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Journal articles on the topic 'Cultural heritage and museology'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 May 2024

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1

Bitušíková, Alexandra. "Cultural heritage as a means of heritage tourism development." Muzeológia a kultúrne dedičstvo 9, no. 1 (2021): 81–95. http://dx.doi.org/10.46284/mkd.2021.9.1.5.

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A large number of studies within the social sciences have been devoted to the relationship between cultural heritage and cultural/ heritage tourism development in recent years and even decades. This area of study has been an object of interest for numerous disciplines, from economics, geography, sociology and history, to ethnology, sociocultural anthropology, museology and cultural studies. The study aims to present selected theories on cultural heritage and heritage tourism based on recent theoretical concepts, and to reflect their implementation within a particular national and regional context based on a case study of the Banská Bystrica Self-Governing Region, Slovakia.

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2

Pinna, Giovanni. "Heritage and ‘cultural assets’." Museum International 53, no. 2 (April 2001): 62–64. http://dx.doi.org/10.1111/1468-0033.00315.

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3

Lenovský, Ladislav, and Lukáš Kurajda. "Cultural Heritage and Cultural Potential: The Use of Cultural Heritage on the Example of an Ethnographic Group." Muzeológia a kultúrne dedičstvo 10, no. 1 (2022): 79–104. http://dx.doi.org/10.46284/mkd.2022.10.1.5.

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The formation and use of the cultural heritage and identity of local communities is a result of historical development and current opportunities and needs. Cultural heritage becomes a part of the cultural potential as a system. In Čajkov, the most representative village of the Slovak Chilejkar people, there is a system of using the established concept of local cultural heritage through cultural events (several of which are closely connected in terms of organisation and visitors) implemented by local human resources structured into local organisations and institutions, which are relatively diverse but have an internal logic. Some events have an old tradition; others originated and became “traditional” only a few years ago. The outlined system existing in a municipality with less than 1000 inhabitants reflects the degree of functioning of the local community. It is conditioned by cohesion, hierarchy, the self-confidence of members and appropriate economic conditions. For seniors, besides routine and tradition, the essential activating element is the social dimension – being socially active means meeting others, spending time with peers and eliminating loneliness. It is also an important identity creator in the socialisation, education and especially the upbringing of children and youth.

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Prott, Lyndel V., and Patrick J. O'Keefe. "‘Cultural Heritage’ or ‘Cultural Property’?" International Journal of Cultural Property 1, no. 2 (July 1992): 307–20. http://dx.doi.org/10.1017/s094073919200033x.

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5

Anastasovitis, Eleftherios, Georgia Georgiou, Eleni Matinopoulou, Spiros Nikolopoulos, Ioannis Kompatsiaris, and Manos Roumeliotis. "Enhanced Inclusion through Advanced Immersion in Cultural Heritage: A Holistic Framework in Virtual Museology." Electronics 13, no. 7 (April 7, 2024): 1396. http://dx.doi.org/10.3390/electronics13071396.

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In recent years, the digitization of cultural heritage has been favored by significant advancements in specific technologies, such as photogrammetry and three-dimensional scanning. The digital representations of artifacts, paintings, books, and collections, as well as buildings or archaeological sites, has led to the transfer of cultural organizations to the digital space. On the other hand, the rapid development of immersive technologies and the Internet of Things is expected to decisively shape virtual cultural heritage in the coming years. However, this digital transition should expand its impact on most of the population. This article aims to cover the lack of structured methodology in the design and development of inclusive virtual spaces in cultural heritage. This research introduces a holistic framework that is mainly based on the disciplines of virtual museology. The proposed methodology takes into account the advancements in extended reality and the creative industry of computer games. The multisensory approach would lead to advanced immersive experiences, while the multilayered approach of cultural heritage content would enhance accessibility in inclusive virtual spaces. Moreover, this holistic framework could provide evidence from the virtual worlds that could be applied to real cultural heritage organizations.

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Prakash Kumar, Om, and Amit Soni. "Relevance of Ethnomuseology for Ethnographical Museums and Tribal Cultural Heritage." Indian Journal of Research in Anthropology 7, no. 1 (June 15, 2021): 11–18. http://dx.doi.org/10.21088/ijra.2454.9118.7121.1.

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Ethnomuseology is an interdisciplinary concept that mainly incorporates the Museum Studies and Ethnography / Anthropology with varieties of ethnic arts / artifacts. Ethnographical Museums all over world are the result of specialized field of Ethnomuseography. Since the initial stage and even till today Socio-Cultural Anthropologists are playing significant role to enrich the field of Ethnomuseography and contributing to the development of ethnographical museums in India and abroad. The present paper discusses about ethnographic museums in relation to tribal heritage of India in the wave of modernization and globalization. Most of the Ethnographic collections or cultural heritages are still prevalent in the form of living traditions. But, many of them are gradually lost or vanishing with time in the changing scenario due to cultural change. It is high time to preserve it by ethnomuseographical means. An attempt has also been made to discuss the ways through which such ethnographic museums are growing in India and abroad. In case of ethnographic museums especially community museums and tribal museums; Action Museology deals with the various aspects of tribal cultural sustainability and act as a key explanation to preserve and propagate the tribal cultural heritage.

