Relevant bibliographies by topics / Cultural heritage

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural heritage'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2025

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Journal articles on the topic "Cultural heritage"

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Van, Vu Hong. "THE BUDDHISM CULTURAL HERITAGE IN THE CULTURAL LIFE OF VIETNAMESE PEOPLE." Humanities & Social Sciences Reviews 8, no. 3 (June 14, 2020): 811–23. http://dx.doi.org/10.18510/hssr.2020.8386.

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Purpose: This research focuses on analyzing how did Buddhism creates heritages, how did that the Buddhism heritage becomes the cultural heritage of the Vietnamese people, how have Buddhist heritage is involved in cultural life, and the contribution of Buddhist cultural heritage to Vietnamese culture. The value of Buddhism’s cultural heritage in the current life of the Vietnamese people. Methodology: It was a qualitative study and data were collected by observation, in-depth interviews; each interview took between 15 – 25 minutes. I have also studied many ancient documents that have valuable, records on the history of Buddhism in Vietnam; the epitaphs are kept in pagodas, temples, communal houses; the books of the history of Vietnam; documents of famous authors studying culture and religion. Main Finding: The results of this study showed, in history and the present, Buddhism holds an important position in the cultural life of Vietnamese people. Today, along with the development of the country, these legacies continue to contribute to the cultural activities of the people through many pagoda festivals and many religious activities, becoming an inseparable part of the cultural life of most Vietnamese people. Implications/Applications: This research can be used as teaching material in universities; in research institutes on religion and culture. It can also serve as a reference for tour guides in the process of introducing visitors to the cultural heritage of Buddhism in Vietnam. Novelty/Originality: This research explores ways to create the cultural heritages of Buddhism, how Buddhism’s cultural heritages become Vietnamese cultural heritages.
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Craith, Máiréad Nic. "Intangible Cultural Heritages." Anthropological Journal of European Cultures 17, no. 1 (March 1, 2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.

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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and representation. A number of ethical issues are raised - such as the role of women in the transmission of heritage and the implications of information technology for copywriting traditional practices. The author also asks how one ensures that the process of globalisation facilitates rather than eliminates local cultural heritages? How does one enhance the local so that it becomes glocal and not obsolete?
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Mazzaggio, Greta, and Neri Binazzi. "Valorizzare il patrimonio immateriale: un’esperienza di digitalizzazione del dialetto." DILEF. Rivista digitale del Dipartimento di Lettere e Filosofia, no. 3 (January 4, 2024): 1–19. http://dx.doi.org/10.35948/dilef/2024.4348.

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In un contesto in cui la cultura e il patrimonio culturale rivestono un'importanza fondamentale per la continuità storica e l'identità nazionale, la digitalizzazione emerge come un mezzo essenziale per la loro preservazione e promozione. Questo articolo sottolinea l'importanza della preservazione del patrimonio culturale immateriale legato alle lingue soffermandosi sul progetto di digitalizzazione delle trascrizioni delle interviste sul campo che hanno costituito la documentazione di riferimento di Manzini e Savoia (2005). Tale lavoro è previsto dal programma "Cultural Heritage Active Innovation for Sustainable Society," finanziato dal PNRR promosso dal Ministero dell'Università e della Ricerca e dall'Unione Europea e finalizzato alla gestione sostenibile delle risorse culturali e alla promozione della diversità e ricchezza linguistica, elementi cruciali per il futuro della cultura italiana. Il progetto di digitalizzazione è parte integrante dell’attività dello Spoke 2 (Creativity and Intangible Cultural Heritage) incardinato nel Dipartimento di Lettere e Filosofia dell’Università di Firenze, e previsto dal Partenariato Esteso PE5 Cultura umanistica e patrimonio culturale come laboratori di innovazione creatività promosso dall’Ateneo fiorentino. In a context where cultural heritage plays a fundamental role in a nation's identity and historical continuity, digitalization emerges as an essential means to preserve and promote this heritage. The present article underscores the importance of preserving intangible cultural heritage related to languages, focusing on the digitization project of field interview transcriptions that constituted the reference documentation of Manzini and Savoia (2005). This work is part of the "Cultural Heritage Active Innovation for Sustainable Society" program, funded by the PNRR promoted by the Ministry of University and Research and the European Union. The program aims at the sustainable management of cultural resources and the promotion of diversity and linguistic richness, crucial elements for the future of Italian culture. The digitization project is an integral part of the activities of Spoke 2 (Creativity and Intangible Cultural Heritage) within the Dipartimento di Lettere e Filosofia at the University of Florence, that is provided by PE5 Humanistic culture and cultural heritage as laboratories of innovation creativity promoted by the University of Florence.
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Karl, Barbara. "Cultural Heritage." Textile History 50, no. 2 (July 3, 2019): 218–24. http://dx.doi.org/10.1080/00404969.2019.1653639.

