Dissertations / Theses: 'Cultural cringe'

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Ditton, Shanene. "The Cultural Politics of Paradise." Thesis, Griffith University, 2019. http://hdl.handle.net/10072/387283.

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This thesis depicts the cultural transformation of Australia’s Gold Coast over the last decade. Informed by my own professional experience in the arts community, I present qualitative research conducted with artists, youth, cultural policymakers and industry leaders from 2010-2011 at a time when the city was on the cusp of cultural change. This is accompanied by my own autoethnographic observations and reflections since the data was collected, affording me a wide lens through which to contextualise the study. Drawing on the voices of artists and cultural practitioners, I describe how the discourse of paradise— ‘sun, sand, surf and sex’—positioned the Gold Coast as a ‘cultural desert’ in the Australian imaginary. More broadly, I discuss the spatial politics of paradise within the context of global place competition, hyperneoliberal development and urban cultural policy. I draw on the concept of the cultural cringe to illustrate how artists and cultural practitioners worked to resist and dismantle the paradise apparatus with the aim of realigning the Gold Coast’s cultural landscape. By adopting entanglement theory and transdisciplinarity alongside an historical approach to conversation, this thesis documents the emergence of a cultural voice. At a point in time when the cultural cringe was endemic and cultural governance was limited, this thesis shows how artists and cultural practitioners were at the forefront of advocating for better cultural policy and infrastructure. In doing so, it highlights the cultural politics of paradise across four milieus: community, youth, industry and policy. In my own observations, I reflect on the erosion of the cultural cringe as the city embraces arts and culture in an attempt to reposition itself as a cultural oasis. The findings have wide-ranging implications for cultural policy and planning on the Gold Coast as well as other paradise destinations more globally.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Hum, Lang & Soc Sc
Arts, Education and Law
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Hesketh, Rollo Bromley Claude Blair. "‘In Search of a National Idea’ Australian Intellectuals and the ‘Cultural Cringe’ 1940 – 1972." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/19619.

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The ‘cultural cringe’ was a powerful force shaping Australian ideas in the post-war years. Struggling with both the heavy cultural shadow of Britain and the brutal apathy of Australian philistinism, intellectuals tried to find ways to escape the colonial rut of a meagre, material culture. This thesis will, for the first time, place together the work of eleven writers and explore their responses to a cultural insecurity they all felt with peculiar intensity. Ultimately, it will be argued that the ‘cultural nationalists’ – A.A. Phillips (who coined the term ‘cultural cringe’ in a 1950 essay), Clem Christesen, Nettie and Vance Palmer, Brian Fitzpatrick and Russel Ward – failed in their quest to define and celebrate a distinctive cultural tradition unique to Australia, free of the tentacles of Britishness. Others such as Manning Clark and Bernard Smith created powerful visions of Australia, but struggled to make these resonant or relevant in an Australia that by the 1960s was changing rapidly. Donald Horne and Patrick White despised cultural nationalism, seeking other ways to ‘create’ Australia; but it was Judith Wright who came closest to the successful realisation of an original idea of Australia, incorporating the Aboriginality of the continent, and in so doing a successful refutation of the hated cringe.

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Ferraro, Ravettino Franco. "Escuela de Artes Plásticas en Barranco: El Espacio “Inbetween” como Motor de Superación de un “Cringe” Cultural." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2019. http://hdl.handle.net/10757/653427.

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Hoy, en el mundo del arte de Lima, se puede percibir un fenómeno social definido por Robert Hughes (1992) como “Cultural Cringe”. Dicho fenómeno se basa en la incapacidad que tiene el artista para fundamentar su obra en una sociedad en la que el consumidor se ve condicionado por una exposición constante a medios de comunicación masivos. Al parecer, la solución se encuentra en la propuesta de una Escuela de Arte en Barranco, escenario principal de dicho “Cringe”. Dicha casa de estudios debe poder ofrecer una educación integral, teórica y práctica, que permita que los alumnos sean competitivos en una realidad internacional y, eventualmente, debe permitir que el contexto social en el que se encuentra se vea contagiado por el conocimiento y la cultura que la misma imparte.
Defined by Robert Hughes (1992);"Cultural Cringe" is a social phenomenon that can be perceived in Lima’s Art world. This phenomenon occurs when artists are unable to demonstrate their work as conceptually and intellectually coherent pieces, especially as a result of constant exposure to “garbage” mass media. Apparently, said “Cringe” can be corrected with an Art School Project in Barranco, where the problem is more latent. The proposed School should be able to offer a comprehensive, theoretical and practical education that allows students to be competitive in an international reality and, eventually, be the kick starter of a new knowledge and culture based set of customs.
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Júlio, Rita Mafalda Gerardo de Brito. "A relação da cultura nacional e organizacional com a crise económica em Portugal." Master's thesis, Instituto Superior de Economia e Gestão, 2015. http://hdl.handle.net/10400.5/10534.

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Mestrado em Gestão de Recursos Humanos
A crise é um fator cada vez mais presente no dia-a-dia de muitos países, sendo uma circunstância que influência a vida das populações. Com o presente estudo pretende-se perceber se existe uma relação entre a perspetiva que os indivíduos têm relativamente à crise e a sua cultura nacional, fazendo também a ponte para as organizações e a sua cultura. Foram analisadas as três vertentes anteriormente referidas de forma a verificar-se se existe algum tipo de relação entre elas, pretendendo-se, desta forma, aprofundar os conhecimentos existentes relativamente a estas três temáticas. A amostra é constituída por um conjunto de 104 inquiridos, tendo-lhes sido entregues questionários em formato papel, divididos em 4 escalas. Uma primeira relacionada com características sociodemográficas, uma segunda relacionada com a Crise, que foi subdividida em três subgrupos, sendo eles os "Responsáveis pela Crise", a "Intervenção do governo" e a "Perceção da Crise". Uma terceira escala sobre Fatores culturais relacionados com a crise, subdividida em "Desorganização", "Individualização", "Anulação da Incerteza" e "Despreendimento", e por fim a quarta escala relacionada com a Cultura organizacional subdividida em "Clã", "Adocracia", "Hierarquia" e "Mercado". Através da análise efetuada concluiu-se que existe uma relação entre a perceção que os inquiridos têm sobre a Crise e a sua perceção sobre Fatores culturais relacionados com o tema. No que diz respeito à Cultura organizacional não foi observada qualquer tipo de relação nem com as perceções da Crise nem com os Fatores culturais que a podem influenciar.
The economic crisis is increasingly more present in the day-to-day activities of many countries, affecting the lives of its population. The aim of this study is to understand if there is a connection between the individuals perspective in regards to the crisis and their national culture, also creating a parallel with organizations and their own culture. These three topics were analyzed in order to verify the existence of a connection between them, with the goal of increasing the existing knowledge regarding these three areas of study. The sample is composed of a group of 104 participants, who were given paper questionnaires, divided in 4 scales. The first is related with sociodemographic characteristics, the second one related to the Crisis, which is divided in three subgroups: "Those responsible for the Crisis", "The government's intervention" and "Perception of the Crisis". A third scale corresponds to the cultural factors related to the crisis, divided into: "Disorganization", "Individualization", "Uncertainty Annulment" e "Detachment", and finally the fourth corresponds to the Organizational culture, divided into: "Clan", "Adhocracy", "Hierarchy" and "The Market". With the of analysis finished it is possible to conclude that there is a relation between the perspective the participants have regarding the Crisis and their perspective regarding cultural factors connected to that topic. Regarding Organizational culture, no relation between the perceptions of the crisis, and cultural factors that can influence it, were observed.

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Maciel, Danielle Edite Ferreira. "A rebelião do público-alvo e a crise da tecnologia social de pacificação: luta no Programa Fábricas de Cultura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/27/27154/tde-03102018-153222/.

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Esta tese examina o contexto e os sentidos políticos da implementação de um programa público cultural criado em 2004 como fruto de uma parceria entre a Secretaria Estadual de Cultura (SEC) do estado de São Paulo e o Banco Interamericano de Desenvolvimento (BID): o Programa Fábricas de Cultura. A pesquisa procura demonstrar de que maneira a política pública dirigida para a juventude pobre das periferias pôde, desde sua concepção, operar enquanto uma \'tecnologia social de pacificação\', com vistas a incrementar mecanismos de controle e antecipar-se a possíveis conflitos e insurgências dessas populações territorializadas. A análise é feita à luz de um processo de luta que aprendizes e arte-educadores vinculados às Fábricas de Cultura travaram em 2016, no curso da pesquisa, contra as diretrizes e os gestores da Organização Social responsável pela administração de cinco das dez unidades do programa. Dessa maneira, foi possível apreender as características e contradições do programa dentro de um quadro de modificações por que forçosamente passou aquilo que entendemos ser uma forma específica de gerenciamento dos conflitos de classe, a que chamamos de \"consenso à base da pacificação dos conflitos sociais\", que se consolidara na últimas décadas. Em torno de uma coalizão que unia organismos multilaterais, Estados e organizações da sociedade civil, esse consenso efetivou-se por meio de um conjunto de técnicas de gestão que acabou por embaralhar as diferenças entre direita e esquerda, difundindo-se por estratégias voltadas para \"a redução da pobreza\", \"segurança\", \"oportunidades\" e \"inclusão social\". Nesse sentido, o Programa Fábricas de Cultura se apresenta como resultado desse processo que transfigurou setores de classe em públicosalvo, esquadrinhados pelas políticas sociais focalizadas. A investigação observa, no entanto, que a efetividade de tal consenso pacificador sempre estivera lastreada por tecnologias de guerra, com as quais mantém relação de alternância e complementariedade. A tese então argumenta que a aposta na formação cultural, como maneira de apassivar a juventude e reforçar identidades culturais territorializadas, alimentou, em seu subterrâneo, uma rebelião que se voltou contra esse projeto, demonstrando seus limites e forçando um ponto de inflexão que parece apontar para a crise da tecnologia social de pacificação.
This thesis examines the context and political meanings of the implementation of a public cultural program created in 2004 as a result of a partnership between the State Secretariat of Culture (SEC) of the state of São Paulo and the Inter-American Development Bank (IDB): Factories of Culture Program. The research seeks to demonstrate in which ways the public policy directed at the poor youth of the peripheries operated, from its conception, as a \'social technology for pacification\', designed to increase mechanisms of control and anticipate possible conflicts and insurgencies arising from this population. In the course of research, apprentices and art educators from the Factories of Culture took part on a struggle against the guidelines and managers of the (private) Social Organization responsible for five out of the ten units of the program. This analysis is made in light of this conflict. In this way, it was possible to apprehend the characteristics and contradictions of the program within a framework of modifications it was forced to go through. This policy is here considered to be a specific form of management of class conflicts consolidated in the last decades, which we call \"consensus based on the pacification of social conflicts\". Around a coalition that united multilateral organizations, states and civil society organizations, this consensus was achieved through a set of management techniques that shuffled the differences between right and left, and spread through strategies aimed at \"poverty reduction\", \"security\", \"opportunities\" and \"social inclusion\". In this sense, the Factories of Culture Program presents itself as a result of a process that has transfigured class sectors into target audiences, scrutinized by focused social policies. The research, however, observes that the effectiveness of such a pacifying consensus had always been supported by war technologies, with which it maintains a conection of alternation and complementarity. The thesis then argues that the commitment to cultural formation, as a way to pacificate the youth and reinforce territorialized cultural identities, helped to feed a rebellion that turned against the project, demonstrating its limits and forcing a inflection point that seems to indicate a crisis of the social technology for pacification.

