Academic literature on the topic 'Cultural cringe'
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Journal articles on the topic "Cultural cringe"
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Kashima, Emiko S., Ruth Beatson, Leah Kaufmann, Sarah Branchflower, and Mathew D. Marques. "Mortality Salience and Cultural Cringe." Journal of Cross-Cultural Psychology 45, no. 10 (2014): 1534–48. http://dx.doi.org/10.1177/0022022114543521.
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Hess, Linda M. "Cringe and Sympathy: The Comedy of Mental Illness in Flowers." Humanities 10, no. 4 (2021): 121. http://dx.doi.org/10.3390/h10040121.
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This article on brings together findings from humor studies, especially work on cringe comedy, and disability studies. It analyzes how Flowers uses elements of cringe to question societal norms of the “proper person” in connection to mental illness, but also how Flowers broadens the genre of cringe so that, at times, it becomes a cringe tragedy rather than a cringe comedy, thus taking seriously the pain of mental illness. As a third point, this analysis focuses on the way in which Flowers self-reflexively employs elements of narrativity to draw attention to the cultural constructedness and storyfication of mental illness throughout history.
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Schwanebeck, Wieland. "Introduction to Painful Laughter: Media and Politics in the Age of Cringe." Humanities 10, no. 4 (2021): 123. http://dx.doi.org/10.3390/h10040123.
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This introduction to the Special Issue on cringe humour briefly traces the starting point of the contemporary cringe boom, and it looks into the roots of awkwardness as a cultural phenomenon in the 1960s. Moreover, the introduction argues for the cathartic potential of cringe humour in the context of sociopolitical issues, and briefly presents the subsequent articles.
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Kanzler, Katja. "The Cringe and the Sneer: Structures of Feeling in Veep." Humanities 10, no. 4 (2021): 114. http://dx.doi.org/10.3390/h10040114.
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This article approaches cringe comedy through the lens of its affectivity, of the somatic experiences through which it puts its audiences’ bodies, and it uses this as a point of departure to think about the genre’s cultural work. Based on the observation that no cringe comedy makes its viewers cringe for the whole duration of its storytelling, the article suggests that cringe comedies thrive on destabilizing and ambiguating the affective valence of their performances of embarrassment, constantly recalibrating or muddying the distance between viewer and characters. They are marked by tipping points at which schadenfreude and other types of humor tip into cringe, and reversely, at which cringe tips into something else. The article focuses on one of these other affective responses, which it proposes to describe as the sneer. It uses the HBO-series Veep as a case study to explore how cringe and sneer aesthetics are interlaced in an exemplary comedy, and how they fuel this particular comedy’s satiric work.
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Mersham, Gary. "The great South African cultural cringe!" Communicatio 13, no. 1 (1987): 26–30. http://dx.doi.org/10.1080/02500168708537658.
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Havas, Julia, and Maria Sulimma. "Through the Gaps of My Fingers: Genre, Femininity, and Cringe Aesthetics in Dramedy Television." Television & New Media 21, no. 1 (2018): 75–94. http://dx.doi.org/10.1177/1527476418777838.
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Concentrating on the series “Girls” (2012–2017), “Fleabag” (2016), and “Insecure” (2016–), this article examines the female-centered dramedy as a current genre of U.S.-American television culture with specific investments in gendered value hierarchies. The article explores the format’s dominant narrative and aesthetic practices with specific focus on prestige dramedy’s “cringe” aesthetics. Cringe is increasingly mobilized as a mode of political expression following the format’s privileging of female subjectivities. As such, cringe is tasked with negotiating the tensions between drama and comedy on one hand and intersectional relations of identity politics on the other. Character “complexity,” embedded in ideological themes around identity, modifies the “comedy” in cringe and becomes associated with the more prestigious dramatic mode, this way governing the texts’ appeal to cultural value. The article demonstrates the ways the female-centered cringe dramedy expresses its politicization and “complexity” via disturbing gendered expectations of mediated femininity, and specifically body and sexuality politics.
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MacMahon, Deirdre. "Scotland at the Smithsonian: Beyond the Cultural Cringe?" Scottish Affairs 47 (First Serie, no. 1 (2004): 1–15. http://dx.doi.org/10.3366/scot.2004.0022.
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Feather, N. T. "Devaluing achievement within a culture: Measuring the cultural cringe." Australian Journal of Psychology 45, no. 3 (1993): 182–88. http://dx.doi.org/10.1080/00049539308259137.
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Jones-Berry, Stephanie. "Stereotypes and cultural cringe still keeping men out of nursing." Nursing Standard 30, no. 28 (2016): 12–13. http://dx.doi.org/10.7748/ns.30.28.12.s14.
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Curtis, Bruce. "The Performance-based Research Fund, gender and a cultural cringe." Globalisation, Societies and Education 14, no. 1 (2015): 87–109. http://dx.doi.org/10.1080/14767724.2014.996856.
Full textDissertations / Theses on the topic "Cultural cringe"
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Ditton, Shanene. "The Cultural Politics of Paradise." Thesis, Griffith University, 2019. http://hdl.handle.net/10072/387283.
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This thesis depicts the cultural transformation of Australia’s Gold Coast over the last
decade. Informed by my own professional experience in the arts community, I present
qualitative research conducted with artists, youth, cultural policymakers and industry
leaders from 2010-2011 at a time when the city was on the cusp of cultural change. This is
accompanied by my own autoethnographic observations and reflections since the data was
collected, affording me a wide lens through which to contextualise the study. Drawing on
the voices of artists and cultural practitioners, I describe how the discourse of paradise—
‘sun, sand, surf and sex’—positioned the Gold Coast as a ‘cultural desert’ in the Australian
imaginary. More broadly, I discuss the spatial politics of paradise within the context of
global place competition, hyperneoliberal development and urban cultural policy. I draw
on the concept of the cultural cringe to illustrate how artists and cultural practitioners
worked to resist and dismantle the paradise apparatus with the aim of realigning the Gold
Coast’s cultural landscape. By adopting entanglement theory and transdisciplinarity
alongside an historical approach to conversation, this thesis documents the emergence of a
cultural voice. At a point in time when the cultural cringe was endemic and cultural
governance was limited, this thesis shows how artists and cultural practitioners were at the
forefront of advocating for better cultural policy and infrastructure. In doing so, it
highlights the cultural politics of paradise across four milieus: community, youth, industry
and policy. In my own observations, I reflect on the erosion of the cultural cringe as the
city embraces arts and culture in an attempt to reposition itself as a cultural oasis. The
findings have wide-ranging implications for cultural policy and planning on the Gold Coast
as well as other paradise destinations more globally.<br>Thesis (PhD Doctorate)<br>Doctor of Philosophy (PhD)<br>School of Hum, Lang & Soc Sc<br>Arts, Education and Law<br>Full Text
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Hesketh, Rollo Bromley Claude Blair. "‘In Search of a National Idea’ Australian Intellectuals and the ‘Cultural Cringe’ 1940 – 1972." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19619.