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Çalışkan, Uğur. "Cultural heritage." Journal of Heritage Tourism 15, no. 2 (July 8, 2019): 236–37. http://dx.doi.org/10.1080/1743873x.2019.1637057.

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Vandeput, Lutgarde, and Veli Köse. "Cultural heritage." Heritage Turkey 2 (December 1, 2012): 33–35. http://dx.doi.org/10.18866/biaa2015.048.

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Mancini, Marina. "CULTURAL HERITAGE." Italian Yearbook of International Law Online 26, no. 1 (October 11, 2017): 624–29. http://dx.doi.org/10.1163/22116133-90000192a.

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Kim, Changjin. "Does Cultural Heritage Disaster Management Protect Cultural Heritage?: Focusing on Cultural Heritage Disaster Management Projects." Korean Policy Studies Review 33, no. 3 (September 30, 2024): 55–85. http://dx.doi.org/10.33900/kaps.2024.33.3.3.

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Esfazari, Asim, and Fazal Ahmad Ahmadi. "Registering intangible (spiritual) cultural heritage and supporting them." Baharestan Scientific Research Quarterly Journal 2, no. 2 (August 24, 2024): 83–107. http://dx.doi.org/10.61438/bsrqj.v2i2.101.

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Intangible cultural heritage, along with other historical cultural heritages of mankind, after many injuries caused by enmity and ignorance, enjoys a high status in the world today. Because as much as the hostility against cultural heritage has been emphasized, supporters have appeared at the international level. If the registration of cultural heritages in UNESCO has awakened the taste of nations to identify and preserve these works. Now, the main issue is what effect the registration of these works in UNESCO will have on the preservation of this heritage. In other words, can the registration of intangible cultural heritage in UNESCO have an effect on the preservation and maintenance of this heritage and obligate governments to take appropriate measures in the field of preserving these works? This research has explored the problem by using library sources and using descriptive-analytical method, and the results show that the registration of intangible cultural heritage is not without influence on the preservation of these works, and minimal good effects can be seen after registration. These works imagined. For example, after registering the intangible cultural heritage, governments are required to respect each other's cultural heritage, and in some cases, it prevents the confiscation of this human heritage by others. Other governments will not be able to register this heritage in their name, and at the same time, nations will become aware of which nation a certain intangible cultural heritage belongs to.
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Vigneron, Sophie. "International cultural heritage law (cultural heritage law and policy)." International Journal of Heritage Studies 23, no. 3 (September 9, 2016): 288–89. http://dx.doi.org/10.1080/13527258.2016.1232302.

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Dissertations / Theses on the topic "Cultural heritage"

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Innocenti, Perla. "From cultural heritage to cultural heritage informatics : critically investigating institutions, processes and artefacts." Thesis, University of Glasgow, 2013. http://theses.gla.ac.uk/4658/.

