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Relevant bibliographies by topics / Cultural exhibition

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Academic literature on the topic 'Cultural exhibition'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Cultural exhibition"

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Jo, Young Hoon, Jikio Kim, Yong Hyun Yun, Nam Chul Cho, and Chan Hee Lee. "Developing Experiential Exhibitions Based on Conservation Science Content of Bronze Mirror." Journal of Conservation Science 37, no. 4 (2021): 362–69. http://dx.doi.org/10.12654/jcs.2021.37.4.05.

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In museums, exhibition content focuses mostly on cultural heritage’s historical values and functions, but doing so tends to limit visitors’ interest and immersion. To counter this limitation, the study developed an experiential media art exhibition fusing bronze mirrors’ traditional production technology and modern conservation science. First, for the exhibition system, scientific cultural heritage contents were projected on the three-dimensional (3D) printed bronze mirror through interactions between motion recognition digital information display (DID) and the projector. Then, a scenario of 1

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Ding, Haimeng, Kuang-Peng Hung, Norman Peng, and Annie Chen. "Experiential Value of Exhibition in the Cultural and Creative Park: Antecedents and Effects on CCP Experiential Value and Behavior Intentions." Sustainability 13, no. 13 (2021): 7100. http://dx.doi.org/10.3390/su13137100.

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The protection of industrial cultural heritage is related to sustainable urban development. Cultural and creative parks (CCPs) are a way for many cities to protect their industrial cultural heritage. In the context of CCPs, this study examines the relationships among the antecedents of exhibition experiential value, CCP experiential value, and behavioral intentions. Surveying 428 visitors in two well-known CCPs in Taipei, this study found that the four antecedents (attractiveness, existential authenticity, self-congruence, and exhibition–park image congruence) have a positive impact on exhibit

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Juříčková, Miluše. "Two Art Exhibitions as Dialogic Events in the History of Czech-Norwegian Cultural Relations." AUC PHILOLOGICA 2021, no. 1 (2021): 121–27. http://dx.doi.org/10.14712/24646830.2021.16.

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The article analyses two art exhibitions in the context of Czech-Norwegian relations, presenting both the Czechoslovak book exhibition in Oslo (1937) and the Norwegian painting and applied art exhibition in Prague (1938) as important parts in a bilateral cultural dialogue. The promising initial communication in form of a mutual information exchange was soon disrupted by the beginning of World War II and post-war politics.

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Baldini, Andrea Lorenzo. "六/6: Finding Meaning. The Expanded Exhibition and the Post-Pandemic World". Journal of Public Space, Vol. 5 n. 4 (1 грудня 2020): 301–12. http://dx.doi.org/10.32891/jps.v5i4.1382.

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How will artistic exhibitions function in the post-pandemic world? Visiting museums and galleries is a health hazard. 六/6: Finding Meaning is an attempt to offer an alternative. It embodies a novel exhibiting format called the expanded exhibition, which inhabits an expanded public space, between the physical and the digital. 六/6shows us that, once liberated spatially, exhibitions can be effective tools of meaning-making and social change even in a post-pandemic world. By exploiting the interplay between the digital and the physical domains, expanded exhibitions such as 六/6 can build alternativ

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Karm, Svetlana, and Art Leete. "Uurali kaja Eesti Rahva Muuseumis." Eesti Rahva Muuseumi aastaraamat, no. 61 (October 11, 2018): 14–43. http://dx.doi.org/10.33302/ermar-2018-001.

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The Echo of the Urals exhibition at the Estonian National Museum Our objective was to analyse the process of preparing the Echo of the Urals permanent exhibition we produced for the Estonian National Museum. We focused on the historical background of the exhibition and the methodological and ideological positions that the exhibition committee relied on. In this article, we dealt with how the concept for the exhibition developed and the principles for the technical solutions used at the exhibition. We also tried to analyse the retrospective views taken by the exhibition’s content and design com

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Iuga, Anamaria. "“Coming into the World: From Spirits to the Spirit”. The First Childhood Museum in Romania." Folklore: Electronic Journal of Folklore 80 (December 2020): 215–30. http://dx.doi.org/10.7592/fejf2020.80.iuga.

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The present paper follows the National Museum of the Romanian Peasant (Romania) in its endeavour to display the Virtual Museum of Childhood. The context prior to exhibiting material and intangible heritage related to childhood is analysed, and the curatorial challenges of this project are mentioned. This article also refers to the museum’s activities dedicated to childbirth (exhibitions, cultural activities), from 1990 to the present day, but it especially focuses on the first exhibition of the Museum of Childhood, “Coming into the world: From spirits to the Spirit”, dedicated to birth.

