidental maintenance.’

Like other genres of folk literature, fairy tales of Vietnamese ethnicity with miraculous character systems become strongly influenced by Southeast Asia’s historical-cultural region. Apart from being influenced by farming, Buddhism, Confucianism, urbanism, Vietnamese fairy tales are deeply influenced by ethno-linguistic elements. Consequently, fairy tales do not preserve their root identities, but shift and emerge over time. The study investigates and classifies the miraculous tales of peoples of Vietnam with strange characters (fairies, gods, Buddha, devils) in linguistic and ethnographic groups, and in high-to-low ratios. Here the study expands on, evaluates, correlates, and differentiates global miraculous characters, and describes influences of creation of miraculous characters in these fairy tales. The author affirms the value of this character system within the fairy tales, and develops conceptions of global aesthetic views. To conduct the research, the author applies statistical methods, documentary surveys, type comparison methods, systematic approaches, synthetic analysis methods, and interdisciplinary methods (cultural studies, ethnography, psychoanalysis). The author conducted a reading of and referring to the miraculous fairy tales of the peoples of Vietnam with strange characters. 250 fairy tales were selected from 32 ethnic groups of Vietnam, which have the most types of miraculous characters, classifying these according to respective language groups, through an ethnography. The author compares sources to determine characteristics of each miraculous character, and employs system methods to understand the components of characters. The author analyzes and evaluates the results based on the results of the survey and classification. Within the framework of the article, the author focuses on the following two issues; some general features of the geographical conditions and history of Vietnam in the context of Southeast Asia’s ancient and medieval periods were observed; a survey was conducted of results of virtual characters in the fairy tales of Vietnam from the perspective of language, yet accomplished through an ethnography. The results of the study indicate a calculation and quantification of magical characters in the fairy tales of Vietnamese. This study contributes to the field of Linguistic Anthropology in that it presents the first work to address the system of virtual characters in the fairy tales of Vietnam in terms of language, while it surveys different types of material, origins formed, and so forth.

Genetic and geological studies reveal that following the melting of snows 22,000 years ago, the post Ice-age Sundaland peoples’ migrations as well as other peoples’ migrations spread the ancestors of the two distinct ethnic groups Austronesian and Austroasiatic to various East and South–East Asian countries. Some of the Austroasiatic groups must have migrated to Northeast India at a later date, and whose descendants are today’s Munda-speaking people of Northeast, East and Southcentral India. Language is the store-house of one’s ancestral knowledge, the community’s history, its skills, customs, rituals and rites, attire and cuisine, sports and games, pleasantries and sorrows, terrain and geography, climate and seasons, family and neighbourhoods, greetings and address-forms and so on. Language loss leads to loss of social identity and cultural knowledge, loss of ecological knowledge, and much more. Linguistic hegemony marginalizes and subdues the mother-tongues of the peripheral groups of a society, thereby the community’s narratives, histories, skills etc. are erased from their memories, and fabricated narratives are created to replace them. Each social-group has its own norms of extending respect to a hearer, and a stranger. Similarly there are social rules of expressing grief, condoling, consoling, mourning and so on. The emergence of nation-states after the 2nd World War has made it imperative for every social group to build an authentic, indigenous narrative with intellectual rigour to sustain itself politically and ideologically and progress forward peacefully. The present essay will attempt to introduce variants of linguistic-anthropology practiced in the West, and their genesis and importance for the Asian speech communities. An attempt shall be made to outline a Khymer narrative with inputs from Khymer History, Art and Architecture, Agriculture and Language, for the scholars to take into account, for putting Cambodia on the path to peace, progress and development.

In intercultural scholarship, there is a considerable number of studies that explores the impact and effect of culturally oriented social media (see Koda 2014, 2016; Mendoza 2010). Of these studies, however, there is a paucity of understanding on how social media becomes a third space of cultural representation, especially in the Southeast Asian context (Dumlao and Wattakan 2020; Feng 2009; Kalscheuer 2008). Drawing from insights connected to inter-semiosis by Kress and Van Leeuwen (1996) and SF-MDA by O’Halloran (2011), therefore, this paper explores the glocalization process and its inclination to cultural representation, and thus creating new discursive forms of identities, by looking at Thai TV ads from January 2019 to December 2019. Two Thai TV ads were purposively chosen from international beverage companies. To capture the glocalization and cultural representation, we compared these with TV ads from other countries, namely, the Philippines, and the U.S.A. Through content and multidimensional analysis, the findings suggest that commercials construct glocal identities through several factors and incidences. These incidences and factors support and provide understanding for brand identity positioning, which itself describes the intersemiosis of elements within contemporary consumer cultures. Implications of this study are discussed in the paper.

