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Relevant bibliographies by topics / Cultural architecture

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Academic literature on the topic 'Cultural architecture'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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Journal articles on the topic "Cultural architecture"

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Šuvaković, Miško. "Architecture as cultural practice." SAJ - Serbian Architectural Journal 1, no. 3 (2009): 171–88. http://dx.doi.org/10.5937/saj0903171q.

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In this study my intention is to interpret the "discursive" and the "ideological" differences between the architecture of postmodernism and the architecture of globalism. I will point to the paradigmatic differences between these practices and also to some specific "local examples" of execution of social quality by means of architecture being the "cultural instrument" of actualities realization. This study was written by interdisciplinary methodology of cultural studies based on Fuko's discursive analysis and Altizer's ideological analysis of the architectural productions.

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Jones, Paul. "Architecture, Time, and Cultural Politics." Cultural Sociology 14, no. 1 (March 2020): 61–79. http://dx.doi.org/10.1177/1749975520905416.

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Architecture is inextricably entangled with time. Illustrating this point, the article explores two moments of architectural production centred on London in the mid-19th century: the ‘Battle of the Styles’, a struggle over the social meaning of historicist architectural design and its suitability for state-funded public buildings; and the proto-modernist Crystal Palace, which housed the Great Exhibition of 1851. While ostensibly involving different cultural orientations to pasts-presents-futures, both cases reflect how political claims can involve the mobilisation of temporalised architectural forms. The general contention is that architecture is a culturally experimental space through which nation-states and architects seek to orientate otherwise abstracted notions of temporality. While there is no straightforward or singular correspondence between temporality and architectural sites, the built environment is pushed and pulled by states’ politicised claims regarding time and temporality. Architecture always involves the materialisation of particular and partial visions of the world as is, as was, and as could be; temporal registers in the built environment involve the stabilisation of some ways of being and the displacement of others. The political basis of these processes can be illuminated sociologically.

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Deng, De Xiang. "Cultural Context in Architecture of Marina Bay Sands, Singapore." Applied Mechanics and Materials 209-211 (October 2012): 126–31. http://dx.doi.org/10.4028/www.scientific.net/amm.209-211.126.

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It is the human intelligent enlightenments, particularly presented by that of Moshe Safdie that has constructed the world’s groundbreaking architectural work--Marina Bay Sands, Singapore. The designer’s appropriate interpretation of cultural context of this architecture has endowed it with vitality and energy, making it the paradigm of soul dwelling and spiritual home of human beings. It ushers a door for modern architectures to be built with rich flavor of spirituality.

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Hyde, Richard. "Regionalism in Architecture as Cultural Identity." Queensland Review 5, no. 1 (May 1998): 61–68. http://dx.doi.org/10.1017/s1321816600001719.

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The development of architecture follows many strands but increasingly the value and role of the discipline in relation to culture identity is questioned. Whilst it may be accepted axiomatically that architecture reflects cultural mores, with the development of commercialisation and materialism, the question focuses on how to create an architecture that reflects the locale, its peoples, its history and most of all its life styles. An architectural direction that reflects the region is perhaps more likely to succeed in this respect. Yet what are the tenets of regionalism and how can these be reflected in an authentic local architecture?

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Herbig, Ulrike. "Cultural Spaces Research on Architecture and Identity." Spring 2017 5, no. 2 (May 1, 2017): 1–6. http://dx.doi.org/10.33107/ijbte.2017.5.2.04.

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Architecture is the result of a multilayered process influenced by numerous factors. Thus, comprehensive architectural research can only be achieved through a holistic approach and in collaboration with experts from different disciplines. Although interdisciplinary research is a common framework for architectural studies and should be an integral part of the education for future architects, yet, this is not usually the case. With its module entitled “Cultural Spaces – Research on Architecture and Identity” at the TU Wien, a set of courses has been developed to arouse the interest of students of architecture in setting up their own research project. This paper will describe the research approach that is taught in the framework of the module, using the example of the class of 2016, which was focused on the architecture of the world heritage sites of Historic Centres of Berat and Gjirokastra in Albania.

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Dymchenko, M., N. Brykova, and I. Lokonova. "Architectural form as a subject of cultural communication." E3S Web of Conferences 281 (2021): 02003. http://dx.doi.org/10.1051/e3sconf/202128102003.