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The ‘cultural cringe’ was a powerful force shaping Australian ideas in the post-war years. Struggling with both the heavy cultural shadow of Britain and the brutal apathy of Australian philistinism, intellectuals tried to find ways to escape the colonial rut of a meagre, material culture. This thesis will, for the first time, place together the work of eleven writers and explore their responses to a cultural insecurity they all felt with peculiar intensity. Ultimately, it will be argued that the ‘cultural nationalists’ – A.A. Phillips (who coined the term ‘cultural cringe’ in a 1950 essay), Clem Christesen, Nettie and Vance Palmer, Brian Fitzpatrick and Russel Ward – failed in their quest to define and celebrate a distinctive cultural tradition unique to Australia, free of the tentacles of Britishness. Others such as Manning Clark and Bernard Smith created powerful visions of Australia, but struggled to make these resonant or relevant in an Australia that by the 1960s was changing rapidly. Donald Horne and Patrick White despised cultural nationalism, seeking other ways to ‘create’ Australia; but it was Judith Wright who came closest to the successful realisation of an original idea of Australia, incorporating the Aboriginality of the continent, and in so doing a successful refutation of the hated cringe.
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Ferraro, Ravettino Franco. "Escuela de Artes Plásticas en Barranco: El Espacio “Inbetween” como Motor de Superación de un “Cringe” Cultural." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/653427.
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Hoy, en el mundo del arte de Lima, se puede percibir un fenómeno social definido por Robert Hughes (1992) como “Cultural Cringe”. Dicho fenómeno se basa en la incapacidad que tiene el artista para fundamentar su obra en una sociedad en la que el consumidor se ve condicionado por una exposición constante a medios de comunicación masivos. Al parecer, la solución se encuentra en la propuesta de una Escuela de Arte en Barranco, escenario principal de dicho “Cringe”. Dicha casa de estudios debe poder ofrecer una educación integral, teórica y práctica, que permita que los alumnos sean competitivos en una realidad internacional y, eventualmente, debe permitir que el contexto social en el que se encuentra se vea contagiado por el conocimiento y la cultura que la misma imparte.<br>Defined by Robert Hughes (1992);"Cultural Cringe" is a social phenomenon that can be perceived in Lima’s Art world. This phenomenon occurs when artists are unable to demonstrate their work as conceptually and intellectually coherent pieces, especially as a result of constant exposure to “garbage” mass media. Apparently, said “Cringe” can be corrected with an Art School Project in Barranco, where the problem is more latent. The proposed School should be able to offer a comprehensive, theoretical and practical education that allows students to be competitive in an international reality and, eventually, be the kick starter of a new knowledge and culture based set of customs.<br>Tesis
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Júlio, Rita Mafalda Gerardo de Brito. "A relação da cultura nacional e organizacional com a crise económica em Portugal." Master's thesis, Instituto Superior de Economia e Gestão, 2015. http://hdl.handle.net/10400.5/10534.
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Mestrado em Gestão de Recursos Humanos<br>A crise é um fator cada vez mais presente no dia-a-dia de muitos países, sendo uma circunstância que influência a vida das populações. Com o presente estudo pretende-se perceber se existe uma relação entre a perspetiva que os indivíduos têm relativamente à crise e a sua cultura nacional, fazendo também a ponte para as organizações e a sua cultura. Foram analisadas as três vertentes anteriormente referidas de forma a verificar-se se existe algum tipo de relação entre elas, pretendendo-se, desta forma, aprofundar os conhecimentos existentes relativamente a estas três temáticas. A amostra é constituída por um conjunto de 104 inquiridos, tendo-lhes sido entregues questionários em formato papel, divididos em 4 escalas. Uma primeira relacionada com características sociodemográficas, uma segunda relacionada com a Crise, que foi subdividida em três subgrupos, sendo eles os "Responsáveis pela Crise", a "Intervenção do governo" e a "Perceção da Crise". Uma terceira escala sobre Fatores culturais relacionados com a crise, subdividida em "Desorganização", "Individualização", "Anulação da Incerteza" e "Despreendimento", e por fim a quarta escala relacionada com a Cultura organizacional subdividida em "Clã", "Adocracia", "Hierarquia" e "Mercado". Através da análise efetuada concluiu-se que existe uma relação entre a perceção que os inquiridos têm sobre a Crise e a sua perceção sobre Fatores culturais relacionados com o tema. No que diz respeito à Cultura organizacional não foi observada qualquer tipo de relação nem com as perceções da Crise nem com os Fatores culturais que a podem influenciar.<br>The economic crisis is increasingly more present in the day-to-day activities of many countries, affecting the lives of its population. The aim of this study is to understand if there is a connection between the individuals perspective in regards to the crisis and their national culture, also creating a parallel with organizations and their own culture. These three topics were analyzed in order to verify the existence of a connection between them, with the goal of increasing the existing knowledge regarding these three areas of study. The sample is composed of a group of 104 participants, who were given paper questionnaires, divided in 4 scales. The first is related with sociodemographic characteristics, the second one related to the Crisis, which is divided in three subgroups: "Those responsible for the Crisis", "The government's intervention" and "Perception of the Crisis". A third scale corresponds to the cultural factors related to the crisis, divided into: "Disorganization", "Individualization", "Uncertainty Annulment" e "Detachment", and finally the fourth corresponds to the Organizational culture, divided into: "Clan", "Adhocracy", "Hierarchy" and "The Market". With the of analysis finished it is possible to conclude that there is a relation between the perspective the participants have regarding the Crisis and their perspective regarding cultural factors connected to that topic. Regarding Organizational culture, no relation between the perceptions of the crisis, and cultural factors that can influence it, were observed.