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Background and rationale: Collecting is a basic human activity, a cultural phenomenon establishing cultural values, defining authenticity and creating new identities for collected objects and collectors. For more than a decade, I have studied cultural heritage collections from three key interwoven perspectives. These approaches are evident in the six publications selected for this submission: • Architectural and organisational perspective: at the Vatican Gallery (Innocenti 2001a), Uffizi (Innocenti 2003a) and Biblioteca Laurenziana (Innocenti 2002a) I investigated institutional collector and key stakeholder strategies for designing collection space and displays. I then applied this analysis to‘knowledge architecture’ for industrial design artefacts and processes (Innocenti 2004c). • Procedural and functional perspective: from Palladio drawings (Innocenti 2005a) to industrial design knowledge bases (Innocenti 2004a), I investigated how to digitize, archive, render and make accessible cultural heritage as an accurate iconic representation, interwoven with documentary and cultural contexts. The work further led me to study the authenticity of born-digital artworks (Innocenti 2012c). • Artefact perspective: I explored how artists and institutional collectors address the preservation of artworks, from the Renaissance desks of the Biblioteca Laurenziana (Innocenti 2002a) to digital artworks (Innocenti 2012c), and the historical and theoretical implications of their choices. In each of these areas, I contextualized the interrelations between cultural heritage discourse and the history of collecting cultural artefacts within given historical, social and cultural periods. My work began in Italy, where cultural heritage is deeply rooted and widespread, and moved on to encompass Europe and North America in tracing the evolution of cultural heritage collectors’ strategies. I adopted an interdisciplinary approach, engaging perspectives, methods and theoretical frameworks from art history, art theory, museography, museology, library and information science, information technology, social anthropology and engineering. Starting from this multi-focal vantage point my research has resulted in contributions to knowledge, methods and theory. These publications on one hand demonstrate the continuum of key issues in cultural heritage creation, preservation and access as manifested in the strategies of institutional collectors and artists. On the other hand, they highlight the new paradigms and transformations introduced by digital and communication technologies, the shaping of cultural heritage informatics to address these transformations and the theoretical and methodological implications underlying them. Through my scholarly research, I contributed to progressing the canonical historicisation of cultural heritage, museography and museology, and to exploring the new paradigms and transformations introduced by digital and communication technologies to the disruptive and exciting world of cultural heritage informatics. The portfolio: The portfolio is a selection from Perla Innocenti’s more than forty publications of research carried out since 2001 on cultural heritage and informatics with the Universitá degli Studi di Roma ‘La Sapienza’, Scuola Normale Superiore di Pisa, Istituto Nazionale di Archeologia e Storia dell’Arte in Rome, Pinacoteca Nazionale di Bologna, Italian Ministry of Cultural Heritage and Fondazione Andrea Palladio, Politecnico di Milano and EU-funded projects SHAMAN and MeLa. Six scientific publications are presented: two journal articles, a scholarly treatise, a published conference paper, key chapters from a monograph and one book chapter from an edited volume. The works have two key themes relevant to the critical analysis and understanding of heritage institutions’ evolution up to the digital age. The themes illustrate the contribution each publication has made to the literature and explain the relationship between the works submitted, including developments which have occurred between one piece and another. Theme I: Evolution of museography, museology and heritage studies Three publications are presented under this theme, each of these presenting the critical analysis of cultural heritage institutions and their artefacts within the historical evolution of museums and libraries. Publication I presents the critical analysis of the museographic principles applied by Luca Beltrami to the design of the Vatican Gallery, investigated and contextualised within its museographical and cultural history (Innocenti 2001a). Publication II presents the critical analysis and findings of the museological and museographical principles applied by Corrado Ricci to the Uffizi Gallery in the 19th Century, compared with the contemporary principles in the Uffizi applied by the former Superintendent and Italian Ministry Antonio Paolucci (Innocenti 2003a). Publication III presents the analysis and original findings of Michelangelo’s ergonomic design of the Biblioteca Laurenziana fittings, within the historical evolution of libraries (Innocenti 2002a). Theme II: Creating, managing, disseminating and preserving digital cultural heritage The publications presented in this theme relate to methodologies and processes characterising diverse typologies of analogue and digital cultural heritage and the emerging field of cultural informatics. Publication IV presents the novel methodological approach defined and applied within a relevant digitization project of Andrea Palladio manuscripts and maps (Innocenti 2005a). Publication V presents the outcomes of my investigation defining and implementing an online knowledge-based system supporting research and teaching of industrial design, which is formally considered part of Italian cultural heritage (Innocenti 2004a). Publication VI discusses the repositioning of traditional conservation concepts of historicity, authenticity and versioning in relation to born-digital artworks, based on findings from my research on preservation of computer-based artefacts by public collectors (Innocenti 2012a).
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Khabra, Gurdeep. "The heritage of British Bhangra : popular music heritage, cultural memory, and cultural identity." Thesis, University of Liverpool, 2014. http://livrepository.liverpool.ac.uk/2015320/.

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Authorised narratives of British popular music history have been deployed as representations of national identity by a range of institutions and individuals. The London 2012 Olympic Games opening ceremony, for example, presented a range of musical artists and songs that had been selected to represent aspects of British cultural identity to an international audience. The following year, a speech delivered by British Prime Minister David Cameron cited examples of British popular music in order to demonstrate British cultural successes in an international field. This thesis argues that authorised narratives such as these have failed to reflect the diversity of music cultures in the UK, drawing upon literature that highlights the concerns of ethnic minority groups who are frequently faced with exclusion from mainstream heritage narratives, and on a case study on British Bhangra music. British Bhangra is a musical genre closely associated with the BrAsian community, and in this thesis it is used to explore the relationship between popular music heritage and multiculturalism and address the following research questions: How have individuals involved with the British Bhangra music industry and audience groups responded to authorised narratives (Smith, 2006) of British popular music? How has British Bhangra been constructed as heritage – whether authorised, un-authorised or self-authorised – and where is this taking place and by whom? In order to address these questions, the thesis adopts two methodological approaches: qualitative research in the form of ethnographic fieldwork, and the analysis of particular musical works produced by British Bhangra artists and promoted as heritage – such as songs featuring in audience-constructed online charts attempting to define the ‘50 Best British Bhangra albums’. The ethnographic fieldwork was conducted in three areas in England: Bradford and Leeds in the North-East of England, Birmingham, and Tower Hamlets in East London, and enabled an exploration of British Bhangra heritage sites and practices in each location. Face-to-face and email interviews were also conducted with artists, music promoters and archivists involved with the British Bhangra music industry as well as with Bhangra audiences, and published interviews from print and online sources were consulted. This helped to examine British Bhangra heritage from the perspective of the artist, audience and music industry workers involved. At the same time specific British Bhangra songs were analysed in order to explore musical constructions of national identity and cultural memory and related concepts, such as ‘homeland’ or ‘authenticity’, both of which emerged as highly valued by British Bhangra audiences and artists. Attempts by artists and music journalists to construct a ‘canon’ of British Bhangra music frequently involve efforts to evaluate these musical works in terms of their perceived ability to express authenticity, or to evoke connections with a rural Punjab. The music is analysed in relation to such debates, and the way in which particular artists and songs have become enshrined within British Bhangra music heritage practices is explored.
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Schaub, Mareike. "Natural and Cultural Heritage in Tourism on Gotland : Heritage Tourism Characteristics and the Relation of Natural and Cultural Heritage." Thesis, Uppsala universitet, Institutionen för samhällsbyggnad och industriell teknik, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-414410.

