Dissertations / Theses: 'Cultural heritage objects'

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Macdonald, L. W. "Realistic visualisation of cultural heritage objects." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471969/.

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This research investigation used digital photography in a hemispherical dome, enabling a set of 64 photographic images of an object to be captured in perfect pixel register, with each image illuminated from a different direction. This representation turns out to be much richer than a single 2D image, because it contains information at each point about both the 3D shape of the surface (gradient and local curvature) and the directionality of reflectance (gloss and specularity). Thereby it enables not only interactive visualisation through viewer software, giving the illusion of 3D, but also the reconstruction of an actual 3D surface and highly realistic rendering of a wide range of materials. The following seven outcomes of the research are claimed as novel and therefore as representing contributions to knowledge in the field:  A method for determining the geometry of an illumination dome;  An adaptive method for finding surface normals by bounded regression;  Generating 3D surfaces from photometric stereo;  Relationship between surface normals and specular angles;  Modelling surface specularity by a modified Lorentzian function;  Determining the optimal wavelengths of colour laser scanners;  Characterising colour devices by synthetic reflectance spectra.

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Tornari, Vivi. "Holographic interference : structural deformation detection applied to cultural heritage objects." Thesis, University of Sunderland, 2013. http://sure.sunderland.ac.uk/5228/.

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Interference is a fundamental physical phenomenon proving the wave nature of energy. It is based on wave superposition forming natural waveeffects expressed both in nature under random selective conditions as well as in laboratory scientific experiments by carefully controlled selection of parameters. Science generates a number of technology applications using the inherited properties of waves after their superposition in space termed interference. These interfering waves have extremely rare properties compared to their initial physical systems and become entities with measurable quantities which can be used to quantify qualities in other phenomena, mechanisms, and physical objects with variety of physical properties. These waves are currently fully explored in theoretical and experimental physics finding many modern applications and enlightening the way to longstanding questions. Remote non contact study of surfaces and their reactions visually witnessing internal subsurface and unknown bulk information without need to implement destructing forces or penetrating irradiation to trace them and without interacting with it or interfering with the results is one of the most challenging modern applications of interference physics. Apart from everyday life applications artworks’ conservation is a field that interference properties are uniquely suited. It is the quality of light wave interference that is being utilised in this body of research and summarised in the present thesis. The context of the presented thesis unfolded in next chapters is constructed in one book on a contextual rather than chronological order. The contextual base presentation is achieved through clustering same context published articles that have resulted over the course of years of research which have been published in review journals, conference proceedings or governmental publications. The formation of laser interference fringe patterns and their exceptional qualitites in application for structural diagnosis with defect detection and definition, their unique properties utilised in studies of environmental and climate effects, the prototype optical geometries and novel experimental methodologies envisaged to solve specific application problems are presented along with examination on theoretical matters of exploring interference properties, qualities, geometries and their outmost final product the interference fringe pattern. Thus in this thesis the aim is to prove the contribution of the experimental research publications to the study of interference patterns as a highly sophisticated structural diagnostic tool in the complicated problems of Cultural Heritage applications. The implementation of interference phenomena and the development in experimental investigations applied in inhomogeneous, anisotropic, shape variant, multilayered, multicomposition cultural heritage objects, paves the way to implement “fringe patterns” as a scaleless (scale independent) diagnostic detector allowing generation of novel tools and practices on problem solving projects. The developments are beyond the specific application and are extended to other fields of science and technology. The articles and bibliography cited within the text including author's publications utilised as sources in the writing of this thesis are referenced in square brackets and are explicitly listed in ANNEX I The list of publications of the author is shown in ANNEX II. The originals of author's publications supporting the thesis are provided after the Annex II as have been published. Due to limitation in number of pages there is not included a section to present the fundamental principles of the phenomena presented here instead a list of books commonly found in most University libraries is provided for interested readers as BIBLIOGRAPHY at the last paragraphs of ANNEX I.