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Maciel, Danielle Edite Ferreira. "A rebelião do público-alvo e a crise da tecnologia social de pacificação: luta no Programa Fábricas de Cultura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-03102018-153222/.
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Esta tese examina o contexto e os sentidos políticos da implementação de um programa público cultural criado em 2004 como fruto de uma parceria entre a Secretaria Estadual de Cultura (SEC) do estado de São Paulo e o Banco Interamericano de Desenvolvimento (BID): o Programa Fábricas de Cultura. A pesquisa procura demonstrar de que maneira a política pública dirigida para a juventude pobre das periferias pôde, desde sua concepção, operar enquanto uma \'tecnologia social de pacificação\', com vistas a incrementar mecanismos de controle e antecipar-se a possíveis conflitos e insurgências dessas populações territorializadas. A análise é feita à luz de um processo de luta que aprendizes e arte-educadores vinculados às Fábricas de Cultura travaram em 2016, no curso da pesquisa, contra as diretrizes e os gestores da Organização Social responsável pela administração de cinco das dez unidades do programa. Dessa maneira, foi possível apreender as características e contradições do programa dentro de um quadro de modificações por que forçosamente passou aquilo que entendemos ser uma forma específica de gerenciamento dos conflitos de classe, a que chamamos de \"consenso à base da pacificação dos conflitos sociais\", que se consolidara na últimas décadas. Em torno de uma coalizão que unia organismos multilaterais, Estados e organizações da sociedade civil, esse consenso efetivou-se por meio de um conjunto de técnicas de gestão que acabou por embaralhar as diferenças entre direita e esquerda, difundindo-se por estratégias voltadas para \"a redução da pobreza\", \"segurança\", \"oportunidades\" e \"inclusão social\". Nesse sentido, o Programa Fábricas de Cultura se apresenta como resultado desse processo que transfigurou setores de classe em públicosalvo, esquadrinhados pelas políticas sociais focalizadas. A investigação observa, no entanto, que a efetividade de tal consenso pacificador sempre estivera lastreada por tecnologias de guerra, com as quais mantém relação de alternância e complementariedade. A tese então argumenta que a aposta na formação cultural, como maneira de apassivar a juventude e reforçar identidades culturais territorializadas, alimentou, em seu subterrâneo, uma rebelião que se voltou contra esse projeto, demonstrando seus limites e forçando um ponto de inflexão que parece apontar para a crise da tecnologia social de pacificação.<br>This thesis examines the context and political meanings of the implementation of a public cultural program created in 2004 as a result of a partnership between the State Secretariat of Culture (SEC) of the state of São Paulo and the Inter-American Development Bank (IDB): Factories of Culture Program. The research seeks to demonstrate in which ways the public policy directed at the poor youth of the peripheries operated, from its conception, as a \'social technology for pacification\', designed to increase mechanisms of control and anticipate possible conflicts and insurgencies arising from this population. In the course of research, apprentices and art educators from the Factories of Culture took part on a struggle against the guidelines and managers of the (private) Social Organization responsible for five out of the ten units of the program. This analysis is made in light of this conflict. In this way, it was possible to apprehend the characteristics and contradictions of the program within a framework of modifications it was forced to go through. This policy is here considered to be a specific form of management of class conflicts consolidated in the last decades, which we call \"consensus based on the pacification of social conflicts\". Around a coalition that united multilateral organizations, states and civil society organizations, this consensus was achieved through a set of management techniques that shuffled the differences between right and left, and spread through strategies aimed at \"poverty reduction\", \"security\", \"opportunities\" and \"social inclusion\". In this sense, the Factories of Culture Program presents itself as a result of a process that has transfigured class sectors into target audiences, scrutinized by focused social policies. The research, however, observes that the effectiveness of such a pacifying consensus had always been supported by war technologies, with which it maintains a conection of alternation and complementarity. The thesis then argues that the commitment to cultural formation, as a way to pacificate the youth and reinforce territorialized cultural identities, helped to feed a rebellion that turned against the project, demonstrating its limits and forcing a inflection point that seems to indicate a crisis of the social technology for pacification.
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Figueira, Michel Constantino. "Colônia de Pescadores Z3, Pelotas RS : da crise na pesca a expansão do turismo com base no patrimônio cultural." Universidade Federal de Pelotas, 2009. http://repositorio.ufpel.edu.br:8080/handle/prefix/2898.
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Previous issue date: 2009-12-23<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>Dependentes historicamente de poderes que manipulam a sua existência, muitas comunidades locais obedecem a normativas da tradição, submetem-se diante da religiosidade e do clima, são manipuladas em sua produção, submetem-se diante de mercados produtivos tradicionais e enfrentam crises econômicas que evoluem para graves problemas sociais como o êxodo rural, o desemprego, a violência doméstica, as brigas de rua, o consumo de drogas, o suicídio e os roubos e assassinatos. A Colônia de Pescadores Z3, localizada às margens da Lagoa dos Patos, na cidade de Pelotas, no Estado do Rio Grande do Sul, Brasil, é um exemplo desta condição imperativa. Uma sociedade de pescadores profissionais artesanais que diante da carência de perspectivas, baixa-estima e desesperança no futuro se vê a frente de uma atividade econômica alternativa focada no seu patrimônio cultural: o turismo. Sendo assim, este trabalho analisa como, diante de uma crise socioeconômica, a Colônia Z3 se apropria, valoriza e passa a proteger suas referências culturais em prol da modificação na ordem dos seus fatos sociais, com base no investimento em turismo.<br>Dependents historically of powers that manipulate its existence, many local communities obey the normative ones of the tradition, submit itselves ahead of the religiosity and of the climate, are manipulated in its production, submit itselves ahead of traditional productive markets and face economic crises that evolve for serious social problems as the rural exodus, the unemployment, the domestic violence, the streetfight, the consumption of drugs, the suicide and the robberies and murders. The Colônia de Pescadores Z3, located to the edges of the Lagoa dos Patos, in the city of Pelotas Rio Grande do Sul, Brazil, is an example of this imperative condition. An artisan and professional fishing society that ahead of the lack of perspectives, low self-esteem and hopelessness about the future sees itself to the front of an alternative economic activity in focus in its cultural heritage: the tourism. Being thus, this work analyzes how, ahead of a socioeconomic crisis, the Colônia Z3 appropriates itself, values and starts to protect its cultural references in favor of the modification in the order of its social facts, on the basis on the investment in tourism.