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Mastenitsa, Elena N., and Irina A. Kuklinova. "HOMO MUSEICUS: to the anniversary of Lyudmila Mikhailovna Shlyakhtina." Vestnik of Saint Petersburg State University of Culture, no. 1 (46) (March 2021): 93–99. http://dx.doi.org/10.30725/2619-0303-2021-1-93-99.

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The article is devoted to the scientific and pedagogical activities of the candidate of pedagogical sciences, associate professor of the Department of Museology and Cultural Heritage of St. Petersburg State Institute of Culture, Honored Worker of the Higher School of the Russian Federation L. M. Shlyakhtina. Working at the department since its foundation in 1988, she actively participates in the formation and implementation of educational and scientific strategies of this department of the university. As the author of the training courses «Theoretical problems of museology» and «Museum pedagogy», as well as the developer of innovative disciplines of educational programs in the direction of «Museology and protection of cultural and natural heritage» for bachelor’s and master’s degrees, L. M. Shlyakhtina greatly contributed to the professionalization of museum work in Russia. Analyzing the manuals and scientific works created by her and actively used in the educational process, which have become pivotal studies in the field of theoretical museology, museum pedagogy, museological education, the authors state the great personal contribution of L. M. Shlyakhtina in the formation of the scientific school of museology at SPbGIK and in the scientific and methodological support of the training process for the museum industry.

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8

Dogan, Mustafa. "Ecomuseum, community museology, local distinctiveness, Hüsamettindere village, Bogatepe village, Turkey." Journal of Cultural Heritage Management and Sustainable Development 5, no. 1 (May 18, 2015): 43–60. http://dx.doi.org/10.1108/jchmsd-07-2013-0033.

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Purpose – The concept of sustainable development is now widely accepted as a means of protecting natural resources and cultural heritage. One approach to ensuring sustainability, especially in relation to cultural tourism, is the ecomuseum. Turkey has considerable potential to develop ecomuseological models to encourage local sustainable development. The purpose of this paper is to explore the development of ecomuseums in Turkey by analysing the recent implementation of the concept in Hüsamettindere and Bogatepe villages. Current practices at these two sites are evaluated in comparison with the basic principles of ecomuseum theory. Design/methodology/approach – This paper explores local community involvement in two emerging ecomuseums in Turkey based on several years of participant action research by the author; it describes the nature of the two ecomuseums based on that experience. In addition an in-depth survey was carried out between February and April 2013 by Canakkale Onsekiz Mart University when 45 local participants were interviewed for their views on the ecomuseum developments, using the MACDAB method (Borrelli et al., 2008) as a guide. Findings – Even though the two implementations in Turkey have different features deriving from their local dynamics, they have had a similar experience in terms of the development process. Both began with a volunteer movement, the organisation of the local community, the formation of civil initiatives, a joint decision-making processes and the existence of participation and consensus. This process conforms to the basic principles of ecomuseology. The ecomuseums have also raised concerns about the loss of rural heritage and the mechanisms for conserving it within the model of the “living” ecomuseum. The most significant fact to emerge from this initial review of the two ecomuseums is that it is not necessarily their ability to conserve fragments of tangible and intangible heritage that is paramount in Turkey, but their importance in providing employment opportunities in rural areas. Originality/value – Ecomuseum movement is a very important and practical model for sustainable development and tourism. Ecomuseums can also be functional tools for protecting of cultural heritage and developing of local areas. Even though Turkey has got many cultural heritage sources, they are not used productively for local sustainable development. The two implementations will be sample to all natural and cultural heritage areas of Turkey for sustainable development.

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Jolicoeur, Kiley. "Saving Ukrainian Cultural Heritage Online and the Mission to Preserve Digital Cultural Heritage." Museum and Society 21, no. 2 (July 24, 2023): 58–64. http://dx.doi.org/10.29311/mas.v21i2.4302.

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The purpose of this paper is to provide a brief and preliminary examination of lessons learned by Saving Ukrainian Cultural Heritage Online (SUCHO) in its efforts to web-scrape Ukrainian cultural heritage websites and develop educational materials, following a grounding of the work in an equally brief foundation of the importance of Ukraine’s cultural heritage.

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10

Arizpe, Lourdes. "Intangible Cultural Heritage, Diversity and Coherence." Museum International 56, no. 1-2 (May 2004): 130–36. http://dx.doi.org/10.1111/j.1350-0775.2004.00467.x.

