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Loire, Olaverri Marta. "Cultural Center." Thesis, Högskolan i Halmstad, Sektionen för ekonomi och teknik (SET), 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-14672.
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A construction project including planning, cost estimation and design of a ” Cultural Center” on a property in the city of Halmstad.Ett byggnadsprojekt med planering, kostnadsberäkning och projektering av ett ”Cultural Center” på en fastighet i Halmstad.
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Hashemi, Mahkam. "Persian Cultural Center." Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/83812.
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Culture is a foundation of each community and it creates society identity.
Maybe you are searching among the branches for what only appear in the roots? -Rumi
In my thesis, by designing a Persian Cultural Center in Washington D.C. on the site of the former embassy of Iran, I want to produce and define a place that introduces architecturally the theme of Persian culture and education which has continuously developed over the past many centuries. It will express the value of architecture in defining the context of theoretical foundations and ideology of the Persians.
There is nothing more timely today than that truth, which is timeless, than the message that comes from tradition and is relevant now because it has been relevant at all times. Such as message belong to a now which has been, is and will ever be present .To speak of tradition is to speak of immutable principles of heavenly origin and of their application to different moments of time and space. It is also to speak of the continuity of certain doctrines and of the sacred forms, which are the means whereby, these doctrines are conveyed to men and whereby the teachings of the tradition are actualized within men. -The sense of unityMaster of Architecture
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Dong, Wei. "Chinese Cultural Center." VCU Scholars Compass, 1988. http://scholarscompass.vcu.edu/etd/677.
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During this period of high technology, designers are eager to create environments that have strong emotional appeal to people's physiology and psychology. Our exploration of the natural living space has become all the more an elusive search as modern technology advances. Interior design, in its concern for environmental engineering, endeavors to exploit the spiritual aspect of human resources. Through this message, people are inspired to higher planes of existence.A. PROJECT To design a Chinese Cultural center. B. PURPOSE 1. To introduce the traditional and contemporary Chinese culture to western people. 2. To illustrate and describe the philosophies of Chinese life and thinking to visitors of the center. 3. To create a new space and form combining oriental and western design. 4. To incorporate the use of contemporary materials, structure and technology. 5. To integrate the interior and exterior environment, and the building into a total design concept. 6. To satisfy the functional requirements needed in an exhibition area, guest house facility, restaurant, gift shop, and office area.
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Pulla, Huillca Maria Elena. "Investigación de Espacios Regionales en un Centro Cultural Étnico Amazónico para la población de Madre de Dios." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/652272.
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El trabajo de investigación propone como espacio cultural un Centro Cultural Étnico Amazónico en la Ciudad de Puerto Maldonado con énfasis en el regionalismo local. En primer lugar, se obtuvo un análisis de la situación actual el cual refleja la necesidad de un equipamiento cultural que promueva la cultura local mediante las etnias amazónicas originarias.
Por tanto, se indago sobre el lugar en cuanto a su gran potencial cultural, natural, turístico que posee como región y las problemáticas sociales, culturales y educativas. Actualmente, es necesario una propuesta de espacio cultural que complemente y fomente al sector educación y cultura, revalorando las costumbres, tradiciones locales.
También, se obtuvieron modelos no arquitectónicos mediante espacios culturales referenciales a nivel global, nacional y regional que nos aproxima a las actividades a desarrollar en el espacio cultural.
Asimismo, se analizaron libros y proyectos referenciales de la tipología y del énfasis de regionalismo con la finalidad de obtener pautas de diseño en cuanto a los aspectos de ubicación, la forma, la función y los aspectos tecnológicos más adecuados y pertinentes para la intervención de los espacios culturales.The research proposes as a cultural space an Amazonian Ethnic Cultural Center in the City of Puerto Maldonado with emphasis on local regionalism. First, an analysis of the current situation was obtained which reflects the need for cultural equipment that promotes local culture through the original Amazonian ethnic groups. Therefore, we inquired about the place in terms of its great cultural, natural, tourist potential that it has as a region and the social, cultural and educational problems. Currently, a proposal for a cultural space that complements and encourages the education and culture sector is necessary, revaluing customs, local traditions. Also, non-architectural models were obtained through referential cultural spaces at a global, national and regional level that brings us closer to the activities to be developed in the cultural space. Likewise, reference books and projects of the typology and emphasis of regionalism were analyzed in order to obtain design guidelines regarding the aspects of location, form, function and the most appropriate and pertinent technological aspects for the intervention of the cultural spaces
Trabajo de investigación
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Borrás, Torres Vicente. "Cultural and Sport Center." Thesis, Halmstad University, School of Business and Engineering (SET), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-1103.
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The site is situated in Södra Vägen with Klyvaregatan, near the Nissan River (Halmstad, Sweden). The site has a regular shape with a almost flat surface. The build destination is a cultural ans sport centre, the build have two different parts, and these parts is separeated in two parts more.
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Manomaiphibul, Teerachai. "A cultural center, Indianapolis, Indiana." Virtual Press, 1989. http://liblink.bsu.edu/uhtbin/catkey/722228.
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This is the documentation of my thesis in which the project designed was a cultural center for Indianapolis, Indiana. Large theater, medium size theater, an amphitheater, a gallery, shops and studios, exhibition areas, restaurants, and parking structure.The cultural center is proposed for the part of white river park. It is bounded by Washington Street on the south, White River on the west, Blake street on the north, and the Blackford street on the east.The site chosen was of particular importance, since the activities that would take place in the cultural center would attract more people to white river park.The Indianapolis cultural center would act as a catalyst for the cultural development of the Indiana State.Department of Architecture
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Ridge, Kristin. "The American Islamic Cultural Center." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1495807156023029.
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Ren, Jun. "Space + culture + identity : Chinese cultural center in Sea Point." Master's thesis, University of Cape Town, 2010. http://hdl.handle.net/11427/18708.
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This thesis is inspired by the experience of living in two places that both have distinctive cultures. Architecture being a form of culture motivated me to enter the school of architecture. After 6 years of study, this paper attempts to answer my initial concerns on architecture and culture. For me it is very important to understand what the relationship between architecture and culture and how they influence each other. How does one present culture and tradition in the design of architecture? How can architecture represent cultural identity in a foreign context, in a more respectful way? Can architecture become the platform to connect people with distinct cultural backgrounds? Last but not least, in the contemporary city of Cape Town, what is the multi-cultural intervention that one can create for immigrants, in this case, the Chinese community in South Africa? These are the essential questions that I want to discuss and investigate in my thesis. There are three sections in this paper. The first is an introduction to Chinese culture and its national identity, looking at traditional Chinese architecture and philosophies behind their making. The courtyard house will be studied as an example. Furthermore, contemporary Chinese architecture that looks at new approaches to representing the modern Chinese identity will be discussed. The second part explores spatial and urban manifestation in Chinese cities - how urban space affects one's cultural behavior. I will look at typical conditions of Chinatown and its architectural characteristic in the foreign context, including the new Chinatown in Johannesburg. In the last chapter, the paper will bring forward my thoughts through design development on site selection, programme and concept. I explored the subject of architecture and identity of nation and the way that cultural identity can be represented through architecture. I questioned how this can be translated into architecture when making its national image into a foreign country.
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Gozzer, Toribio Nataly Viviana. "Centro cultural recreativo y de esparcimiento para niños y adolescentes en San Juan de Miraflores." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/627778.
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La propuesta principal de este proyecto de tesis, es crear un equipamiento arquitectónico y urbano que, mediante la implementación de actividades culturales, recreativas y deportivas fomente en los niños y adolescentes valores educativos, culturales y deportivos, además de mostrarles mediante esta nueva propuesta arquitectónica y con novedosas técnicas de aprendizaje que culturizarse es importante para su desarrollo, además de que se implementaran educación para el trabajo.
Dichos elementos mencionados anteriormente, son parte de los criterios principales para la creación de este nuevo polo recreativo y de esparcimiento que tiene como principal énfasis la creación de nuevos espacios públicos y la adaptación de estos con los ya existentes.
Además, este nuevo modelo de Centro Cultural podría adaptarse en otros distritos de Lima, ya que existe carencia de equipamientos que fomenten en niños y jóvenes actividades recreativa, culturales, deportivas.The main proposal of this thesis project is to create an equipment architectural and urban, through the implementation of cultural activities, recreational and sports fosters in children and adolescents, educational values, cultural and sporting, in addition to show you through this new architectural proposal and with new techniques of learning how important culture is to the development of our professional lives . In addition, the project will foster the education for the job. These elements mentioned above, are part of the major criteria for the creation of this new center for recreation and entertainment that have as main focus the creation of new public spaces and the adaptation of those already existing. In addition, this new model of a Cultural Centre could be adapted in other districts of Lima, as there is lack of facilities that encourage children and youth activities recreation, cultural, sports.
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Murillo, Vilela Valeria Alejandra. "Centro Cultural Islámico en Magdalena." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652753.