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Beltran, Sanchidrian Victòria. "Vibrational spectroscopies study of Pinus resin in materials from cultural heritage objects." Doctoral thesis, Universitat Politècnica de Catalunya, 2016. http://hdl.handle.net/10803/404064.

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Many historical objects have coatings or varnish layers on the surface. In order to determine their conservation and historical contextualization is necessary to know its origin, why they were applied, the application technique and how they aged. In this context we found that one kind of material used is diterpenic resin obtained from species of the Pinaceae family. A search in historical sources from 9th to 19th centuries was performed in order to know how Pinaceae resin was used during history. It has been observed that resins from certain Pinaceae species such as Abies alba Mill. or Larix decidua Mill. were mainly applied in valuable objects. On the other hand, Pinus species were mainly used in daily objects without artistic merit. Moreover, it is also noted that, generally, coatings made from Pinaceae species resin include also other resins, essential oils, drying oils, etc. However, the analytical data obtained from varnishes and coatings of historical objects from our geographical environment, demonstrate that Pinus resin was used in a wider range of objects than the ones mentioned in consulted historical sources. The analysis of varnish and coating layers is very intricate. Besides the complexity of its composition, these layers are very thin, <20 µm, and they are on the surface so many interferences can be found like deposition products or even remains of biological activity. This work is focused on the study of main compounds of Pinaceae species resins used in varnishes and coatings. Particularly, it is centred in resin from Pinus genus species: its aging processes and its markers in FTIR and Raman spectra in order to detect the oxidation degree of this material. The main analytical techniques used are vibrational spectroscopies µRaman and µFTIR. While these techniques have some limitations, particularly its low sensitivity, they provide information from a wide range of molecular and intermolecular bonds. Additionally, analysis are fast, the cost is moderate and have a reduced environmental impact, since waste generated is very low. Obtained results have been used for the analysis of coatings and varnishes from historical objects. These analysis have been performed with optimized sample preparation methods and using complementary analytical techniques such as optical microscopy, scanning electron microscopy (SEM-EDX) and analytical techniques with synchrotron sources for small heterogeneous samples with complex structure (µSR-FTIR in Diamond Synchrotron Light Source, Oxfordshire and µSR-XRD Synchrotron ALBA-CELLS, Barcelona).
A la superfície de molts objectes d’interès històric s ’hi troben capes de vernís o recobriments dels quals, per la seva conservació i contextualització històrica, és necessari conèixer el seu origen, la raó per la qual van ser aplicats, la tècnica d’aplicació i com els ha afectat el pas del temps. En aquest context ens trobem que un dels materials que ha estat àmpliament utilitzat és la resina diterpènica obtinguda d’espècies de la família Pinaceae. S’ha dut a terme una cerca en tractats i manuscrits d’entre els segles IX i XIX per veure quin impacte tenia el seu ús i com s ’aplicaven històricament. S'ha observat que resines d’espècies com ara Abies alba Mill. o Larix decidua Mill. eren principalment reservades per vernissos i recobriments d'objectes de valor artístic. En aquests tractats també es pot veure que l’ús principal de la resina extreta d’espècies de Pinus era per vernissos i recobriments d'objectes d’ús quotidià i, generalment, de poc valor artístic. De la mateixa manera, s'observa que habitualment els recobriments fets amb resina de Pinaceae contenien també altres tipus de resines, olis essencials, olis assecants, etc. No obstant això, les dades analítiques obtingudes d’objectes artístics de diferents èpoques del nostre entorn geogràfic, van indicant que la resina de Pinus era més àmpliament emprada del que es descriu a les fonts històriques consultades. La complexitat de l’anàlisi d’aquestes capes de vernís o recobriments, més enllà de la complexitat de la seva composició, és que acostumen a trobarse en capes de molt poc gruix, <20 μm, i que es tan en contacte amb l’ambient, i per tant s ’hi pot trobar