Dissertations / Theses on the topic 'Cultural assets'
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Schönenberger, Beat Schönenberger Beat. "The restitution of cultural assets : causes of action, obstacles to restitution, developments /." Berne : Utrecht : Stämpfli ; Eleven International Publishing, 2009. http://aleph.unisg.ch/hsgscan/hm00263696.pdf.
Full textIsaka, Kiminori, Yurie Makihara, and Samuel Pereda. "Barriers and Assets for Sustainability in Japanese Organizations." Thesis, Blekinge Tekniska Högskola, Sektionen för ingenjörsvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-3630.
Full textBushey-Miller, Becky A. "Assets, Strengths and Educational Pathways of First-generation Doctoral Students." Ohio University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1466614502.
Full textMoceri, Joane T. "Cabezonas con suenos : assets Latina/o nursing students used to overcome obstacles /." Thesis, Connect to this title online; UW restricted, 2006. http://hdl.handle.net/1773/7254.
Full textHenry, Veronica. "Mind the gap : academically successful African Caribbean heritage students, learning identities and the cultural assets mediating learning." Thesis, Manchester Metropolitan University, 2015. http://e-space.mmu.ac.uk/618043/.
Full textMyers, Catherine. "Constructing a Healthcare Assets Map in Rural Appalachia: An Analysis of Healthcare Services and Perceived Health Threats." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4922.
Full textMitsche, Nicole. "Digital destination promotion : understanding and maximizing the use of digital and cultural assets to enhance tourists' decision making and destination marketing strategies." Thesis, University of Sunderland, 2016. http://sure.sunderland.ac.uk/7105/.
Full textChhim, Putsalun. "Students' Assets and Strategies via the Erasmus Mundus Scholarship Program : A Case of Cambodia's Master Degree Students." Thesis, Uppsala universitet, Institutionen för pedagogik, didaktik och utbildningsstudier, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-392075.
Full textFlores, Anna Claudia da Costa. "Programa de educação patrimonial aos usuários da Biblioteca Setorial do Centro de Educação da UFSM." Universidade Federal de Santa Maria, 2014. http://repositorio.ufsm.br/handle/1/11028.
Full textA forma descuidada com que alguns usuários da Biblioteca Setorial do Centro de Educação (BSCE) tratam o material que é colocado a sua disposição evidenciam a necessidade urgente de colocar em prática um Programa de Educação Patrimonial (PEP) com ações voltadas para a sensibilização de usuários em relação ao uso do acervo, proposta surgida devido à constatação de um grande número de obras danificadas e até desaparecidas. O Sistema de Bibliotecas (SIB) da Universidade Federal de Santa Maria (UFSM) disponibiliza para a comunidade acadêmica material como livros, periódicos, folhetos, cartazes e DVDs, além dos recursos tecnológicos como internet e Portal de Periódico Capes que podem ser usados em suas atividades docentes, discentes e técnico-administrativas. Este material é relevante para as pesquisas dos usuários vinculados atualmente, mas também para aqueles futuros alunos ou servidores. Considerou-se esta pesquisa aplicada de abordagem qualitativa, pois os resultados das observações obtidas através das pesquisas conceituais, exemplos de aplicabilidades de Educação Patrimonial e análise da legislação vigente quanto ao trato do Patrimônio público, pode-se formar um conjunto de elementos que proporcionam conhecimento para aplicar estratégias de incentivo ao exercício de cidadania quanto ao uso da biblioteca. Foram estudadas bibliotecas educacionais ou culturais e suas funções; conceitos que norteiam a Educação Patrimonial e patrimônio público; exemplos de aplicação de Educação Patrimonial local e no exterior; agentes nocivos ao acervo; aspectos legais como responsabilidade civil e penal do usuário; e métodos de difusão em bibliotecas, desenvolvendo um Programa de Educação Patrimonial que aborde ações educativas e culturais, sensibilização de equipe e professores, sinalização apropriada na biblioteca e oficinas para usuários, podendo assim fortalecer a memória do sujeito e a valorização do acervo da biblioteca universitária.
SHAW, JENNIFER L. "NAVIGATING AT A CROSSROADS:THE ROLE OF SUBSISTENCE CULTURE IN THE SUBJECTIVE WELLBEING OF DENAINA ATHABASCAN YOUTHS IN ALASKA." Case Western Reserve University School of Graduate Studies / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=case1370624534.
Full textCrist, Angela R. "South African Ubuntu Theory in Cross Cultural Community Development Practice: An Autoethnographic Exploration." Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1244121998.
Full textChavez, Margeaux Alana. "Desert in the Springs: Ethnography of a Food Desert." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4807.
Full textPozzer, Marcio Rogerio Olivato. "Os paradigmas da administração pública e as políticas de patrimônio cultural em museus de Brasil e México." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/84/84131/tde-21102015-100423/.