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Figueira, Michel Constantino. "Colônia de Pescadores Z3, Pelotas RS : da crise na pesca a expansão do turismo com base no patrimônio cultural." Universidade Federal de Pelotas, 2009. http://repositorio.ufpel.edu.br:8080/handle/prefix/2898.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
Dependentes historicamente de poderes que manipulam a sua existência, muitas comunidades locais obedecem a normativas da tradição, submetem-se diante da religiosidade e do clima, são manipuladas em sua produção, submetem-se diante de mercados produtivos tradicionais e enfrentam crises econômicas que evoluem para graves problemas sociais como o êxodo rural, o desemprego, a violência doméstica, as brigas de rua, o consumo de drogas, o suicídio e os roubos e assassinatos. A Colônia de Pescadores Z3, localizada às margens da Lagoa dos Patos, na cidade de Pelotas, no Estado do Rio Grande do Sul, Brasil, é um exemplo desta condição imperativa. Uma sociedade de pescadores profissionais artesanais que diante da carência de perspectivas, baixa-estima e desesperança no futuro se vê a frente de uma atividade econômica alternativa focada no seu patrimônio cultural: o turismo. Sendo assim, este trabalho analisa como, diante de uma crise socioeconômica, a Colônia Z3 se apropria, valoriza e passa a proteger suas referências culturais em prol da modificação na ordem dos seus fatos sociais, com base no investimento em turismo.
Dependents historically of powers that manipulate its existence, many local communities obey the normative ones of the tradition, submit itselves ahead of the religiosity and of the climate, are manipulated in its production, submit itselves ahead of traditional productive markets and face economic crises that evolve for serious social problems as the rural exodus, the unemployment, the domestic violence, the streetfight, the consumption of drugs, the suicide and the robberies and murders. The Colônia de Pescadores Z3, located to the edges of the Lagoa dos Patos, in the city of Pelotas Rio Grande do Sul, Brazil, is an example of this imperative condition. An artisan and professional fishing society that ahead of the lack of perspectives, low self-esteem and hopelessness about the future sees itself to the front of an alternative economic activity in focus in its cultural heritage: the tourism. Being thus, this work analyzes how, ahead of a socioeconomic crisis, the Colônia Z3 appropriates itself, values and starts to protect its cultural references in favor of the modification in the order of its social facts, on the basis on the investment in tourism.

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Böes, Guilherme Michelotto. ""Crack, nem pensar": um estudo sobre mídia e política criminal." Pontifícia Universidade Católica do Rio Grande do Sul, 2012. http://hdl.handle.net/10923/1766.

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From 2009 and 2010, the leading media group of state Rio Grande do Sul, has built a campaign with scathing images of the narcotic substance crack users. Confronting this proposal from the media to perform its debate on the crack based on studies on this substance, are on damage reduction is as critical of criminal law, we intend to present this work that is analysis of the media as object and means of interaction and cultural background. This researches presents, for as short a deconstitution, with various ―"theoretical lines", several authors for various doctrinal conceptions, without being unique, so as not to limit these theoretical perspectives, as well as their limitations. With the analysis of the proposed campaign, we seek to make an analysis of social ―"theory" media, so that, we could have the same as a product of cultural interaction. Also not to deny the importance of media in a democratic state, it took a brief consideration of the shape of a democratic state. Avoid presenting more a debate on drug policy, not to sustain the discourse that is now done and repeated, both in the academic, as policy makers. This discourse on national drug policies is widely debated at academic, and demonstrate overshadowed by the media campaign, because it allows openly wrong one, and exclusive taxation, especially as users, maintaining the prohibitionist argument, operating in a private political context. In this vein, we present a critical analysis, but without using or join a critical criminology, but a Cultural Criminology. The cultural work is the engagement of ―"negotiation" between identities and their meanings: its symbols, the roots of crime and deviance, in order to find a collective solution. Assumed greater awareness of social values in an attempt to present tensions and / or failures of policies of inclusion and exclusion.
Durante os anos de 2009 e 2010, o principal grupo midiático do Rio Grande do Sul construiu uma campanha com imagens contundentes de usuários da substância entorpecente crack. Diante dessa proposta da mídia de realizar o debate sobre o crack e com base em diversos estudos sobre essa substância, sejam sobre redução de dano sejam como crítica da legislação penal, apresentamos este trabalho, que se constitui em uma análise da mídia como objeto e meio de interação e formação cultural. Esta pesquisa apresenta-se, pois, como uma desconstituição breve, com diversas ―"linhas teóricas", diversos autores para diversas concepções doutrinárias, sem ser única, de forma a não se limitar nessas perspectivas teóricas nem em suas limitações. Com a análise da campanha proposta, procuramos fazer a análise da ―"teoria social sobre a mídia", para que, dessa forma, pudéssemos apresentá-la como produto de interação cultural. Igualmente, para não se negar a importância da mídia no Estado Democrático, foi necessária uma breve consideração acerca do formato de Estado Democrático de Direito.O discurso sobre as políticas nacionais de drogas já é amplamente debatido no âmbito acadêmico e se demonstra ofuscado pela campanha da mídia, que permite, abertamente, uma equivocada e exclusiva taxação, especialmente quanto aos usuários, mantendo o argumento proibicionista, operando em um contexto político privado. Nessa senda, apresentamos a referida campanha publicitária a uma análise crítica, sem, entretanto utilizar ou aderir a uma criminologia crítica, mas a uma Criminologia Cultural. O trabalho cultural tem o engajamento da ―"negociação" entre as identidades e seus significados: seus símbolos, as raízes do crime e do desvio, com o intuito de encontrar uma solução coletiva. Pressupõe a conscientização de maiores valores sociais, em uma tentativa de apresentar as tensões e/ou fracassos das políticas de inclusão e exclusão.

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Carter, Ellen Angharad. "Inside job ? : how cultural outsiders write, translate, and read cross-cultural crime fiction." Paris, EHESS, 2014. http://www.theses.fr/2014EHES0134.

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Cette thèse combine l’approche des études cognitives et culturelles ainsi que de la traductologie afin d’examiner l’écriture, l’édition, la traduction et la réception internationale des romans policiers interculturels, en prenant comme modèle deux romans qui se déroulent en Nouvelle-Zélande par le romancier français Caryl Férey, Haka (1998) et Utu (2004). Nous situons d’abord Férey par rapport aux polars français du pacifique sud et aux polars néo-zélandais, et nous montrons que ses livres en diffèrent de façon significative, surtout à cause de son choix d’écrire de l’intérieur de la Nouvelle-Zélande et de la culture maorie. Dans une étude de cas qualitative fondée sur des interviews, nous situons Férey vis-à-vis de ses éditeurs et de ses lecteurs et nous identifions des thèmes récurrents dans son écriture avant d’identifier et d’analyser son emprunt à d'autres textes. Puis, au moyen d’une analyse de la traduction américaine d’Utu (2011), nous soutenons que certains choix culturels ont pour effet d’aliéner les lecteurs néo-zélandais, tandis que les choix linguistiques suggèrent que ceux qui lisent le texte en anglais ont moins l’opportunité de se sentir proche du texte sur les plans intellectuel et émotionnel. Mon analyse de la réception de ces œuvres, la première étude empirique longitudinale et interculturelle de l’influence d’un roman entier sur les opinions (culturelles) des lecteurs, montre que l’information fictionnelle est absorbée par les lecteurs et se mêle aux opinions et aux croyances portant sur une culture. Nous explorons des théories littéraires cognitives afin d’éclairer à la fois l’écriture et la lecture de la fiction interculturelle et du polar
My research combines cognitive, cultural and translation studies approaches to examine the writing, publishing, translation, and international reception of cross-cultural crime fiction, taking as exemplars two novels set in New Zealand by french crime writer Caryl Férey: Haka (1998) and Utu (2004). I first situate Férey against corpus norms of South Pacific french crime fiction and of New Zealand crime fiction and show that he differs in significant ways, not least in his choice to write from within New Zealand and Māori culture. In an interview-based qualitative case study situating Férey alongside his publishers and his readers, I identify recurring themes in his writing before identifying and analysing his borrowing from other texts. In analysing the american english translation of Utu (2011), I then argue that cultural choices alienate New Zealand readers, while linguistic choices mean readers in english have less opportunity to connect intellectually and emotionally with the text. My reader reception study, which is the first empirical, longitudinal, cross-cultural, novel-length reception study of the influence of a text on readers’ (cultural) opinions, shows with statistical significance that fictional information is absorbed into factual beliefs and opinions about a culture. I use approaches from cognitive literary studies to illuminate both the writing and reading of cross-cultural and crime fiction

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Dodsley, Thomas Paul. "Images of crime : young people, cultural representations of crime, and crime concern in late modernity." Thesis, Durham University, 2017. http://etheses.dur.ac.uk/12042/.

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Set within the context of a late modern world where crime is both controlled and commodified, this thesis explores young people’s crime concerns and their opinions on the cultural representation of crime. Following a reconceptualisation and widening of the notion of fear of crime, crime concern is employed to investigate young people’s concerns regarding crime prevalence, crime management and crime representation. Encompassing a cultural criminological approach and an interpretive phenomenological attitude, this thesis utilises performative drama alongside focus groups to explore how crime concerns and the cultural representation of crime interact to inform everyday lived experience. The thesis finds that the young people in the study demonstrate an acute awareness of the processes which shape their understandings of crime. Such awareness is rooted in their sense of agency and embedded in a resistance towards the dominant discourse of problematic and risky youth. The crime concerns that the participants expressed were primarily regarding the representation and management of crime. Varying concerns around crime prevalence were identified. The findings reveal that gendered implications play a key role in shaping crime concern and forming opinions on the cultural representation of crime. The thesis concludes by reflecting upon the research process and pointing towards future directions for criminology.

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MELO, Patricia Bandeira de. "Histórias que a mídia conta: o discurso sobre o crime violento e o trauma cultural do medo." Universidade Federal de Pernambuco, 2010. https://repositorio.ufpe.br/handle/123456789/9519.

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Fundação Joaquim Nabuco
O objetivo de nossa pesquisa é estudar o discurso jornalístico acerca do crime violento como o instituto do mal que pode produzir o trauma cultural do medo compartilhado. A intenção não é abordar o crime violento como coisa-em-si, mas a representação que a imprensa faz dele em suas narrativas e as buscas por soluções que promovam a sua superação. São os sentidos circulantes, as cadeias de significação construídas na imprensa sobre as categorias crime violento, vítimas, perpetradores do mal e medo coletivo que iremos analisar nas narrativas jornalísticas. Para isso, recorremos à análise do discurso em textos selecionados no site do Jornal do Commercio e nos blogs dos jornalistas Ricardo Noblat e Jorge Antônio Barros, hospedados no site do jornal O Globo. O corpus em O Globo foi definido entre 8 de fevereiro de 2007 a 8 de fevereiro de 2008. A data inicial foi o dia em que foi publicada a primeira notícia sobre o crime contra o menino João Hélio, no Rio de Janeiro, até um ano após o fato. No JC, o corpus inclui o mesmo período, com episódios de ação humana violenta que tenham resultado em morte. O estudo teve como esteio teórico a sociologia cultural e a teoria do agenda-setting. A sociologia cultural nos oferece conceitos sobre cultura e o seu papel na definição das ações e formas de ver o mundo pelos indivíduos. Já a teoria do agendamento permite identificar os assuntos que ingressam na pauta da imprensa, definindo que problemas sociais devem ser alçados à condição de problema público. Dentro da perspectiva teórica da sociologia cultural, concluímos que o discurso jornalístico tem sido fundamental para construir e sustentar o trauma cultural do medo nos indivíduos, que passam a compartilhar os dramas das vítimas e de seus familiares de forma mediada pelos meios de comunicação

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Piccoli, Fernando. "Riscos rebeldes: notas etnográficas e criminológicas sobre a pichação." Pontifícia Universidade Católica do Rio Grande do Sul, 2014. http://hdl.handle.net/10923/6923.