també deposició de pols i, fins i tot, res idus d’activitat biològica. Aquest treball es centra en l’estudi dels components principals de les resines de la família Pinaceae utilitzades en vernissos i recobriments. Concretament en les espècies del gènere Pinus , els proces s os d’envelliment i l’obtenció de marcadors als espectres de FTIR i Raman per detectar-ne el grau d’oxidació del material. Les tècniques d’anàlisi principals han estat les espectroscòpies vibracionals μFTIR i μRaman. Si bé aquestes tècniques presenten algunes limitacions, especialment pel que fa a la sensibilitat, permeten obtenir informació d’un ampli ventall d’enllaços moleculars i intermoleculars. A més, les anàlisis són ràpides, el seu cost és relativament baix i tenen un reduït impacte mediambiental, ja que la generació de residus és gairebé nul·la. Els resultats obtinguts s ’han utilitzat per l’anàlisi de recobriments d’objectes d’interès històrico-artístic. Per dur a terme aquestes anàlisis s ’han optimitzat mètodes de preparació de mostra i utilitzat tècniques analítiques complementàries, com ara la microscòpia òptica i la microscòpia electrònics de ras treig (SEM-EDX) i l’ús de tècniques associades a la llum sincrotró quan la quantitat, heterogeneïtat i estructura de les mostres ho han fet necessari (μSR-FTIR al Sincrotró Diamond Light Source, Oxfordshire i μSR-XRD al Sincrotró ALBA-CELLS, Barcelona).
En la superficie de muchos objetos de interés histórico se encuentran capas de barniz o recubrimientos de los que, por su conservación y contextualización histórica, es necesario conocer el origen, por qué motivo fueron aplicados, la técnica de aplicación y cómo les ha afectado el paso del tiempo. En este contexto nos encontramos que uno de los tipos de materiales utilizados son las resinas diterpénicas obtenidas de especies de la familia Pinaceae. Se ha llevado a cabo una búsqueda en tratados y manuscritos de entre los siglos IX y XIX para conocer sus usos y cómo se han aplicado a lo largo de la historia. Se ha observado que resinas de ciertas especies de Pinaceae como Abies alba Mill. o Larix decidua Mill. eran principalmente reservadas a los objetos de valor artístico. En estos tratados también se comprueba que las resinas de las especies de Pinus se usaban principalmente en objetos de cotidianos y generalmente de poco valor artístico. Además se observa que, generalmente, los barnices hechos a partir de resinas de especies de Pinaceae suelen incluir también otras resinas, aceites esenciales, aceites secantes, etc. Sin embargo, los datos analíticos de los barnices y recubrimientos de objetos artísticos de diferentes épocas de nuestro entorno geográfico, van indicando que la resina de Pinus era más ampliamente empleada de lo que se describe en las fuentes históricas consultadas. La dificultad del análisis de estas capas de barniz o recubrimientos, además de la complejidad de su composición, reside en que suelen encontrarse en capas de muy poco grosor, <20 μm, y que están en contacto con el ambiente, de modo que en la superficie se puede encontrar también deposición de polvo e, incluso, residuos de actividad biológica. Este trabajo se centra en el estudio de los componentes principales de las resinas de la familia Pinaceae usadas en barnices y recubrimientos. Concretamente se centra en la resina de las especies del género Pinus, sus procesos de envejecimiento y la obtención de marcadores en los espectros de FTIR y Raman para detectar el grado de oxidación del material. Las técnicas analíticas principales han sido las espectroscopias vibracionales μFTIR y μRaman. Si bien estas técnicas presentan algunas limitaciones, especialmente en cuanto a la baja sensibilidad, permiten obtener información de un amplio abanico de enlaces moleculares e intermoleculares. Además, los análisis son rápidos, su coste es relativamente bajo y tienen un reducido impacto medioambiental, dado que la generación de residuos es prácticamente nula. Los resultados obtenidos se han utilizado para el análisis de recubrimientos de objetos de interés histórico-artístico. Para llevar a cabo estos análisis se han optimizado los métodos de preparación de muestra y se han usado técnicas analíticas complementarias, como la microscopía óptica, la microscopía electrónica de barrido (SEM-EDX) y el uso de técnicas asociadas a la luz sincrotrón cuando la cantidad, heterogeneidad y estructura de las muestras lo han hecho necesario (μSR-FTIR en el Sincrotrón Diamond Light Source, Oxfordshire y μSR-XRD en el Sincrotrón ALBA-CELLS, Barcelona).