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El centro cultural islámico es un proyecto ubicado en el punto comercial y educativo más importante del distrito de Magdalena, en la ciudad de Lima. Se trata de un centro cultural que buscar darle una identidad arquitectónica propia a la comunidad musulmana para distinguirla y caracterizarla en Lima. Asimismo, cumple la doble función de elemento integrador entre los miembros de la comunidad musulmana de Lima y entre los miembros de esta comunidad con la sociedad limeña con una identidad más flexible y amplia para subsistir no sólo en el ámbito religioso, sino también en lo cultural y social.The Islamic cultural center is a project located in the most important commercial and educational point of the Magdalena district, in the city of Lima. It is a cultural center that seeks to give its own architectural identity to the Muslim community to distinguish it and characterize it in Lima. Likewise, it fulfills the double function of an integrating element among the members of the Muslim community of Lima and among the members of this community with the Lima society with a more flexible and broad identity to subsist not only in religious sphere, but also in cultural and social sphere.
Trabajo de investigación
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Waites, Elizabeth Anne. "Meridian International Contemporary Culture Center Proposed Addition to Meridian International Center." Thesis, Virginia Tech, 2008. http://hdl.handle.net/10919/33293.
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Located just off of Sixteenth Street NW in Washington, D.C., the Meridian International Center complex sits on an elevated, crescent-shaped swath of land opposite Meridian Hill/Malcolm X Park. On the site are two neoclassical residences, both designed by John Russel Pope in the early 20th century. Initially designed as diplomatic residences, when Meridian International Center purchased the site in 1960, the houses were converted into facilities for the organization. Today, having recently undergone extensive renovations the buildings are listed on the National Register of Historic Places.
Meridian International Center is devoted to the exchange of people, ideas, and art. The organization aims to promote international understanding through diplomatic exchanges, arts programs, lecture series, and educational programs. The majority of operations is devoted to the International Visitors Program, however in recent years, the organization has expressed a desire to expand their other programs, specifically the Arts & Culture and World Affairs divisions. A primary intention of Meridian International Center is to open its doors to the city, to invite and engage the public in international matters through a variety of expositions.
Currently lacking sufficient space to accommodate such programs, this thesis proposes a new facility for Meridian International Centerâ s building complex. This facility is to function as a Contemporary Culture Center. With the intention of opening the institution to the public, both literally and figuratively, the building is to act as a beacon in the city for the sharing and mixing of cultures.Master of Architecture
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Manzoni, Francis Marcio Alves. "Passagens da Biblioteca Central ao Centro Cultural São Paulo (1975-1985)." Pontifícia Universidade Católica de São Paulo, 2015. https://tede2.pucsp.br/handle/handle/12861.
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This thesis addresses some dimensions about the creation of the Sao Paulo Cultural Center, since it's idealization as the central library of the state capital, in the second half of the 1970, to a transformation of their original design to house a multidisciplinary cultural institution, opened in 1982 on land adjacent to the subway line, between Avenida 23 de Maio and Rua Vergueiro. Aims to highlight the importance of public spaces as places where culture converges part of relations between citizens and public administration, where they breed unrest within the city because of social inequality and cultural, color, gender and sexuality differences. In this work, the Cultural Center is considered in relation to the city that crosses and their influence on city life. This research sought to recognize the agents involved with the planning of the "new cultural institution", identifying their references and contributions, taking as its starting point the need to expand the Mário de Andrade Library, due to the overcrowding of books in his tower and insufficient space to meet readers and researchers at that institution. It was surveyed the socio-cultural landscape transformations of the city of Sao Paulo in the 1970s and 1980s, the emergence of demands of the population in relation to culture and leisure as well as the development of public policies for culture in this period. Focusing research on the concept of cultural center and its popularity since the late 1970s, this research seeks to contribute to reflection on the culture of public spaces as places of negotiation, of which participated managers related to municipal administration, artists, agencies culture and diverse publics, whose values, identities and interests influence the constitution and functioning of these institutions, much beyond the meanings of art-‐ spectator
Esta tese aborda algumas dimensões do processo de criação do Centro Cultural São Paulo, desde a sua idealização como Biblioteca Central de São Paulo Vergueiro , na segunda metade dos anos 1970, até a sua transformação em Centro Cultural multidisciplinar, inaugurado em 1982. Tem por objetivo destacar a relevância dos espaços públicos de cultura na vida urbana, como lugares para onde converge parte das relações entre os cidadãos e a administração pública, onde se reproduzem as tensões vividas na cidade, em razão da desigualdade sócioeconômica, das diferenças culturais, de cor, gênero e sexualidade. Neste trabalho, o Centro Cultural é estudado em relação à cidade que o atravessa, ao mesmo tempo em que analisa a sua influência na vida da cidade. Foram analisados documentos produzidos pela administração municipal, como relatórios de planejamento da Biblioteca Central de São Paulo - Vergueiro e relatório de adaptação do edifício para seu funcionamento como Centro Cultural São Paulo; procuramos conhecer os agentes envolvidos no processo por meio de entrevistas de história oral e pesquisas em jornais e revistas que acompanharam de perto a construção e o funcionamento da instituição. Dentre os resultados, apresentamos um conjunto de referências e experiências de instituições culturais que fizeram parte da constituição do Centro Cultural São Paulo; estabelecemos relações entre as políticas culturais desenvolvidas na capital paulista e as transformações no perfil de sua população, entre 1975 e 1985, reconhecendo a emergência de demandas da população em relação à cultura e ao lazer; exploramos o significado e principais características vinculadas à ideia de Centro Cultural, ao mesmo tempo em que buscamos compreender o processo de criação do Centro Cultural São Paulo na administração dos prefeitos Olavo Setúbal (1975-1979) e Reynaldo de Barros (1979-1982), analisando as políticas culturais de seus respectivos secretários de cultura: Sábato Magaldi e Mário Chamie. Esta pesquisa procura contribuir para reflexão sobre os espaços públicos de cultura como lugares de negociação, dos quais participaram gestores ligados à administração municipal, artistas, órgãos de cultura e públicos diversos, cujos valores, identidades e interesses influenciam na constituição e no funcionamento dessas instituições, para além dos significados de arte espectador
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EASTMAN, CHRISTOPHER EDWARD. "JAPAN CULTURAL FORUM ARCHITECTURAL SYNTHESIS THROUGH TRANS-CULTURAL STRATEGIES." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053368953.
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Mamani, Casos Miguel Rodrigo. "Centro Cultural Juvenil en Chorrillos." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/654776.
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El proyecto planteado es un centro cultural, cuyos principales usuarios son los jóvenes del distrito de Chorrillos. Las estadísticas corroboran que estos usuarios representan a la mayoría poblacional del distrito y que muchos comparten las mismas condiciones educativas y socioeconómicas que los dejan en una situación de vulnerabilidad social, afectando su futuro académico y profesional. Asimismo, la infraestructura cultural ofrecida por el distrito de Chorrillos no da abasto para la cantidad de jóvenes que hay, por lo que el desinterés por hacer uso de este equipamiento es cada vez mayor. Se tomará como base estas carencias para brindar un nuevo programa integral de actividades culturales que contribuyan en el desarrollo cultural de la población joven del distrito, en una infraestructura que los motive a usarla.
Para el desarrollo se analizaron 3 centros culturales de carácter internacional bajo los conceptos de 3 libros que detallen el diseño de equipamientos culturales. Se pudo rescatar el indispensable manejo del espacio público de esta tipología. Razón por la que se tratará el énfasis en “arquitectura permeable” por la importancia que le da este al espacio público y se analizarán 3 textos que detallen sus principios fundamentales, así como 3 proyectos referenciales.
Este proyecto, finalmente, buscará ser un complemento a los equipamientos educativos del distrito, permitiendo un mejor desarrollo cultural de los jóvenes y adolescentes de Chorrillos; así como convertirse en un elemento regenerador urbano y un espacio abierto a la comunidad, donde se fortalezcan los lazos sociales y brinden mejores oportunidades de crecimiento personal.The proposed project is a cultural center, whose main users are the young people of the district of Chorrillos. The statistics confirm that these users are the largest population in the district and share the same educational and socioeconomic conditions that leave them in a situation of social vulnerability, affecting their academic and professional future. Likewise, the cultural infrastructure offered by the Chorrillos district is not enough for the number of young people there is, so the lack of interest in making use of this cultural infrastructure is growing. These deficiencies will be taken as a basis to provide a new comprehensive program of cultural activities that contribute to the cultural development of the young population of the district, in an infrastructure that motivates them to use it. For the development, 3 international cultural centers were analyzed under the concepts of 3 books detailing the design of cultural facilities. Public space management of this type is essential. Reason why the emphasis on “permeable architecture” will be treated because of the importance that these places on the public space and 3 texts that detail its fundamental principles, as well as 3 referential projects will be analyzed. This project, finally, will seek to be a complement to the educational facilities of the district, allowing a better cultural development of the youth and adolescents of Chorrillos; as well as becoming an urban regenerative element and a space open to the community, where social ties are strengthened and provide better opportunities for personal growth.
Trabajo de investigación
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CARVALHO, MARIA CRISTINA MONTEIRO PEREIRA DE. "INSTANTANEOUS OF VISITS: THE SCHOOL AT CULTURAL CENTER." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7497@1.