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Böes, Guilherme Michelotto. ""Crack, nem pensar": um estudo sobre mídia e política criminal." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/1766.
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Previous issue date: 2012<br>From 2009 and 2010, the leading media group of state Rio Grande do Sul, has built a campaign with scathing images of the narcotic substance crack users. Confronting this proposal from the media to perform its debate on the crack based on studies on this substance, are on damage reduction is as critical of criminal law, we intend to present this work that is analysis of the media as object and means of interaction and cultural background. This researches presents, for as short a deconstitution, with various ―"theoretical lines", several authors for various doctrinal conceptions, without being unique, so as not to limit these theoretical perspectives, as well as their limitations. With the analysis of the proposed campaign, we seek to make an analysis of social ―"theory" media, so that, we could have the same as a product of cultural interaction. Also not to deny the importance of media in a democratic state, it took a brief consideration of the shape of a democratic state. Avoid presenting more a debate on drug policy, not to sustain the discourse that is now done and repeated, both in the academic, as policy makers. This discourse on national drug policies is widely debated at academic, and demonstrate overshadowed by the media campaign, because it allows openly wrong one, and exclusive taxation, especially as users, maintaining the prohibitionist argument, operating in a private political context. In this vein, we present a critical analysis, but without using or join a critical criminology, but a Cultural Criminology. The cultural work is the engagement of ―"negotiation" between identities and their meanings: its symbols, the roots of crime and deviance, in order to find a collective solution. Assumed greater awareness of social values in an attempt to present tensions and / or failures of policies of inclusion and exclusion.<br>Durante os anos de 2009 e 2010, o principal grupo midiático do Rio Grande do Sul construiu uma campanha com imagens contundentes de usuários da substância entorpecente crack. Diante dessa proposta da mídia de realizar o debate sobre o crack e com base em diversos estudos sobre essa substância, sejam sobre redução de dano sejam como crítica da legislação penal, apresentamos este trabalho, que se constitui em uma análise da mídia como objeto e meio de interação e formação cultural. Esta pesquisa apresenta-se, pois, como uma desconstituição breve, com diversas ―"linhas teóricas", diversos autores para diversas concepções doutrinárias, sem ser única, de forma a não se limitar nessas perspectivas teóricas nem em suas limitações. Com a análise da campanha proposta, procuramos fazer a análise da ―"teoria social sobre a mídia", para que, dessa forma, pudéssemos apresentá-la como produto de interação cultural. Igualmente, para não se negar a importância da mídia no Estado Democrático, foi necessária uma breve consideração acerca do formato de Estado Democrático de Direito.O discurso sobre as políticas nacionais de drogas já é amplamente debatido no âmbito acadêmico e se demonstra ofuscado pela campanha da mídia, que permite, abertamente, uma equivocada e exclusiva taxação, especialmente quanto aos usuários, mantendo o argumento proibicionista, operando em um contexto político privado. Nessa senda, apresentamos a referida campanha publicitária a uma análise crítica, sem, entretanto utilizar ou aderir a uma criminologia crítica, mas a uma Criminologia Cultural. O trabalho cultural tem o engajamento da ―"negociação" entre as identidades e seus significados: seus símbolos, as raízes do crime e do desvio, com o intuito de encontrar uma solução coletiva. Pressupõe a conscientização de maiores valores sociais, em uma tentativa de apresentar as tensões e/ou fracassos das políticas de inclusão e exclusão.
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Carter, Ellen Angharad. "Inside job ? : how cultural outsiders write, translate, and read cross-cultural crime fiction." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0134.
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Cette thèse combine l’approche des études cognitives et culturelles ainsi que de la traductologie afin d’examiner l’écriture, l’édition, la traduction et la réception internationale des romans policiers interculturels, en prenant comme modèle deux romans qui se déroulent en Nouvelle-Zélande par le romancier français Caryl Férey, Haka (1998) et Utu (2004). Nous situons d’abord Férey par rapport aux polars français du pacifique sud et aux polars néo-zélandais, et nous montrons que ses livres en diffèrent de façon significative, surtout à cause de son choix d’écrire de l’intérieur de la Nouvelle-Zélande et de la culture maorie. Dans une étude de cas qualitative fondée sur des interviews, nous situons Férey vis-à-vis de ses éditeurs et de ses lecteurs et nous identifions des thèmes récurrents dans son écriture avant d’identifier et d’analyser son emprunt à d'autres textes. Puis, au moyen d’une analyse de la traduction américaine d’Utu (2011), nous soutenons que certains choix culturels ont pour effet d’aliéner les lecteurs néo-zélandais, tandis que les choix linguistiques suggèrent que ceux qui lisent le texte en anglais ont moins l’opportunité de se sentir proche du texte sur les plans intellectuel et émotionnel. Mon analyse de la réception de ces œuvres, la première étude empirique longitudinale et interculturelle de l’influence d’un roman entier sur les opinions (culturelles) des lecteurs, montre que l’information fictionnelle est absorbée par les lecteurs et se mêle aux opinions et aux croyances portant sur une culture. Nous explorons des théories littéraires cognitives afin d’éclairer à la fois l’écriture et la lecture de la fiction interculturelle et du polar<br>My research combines cognitive, cultural and translation studies approaches to examine the writing, publishing, translation, and international reception of cross-cultural crime fiction, taking as exemplars two novels set in New Zealand by french crime writer Caryl Férey: Haka (1998) and Utu (2004). I first situate Férey against corpus norms of South Pacific french crime fiction and of New Zealand crime fiction and show that he differs in significant ways, not least in his choice to write from within New Zealand and Māori culture. In an interview-based qualitative case study situating Férey alongside his publishers and his readers, I identify recurring themes in his writing before identifying and analysing his borrowing from other texts. In analysing the american english translation of Utu (2011), I then argue that cultural choices alienate New Zealand readers, while linguistic choices mean readers in english have less opportunity to connect intellectually and emotionally with the text. My reader reception study, which is the first empirical, longitudinal, cross-cultural, novel-length reception study of the influence of a text on readers’ (cultural) opinions, shows with statistical significance that fictional information is absorbed into factual beliefs and opinions about a culture. I use approaches from cognitive literary studies to illuminate both the writing and reading of cross-cultural and crime fiction
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Dodsley, Thomas Paul. "Images of crime : young people, cultural representations of crime, and crime concern in late modernity." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12042/.