Full textPublic policies for cultural assets in museums adopted in Brazil and Mexico are an example of how development models, institutional arrangements of public administration and the government of public policies reflect the changes that historically took place in the Latin American States. This dissertation focused on the assumption that the transformation of the \"little\" 19th-century liberal State (whose function was merely ensure private property and contracts) into the \"great\" 20th-century social State (whose responsibility is to provide a number of social services) virtually made it infeasible to implement the instrumental rationality advocated by Weber´s traditional bureaucratic administration and contributes to deepen the tax crisis in the Latin American States by the end of the 20th century. The investigation compared Brazil and Mexico through documental research and interviews with managers of national asset bodies, followed by an effort of bibliographical review which provided theoretical and methodological substance for the dissertation. Data was collected, treated and analyzed, which led to the conclusion that both countries went through similar processes of institutionalization of their museum policies, at different times, and the expansion of such policies is related, in the two cases, to the consolidation of national project that sought international affirmation and which affect the processes of urban enterpreneurship that paradoxically \"change culture into a commodity\". The increasing criticism by society to the inoperativeness of the bureaucratic model in providing responses to the demands for public services that are more and more complex made way to the managerial models of public administration in local political agendas in both countries. Inspired in the paradigms of business administration, the model was structured around the discourse that the private sector would have greater capacity to meet the social demands when compared to the public sector. However, the model, which promised to overcome the limitations and improve the quality of public services and policies in general, did not achieve the expected success and was partly abandoned in most Latin American countries, as was the case in Brazil. Countries experiencing moderate left- and left-wing governments were able to build an alternate agenda of development in the early 21st century, making room for the construction of and contention for new social values and the attempt to implement an alternate model of public administration called \"participative reorientation of public services\". Thus, together with the neo-developmental policies adopted in part of Latin America, whose main feature is the fact that they are a hybrid model, consisting of liberal and neoliberal traits, on one hand, and developmental social welfare on the other hand, gave rise to a public administration that is also hybrid. This model was characterized by the resume of the State playing the main role, by the emphasis on the building of public-policy systems, by the increase in the quality of the public services provided, by the radicalization of social participation, and by the highlight given to the functions and values that are exclusive of the public sector, focusing on accountability. Meanwhile, Mexico reinforced the country´s option for a neoliberal development model; however the managerial model of public administration was never fully implemented as the public policies of cultural assets in museums stagnated, even if with islands of excellence as in museums of international standard, implemented in a historical moment when the country relied on a developmental project.
Chaplin, Robert Ian Chaplin, and ianchaplin@gmail com. "The Impact of Contemporary Tourism Development on Colonial Built Heritage: Case Study of the Portuguese Legacy in Macau, China." Flinders University. School of Cultural Tourism, 2007. http://catalogue.flinders.edu.au./local/adt/public/adt-SFU20080228.234110.
Full textSteigner, Tanja. "A Study of Cross-Border Takeovers: Examining the Impact of National Culture on Internalization Benefits, and the Implications of Early Versus Late-Mover Status for Bidders and Their Rivals." [Tampa, Fla] : University of South Florida, 2008. http://purl.fcla.edu/usf/dc/et/SFE0002387.
Full textDe, Wet Annari. "Identifying personal and environmental assets to enrich pre-school learning within a culture of poverty : an ethnographic study." Diss., Pretoria : [s.n.], 2004. http://upetd.up.ac.za/thesis/available/etd-03152005-133610.
Full textCoelho, Daniele Maia Teixeira. "A dicotomia natureza e cultura no âmbito das políticas públicas de proteção do patrimônio cultural imaterial brasileiro." Universidade de São Paulo, 2017. http://www.teses.usp.br/teses/disponiveis/106/106132/tde-08012018-105617/.
Full textOur thesis aims to examine to what extent the dichotomy between nature and culture (which is a product of the modernitys scientificity) is reflected in the cultural policies of patrimonial protection, especially of intangible goods, such as knowledge, celebrations, forms of expression and places. In the 21th century, the understanding that there are things that belong to nature and others that belong to society is maintained and we can barely articulate both in only one understanding. We confirmed the existence of such understanding in our analysis of the public administration bodies experience in dealing with nature and culture, defining specific legislation on each subject and acting with the expectation of a whole protection. In particular, we have analyzed the National Historical and Artistic Heritage Institute IPHANs actions regarding the protection of intangible cultural assets. Our hypothesis is that, although the IPHAN has been gradually broadening its horizon in the treatment of the issue, it still continues to formulate guidelines that reaffirm the separation between nature and culture, material and immaterial, real and symbolic. In order to reach our goal, the used methodologies include bibliographic research in specialized literature, official documentary sources (in particular, registration dossiers), the conduction of interviews and the analyzes of some intangible cultural assets images. In this context, some considerations are proposed and concern the attempt to aggregate the existing elements in cultural practices, in order to overcome the dichotomy between nature and culture for achieving a more integrative way to face this issue. One of these considerations concerns the moment of the intangible asset registration and when it would be possible to request the involvement of other bodies, such as the Ministry of Environment, whose attribution is directly linked to the cultural heritage issue. Such a measure would allow the building of more holistic public policies, to be taken as a whole and that take into account the natural and cultural elements of the intangible cultural good. In addition, we consider the importance of extending IPHAN\'s legal competence, by allowing it to tread a path that respects and protects more effectively the symbolic and the real contained in cultural manifestation.
Paul, Danielle Rosa. "História em catálogos: um estudo da política editorial Zahar de 2001 a 2014." reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/14213.
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The following work addresses the editorial policies of Jorge Zahar, specifically from 2001 to 2014, discussing the challenges faced by this publishing house that has built the brand through the ideal of publishing books that remain on the market over time. The study presents its history, since the foundation as 'Zahar Editores', in the 1950s, describing the editorial proposals on the context of specific social and marketing situations. Some critical moments were highlighted, when both the editorial policies and the company's management structure were reassessed, resized, establishing a period of major changes. That said, this work aims to analyze different Zahar’s catalogs: one of the 1985 period - when the publisher house started to be managed by Jorge Zahar and his children - and the ones from 2001 to 2014, noticing the aspects of changes and similarities between all the catalogs and the editorial fund. The categories 'independent' and 'classical books' have been identified as strategic elements in the self-conception and external identification of the publishing house, pointing its perception of books as cultural assets, as well as the role of the editor as a cultural agent. The performance of Zahar has been challenging two types of diagnostics in the common sense and even in the academic literature. The first is that publishers need to invest in books that quickly reach high sales levels, even if they don’t last too long, in order to ensure profitability and presence in the market. The second is that, in general, small and medium publishing houses, still autonomous, tend to sell their copyrights to the largest and most capitalized companies, once they have to face the aggressive marketing policies of these organizations. The research findings suggest that Zahar has insisted on maintaining their self-identification as a publishing house of classical books, directing their editorial policies to the publication of materials that last longer, demonstrating that it is possible to follow their own path in terms of emphasizing the unique role the editor, marked by independence in choosing what, how, when and how many publications - and retaining its place in the market.