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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOREsta tese teve por objetivo investigar a relação escola e centro cultural por intermédio da observação de visitas realizadas por estudantes ao Centro Cultural Banco do Brasil/RJ entre outubro de 2003 e julho de 2004. Essas observações focalizaram o atendimento oferecido pelo Setor Educativo da Instituição de modo a interpretar como se dá a mediação com o público escolar. Os responsáveis por essas visitas, portanto, assumem um papel fundamental no trabalho de campo, provocando reflexões acerca de sua formação e atuação. Além disso, foram realizadas entrevistas com coordenadores, monitores, representante da Instituição, professoras/es e alunos visitantes, bem como foram ouvidos os responsáveis pelos programas culturais nas Secretarias Municipal e Estadual de Educação e na Secretaria Municipal das Culturas. A fotografia e análise documental configuraram-se como recursos complementares no trabalho de campo. Verificouse a expressividade das visitas de escolas públicas em decorrência, principalmente, da gratuidade do transporte, oferecido pelo CCBB e por políticos atuantes em subúrbios do município do Rio de Janeiro. Foi possível constatar várias pedagogias - que por vezes entravam em conflito -, presentes por ocasião da efetivação da visita escolar, evidenciando expectativas diferenciadas por parte dos envolvidos na visita. Apesar de um discurso dos integrantes do Setor Educativo do CCBB - no que diz respeito à opção pelo diálogo com o público escolar, à não intervenção, ao respeito pelo repertório dos alunos -, em vários momentos, imperou uma pedagogia da visita cerceadora e controladora das experiências dos grupos. A pesquisa ratificou a falta de diálogo e a inexistência de articulação entre escolas e centros culturais/ museus já destacadas por outros estudos. Mas, ao mesmo tempo, trouxe elementos que possibilitaram identificar desencontros de expectativas que, muitas vezes, foram a base de tensões entre professores visitantes, monitores e a equipe do Setor Educativo. O trabalho de campo não teve a pretensão de produzir senão instantâneos de visitas que poderão contribuir para uma maior integração entre escola e espaços culturais, reconhecendo-se, nesse sentido, a importância que ocupam atualmente os espaços não-formais de educação no cenário mundial de educação.
This thesis had as objective the investigation of the relation school and cultural center by means of observation of students` visits to the Centro Cultural Banco do Brasil/RJ - a cultural center - between october of 2003 and july of 2004. These observations focused on the attendance offered by the Educative Sector of the Institution in order to interpret how the mediations with the school public happens. The responsibles for these visits, therefore, assume an important role in the field work, provoking reflexions concerning its formation and performance. Moreover, interviews with coordinators, monitors, representative of the Institution, teachers and visiting students had been carried through, as well as the responsible ones for the cultural programs in the City and State departments of Education and in the City department of Culture had been heard. The photograph and documentary analysis had been configured as backing features in the field work. It was verified expressiveness of the visits of public schools in result, mainly, of the gratuitousness of the transport, offered by the CCBB and operating politicians in the suburbs of the city of Rio de Janeiro. It was possible to evidence some pedagogies - that for times entered in conflict -, present for the occasion of the actualization of the school visit, evidencing differentiated expectations on the part of the involved. Although a speech of the integrant ones of the Educative Sector of the CCBB - refering to the option for the dialogue with the school public, not to intervine, the respect for the repertoire of the students -, at several moments, it reigned a visit pedagogy restrictive and controller of the groups` experiences. The research ratified the lack of dialogue and the inexistence of toggle between schools and cultural center/museums already detached by other studies. But, at the same time, it brought elements that made possible to identify failures in meeting of expectations that, many times, had been the base of tensions between visiting professors, monitorial and the team of the Educative Sector. The field work did not have the pretension to produce but instantaneous of visits that will be able to contribute for a bigger integration between school and cultural spaces, recognizing, in this direction, the importance that the informal educational spaces currently occupy in the world-wide scene of the education.
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Velosa, Ana Beatriz da Silva Naves. "Projectar com o lugar." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2015. http://hdl.handle.net/10400.5/12467.
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Vašut, Štěpán. "Společensko-kulturní centrum v Dolních Kounicích." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240833.
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My diploma thesis is based on the module Res Publica - Public works focusing on community buildings. Dozens of towns were surveyed, whether they are interested in reconstruction of their community or sociocultural centre, and eventually a small town Dolní Kounice was chosen especially because of the beauty of the surrounding countryside as well as the exciting native urbanism and architecture. This thesis deals with transformation of the cultural house from the 50s of the 20th century to a new cultural centre. The extension and inconvenient terrace were removed and the hall is supported by a new mass of the vestibule at the interface between interior and exterior, on the site of the former patio. Next, a new front of the building was introduced which increased the entrance of the house and created a space for a study room, small gym, meeting room and common rooms. The part of the house used for housing units is designed only with aesthetic details on the facade. The Culture Centre is divided into a set of materials in order to reduce the scale of the whole building. The entrance part mass, in contrast, is enhanced by its division and the chosen materials. In this way the originally embarrassing object of the Cultural Centre has been changed into a new centre with a clear architectural expression and the interior of the house is enriched by view of the beauty of the city.
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Mauricio, García Sergio David. "Centro Cultural Etnográfico." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/648817.
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El Perú tiene en el turismo un sector con enorme potencial de desarrollo, no sólo cuenta con importantes recursos naturales, sino también con una gran cultura diversa para atender todos los segmentos del mercado, porque en su cultura tradicional y variada ofrece una amplia gama de posibilidades y actividades para los turistas que lo visitan.
El Centro Cultural Etnográfico en el Distrito de Morales, Provincia de San Martín, integrante del Departamento San Martín, y forma parte de la conurbación de los distritos Tarapoto, La Banda de Shilcayo, Cacatachi, Distrito de Juan Guerra. Expresa el carácter social de un tema tan importante como lo es el servicio cultural, dentro de un marco de arquitectura eficiente y busca salvaguardar el patrimonio socio-cultural en la región selva, reforzando el carácter de atractivo turístico y creador de identidad local que sirva como un modelo para ser muestra principal de la historia, tradición y folklor de la selva peruana.
Como base principal de diseño del Centro Cultural, éste se adapta plenamente a las condiciones del lugar, desde la forma y función de la misma, respetando el contexto natural y las características constructivas de la selva peruana. Del mismo modo, el Centro Cultural aprovecha al máximo las condiciones climáticas de la zona (como las lluvias y los rayos solares) además el Río Cumbaza (potencial turístico de la ciudad ubicado en la parte posterior del centro) cumple un papel fundamental en concepto del diseño del Centro Cultural.Peru has in tourism a sector with enormous development potential, not only has important natural resources, but also a great diverse culture to meet all market segments, because in its traditional and varied culture it offers a wide range of possibilities and activities for tourists who visit it. The Ethnographic Cultural Center in the District of Morales, Province of San Martín, a member of the San Martín Department, and is part of the conurbation of the Tarapoto, La Banda de Shilcayo, Cacatachi, Juan Guerra District districts. It expresses the social character of an issue as important as the cultural service, within an efficient architecture framework and seeks to safeguard the socio-cultural heritage in the jungle region, reinforcing the character of tourist attraction and creator of local identity that serves as A model to be a main example of the history, tradition and folklore of the Peruvian jungle. As the main design base of the Cultural Center, it fully adapts to the conditions of the place, from the form and function of it, respecting the natural context and the constructive characteristics of the Peruvian jungle. Similarly, the Cultural Center takes full advantage of the climatic conditions of the area (such as rains and sunrays) and the Cumbaza River (tourist potential of the city located in the back of the center) plays a fundamental role in the concept of Cultural Center design.
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Vitorino, Daniela Alexandra Guilherme. "Martim Moniz como lugar urbano de multiculturalismo." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/16786.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.Apesar de Portugal ser considerado um país de longa tradição multicultural, a cidade de Lisboa tem vindo a ser, cada vez mais, cenário da interação e da convivência entre imigrantes dos mais diversos pontos do mundo. Neste sentido, o ajustamento entre a apropriação do espaço consoante as diferntes culturas e a arquitetura continua a ser uma questão central, para a qual o arquiteto e o sociólogo deverão ter um olhar atento. Tendo como área de estudo o Martim Moniz que permite percecionar uma diversidade social, étnica, cultural e geracional, o presente trabalho pretende compreender se a cidade está preparada para oferecer espaços públicos de convivência intercultural e até que ponto e de que forma, é possível albergar e acomodar a diversidade de indivíduos, grupos e modos de vida, independentemente da sua origem. De modo a requalificar e reabilitar um quarteirão adjacente ao Martim Moniz, é proposto o desenvolvimento de um Centro Multicultural. Para além de resolver alguns problemas urbanos, provocados pelo tecido urbano denso e fragmentado, consegue, no mesmo espaço, desenvolver atividades variadas que promovem as interações humanas entre toda a população, incluindo autóctones, imigrantes e turistas. O facto de se estar perante uma estrutura social e cultural heterogénea e marcada por múltiplas tensões constitui um desafio acrescido à ação da Arquitetura. Esta situação leva à adoção de estratégias criativas gerando aquilo que se pretende: dinâmicas de convivência, sociabilidade e criação cultural e artística,
ABSTRACT: Even though Portugal is considered a country with a long multicultural tradition, the city of Lisbon has been increasingly a scene of interaction and coexistence among immigrants from all over the world. In this sense, the adjustment between the appropriation of space according to different cultures and architecture remains a central issue to which the architect and the sociologist must observe closely. Martim Moniz is a study area that allows to perceive a social, ethnic, cultural and generational diversity. The present work intends to understand if the city is prepared to offer public spaces of intercultural coexistence and to what extent and in what way it is possible to accommodate the diversity of individuals, groups and lifesstyles regardless of their origin. In order to requalify and rehabilitate a block adjacent to Martim Moniz, it is proposed the development of a Multicultural Center. The Multicultural Center will allow not only solving some urban problems caused by the irregularity of the territory and the construction as well as to develop varied activities in the same space that promote human interactions among the entire population including autochthonous immigrants and tourists. The fact that there is a heterogeneous social and cultural structure and marked by multiple tensions constitutes an added challenge to the action of Architecture. This situation leads to the adoption of creative strategies generating what is intended: dynamics of coexistence, sociability and cultural and artistic creation.