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This work has major emphasis on the phenomenon of pichação as marginalized youth culture and despised by society in general. The main objective is the study of this phenomenon from own involved, taggers, drawing on ethnographic research method. From an analysis that focuses on contemporary criminological readings in cultural studies in criminology and deviance and criminality of cultural practices and everyday life, what this research suggests is an increasingly comprehensive view of the urban arts persecuted and criminalized by control and the mass media agencies. The study unfolds in four chapters, starting from a more general analysis about what is expected of a Criminology today, followed by a second chapter that specifically addresses the protagonists of the story and the phenomenon of pichação and graffiti. The third chapter will reflect directly on the criminalization of street arts and how social representations eventually condemn the practice of pichação, making it a crime and making the villains of taggers. At the end, the result of ethnographic research conducted in 2013 in Porto Alegre, are brought own impressions of the taggers on their actions and reports of direct contact with these young.
Este trabalho tem ênfase principal no fenômeno da pichação enquanto cultura juvenil marginalizada e desprezada pela sociedade de forma geral. O principal objetivo é o estudo deste fenômeno a partir dos próprios envolvidos, os pichadores, valendo-se do método etnográfico de pesquisa. A partir de uma análise que foca nas leituras criminológicas contemporâneas, na criminologia cultural e nos estudos sobre desvio e criminalização das práticas culturais e da vida cotidiana, o que esta pesquisa propõe é uma visão cada vez mais abrangente sobre as artes urbanas perseguidas e criminalizadas pelas agências de controle e pela mídia de massa. O estudo se desenvolve em quatro capítulos, partindo de uma análise mais geral a respeito do que se espera de uma criminologia nos dias de hoje, seguido por um segundo capítulo que aborda especificamente os protagonistas da história e o fenômeno do graffiti e da pichação. O terceiro capítulo vai refletir diretamente sobre a criminalização das artes de ruas e como as representações sociais acabaram por condenar a prática da pichação, tornando isso um crime e fazendo dos pichadores os vilões. Ao final, fruto da pesquisa etnográfica realizada no ano de 2013 em Porto Alegre, são trazidas as próprias impressões dos pichadores sobre seus atos e relatos do convívio direto do autor com estes jovens.

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Young, Lap-ping John. "Using cultural perspective to study teenage computer crime." Click to view the E-thesis via HKUTO, 2002. http://sunzi.lib.hku.hk/hkuto/record/B31979415.

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楊立平 and Lap-ping John Young. "Using cultural perspective to study teenage computer crime." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31979415.

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Burkhardt, Kate J. "Narratives of Inuit inmates, crime, identity and cultural alienation." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52519.pdf.

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Brollo, Sílvia Regina Salau. "Tutela jurídica do meio ambiente cultural : proteção contra a exportação ilícita dos bens culturais materiais / Sílvia Regina Salau Brollo ; orientador, Vladimir Passos de Freitas." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2006. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=514.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2006
Inclui bibliografia
A tutela jurídica do meio ambiente cultural: proteção contra a exportação ilícita dos bens culturais materiais - tendo como principal preocupação a exportação ilícita dos recursos culturais - analisa as normas jurídicas vigentes, com o objetivo de encontr

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Bull, Sofia. "A Post-genomic Forensic Crime Drama : CSI: Crime Scene Investigation as Cultural Forum on Science." Doctoral thesis, Stockholms universitet, Institutionen för mediestudier, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-81474.

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This thesis examines how the first 10 seasons of CSI: Crime Scene Investigation (CBS, 2000–) engage with discourses on science. Investigating CSI’s representation of scientific practices and knowledge, it explicitly attempts to look beyond the generic assumption that forensic crime dramas simply ‘celebrate’ science. The material is analysed at three different levels, studying CSI’s wider cultural discursive context, genre linkages, and audio-visual form. In order to fully account for the series’ specificity, the thesis undertakes comparative analyses of earlier forensic crime dramas and other relevant audio-visual material. Close textual readings of certain thematic tropes, narrative devices and visual imagery in CSI are thus supplemented by historical studies of their extended generic backgrounds. This textual-historical approach generates a general argument that CSI dramatizes and evokes a number of different, and often contradictory, scientific ideas, perspectives and discursive shifts. The thesis concludes that CSI stages a transnational cultural forum, simultaneously engaging with residual, dominant and emergent discourses on science. Throughout, close attention is paid to the multiple perspectives and viewpoints that allow the series to appeal to a wide and heterogeneous global audience. Furthermore, the thesis asserts that CSI specifically articulates a post-genomic structure of feeling, which begins to express the wider cultural implications of an emergent discursive shift whereby the instrumentalisation of molecular science seemingly offers more possibilities for human intervention into biological processes. Thus, the study demonstrates how CSI’s discourse on science treats recent scientific developments as engendering a cultural process of redefinition, questioning foundational concepts such as truth, identity, body, kinship and emotions.

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Koum, Dissake Vanessa. "Le mémoricide." Thesis, Paris 8, 2017. http://www.theses.fr/2017PA080010/document.

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La culture, que l’on avait pu concevoir comme un moyen de réunir, d’unifier les hommes, par-delà leurs différences et contribuer ainsi à renforcer les défenses de la paix, est aussi, malheureusement, bien souvent ce qui les divise. Le drame qui frappa l’Europe de l’Est, scandale majeur de la fin du siècle dernier, est un exemple éloquent. Pour la première fois depuis cinquante ans, notre continent fût de nouveau plongé dans la guerre et la barbarie avec l’explosion de la République Fédérale Socialiste de Yougoslavie. Les destructions massives du patrimoine culturel ont succédé les massacres sur ce territoire. Un tel saccage du patrimoine culturel constitue une escalade dans la stratégie de la guerre totale. Mirko Grmerk a jugé utile de nommer ce concept nouveau par un terme nouveau : le mémoricide. Car selon lui, ce terme décrit bien cette réalité. Le mot mémoriae, en latin tardif, désigne non seulement les souvenirs mais aussi les monuments historiques. Cependant, le terme mémoricide est de plus en plus utilisé sur les moteurs de recherche. Son utilisation a largement dépassé son lieu d’origine, la mémoire, pour tomber en quelque sorte dans le domaine public. Mais la diffusion accélérée d’un mot assure-t-elle à l’idée qu’il a mission de véhiculer le maintien de la cohérence et de la rigueur souhaitables ? Tantôt défini comme un crime politique, tantôt comme un crime culturel, il n’est pas évident que la compréhension profite de l’extension et qu’en fin de compte on sache de manière parfaitement claire de quoi on parle lorsqu’on se réfère au mémoricide. La présente thèse se propose d’éclaircir cette notion. Car le patrimoine a la capacité d’impulser un sentiment d’affirmation ou d’appartenance transmissible et peut cristalliser ou stimuler la conscience d’identité des peuples sur leur territoire
Culture, which had been seen as a way to bring together, to unite men, beyond their differences and thus help to strengthen the defenses of peace, is also, unfortunately, very often what divides them. The tragedy that struck Eastern Europe, a major scandal of the late nineteenth century, is a prime example. For the first time in fifty years, our continent was once again plunged into war and barbarism with the explosion of the Socialist Federal Republic of Yugoslavia. Mirko Grmerk saw fit to name the massive destruction of cultural heritage by a new term: memoricide. According to him, this term describes this reality. The word Memoriae in latin means not only memories, but also historical monuments. However, the memoricide is increasingly used on search engines. Its use has far exceeded its original place, memory, falling somewhat in the public domain. Sometimes defined as a political crime, sometimes as a cultural crime, it is not clear that the benefits of understanding the extent and in the end we know perfectly clear what we mean when we refer to memoricide. This thesis proposes to clarify this notion

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Bento, Heliete Rosa. "Ordenamento urbano e patrimonio cultural como objeto de crime ambiental." Florianópolis, SC, 2004. http://repositorio.ufsc.br/xmlui/handle/123456789/86762.

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Tese (doutorado) - Universidade Federal de Santa Catarina. Centro Tecnológico. Programa de Pós-Graduação em Engenharia de Produção.
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Para tornar viável a positivação de direitos para esferas biológicas distintas da humana, foi necessário a flexibilização do aspecto antropocêntrico do Direito, que prevalecia nos diversos sistemas jurídicos. Essa abordagem era insuficiente para assegurar a ordem social, o equilíbrio na conduta moral humana. As plantas, os animais, os minerais devem ter direitos assegurados como parte que são do ecossistema global, ou seja, como parte do corpo orgânico, que assegura as todas as formas de vida, inclusive a vida humana. O direito ao meio ambiente ecologicamente equilibrado está entrelaçado com a política urbana, em decorrência, principalmente, da função social da propriedade e das cidades. O estudo visa propor uma ferramenta, que possibilite uma melhor articulação entre as questões relativas à tutela legal, em particular, a Lei de Crimes Ambientais, e as questões pertinentes à formulação de um Plano Diretor, que contemple os paradigmas da sustentabilidade. Para tanto foi realizada uma revisão de normativas de proteção ao meio ambiente e do estabelecimento das políticas publicas urbanas. Trata-se de uma pesquisa exploratória e descritiva e para a sua realização foi adotada uma abordagem qualitativa, no estudo do Plano de Desenvolvimento da Planície Entremares - Praia do Campeche, Ilha de Santa Catarina, Brasil, caracterizando assim um estudo de caso. A investigação permitiu constatar que em decorrência da intervenção daquela comunidade ainda não foi aprovado o Plano Diretor proposto pelo órgão de planejamento do Município; e grandes discussões são realizadas com vistas a estabelecer o consenso na política que estabelece as diretrizes para um desenvolvimento sustentável na região. Entendem as lideranças comunitárias entrevistadas que o Plano de Desenvolvimento da Planície Entremares, antes de ser aprovado demanda uma maior discussão.

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Lozano, Lina Patricia Giraldo. "A cultura popular face à crise da cidade e do urbano." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/8/8136/tde-04102013-132815/.

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O processo de modernização acelerado da sociedade que, para se realizar, precisa da produção de um espaço urbano fortemente homogêneo, hierarquizado e fragmentado tende a exacerbar as contradições centro-periferia. No caso de Bogotá, a modernização via planejamento Estatal acentua o fenômeno de periferização e com ele a segregação espacial. Encontramos assim, por um lado, um centro antigo que, por ser produzido como símbolo histórico e arquitetônico da cidade, tende a perder progressivamente suas características polimultifuncionais. É na região central onde, por meio da configuração de paisagens sumamente controladas e normatizadas, o Estado impõe de maneira muito violenta a desagregação das relações sociais. Por outro lado, encontramos uma área pericentral estilhaçada e periferizada, contudo, reduto de uma vida social intensa cujo sustento são os vínculos imediatos, laços de solidariedade e de confiança. Aqui o urbanismo de tipo espontâneo já é um indicativo da capacidade extraordinária que têm as populações periféricas de se apropriar dos espaços, de produzir o espaço enquanto obra. É na área pericentral de Bogotá, especificamente no bairro Egipto, que tem acontecido tradicionalmente a festa de Reyes Magos e de Epifania. Ela é fruto da persistência de práticas culturais e religiosas de origem camponesa, indígena e urbana que se imbricam definindo o característico sincretismo da cultura popular. O próprio desenvolvimento da festa e o fato dela estar reservada às camadas de menores rendas da cidade a consolidam como uma festividade periférica. A tendência à institucionalização, tanto por parte da Igreja, do Estado como da empresa privada, revela já aspectos da crise da cidade e do urbano. A festa, contudo, torna-se a possibilidade das populações dos bairros pericentrais reconstituírem a centralidade abafada pelo poder Estatal, pois implica não só a consolidação da identidade do próprio bairro, senão a possibilidade de apropriação integral do espaço que é usado para a restituição dos encontros, da sociabilidade, do lúdico. Nesse contexto, o objetivo principal deste trabalho consiste em estudar as implicações, desdobramentos e contradições do processo de modernização de Bogotá que resultam na produção das áreas pericentrais da cidade e, consequentemente, na constituição da cultura popular que é exemplificada por meio do desenvolvimento da festa de Reyes Magos do bairro Egipto.
Society´s accelerated modernization process has, for its development, to produce a strongly homogeneous, hierarchized and fragmented urban space and to exacerbate centerperiphery contradictions. In the case of Bogota, modernization made by state planning increases periphery formation process and with it, spatial segregation. It is perceived, first, an old center which, being produced as historical and architectural symbol of the city, trend to lose, progressively, its multi-polyfunctional characteristics. It´s in the central area where, by means of configuration of strongly controlled and ruled landscapes, state imposes disaggregation of social relationships in a very violent way. On the other hand, its perceived a pericentral area segregated and shattered, however, redoubt of an intense social life, which is based upon immediate bonds, solidarity and confidence links. Here, spontaneoustype urbanism is already an indication of the tremendous capability of peripheral populations for appropriating spaces and produce space as an oeuvre. It is in Bogota´s peripheral area, specifically at Egipto neighborhood, where it has been traditionally played the Reyes Magos y Epifania festivity. It has been consequence of the persistence of peasant, indigenous and urban-borne cultural and religious practices which imbricate themselves defining the specific syncretism of popular culture. The development of the festivity itself and the fact that it is reserved to lower class citizens of Bogotá, consolidate it as a peripheral celebration. Trend to institutionalization, either by the church as for the state and firms, already reveals aspects of crisis from the city and the urban. Festivity, anyway, turns into a possibility for people of pericentral neighborhoods to reconstruct their centrality, strangled by state power, as it implies not just consolidating their neighborhood identity, but the possibility of integral appropriation of space used for the restitution of encounters, sociability and playing. In this context, the main goal of this work is to study the implications, developments and contradictions from the process of modernization of Bogotá which result in the production of peripheral areas and, consequently, in the constitution of popular culture which is exemplified through the development of Reyes Magos festivity at Egipto neighborhood.