O presente trabalho versa sobre as políticas editoriais da Jorge Zahar Editor, em especial de 2001 a 2014, discutindo os desafios enfrentados por uma editora que construiu sua marca através do ideal de publicar livros que se mantivessem no mercado editorial ao longo do tempo. Foi apresentado um histórico da editora, desde sua fundação, como Zahar Editores, nos anos 1950, descrevendo as propostas editoriais situadas em conjunturas sociais e mercadológicas específicas. Detectaram-se alguns momentos críticos, em que tanto as políticas editoriais quanto a estrutura de gestão da empresa foram reavaliados, redimensionados e sofreram mudanças importantes. Analisaram-se diferentes catálogos da Zahar: o de 1985, período em que a editora passou a ser gerida por Jorge Zahar e filhos, e os de 2001 a 2014, observando o que neles permaneceu dos anos 1980 e também as transformações e permanências do fundo editorial entre os anos 2001 e 2014. As categorias 'independência' e 'livros clássicos' foram identificadas como elementos discursivos estratégicos na auto-concepção e identificação pública da editora, apontando sua percepção dos livros como bens culturais, bem como da função do editor como agente cultural. A performance da Zahar tem desafiado dois tipos de diagnósticos difundidos no senso comum e mesmo na literatura acadêmica. O primeiro é que as editoras precisam publicar livros que alcançam alta vendagem rapidamente, mesmo que eles tenham uma sobrevivência efêmera, como forma de garantir sua lucratividade e sobrevivência no mercado. O segundo é que as editoras, em geral, pequenas e médias, ainda autônomas, tendem a precisar vender seus direitos para empresas maiores e mais capitalizadas, pois não terão como enfrentar as políticas mercadológicas agressivas dessas organizações. As conclusões da pesquisa sugerem que a Zahar tem insistido na manutenção de sua auto-identificação como editora de clássicos, direcionando suas políticas editoriais para a publicação de livros que tenham longa duração, demonstrando que é possível seguir um caminho próprio, em termos de exercício da função própria do editor, marcada pela independência na escolha do que, como, quando e quanto publicar – e conservar seu espaço no mercado.
Lee, Youn Mi. "Assess Intersectionality & Cultural Competence: Attitude toward Elderly Immigrants." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/secfr-conf/2020/schedule/39.
Full textBürger, Thomas. "1000 Jahre Gedächtnisverlust." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1237548630600-95035.
Full textVaxvick, Gordon M. "Developing a survey to assess organizational health and culture." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape2/PQDD_0019/MQ49199.pdf.
Full textBürger, Thomas. "Zukunft bewahren." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2009. http://nbn-resolving.de/urn:nbn:de:bsz:14-ds-1243944873918-59655.
Full textDurell, Karen Lynne. "Corporations and intellectual assets : a case of being blinded by the economic value." Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82659.
Full textCalhau, Vera Mónica Tavares Vinhas. "Culture-independent methodologies to assess diversity and dynamics of Aeromonas communities." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/781.
Full textAs Aeromonas são bactérias autóctones em ambientes aquáticos e constituem um grave problema em sistemas de aquacultura devido à sua capacidade de provocar doença em peixes. Estas bactérias são actualmente consideradas patogéneos emergentes em humanos. Os surtos de doença podem estar associados à introdução de estirpes virulentas que evoluíram a partir de outros nichos ou da aquisição de determinantes de virulência do mesmo nicho, ou ainda como resultado de um desequilíbrio na comunidade local de Aeromonas. Assim, torna-se essencial desenvolver métodos fiáveis e reprodutíveis para seguir rotineiramente a dinâmica de comunidades indígenas de Aeromonas de forma a permitir uma detecção precisa de alterações na sua estrutura, antecipando potenciais riscos. Neste estudo, foram desenhados três conjuntos de primers para amplificar especificamente os genes gyrB, rpoD e sodB de Aeromonas. Métodos de PCR-DGGE (Denaturing Gradient Gel Electrophoresis) foram desenvolvidos com base nestes primers para obter perfis das comunidades. A especificidade dos primers foi testada utilizando como molde DNA de 27 estirpes de Aeromonas pertencentes a 17 espécies previamente descritas e também de 13 estirpes de 11 espécies não alvo. Simultaneamente a especificidade dos primers foi também avaliada in silico através da pesquisa de homologia com sequências depositadas nas bases de dados. Ambas as metodologias permitiram confirmar a total especificidade dos três conjuntos de primers e apenas para os primers RpoD não foi obtida amplificação de duas estirpes de Aeromonas. Para determinar a consistência da informação filogenética fornecida pelos fragmentos amplificados, árvores filogenéticas construídas com base nas sequências dos genes gyrB, rpoD e sodB de Aeromonas depositadas na base de dados GenBank e com base nas sequências dos fragmentos amplificados foram comparadas. Verificou-se que os fragmentos alvos fornecem informação filogenética consistente. Os conjuntos de primers foram testados em DNA de amostras de água da Ria de Aveiro e os produtos foram separados por DGGE. Para todas as amostras, e com todos os conjuntos de primers, obtiveram-se perfis complexos e muito estáveis ao longo do gradiente de salinidade. Resultados obtidos com as três metodologias indicam uma maior variabilidade sazonal das comunidades de Aeromonas. A clonagem e sequenciação dos fragmentos obtidos a partir das amostras ambientais confirmam a especificidade dos primers e revelam que os filotipos dominantes nestas comunidades apresentam elevada similaridade com estirpes de várias espécies de Aeromonas comuns em ambientes aquáticos como sejam A. alossacarophila, A. veronii e A. sobria. Segundo o nosso conhecimento, este estudo apresenta a primeira tentativa de optimização e validação de métodos independentes do cultivo específicos para Aeromonas. Os sistemas desenvolvidos apresentam várias vantagens e consequentemente constituem valiosas ferramentas para avaliar a diversidade e seguir a dinâmica de comunidades de Aeromonas. A utilização de mais de um conjunto de primers pode ser útil para obter uma representação mais clara e real da comunidade em estudo. Os métodos desenvolvidos poderão ainda ser adaptados de forma a serem aplicados em outro tipo de amostras ambientais o que poderá ser importante devido à ampla distribuição das Aeromonas e às suas capacidades patogénicas. ABSTRACT: Aeromonas are bacteria autochtonous in aquatic environments, and they constitute a serious problem in aquaculture systems because of their capability to cause disease in fishes. Aeromonads are also nowadays considered as emerging pathogens in humans. Disease outbreaks may be associated with the introduction of virulent Aeromonas strains that evolved in other niches, acquisition of virulence determinants in the same niche, or as a result of