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Zegeye, Abebe. "Exhibition Review." African Identities 8, no. 3 (2010): 303–4. http://dx.doi.org/10.1080/14725843.2010.491628.

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Grinko, Ivan Aleksandrovich, and Anna Aleksandrovna Shevtsova. "Anthropology of the mannequin: traps and prospects in the museum exhibition." Человек и культура, no. 4 (April 2020): 92–102. http://dx.doi.org/10.25136/2409-8744.2020.4.33547.

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This article is dedicated to specificity of using mannequins in the museum exhibitions. Emphasis is made on the nuances of selection and preparation of a museum mannequin from the perspective of anthropology, and primarily such aspects as anthropological correspondence and symbolic component that allow turning the mannequin from a technical element into a constituent part of exhibition, which would translate the elements of intangible cultural heritage. The goal this research consists in the analysis of potential risks associated with neglecting the specificity of mannequin as a constituent pa

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Lorenc, Magdalena. "„Obok. Polska – Niemcy. 1000 lat historii w sztuce” jako przykład wystawy politycznej." Przegląd Politologiczny, no. 2 (June 19, 2018): 163–76. http://dx.doi.org/10.14746/pp.2013.18.2.14.

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The objective of the paper is to analyze and assess the institutional conditions of the exhibition entitled Side by Side. Poland – Germany. 1000 years of Art and History, organized in Martin-Gropius-Bau in Berlin between September 23, 2011 and January 9, 2012. In terms of the number of works of art presented this undertaking was unprecedented in the history of Polish- German relations. The exhibition, and the catalogue that accompanied it, were a part of the Cultural Program of the Polish Presidency in the EU Council in 2011, becoming an exemplification of the issue of the politicization of ex

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Baghery, Sohrab. "Grimaldi Forum: Cultural and Exhibition Centre, Monaco." Structural Engineering International 11, no. 2 (2001): 113–15. http://dx.doi.org/10.2749/101686601780347039.

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Dissertations / Theses on the topic "Cultural exhibition"

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Mineck, Edward. "Astronauts and Xingu : an exhibition of cultural ideograms /." Online version of thesis, 1991. http://hdl.handle.net/1850/11625.

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Smith, Bethan Evie. "The pianoforte at the Great Exhibition of 1851 : investigating cultural value." Thesis, Goldsmiths College (University of London), 2017. http://research.gold.ac.uk/20162/.

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My thesis is an object-based study which uses the piano as an investigative tool with which to explore cultural value from the perspective of different audiences in attendance at the Great Exhibition of 1851. In a nutshell, my approach is to use an object to explore how a specific historical event was understood. The piano proves to be a provocative agent; physical complexity (both internal and external), the ability to signify multiple meanings and a varied price tag are all relevant characteristics. The thesis examines the perspective of the Exhibition organisers, juxtaposed with networks of

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Mills, Cory C. "Olfaction and Exhibition| Assessing the Impact of Scent in Museums on Exhibit Engagement, Learning and Empathy." Thesis, Florida Atlantic University, 2017. http://pqdtopen.proquest.com/#viewpdf?dispub=10610506.

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<p> The aim of this investigation is to analyze the effects of incorporating scent-based elements in ethnographic exhibits. Specifically, it attempts to identify changes in patron response to a visual display, with and without a scent element. Groups of patrons were observed throughout their engagement with the exhibit, and interviewed post-engagement to generate data on information retention, opinion on content and empathetic response in relation to the exhibit. Findings suggest that the inclusion of scent did increase memorization of the limited facts reinforced through the scent element. Ho

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Weisz, Talia M. "Voices from Israel/Palestine: A Documentary Video Exhibition." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1274903253.

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Woollock, Stephen. "'Coming to a town near you?' : cultural policy and identity in local art-house exhibition." Thesis, University of East Anglia, 2010. https://ueaeprints.uea.ac.uk/25588/.

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Lillevik, Waheeda Jain Harish C. "Individual differences in group interaction behaviour Cultural differences in the exhibition of organizational citizenship behaviours /." *McMaster only, 2005.

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DUTRA, Mariana Ratts. "Curadoria compartilhada na experiência de mediação cultural no Museu de Arte Contemporânea do Ceará." Universidade Federal de Pernambuco, 2014. https://repositorio.ufpe.br/handle/123456789/17184.