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Puh, Milan. "Reconstruções discursivas de conceitos: crise econômica em revistas croatas e brasileiras entre 2007 e 2010." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8142/tde-28082012-125314/.

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Neste trabalho será apresentado um estudo sobre a mídia croata e brasileiro e as reconstruções discursivas do conceito de crise econômica atual. O objetivo é demonstrar a conexão entre as estratégias discursivas da mídia com as da política, na formação e na constituição da noção da crise econômica atual, vista nas revistas brasileiras Veja e Época no período entre 2007 e 2010. Queremos confirmar a tese de que o hibridismo da mídia politizada é influenciado culturalmente ao tratar a construção discursiva dos fenômenos sociais, como o da crise. Por isso, verificamos como a mídia utiliza processos de persuasão para divulgar suas ideias aos leitores, assim se aproximando o seu discurso ao do político, de acordo com a definição de Carlos Piovezani Filho (2003). Depois da abordagem teórica dos conceitos discurso, ideologia, texto, persuasão, legitimação e manipulação e da relação entre o discurso político e midiático, serão definidas as práticas discursivas pertencentes a esse tipo de discruso midiático politizado presente nos artigos que tratam da crise, conforme o aparato teórico-metodológico de Perseu Abramo (2003), Teun Van Dijk (2002, 2007), Theo Leeuwen(2006) e Norman Fairclough (2001). No final, faremos uma análise comparativa do corpus brasileiro e croata, propondo, a partir das leituras teóricas, uma concepção metodológica múltipla, com a qual queremos mostrar de que modo e em que sentido a construção discursiva do conceito da crise economica atual foi reconstruída em dois países e culturas diferentes.
In this work there shall be presented a study on Croatian and Brazilian media and discursive reconstructions of the concept of the current economic crisis. The objective is to demonstrate the connection between the discursive strategies of the media and the politics, in the formation and constitution of the notion of the current economic crisis, as presented in the Brazilian magazines \"Veja\" and \"Época\" and Croatian magazines Nacional e Globus between 2007 and 2010. We want to confirm the thesis that the hybridism of the politicized media is culturally influenced when dealing with the discursive construction of social phenomena, as the crisis. Therefore, we examine how the media uses processes of persuasion to promote their ideas to the readers, and by so approaching its discourse to the one of politics, according to the definition of Carlos Piovezani Filho (2003). After the theoretical approach of discourse, ideology, text, persuasion, and manipulation and legitimacy and the relationship between political discourse and media has been made, we shall specify the discursive practices which belong to this kind of politicized media discourse present in the articles dealing with the crisis, using the theoretical apparatus of Perseus Abramo (2003), Teun Van Dijk (2002, 2007), Theo Leeuwen (2006) and Norman Fairclough (2001). In the end, we will make a comparative analysis of the Brazilian and Croatian corpus, in order to propose, from the theoretical readings, a multi-methodological conception of analysis, with which we want to show how and in what sense the discursive construction of the concept of the current economic crisis was reconstructed in two different countries and cultures.

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Bretherick, Diana. "Crime from below : an examination of the role of popular cultural representations of crime in criminology." Thesis, University of Portsmouth, 2006. http://eprints.port.ac.uk/2142/.

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This thesis seeks to discover the extent to which popular cultural representations of crime and criminals or ‘crime from below’ is a legitimate concern for academic criminological study. In order to answer these questions the study explores the forms these representations take, their origins and development, the messages they convey, the ways in which they are mediated and how they might enhance our understanding of crime in all its forms. Also considered is the inter relationship between popular and academic criminology and the efficacy of using theoretical frameworks deployed in the analysis of cultural artefacts in criminological research. The study begins by examining the nature and origins of crime from below followed by a consideration of the role of the ‘new media’ - film, television and the Internet. It then turns its attention to the nature of the relationship between crime from below and academic criminology. This is achieved by considering the characteristics and popularity of crime as popular culture and the reasons for the discipline’s wariness of its study. The second part of the study comprises five case studies in which popular cultural representations of crime and criminals in their various forms, including images, press coverage, television documentaries and true crime literature are analysed, applying theoretical frameworks used in the study of media and popular culture. These examine the ways in which analyses using such material might add to criminological knowledge. The final conclusion of the thesis is that although we should be aware of its limitations, the study of ‘crime from below’ considerably enhances our understanding of crime, capturing in particular the extent to which representations give us a valuable alternative viewpoint. It is therefore not merely legitimate but crucial.

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Crisostomo, Alessandro Lombardi. "A constelação conceitual subjacente à crise da educação em Theodor W. Adorno." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-19112015-125330/.

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O presente trabalho, de cunho teórico-bibliográfico, tem por objetivo analisar a crise da educação, inserida em uma crise mais ampla da formação no contexto do capitalismo tardio. Analisa os impedimentos e possibilidades da experiência formativa crítica, trazida por Adorno, a partir do estudo sobre como se deu a defasagem cultural no decorrer do desenvolvimento histórico da sociedade burguesa. No capitalismo tardio, o domínio ideológico, já identificado no princípio da sociedade burguesa por Marx e Engels, seria aprofundado, com a utilização dos mecanismos de manipulação das massas. Nesse contexto, a indústria cultural passaria a ocupar posição privilegiada no processo formativo. Pretende-se discutir a condição de alienação presente no contexto da sociedade burguesa, enquanto manifestação subjetiva de um processo mais amplo, envolvendo a integração ideológica dos indivíduos em meio a padrões dominantes. Será estudada a hipervalorização da razão instrumental, enquanto traço marcante no desenvolvimento da sociedade moderna, considerando a abordagem adorniana em relação ao encaminhamento ético da educação, a qual redireciona tais objetivos no sentido de identificar e superar os embriões de barbárie, ainda presentes na contemporaneidade. A concepção de elaboração do passado, trazida nas intervenções públicas do autor sobre educação em termos sociológicos, será analisada como elemento importante à formação crítica, assim como a necessidade de ruptura crítica em relação aos padrões homogêneos, por meio da dimensão estética, sinalizada no autor pela adoção do estilo ensaístico como meio de abertura reflexiva do pensamento filosófico. Esta pesquisa, por conseguinte, orientou-se pela hipótese de que a crise da educação está inserida em crise mais ampla, referente aos diversos aspectos que compõem o processo formativo na contemporaneidade, conforme Adorno preconiza no ensaio Teoria da Semicultura. Após o estudo e reflexão das teorias apresentadas, conclui-se que a formação crítica pressupõe a compreensão ampla sobre os diversos elementos da estrutura social, assim como das condições variáveis construídas no decorrer do processo histórico. Desse modo, a ruptura reflexiva em relação aos sistemas pedagógicos rígidos serviria como importante instrumento formativo no processo educativo, favorecendo o desenvolvimento de características essenciais à formação ampla e efetiva dos indivíduos.
The aim of this theoretical and bibliographic work is to analyze the education crisis, which is inserted in a broader training crisis, in the context of late capitalism. Impediments and possibilities of critical formative experience brought by Adorno were analyzed, from the study on how the cultural lag occurred during the historical development of bourgeois society. The ideological domination in late capitalism, identified at the beginning of bourgeois society by Marx and Engels, would be studied in more depth from the use of mass manipulation mechanisms. In this scenario, the cultural industry would occupy a privileged position in the formative process. It intends to discuss this alienation condition, in the context of bourgeois society, in the framework of subjective manifestation of a wider process involving the ideological integration of individuals, amidst the dominant patterns. The overvaluation of instrumental reason, as a striking feature in the modern society development, will be studied, considering the Adornian approach in relation to the ethical routing of education, which redirects these goals in order to identify and overcome the barbarism seeds still present in the contemporary world. The conception of \"past elaboration\", brought in public interventions of this author on education, in sociological terms, will be analyzed as an important element for the critical formation, as well as the need of a critical rupture regarding the homogeneous patterns, through the aesthetic dimension, signaled on the author by the adoption of the essayistic style as a means of a reflective opening of philosophical thought. Therefore, this research was guided by the hypothesis that the education crisis is inserted in a broader crisis, concerning the various aspects that are part of the training process nowadays, as Adorno recommends on the Semi-culture Theory essay. After studying and reflecting on the presented theories, it was concluded that the critical formation presupposes an extensive comprehension regarding the various elements of the social structure, as well as the varying conditions built during the historical process. Thus, the reflective rupture regarding the rigid pedagogical systems acts as an important training tool in the educational process, favoring the development of essential characteristics to a broad and effective formation of individuals.

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Prowse, Catherine Elaine. "The cultural concept of crime among urban Natives, an interpretive schema." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24556.pdf.

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Silva, Auda Ribeiro. "A construção estética e cultural do crime em Coivara da Memória." Universidade Federal de Sergipe, 2016. https://ri.ufs.br/handle/riufs/5841.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
This paper attempts to investigate the crime in the work of Coivara da Memória, or, so to speak, to analyze how the offense is built aesthetically and culturally in this novel. Consequently, the objective is to understand what the identity of the narrator-protagonist, his place, in short, how this narrative is structured. The discussion will be guided by the concept of "archive fever" (mal de arquivo) (Derrida), which is the breakdown of memory through the ambivalence of remembering and forgetting. This is because the narrator through the process reminiscent unbinds and archives the coivaras of his life and wants to write a book about himself in an attempt to atone for his own fault. We also use the concept of third space, as the voice of the narrator is a subject marginalized. To this end, the research presents itself in three chapters, the first is to focus the reception of the work of Francisco Dantas and his critical fortune, but also makes a presentation of the narrative plot in crime perspective, which is covered under the sociological and enigmatic bias. This study uses as theoretical support the concept of crime built from the reflections of Emile Durkheim (2001), Giddens (1989) and Michel Foucault (1987). The second concerns the narrator-protagonist, whose narrative is done according to his point of view, which now acts as a subject, now acts as the object of his memoirs, as it has in time an unclear boundary between past and present. For these and other reasons, this narrator is fragmented and contradictory, a frontier subject. These discussions were conducted by theorists Dal Farra (1973), Mieke Bal (1990), Bhabha (2007), Stuart Hall (2000), Bauman (2006). Finally, in the third chapter we emphasize the crime as archive fever, observing the discursive aspects and possible ambushes of the crime and the text as whole. For this discussion we use the terms "speech" by Michel Foucault (1996), and "archive fever" by Jacques Derrida (2001), among others.
Esta dissertação intenta investigar o crime na obra Coivara da memória, ou, por assim dizer, analisar como o delito é construído esteticamente e culturalmente nesse romance. Por consequência, objetiva-se compreender qual a identidade do narrador-protagonista, qual o seu lugar, enfim, como se estrutura essa narrativa. A discussão será norteada a partir do conceito de “mal de arquivo” (Derrida), que seria o desfalecimento da memória através da ambivalência do lembrar e esquecer. Isso porque, o narrador através do processo rememorativo desarquiva e arquiva as coivaras de sua vida e pretende escrever um livro sobre si mesmo na tentativa de expiar a própria culpa. Utilizamos também a noção de terceiro espaço, já que a voz de quem narra é de um sujeito marginalizado. Para tanto, a pesquisa apresenta-se em três capítulos, o primeiro tem como enfoque a recepção da obra de Francisco Dantas e sua fortuna crítica, como também faz uma apresentação do enredo da narrativa na perspectiva do crime, o qual é abordado sob o viés sociológico e enigmático. Esse estudo utiliza como aporte teórico o conceito de crime construído a partir das reflexões de Émile Durkheim (2001), Giddens (1989) e Michael Foucault (1987). O segundo diz respeito ao narrador-protagonista, cujo narrado é feito de acordo com o seu ponto de vista, que ora atua como sujeito, ora atua como objeto de suas memórias, visto ter no tempo uma fronteira pouco nítida entre passado e presente. Por essas e outras razões, esse narrador é fragmentado e contraditório, um sujeito fronteiriço. Essas discussões foram conduzidas pelos teóricos Dal Farra (1973), Mieke Bal (1990), Bhabha (2007), Stuart Hall (2000), Bauman (2006). Por fim, no terceiro capítulo enfatizamos o crime como mal de arquivo, observando os aspectos discursivos e as possíveis tocaias do crime e do texto como todo. Para esse debate usamos os conceitos “discurso” de Michel Foucault (1996), e “mal de arquivo” de Jacques Derrida (2001), dentre outros.