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Thorleifsen, Daniel. "The repatriation of greenland’s cultural heritage." Museum International 61, no. 1-2 (May 2009): 25–29. http://dx.doi.org/10.1111/j.1468-0033.2009.01662.x.

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Tandon, Aparna. "First Aid for Haiti’s Cultural Heritage." Museum International 62, no. 4 (December 2010): 65–72. http://dx.doi.org/10.1111/j.1468-0033.2011.01747.x.

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Hladík, Jan. "Protection of cultural heritage during hostilities." Museum International 53, no. 3 (July 2001): 65–66. http://dx.doi.org/10.1111/1468-0033.00328.

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14

Shelegina, O. N., and G. M. Zaporozhchenko. "INTERNATIONAL EXPERIENCE AND SOCIO-CULTURAL PRACTICES IN THE FIELD OF MUSEOLOGY AND CULTURAL HERITAGE." Bulletin of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Sciences, no. 2 (2020): 78–92. http://dx.doi.org/10.31554/2222-9175-2020-38-78-92.

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15

Nair, Vijayakumar Somasekharan. "Perceptions, Legislation, and Management of Cultural Heritage in Ethiopia." International Journal of Cultural Property 23, no. 1 (February 2016): 99–114. http://dx.doi.org/10.1017/s0940739115000351.

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Abstract:The present article discusses perceptions of cultural heritage and the development of heritage management in Ethiopia against the background of various pieces of legislation. Compared to many colonized countries of sub-Saharan Africa, the enactment of laws for the protection and preservation of cultural heritage is a recent phenomenon in Ethiopia. Even though archaeological research in Ethiopia dates back to the mid-nineteenth century, there have been no formal heritage laws or scientific restoration programs until 1966. However, living heritage, which is economically and spiritually beneficial to the local communities, has been protected and preserved with TMSs in communities such as Yeha, Konso, and Lalibela. Unlike Western management systems that emphasize the authenticity and integrity of physical features, the TMSs of Ethiopia have focused on the ideals and thoughts of the agencies that produce the cultural heritage. It had its own implications, to say, while retaining the ideological aspects, most built heritages in Ethiopia have been subjected to considerable physical interventions. Such physical interventions have disregarded structural authenticity and integrity of the monuments. Due to foreign invasions, continuous civil conflicts, and sporadic famines in the past, attention to cultural heritage and the implementation of heritage legislation has been negligent. However, Ethiopia has witnessed growing interest in the conservation and preservation of its heritage—cultural and natural; tangible and intangible—during the last twenty years. With the support of international collaborators, the Ethiopian government has initiated several measures to protect its heritage assets.

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16

Samuels, Kathryn Lafrenz. "Deliberate Heritage." Public Historian 41, no. 1 (February 1, 2019): 121–32. http://dx.doi.org/10.1525/tph.2019.41.1.121.

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Cultural heritage is often seen as a tool for managing social change, as a mirror that society holds up to itself to make sense of change. In this paper I examine how heritage also mobilizes social change, framing cultural heritage as a persuasive tool in a public sphere of competing interests and claims. Rather than taking the circulation of heritage in the public sphere—across media outlets, social media, and expert networks—as epiphenomenal to its value, I suggest deliberation composes a critical function of cultural heritage, especially under social conditions of deep pluralism, divisive politics, and mass democracy that mark our contemporary era. The public discussions about Confederate commemorations that erupted following the events in Charlottesville in 2017 demonstrate the contests over meaning and proposed actions that reveal the persuasive character of heritage.

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Rojas Pérez, Carlos Arturo. "El Sistema de Patrimonio Cultural y Museos de la Universidad Nacional de Colombia." Illapa Mana Tukukuq, no. 16 (December 27, 2019): 140–49. http://dx.doi.org/10.31381/illapa.v0i16.2575.

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Resumen:El presente artículo pretende hacer memoria sobre el proceso de creación y apogeo del Sistema de Patrimonio y Museos de la Universidad Nacional de Colombia, proyecto que funcionó como modelo de gestión de los museos universitarios, construido desde sus colecciones, pero también desde sus limitaciones institucionales. El escrito es un recuento de los argumentos con los que se creó el sistema, desde los documentos que lo fundamentaron, las experiencias de los profesionales en museos que trabajaron en él y los logros que lo consolidaron como precedente.Palabras clave: Sistema de Patrimonio, museos universitarios, museología, gestión, institucionalidad. Abstract:This article aims to recall the process of creation and apogee of the System of Heritage and Museums ofthe National University of Colombia, a project that functioned as a management model for universitymuseums, built from their collections but also from their institutional limitations. The writing is a recount of the arguments with which the system was created, from the documents that founded it, the experiences of museum professionals who worked in it and the achievements that consolidated it as a precedent.Keywords: Heritage System, university museums, museology, management, institutionality.