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Wu, Sarina. "Ethnopolitics and intangible cultural heritage in Inner Mongolia, China." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:ad67c504-0ddd-42c3-9624-16330fef982e.

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Tanner-Kaplash, Sonja. "The common heritage of all mankind : a study of cultural policy and legislation pertinent to cultural objects." Thesis, University of Leicester, 1989. http://hdl.handle.net/2381/4478.

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Government policy is subject to many influences, which may range from a philosophical position arising from changes in the value systems of a given society, to logistic considerations, such as available methods of implementation and the prevailing economic structure. The value system known as "the common heritage of all mankind" - the long-term global stewardship of natural and man-made resources - is explored in this thesis in the context of cultural policies, specifically those concerning cultural objects. Heritage, linked to the concept of inheritance as a legally protected future interest, is traced in its historical migration from the private sphere to the development of national public assets to an international awareness of global stewardship. Implementing legislation is a salient indicator of cultural policy; the cyclical relationship in which legal precepts internalized by a society from earlier laws become integral to the cycle of policy formulation and application is illustrated, featuring legislation from several States. While the thesis is cast within a particular philosophical framework, practical economic realities are among the most important logistic considerations for government policy development. Illicit activities have been recognized as a major threat to cultural objects in the modern world, in addition, these objects are frequently "luxury goods" for which historically, regulation and taxation have been the rule rather than the exception; the thesis argues for a practical, domestic and economic approach to the problem of protection. This implies control of cultural objects in some form, including the documentation of significant pieces. The thesis conclusions propose that both the responsibilities and associated costs could be defrayed and shared by governments and the private sector by means of a licensing program.

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Haber, Agnes [Verfasser]. "Analysis of porous media and objects of cultural heritage by mobile NMR / Agnes Haber." Aachen : Hochschulbibliothek der Rheinisch-Westfälischen Technischen Hochschule Aachen, 2012. http://d-nb.info/1024800342/34.

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Shyllon, Ololade Olakitan. "The right to the return of African cultural heritage : a human rights perspective." Diss., University of Pretoria, 2007. http://hdl.handle.net/2263/5846.

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This research focuses on how many African cultural objects found their way to Western museums or private collections. Therefore the author examines to what extent African states have succeeded in their quest for the return of their cultural objects and what the inadequacies in the current international legal regime for the return of cultural objects are. Can the return of African cultural objects properly be identified as a human right issue and will such identification present better chances for their return? Also look at how existing international human rights mechanisms are applied in the quest for the return of African cultural objects. Focuses on the specific African countries of Nigeria and Ethiopia in respect of their efforts towards the return of their tangible and moveable cultural heritage.
Thesis (LLM (Human Rights and Democratisation in Africa)) -- University of Pretoria, 2007.
A Dissertation submitted to the Faculty of Law University of Pretoria, in partial fulfilment of the requirements for the degree Masters of Law (LLM in Human Rights and Democratisation in Africa). Prepared under the supervision of Prof. Andreas Eshete of the Faculty of Law, University of Addis Ababa, Ethiopia.
http://www.chr.up.ac.za/
Centre for Human Rights
LLM

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Belhi, Abdelhak. "Digital Cultural Heritage Preservation : enrichment and Reconstruction based on Hierarchical Multimodal CNNs and Image Inpainting Approaches." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2019.