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The aim of the article is to investigate the architectural form self-representation processes in the spatial experience of culture. Theoretical and methodological prism of the research is the semiotic concept of architecture of W. Eco and the concept of E. Panofsky correlating with it and explaining the nature of the Gothic architectural form evolution. The architectural reality self-definition problem in the context of the historical development of cultural and anthropological experience spatial codes is considered. On the basis of W. Eco’s semiotic concept of architecture we propose the vision of architectural object as a form in which the signifier - the “grammar” of architectural text - is treated as a signifier in the unity of meanings, functions and structures of the work. Architectural form in this capacity is described as a subject of socio-cultural communication, an individual link in the spatial code mediation chain of this or that tradition. On the basis of the comparative analysis, we have demonstrated the similarity of semiotic approach to the essence of architecture and Gothic architectural thinking of E. Panofsky. It shows the relevance of this methodology for modern architecture theory allowing to reveal the processes of architectural reality affirmation. The significance of the results for the theory of architecture consists in the fact that the heuristic significance of Eco’s semiotic conception of architecture was substantiated by E. Panofsky’s conclusions concerning the essence of Gothic form-building. The notion of architectural form as a subject of cultural communication greatly extends the architectural reality affirmative nature notion.

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Ayıran, Nezih. "Architectural Continuity Towards Cultural Sustainability in Bodrum." Open House International 36, no. 2 (June 1, 2011): 82–96. http://dx.doi.org/10.1108/ohi-02-2011-b0009.

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Mediterranean architecture is considered the predecessor of the modern concept of “bioclimatic” sustainable design due to its climate reactive attitude (Coch H. 1996, Vissilia, A.M. 2009). Another aspect which renders it to be associated with the notion of modern sustainability is the employment of recyclable materials such as natural stone and wood. The vernacular architecture of Bodrum peninsula located in southwestern Turkey bears the typical characteristics of Mediterranean architecture. Since the 1970s, Bodrum has been attracting the attention of local and foreign tourists. The “architectural pollution” created by tourism facilities paradoxically devastates the natural and unique architectural characteristics of Bodrum which attract the attention of tourists. In this article, the primary focus will be the residential architecture in Bodrum due to its quite dominant typology among tourism facilities. However, the local building regulations aiming to protect natural values and architectural identity and the sensitive attitudes of some architects about preserving architectural identity and visual ecology can be considered positive aspects with regards to the harmonious architectural development of the region. Visual ecology seems generally more vital than biophysical ecology in terms of sustainable tourism economy, and tourism, is the most important sector in Bodrum. In a touristic region such as Bodrum, cultural and economic sustainability are interrelated. Today, research related to sustainability focuses primarily on energy saving and relevant technological inventions and as a result, issues such as cultural expression, contextual connection, identity formation, local differences and changes do not get their deserved places in the sustainability value setting. This paper aims to detect some clues about the outline of the residential architecture within the context of cultural sustainability in Bodrum in the light of residential architecture samples.

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Koleva, Donka. "The Architectural Cultural Values of Veliko Tarnovo - A Window to History." Cultural and Historical Heritage: Preservation, Representation, Digitalization 7, no. 1 (2021): 199–208. http://dx.doi.org/10.26615/issn.2367-8038.2021_1_015.

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Old Capital Veliko Tarnovo - the historical and spiritual capital of Bulgaria has preserved extremely valuable evidence of its history, architecture and arts. Tarnovo architecture reveals the spiritual development and masterful genius of the Bulgarians, interesting facts, continuity and creative development in the construction of temples, schools, community centers and other civic buildings over the centuries, as well as the formation of two architectural schools: medieval Tarnovo architecture with picturesque style and Tarnovo Revival architecture in baroque style by master Nikola Fichev. Keywords: Tarnovo Architecture, Master Nikola Fichev, Architectural Schools, Architectural Value

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Sasi, Ashwini. "Redefining: Cultural Impression in Princely States During Colonial Period." Resourceedings 1, no. 2 (November 27, 2018): 88. http://dx.doi.org/10.21625/resourceedings.v1i2.325.