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18

Howard, Keith. "Musical instruments as tangible cultural heritage and as/for intangible cultural heritage." International Journal of Cultural Property 29, no. 1 (February 2022): 23–44. http://dx.doi.org/10.1017/s0940739121000436.

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AbstractMusical instruments are central components of both the tangible and intangible heritage. However, discourse about music as intangible cultural heritage frequently overlooks the importance of instruments in conserving traditions inherited from the past and making live performance possible in the present, while curating instruments as tangible heritage often neglects their function for making music. This article explores two interrelated research questions about musical instruments as heritage. First, should instrument-crafting skills inherited from the past be sustained today, and, where industrial or mechanized manufacturing processes and the development of instruments is encouraged, what are the implications for sustaining music traditions? Second, given that instruments as crafted objects deteriorate over time, should instruments inherited from the past be displayed as objects, be restored to playing condition, or be updated and developed for contemporary use? To explore these questions, I take three case studies that juxtapose musical instruments from opposite sides of the world and from societies with very different philosophical and ideological approaches. The three case studies are Britain’s piano heritage, traditional Korean instruments (kugakki) in the Republic of Korea/South Korea, and “national” instruments (minjok akki) in the Democratic People’s Republic of Korea/North Korea. Based on fieldwork, ethnography, and collecting and curating work, my choice of case studies allows me to look at both the country I call home (Britain) and the region where I have researched matters musical for 40 years (the Korean peninsula). But the case studies also demonstrate that there is no single answer to questions about the role of musical instruments when (and if) instruments are recognized as both tangible and intangible heritage.

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Pasamitros, Nikos. "Conflict Transformation and Cultural Heritage Use in Cyprus." HAPSc Policy Briefs Series 3, no. 1 (June 29, 2022): 121–29. http://dx.doi.org/10.12681/hapscpbs.31001.

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Cultural heritage use is often a point of friction between antagonistic groups in intrastate conflict. In other instances, use of heritage may facilitate intergroup contact and provide space for conflict transformation. The Cyprus issue is not an exception to this phenomenon. Although Cyprus is one of the most researched frozen conflict cases, cultural heritage use vis-à-vis conflict transformation is relatively understudied focusing primarily on tangible heritage protection, restoration and museology. This brief examines the degree of influence (be it positive or negative) of cultural heritage activity on conflict transformation between the two Cypriot communities. In specific, it examines bicommunal heritage projects, use of in-group and out-group heritage and, visits to own heritage sites on the other side of the divide. Results show that bicommunal heritage projects foster contact and cooperation, use of tangible heritage becomes the ground for antagonism over neglect and care of in-group and out-group sites, and visits to heritage on the other side provoke questions over use and reuse of neglected heritage of the other. In total, this brief demonstrates that often heritage issues are exploited in order to back ethnocentric positions. Both sides use own, neglected, damaged or lost heritage to support arguments of in-group superiority. Contrarily, the Cypriot communities do not consider intergroup cultural differences a deterring factor to transformation. The dynamic potentials of heritage can be utilised towards conflict transformation through bicommunal heritage activities, ventures attributing local ownership and joint management, and critical notions of heritage that favour intangibility and hybridity.

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Stoutamire, William F. "Imagined Heritage." Public Historian 38, no. 4 (November 1, 2016): 17–37. http://dx.doi.org/10.1525/tph.2016.38.4.17.

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While the national monuments have long been considered the product of federal preservation efforts, this article explores the dynamic relationship between pothunters, boosters, and preservationists on the local stage. It argues that local and regional communities like Flagstaff, Arizona, played an important role in early efforts to promote and protect many western cultural resources. Adopting an imagined heritage and sense of history, Flagstaff’s residents powerfully and effectively advocated for the preservation of the Walnut Canyon cliff dwellings. Yet this imagined heritage was also a form of cultural appropriation, setting the stage for the decades-long exclusion of Native voices from the conversation.

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Ferrer-Yulfo, A. "Transforming Museum Education Through Intangible Cultural Heritage." Journal of Museum Education 47, no. 3 (July 3, 2022): 319–30. http://dx.doi.org/10.1080/10598650.2022.2080966.

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Van zanten, Wim. "Constructing New Terminology for Intangible Cultural Heritage." Museum International 56, no. 1-2 (May 2004): 36–44. http://dx.doi.org/10.1111/j.1350-0775.2004.00456.x.

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Yoshida, Kenji. "The Museum and the Intangible Cultural Heritage." Museum International 56, no. 1-2 (May 2004): 108–12. http://dx.doi.org/10.1111/j.1350-0775.2004.00464.x.

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24

Geber, Kati. "DIGITAL HERITAGE NEWS Participatory Digital Cultural Content." Museum International 58, no. 1-2 (May 2006): 121–22. http://dx.doi.org/10.1111/j.1468-0033.2006.00559.x.