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This thesis researches into the heritage tourism characteristics on Gotland. Many destinations see a great potential to develop new tourism products around their heritage and thus meet a rising demand for enriching and unique visitor experiences. However, different considerations and stakeholders need to be taken into account to foster a sustainable development. The Swedish island of Gotland in the Baltic Sea has a long history as a tourism destination and is rich in heritage resources of diverse origin. A qualitative approach has been taken to study which traits characterise heritage related tourism to Gotland, and which potentials and challenges are seen by major stakeholders in the tourism and heritage development. One protruding result has been the strong connection between natural and cultural elements at the heritage sites as well as in tourism demand. Also the tourism strategy for Gotland strives for a further development of nature and culture as thematic tourism areas. Hence, a closer look has been taken into the relation of these two heritage elements. With help of the concept and methodology of heritagescapes two heritage sites have been analysed in a case study approach. The result shows that the integration of natural and cultural heritage to create cohesive and immersive visitor experiences at one site is challenging. However, taking both heritage elements into account can create synergies and they enhance how the respective other heritage element is experienced. This can broaden which visitor groups are attracted and in which season. Furthermore, the heritagescape approach gives practical management implications for the sites.
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Schmahl, Karolin. "Open Cultural Heritage – zum Hören!" De Gruyter, 2018. https://slub.qucosa.de/id/qucosa%3A36386.

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Digitale oder digitalisierte Tonaufnahmen sind zunehmend gefragte, wichtige Quellen für die Wissenschaft und als Dokumente des kulturellen Erbes auch für eine breite Öffentlichkeit von großem Interesse. Die Online-Bereitstellung frei zugänglicher Audiodokumente als Open Cultural Heritage erweist sich für Bibliotheken und Archive in der Praxis jedoch häufig als schwierig. Der Beitrag umreißt die besonderen Herausforderungen bei der Digitalisierung und Bereitstellung von Tondokumenten und skizziert – auch anhand von Praxisbeispielen – verschiedene Wege, auf denen Sammlungen den Anforderungen von Open Science gerecht werden können.
Digital or digitized sound recordings are increasingly demanded, and important sources for science. As documents of cultural heritage, they are also of great interest to the general public. However, providing freely accessible audio documents online as Open Cultural Heritage is often difficult for libraries and archives in practice. The article sketches the specific challenges of digitizing and publishing sound documents and outlines – also on the basis of practical examples – different ways in which collections can meet the requirements of open science.
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Kasiannan, Senthilpavai. "Cultural Connections amidst Heritage Conundrums." Thesis, The University of Sydney, 2011. http://hdl.handle.net/2123/11419.