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Santos, Tatiana das Neves Pires dos. "Centro Cultural Intergeracional." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2020. http://hdl.handle.net/10400.5/20323.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.A cidade de São Tomé assenta num território desfragmentado, com um crescimento urbano dual. A informalidade arquitectónica e urbanística evidencia traços de uma cidade perdida no tempo, transparecendo um abandono ao longo dos séculos devido ao rápido crescimento demográfico e habitacional. As áreas informais são as que mais se destacam, sendo estes espaços precários e integrados maioritariamente na periferia da idade. Deste modo, a presente intervenção tem a intenção de explorar a cidade de São Tomé no seu contexto urbano, identificando factores que definem a questão da informalidade, bem como, das descontinuidades e insuficiências. Foram levadas em consideração as características da arquitectura vernacular e aspectos culturais santomenses, numa procura da sua integração num novo desenho da cidade, tropical. Com uma rica herança em tradições e costumes, São Tomé e Príncipe é marcado pela sua vivência e identidade. O novo Centro Cultural Intergeracional, complementado pelo seu espaço exterior ajardinado que se insere no plano urbano, é apresentado como solução. O equipamento pretende manter e evidenciar as vivências, identidade e conceito de intergeracionalidade em São Tomé.
ABSTRACT:The city of Sao Tome is based on a defragmented territory, with a dual urban growth. The architectural and urban informality shows traces of a city lost in time, showing abandonment over the centuries due to the rapid demographic and housing growth. Informal areas are the most prominent, and these precarious spaces are mostly integrated in the periphery of the city. Thereby, the present intervention intends to explore the city of São Tomé in its urban context, identifying factors that define the issue of informality, as well as the discontinuities and insufficiencies. The characteristics of the vernacular architecture and cultural aspects were taken into consideration in search of its integration in a new tropical city design. With a rich heritage in traditions and customs, São Tome and Principe is marked by its experience and identity. The new Intergenerational Cultural Center, complemented by its landscaped outdoor space that fits into the urban plan, is presented as a solution. The equipment aims to maintain and highlight the experiences, identity and concept of intergenerationality in São Tomé.
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Hamid, Afshan. "Diaspora, dislocation, denizen : a cultural center in Lowell, Massachusetts." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/66776.
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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1997.Includes bibliographical references (p. 48-49).
The condition of being migrant is peculiar to modernity. Being migrant is often a result of political estrangement from one's homeland, or dislocation due to economic pressures. It is a status which requires the individual to be temporary, shifting and dynamic. If the position becomes static, the migrant becomes an immigrant alien in a new and unfamiliar geographical location. Thus immigrant is the radical instability of the modern experience. Immigrant is not only a consequence of modernity, but also a metaphor for the process of modernity. Being migrant has the trauma of dislocation, of relearning communication, rethinking a cultural dialogue. It is also an interiorized alone sense of loneliness, and even a longing for a return to a familiar place and time. Being immigrant is a journey, both mental and physical. This thesis concerns itself with the issues of being an immigrant. In particular, the debate will revolve around immigrants of the last twenty years, the Asian community. I am interested in this group because they are still struggling to assimilate themselves into the American experience. The town of Lowell, Massachusetts has a community of recent immigrants from Vietnam, Cambodia and Korea. These people have been encouraged to resettle their lives due to government programs and a strong manufacturing industry in Lowell. They inhabit a part of Lowell known as Acre and the Lowlands. These areas have been home to the first Irish settlers in Lowell in the 1850s. The site for the project is itself a borderland condition, precisely where the existing Lowell community stops development and the immigrants begin their settlement. The area is currently a residential fabric on one side and an industrial locality on the opposite. The Pawtucket Canal, a man-made canal, runs through the site, acting both as a boundary and a seam.
by Afshan Hamid.
M.Arch.
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Pandozzi, Marianne Nancy. "New acropolis: a cultural center for an utopian city." Thesis, Virginia Polytechnic Institute and State University, 1988. http://hdl.handle.net/10919/53177.
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Sterne, Christie Savidge. "Places of the Earth: A Cultural Center for Zimbabwe." Thesis, Virginia Tech, 1998. http://hdl.handle.net/10919/40530.
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This thesis began with research in the rural areas of Zimbabwe, in southern Africa. I began with a little background knowledge and a great desire to learn. I took my research to the rural areas to try to understand the roots of traditional architecture and the why's of building methods in Zimbabwe. My thesis project grew out of a desire to give something back to the people that had so generously opened up an opportunity for me to learn about their culture and traditions.
My cultural center was an attempt to take the essential elements of traditional building, use the structural language of the homesteads and create a place that would become part of the site and culture of today's Zimbabwe.Master of Architecture
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Rojas, Güere Jessy Liz. "Centro Cultural en Lima Norte." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/626205.
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El proyecto de la presente tesis se trata de un Centro Cultural en Lima Norte, un espacio de encuentro cívico, en donde la formación y difusión cultural se mezclen con las dinámicas del propias lugar y sus habitantes, por ello, la presente investigación pretende proponer, a través del análisis y diagnóstico, un espacio donde se desarrollen actividades culturales, comerciales y sociales, manteniendo la identidad del lugar y funcionen en base a las necesidades de la zona entendiendo el entorno y enfatizando la importancia del espacio intermedio entre el público y privado, como articulador urbano y educativo, esta propuesta arquitectónica además busca ser una pieza que ayude al proceso de urbanización y consolidación de la “Nueva Centralidad de Lima Norte” como propone el PLAM 2035, con el objetivo de incentivar, activar y potenciar el desarrollo de zonas de la ciudad de modo que tomen el rol de catalizadores urbanos articulados de manera estratégica a escala metropolitana.The project of the present thesis is about a Cultural Center in Lima Norte, a civic meeting space, where the formation and cultural diffusion are mixed with the dynamics of the place and its inhabitants, for that reason, the present investigation intends to propose, through analysis and diagnosis, a space where cultural, commercial and social activities are developed, maintaining the identity of the place and functioning based on the needs of the area, understanding the environment and emphasizing the importance of the intermediate space between the public and private, As an urban and educational articulator, this architectural proposal also seeks to be a piece that helps the process of urbanization and consolidation of the "New Centrality of North Lima" as proposed by PLAM 2035, with the aim of encouraging, activating and enhancing the development of areas of the city so that they take on the role of urban catalysts articulated strategically at the metropolitan level.
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Zandian, Nastaran. "Bridging the worlds through art and culture, an Iranian cultural center in Washington D.C." College Park, Md.: University of Maryland, 2007. http://hdl.handle.net/1903/7839.
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Thesis (M. Arch.) -- University of Maryland, College Park, 2007.Thesis research directed by: School of Architecture, Planning and Preservation Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Pedrosa, Maria Elizabeth Caldellas. "Centro cultural da juventude Ruth Cardoso: uma experiência diferenciada." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-26102010-165135/.