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Le patrimoine culturel joue un rôle important dans la définition de l'identité d’une société. La préservation physique à long terme du patrimoine culturel reste fragile et peut induire de multiples risques liés à la destruction et aux dommages accidentels. Les technologies numériques telles que la photographie et la numérisation 3D ont fourni de nouvelles alternatives pour la préservation numérique. Cependant, les adapter au contexte du patrimoine culturel est une tâche difficile. En effet, la numérisation complète des objets culturels (visuelle avec une copie digitale et historique avec des métadonnées) n'est facile que lorsqu'il s'agit d’objets physiquement en bon état possédant toutes leurs données (entièrement annotés). Cependant, dans le monde réel, de nombreux objets culturels souffrent de dégradation physique et de perte d'informations. Habituellement, pour annoter et conserver ces objets, les institutions culturelles font appel à des spécialistes de l'art, à des historiens et à d'autres institutions. Ce processus est fastidieux, nécessite beaucoup de temps et de ressources financières et peut souvent s’avérer inexact. Notre travail se concentre sur la préservation effective et rentable du patrimoine culturel, basée sur des méthodes avancées d'apprentissage automatique. L'objectif est de fournir un Framework à la phase d'enrichissement du processus de préservation numérique du patrimoine culturel. A travers cette thèse, nous proposons de nouvelles méthodes permettant d’améliorer le processus de préservation des objets culturels. Nos défis sont principalement liés au processus d'annotation et d'enrichissement des objets dont les données sont manquantes et/ou incomplètes (annotations et données visuelles) ; ce processus est souvent inefficace lorsqu’il est effectué manuellement. Nous introduisons diverses approches basées sur l'apprentissage automatique et l'apprentissage profond pour compléter automatiquement les données culturelles manquantes. Nous nous concentrons principalement sur deux types essentiels de données manquantes : les données textuelles (métadonnées) et les données visuelles.La première étape est principalement liée à l'annotation et à l'étiquetage des objets culturels à l'aide de l'apprentissage profond. Nous avons proposé des approches exploitant des caractéristiques visuelles et textuelles disponibles des objets culturels pour effectuer efficacement leur classification. (i) La première approche est proposée pour la Classification Hiérarchique des objets afin de mieux répondre aux exigences de métadonnées de chaque type d’objets et augmenter les performances de classification. (ii) La seconde approche est dédiée à la Classification Multimodale des objets culturels où un quelconque objet peut être représenté, lors de la classification, avec les métadonnées disponibles en plus de sa capture visuelle. La deuxième étape considère le manque d'informations visuelles lorsqu’il s’agit d’objets culturels incomplets et endommagés. Nous avons proposé dans ce cas, une approche basée sur l'apprentissage profond à travers des modèles génératifs et le clustering d’images pour effectuer la reconstruction visuelle d’objets culturels. Pour nos expérimentations, nous avons collecté une grande base de données culturelles mais nous avons sélectionné les tableaux d’arts pour nos tests et validations car ils possèdent une meilleure qualité d’annotation et sont donc mieux adapté pour mesurer les performances de nos algorithmes
Cultural heritage plays an important role in defining the identity of a society. Long-term physical preservation of cultural heritage remains risky and can lead to multiple problems related to destruction and accidental damage. Digital technologies such as photography and 3D scanning provided new alternatives for digital preservation. However, adapting them to the context of cultural heritage is a challenging task. In fact, fully digitizing cultural assets (visually and historically) is only easy when it comes to assets that are in a good physical shape and all their data is at possession (fully annotated). However, in the real-world, many assets suffer from physical degradation and information loss. Usually, to annotate and curate these assets, heritage institutions need the help of art specialists and historians. This process is tedious, involves considerable time and financial resources, and can often be inaccurate. Our work focuses on the cost-effective preservation of cultural heritage through advanced machine learning methods. The aim is to provide a technical framework for the enrichment phase of the cultural heritage digital preservation/curation process. Through this thesis, we propose new methods to improve the process of cultural heritage preservation. Our challenges are mainly related to the annotation and enrichment of cultural objects suffering from missing and incomplete data (annotations and visual data) which is often considered ineffective when performed manually. Thus, we propose approaches based on machine learning and deep learning to tackle these challenges. These approaches consist of the automatic completion of missing cultural data. We mainly focus on two types of missing data: textual data (metadata) and visual data.The first stage is mainly related to the annotation and labeling of cultural objects using deep learning. We have proposed approaches, that take advantage of cultural objects’ visual features as well as partially available textual annotations, to perform an effective classification. (i) the first approach is related to the Hierarchical Classification of Objects to better meet the metadata requirements of each cultural object type and increase the classification algorithm performance. (ii) the second proposed approach is dedicated to the Multimodal Classification of cultural objects where any object can be represented, during classification, with a subset of available metadata in addition to its visual capture. The second stage considers the lack of visual information when dealing with incomplete and damaged cultural objects. In this case, we proposed an approach based on deep learning through generative models and image data clustering to optimize the image completion process of damaged cultural heritage objects. For our experiments, we collected a large database of cultural objects. We chose to use fine-art paintings in our tests and validations as they were the best in terms of annotations quality