Multilingualism in urban spaces is mainly studied as an oral practice. Nevertheless, linguistic landscape studies can serve as a good explorative method for studying multilingualism in written practices. Moreover, resent research on linguistic landscapes (Blommaert 2013; Shohamy et. al. 2010; Backhaus 2006) have shed some light on the power relations between different ethnic groups in urban public space. Multilingual practices exist in a certain ideological context, and not only official language policy but speaker linguistic stereotypes and attitudes can influence and modify those practices. Historically, South Korea tended to be oriented towards monolingualism; one nation-one people-one language ideology was domineering public discourse. However, globalization and recent increase in migration resulted in gradual changes in attitudes towards multilingualism (Lo and Kim 2012). The linguistic landscapes of Seoul, on the one hand, reflect these changes, and However, they demonstrates pragmatic inequality of languages other than South Korean in public use. This inequality, though, is represented differently in certain spatial urban contexts. The proposed paper aims at analyzing data on linguistic landscapes of Seoul, South Korea ,with the focus on different contexts of language use and different sets of norms and ideological constructs underlying particular linguistic choices. In my presentation I will examine data from three urban contexts: ‘general’ (typical for most public spaces); ‘foreign-oriented’ (seen in tourist oriented locations such as airport, expensive hotels, or popular historical sites, which dominates the Itaewon district); and ‘ethnic-oriented’ (specific for spaces created by and for ethnic minority groups, such as Mongolian / Central Asian / Russian districts near the Dongdaemun History and Culture Park station). I will show that foreign languages used in public written communication are embedded into different frameworks in these three urban contexts, and that the patterns of their use vary from pragmatically oriented ones to predominately symbolic ones, with English functioning as a substitution for other foreign languages, as an emblem of ‘foreignness.’

Japanese animation or anime is one of the most popular and well-received types of Japanese popular cultures, translated into various languages, rendering these globally renowned. A plethora of studies has shown that interest in anime has led students to start learning the Japanese language. However, to date, studies examining the influence of anime consumption on Japanese language students, particularly in Malaysian contexts, are scarce. The present study aims to identify the effect of anime consumption on Malaysian undergraduates who enrolled in beginner Japanese language courses at three public universities in Malaysia. A total of 150 undergraduate students who are interested in anime participated in this study. The data was collected using an online survey and was coded and categorized by themes. The data revealed that most students are influenced by the characters, settings, and storylines of anime. The main positive effects are; broadening their knowledge on Japan and its culture, deepening their interest on Japanese language, strengthening relationships with family members and friends, releasing stress, instilling positive moral values and enhancing imagination and creativity. However, poor time management, negative moral values, negative emotion, antisocial behavior, escapism and buying characters’ goods are mentioned as the main adverse effects. The results of this study gave insightful perspectives to those working in Japanese language and cultural pedagogies.

Broadcasting and television are two popular types of media, with more audience than other types of media in Viet Nam today. Tay-Nung is a common language of two ethnic groups with the largest population of ethnic minorities in Viet Nam. Research on broadcasting and television in the Tay-Nung language is importance research, involving both journalism and the science of language. On the basis of surveys on the state of broadcasting in Tay-Nung language and the attitude, needs and aspirations of the Tay and Nung ethnicity on this activity, this article aims to describe and evaluate the current status of broadcasting in the Tay-Nung language, thereby proposing ways and means to improve the efficiency and effectiveness of broadcasting in Tay- Nung language. The main methods used in this study are a scientific observation method, a sociological survey method (interviews, discussions, investigation by questionnaires), method of description (analytical, statistical, classification, systematization) and a comparison method. Research data is collected from relevant documents and from the use of sociological survey methods. The subject of the article is the broadcast in Tay-Nung language activities in Viet Nam at present. This subject is considered in the following aspects; the places, the levels of broadcasting and television; the choice and use of language / dialect; attitude, needs and aspirations of the recipients, and some ways and solutions to be implemented. Research results of the project will help the Ministry of Information and Communication, in radio and television, to develop specific suggestions on the choice of type and level of communication. At the same time, the Viet Nam has also suggested the development of policies related to communication in ethnic minority languages. Raising the effectiveness of broadcasting in the Tay-Nung language will contribute to the preservation of language and culture; will improve quality of life for the Tay and Nung ethnicity and will contribute to sustainable development of nations in the renewal period. The work will inform work by the State, the Ministry of Information and Communication, should the State and the Ministry of Information and Communications pay attention to this timely guidance. Results will contribute to studies on communication in ethnic minority languages in Viet Nam or on communication in Tày Nùng in Southeast Asia.