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Trata do processo de criação e desenvolvimento do Centro Cultural da Juventude Ruth Cardoso (CCJ) e do impacto causado por suas ações junto à comunidade, particularmente junto ao seu público-alvo, utilizando para esta reflexão os conceitos de desenvolvimento cultural e de direitos culturais. O CCJ foi criado em 2006 com objetivo de atender as demandas dos jovens moradores das regiões de Brasilândia, Cachoeirinha, Freguesia do Ó e de toda a cidade de São Paulo. Partiu da criação de um equipamento cultural que tem como público-alvo os jovens entre 18 a 29 anos, que em geral não são o foco principal dos outros equipamentos mantidos pela prefeitura da cidade de São Paulo. Foi analisada a relação entre a cultura e a cidade, a partir da presença e distribuição dos equipamentos culturais no âmbito da Secretaria de Cultura da cidade de São Paulo, descritos aqui como pano de fundo. Apresenta o histórico do CCJ, sua criação, suas redes, objetivos, propostas e funcionamento, tendo como fonte de informação depoimentos colhidos junto aos gestores do CCJ, documentos e observação. Para analisar o público-alvo do CCJ, aborda-se o conceito de juventude, seus valores e suas expectativas. Traz uma pesquisa de usuários do CCJ que ajuda a traçar seu perfil, analisar o uso que fazem do equipamento e avaliar sua satisfação com as atividades e os acessos oferecidos. Os resultados obtidos demonstraram mudanças no perfil cultural destes jovens, a partir da freqüência ao CCJ, podendo-se admitir que espaços culturais próximos à comunidade contribuem de forma eficaz para o desenvolvimento cultural de seu público e para a democratização do acesso aos bens culturais.This dissertation aims to analyze the process of creation and development of the Cultural Center for Youth Ruth Cardoso (Centro Cultural para a Juventude Ruth Cardoso, CCJ) and the impact caused by the actions of the CCJ in the community, particularly among its target audience, using in this reflection the concepts of \"cultural development\" and \"cultural rights\". The CCJ was established in 2006 in order to meet the demands of the young residents of the regions of Brasilândia, Cachoeirinha, Freguesia do Ó and of the city of São Paulo as a whole. The CCJ involved the creation of differentiated cultural facilities, focusing on the population aged 18 to 29 years, the general public that is not the main focus of the other facilities maintained by the Municipal Government of São Paulo. We analyze initially the relationship between culture and cities, focusing specially on the presence and distribution of cultural facilities within the Department of Culture (Secretaria de Cultura) of São Paulo, in order to achieve an overview of the characteristics of each of them. Subsequently we present the history of the CCJ, its creation, its networks, objectives and operation. These information were obtained from testimonies collected from the managers of the CCJ, documents and observation. Afterwards we make a discussion on the concept of youth and its expectations, and finally we deal with the analysis of the interviews applied to users of the CCJ, checking its characteristics, the uses of the facilities, and the evaluation of satisfaction, which indicates changes in the cultural profile of these young people in relation to their attendance of the CCJ. The results showed that differentiated cultural spaces and decentralization contribute effectively to the cultural development of its public and to the democratization of the access to cultural goods.
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Gan, Guo, and 甘果. "Urban vintage: revitalization of cultural andhistorical area in urban center." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47542603.
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The urban renewal is the inevitable product during the urban development process. Chongqing has been carrying out a serious of reconstruction and urban revitalization during these years, and the SHI-BA-TI area is included in the process. SHI-BA-TI area is one of the most famous sight-spots of Chongqing which represents the traditional culture spirit of the city. So that the high-valuable culture features of the site should be reserved in the reconstruction project and expressed in new way with creative method.
The concept of my design is reserving the “old core and skin” while adding in the “new core and skin”. This reconstruction design achieved the objective that reserving the historic and cultural core of the site while adding some urban public functions upon the site, which makes the site correspond to the land value of the city center and help with enhancing the status and image of the city center.published_or_final_version
Architecture
Master
Master of Landscape Architecture
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Schnee, George William. "All the city's a stage : a cultural center for Boston." Thesis, Massachusetts Institute of Technology, 1985. http://hdl.handle.net/1721.1/77308.
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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 1985.MICROFICHE COPY AVAILABLE IN ARCHIVES AND ROTCH.
Includes bibliographical references (p. 180-183).
This thesis looks at the exuberance of city life as manifest in performance. Whether spontaneous or formal, gatherings for entertainment, celebration. spectacle and observation occur throughout the city at a variety of scales. A city's vitality comes largely from its great concentration of humanity. When people come together, an expressive energy usually arises as creativity, ideas. passions. and talents are shared. Interactions which we can call performance or theatre, in many circumstances, are then taking place. Thus. the city becomes transformed into a stage whose actors are its people. While the role of the architect in this process may be somewhat peripheral, an understanding of the spaces and forms which somehow tend to foster or allow public performance interactions in the city can be very useful in the design of public spaces which demand vitality. and. of course, in the design of theatres. The thesis begins with an historical overview of theatre form, which very generally outlines the development of performance, its historical context and its typical settings. The second chapter takes a look at a number of places throughout Boston which have been designed for, or adapted to becoming venues for performance. The third chapter. in a series of detailed case studies ranging from a sacred palace to the shopping mall takes a closer look at the theatre as a microcosm of the larger world in which it exists. and of which it is intended to symbolize. Finally. a design for a prime site in Boston is proposed which incorporates both informal and formal performance experiences. The underlying design intention has been to produce a cultural center which provides a scaffolding or framework for performance at a variety of levels for a variety of people. Form studies and diagrams analyze this intention in the context of the proposed design.
by George William Schnee.
M.Arch.
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Zhou, Xiaowei. "The Project for "Cultural Exchange Center" in Beijing, P.R. China." Thesis, The University of Arizona, 1989. http://hdl.handle.net/10150/603466.
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Hall, Desmond Levon. "Toward Liquid Emerald: A Cultural Center for the Japanese Tea." Thesis, Virginia Tech, 2002. http://hdl.handle.net/10919/35530.
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What are the layers of interaction between building and user?
Weight?
Time?
Material?
Space?
How do these four elements affect the perception of an architectural figure?Master of Architecture
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BELVILLE, DARA SUE. "REGION - COMMUNITY - PLACE: A CULTURAL MUSEUM CENTER IN SOUTHEASTERN OHIO." University of Cincinnati / OhioLINK, 2003. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1053612447.
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Li, Yu. "The design of a cultural exchange center for Beijing, China." Kansas State University, 1990. http://hdl.handle.net/2097/36100.
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Belville, Dara. "Region - community - place a cultural museum center in southeastern Ohio /." Cincinnati, Ohio : University of Cincinnati, 2003. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=ucin1053612447.
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López, Lavalle Luque Gabriela Estefanía. "Centro Cultural del Arte Tradicional y Popular Amazónico." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652946.
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Por mucho tiempo, el Perú ha tenido una relación no sincera con su diversidad cultural. Sin embargo, en los últimos años distintas acciones están generando cambios significativos, que permiten un reconocimiento propio de las diferentes culturas que alberga nuestro territorio.
Las comunidades indígenas, por muchos años olvidadas, forman parte importante de esta diversidad, de las cuales podemos rescatar su conocimiento sobre el uso y conservación de los recursos naturales, así como del territorio.
El Centro Cultural Del Arte Tradicional y Popular Amazónico, busca reconocer a través de la arquitectura, la identidad de esta cultura Amazónica, en específico la de la cultura Shipibo Conibo, la cual se ubica principalmente en la región de Ucayali.
El eje principal para el diseño de este proyecto, es el respeto por su cultura ancestral, crear un hito en la ciudad que responda al lugar, a sus materiales, a su entorno principalmente pero que use los conocimientos sobre las tecnologías modernas.
Asimismo, el factor climatológico es uno de los componentes más importantes para el desarrollo de esta propuesta y pone en evidencia el lazo que debe de existir entre la cultura y la arquitectura moderna.For a long time, Perú has had a non-sincere relationship with its cultural diversity. However, in recent years different actions are generating significant changes, which allow recognition of the different cultures that our territory is home to. Indigenous people, almost completely forgotten for years, are now an important part of this diversity. We can rescue their knowledge about the use and conservation of natural resources. The Cultural Center of Amazonian Traditional and Popular Art, seeks to recognize through architecture, the identity of this Amazonian culture and specifically of Shipibo Conibo culture, which is located mainly in the Ucayali region. The main axis of this project is the respect for its ancestral culture. The architecture tries to create a milestone in the city that responds to the place, its materials and its environment. Likewise, the climatological factor is one of the most important components for the development of this proyect.
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Ohlinger, Nadine I. "They say this clinic is for migrants cultural sensitivity in a rural health center /." [Tampa, Fla.] : University of South Florida, 2005. http://purl.fcla.edu/fcla/etd/SFE0001110.
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Palasciano-Barton, Sarah Nicole. "Narrative Analysis of Hmong Refugee Health Experiences and the Impact of a LocalCommunity Center." Miami University / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=miami1532722161028468.
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Carvalheira, Ana Sofia dos Reis. "Coabitar de gerações." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17478.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.O processo de crescimento disperso das cidades, a desindustrialização e a consequente desocupação de extensas áreas, agora residuais e/ou marginais, denunciam alterações profundas nas cidades contemporâneas. A par desta realidade, estamos perante uma sociedade cada vez mais envelhecida e fragmentada, onde as relações intergeracionais são pouco frequentes. Estas constatações conduzem a outros problemas como a segregação da população envelhecida, a perda do convívio entre a população e do sentido de comunidade, essencial para a existência de uma cidade sustentável. A emergência de dar resposta a estas questões, relacionadas com fenómenos como os vazios urbanos, o envelhecimento da população e a necessidade de promoção de dinâmicas de aproximação intergeracional, levam à procura de novas estratégias e soluções. Neste sentido, Coabitar de gerações parte do desejo de criar um espaço que serve todas as gerações, que proporciona a sua interação e convívio. Atendendo a esta vontade, a proposta arquitetónica vem concretizar um programa funcional destinado a servir todas as faixas etárias, em especial as mais dependentes (idosos e crianças). Propõe-se o regresso ao rio e a uma zona, outrora central na cidade, cuja evolução urbana e a desindustrialização conduziriam ao seu abandono e consequente degradação: a Quinta Braamcamp. Deste modo, o projeto desenvolvido propõe a reabilitação e reconversão do conjunto edificado desta quinta, situada no Barreiro, como exemplo de um lugar habitado por várias gerações, um lugar intergeracional.