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Dedecker, Kevin. "Multifunctional Hybrid materials for the capture and detection of volatile organic Compounds : Application to the preservation of cultural heritage objects." Thesis, Université Paris-Saclay (ComUE), 2019. http://www.theses.fr/2019SACLV003.

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Lors de leur stockage ou de leur exposition, les objets du patrimoine sont soumis à des processus physico-chimiques d’altération liés à leur environnement et en particulier à l’action de polluants primaires (e.g. dioxyde de soufre, oxydes d’azote), secondaires (ozone) ou de composés organiques volatils (COVs). Il a été démontré que ces gaz/vapeurs se comportent comme des agents d’hydrolyse et d’oxydation. L’acide acétique fait partie des COVs ayant un impact considérable et reconnu dans la conservation des objets du patrimoine en particulier des films photographiques. En vue de lutter contre ses effets délétères, ce projet de thèse s’est focalisé sur la conception de nouveaux matériaux poreux hybrides multifonctionnels appelés « Metal-Organic Frameworks » (MOFs) pour la capture sélective de l’acide acétique en présence d’humidité (40% humidité relative) et à température ambiante. Les remarquables propriétés d’adsorption (sensibilité, sélectivité et capacité) et la grande versatilité des MOFs (balance hydrophile/hydrophobe, taille/forme des pores,…) ont été utilisés pour préconcentrer de façon sélective l’acide acétique en milieu humide. Les matériaux les plus performants ont ensuite été préparés sous forme de nanoparticules pour l’élaboration de films minces de qualité optique afin d’en étudier les propriétés d’adsorption et de co-adsorption (acide acétique/eau) par ellipsométrie. L’incorporation de nanoparticules métalliques plasmoniques a ensuite été effectuée afin de concevoir un capteur colorimétrique. L’objectif final de ce travail est de concevoir un nouveau type d’adsorbant caractérisé par une capacité et une sélectivité d’adsorption élevée et dont on pourrait aisément déterminer le niveau de saturation en acide acétique afin d’anticiper son remplacement et ainsi assurer la préservation des objets stockés et exposés dans les musées
During their storage or their exhibition, the cultural heritage objects undergo physicochemical alteration processes related to their environment and in particular to the action of primary (e.g. sulfur dioxide, nitric oxides), secondary (ozone) pollutants or Volatile Organic Compounds (VOCs). It has been demonstrated that these gases/vapors are involved in hydrolysis and oxidation reactions. Among the most common VOCs encountered in museums, Acetic acid has a significant and recognized role in the deterioration of cultural heritage objects such as photographic films. In order to face this issue, this Ph.D. thesis focused on the design of new porous multifunctional hybrid materials denoted « Metal-Organic Frameworks » (MOFs) for the selective capture of acetic acid in the presence of moisture (40% relative humidity) and at room temperature. The remarkable adsorption properties (sensitivity, selectivity and capacity) and the great versatility of MOFs (hydrophicity/hydrophobicity balance, size/shape of pores,…) were used to preconcentrate selectively the acetic acid in humid conditions. The most performing materials were then prepared as nanoparticles and then used for the elaboration of high optical quality thin films in order to study the coadsorption (acetic acid/water) properties of MOFs by ellipsometry. The incorporation of plasmonic metal nanoparticles was then carried out in order to design a colorimetric sensor. The final objective is to devise a novel type of adsorbent that integrates a high VOC adsorption capacity and selectivity under humid conditions and an easy on-line monitoring of their saturation capacityin order to anticipate its replacement and therefore ensure the preservation of the stored and exhibited objects in museums

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Littaye, Alexandra. "Finding time in the geographies of food : how heritage food discourses shape notions of place." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:259a4358-2b71-4d55-940d-9e7664f2d95d.