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25

Xiejun, Chen. "The Conservation of Shanghai’s Diverse Cultural Heritage." Museum International 60, no. 1-2 (May 2008): 100–107. http://dx.doi.org/10.1111/j.1468-0033.2008.00641.x.

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26

Bertrand, Wilfrid. "Haiti: Threatened Cultural Heritage and New Opportunities." Museum International 62, no. 4 (December 2010): 34–38. http://dx.doi.org/10.1111/j.1468-0033.2011.01752.x.

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Smith, Bernard. "Digital Heritage and Cultural Content in Europe." Museum International 54, no. 4 (December 2002): 41–51. http://dx.doi.org/10.1111/1468-0033.00399.

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28

Campbell, Râna. "Mirror or Masquerade? On Representational Ethics in Cultural Heritage Museology And Tourism." SHS Web of Conferences 12 (2014): 01046. http://dx.doi.org/10.1051/shsconf/20141201046.

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Vigneron, Sophie. "International cultural heritage law (cultural heritage law and policy)." International Journal of Heritage Studies 23, no. 3 (September 9, 2016): 288–89. http://dx.doi.org/10.1080/13527258.2016.1232302.

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Todorović, Miloš. "The use of heritage in Serbia's foreign policy: A brief overview of past practices and advice for further development." Napredak 3, no. 1 (2022): 75–94. http://dx.doi.org/10.5937/napredak3-36644.

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Using theoretical frameworks of museology and heritology, such as the fact that cultural artefacts represent a source of information, this article analyzes the use of heritage in Serbia's foreign policy through two case studies. Namely, the article offers an overview of some past practices, e.g. the state using Serbian medieval heritage in Kosovo and Metohija to prevent Kosovo from joining UNESCO in 2015, as well as actively using the Roman heritage to present Serbia as a part of the European discourse. The article also provides guidelines for potential further uses, i.e. practical advice on how to approach heritage and how to incorporate it most efficiently into Serbia's cultural diplomacy and heritage diplomacy efforts, so as to achieve certain foreign policy goals.

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Dolák, Jan. "Vědecko-pedagogická práce na odboru Muzeologie a kulturní dědictví v Bratislavě." Muzeológia a kultúrne dedičstvo 8, no. 3 (September 2020): 139–46. http://dx.doi.org/10.46284/mkd.2020.8.3.8.

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The article deals with museology (museum studies) and cultural heritage studies as basic tools for active and successful museum practice. It brings forward the question of importance and suitability of various museum courses and their relation to specialized university studies that work towards the improvement of daily museum practice. It analyses and evaluates not only the studies, but also scholarly and project activities of Museology department at the Comenius University in Bratislava.

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Rouhani, Bijan. "Ethically Digital: Contested Cultural Heritage in Digital Context." Studies in Digital Heritage 7, no. 1 (September 19, 2023): 1–16. http://dx.doi.org/10.14434/sdh.v7i1.35741.

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Over the past century, our understanding of cultural heritage has evolved, and now, heritage is seen more as a process than a product. Although the advancement of digital technologies has significantly aided in the research, protection, management, interpretation, and education of cultural heritage, it also raises the question of how far this technology works in accordance with our current understanding of heritage as a process and is not taking a reductionist approach, in which heritage is cut off from its community and context. Ethical risks are higher for contested heritage, when meaning and values are questioned, or when people's ability to access and enjoy heritage is threatened. This paper discusses potential ethical risks regarding access, control, dissemination, and the digital economy by looking at existing approaches, guidelines, and principles in this field and a few digital heritage projects about contested heritage, and it questions whether the lack of an inclusive ethical framework could lead to a new kind of digital colonisation.

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Agudo Guevara, María Ximena, and María Rosa Ruíz Cervera. "Estudios sobre conservación, restauración y museología, vol. V." Intervención 1, no. 21 (October 13, 2020): 349–65. http://dx.doi.org/10.30763/intervencion.231.v1n21.10.2020.

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Las autoras reseñan el volumen V del libro Estudios sobre conservación, restauración y museología, el cual contiene quince ponencias en torno del patrimonio cultural como tema principal. Articuladas en cuatro subtemáticas (problemáticas que afectan al patrimonio; fronteras entre la conservación y la restauración; disciplinas del patrimonio; el profesional del patrimonio), se debatieron durante el 10º Foro Académico de la Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), del 25 al 28 de julio de 2017, previo al 50 aniversario de la ENCRyM. En la reseña son notables el énfasis de los trabajos en las tensiones locales-globales que afectan al patrimonio arqueológico, urbano y etnográfico; el ecléctico campo disciplinar que sirve de base a los profesionales del patrimonio, y las experiencias en nuevos contextos de trabajo, así como un correspondiente paradigma educativo, basado en competencias y en un diferente diseño curricular. ___ The authors review the 5th volume of Estudios sobre conservación, restauración y museología, which contains fifteen papers whose main topic is cultural heritage. The papers, organized around four subtopics (problems affecting heritage; conservation-restoration boundaries; heritage disciplines and the heritage professional), were the subject of debate at the 10th Academic Forum of the Escuela Nacional de Conservación, Restauración y Museografía (ENCRyM), from the 25th to the 28th of July 2017 before the 50th anniversary of the ENCRyM. The review emphasizes the focus on the local-global tensions affecting archeological, urban, and ethnographic heritage; the various disciplinary fields that serve as a basis for heritage professionals; and the experiences in new work contexts, as well as a corresponding educational paradigm based on competences and a different curriculum design.