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All communities form attachments, both physical and metaphysical, and these define a community’s cultural identity. The social phenomenon that connects people and places is as significant as the material heritage; at times more significant. The dominant disourse of heritage has long focused on the preservation and conservation of material remains, and as a consequence it has drawn attention away from the social and cultural contexts which are important. Originating from a set of Western elitist ideas, the ideas of patrimoine and historic monument directed the heritage conservation of the early French in Angkor. Since the rediscovery of the Angkor temples in 1862, early French research was concentrated solely on Angkor’s monumental heritage. A systematic process of documentation, restoration and conservation was begun with the establishment of Conservation d’Angkor in Siem Reap in 1908. The interventions centred on the monuments paid very little attention to the social relevance to the small communities that lived in the region at the time. The local Khmer associations with Angkor Wat and some of the ruined temples through Animism and Buddhism went unnoticed and as a result there is a limited understanding of social values that may have previously existed. The political instability of the 1970s further contributed to this lacuna of knowledge. Authorised Heritage Discourse (after Smith 2006) is legitimised internationally through a series of recommendations, charters, conventions and documents; including the 1972 W orld Heritage Convention. The imposition of these hegemonic constructs of heritage exclude other notions of heritage, and the over-arching outstanding universal value negates the local social values, overshadows local communities and raises concerns about fundamental cultural rights. Angkor World Heritage Site (AWHS) was studied using case study methodology. Five study villages were chosen due to their proximity to signifi cant heritage features, and sixty-three villagers were inter! viewed u sing semi- structured in-depth interview methods, along with thirteen experts. The findings from the interviews clearly establish that the local Khmers are connected to the Angkorian landscape, amidst the heritage conundrums. The study has helped reveal the complexity that exists at Angkor, and the tenuousness of cultural connections that link the local villagers with the Angkorian temples and archaeological remains. These delicate connections, currently threatened by heritage management restrictions, development and tourism need to be nurtured and strengthened. They are important in the assertion of the local community’s cultural identity and an understanding of these connections will help facilitate a better management of the AWHS.
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Silva, Mara Teresa Caldeira da. "Novel biocides for cultural heritage." Doctoral thesis, Universidade de Évora, 2017. http://hdl.handle.net/10174/21001.

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Many microorganisms, influenced by environmental conditions, are the main responsible for biological contamination in built heritage. Biocides based on chemical toxic compounds have been the most often used to mitigate this problem. Thus, it is of vital importance to develop proper remediation actions based on environmentally innocuous alternatives. Bacteria of the genera Bacillus are emerging as an optimistic alternative due to their capacity to produce secondary metabolites with antagonistic activities against many fungal pathogens. This work aimed to develop ground-breaking research in the area of cultural and built heritage rehabilitation, by the development of natural and green safe biocides for biodegradation/biodeterioration treatment of Cultural Heritage. A complementary methodology, including antifungal tests and molecular approaches was used, in combination with microscopic and analytical techniques to detect, characterise and study the efficiency of the biological active compounds produced by Bacillus sp. strains. Flow cytometry allowed a comprehensive study of the physiological mechanism behind the bioactive compounds production in order to understand and improve the strategic approaches for process optimisation and scale up production. Moreover, according to the results of the toxicological tests, these compounds have proven to be a real environmental safe and innocuous alternative to the chemical biocides commonly used during the conservative interventions. Thus, they have shown a great potential for their future application in cultural and built heritage rehabilitation; Novos Biocidas para o Património Cultural Resumo: Vários microrganismos influenciados pelas condições ambientais são os principais responsáveis pela contaminação biológica do património cultural edificado. Na tentativa de mitigação destes agentes, compostos geralmente tóxicos têm sido os mais utilizados. Assim, é de enorme importância desenvolver ações de remediação dirigidas aos agentes efetivamente biodeteriogénicos, baseados em alternativas inócuas para o meio ambiente. As bactérias do género Bacillus surgem, como uma viável alternativa devido à capacidade de produzir metabolitos secundários com atividade antagonista, contra diversos fungos. Este trabalho teve como objetivo desenvolver uma investigação inovadora que possa vir a ser útil na área de reabilitação do património cultural edificado, através da produção de novos biocidas naturais e mais ecológicos. Utilizou-se uma abordagem metodológica, que incluiu testes antifúngicos e abordagens moleculares, combinadas com técnicas microscópicas e analíticas, de forma a detetar, caracterizar e estudar a eficiência de compostos biologicamente ativos produzidos por estripes de Bacillus sp.. Foram ainda utilizados os mecanismos fisiológicos por detrás da produção destes compostos, de forma a perceber e melhorar as abordagens estratégicas no processo de otimização da produção. Em testes toxicológicos, compostos produzidos por estirpes de Bacillus sp. selecionados, provaram ser uma alternativa ecológica aos biocidas químicos, comumente utilizados em intervenções de conservação. Desta forma, estes demonstram um elevado potencial para futura utilização na reabilitação do património cultural edificado.
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Haw, Nicole. "Cultural heritage management within nature conservation areas : heritage manager's guide." Pretoria : [s. n.], 2006. http://upetd.up.ac.za/thesis/available/etd-05272008-144143/.

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Carbone, Fabio. "Cultural heritage quality management: analysis of archaeological heritage managers' perception." Doctoral thesis, Universidade de Aveiro, 2015. http://hdl.handle.net/10773/16439.