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Set within the context of a late modern world where crime is both controlled and commodified, this thesis explores young people’s crime concerns and their opinions on the cultural representation of crime. Following a reconceptualisation and widening of the notion of fear of crime, crime concern is employed to investigate young people’s concerns regarding crime prevalence, crime management and crime representation. Encompassing a cultural criminological approach and an interpretive phenomenological attitude, this thesis utilises performative drama alongside focus groups to explore how crime concerns and the cultural representation of crime interact to inform everyday lived experience. The thesis finds that the young people in the study demonstrate an acute awareness of the processes which shape their understandings of crime. Such awareness is rooted in their sense of agency and embedded in a resistance towards the dominant discourse of problematic and risky youth. The crime concerns that the participants expressed were primarily regarding the representation and management of crime. Varying concerns around crime prevalence were identified. The findings reveal that gendered implications play a key role in shaping crime concern and forming opinions on the cultural representation of crime. The thesis concludes by reflecting upon the research process and pointing towards future directions for criminology.
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MELO, Patricia Bandeira de. "Histórias que a mídia conta: o discurso sobre o crime violento e o trauma cultural do medo." Universidade Federal de Pernambuco, 2010. https://repositorio.ufpe.br/handle/123456789/9519.
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Previous issue date: 2010<br>Fundação Joaquim Nabuco<br>O objetivo de nossa pesquisa é estudar o discurso jornalístico acerca do crime violento
como o instituto do mal que pode produzir o trauma cultural do medo compartilhado. A
intenção não é abordar o crime violento como coisa-em-si, mas a representação que a
imprensa faz dele em suas narrativas e as buscas por soluções que promovam a sua superação.
São os sentidos circulantes, as cadeias de significação construídas na imprensa sobre as
categorias crime violento, vítimas, perpetradores do mal e medo coletivo que iremos analisar
nas narrativas jornalísticas.
Para isso, recorremos à análise do discurso em textos selecionados no site do Jornal do
Commercio e nos blogs dos jornalistas Ricardo Noblat e Jorge Antônio Barros, hospedados
no site do jornal O Globo. O corpus em O Globo foi definido entre 8 de fevereiro de 2007 a 8
de fevereiro de 2008. A data inicial foi o dia em que foi publicada a primeira notícia sobre o
crime contra o menino João Hélio, no Rio de Janeiro, até um ano após o fato. No JC, o corpus
inclui o mesmo período, com episódios de ação humana violenta que tenham resultado em
morte.
O estudo teve como esteio teórico a sociologia cultural e a teoria do agenda-setting. A
sociologia cultural nos oferece conceitos sobre cultura e o seu papel na definição das ações e
formas de ver o mundo pelos indivíduos. Já a teoria do agendamento permite identificar os
assuntos que ingressam na pauta da imprensa, definindo que problemas sociais devem ser
alçados à condição de problema público.
Dentro da perspectiva teórica da sociologia cultural, concluímos que o discurso
jornalístico tem sido fundamental para construir e sustentar o trauma cultural do medo nos
indivíduos, que passam a compartilhar os dramas das vítimas e de seus familiares de forma
mediada pelos meios de comunicação
Books on the topic "Cultural cringe"
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Phillips, A. A. A.A. Phillips on the cultural cringe. Melbourne University Press, 2006.
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Friedemann, Nina S. de. Criele criele son, del Pacífico negro: Arte, religión y cultura en el litoral Pacífico. Planeta, 1989.
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Jeff, Ferrell, and Sanders Clinton, eds. Cultural criminology. Northeastern University Press, 1995.
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Linck, José Antônio Gerzson. Criminologia cultural e rock. Editora Lumen Juris, 2011.
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Linck, José Antônio Gerzson. Criminologia cultural e rock. Editora Lumen Juris, 2011.
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Banks, Cyndi. Developing cultural criminology: Theory and practice in Papua New Guinea. Institute of Criminology, 2000.
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Mark, Findlay, Zvekić Uglješa, and United Nations Interregional Crime and Justice Research Institute., eds. Alternative policing styles: Cross-cultural perspectives. Kluwer Law and Taxation Publishers, 1993.
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J, Hayward Keith, and Presdee Mike 1944-, eds. Framing crime: Cultural criminology and the image. Routledge, 2010.
Find full textBook chapters on the topic "Cultural cringe"
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Bayard, Donn. "13. The cultural cringe revisited." In Varieties of English Around the World. John Benjamins Publishing Company, 2000. http://dx.doi.org/10.1075/veaw.g25.16bay.
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Pankratz, Anette. "Cringe as a New Structure of Feeling? An Analysis from A to B." In Caring for Cultural Studies. V&R unipress, 2022. http://dx.doi.org/10.14220/9783737014946.161.
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Moore, Sarah E. H. "Cultural trauma." In Crime and the Media. Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-40054-3_9.
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Windle, James, Orla Lynch, Kevin Sweeney, Maggie O’Neill, Fiona Donson, and James Cuffe. "Cultural Criminology." In Criminology, Crime and Justice in Ireland. Routledge, 2022. http://dx.doi.org/10.4324/9781003044284-20.