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Magalhães, Isabel Raposo de. "A Blue Schield to safeguard cultural heritage at risk." Conservar Património 12 (2010): 51–56. http://dx.doi.org/10.14568/cp12_5.

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Bunch, Lonnie G. "Safeguarding the Cultural and Historical Heritage of Ukraine." Curator: The Museum Journal 65, S1 (April 2022): 17–18. http://dx.doi.org/10.1111/cura.12486.

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Arpin, Roland, and Yves Bergeron. "Developing a Policy on Cultural Heritage for Quebec." Museum International 58, no. 4 (December 2006): 70–76. http://dx.doi.org/10.1111/j.1468-0033.2006.00585.x.

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Shouyong, Pan. "Museums and the Protection of Cultural Intangible Heritage." Museum International 60, no. 1-2 (May 2008): 12–19. http://dx.doi.org/10.1111/j.1468-0033.2008.00632.x.

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Prott, Lyndel V. "Safeguarding the Underwater Cultural Heritage: UNESCO Moves Ahead." Museum International 49, no. 1 (January 1997): 39. http://dx.doi.org/10.1111/1468-0033.00073.

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Monreal, Luis. "Problems and possibilities in recovering dispersed cultural heritage." Museum International 53, no. 4 (October 2001): 75–79. http://dx.doi.org/10.1111/1468-0033.00350.

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Toshinobo, Matsuda. "Building a Regional Database on World Cultural Heritage." Museum International 54, no. 4 (December 2002): 36–40. http://dx.doi.org/10.1111/1468-0033.00398.

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FINE-DARE, KATHLEEN S. "Archaeological Theory and the Politics of Cultural Heritage." Museum Anthropology 29, no. 2 (September 2006): 167–69. http://dx.doi.org/10.1525/mua.2006.29.2.167.

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Sedlacek, Jozef, Daniel Matějka, Zuzana Fialová, and Radim Klepárník. "Spatial aspects of the interpretation of cultural heritage." Muzeológia a kultúrne dedičstvo 10, no. 4 (2022): 89–113. http://dx.doi.org/10.46284/mkd.2021.10.4.6.

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Creating an exhibition is a multidisciplinary task which, besides the work of the authors of the scenario, copywriters and experts in the given topic, involves also the work of architects and landscape architects. Although the paper reflects on various completed exhibitions, the scenario and form of an exhibition cannot be separated. The paper focuses on spatial aspects of outdoor exhibitions from the perspective of an architect and landscape architect and documents them via various completed exhibitions. In terms of architecture they can be classified upon the aspects of form and content, wherein form covers the spatial, i.e. architectural, design of the exhibition and means, and content covers the quantity, complexity, style and chronology of the information communicated. The motivation for the paper is the need to identify the factors influencing the educational quality of exhibitions that the professionals designing the space and form of exhibitions may use in their practice. This covers predominantly those factors that relate to the designing of spaces where exhibitions take place based on the given scenarios, to which the viewers react rather subconsciously.The method used for the research is a spatial and content analysis of three exhibitions presenting cultural and natural heritage, specifically Hardangervidda National Park in Norway, Kongernes Jelling visitor centre in Denmark, and the National Museum of Rural Life at Wester Kittochside – Scottish National Museum in Great Britain. Factors considered include: the connection to the site – landscape context; authenticity; spatial scenario; and so-called warm-up and cool-down spaces that create atmosphere. A scenario, as in a film, connects the environment and content in a defined chronology. By this research we want to follow up on the trend in museums and exhibitions to present information through powerful narrative storytelling.

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Komova, О. "Museum heritage in the conditions of war: history and modern Ukrainian realities." Вісник Київського національного лінгвістичного університету. Серія Історія, економіка, філософія, no. 27 (May 29, 2023): 48–67. http://dx.doi.org/10.32589/2412-9321.27.2022.276202.