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India is well diverse with a variety of cultural and traditional practices. Impact of age-old practices redefined the idea of culture and tradition, not only as a hereditary system, but also as part of art and architecture. Factors such as the cultural changes between North and South India, impact of the British, changes in spatial organization and patriarchy and matrilineal system drew an impact on cultural impression of India through time. Palaces (04th —18th century) and the lifestyle of the heirs, being a soul example to exhibit the Indian uniqueness, gradually inclined towards British culture and morals. This influence brought a change in the architectural design of palaces, which is the core study area in the thesis. Comparing the architectural planning of palaces from the 13th to the 18th century showed a clear change on how British influenced Indian palace design. This became one of the finest reasons to identify cities with palaces based on their culture and tradition, and on art and architecture. In addition to finding how it has brought the influential change and what is the present scenario of the same palaces. The architectures that were adopted in India was a form of true traditional architecture which is been followed through a very long time and hence it was collaborated with Italian, French, Indo Sarcenic or European style.

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Adebayo, Anthony, Anthony Iweka, Bolawole Ogunbodede, and Joseph Igwe. "Architecture: The quest for cultural identity." Facta universitatis - series: Architecture and Civil Engineering 11, no. 2 (2013): 169–77. http://dx.doi.org/10.2298/fuace1302169a.

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Despite the modern and grandiose appearance of most architectural projects, closer examinations cast doubts on their sensitivity to the cultural and traditional past of the societies for which they were intended. Space for human habitation and interaction is one of the primary aspects of man's culture, and is basic to any architectural discussion. For a long time, architecture in most developing nations was shaped by colonial contexts and ideologies. The architects seemed more committed to revitalizing the civilization of other advanced countries within a new world setting. The focus of this paper is on the interplay between architecture and culture. The relationship between spaces created by architects and the local culture is examined within the context of place - the house, the community, the region, as well as the nation. The study identifies ties that bind groups together. It also explores the components that constitute spatial character. Physical and intangible aspects of materials in achieving environmental character are evaluated. Key questions regarding the professional and ideological inclination of architects are addressed. Finally, the impact of emerging global trends occasioned by contact of cultures is analyzed.

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Dissertations / Theses on the topic "Cultural architecture"

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Pizarro, Fernando. "Cultural visualization through architecture." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0003242.

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Adeil, Mosska. "Cultural Sustainability through Architecture." Thesis, Virginia Tech, 2010. http://hdl.handle.net/10919/30934.

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Looking at Washington D.C.`s Downtown and observing its domination by office blocks, which contribute little to street life on weekends, my thesis is dealing with the broad topic of cultural sustainability. I began my thesis thinking about a project dealing with ecological sustainability, but not long after starting to research, I gained the knowledge that the cultural aspect is often forgotten or minor. Thus the design got inspired through the idea of reviving a site in D.C. and to give the different occupants of the building the chance to sense, hear, see and eventually interact with each other. The project is giving an opportunity for architecture to get involved in peopleâ s life, not just as a room to live, work and study but to lead their interaction with each other and with the city itself. To create such a mixed used building I decided to connect three main characters of a city in one building: Work Space, which includes retail and office space, Living Space for students and professors and Education, which is a literature department library. A labour intensive model making process helped me to develop the design for a mixed used building where the different programs penetrate into each other`s realm and where the city is not excluded from the building but takes part in it.
Master of Architecture

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Tharavichitkun, Burin. "Rethinking Thai architecture and cultural identity." Thesis, University of Westminster, 2011. https://westminsterresearch.westminster.ac.uk/item/90097/rethinking-thai-architecture-and-cultural-identity.

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By the mid-19th century, in order to combat the threat of colonisation by western powers, the Thai king and the country’s social elite decided to adopt and implement western notions and technology as a superior ways to develop Thailand into a civilised nation, since it was believed that a new modern image of Thai cultural identity would help the country to be regarded as equal to Europe. At the same time, traditional Thai beliefs – especially the values of ‘pure’ Buddhism – were left behind as they were seen to be entirely different from the new western notions. Ever since then westernised modes of thinking have been supported by several generations of Thai rulers through a series of examples of imposed ‘top-down’ planning. This inappropriate and failed harmonisation of modern culture with Thai tradition, a process which is increasingly influenced by globalisation, has resulted in a contemporary cultural crisis that creates many problems in different aspects of the Thai built environment. The objective of this doctoral study is therefore to observe the results of these cross-cultural conflicts, and to find new ways to use architectural design to focus on a different approach from the westernised notions embodied in globalisation. The ideals of eco-Buddhism and of localised, ‘bottom-up’ planning – together with architectural participation by local people – thus become the inspirational ideas behind this study. The framework of the thesis chooses to investigate two different dimensions of the cultural conflicts caused by unsuccessful hybridisation in Thailand: firstly, the extreme physical changes to the built environment caused by the western influences; and secondly, the specific Thai pheonmena that illustrate the negative impact of cultural hybridisation on the mentality of local people. The cities of Bangkok and Chiang Mai have thus been chosen as the two main case studies because each exemplifies particular problems. This thesis, as a PhD by Design will propose various small-scale architectural projects which are expressed differently according to their background problems. These often simple projects – seen as ‘small changes’ introduced by architects – are presented in the hope that their impacts would then be scaled up through local participation and the latent creativities of the residents of these urban areas in Thailand’s two main cities.