disequilibrium in the local Aeromonas community. Thus, it becomes essential the development of reliable and reproducible methods to routinely follow the dynamics of indigenous Aeromonas communities and to allow an accurate detection of alterations in their structure, anticipating potential risks. In this study 3 primer sets were designed to specifically amplify fragments of the genes gyrB, rpoD and sodB from Aeromonas. A PCR-DGGE (Denaturing Gradient Gel Electrophoresis) method based on such primers was established to obtain community specific profiles. Primers specificity was tested by using as template DNA from 27 Aeromonas strains belonging to 17 previously described species, and also from 13 strains from 11 non-target species. Specificity was also assessed in silico using the BLAST tool, by checking sequence matches against the GenBank database. Results obtained confirmed the specificity of all primer sets and only primer set RpoD failed to amplify from two Aeromonas strains. To determine the phylogenetic information contained in the amplified fragments, gyrB, rpoD and sodB sequences available in the GenBank database from Aeromonas species were downloaded and submitted to phylogenetic analyses. A phylogenetic analysis following the same procedures was performed using the PCR target fragments and trees were compared. The phylogenetic information contained in the target fragments was confirmed to be consistent. Primer sets were tested in total DNA from estuarine water samples. A DGGE assay was optimized to separate the PCR products. Community specific profiles were obtained from each sample, for each primer pair. Profiles were very complex and rather stable along the salinity gradient. Aeromonas communities varied essentially in a seasonal basis. Cloning and sequencing of the fragments obtained from environmental DNA confirmed the specificity of the primers and revealed that the dominant phylotypes affiliated with strains included in species common in aquatic environments such as A. alossacarophila, A. veronii e A. sobria. To our knowledge, this study presents the first attempt to optimize and validate Aeromonas-specific culture-independent methodologies. Results indicate that all the developed systems present several advantages and therefore constitute valuable tools to assess diversity and follow the dynamics of Aeromonas communities. The utilization of more than one set of primers may be useful for providing a more reliable and clear representation of the community. The developed methods may be adapted to apply in other types of samples, which may be important due to the wide distribution of aeromonads in the environment and to their pathogenic properties.
Kellett, Ralph. "An empirical investigation of the Hui-Triandis model to assess the measurement equivalence of different Canadian subpopulation (cultural) groups." Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/21397.
Full textMorrison, Kim. "Counter-story as curriculum: Autoenthnography, critical race theory, and informed assets in the information literacy classroom." Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/122308/1/Kim_Morrison_Thesis.pdf.
Full textChaves, Gabriela de Azeredo. "As regras de um bruxo : imagens de civilidade nos contos de Machado de Assis." reponame:Repositório Institucional da UnB, 2007. http://repositorio.unb.br/handle/10482/1969.
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Este trabalho tem como objetivo analisar em que medida a predominância do Código do Bom-tom dava a tônica para as regras de etiqueta e civilidade a serem seguidas pelas camadas “educadas”, naquilo que se refere ao vestir-se, ao falar, enfim, na definição das hierarquias e lugares sociais. Com o auxílio de quatro contos de Machado de Assis, Uma Senhora, Dona Benedita, A Pianista e Magdalena, pretendemos perceber as imagens de civilidade que faziam parte do imaginário da sociedade da corte fluminense do final do século XIX. Temos por objetivo perceber como Machado de Assis transmitiu aos seus leitores imagens de civilidade e como era ressignificada pelos mesmos, construindo um imaginário do modelo ideal de civilidade, neste momento europeu, visto pela a sociedade brasileira oitocentista como o arquétipo de sociedade avançada, sofisticada e luxuosa que merecia ser seguido e copiado, adaptado ao modo de vida aqui existente. ______________________________________________________________________________________ ABSTRACT
This paper aims to examine to what extent the predominance of the Code of Goodtone gave the tonic for the rules of etiquette and civility to be followed by layers "educated", in regard to dress up, to speak, finally, in the definition of social hierarchies and places. With the help of four stories of Machado de Assis, A Lady, Mrs. Benedita, The Pianist and Magdalena, we want to see the images of civility that were part of the imaginary society Fluminense cut the end of the nineteenth century. We meant to see how Machado de Assis sent to their readers images of civility and resignificada as was the same, building of an imaginary ideal model of civility, now Europe, seen by the Brazilian society nineteenth as the archetype of advanced society, sophisticated and luxury that deserved to be followed and copied, adapted to the existing way of life here.
Kupka, Bernd, and n/a. "Creation of an instrument to assess intercultural communication competence for strategic international human resource management." University of Otago. Department of Management, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080312.134104.
Full textThorpe, Holly Aysha. "Boarders, Babes and Bad-Asses: Theories of a Female Physical Youth Culture." The University of Waikato, 2007. http://hdl.handle.net/10289/2576.
Full textPinto, Felipe Bottini. "Adaptações literárias para a TV: novas interpretações a partir do conceito de cultura híbrida na teledramaturgia." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8161/tde-19032019-105916/.
Full textLiterary adaptations to TV: new interpretations from the concept of hybrid culture on teledramaturgy descants over the hybrid culture concept proposed by Néstor García Canclini, putting into place a pragmatic piece of this concept among Brazilian reality and its particular process to modernize, emphasizing the new ways to adjustment drama script for television. In order to have such analysis, the miniseries Capitu, from Luiz Fernando Carvalho is studied, an adaptation from the romance Dom Casmurro, from Machado de Assis. The proximity between the TV director and author reveals esthetic innovations such in literature, as in audiovisual. Its exactly this new esthetic procedure created on television, that will be the leading role in this study, being analyzed the possibility of using it to generate new interpretations about the same text. This miniseries was chosen, a priori, for presenting own elements of hybrid language that catches the attention of critics and audiences while exhibited, in 2008, opening new work possibilities for Luiz Fernando and, consequently, to the television as a whole.