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Holdaway, Simon. "The cultural mediation of ‘race’ – occupational cultures, crime and arrests." In The Racialisation of British Policing. Macmillan Education UK, 1996. http://dx.doi.org/10.1007/978-1-349-24481-2_4.
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Bui, Laura, and David P. Farrington. "Culture." In Crime in Japan. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-14097-7_2.
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Millward, Peter, Jan Andre Lee Ludvigsen, and Jonathan Sly. "Cultural Criminology, Sport and Transgression." In Sport and Crime. Routledge, 2022. http://dx.doi.org/10.4324/9781003276791-6.
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Nicaso, Antonio, and Marcel Danesi. "Popular culture." In Organized Crime. Routledge, 2021. http://dx.doi.org/10.4324/9781003027072-14.
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Bancroft, Angus. "The Cultural Drug-Crime Confection." In The Darknet and Smarter Crime. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-26512-0_5.
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Vyleta, Daniel M. "The Cultural History of Crime." In A Companion to Nineteenth-Century Europe. Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996263.ch27.
Full textConference papers on the topic "Cultural cringe"
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Faur, Florica. "Cultura română în Tunisia." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.19.
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De ce este atât de importantă cultura în epoci în care prăpastia dintre sărăcie și bunăstare atinge cote îngrijorătoare? Subiectele pe această temă par de-a dreptul hilare în vremurile pandemice cu care ne confruntăm. Cu toate acestea, cultura continuă să fie considerată formă de recuperare a umanului în fața oricăror crize ale umanității. Nu face excepție nici cultura română, recuperată, uneori, din straturile istoriei altor culturi. Tunisia este o țară din nordul Africii care oferă o interesantă hartă culturală a unor români celebri, consacrați aici prin traduceri ale operei lor în limba arabă sau, în alte cazuri, personalități românești care au marcat istoria culturală a Tunisiei, cum este George Sebastian.
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Summan, Maher Mahfoz. "Immigration social challenges in public spaces in Jeddah, Saudi Arabia." In Virtual City and Territory. Centre de Política de Sòl i Valoracions, 2016. http://dx.doi.org/10.5821/ctv.8160.
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After the economic rise in Saudi Arabia in 1938, workers migrated from across Saudi Arabia seeking better work opportunities. Statistics from the General Census of Population and Housing in 2010 reveal that the total number of international immigrants increased from 0.7 to 1.73 million between 2002 and 2010 (from 29.4% to 50% of the Population), coming from different countries, cultural, social and religious backgrounds.
 Over recent years, a perception has developed by some citizens that there are too many Immigrants, which has exposed increased feelings of insecurity. Anti-immigrant attitudes and social exclusion have become more prominent, Saudi nationals have become concerned about diminishing national identity, in addition to believe that expatriates take available work and economic opportunities away from nationals, main cause of crime, and moral corruption.
 Immigrants have brought with them new ideas, skills and practices from their home cultures, which add to the new urban cultures in Jeddah. This has helped to create a culturally vibrant urban environment.
 The study will discuss the challenges faced by immigrants in Jeddah, in terms of interaction and social harmony with Saudi citizens in public spaces, and the underlying causes of those challenges. Qualitative method is used in this study, through discuss and analyse general literature review about the objective of the research (Public space and Immigration social challenges in Jeddah), then propose general recommendations that contribute to the improvement of the immigrants social life in the public space.
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Colodetti, Ana Paula, and Marlene Melo. "As relações de gênero e a cultura brasileira no ambiente de trabalho: estudo com mulheres de aplicativos de mobilidade urbana." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2802.
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Este estudo teve por objetivo analisar como as relações de gênero e as particularidades da cultura brasileira são percebidas por mulheres motoristas de aplicativos de mobilidade urbana em sua atuação profissional e no ambiente de trabalho. A metodologia adotada para o desenvolvimento desta pesquisa foi uma abordagem qualitativa-descritiva, tendo sido entrevistadas 11 mulheres atuantes como motoristas de aplicativos de transporte na região metropolitana de Belo Horizonte. Os dados obtidos a partir das entrevistas com roteiro semiestruturado foram analisados considerando a concepção de gênero de Scott (1995), os pressupostos teóricos de dominação masculina e de violência simbólica de Bourdieu (2012) e a percepção da mulher como sujeito de transformação do campo social e cultural de Touraine (2007). Ao final do estudo, constatou-se um movimento incipiente de aceitação social e cultural percebido pelas entrevistadas em sua atuação como motoristas de aplicativos de mobilidade urbana, impulsionado principalmente por um cenário de crise econômica e de desemprego, mas também como consequência do empoderamento da mulher que, não se reconhecendo vítima de uma estrutura patriarcal opressora, persistente e dominante, se percebe sujeito transformador de sua própria realidade.
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Barron, Paul. "The CRINE Initiative - Cultural Change in the U.K. Oil and Gas Industry." In Offshore Technology Conference. Offshore Technology Conference, 1995. http://dx.doi.org/10.4043/7849-ms.
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Romanovna, Afanasieva Olga, Afanasyev Pavel Borisovich, Goncharova Maria Vitalievna, and Shiyan Valentina Ivanovna. "Drug Crime In The Russian Federation: State And Trends." In International Conference on Social and Cultural Transformations in the Context of Modern Globalism. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.11.3.
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Sanchez-Prieto, Marcel, and Adriana Cuellar. "Casa de las Ideas." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intlp.2016.20.
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The digital library Casa de las Ideas is located along a canal that runs through the Colonia Camino Verde in Tijuana, Mexico. Adjacent buildings, mostly homes and businesses built informally, face the channel, where a large public activity, transportation and both formal and informal businesses are concentrated. Two challenges characterize this area: crime and flooding. The library is part of the urban development plan, an initiative by SEDESOL (Ministry of Social Development), which provides not only the channeling of the river, but the integration of a series of public spaces, parks, recreational areas, community center and a library along the river. The aim is to improve the quality of life of its residents and combat crime through the design of civic spaces, infrastructure and cultural programs.
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Johnstone, J. "Culture media and sport committee inquiry: new media and the creative industries." In IET Conference on Crime and Security. IEE, 2006. http://dx.doi.org/10.1049/ic:20060334.