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Melo, Thaysi Poliani Ribeiro. "Juventude e cultura: um estudo a partir do contexto da crise contemporânea." Universidade Federal de Juiz de Fora, 2015. https://repositorio.ufjf.br/jspui/handle/ufjf/398.

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Visto que as transformações culturais decorrem de mudanças na base material e vice versa, esta é resultado das complexas relações sociais, aparecendo como um momento importante e necessário de articulação e de afirmação da sociedade. Assim, a noção de neutralidade cultural não pode mais ser sustentada, é preciso levar em consideração o uso que lhe é dado. Ao manipular as necessidades através de interesses adquiridos, a sociedade industrial impede o surgimento de uma oposição eficaz ao todo, pois se configura em um sistema de dominação, um universo político com um projeto histórico específico. Desta forma, o objetivo principal deste trabalho é compreender o jovem da periferia urbana, que vive a cidade de forma restrita e desigual, ressaltando os rebatimentos da crise atual do capital e da indústria cultural na organização política dos mesmos, que tem seu cotidiano cada vez mais escasso e suas possibilidades restritas, assim como seu potencial questionador.
Since the cultural transformations emerge from changes in the material basis and vice versa, this paper is the result of complex social relations, appearing as an important and necessary moment of articulation and affirmation of society. Thus, the cultural notion of neutrality can no longer be sustained, it's necessary to take the use that's given to it into account. By manipulating the needs through acquired interests, the industrial society prevents the emergence of an effective opposition to all, because the industrial society is configured as a domination system, a political universe with a specific historical project. So, the main goal of this work is to comprehend the urban periphery juvenile, who lives the city in a restricted and unequal way, highlighting the repercussions about the current crisis of capital and the cultural industry in the political organization of those youths whose daily time's been scarcer and their possibilities have been restricted, as well as their questioning potential.

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Vargues, Guilherme Ferreira. "Sambando e lutando: nascimento e crise das escolas de samba do Rio de Janeiro." Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=8701.

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Este estudo retrata a trajetória de duas lideranças fundamentais não só no plano da Escola de Samba GRES Portela como na trajetória em geral das Escolas de Samba do Rio de Janeiro. A escolha dos dois personagens, além da conhecida relevância de ambos na história do carnaval carioca, se dá pelo fato de que os dois aparecem como importantes referências de suas agremiações carnavalescas representando e organizando interesses coletivos. Pretendo comparar a trajetória desses dois personagens inserindo ambos em seus contextos históricos. Respectivamente as primeiras três décadas do século XX, e os anos de 1960 até 1980. Elaborando uma pesquisa que compõe um balanço acerca das transformações nas Escolas de Samba do Rio de Janeiro, que ao longo do tempo se forjaram como representação máxima dos festejos carnavalescos da cidade. Analisar as Escolas de Samba pode ajudar a compreender o movimento da cultura popular na história recente da cidade, e como essa se articulou com sociedade e política.
This study analyzes the history of two key leaders not only in terms of Portela Samba School, as in the general trajectory of the Samba Schools of Rio de Janeiro. The choice of two actors, besides the known importance of both in the history of carnival, is given by the fact that the two appear as important references for their carnival associations, representing and organizing collective interests. It is intended to compare the trajectory of these two characters by inserting both in their historical contexts. Respectively, the first three decades of 20th Century, and the years 1960 to 1980. The research consists in a review about the transformations in the Samba Schools of Rio de Janeiro, which in the course of time were forged as the main representation of Carnival festivities in the city. Analyze the Samba Schools can help to understand the movement of popular culture in the recent history of the city, and how this has been linked to society and politics

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Matallana-Villarreal, Jairo Alberto. "Countermapping state crime : a cultural criminological exploration of arbitrary conscription in Bogotá." Thesis, University of Kent, 2017. https://kar.kent.ac.uk/63886/.

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This thesis examines recruitment operations carried out by Colombian military forces, in violation of legal standards and constitutional rights. The most common practice used to be batidas militares, or arbitrary detentions with the purpose of conscription. Every year hundreds if not thousands of youths were caught off-guard in street round-ups; transported - often in trucks- to military units; and hastily assigned to battalions across the country to complete their military service. Until recent times these recruitment practices were systematically implemented despite the fact that UN bodies, domestic courts, and non-state actors had denounced their harmfulness and illegality. Cultural criminology serves as a general framework to conduct the analysis of arbitrary conscription in Colombia, understanding crime and crime control as cultural constructions intersected by power relations. This framework guides the main questions of this project, i.e. the historical and cultural factors that enable arbitrary conscription, how this practice shaped youths' experience in public space, the underpinning official discourse, and the strategies society adopts to cope with it, from normalisation to resistance. Fieldwork to support the analysis was jointly conducted under a participatory action research approach with conscientious objection and anti-militarist collectives in Bogotá. Using a mixed- methods design, this thesis combines geovisualisation and participatory spatial data analysis with participant observation and in-depth interviews. This choice of methods enables a broad quantitative description with an in-depth qualitative explanation of this concealed practice. This thesis reveals that arbitrary conscription is a long-standing practice rooted in colonial institutions and the militaristic construction of nationhood in Colombia. Such historical examination shows that state violence perpetrated by military forces has endured and coexists today with a protective democratic juridical framework. Arbitrary conscription is conceptualised simultaneously as a state crime and a policing technique. On the one hand, this thesis proves that arbitrary conscription is a state crime by all relevant criteria - it is a (i) systematic (ii) violation of human rights (iii) responding to state goals, with (iv) clear victimisation patterns and (v) enabled by a complicity network of state agencies. On the other hand, arbitrary conscription also functions as an informal policing technique that serves purposes of social control, disciplining and indoctrination of working-class youth. The polyvalent nature of arbitrary conscription illustrates the way certain security practices in disjunctive democracies trespass the boundaries between control and crime. Arbitrary conscription is a dynamic phenomenon constantly reconfigured by competing narratives and forces of normalisation, resistance and denial. This study deepens the understanding of state violence normalisation and its linkages with militarist values; develops a definition of resistance as a project of autonomy; and illustrates reactions of state agents to social controls that include criminal refinement, discursive denial and moral neutralisation techniques. The analysis suggests that whereas the practice of military round- ups may be discontinued in the near future, underlying state abuse and violence for arbitrary conscription may persist in subtler and more sophisticated forms. A major contribution of this thesis is the proposition of countermapping crime as a pragmatic strategy to unveil crimes of the powerful and make visible widespread harms. Going beyond the usual critique of crime maps as instruments of control with hidden political agendas, this thesis suggests that critical criminology can re-engage with geography to conduct refined and culturally informed spatial analysis. Key features of countermapping crime include (i) the conceptual expansion of crime to include social harms, (ii) the reliance on qualitative and participatory GIS to conduct data collection and analysis, and (iii) the use of socio-cultural theoretical frameworks that complement opportunity theories. This strategy is much more than a desk-based cartographic exercise. It is anchored in a transformative research paradigm entailing the participatory creation of spatial narratives that contest official discourses, the execution of spatial practices of place claiming, and the critical assessment and interpretation of visual readings of maps. Countermapping crime opens possibilities for criminology dealing with space and place by using participatory action- oriented methodologies.

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Januario, Marcelo. ""O olhar superficial: as transformações no jornalismo cultural em São Paulo na passagem para o século XXI"." Universidade de São Paulo, 2005. http://www.teses.usp.br/teses/disponiveis/27/27142/tde-10102006-175215/.

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Este trabalho investiga as transformações conceituais e editoriais ocorridas no jornalismo cultural impresso em São Paulo nas duas últimas décadas do século XX. Como método de observação, visando detectar alterações na incidência de serviço informativo nas páginas dos cadernos culturais dos jornais Folha de S.Paulo e O Estado de S.Paulo, foi desenvolvido um modelo teórico de classificação que sistematizou a produção jornalística. O modelo numérico foi aplicado no recorte de quase cinco dezenas de edições dos cadernos Ilustrada, Letras, Mais!, TV Folha, Caderno 2, Cultura e Telejornal, publicados nos anos 1990 e 2000. Por outro lado, para a formalização do campo foram documentadas e analisadas dezenas de fontes, veiculadas nos próprios jornais, na literatura acadêmica e na área profissional, em registros impressos, digitais e orais. Tal material registra em parte o intenso debate contemporâneo sobre a crise da crítica, tema amplo que abrange a destruição referencial do cânone e a sujeição inerente do jornalismo ao mercado. Os resultados claramente evidenciam que há uma demanda por novos modelos de apreciação jornalística na esfera artístico-cultural, ainda que não comprovem em definitivo o surgimento na área de novos formatos jornalísticos, conceitualmente destituídos de opinião e análise.
This work investigates conceptual and editorial transformations that have been occurring in the area of cultural journalism during the past two decades. It will focus on newspapers in Sao Paulo. As an observation method aiming to detect alterations on the incidence of informative services on the pages of the cultural sections of two newspapers, Folha de S.Paulo and O Estado de S.Paulo, a theoretical model has been developed to classify journalistic production. This numerical model has been applied to almost five-dozen editions of the following sections of the newspapers studied: Ilustrada, Letras, Mais!, TV Folha, Caderno 2, Cultura and Telejornal. They were published between 1990 and 2000. In addition to that, tens of sources have been analyzed in order to formalize the field. Those were referred by the newspapers themselves, by the academic and professional literature and by other written, oral and digital records. Such material reflects partially the intense contemporary debate on the crisis of criticism, which is a wide issue that includes the referential destruction of the canon and the undermining effect of market pressures on journalism. The results clearly show that there is a demand for new models of journalistic appreciation on the artistic-cultural sphere, although they are not definite evidence of the appearance of new journalistic formats, which are conceptually deprived of opinion and analysis.

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Jones, Jane Helen. "The cultural categorisation of crime, deviance and disorder in a Welsh market town." Thesis, Bangor University, 2002. https://research.bangor.ac.uk/portal/en/theses/the-cultural-categorisation-of-crime-deviance-and-disorder-in-a-welsh-market-town(5b10b788-eaf9-4828-8549-e971a93427e8).html.

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Berbel, Vanessa Vilela. "Pluralismo e crise de sentido no sistema jurídico." Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/20802.