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Submitted by Fabio Sobreira Campos da Costa (fabio.sobreira@ufpe.br) on 2016-06-29T13:07:10Z No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação _ Mariana Ratts Dutra _ __.pdf: 2829842 bytes, checksum: 0337d744b5b79374f8ee662b60968b12 (MD5)<br>Made available in DSpace on 2016-06-29T13:07:10Z (GMT). No. of bitstreams: 2 license_rdf: 1232 bytes, checksum: 66e71c371cc565284e70f40736c94386 (MD5) Dissertação _ Mariana Ratts Dutra _ __.pdf: 2829842 bytes, checksum: 0337d744b5b79374f8ee662b60968b12 (MD5) Previous issue date: 2014-03-11<br>CAPEs

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Checchia, Viviana. "Beyond the exhibition : a vessel for self-reflexive curating in the Mediterranean." Thesis, Loughborough University, 2016. https://dspace.lboro.ac.uk/2134/25048.

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This thesis is the written result of a practice-based PhD. The thesis presents a 'located' model of curatorial practice that aims to actively benefit the cultural landscape of host regions. It challenges existing definitions of 'the curatorial', taking a multidisciplinary understanding of curatorial practice and evaluating curatorial methods in light of recent geo-political developments. Concerned with the effects of changes in European cultural policy, and the geopolitical position of the Mediterranean basin, this thesis evaluates contemporary curatorial practices in the Euro-Mediterranean Pa

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Steyn, Sune-Marie. "A contemporary museum experience : the design of a new satellite museum for the Ditsong: National Museum of Cultural History in Pretoria." Diss., University of Pretoria, 2010. http://hdl.handle.net/2263/30284.

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This dissertation originated from an interest in museum architecture and the desire to improve museum experiences for the inhabitants of Pretoria. The city is in need of a museum that does not distinguish between different cultures and backgrounds, and that provides an experience that a regular city user can relate to. This dissertation aims to address this need with the creation of a museum that relies on a chance museum encounter in an everyday place. This museum encounter will enrich people’s daily city experiences and provide opportunity for self-reflection and contemplation. The dissertat

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Williams, Danielle E. Winn J. Emmett. "Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /." Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.

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Books on the topic "Cultural exhibition"

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Exhibition on Indo-Uzbek Cultural Heritage (1995 National Museum of India). Sambandha: Exhibition on Indo-Uzbek Cultural Heritage, 1.9.1995 to 17.9.1995. National Museum, Institute of History of Art, Conservation of Museology, 1995.

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Chambers, Eddie. The black bastard as cultural icon: An exhibition by Eddie Chambers. [the artist], 1985.

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Chambers, Eddie. The black bastard as cultural icon: An exhibition by Eddie Chambers. [the artist], 1986.

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Siming, Ge, Guo li li shi bo wu guan (China), and Taiwan Mazu wen hua xue hui, eds. Taiwan Mazu wen hua zhan: The cultural exhibition of Taiwan's goddess Matsu. Guo li li shi bo wu guan, 2008.

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Chicano art inside/outside the master's house: Cultural politics and the CARA exhibition. University of Texas Press, 1998.

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Strobl, Leylya M., and Friedrich T. Schipper. The Roerich pact and the military: Exhibition Catalogue "75 years Roerich Pact". National Defence Academy, 2010.

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Gallery, Oriel Davies, ed. Beyond Pattern: An exploration into the cultural meanings of pattern through exhibition, commission, publication and debate. Oriel Davies Gallery, 2010.

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Chaedan, Hanʼguk Munhwajae Poho. Korean Cultural Properties Exhibition: "Traditional crafts of Korea": June 16-27, 2003, the Pendulum Gallery. Korean Foundation for Preservation of Cultural Properties, 2003.

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A living exhibition: The Smithsonian and the transformation of the universal museum. University of Massachusetts Press, 2013.

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Petrova, Evgenii︠a︡. American cultural figures from the Russian Empire: Compilation of articles from the exhibition and academic conference. Palace Editions, 2009.

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Book chapters on the topic "Cultural exhibition"

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Lim, Michael Kho. "Distribution and Exhibition as Intermediary Spaces." In Philippine Cinema and the Cultural Economy of Distribution. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_5.

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Cuomo, Salvatore, Pasquale De Michele, Ardelio Galletti, and Giovanni Ponti. "Classify Visitor Behaviours in a Cultural Heritage Exhibition." In Communications in Computer and Information Science. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-30162-4_2.

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Lin, Yu-Ju, Jui-Ping Ma, and Jun-Liang Chen. "Cultural Creativity in Design Exhibition – A Case Study of Emotional Effects Experienced by the Audience." In Cross-Cultural Design. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07308-8_71.

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Chen, Jun-Liang, Si-Jing Chen, and Chih-Long Lin. "The Impact of an Actual Visit and Photograph Watching of an Exhibition on Visitor Viewing Experience." In Cross-Cultural Design. Cultural Differences in Everyday Life. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39137-8_30.

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Liggett, Susan, and Mike Corcoran. "Framing the Conversation: The Role of the Exhibition in Overcoming Interdisciplinary Communication Challenges." In Springer Series on Cultural Computing. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-42097-0_3.