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Robinson Beachboard, Martine. "Uniting Idaho: A Small Newspaper Serves Hispanic Populations in Distributed Rural Areas." In InSITE 2007: Informing Science + IT Education Conference. Informing Science Institute, 2007. http://dx.doi.org/10.28945/3111.
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Print-media needs of Hispanics in non-metropolitan areas of America are often overlooked. One newspaper editor in Idaho found Hispanics to be invisible in her small community and its newspaper, except in crime reports. So she began publishing the bilingual Idaho Unido. This study addresses the publisher’s business model and motivation for publication. It is based on two research streams: theories of the press from Siebert, Peterson, and Schramm in 1956 through McQuail in 2005 and cultural maintenance perspectives. The Idaho Unido story represents a revelatory case, demonstrating the power of a motivated individual to essentially subvert the dominant media paradigm by creating a successful, independent publication specifically intended to serve the information, entertainment and cultural-identity needs of a small, marginalized population living in widely distributed rural areas.
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Boyko, Natalia Semyonovna, Veniamin Arkadyevich Nekrasov, Dmitry Sergeevich Plokhoi, Marina Alekseevna Romanova, and Ivan Albertovich Chukanov. "Investigation Authorities Fighting Crime In Pre-Revolutionary Russia In The 19th Century." In International Conference on Social and Cultural Transformations in the Context of Modern Globalism. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.11.168.
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Yosifova, Petya. "HOOLIGANISM AND FREEDOM OF EXPRESSION." In 15 YEARS OF ADMINISTRATIVE JUSTICE IN BULGARIA - PROBLEMS AND PERSPECTIVES. University publishing house "Science and Economics", University of Economics - Varna, 2022. http://dx.doi.org/10.36997/ppdd2022.291.
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The report presents various forms of indecent acts, which according to the Bulgarian legislation can be qualified in some cases as the crime of hooliganism, and in others - as an administrative violation. Attention is drawn to the frequent cases of abusive treatment of monuments of cultural and/or historical value. In this regard, the case law of the ECtHR with regard to the right to freedom of expression, which raises the question of the limits of state interference in its exercise, is examined.
Reports on the topic "Cultural cringe"
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Hicks, Jacqueline. The Role of Gender in Serious and Organised/Transnational Crime. Institute of Development Studies, 2021. http://dx.doi.org/10.19088/k4d.2021.059.
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This rapid review synthesises evidence on the role of gender in serious and organised/transnational crime (SOC) with regard to gender norms, participation and prevention. It looks at the literature on the roles women play in organised crime groups and their pathways to participation, the impact of cultural gender norms in different forms of participation for men and women in SOC, and the role of gender dynamics within families or communities in preventing SOC. Key Overall Findings linking gender norms, female participation and prevention of SOC: 1). Gender norms and women’s participation in SOC are varied and highly contextual, highlighting the importance of gender analysis to programming; 2). Gendered perceptions of men as perpetrators and women as victims in SOC undermine effective responses; and 3). Some types of masculine identity have been linked to involvement in violent crime and societal tolerance of organised crime groups. In Italy, some feminists characterise opposition to SOC as an anti-patriarchal struggle.
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Kenes, Bulent. Richard B. Spencer: The founder of alt-right presents racism in a chic new outfit. European Center for Populism Studies (ECPS), 2021. http://dx.doi.org/10.55271/lp0010.
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Richard Bertrand Spencer is a well-groomed, well-educated advocate for the creation of a “white ethno-state” in North America for a “dispossessed white race.” He has also called for “peaceful ethnic cleansing” to halt the “deconstruction” of what he describes as “white culture” and to achieve a “white homeland.” Spencer has become the most recognizable public face of the white supremacist and nationalist movements. As an ardent white supremacist and ethnonationalist, Spencer says America belongs to white people, who he claims have higher average IQs than Hispanics and African Americans, and that the latter are genetically predisposed to crime. In Spencer’s “America,” Asians, Muslims, and Jews don’t qualify as “white” either.
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Maiangwa, Benjamin. Peace (Re)building Initiatives: Insights from Southern Kaduna, Nigeria. RESOLVE Network, 2021. http://dx.doi.org/10.37805/pn2021.22.lpbi.
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Violent conflicts and crime have reached new heights in Nigeria, as cases of kidnapping, armed banditry, and communal unrests continue to tear at the core of the ethnoreligious divides in the country. Southern Kaduna has witnessed a virulent spree of communal unrest in northern Nigeria over the last decade due to its polarized politics and power differentials between the various groups in the area, particularly the Christians and Muslims, who are almost evenly split. In response to their experiences of violence, the people of that region have also shown incredible resilience and grit in transforming their stress and suffering. This policy note focuses on the transformative practices of the Fulani and other ethnic communities in southern Kaduna in terms of how they problem-solve deep-seated socio-political rivalries and violent relations by working through their shared identity, history, and cultures of peace. The note explores how peace practitioners and donor agencies could consolidate local practices of sustaining peace as complementary or alternative resources to the state’s liberal system.
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Sabogal-Cardona, Orlando, Lynn Scholl, Daniel Oviedo, Amado Crotte, and Felipe Bedoya. Not My Usual Trip: Ride-hailing Characterization in Mexico City. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003516.
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With a few exceptions, research on ride-hailing has focused on North American cities. Previous studies have identified the characteristics and preferences of ride-hailing adopters in a handful of cities. However, given their marked geographical focus, the relevance and applicability of such work to the practice of transport planning and regulation in cities in the Global South is minimal. In developing cities, the entrance of new transport services follows very different trajectories to those in North America and Europe, facing additional social, economic, and cultural challenges, and involving different strategies. Moreover, the determinants of mode choice might be mediated by social issues such as the perception of crime and the risk of sexual harassment in public transportation, which is often experienced by women in large cities such as Mexico. This paper examines ride-hailing in the Metropolitan Area of Mexico City, unpacking the characteristics of its users, the ways they differ from users of other transport modes, and the implications for urban mobility. Building on the household travel survey from 2017, our analytical approach is based on a set of categorical models. Findings suggest that gender, age, education, and being more mobile are determinants of ride-hailing adoption. The analysis shows that ride-hailing is used for occasional trips, and it is usually done for leisure and health trips as well as for night trips. The study also reflects on ride-hailings implications for the way women access the city.