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Grundström, Oskar, and Theo Storesund. "Autotelic Architecture : A collection of architectural stories." Thesis, KTH, Arkitektur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-146327.

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• Autotelic Architecture is a collection of buildings with architectural stories. • The buildings included are described with black line drawings on white paper and a supplementary text. The drawings have been stripped down to only show walls, pillars, stairs, ramps and significant objects. Together the drawing and the text describes what story is told in the building through its architectural elements. • The reason to include a building in the collection is our recognition of a story within it. • All of the buildings in the collection have been built. • Each of the buildings in the collection hold a story thought of as relevant, communicated with spaces and objects. The relevance is based on an incomplete set of attributes, indicating a strong architectural story. • The buildings are categorized in different themes. For example, the theme of labyrinths describe buildings that are of a maze like nature, schizophrenic describe buildings with multiple logics and nothingness describe buildings appearing to be almost nothing. One building can be part of several themes, and the number of themes is not fixed. • The intention is to visualize the nature of the architectural story and to provide a conceptual inventory for further development of architectural stories. We believe that from telling stories with only the configuration of a buildings physical conditions there arises a direct intellectual stimulation which adds poetic depth to the building. • This book argues that the poetical aspects of architecture has a purpose in itself and should take precedence over the technical aspects. • This book is not a manual and can therefore not be seen as dogmatic or as a recipe for architecture. It is a body of strong architectural stories that deserve to be noted and shared. • This book does not take a stand against other forms of architecture, it simply proposes a language of designing that is both serious and happy, both literal and tentative, both enigmatic and real.
• Autotelisk Arkitektur är en samling av byggnader med arkitektoniska berättelser. • Byggnaderna är beskrivna med hjälp av planer och text. Planerna har blivit reducerade för att enbart visa väggar, pelare, trappor, ramper och signifikanta objekt. Tillsammans beskriver planen och texten den berättelse byggnaden berättar genom sina arkitektoniska element. • Alla byggnader i samlingen har byggts. • Byggnaderna är kategoriserade i olika teman. En byggnad kan vara part av flera teman och antalet teman är inte fast. • Intentionen är att visualisera arkitektoniska berättelser och tillgängliggöra en konceptuell inventering för vidare utveckling av arkitektoniska berättelser. Vi tror att genom att berätta historier genom enbart en byggnads rumsliga konfiguration uppstår det en intellektuell stimulering vilket skapar poetiskt djup i en byggnad. • Boken föreslår ett formgivningsspråk som är både seriöst och glatt, både bokstavligt och sökande, både enigmatiskt och verkligt.

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Ren, Jun. "Space + culture + identity : Chinese cultural center in Sea Point." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/18708.

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This thesis is inspired by the experience of living in two places that both have distinctive cultures. Architecture being a form of culture motivated me to enter the school of architecture. After 6 years of study, this paper attempts to answer my initial concerns on architecture and culture. For me it is very important to understand what the relationship between architecture and culture and how they influence each other. How does one present culture and tradition in the design of architecture? How can architecture represent cultural identity in a foreign context, in a more respectful way? Can architecture become the platform to connect people with distinct cultural backgrounds? Last but not least, in the contemporary city of Cape Town, what is the multi-cultural intervention that one can create for immigrants, in this case, the Chinese community in South Africa? These are the essential questions that I want to discuss and investigate in my thesis. There are three sections in this paper. The first is an introduction to Chinese culture and its national identity, looking at traditional Chinese architecture and philosophies behind their making. The courtyard house will be studied as an example. Furthermore, contemporary Chinese architecture that looks at new approaches to representing the modern Chinese identity will be discussed. The second part explores spatial and urban manifestation in Chinese cities - how urban space affects one's cultural behavior. I will look at typical conditions of Chinatown and its architectural characteristic in the foreign context, including the new Chinatown in Johannesburg. In the last chapter, the paper will bring forward my thoughts through design development on site selection, programme and concept. I explored the subject of architecture and identity of nation and the way that cultural identity can be represented through architecture. I questioned how this can be translated into architecture when making its national image into a foreign country.