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This study propose to contribute with the discussion about the description of the meaning of social communications, in the way as proposed by Niklas Luhmann, from the identification of a spatial dimension of meaning, alongside the objective, social and temporal dimensions already diagnosed by the author. It uses, therefore, intersection of Harisson C. White, Ignácio Farías e Hugo Cadenãs’s analyzes to formulate the concept of "plural worlds," understood as intermediate levels between interactions and social systems, arising from the performation of common sociomaterial elements, narratives, styles, and values. Luhmann did not consider the formation of 'groups' within his scheme of social differentiation plans, highlighting only interactions, organizations and society, and including, only belatedly, protest movements. Likewise, in dealing with the theme of 'culture' he considered it as too broad a theme, unfeasible to social observation. However, this study sustain that in reformulating the concept of culture, it becomes possible to observe other plans of social differentiation that interact with the functional systems, by demarcating 'communication zones' that act in the formation of the systemic choice. Although they are not functional systems, the "plural worlds" formed by the cultural distinction share important characteristics of other social systems, such as the structuring a “medium of symbolic generalization” capable of enhancing the chances of success of systemic communications by reinforcing the form side familiar for the communication that resembles the same pattern of senses they select. It is understood, therefore, that the "plural worlds" formed by culture and social systems are connected by particular communicative contexts that activate immunizing forms of episodic systemic crises arising from the cognitive closure by the compulsive reproduction of previous positive feedbacks. Specifically regarding the legal system, the "plural worlds" allow the balance between stability and instability, change and conservation; and more, by giving rise to the metacode of culture, allow the interpenetration between functional systems and psychic systems
Este trabalho busca contribuir com a discussão a respeito da descrição do sentido das comunicações sociais, proposto por Niklas Luhmann, a partir da identificação de uma dimensão espacial de sentido, ao lado das dimensões objetiva, social e temporal já diagnosticadas pelo autor. Vale-se, para tanto, da interseção das análises de Harisson C. White, Ignácio Farías e Hugo Cadenãs para formular o conceito de “mundos plurais”, entendidos como níveis intermediários entre as interações e os sistemas sociais, que surgem em razão da performação de elementos sociomateriais, narrativas, estilos e valores comuns. Luhmann não considerou a formação de ‘grupos’ dentro de seu esquema de planos de diferenciação social, destacando somente as interações, organizações e sociedade, e incluindo, apenas tardiamente, os movimentos de protesto. Do mesmo modo, ao tratar da ‘cultura’ considerou-o como um tema demasiado amplo, inviável à observação social. Contudo, acredita-se que, ao se reformular o conceito de cultura, é possível observar outros planos de diferenciação social que interagem com os sistemas funcionais, ao demarcarem ‘zonas de comunicação’ que atuam na formação das escolhas sistêmicas. Apesar de não serem sistemas funcionais, os “mundos plurais” formados pela distinção cultural compartilham importantes características de outros sistemas sociais, como a estruturação de um meio próprio de generalização simbólica capaz de potencializar as chances de êxito das comunicações sistêmicas ao reforçar o lado da forma familiar para as comunicações que espelhem o mesmo padrão de sentidos por eles selecionados. Entende-se, assim, que os “mundos plurais” formados pela cultura e os sistemas sociais encontram-se conectados por contextos comunicativos particulares que ativam formas imunizantes de crises sistêmicas episódicas decorrentes da clausura cognitiva pela reprodução compulsiva de feedbacks positivos anteriores. Especificamente quanto ao sistema jurídico, os “mundos plurais” permitem o equilíbrio entre estabilidade e instabilidade, mudança e conservação; e mais, por darem origem ao metacódigo da cultura, permitem a interpenetração entre as sistemas funcionais e sistemas psíquicos ao chamar as consciências à aceitação de suas ofertas comunicativas

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Piccoli, Fernando. "Riscos rebeldes : notas etnogr?ficas e criminol?gicas sobre a picha??o." Pontif?cia Universidade Cat?lica do Rio Grande do Sul, 2014. http://tede2.pucrs.br/tede2/handle/tede/4970.

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This work has major emphasis on the phenomenon of picha??o as marginalized youth culture and despised by society in general. The main objective is the study of this phenomenon from own involved, taggers, drawing on ethnographic research method. From an analysis that focuses on contemporary criminological readings in cultural studies in criminology and deviance and criminality of cultural practices and everyday life, what this research suggests is an increasingly comprehensive view of the urban arts persecuted and criminalized by control and the mass media agencies. The study unfolds in four chapters, starting from a more general analysis about what is expected of a Criminology today, followed by a second chapter that specifically addresses the protagonists of the story and the phenomenon of picha??o and graffiti. The third chapter will reflect directly on the criminalization of street arts and how social representations eventually condemn the practice of picha??o, making it a crime and making the villains of taggers. At the end, the result of ethnographic research conducted in 2013 in Porto Alegre, are brought own impressions of the taggers on their actions and reports of direct contact with these young.
Este trabalho tem ?nfase principal no fen?meno da picha??o enquanto cultura juvenil marginalizada e desprezada pela sociedade de forma geral. O principal objetivo ? o estudo deste fen?meno a partir dos pr?prios envolvidos, os pichadores, valendo-se do m?todo etnogr?fico de pesquisa. A partir de uma an?lise que foca nas leituras criminol?gicas contempor?neas, na criminologia cultural e nos estudos sobre desvio e criminaliza??o das pr?ticas culturais e da vida cotidiana, o que esta pesquisa prop?e ? uma vis?o cada vez mais abrangente sobre as artes urbanas perseguidas e criminalizadas pelas ag?ncias de controle e pela m?dia de massa. O estudo se desenvolve em quatro cap?tulos, partindo de uma an?lise mais geral a respeito do que se espera de uma criminologia nos dias de hoje, seguido por um segundo cap?tulo que aborda especificamente os protagonistas da hist?ria e o fen?meno do graffiti e da picha??o. O terceiro cap?tulo vai refletir diretamente sobre a criminaliza??o das artes de ruas e como as representa??es sociais acabaram por condenar a pr?tica da picha??o, tornando isso um crime e fazendo dos pichadores os vil?es. Ao final, fruto da pesquisa etnogr?fica realizada no ano de 2013 em Porto Alegre, s?o trazidas as pr?prias impress?es dos pichadores sobre seus atos e relatos do conv?vio direto do autor com estes jovens.

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Vieira, Virgínia Tavares. "O discurso da crise ambiental nas letras de rock and roll: modos de ser sujeito em tempos contemporâneos." reponame:Repositório Institucional da FURG, 2013. http://repositorio.furg.br/handle/1/6080.

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O presente estudo refere-se a uma dissertação de mestrado em Educação Ambiental, a qual que teve como objetivo estabelecer um diálogo entre música, sociedade e Educação Ambiental. Sendo assim, tem-se como problema de pesquia investigar de que forma a música, por meio do rock and roll, vem contribuindo para pensarmos na crise ambiental que se instala na atualidade. Para dar conta de responder a essa investiação selecionaram-se letras de rock de sete bandas de diferentes países ocidentais que tratam da temática ambiental, desde a década de 1990 até os dias atuais. Apoiada em autores como Michel Foucault, Félix Guattari, Zygmunt Bauman, Isabel Carvalho, Leandro Belinaso Guimarães, Maria Lúcia Castagna Wortmann, entre outros, a pesquisa analisou as enunciações de natureza, meio ambiente e homem presentes nas letras que compuseram o corpus de análise desta investigação. O caminho metodológico selecionado para operar com o material empírico trata especificamente de algumas ferramentas da análise do discurso, a partir de Michel Foucault. Na análise do material posto em suspenso, a pesquisa apontou para dois enunciados potentes, os quais vêm auxiliando na constituição do discurso da crise ambiental por meio de letras de rock and roll: o homem como principal destruidor do planeta, este intitulado de antropocentrismo; e o terror e medo pela perda do planeta. Com isso, evidenciaram-se que ditos como esses, presentes nas letras de rock selecionadas, entram na ordem do discurso verdadeiro no campo da Educação Ambiental, o que justifica a escrita dessa dissertação. Sendo assim, ressalta-se a importância de atentarmos para rock and roll, como um artefato cultural potente que vem nos auxiliando a olhar para crise ambiental, interpelando-nos a constituir modos de ser e viver, diante de saberes e verdades produzidas na e pela cultura, pois, diante dos significados travados por meio da cultura, vamos engendrando nossos modos de vida, bem como estabelecendo relações com o mundo em que vivemos.
The present study refers to a master`s degree dissertation in Environmental Education which has as its objective to establish a dialogue among music, society and Environmental Education. That said, this research problematizes how to investigate the way music, through rock and roll, has been contributing to think about the environmental crisis of our days. With the intention of problematize the way music, through rock and roll, has been contributing to make us think about the environmental crisis, it has been selected rock and roll lyrics from seven different western bands about environmental themes, since the early 90 ́s to nowadays. Supported by authors such as Michel Foucault, Félix Guattari, Zygmunt Bauman, Isabel Carvalho, Leandro Belinaso Guimarães, Maria Lúcia Castagna Wortmann and others, the research analyzed enunciations of nature, environment and men presented on the lyrics that composed this investigation ́s analysis corpus. The methodological patch selected to operate with the empirical material is specifically some speech analysis tools from Michel Foucault. Based on the analysis of this material, the research lead to two strong statements, which has been helping the formation of the environmental crisis speech through rock and roll lyrics: the mankind as the main destructor of the planet, what is named as anthropocentrism, and the terror and fear for the planet ́s losses. Whit this, it became evident that sayings like those presented in the selected rock and roll lyrics agree with the true speech on Environmental Education field, what justifies this dissertation. Thus, it is highlighted the importance to pay attention to rock and roll as a strong cultural artifact that has been assisting us to look to the environmental crisis, asking us to create ways of being and living, in front of the knowledge and truths produced in and by the culture, for the meanings locked by the culture, we engender our way of life and establish relations with the world we live in.

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Silva, Paulo Sérgio. "60 + 4. outros anos da mesma crise: histórias, imagens e outros diálogos." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/12805.

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60+4. Other years of the same crisis. History, Images and other dialogues, this research interweaves history toa socio-political-cultural analysis of the civilian-military pre-coup in the sixties, retrieves and presents old and new characters, producers of multiple evidences entangled to that plot. The production of dialogues, which coexist and interpenetrating the international context of those years, pointed to the clash of political culture, manager of ceaseless quest for hegemony that characterized the period of bi-polarization between capitalist and communist. The reading of headlines and images that composed some of the front pages / covers of the newspapers Folha de S. Paulo and the Ultima Hora, between the years of 1960 and 1964; as well as consistent literature visitation about the subject, became exciting paths for socializing with partisan disputes; characters from politics and military scene; exciting cultural production, foreign interference, among others, reverberating as sounding that social place. The civic-military coup of 1964 composes memories from that and this lived present
60 + 4. Outros anos da mesma crise. Histórias, imagens e outros diálogos, esta investigação entrelaça a História a uma análise político-social-cultural do pré-golpe cívico-militar dos anos sessenta, recupera e apresenta antigos e novos sujeitos produtores dos múltiplos indícios enredados àquela trama. A produção de diálogos, que coexistiam e se interpenetravam ao contexto internacional daqueles anos, apontava para o embate de cultura política gestor da incessante busca por hegemonia que caracterizava o período de bipolarização entre capitalistas e comunistas. A releitura de manchetes e imagens que compuseram algumas das primeiras páginas/capas dos diários Folha de S. Paulo e Ultima Hora, pertencentes ao recorte 1960 à 1964, bem como a visitação à consistente bibliografia sobre o tema transformaram-se em estimulantes veredas para o convívio com as disputas partidárias, com sujeitos do cenário político e militar, com a instigante produção cultural, com a ingerência estrangeira, entre outras, reverberando como caixa de ressonância daquele lugar social. O golpe cívico-militar de 1964 compõe memórias daquele e deste presente vivido

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Wilson, Sarah. "Invisible criminals? : legal, social and cultural perspectives on financial crime in Britain 1800-1930." Thesis, Swansea University, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497474.

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Amorim, Paulo Henrique Oliveira Porto de. "Água, cultura e crise : uma análise do discurso contemporâneo sobre recursos hídricos." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/29536.