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Conxuntura estatística do ámbito cultural. Xuño de 2020. Observatorio da Cultura Galega, 2020. http://dx.doi.org/10.17075/ceacx.2020.
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O Consello da Cultura Galega publicou recentemente varios documentos de traballo sectoriais sobre o estado da cultura galega perante a crise da COVID-19. Continuando nesa liña, o presente documento ofrece información sobre todos os indicadores estatísticos dispoñibles sobre o ámbito cultural ata o momento da súa publicación. En primeiro lugar, analízase a situación económica do sector dende comezos do ano 2020 ata a actualidade no que respecta á creación de empresas, os efectos desta crise sanitaria no emprego cultural, as consecuencias desta situación de crise no consumo e comercio de produtos culturais e, por último, examínase a situación do sector da cultura nas contas económicas de Galicia e faise unha prospección baseada nas realizadas para o conxunto da economía galega. Moitos indicadores que se analizan ao longo deste documento de traballo son do primeiro trimestre, polo que o impacto está limitado á segunda quincena de marzo. Cando foi posible, incluíronse datos de abril e maio.
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Barómetro da cultura galega II. Consello da Cultura Galega, 2021. http://dx.doi.org/10.17075/bcg.02.2021.
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A presentación deste documento de traballo, o segundo barómetro da cultura galega, engádese a un conxunto de publicacións impulsadas polo Consello da Cultura Galega dende que o 14 de marzo de 2020 se decretou en España o primeiro estado de alarma tras a aparición do virus SARS-CoV-2 e a enfermidade da COVID-19. A situación epidemiolóxica, o avance da crise sanitaria e o confinamento da sociedade tiveron un forte impacto en todos sectores culturais de Galicia e do conxunto de España. Neste contexto, o Consello da Cultura Galega promoveu a elaboración de diversos informes e documentos de traballo, algúns sectoriais e outros de carácter máis extenso, co fin de analizar as consecuencias que estaba a ter a crise no ámbito cultural galego.
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Achegas e recomendacións para unha cultura resiliente. Consello da Cultura Galega, 2021. http://dx.doi.org/10.17075/arpucr.2021.
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A crise sanitaria está a afectar de forma xeneralizada a todos os sectores sociais e económicos en Galicia. O Consello da Cultura Galega analizou os efectos que está a ter no ámbito cultural dende o comezo da aplicación das primeiras restricións. Os diferentes informes publicados dende marzo de 2020 indican un tecido produtivo especialmente vulnerable, sobre todo entre as actividades relacionadas cos espectáculos, unha contracción do consumo da maioría de produtos culturais e unha situación laboral incerta para os traballadores da cultura. A crise da COVID-19 impulsou uns programas de estímulo económico sen precedentes na maioría dos Estados. Dentro da Unión Europea puxéronse en marcha unha serie de medidas de grande alcance en forma de subvencións e préstamos co obxectivo de financiar os instrumentos para combater a pandemia e paliar os efectos económicos que as restricións á mobilidade están a ter en moitos sectores da economía.
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Conxuntura estatística do ámbito cultural. Maio de 2022. Consello da Cultura Galega, 2022. http://dx.doi.org/10.17075/ceacm.2022.
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Este informe constitúe a quinta conxuntura estatística do ámbito cultural en Galicia que realiza o Consello da Cultura Galega e ten como obxectivo dar continuidade a unha serie de informes publicados a partir do primeiro semestre de 2020 para dar conta da situación pola que atravesaba o sector cultural galego a raíz da crise da COVID-19. Nesta conxuntura de maio de 2022, ademais de actualizar os datos anteriores como os de creación de empresas, emprego cultural, gasto público en cultura, comercio exterior, IPC, confianza dos consumidores, contabilidade trimestral e gasto das familias, tamén se incorporaron datos novos das distintas fontes estatísticas de cultura que se foron actualizando este ano. Descríbense os datos referentes a museos e coleccións museográficas e aos bens de interese cultural. Tamén se dá información sobre artes escénicas e musicais procedente do Instituto Nacional de las Artes Escénicas y de la Música (INAEM) e dos anuarios da Sociedad General de Autores y Editores (SGAE).Por último, incluíronse datos sobre turismo cultural.
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Conxuntura laboral do mes de marzo de 2020 nas principais ramas de actividade cultural Datos de afiliación á Seguridade Social. Observatorio da Cultura Galega, 2020. http://dx.doi.org/10.17075/clmmprac.dass.2020.
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A declaración do estado de alarma por parte das autoridades con motivo da crise sanitara COVID-19 dispón, entre outras cousas, a suspensión de apertura ao público de locais de actividade comercial, así como de equipamentos culturais. Este documento analiza como afecta este peche ao emprego cultural, a través das afiliacións á Seguridade Social a partir da explotación que ofrece o Instituto Galego de Estatística (IGE)dos datos do Ministerio de Trabajo y Economía Social das persoas empregadas nas principais empresas culturais.
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O SECTOR DO LIBRO GALEGO PERANTE A CRISE DA COVID-19. Observatorio da Cultura Galega, 2020. http://dx.doi.org/10.17075/slgpcc.2020.
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O presente documento de traballo é unha primeira achega á análise do impacto da crise no ámbito cultural provocada pola aparición do virus SARS-CoV-2 e a enfermidade que provoca, COVID-19. Neste traballo recóllense as análises e reivindicacións das principais asociacións profesionais e gremiais que participan na cadea de produción do libro, así como unha descrición da situación do sector do libro antes da chegada da crise provocada polo coronavirus. Completa o informe o resultado de cinco entrevistas que se lles realizaron aos responsables da Asociación de Escritores en Lingua Galega, da Asociación Galega de Editoras, do Clúster da Comunicación de Galicia, da Federación de Asociaciones Nacionales de Distribuidores de Ediciones e da Federación de Librarías de Galicia.