Fullana, Blanca. "Brand patrimony: on the hypertext of the brand asset and its corporate culture and identity principles accountability: a new context-paradigm perspective about one of today's most valuable organizational assets, the managing responsability it conveys and a recommended guide for relevant corporate communications functions and activity." Doctoral thesis, Universitat Pompeu Fabra, 2016. http://hdl.handle.net/10803/401586.
Full textLa present investigació és un acostament al valor de la marca des de la perspectiva de la direcció general, afirmant que una marca no és un simple valor comercial; el d’un producte adreçat a un mercat -menys encara, una retòrica pública de correcció política- sinó més aviat un actiu patrimonial transversal que dona resposta, a través d’una identitat pròpia i d’una cultura d'organització -i per tant dins del seu àmbit d’actuació-, als debats i reptes de la societat local, però també global. En aquest sentit, considerant la marca com un intangible en la gestió, que es troba al llarg de tota la cadena de valor i productivitat i que té influència sobre els processos d'innovació actuals i de futur, que alhora en redundaran. Operant sota un nou paradigma de context, la marca es converteix en patrimoni (valor total), més enllà -i sense excloure- el brand equity1 (valor financer); ampliant les atribucions de la marca per significar-la sota una responsabilitat cultural corporativa (RCC)2 basada en el coneixement, en el reconeixement de la pròpia identitat corporativa, i involucrant i fent partícips a múltiples agents externs que permeten anticipar-se i gestionar els riscos que actuen sobre la reputació. L’aportació principal, fruit de la investigació, i basat en l’experiència empírica, situa a la marca com un element clau de la gestió empresarial, i no només del màrqueting, alhora que contribueix a donar pautes sobre les funcions practiques essencials que cal assolir des de la disciplina de la comunicació corporativa.
La presente investigación es una aproximación al valor de la marca desde la perspectiva de la dirección general, afirmando que una marca no es un simple valor comercial: el de un producto dirigido a un mercado; menos aún, el de una retórica pública, sino más bien, un activo patrimonial transversal que da respuesta, a través de una identidad propia y una cultura de organización (y por lo tanto dentro de un ámbito concreto de actuación), a los debates y retos pertinentes de la sociedad local, pero también global. En este sentido, considerando a la marca como un activo intangible en la gestión, que se encuentra a lo largo de toda la cadena de productividad y que tiene influencia sobre los procesos de innovación actuales y de futuro, que a su vez le redundarán. Operando bajo un nuevo paradigma de contexto, la marca se convierte en patrimonio (valor total), más allá -y sin exclusión del brand equity3 (valor financiero), ampliando las atribuciones de la marca para significarse bajo una responsabilidad cultural corporativa (RCC)4 basada en el conocimiento, en el reconocimiento de la propia identidad corporativa e involucrando y haciendo participes a múltiples agentes externos que permiten anticiparse y gestionar los riesgos que actúan sobre la reputación. La aportación principal, fruto de la investigación y basado en la experiencia empírica, sitúa a la marca como un elemento clave de la gestión empresarial, y no sólo del marketing, al tiempo que contribuye a dar pautas sobre las funciones prácticas esenciales que cabe desarrollar desde la disciplina de la comunicación corporativa.
Jardim, Mara Publio de Souza Veiga. "O guardião da Memória." Pontifícia Universidade Católica de Goiás, 2004. http://localhost:8080/tede/handle/tede/2279.
Full textAfter a survey on the feast of the Holy Ghost, carried out in the city of Santa Cruz de Goiás, a small city in the interior of the State, it was possible to see the shaping of a figure who became both the theme and the object of this dissertation. Centering the discussion upon cultural assets, memory and identity, I identified and nominated a character who represents a new category: the NATIVE MANAGER. It is known that the activity carried out by this manager has always existed and that he has already been recognized by organizations such as UNESCO and IPHAN, even though they might have given him a different title. Cognizant of the rituals, with a view of his own, often times acrimonious and disparaging, of the society where he lived, the character did not possess political power which would give him status, but he exerted a specific kind of power that emanated from his acknowledged wisdom, albeit not an erudite or academic one. Cultural manifestations were kept alive because within the community there was this manager who recognized the importance of their cultural asset. His unchallenged leadership and charisma, along with the ability to administrate people and events made his actions possible. Within a simple and resourceless universe, deep in the hinterland, the manager promoted scenically elaborate feasts, commemorations and pageants, challenging congeneric activities held by the erudite city dwellers. I was able to see for myself these characteristics, bearing witness throughout more than 20 years, in this community, of the way in which he was respected and followed by everyone. The manager interpreted and analyzed not only the History, but also his own history, thereby preventing documents, music, rites and mores from becoming lost. The person who incorporated this character was Alberto da Paz. His life history has its origins in his slave ancestors and is still in the making as even blind, he persists in his role as manager. An indispensable figure in rehearsals, chants, performances, in fact, everywhere, he is the "the guardian of memory" who gives these people their identity.