The context of globalization along with the development of electronic media has opened a new era for folklore in general as well as forms of linguistic composition of folk literature in particular. In addition to the form of composing and keeping media documents in the traditional way, the Internet explosion has dominated the main spaces of communal life and has gradually changed the mode of human interaction. Cyber space is considered as a tool to convey traditional values, to create many new cultural activities, and to be a place to circulate folk cultural works in contemporary society, in which folk poetry (Ca dao) is one. Modern folk poetry studies are still a controversial issue in academic circles in Vietnam, but with the dominance of today's Internet communication technology, the emergence of lyrics rhymes circulated on the Internet is a remarkable and inevitable phenomenon in the context of development of various forms of "reformed", "processing", "parody" lyrics, songs, poems according to the direction of humor and entertainment rather than focusing on aesthetics and art. From a linguistic cultural approach, this article aims to discuss modern folk poetry on such issues as: Why did such folk poetry come about? How would we circulate or share this poetry on the Internet and to approach folk culture in an era of dominance of visual culture (TV, video, film, photography) and Online culture; how does socio-economic change on modern folk poetry impact on the Internet in terms of thinking innovatively, and how does it tend to break traditional cognitive structures due to the diverse forms of reflection and reality in modern society?

Students who participate in a study abroad (SA) program are naturally exposed to new ‘ways of being’ (e.g., unfamiliar linguistic and cultural practices) and as they adjust to the host environment, they may experience acculturative stress and identity confusion (Jackson 2018, 2020). To better understand the challenges facing second language (L2) SA participants, applied linguists in various parts of the world are conducting introspective studies that seek to identify and make sense of factors that can influence L2 socialization and sojourn outcomes (e.g., language proficiency gains, intercultural competence development) (Iwasaki 2019; Jackson 2019). Their work is providing much-needed direction for pedagogical interventions in SA programs (e.g., pre-departure orientations, language and intercultural transition courses) (Jackson and Oguro 2018; Vande Berg, Paige and Lou 2012). This, in turn, is helping institutions of higher education to realize some of their internationalization goals (e.g., the enhancement of language and intercultural development). After explaining contemporary notions of L2 socialization/acculturation and poststructuralist perspectives on identity, this colloquium presented the key findings of three mixed-method, largely qualitative, longitudinal studies that investigated the L2 socialization and identity reconstruction of participants in various short-term SA programs.

In this presentation, I will show that various multimodal resources—such as utterance, prosody, rhythm, schematic images, and bodily reactions—may integratively contribute to the holistic achievement of poeticity. By incorporating the ideas from “ethnopoetics” (Hymes 1981, 1996) and “gesture studies” (McNeill 1992, 2005), I will present a plurimodal analysis of naturally occurring interactions by highlighting the interplay among the verbal, nonverbal, and corporeal representations. With those observations, I confirm that poeticity is not a distinctive quality restricted to constructed poetry or “high” culture, but rather an endowment to any kind of natural discourse that is co-constructed by various semiotic resources. My claim specifically concerns a renewed interest in an ethnopoetic kata ‘form/ shape/ style/ model’ embraced as performative “habitus” among Japanese speakers (Kataoka 2012). Kata, in its broader sense, is stable as well as versatile, often serving as an organizational “template” for performance, which at opportune moments may change its shape and trajectory according to ongoing developments. In other words, preferred structures are not confined to an emergent management of performance, but should also incorporate culturally embedded practices with immediate (re)actions. In order to promote this claim, I explore a case in which mutually coordinated performance is extensively pursued for sharing sympathy and camaraderie. Such a kata-driven construction was typically observed in a highly involved, interactional interview about the Great East Japan Earthquake, in which both interviewer and interviewee were recursively oriented and attuned to the same rhythmic and organizational pattern consisting of an odd-number of kata. Based on these observations, I argue that indigenous principles of organizing discourse are as crucial as the mechanisms of conversational organization, with the higher-order, macro cultural preferences inevitably infiltrating into the micro management of spontaneous talk.

Our study’s main object is travel anthropology, the branch of science that studies the history and nature of man, socio-cultural space, social relations, and structures by gathering information during short and long journeys. The publication aims to research the theoretical foundations and genesis of travel anthropology, outline its fundamental principles, and highlight interaction with related sciences. The article’s defining objectives are the analysis of the synthesis of fundamental research approaches in travel anthropology and their implementation in journalism. When we analyze what methods are used by modern authors, also called «cultural observers», we can return to the localization strategy, namely the centering of the culture around a particular place, village, or another spatial object. It is about the participants-observers and how the workplace is limited in space and time and the broader concept of fieldwork. Some disciplinary practices are confused with today’s complex, interactive cultural conjunctures, leading us to think of a laboratory of controlled observations. Indeed, disciplinary approaches have changed since Malinowski’s time. Based on the experience of fieldwork of Svitlana Aleksievich, Katarzyna Kwiatkowska-Moskalewicz, or Malgorzata Reimer, we can conclude that in modern journalism, where the tools of travel anthropology are used, the practical methods of complexity, reflexivity, principles of openness, and semiotics are decisive. Their authors implement both for stable localization and for a prevailing transition.