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The purpose of the study is to generalize the Ukrainian and European experience in the direction of cultural heritage preservation in the context of the formation of cultural and nation-preserving development priorities in the conditions of war. The methodology is based on a set of principles and methods of knowledge, the choice of which was determined by interdisciplinary approaches to the disclosure of the topic, set tasks and the specifics of the sources. The analysis of the theoretical works of leading Ukrainian and foreign experts in the field of culture and museology made it possible to systematically investigate the theoretical foundations and development of museology in the specified period. Scientific novely.The article presents an analysis of the scientific development of the problem and the representativeness of the source base based on the methodological toolkit; the gains and losses of Ukrainian museums are outlined and prospects for improving educational activities are determined; the positive experience of organizing the cultural and educational activities of foreign museums in the context of establishing the nation-preserving potential of culture has been identified. Conclusions. It is emphasized that museums have become in most modern countries of the world the best presentation of their cultural, spiritual, and political development. Summarizing the existing conceptual foundations of the phenomenon of preservation of cultural heritage makes it possible to assert that cultural heritage has the highest potential in the historical process of human development, and therefore the need for its preservation and effective use as one of the most important resources of civilizational development is increasing. In the normative and institutional dimension, when cultural heritage becomes one of the priority objects of protection by individual states and the international community as a whole, the process of its protection can be characterized as a purposeful, organizationally determined, institutionally structured and functionally determined activity of public organizations, the state and the international community regarding the preservation, provision and reproduction of tangible and intangible objects of cultural heritage, as well as established social relations, which are related to this.

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Alshehaby, Fatimah. "Cultural Heritage Protection in Islamic Tradition." International Journal of Cultural Property 27, no. 3 (August 2020): 291–322. http://dx.doi.org/10.1017/s0940739120000259.

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AbstractCultural heritage is a crucial component that plays a fundamental role in defining an individual’s identity and advancing the protection of his or her human rights. Reinforcing cultural distinctions and human differences are significant and therefore recognized in Islam. This article enhances the understanding of an Islamic approach to cultural heritage and human rights through the lens offered by three examples: the right to education, freedom of religion, and the right to development. The discussion of the protection of cultural heritage in Islam is essential because Islam is one of the legal sources in many Muslim states, and, therefore, the examination of its intersection with international law could enhance the protection of cultural heritage and promote human rights in the Islamic world. The article develops principles of cultural heritage protection that are in conformity with international law. These principles are the promising common ground for the possibility of universal cultural heritage policy. Despite the fact that there is no clear reference to the notion of cultural heritage in Islamic teaching, this article shows that principles of the protection of cultural heritage are established.

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Zgłobicki, Wojciech, Anna Szalewicz, Grzegorz Gajek, and Bogusława Baran-Zgłobicka. "Underground tourist routes as an element of Poland’s cultural heritage." Muzeológia a kultúrne dedičstvo 11, no. 3 (2023): 81–109. http://dx.doi.org/10.46284/mkd.2023.11.3.6.

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Underground tourist routes respond to current trends in museum development. They can be treated as interactive exhibitions focused primarily on the visitor. Former underground mines are also important elements of cultural heritage. They preserve mining equipment and traces of mining techniques. Through interactivity they can perform an educational function, presenting mining memorabilia and customs. Underground routes are also tourist destinations, attracting a significant number of visitors. The present study covered eight routes located in different regions of Poland. Their tourist value was assessed and tourists were asked to complete a survey regarding the routes. The significance of the mining heritage was described and evaluated. On this basis, the strengths and weaknesses of the underground mine routes as places of presentation of cultural heritage were identified. The sites surveyed are characterised by their high potential but the level of awareness and tourist use is not high. The underground routes with the highest cultural heritage value are also those with high tourist potential.

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Zan, Luca, and Sara Bonini Baraldi. "Managing Cultural Heritage in China: A View from the Outside." China Quarterly 210 (June 2012): 456–81. http://dx.doi.org/10.1017/s0305741012000434.

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AbstractThis article investigates change processes regarding the managerial aspects of organizing cultural heritage activities in China. The focus is not on the historical and artistic meanings of archaeological discoveries in themselves; nor on the technical, scientific and methodological repercussions of conservation and restoration; nor on the evolution of museology per se. Rather, the core of the analysis is on new managerial problems along the “archaeological chain” (archaeological discoveries, restoration, museum definition and public access to cultural heritage) posed by new professional discourse and the overall evolution of the economic and political context. The article is based on field research carried out in Luoyang, Henan province. The micro view adopted (managing practices more than policies), and the unusual access to data (including financial figures on individual entities) represent a unique opportunity for a sort of “journey” inside the Chinese public sector.

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Pawłowska, Aneta, Marek Pabich, Oleksandr Ivashko, Andrii Dmytrenko, Tomasz Kozłowski, and Przemysław Bigaj. "Problems of preservation, protection and restoration of cultural heritage objects and museum collections in the conditions of war." Muzeológia a kultúrne dedičstvo 11, no. 2 (2023): 17–40. http://dx.doi.org/10.46284/mkd.2023.11.2.2.