A partir de uma pesquisa sobre a festa do Divino Espírito Santo realizada em Santa Cruz de Goiás, pequena cidade do interior do Estado, foi se delineando uma figura que se tornou tema e objeto desta dissertação. Centrando a discussão em patrimônio cultural, memória e identidade, identifiquei e nomeei o personagem que representa uma categoria nova: o GESTOR NATIVO. É sabido que a atividade exercida por este gestor sempre existiu e órgãos como a UNESCO e o IPHAN o reconheceram, ainda que com outras denominações. Conhecedor dos rituais, com uma visão própria, muitas vezes mordaz e crítica da sociedade em que vivia, não era detentor do poder político que lhe conferiria status, mas exercia um poder que emanava de sua reconhecida sabedoria, não erudita e não acadêmica. Manifestações culturais se mantiveram vivas porque dentro da comunidade existia este gestor que percebeu a importância do patrimônio cultural. Sua inconteste liderança e grande carisma, aliadas à capacidade de administrar pessoas e acontecimentos possibilitaram suas ações. Dentro de um universo simples, interiorano e sem recursos, realizou festas, comemorações e representações de grande riqueza cênica, desafiando atividades congêneres realizadas por eruditos citadinos. Pude comprovar estas características, testemunhando ao longo de mais de vinte anos de vivência nesta comunidade a maneira como era respeitado e seguido por todos. Interpretou e analisou não só a História como também a sua própria história e não permitiu que se perdessem documentos, músicas, ritos e costumes. A pessoa que incorporou este personagem foi Alberto da Paz. Sua história de vida remonta à sua ascendência de escravos e alcança os dias de hoje, quando cego, persiste atuando como gestor. Figura imprescindível em ensaios, cantorias, representações, em tudo afinal, é "o guardião da memória" que confere identidade a um povo.
Wainwright, Alexandra Lilian. "The Social Construction of Civil Asset Forfeiture as a Social Problem in the UnitedStates: A Sociological Analysis of Legislation and Cultural Commentary SurroundingCivil Asset Forfeiture Throughout United States History." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1587658240812723.
Full textMuller-Kimball, Dominee Sue. "An examination of how first year high school assistant principals assess their schools' organizational cultures." Scholarly Commons, 2004. https://scholarlycommons.pacific.edu/uop_etds/2522.
Full textRaman, Sreevatsan. "Geometric approach to segmentation and protein localization in cell cultured assays." abstract and full text PDF (free order & download UNR users only), 2005. http://0-gateway.proquest.com.innopac.library.unr.edu/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:1433349.
Full textCui, Na. "Development of a system of small pressurizable bioreactors used to assess Saccharomyces cerevisiae's behaviour under CO₂ and O₂ pressure." Thesis, université Paris-Saclay, 2020. http://www.theses.fr/2020UPASC038.
Full textYeast fields of application are extensive, ranging from food, brewing to green energy. The yeast Saccharomyces cerevisiae is the worldwide dominating species. In addition, S. cerevisiae is also an important model organism in modern cell biology research and is one of the most thoroughly studied eukaryotic microorganisms.This work focuses on the behaviour of yeast culture exposing to pressure induced by CO2 and O2. The pressure is set up to 9 bar (A) due to the highest pressure can be reached in industrial scale bioreactors is 8 bar (A). In order to expose yeast culture to pressure conditions, new bioreactors were built and characterised. Two experiments are designed: an experiment to investigate the yeast growth and the metabolites under pressure, as well as the molecular biology experiments to better understand yeast cells behaviour under various O₂ pressure.The first experiment has offered a better understanding of the influence of CO₂ and O₂ pressures on S. cerevisiae culture behaviour. Regarding the impact of CO₂, the study has shown that the yeast culture has consistent behaviours under different pressures. While, in terms of O₂ pressure, under 2 to 5 bar (A) air pressure, yeast cells show higher growth rates compared with atmospheric pressure. Furthermore, the antioxidant molecular glutathione kept a redox balance. Under 6 to 9 bar (A), the cells growth is inhibited and 9 bar (A) leads to the excessive oxidised glutathione accumulation.On the other hand, the molecular experiment has derived further insights on the culture behaviour under O2 pressures. The investigation of several oxidative stress induced genes has highlighted the cellular effects of oxidative stress induced by oxygen pressure and molecular mechanisms of oxidative stress response in yeast cell. It was shown that several oxidative stress induced genes were upregulated: transcription factor gene Msn2/4 and Yap 1, glutathione metabolism genes GSH2 and GLR, as well as a superoxide dismutase synthesis gene SOD2
Oliveira, Cláudio Alexandre Ferreira. "Gestão de integridade de ativos: aspectos culturais e internacionalização." reponame:Repositório Institucional do FGV, 2015. http://hdl.handle.net/10438/16214.
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O presente trabalho de pesquisa, apresentado como dissertação para a conclusão do curso de Mestrado Executivo em Administração de Empresas, teve como objetivo estudar o processo de implantação de um sistema de gestão de integridade de ativos tangíveis na filial brasileira de uma empresa estrangeira com larga experiência no setor de produção de óleo e gás. Embora a empresa matriz esteja presente em inúmeros países, a filial local, chamada neste estudo de Íntegra, é a primeira, fora do país de origem que possui a operação de um campo de petróleo. A análise realizada não foi feita diretamente sobre o processo de implantação do sistema de gestão na prática, mas sim sobre as percepções sobre o tema e os assuntos que este envolve, focando em entender como as partes interessadas entendem a gestão de integridade. O método empregado para o desenvolvimento do trabalho foi o de estudo de caso e a problemática estudada foi a influência dos aspectos culturais e o processo de internacionalização da empresa na implantação dos processos necessários à gestão de integridade de ativos. A fim de reunir material para a elaboração do trabalho, foi realizada pesquisa de campo, onde através de entrevistas com funcionários e prestadores de serviço da Íntegra foram colhidos depoimentos que propiciaram o entendimento da forma como estes viam a condução da implantação de processos na empresa. A confrontação da teoria disponível no meio acadêmico com os dados coletados na pesquisa de campo indicou alguns desafios culturais a serem considerados na implantação do processo de gestão, como os ligados às visões de prazo e aos valores e práticas coletivistas. O trabalho propõe uma discussão especial sobre o papel da liderança para fazer frente a esses desafios.