ABSTRACT: The scaterred process of the cities’ expansion, the deindustrialization and the consequent release of the extensive areas, currently residual and/or marginal, reveal deep changes in the modern cities. Along with this paradigm, we are faced with an older and fragmented society where integenerational relationships are not common. Those findings, lead to other issues such as the segregation of the older population, the loss of the interaction between people as well as the sense of comunity, crucial to a sustainable city. The need of answering these issues, related to urban voids, the population ageing and the need of promoting dynamics to enhance intergenerational proximity leads to the search of new strategies and solutions. In this sense, the Cohabition of generations starts from the aspiration of creating a space that answers to all generations while fostering interaction and socialization. Following this aspiration, this arquitectural proposal aims to create a functional program to answer the needs of all age groups, more specifically the most dependant ones (elders and children). This project emphasizes a reconnection with the river and with a region, erstwhile central in the city, in which its urban evolution and the deindustrialization would be left alone falling, consequently, into deterioration: the Braamcamp Estate. Hence, in this project it is proposed the reabilitation and reconversion of all the buildings that make up this estate, located in Barreiro district, as an example of a place where different generations live together – an integenerational place.
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Vilca, Vera Carlos Francisco. "Centro Cultural y Museo de las culturas Moche y Chimú en Trujillo." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2021. http://hdl.handle.net/10757/657365.
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El proyecto se enfoca en analizar los aspectos culturales y sociológicos de la ciudad de Trujillo, y fusionarlos con la arquitectura de Centro Cultural y Museo para elaborar un proyecto arquitectónico que respete las características principales del contexto y se relacione entre ellas.
En la investigación, se encontraron tradiciones culturales de la época incaica en Trujillo que aún siguen practicándose. Sin embargo, la práctica de estas va quedando en el olvido o reducido al punto de solo practicarlo en especificas familias que conservan estas tradiciones. Por lo que realizar un proyecto que albergue, difunda estos aspectos culturales de Trujillo, que armonice con su contexto natural y su cultural, fue el principal objetivo de este trabajo.
Es por ello que, en fusión con el regionalismo crítico, a modo de énfasis, se pudo generar una sinergia entre la arquitectura y cada una de las características propias del lugar. Ya sea por su ubicación, emplazamiento, colores, materiales y técnicas constructivas.
Permitiendo que el proyecto funcione como un foco cultural que alberga las principales actividades culturales de Trujillo, así como promover la difusión de las culturas Moche y Chimú, y principalmente armonizando con su contexto inmediato.
Mediante la exhibición de piezas arqueológicas de ambas culturas, la promoción y difusión de las actividades culturales de la zona se logra con éxito el propósito del proyecto. El cual tiene como finalidad mantener viva las principales culturas de Trujillo, Cultura Moche y Chimú, y que su legado se mantenga vigente con el transcurrir del tiempo.The project focuses on analyzing the cultural and sociological aspects of the city of Trujillo, and merging them with the architecture of the Cultural Center and Museum to develop an architectural project that respects the main characteristics of the context and is related to each other. In the investigation, cultural traditions from the Inca period were found in Trujillo that are still being practiced. However, the practice of these is being forgotten or reduced to the point of only practicing it in specific families that preserve these traditions. Therefore, carrying out a project that shelters, disseminates these cultural aspects of Trujillo, that harmonizes with its natural and cultural context, was the main objective of this work. That is why, in fusion with critical regionalism, by way of emphasis, a synergy could be generated between the architecture and each of the characteristics of the place. Either because of its location, location, colors, materials and construction techniques. Allowing the project to function as a cultural focus that houses the main cultural activities of Trujillo, as well as promoting the diffusion of the Moche and Chimú cultures, and mainly harmonizing with its immediate context. Through the exhibition of archaeological pieces from both cultures, the promotion and dissemination of the cultural activities of the area, the purpose of the project is successfully achieved. The purpose of which is to keep alive the main cultures of Trujillo, the Moche and Chimú culture, and that their legacy remains in force over time.
Tesis
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Mahmud, Faisal. "Järva Community Center : A social, cultural and religious hub for Järva." Thesis, KTH, Arkitektur, 2011. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-41494.
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Why this proposal makes sense... The aim of this project is to research the relationship between a mosque and the functions of a community center. It is located between Tensta and Rinkeby, two suburbs in the north of Stockholm. I believe that the two areas can gain a lot by a shared community center due to both positive and negative similarities. The proximity to Järvafältet and Kista is a great plus in the equation. Kista is another suburb in the Järva area and it has been a huge success with regards to education, entrepreneurship and the IT-industry that re- sides there. My goal was to create a contemporary mosque that stays true to Islamic architectural concepts while I develop a new aesthetic language for the spaces that a mosque requires. How can we use the mosque as an attracting catalyst in order to reach out to the inhabitants in these areas? A lot of people in Järva have roots in other parts of the world. There are a lot of vibrant communities from all over the world in Tensta and Rinkeby. People have great respect for faith and religious matters and consider it to be a major part of their identity. What spaces can a mosque share with the community center for opti- mal use and convenience? My proposal takes into consideration that a mosque has a limited num- ber of days during the year when the worshippers need all the space that they can get. I have therefore proposed to put the mosque next to the sports hall so that the sports hall can be used for prayer and spiritual activities during special events such as the month of Ramadan and Friday prayers. When the sports hall is not used by the mosque it goes back to being just a regular sports hall with an intricate roof. What makes it a community center? To make the project more compelling I have added other functions in order to address the needs and wishes of the inhabitants. There is also a library, a food court, lecture hall/cinema, offices, conference rooms, seminar rooms and a class room.
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Murphy, Joseph T. "Green roof showcase : retrofitting the rooftop of the Chicago Cultural Center." Virtual Press, 2001. http://liblink.bsu.edu/uhtbin/catkey/1217398.
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This project provides a historical perspective and a comprehensive review of the quantitative and qualitative benefits of green roof technologies and argues that most of these benefits could be represented in the City of Chicago in an educational and interactive site. As a demonstration site, the Chicago Cultural Center rooftop could be retrofitted as such a green roof project. In addition to the normal benefits of a green roof, this high profile site would provide increased awareness of the benefits of rooftop greening in hopes of encouraging future such projects in Chicago and elsewhere. The major barriers to the widespread use of green roof technologies are summarized; creative solutions making use of various green roof technologies are displayed on one prominent, showcase rooftop.Department of Landscape Architecture
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Potterfield, Eric. "Auspicious Generation: The Bamboo LIfe Cycle of a Chinese Cultural Center." Thesis, Virginia Tech, 2014. http://hdl.handle.net/10919/49269.
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This is an architectural thesis exploring bamboo not just as a material, but asking what the temporal nature of the material could mean for design. While bamboo is often considered sustainable because of its considerable growth rate, few really embrace the nature of bamboo. To exhibit this concept this project follows the line from source to destination, and from germination to structure; not representing a fi nished object in single moment, but an idea that spans time. To do this, bamboo acts as a catalyst for a cultural center. It grows and matures and is harvested, it changes the space; and as it is used, degrades, and fi nally taken down, it changes the design. From seed to opera house and back again to the earth, the cycle breaths continuous life into the site.
The project, located near 7th and H Street, NW, in Washington, DC is a dual program - both cultural center and public garden. The "bookends" or exterior buildings on the site are a balancing force to the ephemeral nature of the bamboo. The terracotta bearing walls buffer the peaceful inside from the outside. Their roles serve as stage to the street, gatehouse to the garden, and armature for the bamboo structures to be built upon. Their solidity holds in and allows the movement of time to ebb and flow with that of the bamboo grove.Master of Architecture
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Sampaio, Márcia Fraga. "Centro Cultural Cartola: um estudo sobre envelhecimento e migração com alunos de dança de salão." Universidade do Estado do Rio de Janeiro, 2013. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=6839.