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Chan, Yiu-yeung Daniel. "Culture forum : transformation of the Cultural Centre, T.S.T /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25946651.

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Haas, Ryan. "Cultured growth Nature as cultural object /." PDF viewer required Home page for entire collection, 2007. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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EASTMAN, CHRISTOPHER EDWARD. "JAPAN CULTURAL FORUM ARCHITECTURAL SYNTHESIS THROUGH TRANS-CULTURAL STRATEGIES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053368953.

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Elkanah, Shabonni Olivia. "Promoting cultural experiences through responsive architecture." [Tampa, Fla] : University of South Florida, 2009. http://purl.fcla.edu/usf/dc/et/SFE0002957.

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Peters, Philip. "Historical cultural memory celebrated through architecture." This title; PDF viewer required. Home page for entire collection, 2006. http://archives.udmercy.edu:8080/dspace/handle/10429/9.

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Books on the topic "Cultural architecture"

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International Alvar Aalto Symposium (4th 1988 Jyväskylä, Finland). Architecture and cultural values. Edited by Kärkkäinen Maija and Jyväskylä (Finland). [Jyväskyla, Finland]: The Symposium, 1991.

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Adrian, Notini Sylvia, ed. Cultural centres: Architecture 1990-2011. Milan: Motto, 2009.

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2, Art Recess, ed. Our Architecture Did This To Us: (Architecture and the Weight of Centuries). Conshohocken, Pa: Art Recess 2, 2016.

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Grinceri, Daniel. Architecture as Cultural and Political Discourse. New York, NY: Routledge, 2016. | Revision of author’s: Routledge, 2016. http://dx.doi.org/10.4324/9781315689371.

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Labour Party. Architecture: Our cultural future : Labour's architecture and urban design policy. London: Labour Party, 1992.

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Aasen, Clarence T. Architecture of Siam: A cultural history interpretation. Kuala Lumpur: Oxford University Press, 1998.

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Building-art: Modern architecture under cultural construction. Cambridge [England]: Cambridge University Press, 1993.

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Martinson, Tom. The atlas of American architecture: 2000 years of architecture, city planning, landscape architecture and civil engineering. New York: Rizzoli, 2009.

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Śreshṭha, Surendra Māna. Nevāḥ chem̐ =: Newar cultural house. Kathmandu: Rāmabhakta Bhomi, 1998.

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Building change: Architecture, politics, and cultural agency. New York, NY: Routledge, 2004.

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Book chapters on the topic "Cultural architecture"

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Landis, Kevin, and Suzanne Macaulay. "The Architecture of Performance Space." In Cultural Performance, 69–102. London: Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60395-1_3.

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Nomikos, Michael E. "Cultural Centre — Yenitsa Greece." In Architecture and Urban Space, 411–16. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-017-0778-7_61.

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Couvelas, Agnes. "Modern Architecture and Cultural Heritage." In Communications in Computer and Information Science, 117–28. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12960-6_8.

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Bertram, Kate. "The Cultural Architecture of Schools." In The Translational Design of Schools, 105–23. Rotterdam: SensePublishers, 2016. http://dx.doi.org/10.1007/978-94-6300-364-3_5.

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Wu, Jiede, Jianping Huang, and Rungtai Lin. "Research on Creation Architecture of Opera Cartoons." In Cross-Cultural Design. Culture and Society, 91–106. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22580-3_8.

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Schempp, Dieter. "Library and Cultural Center Herten City." In Architecture and Urban Space, 325–29. Dordrecht: Springer Netherlands, 1991. http://dx.doi.org/10.1007/978-94-017-0778-7_47.

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Wang, Ruoran, Nobuo Aoki, and Subin Xu. "From Colony to Cultural Heritage." In East Asian Architecture in Globalization, 422–39. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75937-7_32.

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Sokol Gojnik, Zorana, and Igor Gojnik. "Landmark Phenomenology of Sacred Architecture as Cultural Heritage." In Cultural Urban Heritage, 289–301. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6_20.