This research is presented as final study on the conclusion of the Executive Master Degree on Business Administration and shows the implementation process of an asset integrity management system, on the Brazilian branch of an international organization with broad experience on the oil and gas sector. Although the parent company, is represented and has business on many locations worldwide, the Brazilian branch, on this research called Integra, is the first and the only one which is an oil field operator. The analysis carried out did not have the objective to evaluate the implementation of the management process in real terms, but intended to collect perceptions around the topic and have a discussion involving correlated matters, which are important for the implementation process, focusing on understanding how stakeholders see the integrity management area. The methodology applied to develop this research work was a case study and problem which was the focus of the study was how the cultural aspect and internationalization process ongoing influence the implementation of the work process required having in place an asset management system. In order to gather study material, it was carried out a field research by interviewing Integra’s employees and contractors. As a result, it was collected testimonials that allowed a good understanding of how those people view the implementation process of several processes in the company. In light of the available academic theory, the material collected on the field research was analyzed and it was concluded that leadership was the biggest challenge and should be focus for the implementation of a management system for asset integrity. Other aspects like vision term and collectivism showed to be important as well and are to be well considered on the current company’s phase
Sales, Priscila Constantino. "Cultura e política no Clube de Cinema de Assis : um projeto de formação e interiorização da cultura cinematográfica (1960 - 1983) /." Assis, 2016. http://hdl.handle.net/11449/144276.
Full textBanca: Carlos Alberto Sampaio Barbosa
Banca: Carla Miucci Ferraresi de Barros
Resumo: Na presente dissertação buscamos abordar as práticas desenvolvidas pelo Clube de Cinema de Assis de 1960 a 1983. Mais precisamente, seus projetos político-culturais e sua relação com o movimento cineclubista, bem como com o campo cinematográfico. Para tanto, buscamos analisar as configurações históricas e estéticas que possibilitaram a emergência do olhar cinematográfico e a formação dos espaços de sociabilidade dedicados ao cinema que, inseridos no campo da cultura e da arte, não estiveram isentos de disputas de interesses. Os cineclubes surgem no início do século XX, emergindo no processo de legitimação cultural do cinema, tendo como especificidade a organização do público em torno da imagem cinematográfica. O que em seu início foi um movimento restrito, a partir de 1950 irá se multiplicar e se organizar em instituições representativas de seus interesses, tendo como principais atividades a divulgação, pesquisa e debate do cinema e seus desdobramentos sociais e políticos. É dentro dessa rede de saberes e fazeres cinematográficos que localizamos a trajetória do Clube de Cinema de Assis. Surgido no meio universitário e pensando o cinema enquanto manifestação cultural, o Clube de Cinema inaugurou uma nova forma de recepção na cidade de Assis. Trata-se de um projeto de formação e democratização da cultura cinematográfica que a partir da década de 1970 agregou o engajamento político. Propomo-nos, assim, compreender a trajetória do Clube de Cinema de Assis dentro da instituição da... (Resumo completo, clicar acesso eletrônico abaixo)
In this dissertation we seek to approach the practices carried out by Assis Film Society from 1960 to 1983. More precisely, its political-cultural projects and their relationship with the film society movement, as much as with the cinematographic field. To do so, we tried to analyze the historical and aesthetic configurations which enabled the development of a cinematographic point of view and the formation of sociability spaces oriented towards the cinema that, being part of the field of culture and art, were not free from disputes of interest. The film societies appear in the beginning of the 20th century, arising from the process of cultural legitimation of the cinema, having as its specificity the public organization around the cinematographic image. What was in the beginning a limited movement, it will, from 1950, multiply and organized itself in institutions representative of its interests, having as their chief activities the propagation of, the research about and the debate over the cinema and its political and social consequences. It is in this network of knowledges and practices that we locate the Assis Film Society. Originated in the University and considering the cinema a cultural manifestation, the Film Sociey inaugurated a new way of reception in Assis town: a project of formation and democratization of cinematographic culture which, from the 1970s, had the accretion of political engagement. Thus we set out to understand the trajectory of Assis Film Society... (Complete abstract electronic access below)
Mestre
Henry, Hani M. "Loss and mourning in immigration using the assimilation model to assess continuing bonds with native culture /." Connect to this document online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1138205134.
Full textTitle from second page of PDF document. Document formatted into pages; contains [2], vi, 165 p. Includes bibliographical references (p. 153-158).
Smith, Donna Louise. "An organotypic slice culture assay to assess huntingtin aggregation in Huntington's disease R6/2 transgenic mice." Thesis, King's College London (University of London), 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.406704.
Full textBlack, David H. "Development of ovum pickup and in vitro embryo production to assess fertility responses for mineral intervention studies." Thesis, University of Nottingham, 2018. http://eprints.nottingham.ac.uk/52598/.
Full textRadic, Vesna. "Development of cell culture assays for identification of potential Zika virus inhibitors." Thesis, Uppsala universitet, Institutionen för medicinsk biokemi och mikrobiologi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-329420.
Full textHenry, Hani M. "Loss and Mourning in Immigration: Using the Assimilation Model to Asses Continuing Bonds with Native Culture." Miami University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=miami1138205134.
Full textAurich, Frank, and Ina Haack. "Beutekunst in Sicht." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2010. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-39157.
Full textMakene, Vedastus Wilfred. "Cell culture biomarkers for monitoring of wastewater pollutants." University of the Western Cape, 2021. http://hdl.handle.net/11394/8148.
Full textWastewater is normally composed of a mixture of pollutants. The type and composition of pollutants in a particular wastewater depend on the source of origin. The source and characteristics of a particular wastewater determine the ideal method of sewage treatment. Specific treatment techniques are effective in the removal of certain types of pollutants and may have no impact on the levels of other types of pollutants. Therefore, a combination of treatments and assessment of the quality of effluent before release into the environment is normally recommended. The assessment of effluent can be achieved by various techniques including chemical analysis and biological assays. Chemical analyses are commonly employed; however, they often pose detection problems and are considered to be uneconomical.
Maio, Rui André Simões Dias. "Earthquake risk mitigation of urban cultural heritage assets." Doctoral thesis, 2020. http://hdl.handle.net/10773/30549.