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Esta Dissertação organiza-se a partir de dois eixos temáticos: envelhecimento e migração. Foi realizada tendo por base a teoria de cunho social que a fundamenta e a elaboração das entrevistas com alunos da aula de dança de salão do Centro Cultural Cartola, localizado no Complexo da Mangueira, na cidade do Rio de Janeiro. O objetivo primordial é verificar como grupo beneficia-se dos recursos oferecidos pela instituição através das oficinas de dança de salão no processo de construção do envelhecimento. A primeira observação foi constatar que havia, ao lado da motivação do prazer proporcionado pela dança, um estímulo quanto à preservação da saúde. Paralelamente, na hora da elaboração do perfil dos frequentadores, foi observado que expressivo percentual do grupo era de migrantes, fator que veio a integrar os dados. O trabalho divide-se em quatro capítulos. No primeiro, apresentam-se o Centro Cultural Cartola, o contexto em que a pesquisa é realizada, as oficinas e atividades oferecidas, bem como suas principais personagens: Cartola e D. Zica. No segundo, o envelhecimento é abordado a partir da obra da antropóloga Guita Grin Debert, principal referência teórica para discussão dessa temática. Em seguida, o capítulo três discorre sobre a decisão de o indivíduo optar pela migração, sob o ponto de vista daquele que a vivenciou, considerando suas motivações e dificuldades. Para tal, recorreu-se aos textos acadêmicos de Ademir Pacceli Ferreira, entre outros autores. Como metodologia, privilegiou-se a pesquisa participativa de Thiollant, cujo principal recurso foi a pesquisa de campo, com coleta de dados e análise das entrevistas realizadas. No quarto e último capítulo, as entrevistas são apresentadas, destacando-se os principais aspectos relativos aos temas da pesquisa e realizando uma articulação entre eles.This present dissertation is organized towards two thematic pillars: ageing and migration. It was developed on the basis of a social theory theme which it sustains and on the basis of interviews within the ballroom dancing students at the Cartola Cultural Center, which is located at Mangueira Slum Complex, in Rio de Janeiro city. The main goal is to investigate how the mentioned group benefits from the sources offered by the cultural Institution towards the ballroom dancing activities in the process of building ageing. The first point was to observe and verify that there was besides the motivation and pleasure on dancing, a incentive towards health care and preservation. Parallel to this, during the users profile sheet elaboration, it was also possible to observe and verify that and expressive percentage of these group was migrants, and so this fact started integrating the whole data. The work is divided into four chapters. On the first one Cartola Cultural Center is presented, plus the context in which the research is going to be carried, the activities offered at the Center, as well its main characters: Cartola e D. Zica. On the second one, ageing is taking from the perspective of the work of the anthropologist Guita Grin Debert, the main theorical reference on the discussion of this thematic. Next, on the third chapter, it speaks about the subjects decisions on choosing the migration, towards their own point of view, considering their motivation and difficulties. For that it was chosen academics texts from Ademir Pacceli, among also some other authors. As methodology, it was privileged the participative research according to Thiollant, which main source was the field research, within collection of data and analyses of the interviews done. On the fourth and last chapter the interviews are presented, putting in evidence the main related aspects to the research themes and building an articulation among them all.
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Chavarry, Principe Racmel Zoraida. "Centro de difusión cultural de Lima Norte." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/628096.
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Centro de Difusión Cultural de Lima Norte, es un proyecto localizado en el distrito de Carabayllo; cuya finalidad es difundir y concientizar al usuario con su historia y cultura, ayudando a reconstruir la identidad perdida de los pobladores y la preservación del patrimonio cultural existente.
El proyecto se emplaza en la Av. José Saco Rojas, que conecta a los distritos de Puente Piedra y Carabayllo. Además se escoge este terreno debido a la cercanía de ambientes históricos del distrito, como lo son la Plaza de San Pedro de Carabayllo, la iglesia de San Pedro de Carabayllo, y la Casa Hacienda “El Fortín”; lo cual ayuda a reforzar la idea de “identidad” en la población.
Está dirigido al público en general, de todas las edades, pero con un énfasis en el rango de edad entre 1- 30 años, ya que éstos son los que conforman con mayor porcentaje la población del distrito.
El programa arquitectónico responde a las necesidades de la problemática identificada, usuario, y tipo de edificio que se plantea; por esta razón se ha dividido en 10 paquetes funcionales a los diferentes ambientes planteados.
Para el diseño del proyecto se han tomado en cuentas diversas condicionantes que se han ido identificando a lo largo del trabajo de investigación, como las necesidades y características del lugar y el usuario.Center of Cultural Difussion of North Lima, is a project located at the district of Carabayllo; whose purpose is to disseminate and raise awareness among the user with its history and culture, helping to reconstruct the lost identity of the inhabitants and the preservation of the existing cultural heritage. The project is located at Av. José Saco Rojas, which connects the districts of Puente Piedra and Carabayllo. In addition this land is chosen due to the proximity of the district's historical environments, such as the Plaza de San Pedro de Carabayllo, the church of San Pedro de Carabayllo, and the Hacienda "The Fortín"; which helps to reinforce the idea of "identity" in the population. It is aimed at the general public, of all ages, but with an emphasis on the age range between 1-30 years, since these are the ones that make up the population of the district with the highest percentage. The architectural program responds to the needs of the identified problem, user, and type of building that suggested; for this reason it has been divided into 10 functional packages to the different areas proposed. For the design of the project, several factors that have been identified during the research work have been taken into account, such as the needs and characteristics of the place and the user.
Tesis
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Österlund, T. (Toni). "Methods for morphogenesis and ecology in architecture:designing the Bothnian Bay cultural center." Master's thesis, Oulun yliopisto, 2010. http://urn.fi/urn:isbn:9789514262579.
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Tiivistelmä opinnäytetyöstä Olen hyödyntänyt diplomityössäni algoritmisia työskentelymenetelmiä uudenlaisessa suunnitteluprosessissa, jossa käytän luonnonilmiöitä sekä niiden taustalla vaikuttavia voimia arkkitehtuurin muotokielen pohjana. Digitaalisen morfogeneesin keinoin simuloin rakennuspaikan ekologiaa ja sen vaikuttavia tekijöitä kolmiulotteiseen kappaleeseen. Tähän prosessiin pohjautuva suunnitelma yhdistää visuaalisesti simuloituja luonnonvoimia sekä perinteisiä, manuaalisia suunnittelumenetelmiä. Käyttämällä algoritmisia työskentelymenetelmiä, on tarkoituksenani ollut löytää uusia tekniikoita ja inspiraation lähteitä arkkitehtisuunnittelun tueksi. Algoritmisten menetelmien käyttö toimii apuna niin inspiraation etsinnässä, kuin myös suunnittelun apuvälineenäkin. Tämä diplomityö jakautuu kahteen osioon; prosessinkuvaukseen sekä prosessiin pohjautuvaan suunnitelmaan. Prosessinkuvaus esittää käyttämäni työskentelymenetelmät sekä niiden taustalla olevan ajatteluprosessin, jossa hyödynnän luonnonvoimien simulointia osana luovaa suunnittelua. Suunnitelmaosio havainnollistaa prosessin avulla tehtyä suunnitelmaa. Lopullisen työn arvioimisen kannalta molemmat osat ovat yhtä tärkeitä; yhdessä ne kuvaavat koko prosessin konseptista suunnitelmaan ja siten täydentyvät kokonaisuudeksi. Tavoitteenani on ollut tutkia nykyaikaisen arkkitehtuurisuunnitteluprosessin kehittämistä algoritmisten työskentelymenetelmien avulla. Tarkoituksenani ei ole ollut saavuttaa suunnitteluratkaisua napin painalluksella, vaan saavuttaa algoritmisten työskentelymetodien sekä perinteisen luonnostelun pehmeämpi integraatio. Algoritmiset suunnittelumenetelmät tarjoavat uusia tapoja älykkään informaation ja motivaation etsimiseen suunnitteluratkaisujemme pohjaksi. Hyödyntäen algoritmisia työskentelymenetelmiä, tein työkalut, joiden avulla simuloin visuaalisesti luonnonvoimien vaikutuksia objekteihin. Niiden toiminta perustuu NURBS-pintojen (Non-uniform rational B-spline) kontrollipistematriisien muokkaukseen, eli pintoja säätelevien kontrollipisteiden siirtämiseen. Testasin ja analysoin erilaisia alkioita (eng. seed) evoluutioprosessin alkuasetelmina ja näiden avulla suunnittelin alkion, jota käytin lopullisessa suunnitelmassa. Evolutiivisten menetelmien sekä vaikuttavien luonnonvoimien avulla päädyin ratkaisuun, jota pystyin hyödyntämään informatiivisena luonnoksena työn jatkosuunnittelussa. Lopullinen suunnitelma on arkkitehtoninen kuvaus digitaalisesti kasvaneesta orgaanisesta muodosta. Olen pyrkinyt välttämään tuttuja maneereita sekä olemassa olevien ratkaisujen suoraa referointia; pyrin inspiroitumaan rakennuspaikan yksilöllisestä ekologiasta sekä suunnittelutehtävästä. Käyttämäni uudet tekniikat mahdollistivat inspiraation etsimisen luonnollisista lähtökohdista, tarjoten luonnosteluun avaramman katsantokannanAbstract of thesis This diploma work employs algorithmic design methods in a design process that uses natural phenomena as the basis of its architectural morphology. It implements digital morphogenesis in reaction to ecology and the infl uential forces of the building environment. The resulting design of this process is a combination of the application of these forces and the use of traditional design methods. With the help of algorithmic design methods, my goal has been to fi nd new techniques and inspiration in the aid of architectural design. The use of computational methods in architecture have the ability, not just to aid in the design, but to aid in the search for inspiration for the design as well. This work is divided into two equally important sections; the description of the process and the case study. The description of the process demonstrates the methods used and the thinking involved in incorporating nature's infl uential elements as part of the creative task, as the case study illustrated the outcome of that process. Both sections are equally important in evaluating this work. Without one, the result of this diploma work would be incomplete and uninformative. Together they describe a fluent process from concept to design and as such, the distinctive parts complete each other. My intention was to study different possibilities in which algorithmic aided design could develop the process of architectural design. My intention was not to reach a final and definitive answer to the design problem just by creating a set of design tools and then pressing a ’start‘ button; the methods used in this diploma work offer a more soft-touch integration of computational methods as an extension of our inspiration and sketching processes. Algorithmic design methods offer new ways of searching for information and motivation to reinforce our design intentions. Using algorithmic design methods, I created tools for simulating nature's environmental and visual forces. These tools create transformations in NURBS-based (Non-uniform rational B-spline) surfaces through the translation of their respective control point matrices. Using these tools, I tested and analysed several different seeds that would work as the starting point for the evolutionary process. Based on that information, I designed a seed to be used in the process of the final design. Through evolutionary methods and the influential environmental forces, I received a final solution that I then used as an informed draft to further refine my design. The final case design is a digital representation of an organic architectural form. I have avoided the use of pre-learned mannerisms and direct references to existing solutions. This offered the possibility to be inspired by the location, its ecology and the design problem itself, rather than just looking into recent architectural publications as source for inspiration. These new techniques offered me a way to break free from the limitations of my own mind, and truly search for alternative solutions through the inspiration of nature
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Monty, Randall William. "Theoretical Communities of Praxis| The university writing center as cultural contact zone." Thesis, The University of Texas at El Paso, 2013. http://pqdtopen.proquest.com/#viewpdf?dispub=3565925.