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Doutoramento em Turismo
With this work we propose to analyze the perception of the concept of quality by managers of museums and archaeological sites. To this end, we chose to analyze some heritage areas open to the public and certified by HERITY - World Organisation for the Certification of Quality Management of Cultural Heritage, the only international certification of this kind which has been officially recognized by UNESCO and the World Tourism Organization. The application of the principles of quality and Total Quality Management to cultural heritage management is part of the efforts towards a continuous improvement of the cultural tourism offer and - in our opinion – towards an increasing capacity to promote intercultural dialogue between local population and visitors. In this context, we have therefore investigated the perception of quality within the context of cultural heritage management, and how the culture of quality can provide a greater involvement of local communities, contributing to the strengthening of authenticity and destination personality, as well as the promotion of intercultural dialogue between tourists and residents. To answer these questions, we have defined a theoretical model and subsequently carried out an empirical work at European level on the perception of quality by managers of cultural heritage sites, namely archaeological heritage. An in-depth comprehension of areas such as Archeology, Tourism and Quality Management, as well as its role within the broader context of sustainable regional development, are the basis of this work. The latter is intended, in turn, to be a vehicle of reflection within the creation of public policies on territorial management and tourism development. We thus undertook a research line which is still almost unexplored, that is, the analysis of quality principles within the cultural heritage management, their potential and the measurement of their actual impact on the territory, through an integrated approach, by considering in a specular, complex way the two main beneficiaries: residents and tourists.
Com o presente trabalho nos propomos de analisar a perceção do conceito de qualidade por parte dos gestores dos museus e sítios arqueológicos. Para tal, escolhemos analisar algumas áreas patrimoniais abertas ao publico e certificadas por HERITY - World Organisation for the Certification of Quality Management of Cultural Heritage, única certificação internacional deste género e cuja importância já foi oficialmente reconhecida pela UNESCO e pela Organização Mundial do Turismo. A aplicação dos princípios da qualidade e do Total Quality Management à gestão do património cultural se insere nos esforços para uma melhoria contínua da oferta cultural e turística e – no nosso entender – no aumento da capacidade de promover o diálogo intercultural entre população residente e visitantes. Nos questionamos portanto sobre a percepção do significado de Qualidade no âmbito da gestão do património cultural, e de que forma a cultura da qualidade pode proporcionar um maior envolvimento das comunidades locais, contribuindo assim para o reforço da autenticidade e do caracter do destino, bem como do diálogo intercultural entre turistas e residentes. Para responder a estas perguntas, procuramos definir um modelo teórico que, a seguir, confrontamos com os resultados de um trabalho empírico de âmbito europeu sobre a perceção da qualidade por parte dos gestores do património cultural, nomeadamente arqueológico. O estudo aprofundado do que é a Arqueologia, o Turismo e a Qualidade e a reflexão do papel destes três domínios no âmbito mais abrangente do desenvolvimento territorial sustentável representam a base deste trabalho, que se propõe por sua vez de ser um veículo de reflexão no âmbito da criação das políticas públicas de gestão do território e de desenvolvimento turístico. Empreendemos assim uma linha de investigação ainda pouco explorada, dedicada à analise dos princípios da qualidade no âmbito da gestão do património, às suas potencialidades e à medição dos seus efetivos impactos no território, através de uma abordagem integrada e considerando duma forma não convencional, mas sim especular e complexa os dois principais beneficiários: população residente e turistas.
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Nemaheni, Tshimangadzo Israel. "A cultural heritage resource management plan for Thulamela heritage site." Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-02082005-085954.

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Santos, João Rafael Coelho Cursino dos. "A cultura como protagonista do processo de reconstrução da cidade de São Luiz do Paraitinga/SP." Universidade de São Paulo, 2015. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-11042016-105654/.

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A cidade de São Luiz do Paraitinga, localizada no Vale do Paraíba, estado de São Paulo, nos primeiros dias do ano de 2010, foi atingida pela maior inundação de sua história. As águas do rio Paraitinga subiram aproximadamente doze metros acima de seu leito habi-tual, causando a destruição de grande parte do patrimônio histórico arquitetônico e causando diversos prejuízos à população atingida. O processo de reconstrução da cidade foi marcado por ter a cultura local como pro-tagonista que, em diversas situações obrigou o poder público e os órgãos de preservação do patrimônio histórico a reverem projetos pré-concebidos e contemplar a identidade local como objetivo primordial. Para estudar a cultura popular protagonizando o processo de reconstrução de São Luiz do Paraitinga, primeiramente apresentei o lugar que a memória e as manifestações da cultura popular têm na construção da identidade da cidade. Diretamente envolvido no pro-cesso que também era meu objeto de estudo, coletei uma rica documentação que, com minha vivência, fundamentou a análise apresentada. Nela, ressalto o lugar central que o modo de viver dos moradores ocupou em diferentes momentos ligados à tragédia ocorrida, às ações voltadas para a retomada da normalidade e à reconstrução do que havia sido destruído. A experiência trouxe contribuições relevantes não só para a vida pública de São Luiz do Parai-tinga, como para a reflexão acerca das situações resultantes de tragédias que alteram a vida de cidades, transformando completamente seu cotidiano e envolvendo ações e relações ex-cepcionais de órgãos públicos, entidades coletivas e da população.
The city of Sao Luiz do Paraitinga, located in the Paraiba Valley, State of Sao Paulo, in the first days of calendar year 2010, was hit by the biggest flood in its history. The waters of the river Paraitinga rose about twelve meters above its usual riverbed, causing destruction of a great portion of the architectural heritage and causing several damages to the affected population. The process of reconstruction of the city had the local culture in a leading role since in various situations the government and agencies responsible for national heritage preser-vation were forced to review pre-designed projects and contemplate the identity of that community as an essential goal. In order to study this leadership of popular culture in the process of rebuilding São Luiz do Paraitinga, I first brought up the significance that memory and expressions of pop-ular culture have for the identity of the town. Directly involved in the process, which was also my object of study, I collected rich documentation that along with my experience jus-tified the analysis presented. In that analysis, I highlight the main role that peoples life-style played in different moments which are linked to the tragedy that occurred, to the ac-tions taken to return to normality and to the reconstruction of what had been destroyed. The experience brought significant contributions, not only to the people of Sao Luiz do Paraitinga, but also to the understanding of situations resultant from disasters that change the living conditions in cities, completely transforming its daily routines as well as the practices of governmental and collective agencies and the population.
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Books on the topic "Cultural heritage"