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O final do século XX presenciou a ascensão do discurso ambiental nas sociedades capitalistas. Constata-se também, no caso específico da água, o crescimento da atenção sobre o tema juntamente com a disseminação de um discurso que prega a necessidade de racionalização do uso e da gestão dos recursos hídricos frente ao seu iminente escasseamento, o que significa uma transformação radical naquilo que se compreende como cultura da água da sociedade brasileira. É exatamente nesse contexto que se põe a seguinte questão: que efeitos são produzidos, na própria ordem do discurso, através da afirmação da água como recurso escasso? Quem são os sujeitos da gestão racional da água? Que elementos passam a compor o universo da política de recursos hídricos? Esses questionamentos foram elaborados a partir da aplicação de conceitos foucaultianos de análise de discursos à fala hegemônica sobre recursos hídricos. Utilizando-se um recorte amostral que envolve livros didáticos de Geografia, trabalhos acadêmicos geográficos e marcos legais brasileiros sobre recursos hídricos, pode-se constatar a abrangênica e efetividade desse discurso dominante. Verificou-se, igualmente, a existência de falas alternativas que propõem outros enunciados para se discursar sobre a temática da água no contemporâneo, juntamente com outras formulações para uma política da água. Por fim, sinalizam-se contribuições para uma compreensão alternativa para a crise da água, a fim de colocar em relevo atores atualmente subalternos diante da voz dominante.
The late twentieth century witnessed the rise of environmental discourse in capitalist societies. There is also, in the specific case of water, a growth in the attention on the topic along with the dissemination of a discourse that preaches the need for rational use and management of water resources front of his impending shortages, which means a radical transformation in what we understand as water culture of brazilian society. It is precisely in this context that appears the following questions: what effects are produced in the very order of discourse, through the affirmation of water as a scarce resource? Who are the subjects of rational water management? Which are the elements that compose the universe of water resources politics? These questions were developed from the application of foucauldian concepts of discourse analysis to the hegemonic over water resources. Using an analytical sample that involves geography textbooks, geographical academic papers and legal frameworks on brazilian water resources, we could confirm the coverage and effectiveness of this dominant discourse. It was also possible to confirm the existence of alternative discourses that propose other statements to speak on the issue of water in contemporary, along with other formulations for a water policy. Finally, it shows up contributions to an alternative understanding to the water crisis in order to show the importance of junior players currently on the dominant voice.

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Lindve, Katarina. "Crime with Loss of Context : How the Translation Changed the Implied Reader of Åsa Larsson’s The Savage Altar: Innocence Will Be Sacrificed." Thesis, Mälardalen University, Department of Humanities, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-907.

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The implied reader of a novel is the person that the author writes for. In the case of Åsa Larsson’s Swedish detective novel Solstorm, the implied reader is familiar with Swedish politics, history, and geography but also with biblical references and Swedish customs. When the novel is translated into English, The Savage Altar: Innocence will be Sacrificed, there is a new implied reader, the translator’s implied reader. When culture-specific material is either omitted or misunderstood, or a cultural filter changes the material to suit the new target audience, the context of the novel is also changed. The result is a loss of context.

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Juz, Breno de Souza. "Representações cinematográficas da Argentina em crise (1999-2004)." [s.n.], 2010. http://repositorio.unicamp.br/jspui/handle/REPOSIP/278677.

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Orientador: José Alves de Freitas Neto
Dissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciências Humanas
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Resumo: No final dos anos 1990 e início do século XXI, o cinema argentino viveu uma vigorosa retomada na produção nacional com o surgimento de novos realizadores, conquistando diversos prêmios em festivais e ampla repercussão internacional. Este cinema atraiu o interesse da crítica e do público devido a uma série de fatores, entre os quais cabe destacar uma exemplar e instigante renovação da linguagem. A isso se soma a viabilização de produção independente calcada no baixo orçamento. A retomada da produção vivida pelo cinema argentino na virada de século XXI foi simultânea à crise social, econômica e institucional ocorrida a partir de dezembro de 2001. Este fato potencializou as significações do nuevo cine argentino devido à capacidade de diálogo que certas obras apresentaram em relação ao momento histórico vivido pelo país. Este trabalho tem como objetivo analisar, a partir de obras referenciais, as representações da Argentina no cinema argentino contemporâneo, investigando quais as estruturas narrativas e estilos cinematográficos foram utilizados na construção dessas obras e da crise por elas representadas. Busca-se também perceber os sujeitos, tramas, relações com os espaços e instituições escolhidos no constructo da Argentina contemporânea e sua crise. Com isso, é possível analisar a historicidade dessa cinematografia, e os desdobramentos implicados nas representações construídas pela escrita cinematográfica
Abstract: In the late 1990s and early twenty-first century, the Argentine cinema has experienced a vigorous recovery in its national production in which there was the emergence of new filmmakers who won several awards at festivals and got a wide world repercussions and notoriety. This cinema has attracted the interest from critics and audiences for a variety of factors, among which we highlight an exemplary and exciting renewal of its language. In addition, the viability of independent production grounded on low costs. This resumption of production experienced by the Argentine cinema at the turn of the century was simultaneously a social, economic and institutional crisis occurred in December 2001. This fact has enhanced the meanings of Argentine nuevo cine because of the capacity of dialoguing that certain works presented in relation to the historical moment experienced by the country. Thus, this dissertation aims to analyze, using reference works, the representations of contemporary Argentine cinema in Argentina, investigating which narrative structures and cinematographic styles were used in the construction of these works and the crisis that they represent. The aim is also to understand the subjects, plots, spaces and relations with the institutions selected in the construct of contemporary Argentina and its crisis. Thus, it is possible to analyze the historicity of this cinema, and the ramifications involved in the representations constructed by cinematographic writing
Mestrado
Historia Cultural
Mestre em História

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Reston, María Inés. "Delito y diversidad cultural Una propuesta de solución para los delitos cometidos desde una motivación cultural diversa." Doctoral thesis, Universitat Abat Oliba, 2017. http://hdl.handle.net/10803/456084.

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El conflicte penal en les societats multiculturals presenta coma a particularitat que l'autor concep a la víctima com un membre del seu grup de pertinença -és a dir, com a amic- pel ben del qual actua, encara que amb el seu fet afecti drets fonamentals d'aquella. El subjecte actiu obra, en conseqüència, en un conflicte normatiu-cultural que no li permet advertir que la norma oficial li està dirigida, sinó que, sobre ell preval el mandat cultural. En aquesta recerca es tracta d'oferir una resposta dogmàtica, a través de l'error de prohibició invencible, per solucionar aquells casos en els quals l'autor no obra motivat per deslleialtat al dret, sinó per respecte a la seva cultura; és a dir, per als supòsits en els quals, malgrat la seva infracció penal, l'autor encara reconeix a l'ordenament jurídic com a model d'orientació de conductes. La proposta d'interpretació i aplicació de l'institut de l'error que aquí es formula pretén ser una forma d'encarnar el principi de tolerància en l'àmbit penal, conforme les exigències del multiculturalisme i del dret fonamental a la identitat cultural.
El conflicto penal en las sociedades multiculturales presenta la particularidad de que el autor concibe a la víctima como un miembro de su grupo de pertenencia, -es decir, como amigo- por cuyo bien actúa, aunque con su hecho afecte derechos fundamentales de aquella. El sujeto activo obra, en consecuencia, en un conflicto normativo-cultural que no le permite advertir que la norma oficial le está dirigida, sino que prevalece sobre él el mandato cultural. En esta investigación, se trata de ofrecer una respuesta dogmática, a través del error de prohibición invencible, para solventar aquellos casos en los que el autor no obra motivado por deslealtad al derecho, sino por respeto a su cultura; es decir, para los supuestos en los que, a pesar de su infracción penal, el autor todavía reconoce al ordenamiento jurídico como modelo de orientación de conductas. La propuesta de interpretación y aplicación del instituto del error que aquí se formula pretende ser una forma de encarnar el principio de tolerancia en el ámbito penal, conforme las exigencias del multiculturalismo y del derecho fundamental a la identidad cultural.
The criminal conflict in multicultural societies poses the particularity that the offender conceives the victim like a member of their group of belonging, i.e. like a friend, for whose sake they act, although their act may affect the victim’s fundamental rights. The offender therefore acts in a normative-cultural conflict which does not let them notice that the official norm is addressed to them, but the cultural mandate prevails over them. This research attempts to provide a dogmatic answer by means of the invincible mistake of law or prohibition in order to resolve such cases in which the offender does not act motivated by disloyalty to the law, but by respect to their culture; i.e. such cases in which, despite their criminal offense, the perpetrator still recognizes the legal system as a model of behavioral guidance. The proposal of interpretation and application of the theory of mistake herein formulated is intended to be a way to embody the principle of tolerance in criminal matters, according to the demands of multiculturalism and of the fundamental right to cultural identity.

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Belas, Oliver Sandys. "Race and culture in African American crime and science fiction." Thesis, Royal Holloway, University of London, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.499831.

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Bentes, Duda. "Repensando o fotojornalismo ou A fotografia de imprensa e a crise da cultura." reponame:Repositório Institucional da UnB, 1997. http://repositorio.unb.br/handle/10482/33880.

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Dissertação (mestrado)—Universidade de Brasília, Faculdade de Comunicação, Programa de Pós-Graduação em Comunicação, 1997.
Esta dissertação aborda o fotojomalismo como espaço da comunicação visual e produto cultural de massa na sociedade moderna. Detemo-nos, inicialmente, no aspecto histórico da fotografia de imprensa, no qual abordamos o desenvolvimento do dispositivo fotográfico e os conceitos com os quais se relaciona. Depois abordamos a prática do fotojomalismo em um jornal de Brasília, fazendo ver sua relação institucionalizada. Em seguida refletimos sobre os aspectos estéticos e conceituais que delimitam a fotografia no jornalismo. Por fim apontamos para uma perspectiva de continuidade deste trabalho.
This dissertation approachs the photojoumalism as visual communication and cultural mass product of the modem society. In the beginning we point to a history of the press photography, bording the development of the apparatus and their concepts. Then we abord the photojoumalism customizing in a Brasília’s joumal, looking for its establishment relationships. Following we reflect about the esthetics and concepts that delimitate the photography in the joumalism. At the end we point to a way for extending this work.

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Humphrey, Julie Elizabeth. "Crime and the Sorcerer's Stone: Using Harry Potter to teach theories of crime." CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3096.

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The purpose of this study was to take a piece of popular culture, Harry Potter and the Sorcerer's Stone and use it as a pedagogical tool in a graduate criminal theory course to serve as a pilot study. Evaluation data showed that using the Sorcerer's Stone is an effective way to teach students how to apply criminological theory hypothetical examples of behavior.

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Ramos, Clara Leonel. "As múltiplas vozes da Caravana Farkas e a crise do modelo sociológico." Universidade de São Paulo, 2007. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-21072009-202642/.

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Caravana Farkas é o um conjunto de 20 documentários produzidos por Thomas Farkas entre 1964 e 1969. Este trabalho analisa verticalmente três destes filmes - Viva Cariri! (1970), de Geraldo Sarno; De Raízes e Rezas, entre outros (1972), de Sergio Muniz e Frei Damião: Trombeta dos Aflitos, Martelo dos Hereges (1970), de Paulo Gil Soares -, buscando situá-los em relação à tradição documentária brasileira que os antecedem e ao documentário brasileiro da década de 70. As análises partem de sugestões imanentes aos filmes, em detrimento do contexto de produção; têm como foco as relações entre som e imagem internas aos filmes; e se apóiam em ferramentas teóricas ligadas especificamente ao filme documentário, como a categoria de voz do texto e os variados modos documentários. A partir do trabalho de análise, esse corpus pode ser caracterizado como de transição. Apesar de estarem ainda ligados às raízes do documentário expositivo brasileiro de cunho sociológico e ao paradigma da voz do dono, os filmes apontam para procedimentos que se tornarão mais comuns na produção brasileira posterior, na qual a busca da voz do outro ganha consistência.
Caravana Farkas is a selection of 20 documentaries produced by Thomas Farkas between the years of 1964 and 1969. This dissertation vertically analyzes three of said films Viva Cariri! (1970), by Geraldo Sarno; De Raízes e Rezas, entre outros (1972), by Sergio Muniz, and Frei Damião: Trombeta dos Aflitos, Martelo dos Hereges (1970), by Paulo Gil Soares , seeking to situate them in relation to the Brazilian documentary tradition that preceded them and the Brazilian documentaries of the 70s. These analyses stem from suggestions that are inherent to the film, in detriment to the context of the production. They also focus on relations between sound and image within the films, and they rely on theoretical tools linked specifically to documentary films, as a category of textual voice and a variety of documentary modalities. From such analyses, this corpus can be characterized as transition. Despite still being linked to the roots of Brazilian expository documentaries of a sociological nature, and to the paradigm the voice of the owner, the films paved the way to procedures that will become the most common within the following Brazilian production, in which the search for the voice of the other gains ground.

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Adebjörk, Andrea. "Misogyny: a hate crime or a private affair? : A socio-cultural study of the intersection between hate crime legislation and men’s violence against women." Thesis, Uppsala universitet, Teologiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-421488.