Full textA presente tese tem por objetivo contribuir para o estudo da avaliação da vulnerabilidade sísmica de edifícios urbanos antigos, e subsequentemente, para a mitigação do risco sísmico em centros históricos, através da investigação da eventual correlação entre métodos analíticos e semiempíricos, que possa levar ao desenvolvimento de uma nova abordagem híbrida. Assim, no Capítulo 1, é feita uma breve contextualização do tópico principal da tese e dos respetivos objectivos e motivações, sendo ainda apresentada a estrutura e organização do documento, assim como a lista das publicações que suportam o trabalho aqui desenvolvido. O Capítulo 2 apresenta uma revisão exaustiva da literatura, de forma a que se possam identificar não só as atuais linhas de investigação neste tópico, mas também lacunas na investigação e eventuais janelas de oportunidade para melhorar o conhecimento científico nesta área específica. No Capítulo 3 são discutidos alguns dos principais desafios associados com as técnicas de inspecção e diagnóstico de edifícios urbanos antigos, com foco para as particularidades dos edifícios integrados em agregados urbanos. Numa segunda fase, são também discutidos os desafios associados à avaliação da resposta sísmica de edifícios urbanos antigos, nomeadamente no que diz respeito às vantagens e limitações da utilização de métodos analíticos baseados em abordagens por macrolementos. O Capítulo 4 apresenta a análise custo-benefício associada à adopção de soluções tradicionais de reforço sísmico na reabilitação de edifícios urbanos antigos. Se numa primeira fase, é analisada, de forma isolada, a viabilidade dessas soluções de reforço, num segundo momento, é aplicado um modelo de análise custobenefício a quatro casos de estudo considerados representativos, quer do edificado rural quer do edificado urbano da ilha do Faial, nos Açores. O Capítulo 5 apresenta o estudo da correlação entre duas abordagens reconhecidas internacionalmente para a avaliação do risco sísmico de edifícios de alvenaria localizados em centros históricos: o método do “índice de vulnerabilidade” e a “curva de capacidade” resultante da utilização de um modelo numérico simplificado juntamente com uma abordagem estática não-linear. Finalmente, no Capítulo 6, são resumidas as principais conclusões de cada um dos capítulos anteriores, assim como as principais linhas orientadoras para novos desenvolvimentos e trabalhos futuros.
Programa Doutoral em Engenharia Civil
Hung, Yi-Shin, and 洪翊馨. "Intangible Assets and Stock Price in Cultural and Creative Industry." Thesis, 2015. http://ndltd.ncl.edu.tw/handle/72931697346269272318.
Full text朝陽科技大學
財務金融系
103
Due to the emerging knowledge economy, intellectual capital and intangible assets replace the traditional real assets to become the core value of the businesses. Intangible assets play an important role to enhance the competitive capability of the businesses. In particular, intangible assets are very crucial for cultural and creative industry. Therefore, we choose the samples from the listed cultural and creative companies in Taiwan stock market. The sample period is from 2008 Q2 to 2014 Q3. This study explores the effects of intangible assets on stock returns in cultural and creative industry. By using panel data regression, the empirical results show that change of intangible assets and change of net income have significant effects on stock returns.
WU, CHE-TING, and 吳哲霆. "Design Research of Ecology, Tourism and Cultural Assets at Liouciou." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/szmr24.
Full text國立高雄第一科技大學
創新設計工程系工業設計碩士班
106
In Taiwan, an island-based country surrounded by the sea and rich in marine resources, both f i s h e r y and marine recreation a r e steadily developing. The i n d u s t r i a l development brought about by marine resources is the mainstay of this study. It will explore the reasons for the development of this industry to the positive and negative impact, and industrial design into the perspective of industrial development, the current is booming Pingtung Liouciou as a research area, by the Liouciou geographical location, and transportation convenience, first infer that this field Crowds and off-peak seasons, as well as the facilities and products frequently used in this area and their activities. Field surveys have also been carried out to assess the various aspects of tourism, leisure, life and culture that are affected by the tourism industry in recent years. explore the development relationship between the three parties in Visitors and residents and the island and the positive and negative effects. A summary of the field surveys shows that the Liouciou residents have successfully managed to attract tourists and local residents to develop a nepotism relationship with the tourism industry. However, for the present only the Liouciou that relies on the topography of the coral reefs of fishery, the research process is matched with the statistical data of the same islands and townships for the proposed project of field development. All resersh will be brought into the most influential environmental development issues and experts Semi-structured interviews, coding and classification of the contents of the dialogues, and then analyzed to become a design element, back to the main theme of this study, garbage disposal and friendly care with the intertidal design output, design of physical products and simulation APP software erection, and field verification and feedback.
CHEN, HUI-TING, and 陳惠婷. "Revitalization of Religious Cultural Assets and Cultural Marketing Strategies - Taking Luzhou God as a Cultural Festival as an Example." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/g44wt6.
Full text國立臺北大學
公共行政暨政策學系碩士在職專班
107
In this paper, the Luzhou District Office won the “Taiwan Town Brand Award Cultural Heritage Innovation Award”. Its strategy of activating religious assets and its successful marketing experience are worth exploring. Cultural marketing is an important theoretical viewpoint to explore religious cultural assets. In this way, the marketing theory and religious practice activities are integrated to enhance the multi-value of religious culture. The cultural marketing structure 5Cs (Culture、Consumer、Convenience、Communication、Co-partner) discusses the Luzhou God of New Taipei City. The cultural sacrifices are used in the strategy of religious culture marketing, and use literature analysis, in-depth interviews, participatory observations and quantitative questionnaires to comprehensively analyze and propose relevant policy recommendations. This study found that: 1. The municipal government uses public sector resources to market and convert religious folk beliefs into artistic and religious assets. 2. The District Office plans to implement the cultural festivals of the gods through the public-private partnership network, and develop religious and cultural goods to show diversity and representativeness. 3.The participation of religious and cultural activities is not limited to believers. 4. Luzhou God will have unique cultural value. 5. Religious culture marketing gathers crowds through large-scale events. 6. Multi-channel marketing successfully promoted religious culture. 7. The partnership network is close and citizens participate actively.
Rooney, Paul K. "Cultural assets : a model for school effectiveness in the Anglican tradition." Thesis, 2013. http://handle.uws.edu.au:8081/1959.7/539272.
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