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Union, IUCN-The World Conservation, ed. Cultural heritage. Quetta: IUCN--the World Conservation Union, 2000.

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Yu, Pei-Lin, Thanik Lertcharnrit, and George S. Smith, eds. Heritage and Cultural Heritage Tourism. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-44800-3.

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Magliacani, Michela. Managing Cultural Heritage. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137481559.

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Mahadeo, Premlall. Mauritian cultural heritage. Beau Bassin, Mauritius: Gold Hill Publication Ltd., 1995.

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Silverman, Helaine, ed. Contested Cultural Heritage. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7305-4.

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Ioannides, Marinos, ed. Digital Cultural Heritage. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-75826-8.

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Obad Šćitaroci, Mladen, Bojana Bojanić Obad Šćitaroci, and Ana Mrđa, eds. Cultural Urban Heritage. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-10612-6.

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Kremers, Horst, ed. Digital Cultural Heritage. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-15200-0.

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Parowicz, Izabella. Cultural Heritage Marketing. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-00287-9.

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Metuh, Emefie Ikenga. Nigerian cultural heritage. South Onitsha: IMICO Pub. Co., 1990.

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Book chapters on the topic "Cultural heritage"

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Jones, David S. "Cultural Heritage Cultures." In Planning for Urban Country, 85–97. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-7192-3_5.

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Giaretta, David. "Cultural Heritage TestbedTestbed Cultural Heritage Testbed." In Advanced Digital Preservation, 387–406. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-16809-3_21.

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Hafstein, Valdimar T. "Cultural Heritage." In A Companion to Folklore, 500–519. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118379936.ch26.

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Evans, Graeme. "Cultural Heritage." In Cultural Spaces, Production and Consumption, 72–96. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003216537-4.

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Frey, Bruno S. "Cultural Heritage." In Economics of Art and Culture, 97–102. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_12.

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Chisholm, Amanda, and Júlio Jesus. "Cultural heritage." In Methods of Environmental and Social Impact Assessment, 432–74. 4th edition. | New York : Routledge, 2017. | Series: The natural and built environment series: Routledge, 2017. http://dx.doi.org/10.4324/9781315626932-12.

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Hoare, James, and Susan Pares. "Cultural Heritage." In Korea, 137–56. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003559368-14.

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Gutiérrez A., Mario A., Frédéric Vexo, and Daniel Thalmann. "Cultural Heritage." In Stepping into Virtual Reality, 223–33. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-36487-7_14.

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Bastian, Jeannette A. "Cultural Heritage, Archival Heritage." In Archiving Cultures, 12–31. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003091813-2.

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Cusick, Edmund, and Mike Storry. "Heritage." In British Cultural Identities, 229–51. 6th ed. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003224419-9.

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Conference papers on the topic "Cultural heritage"

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Browne, Kim Victoria. "International Cultural Heritage Law The Internationalisation of Cultural Heritage." In Annual International Conference on Law, Regulations and Public Policy. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3809_lrpp14.11.

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Raptis, George E., Christos Fidas, and Nikolaos Avouris. "Cultural Heritage Gaming." In UMAP '17: 25th Conference on User Modeling, Adaptation and Personalization. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3099023.3099090.

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Ciolfi, Luigina, Areti Damala, Eva Hornecker, Monika Lechner, Laura Maye, and Daniela Petrelli. "Cultural heritage communities." In C&T '15: Communities and Technologies 2015. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2768545.2768560.