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Hate crime and men’s violence against women are two well-recognised and highly prioritised human rights phenomena in both international and local contexts. Yet, the idea of linking the two phenomena together has received very limited support. As a series of lethal acts of Incel- violence – violence characterised by misogynistic motives and an alt-right ideology of male supremacy – have taken place globally in recent years, a discussion on the region of the human rights spectrum where gendered violence and hate crime legislation overlap is more relevant than ever. Thus, this study’s overarching purpose is to – through a comparative analysis of studies on hate crime and men’s violence against women from the United States, the United Kingdom, and Sweden – investigate the definition of hate crime and its scope in relation to gendered violence with a primary objective of identifying factors that explain why violent crimes against women motivated by misogynistic principles are rarely, if ever, recognised as hate crimes. By drawing on explanatory models of normalisation and theories on power relations, the practice of othering, the male norm and the norm of masculinity, and gendered spheres, the study sets out to evaluate a thesis that suggests that the infrequent inclusion of violent crimes with female victims in the legal and general perception of hate crime can be at least partially explained with reference to the normalisation of male violence against women, and the traditional expectation and assumption that violence against women is rooted in personal, emotional conflicts rather than impersonal hate motives. The analysis initially explores how the gender category is positioned within the legal phenomenon of hate crime by looking at a generalised criteria for hate crime, the normative view on hate crime victims, the reporting and statistics of hate crime, and arguments for and against the inclusion of a gender category in legal statues on bias crimes. The analysis then moves on to analyse three different categories of violence against women – domestic abuse, sexual assault and rape, and Incel-violence – in relation to gendered power dynamics and norms. The study’s results show that even though motives of hate can be linked to different forms of gendered violence, the traditional understanding of what constitutes a hate crime and a hate crime victim along with stereotypical assumptions on what male-on-female violence looks like, makes men’s violence against women appear incompatible with the hate crime phenomenon even in situations when cases of gendered violence actually fit into the generalised hate crime criteria that legal authorities and the public accept as the definition of a hate crime.

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Cruz, Alexandre Manuel da Silva e. "Uma visão pedagógica dialogal na crise da primeira globalização." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/1010.

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Mestrado em Ciências da Educação - Formação Pessoal e Social
O Tempo Moderno da primeira globalização do séc. XV-XVI realiza o encontro com a totalidade da diversidade humana até então desconhecida nos Tempos Antigos. Das expectativas geradas pelos impulsos dos novos conhecimentos científicos da razão experimental, ampliados pela imprensa e enraizados na nova mundividência renascida dos clássicos, a Europa pós-reformas viverá tempos de crise e intolerâncias. Com o encontrado Novo Mundo, e na manifesta incapacidade de coexistência das diversidades verificada nas visões exploratórias eurocêntricas do mundo antigo, a projecção das realizações humanas de comunidade ideal concretiza-se como Utopia (Thomas More, 1478-1535), que, em António Vieira (1608-1697), é construída no plano da história idealizada no português moreano Rafael Hitlodeu. Será dos contextos transversais de deseducação social de sistemas de intolerância, exploração e corrupção, que o ideário vieirino, pela matriz viajante do diálogo como pedagogia intercultural, construirá a feira universal reconfiguradora da identidade universalista dos portugueses aberta à intemporalidade global. ABSTRACT: The Modern Time of the first globalization from the 15th and 16th century hosted the gathering of all human diversity until then unknown in Ancient Times. From the expectations created by the impulses of the new scientific knowledge of Experimental reasoning, which were amplified by the press and rooted in the world-view reborn in the classics, Europe, post-reforms, shall live times of crisis and intolerance. With the New World, and immersed in the clear incapacity for coexistence of diversities verified in the exploratory Eurocentric visions of the old world, the projection of human accomplishments of the ideal Community appeared as Utopia (Thomas More, 1478-1535), which in António Vieira’s work (1608-1697) is built in the plan of idealized History in the Portuguese Morean style - Rafael Hitlodeu. Due to the social de-education of systems of intolerance, exploration and corruption, the “Vieirino” ideal, through its broad character of dialogue, and its form of intercultural pedagogy, shall build a “Universal Fair” that reconfigures the universal identity of the Portuguese people being receptive to eternal and universal duration.

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CHAN, Wai Yin. "Beyond public health : the cultural politics of tobacco control in Hong Kong." Digital Commons @ Lingnan University, 2009. https://commons.ln.edu.hk/cs_etd/4.

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This work provides cultural and political explanations on how and why cigarette smoking has increasingly become an object of intolerance and control in Hong Kong. Since the 1980s, the smoking population has been falling. Smoking behavior, sales and promotion of cigarette products have been under close surveillance by the government, medical experts and society at large. Cigarette smoking, as well as smokers, has increasingly been rejected and demonized in the public discourse. What are the conditions that make the growing intolerant discourses and practices against cigarette smoking possible and dominant? Why and how has the tobacco control campaign become prevalent as a governmentalist project, which is strong enough to tear down the alliance of tobacco industry giants? Why is tobacco singled out from other legal but harmful substances, such as alcohol, as an imperative object of intolerance and control? This work tackles these questions by adopting a Foucauldian discursive approach and the theory of articulation developed in cultural studies. By considering tobacco control as a historical and contextual practice, it traces the specific trajectory of tobacco control in Hong Kong, maps the cultural and political contexts that make it possible, and considers its consequence regarding the complex relationship among control, construction of risk, identity and freedom in society.

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Costa, Andressa Liegi Vieira. "Crise de representação, cultura política e participação no Brasil:das jornadas de Junho ao IMPEACHMENT de Dilma Rousseff (2013-2016)." Master's thesis, Instituto Superior de Ciências Sociais e Políticas, 2019. http://hdl.handle.net/10400.5/19112.

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Dissertação de Mestrado em Ciência Política
Desde a terceira onda de democratização, a falta de avanços sólidos nas democracias tem gerado insatisfação, desconfiança e desafeto em relação às suas estruturas, devido à incapacidade da democracia em garantir igualdade social e política. A representação democrática é uma forma de mediar conflitos frente à pluralidade de atores, e pressupõe comunicação entre a sociedade civil e política. Contudo, acaba por excluir certos grupos devido à fragmentação do bem público em interesses distintos, o que distancia a população das elites. O fenômeno da crise de representação envolve a desvalorização das instituições tradicionais, e a perda da centralidade dos partidos políticos como estruturas de mediação, processo decorrente da lacuna entre expectativa e realidade das democracias. Em junho de 2013, o Brasil presenciou a emergência de protestos em massa por todo o país, que levaram às ruas insatisfações generalizadas em relação ao sistema político. Com a Copa do Mundo de 2014, houve uma ampliação das vozes críticas no país, seguida de eleições gerais marcadas pela polarização. Em 2015 e 2016, com o aprofundamento da crise política e econômica, novas multidões foram às ruas, dividindo apoiadores de governo e opositores que pediam o impeachment da presidenta Dilma Rousseff. Visto isso, o objetivo desta dissertação é compreender o impacto da crise de representação nas mudanças na cultura política e participação dos brasileiros, entre 2013 e 2016. Para isso, foram utilizados dados do Latin American Public Opinion Project (LAPOP) de 2012, 2014 e 2016/7. Os resultados indicam que as características específicas da crise de representação brasileira, desenvolvidas no período, levaram a um maior engajamento e mobilização dos cidadãos, entretanto este não foi baseado em uma cultura política cívica ou em valores democráticos.
Since the third wave of democratization, the lack of solid progress in democracies led to dissatisfaction, distrust and disaffection towards its structures, due to its inability of guaranteeing social and political equality. The democratic representation is a way of mediating conflicts before the fragmentation of public good in diverse interests, drifting the population apart from the elites. The phenomenon of crisis of representation entails the belittlement of traditional institutions, and the loss of the central role of political parties as mediation structures, resulting from the gap between expectations and reality of democracies. By June of 2013, Brazil faced the rise of mass protests all over the country, taking to the streets the general dissatisfaction towards the political system. Within the World Cup of 2014, there was a raise of critical voices in the country, followed by general elections marked by polarization. In 2015 and 2016, with deepening political and economic crises, new crowds went to the streets, dividing supporters of the government and oppositions demanding the impeachment of President Dilma Rousseff. Given that, this dissertation aims to understand the impact of the crisis of representation in the patterns of political culture and participation of Brazilians between 2013 and 2016. For that, it was employed data from the Latin American Public Opinion Project (LAPOP) from 2012, 2014 and 2016/7. Results point that specific features from the Brazilian crisis of representation developed during this period led to greater engagement and mobilization of citizens, however it was not grounded on a civic political culture or democratic values.
N/A

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Sanders, William Spencer. "Our manor : youth crime and youth culture in the inner city." Thesis, Goldsmiths College (University of London), 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.407421.

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Jamieson, Fiona. "Narratives of crime and punishment : a study of Scottish judicial culture." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/9745.

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This thesis explores recent Scottish penal culture through the biographical narrative accounts of retired judges. Insights from the sociology of punishment are used to develop a more fully cultural approach to the judiciary and to sentencing practice. This entails a view of the judiciary as a complex institution whose practices reflect tension and compromise, and which recognises judges as bearers of penal culture through their sentencing practices. The aims of the research are twofold: to provide insight into the changing conditions of judging in Scotland and into the judicial role in criminal justice. Narrative research methods were used to interview retired judges and gain contextual accounts of judicial life and practice. This approach focuses on subjectivity and on individual responses to experiences and constraints. Reflecting the judicial role in punishment, an interpretive position based on the hermeneutics of faith and suspicion is used to evaluate and interpret these narrative accounts. This conceptual and methodological framework is used to explore aspects of judicial occupational culture including training and early experiences, the status of criminal work, judicial conduct, collegiality, the influence of criminological research on sentencing practice, and the relevance of the ‘master narrative’ - judicial independence - to sentencing. It is also used to explore the frameworks of meaning and vocabularies of motive which judges bring to penal practice. What emerges from these judicial narratives is firstly the entanglement of individual life histories and organisational imperatives. Secondly, a picture emerges of a judicial habitus that includes complex motivations, some openness to new approaches, and capacity for reflecting on the conditions which structure and constrain criminal justice practice. This suggests the reflexive judge may be an important vector of penal change and there are implications for judicial training, penal reform and for the dissemination of criminological and criminal justice research.

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Torgersen, Jonas Sørflaten. "Crime, culture and collecting: the illicit cycad market in South Africa." Master's thesis, University of Cape Town, 2017. http://hdl.handle.net/11427/25048.

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It is widely accepted that illicit markets are driven by specific contextual factors that determine their nature and scope. Two points in particular have not been explored in the literature on wildlife crime. First, while illicit markets around commodities such as drugs and weapons are fuelled by consumers arguably in need of, or addicted to, the product, the desires of buyers that shape wildlife markets are often shaped by cultural norms which may seem irrational to outsiders. Second, given that wildlife markets are seldom as stringently regulated as those in respect of drugs, weapons or other commodities, the nature of the criminal enterprises that source, move and sell the products are possibly very different. The study examines these two factors – the culture of markets and the degree of criminal enterprise or organisation within them – through a case study of a largely unexamined environmental crime market in South Africa, that of rare cycad plants. Cycads are widely exploited, moved and sold in the country by a network of increasingly criminalised operations. State action against these markets is not a priority and has had only few successes in limiting the trade of an increasingly scarce plant. A detailed examination of the market and its consumers suggests that it is strongly shaped by a particular South African culture which draws on (often mythical) connections to the land, including its fauna and flora. Ironically, those active in the market argue that their objective for doing so is conservation, even if illicit collections are the prime threat to the species. Although the academic and conservation community have attempted to develop and implement conservation tools and strategies, limited law enforcement and regulatory mechanisms have produced a flexible illicit market where a set of intermediaries play the key role. While the market shows signs of internal competition, it operates relatively openly, and does not display the levels of violence of other criminal markets in similar stages of development.

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Mangham, Andrew. "Violent women and sensation fiction : crime, medicine and Victorian popular culture /." Basingstoke : Palgrave Macmillan, 2007. http://catalogue.bnf.fr/ark:/12148/cb41142635d.

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Dissertations / Theses on the topic 'Cultural cringe'

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