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Lim, Michael Kho. "Traditional Film Distribution and Exhibition Platforms in the Formal Economy." In Philippine Cinema and the Cultural Economy of Distribution. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_6.

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Lim, Michael Kho. "Emerging Film Distribution and Exhibition Platforms in the Formal Economy." In Philippine Cinema and the Cultural Economy of Distribution. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_7.

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Erbay, Nuri Özer. "The Hagia Sophia Soup-Kitchen Furnishing Exhibition Project." In Caring and Sharing: The Cultural Heritage Environment as an Agent for Change. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-89468-3_31.

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Hu, Jieming, and Xin Zhang. "Research on “The Cinema Development Mode of Digital Art Exhibition” from the Perspective of Cultural Computing." In Culture and Computing. Interactive Cultural Heritage and Arts. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77411-0_17.

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Lim, Michael Kho. "The Semi-formal and Informal Economies of Film Distribution and Exhibition." In Philippine Cinema and the Cultural Economy of Distribution. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-03608-9_8.

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Conference papers on the topic "Cultural exhibition"

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Long, Zhengyao. "Thoughts on the “Exhibition Hall Effect” of Contemporary Calligraphy Exhibition." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.035.

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Chun Wai, Wilson Yeung, and Estefanía Salas Llopis. "THE SPACE BETWEEN US." In INNODOCT 2020. Editorial Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/inn2020.2020.11901.

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This article explores how to integrate the collective creation of contemporary art exhibitions, and how to transform exhibition works into contemporary language and novel visual art materials, thereby generating cultural exchange between Australia and Spain. The Space Between Us (2017- ), co-curated by Australian artist-curator Wilson Yeung and Spanish artist Estefanía Salas Llopis, resolve these questions by examining the contemporary art exhibition. This paper also asks how to transform art exhibitions into laboratories, how artists and curators work together in a collective innovation envir

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Contarini, Marina, Anna Bernabè, Marco Manfra, and Davide Turrini. "Design for Cultural Heritage at the University of Ferrara." In Sixth International Conference on Higher Education Advances. Universitat Politècnica de València, 2020. http://dx.doi.org/10.4995/head20.2020.11085.

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Alongside Teaching and Research, Italian universities are also committed to Public Engagement activities featuring teaching and cultural initiatives for a non-academic audience. At the University of Ferrara, this commitment was translated into an exhibition in April 2019, originating from a virtuous union of cultural heritage and teaching activities. The creation of the “Natura Naturata” exhibition involved the synthesis of taught courses and research by the University of Ferrara's Industrial Product Design students together with their teachers, in collaboration with librarians. In the Product

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Lee, Yong Yi, Junho Choi, Bilal Ahmed, et al. "A SAR-based interactive digital exhibition of Korean cultural artifacts." In 2015 Digital Heritage. IEEE, 2015. http://dx.doi.org/10.1109/digitalheritage.2015.7419591.

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Windhager, Florian, and Eva Mayr. "Cultural Heritage Cube. A Conceptual Framework for Visual Exhibition Exploration." In 2012 16th International Conference on Information Visualisation (IV). IEEE, 2012. http://dx.doi.org/10.1109/iv.2012.92.

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Kitamura, Keiko. "Common Software for Digital Exhibition of Japanese Cultural Heritage in Literature." In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.34.

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Anastasovitis, Eleftherios, and Manos Roumeliotis. "Virtual Museum for the Antikythera Mechanism: Designing an Immersive Cultural Exhibition." In 2018 IEEE International Symposium on Mixed and Augmented Reality Adjunct (ISMAR-Adjunct). IEEE, 2018. http://dx.doi.org/10.1109/ismar-adjunct.2018.00092.

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Miller, Lisa, and Jacob Frimenko. "Making Six Sigma a Cultural Norm." In SAE 2012 World Congress & Exhibition. SAE International, 2012. http://dx.doi.org/10.4271/2012-01-0513.

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Wakita, Wataru, Katsuhito Akahane, Masaharu Isshiki, and Hiromi T. Tanaka. "A realtime and direct-touch interaction for 3D woven cultural artifact exhibition." In ACM SIGGRAPH ASIA 2010 Posters. ACM Press, 2010. http://dx.doi.org/10.1145/1900354.1900419.

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Xin Zhao. "The discussion on recyclable cultural buildings for exhibition in the creative Park." In 2011 Second International Conference on Mechanic Automation and Control Engineering (MACE). IEEE, 2011. http://dx.doi.org/10.1109/mace.2011.5988654.

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Reports on the topic "Cultural exhibition"

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Butyrina, Maria, and Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic funct

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