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Picca, Davide, Antonin Schnyder, Eri Kostina, Alessandro Adamou, Dario Rodighiero, and Jeffrey Schnapp. "Orchestrating Cultural Heritage." In HT '23: 34th ACM Conference on Hypertext and Social Media. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3603163.3609066.

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Barbuti, Nicola. "From Digital Cultural Heritage to Digital Culture." In the 1st International Conference. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3240117.3240142.

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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.
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Brown, Benedict, Kevin Cain, Paolo Cignoni, Paul Debevec, Greg Downing, and Mashhuda Glencross. "Computation & cultural heritage." In ACM SIGGRAPH 2009 Courses. New York, New York, USA: ACM Press, 2009. http://dx.doi.org/10.1145/1667239.1667249.

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Barua, Suman. "Cultural Heritage in Bangladesh." In 6th International Conference on Modern Approach in Humanities. acavent, 2018. http://dx.doi.org/10.33422/6mah.2018.11.22.

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Ben Ellefi, Mohamed, Pierre Drap, Odile Papini, Djamal Merad, Jean-Marc Boi, Jean-Philip Royer, Jérôme Pasquet, Jean-Christophe Sourisseau, Filipe Castro, and Mohammad Motasem Nawaf. "Cultural Heritage Resources Profiling." In Companion of the The Web Conference 2018. New York, New York, USA: ACM Press, 2018. http://dx.doi.org/10.1145/3184558.3191598.

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Deiana, R. "Geophysics for Cultural Heritage." In NSG2021 27th European Meeting of Environmental and Engineering Geophysics. European Association of Geoscientists & Engineers, 2021. http://dx.doi.org/10.3997/2214-4609.202120200.

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Reports on the topic "Cultural heritage"

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Fay, Kathryn, and George Calfas. Endangered cultural heritage : global mapping of protected and heritage sites. Construction Engineering Research Laboratory (U.S.), August 2017. http://dx.doi.org/10.21079/11681/22789.

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Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, March 2013. http://dx.doi.org/10.18235/0006015.

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The Cultural Development Program promotes cultural development in Latin America and the Caribbean by financing innovative projects for training to restore artistic traditions, preserve cultural heritage, and educate youth. In 2012, we supported civil society organizations that submitted training programs related to new technologies, creative industries, tourism and natural heritage, among others. Concerts, lectures, films, art exhibitions held at headquarters representing the Bank's member countries cultural heritage
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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Sweeney, Liam, and Kurtis Tanaka. Teaching with Cultural Heritage Materials During the Pandemic. Ithaka S+R, March 2022. http://dx.doi.org/10.18665/sr.316459.

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Shahab, Sofaya. Recognising Heritage for Human Rights and Development. Institute of Development Studies, September 2024. http://dx.doi.org/10.19088/ids.2024.023.

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This study focuses on the ways in which the Cultural Protection Fund intersects with the Integrated Review (IR), the objectives of Overseas Development Assistance (ODA) funding and the Foreign, Commonwealth and Development Office’s (FDCO) International Development Strategy (IDS). From the research, it is possible to see how heritage interventions, such as the CPF - and most specifically its community oriented approach - acts as a mode of operating within other spaces and areas. This includes promoting open societies by enhancing understanding and tolerance of other cultures and groups, furthering opportunities for women and girls, and upholding human rights and identities by establishing connections to place and preserving cultural and religious practices.
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Rush, Laurie W. Heritage Forward: The Central Command Historical-Cultural Advisory Group. Fort Belvoir, VA: Defense Technical Information Center, October 2013. http://dx.doi.org/10.21236/ada592284.

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Buichik, A. G. Clinronomy - the science of preserving the historical and cultural heritage. Modern Science: Actual Problems of Theory and Practice №3, March 2019. http://dx.doi.org/10.18411/buichik-ag-doi-1.

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Fedirko, O. P., A. A. Krupianko, and N. A. Fedirko. HISTORICAL AND CULTURAL HERITAGE: EVOLUTION AND TRANSFORMATION OF THE NOTION. "Росток", 2018. http://dx.doi.org/10.18411/fed-2018-33.

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TUMENOVA, S. A., and G. D. BAZIEVA. SOCIAL AND ECONOMIC PROBLEMS OF CONSERVATION AND USE OF CULTURAL HERITAGE. "Известия Кабардино-Балкарского научного центра РАН", 2018. http://dx.doi.org/10.18411/2018815562.

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Sitas, Rike, Beth Perry, Victoria Habermehl, Fred Odede, and Patrick Hayombe. Rethinking Cultural Heritage and the Just City: Why, What, and How? The British Academy, November 2023. http://dx.doi.org/10.5871/gcrf/9780856726842.001.

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