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Legrand, Tim. "Political-Cultural Propinquity in the Anglosphere." In The Architecture of Policy Transfer, 107–28. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55821-5_4.

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Chung, Simone Shu-Yeng. "The social architecture of contemporary cultural festivals." In Architecture, Festival and the City, 217–29. New York : Routledge, 2019. | Series: Critiques: critical studies in architectural humanities; volume 14: Routledge, 2018. http://dx.doi.org/10.4324/9780429432125-15.

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Conference papers on the topic "Cultural architecture"

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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.

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Baker, N. "Cultural responses to primitive needs." In ECO-ARCHITECTURE 2006. Southampton, UK: WIT Press, 2006. http://dx.doi.org/10.2495/arc060011.

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Bahauddin, A., S. Hardono, A. Abdullah, and N. Z. Maliki. "The Minangkabau house: architectural and cultural elements." In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120021.

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Mansour, O. E. "Indoor air quality: an enviro-cultural perspective." In ECO-ARCHITECTURE 2014. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/arc140171.

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Kazimee, B. A. "Learning from vernacular architecture: sustainability and cultural conformity." In ECO-ARCHITECTURE 2008. Southampton, UK: WIT Press, 2008. http://dx.doi.org/10.2495/arc080011.

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Daffara, Claudia, Giacomo Marchioro, and Dario Ambrosini. "Smartphone diagnostics for cultural heritage." In Optics for Arts, Architecture, and Archaeology VII, edited by Piotr Targowski, Roger Groves, and Haida Liang. SPIE, 2019. http://dx.doi.org/10.1117/12.2527560.

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Arena, Marinella, and Paola Raffa. "Architetture difensive nelle valli dello Ziz e del Todhra in Marocco." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11385.

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Defensive architecture in the Ziz and Todhra valleys in MoroccoThe earthen architecture of the Todhra and Ziz Valleys in Southern Morocco takes us back to the basic and archetypal forms of building in the Mediterranean. Architectural typology and language together form a cultural background that is strongly rooted in the territory and its inhabitants: the Berbers. The architectures, fragile and in constant decay, represent a treatise of living architecture in which the shapes, proportions and decorations are repeated over time with continuity.This research tries to verify, with data coming from direct and instrumental surveys, the quality and diffusion of the architectures that dot the valleys of the Todhra and the Ziz which, at same time, host the population and defend the most precious asset: water. Along the valleys, united by the same language, we find: igherm, fortified citadels; tighremt, fortress houses.

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Aydın, Elif, and Berna Dikçınar Sel. "Reading Cultural Heritage of Beşiktaş Through Society, Memory and Identity of the Place." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021tr0046n23.

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The constant change of the meaning of the physical environment for the individual and society during the experience of space in daily life detract the spatial perception from cultural values. The formation of valuable / important perception regarding the physical space elements that are disconnected from the interaction of space, society and culture causes place attachment status to change and negatively affects the preservation of cultural heritage values. In other words, it increases the problem of preserving cultural heritage values by losing the meaning of cultural values that are a part of the physical environment in the relationship between space and society. In this context, in Beşiktaş, which has been settled for many years and has traces of different cultures, as a result of the differentiation of the relationship between the space and the individual due to technological and economic developments, the interaction with cultural values is gradually decreasing during the experience of space. In this study, using the questionnaire method, the status of place attachment is examined through interviews with daily users of Beşiktaş by using open-ended and 5-likert scale questions. The aim of the research is to analyze the cultural heritage values in the context of the relationship between society and space in Besiktas.

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Ye, Shufeng, Yi Yang, Weixing Huang, Jian Wang, and Guigang Zhang. "Public Cultural Services Recommendation System Architecture." In 2017 IEEE International Conference on Software Quality, Reliability and Security Companion (QRS-C). IEEE, 2017. http://dx.doi.org/10.1109/qrs-c.2017.73.

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Snyder, V. "The climatic, constructional, and cultural primacy of the envelope: UR22, a case study." In ECO-ARCHITECTURE 2010. Southampton, UK: WIT Press, 2010. http://dx.doi.org/10.2495/arc100491.