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The fundamental purpose of Theoretical Communities of Praxis: The University Writing Center as Cultural Contact Zone is to investigate the situatedness of Writing Center Studies, defining it as an autonomous (sub)discipline and interdisciplinary contact zone within the larger discipline of Rhetoric and Composition. In order to meet this objective, a “Communities of Praxis” methodological and theoretical framework, based on scholarship of Critical Discourse Analysis, ecocomposition, and Contextualist Research Paradigm, is applied in the analysis of a variety of WCS discourses.
In doing so, WCS is repositioned as a series of interrelated, triangulated contact zones that are based on collaborative interactions and illustrated through the development of heuristic maps that challenges the traditional discursive practices of local writing centers and the WCS (sub)discipline alike. By emphasizing a (sub)disciplinary identification based on embracing WCS’s place as an interdisciplinary contact zone, this dissertation demonstrates ways for all stakeholders to employ a Communities of Praxis framework in order to more effectively and more equitably consider the theoretical places and physical spaces of Writing Center Studies.
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Matos, Paulo Frontino Souza de. "Building civic intensity : a cultural center for Rua das Flores, Curitiba, Brazil." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/68720.
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Cekic, Osman. "Responsibility center management and cultural change at a public higher education institution." [Bloomington, Ind.] : Indiana University, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3330774.
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Thesis (Ph.D.)--Indiana University, Dept. of Educational Leadership and Policy Studies, 2008.Title from PDF t.p. (viewed on Jul 20, 2009). Source: Dissertation Abstracts International, Volume: 69-10, Section: A, page: 3875. Adviser: Douglas M. Priest.
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Santos, Marta Isabel Rocha dos. "O paço como habitação simbólica hierarquizadora de um território na contemporaneidade." Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2019. http://hdl.handle.net/10400.5/18296.
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Dissertação de Mestrado Integrado em Arquitetura, com a especialização em Arquitetura apresentada na Faculdade de Arquitetura da Universidade de Lisboa para obtenção do grau de Mestre.Símbolos da arquitectura doméstica, os Paços medievais provêm das novas formas de pensar e viver o quotidiano, aliado à demostração e hierarquização do poder senhorial de um tempo medieval. Em O Paço como ‘habitação simbólica’ hierarquizadora de um território na contemporaneidade desenvolve-se um estudo focado na evolução e principais características dos Paços medievais portugueses como elementos estruturantes do território. Património que caracteriza a identidade e a memória das cidades, mas que muitas vezes, são desvalorizados e/ou deixados ao abandono. O Paço Real de Belas surge pela importância que adquire na formação e estruturação da vila de Belas e pela própria relevância patrimonial, hoje, é um património “esquecido”, que aliado ás questões de despovoamento dos centros históricos, dita a descaracterização na malha urbana. Deste modo, a componente prática adquire suporte nas questões teóricas desenvolvidas para dar resposta à proposta urbana e arquitectónica. O plano urbano incide sobre a Praça 5 de Outubro, na procura da revitalização do centro histórico de Belas é proposto a requalificação da praça onde o Paço Real de Belas assume lugar de destaque, assim, a nível arquitectónico a valorização do património enquanto elemento de referência do lugar aparece como forma de promover a oferta cultural na sociedade e devolver a identidade local.
ABSTRACT: Symbols of domestic architecture, the medieval Palaces come from new ways of thinking and living the daily life, allied to the demonstration and hierarchy of the manorial power of a medieval time. In The Palace as a ‘symbolic dwelling' hierarchical of a territory in the contemporaneity, a study is developed focusing on the evolution and main characteristics of the portuguese medieval Palaces as structuring elements of the territory, heritage that characterizes the identity and the memory of the cities, but that often are devalued and/or left to abandonment. The Royal Palace of Belas emerges, from the importance it acquires, in the formation and structuring of the village of Belas and from its own heritage relevance. Today, it is a "forgotten" heritage, which adds to the issues of depopulation of historic centers, given the decharacterization in the urban fabric. In this way, the practical component acquires support in the theoretical questions developed to respond to the urban and architectural proposal. The urban plan is focused on Praça 5 de Outubro, in search of a revitalization of the historic center of Belas. The proposal will be based on the requalification of the square, turning the Royal Palace into a prominent place. Therefore, on the architectural level, the valuation of heritage as a reference point of the place appears as a way of promoting the cultural offer in society and returning the local identity.
N/A
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Silva, Welyza Carla da Anunciação. "A construção da hospitalidade urbana no centro histórico de São Luís: um estudo de caso da Praia Grande." Universidade Federal do Maranhão, 2017. http://tedebc.ufma.br:8080/jspui/handle/tede/1779.
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Genealogy analysis of the concept of hospitality. It presents a genealogy of the concept of hospitality from discursive practices that are located in fields such as social, economic and political, highlighting the power relations that are built and emerge through a discursive engineering. It seeks, particularly, to understand how it is woven, historical and discursively, the conception of hospitality in Praia Grande’s neighborhood, in São Luís, Maranhão, from several discursive practices. The neighborhood initially housed the local elite, who built the house of colonial origin, thanks to the development of productive activities in São Luís. After the decadence in economy, the elite left the mansions of the Great Beach, now synonyms of antique. From the 1940s onwards of the twentieth century, preservation policies are proposed in order to promote the place's revitalization, by means of the restoration of the architectonic collection, which makes Praia Grande one of the city’s main postcards. This research is guided by the French Discourse Analysis of the Foucaultian base, anchoring in existing studies in Brazil, guided by Gregolin (2004); Sargentini and Navarro-Barbosa (2004), Fernandes (2008), and researchers who have the São Luís' city as study's object. Based on the different discursive places in which the subjects are located, it is proposed to analyze the discursive formations that construct an idea of hospitality on São Luís Historic Center. For that, we analyze statements of a total of 15 (fifteen) interviews with the Secretary of the Municipal Secretariat of Tourism and the Historic Center’s Deputy Mayor; with private sector managers - formal and informal traders in Praia Grande’s neighborhood; with tourists who visited the neighborhood observing in their statements possible constraints that could interfere in the relations that constitute the urban hospitality in the neighborhood of Praia Grande.
Análise da genealogia do conceito de hospitalidade. Apresenta-se uma genealogia do conceito de hospitalidade a partir de práticas discursivas que se localizam em campos como o social, o econômico e o político, destacando as relações de poder que se constroem e emergem por meio de numa engenharia discursiva. Busca-se, particularmente, compreender como é tecida, histórica e discursivamente, a concepção de hospitalidade da Praia Grande, em São Luís, Maranhão, a partir de diversas práticas discursivas. A área, inicialmente, abrigava a elite local, que construiu o casario de origem colonial, graças ao desenvolvimento das atividades produtivas em São Luís. Após a decadência na economia, a elite abandona os casarões da Praia Grande, agora sinônimo de antigo. A partir da década de 1940 do século XX, são propostas políticas de preservação no sentido de promover a revitalização do lugar, por meio da recuperação do acervo arquitetônico, o que torna a Praia Grande um dos principais cartões postais da cidade. Esta pesquisa norteia-se pela Análise do Discurso de linha francesa de base foucaultiana, ancorando-se em estudos existentes no Brasil, guiados por Gregolin (2004); Sargentini e Navarro-Barbosa (2004), Fernandes (2008), e pesquisadores que têm a cidade de São Luís como objeto de estudo. Com base em diferentes lugares discursivos em que se localizam os sujeitos, propõe-se analisar as formações discursivas que constroem uma ideia de hospitalidade sobre o Centro Histórico de São Luís. Para tanto, são analisados enunciados de um total de 15 (quinze) entrevistas realizadas com a Secretária da Secretaria Municipal de Turismo e o Subprefeito do Centro Histórico; com gestores do setor privado – comerciantes formais e informais da Praia Grande; com turistas que frequentaram a área observando em seus enunciados possíveis constrangimentos que possam interferir nas relações que constituem a hospitalidade urbana da Praia Grande.
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Andrade, Sara Cristina Rocha de. "Projectar com luz, cor e matéria na criação e modelação de espaços em pré-existências." Master's thesis, Universidade de Lisboa. Faculdade de Arquitetura, 2014. http://hdl.handle.net/10400.5/12316.
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