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The article is devoted to the problem of the preservation and restoration of objects of cultural heritage – monuments and museum collections – in the conditions of war. The article’s analysis is supplemented by a brief overview of how mankind has approached the protection of its material cultural heritage in historical times. According to data verified by UNESCO, as of November 21, 2022, 218 sites have been damaged in Ukraine since the start of the war on February 24, including 95 religious sites, 17 museums, 78 buildings of historical and/or artistic significance, 18 monuments and 10 libraries. The experience of the ongoing Russian–Ukrainian war has once again proven the insecurity of cultural heritage sites and museums in the face of conflict. The authors analysed the Ukrainian experience of protecting monuments, the effectiveness of these efforts, and various ways of preserving the cultural heritage of peoples during wars. The discussion closes with conclusions on possible remedies for the destruction of material cultural objects in Ukraine.

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ENGİN, Hatice. "THE IMPORTANCE OF “COMMUNİTY CENTERS” AS A CULTURAL INSTITUTION IN THE DEVELOPMENT OF REPUBLIC PERIOD MUSEUM." IEDSR Association 6, no. 16 (November 15, 2021): 135–44. http://dx.doi.org/10.46872/pj.414.

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The development of museology in Turkey corresponds to the last period of the Ottoman Empire (westernization period). One of the main reasons why the idea of museology developed in a late period in Turkey was that the protection of cultural heritage did not gain importance. In this direction, the importance of protecting ancient artifacts in a building and being a museum has been understood late. However, thanks to the museum examples that Ahmet Fethi Pasha, one of the important statesmen of the period, saw during his European travels, the lack of a museum in Turkey was constantly mentioned. European museums, which influenced the Pasha, strengthened the idea of establishing a museum in Istanbul day by day. Thus, museology activities were started with the transformation of Hagia Eirene Church into a museum. Hagia Iri Church was the first example in Turkey in terms of forming the core of the idea of museology. Ottoman period museology, after the foreign directors, Osman Hamdi Bey was appointed as the museum director, and Turkish Museology was brought to life in a real sense. Osman Hamdi has spent a lot of effort to advance museology in accordance with the contemporary understanding of museology. Considering in this context, it has been a preparatory stage in the museum of the Republic Period. When we look at the museums of the Republic Period, museum activities were carried out with a rapid breakthrough under the leadership of Atatürk. Community Centers, were established in order to adopt the reforms made in this period to the public. In time, a “museum branch” was added to the Community Centers. With the museology branch, it was aimed to explain the importance of museology to the public and to be sensitive about it. In the community centers, ethnographic materials reflecting the culture of the people were collected in the first place. Thus, preliminary preparations were made for the museums to be established. The main purpose of the study is to emphasize the importance of the Community Centers established in the Republican Period in Turkish Museology. Thanks to the community centers and cultural institutions established under the leadership of Atatürk, the adoption of museology to the public and its contributions to museology will be expressed. In the study, the historical background of the community centers will be included and the connection of these institutions with museology will be tried to be expressed.

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Rosén, Frederik. "The dark side of cultural heritage protection." International Journal of Cultural Property 27, no. 4 (November 2020): 495–510. http://dx.doi.org/10.1017/s0940739121000023.

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AbstractThis article introduces the concept of the dark side of cultural heritage protection. It points out how the many and mostly honorable efforts to protect cultural heritage against the harms of war and conflict sometimes contribute to make cultural heritage vulnerable or even to cause its destruction. The more we talk about cultural heritage and its value and the importance of protecting it, the more interesting it becomes for some groups to target it. This article argues that states, international organizations, and the heritage community need to recognize these negative side effects and make sure to consider them in future action.

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Adams, Kathleen M. "The Politics of Indigeneity and Heritage." Museum Worlds 8, no. 1 (July 1, 2020): 68–87. http://dx.doi.org/10.3167/armw.2020.080106.

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This article contributes to comparative museology by examining curation practices and politics in several “museum-like” heritage spaces and locally run museums. I argue that, in this era of heritage consciousness, these spaces serve as creative stages for advancing potentially empowering narratives of indigeneity and ethnic authority. Understanding practices in ancestral spaces as “heritage management” both enriches our conception of museums and fosters nuanced understandings of clashes unfolding in these spaces as they become entwined with tourism, heritage commodification, illicit antiquities markets, and UNESCO. Drawing on ethnographic research in Indonesia, I update my earlier work on Toraja (Sulawesi) museum-mindedness and family-run museums, and analyze the cultural politics underlying the founding of a new regional Toraja museum. I also examine the complex cultural, religious, and political challenges entailed in efforts to repatriate stolen effigies (tau-tau) and grave materials, suggesting that these materials be envisioned as “homeless heritage” rather than “orphan art.”

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