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Reports on the topic "Cultural architecture"

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Latimer, Jean J. Identification of Stem Cells in a Novel Human Mammary Epithelial Culture (HMEC) System that Reproducibly Demonstrates Ductal Organotypic Architecture in 3 Weeks. Fort Belvoir, VA: Defense Technical Information Center, October 2006. http://dx.doi.org/10.21236/ada458403.

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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.

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Hunter, Fraser, and Martin Carruthers. Iron Age Scotland. Society for Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.193.

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The main recommendations of the panel report can be summarised under five key headings:  Building blocks: The ultimate aim should be to build rich, detailed and testable narratives situated within a European context, and addressing phenomena from the longue durée to the short-term over international to local scales. Chronological control is essential to this and effective dating strategies are required to enable generation-level analysis. The ‘serendipity factor’ of archaeological work must be enhanced by recognising and getting the most out of information-rich sites as they appear. o There is a pressing need to revisit the archives of excavated sites to extract more information from existing resources, notably through dating programmes targeted at regional sequences – the Western Isles Atlantic roundhouse sequence is an obvious target. o Many areas still lack anything beyond the baldest of settlement sequences, with little understanding of the relations between key site types. There is a need to get at least basic sequences from many more areas, either from sustained regional programmes or targeted sampling exercises. o Much of the methodologically innovative work and new insights have come from long-running research excavations. Such large-scale research projects are an important element in developing new approaches to the Iron Age.  Daily life and practice: There remains great potential to improve the understanding of people’s lives in the Iron Age through fresh approaches to, and integration of, existing and newly-excavated data. o House use. Rigorous analysis and innovative approaches, including experimental archaeology, should be employed to get the most out of the understanding of daily life through the strengths of the Scottish record, such as deposits within buildings, organic preservation and waterlogging. o Material culture. Artefact studies have the potential to be far more integral to understandings of Iron Age societies, both from the rich assemblages of the Atlantic area and less-rich lowland finds. Key areas of concern are basic studies of material groups (including the function of everyday items such as stone and bone tools, and the nature of craft processes – iron, copper alloy, bone/antler and shale offer particularly good evidence). Other key topics are: the role of ‘art’ and other forms of decoration and comparative approaches to assemblages to obtain synthetic views of the uses of material culture. o Field to feast. Subsistence practices are a core area of research essential to understanding past society, but different strands of evidence need to be more fully integrated, with a ‘field to feast’ approach, from production to consumption. The working of agricultural systems is poorly understood, from agricultural processes to cooking practices and cuisine: integrated work between different specialisms would assist greatly. There is a need for conceptual as well as practical perspectives – e.g. how were wild resources conceived? o Ritual practice. There has been valuable work in identifying depositional practices, such as deposition of animals or querns, which are thought to relate to house-based ritual practices, but there is great potential for further pattern-spotting, synthesis and interpretation. Iron Age Scotland: ScARF Panel Report v  Landscapes and regions:  Concepts of ‘region’ or ‘province’, and how they changed over time, need to be critically explored, because they are contentious, poorly defined and highly variable. What did Iron Age people see as their geographical horizons, and how did this change?  Attempts to understand the Iron Age landscape require improved, integrated survey methodologies, as existing approaches are inevitably partial.  Aspects of the landscape’s physical form and cover should be investigated more fully, in terms of vegetation (known only in outline over most of the country) and sea level change in key areas such as the firths of Moray and Forth.  Landscapes beyond settlement merit further work, e.g. the use of the landscape for deposition of objects or people, and what this tells us of contemporary perceptions and beliefs.  Concepts of inherited landscapes (how Iron Age communities saw and used this longlived land) and socal resilience to issues such as climate change should be explored more fully.  Reconstructing Iron Age societies. The changing structure of society over space and time in this period remains poorly understood. Researchers should interrogate the data for better and more explicitly-expressed understandings of social structures and relations between people.  The wider context: Researchers need to engage with the big questions of change on a European level (and beyond). Relationships with neighbouring areas (e.g. England, Ireland) and analogies from other areas (e.g. Scandinavia and the Low Countries) can help inform Scottish studies. Key big topics are: o The nature and effect of the introduction of iron. o The social processes lying behind evidence for movement and contact. o Parallels and differences in social processes and developments. o The changing nature of houses and households over this period, including the role of ‘substantial houses’, from crannogs to brochs, the development and role of complex architecture, and the shift away from roundhouses. o The chronology, nature and meaning of hillforts and other enclosed settlements. o Relationships with the Roman world

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