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This thesis presents a multi-sited and multi-scalar ethnography of the processes and practices through which producers attempt to designate food as heritage. Grounded in cultural geography, it adopts a cultural economy approach to addressing concerns within agro-food studies by joining in conversation notions of heritage, place-making and time. By underlining the intrinsic relation between articulations of time and constructions of place, this thesis further maps the alternative geographies of food. It engages with three overarching questions, drawing on research conducted within two heritage-based food initiatives in Mexico and Scotland, both linked to the Slow Food movement. These produce, respectively, a traditional sweet called pinole and 'real' bread. The thesis asks: what objectives are pursued through the heritagisation of food whereby various actors strategically coin foods as heritage? How is time articulated in the discourse of heritage food, and how do heritage food networks and producers understand time as a component of food quality? Finally, what senses of place emerge from the various uses of time as a quality in global, translocal and local heritage food discourses? This thesis explores Slow Food's heritage qualification scheme and the ensuing commodification of heritage food, as well as translocal networks, and practices of 'slow' production. Through empirical engagements it argues that the qualification of heritage foods is multifunctional and that various articulations of time enable small-scale producers to engage with a plethora of socio-economic and political issues. Numerous and at times conflicting constructions of place surface from the discourses woven around these two heritage products and problematise identity formation and narratives of the past linked to producers and communities. This thesis concludes that the constructions of place associated with heritage foods depend not only upon the authority and circumstances of actors articulating a heritage discourse, but also on the scale of the dissemination of that discourse, and on the notions and understandings of time associated with heritage and place.

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Janerikaitė, Danutė. "Turistų pasitenkinimo Kauno miesto senamiesčio kultūros paveldo objektais vertinimas." Bachelor's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130906_104051-60267.

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Darbo objektas – turistų pasitenkinimas. Darbo tikslas – įvertinti turistų pasitenkinimą Kauno m. senamiesčio kultūros paveldo objektais. Darbo tikslui pasiekti suformuluoti tokie uždaviniai: 1) pateikti turistų pasitenkinimo kultūros paveldo objektais teorinį pagrindimą; 2) įvertinti turistų srautus Kauno mieste; 3) apžvelgti pagrindinius Kauno m. senamiesčio kultūros paveldo objektus; 4) atlikti turistų pasitenkinimo Kauno m. senamiestyje esančiais kultūros paveldo objektais analizę. Tyrimo rezultatai. Atlikus turistų pasitenkinimo Kauno m. senamiestyje esančiais kultūros paveldo objektais analizę nustatyta, kad kultūros paveldo objektai, kuriuos vidutiniškai aplankė 86 proc. visų tyrime dalyvavusių respondentų – pagrindinė senamiesčio gatvė, Kauno rotušė ir Kauno pilis. Pasak didžiosios respondentų dalies, Kauno miesto senamiestis - graži, jauki, saugi, tvarkinga, švari, unikali miesto vieta, kurioje objektai tarpusavyje dera. Vertinant respondentų pasitenkinimą atskirais Kauno senamiesčio kultūros paveldo objektais pastebėta, jog tyrime dalyvavę turistai labiausiai patenkinti bendra senamiesčio atmosfera, rotuše, senamiesčio architektūra, Kauno pilimi. Trečdalis respondentų, apsilankiusių Kauno miesto senamiestyje pastebėjo keletą trūkumų: šioje miesto dalyje per mažai turistams įdomių šios rūšies objektų, dalis kultūros paveldo objektų yra neapšviesti, sunkiai randami. Tyrimo išvados. Nepaisant respondentų įvardintų kelių Kauno miesto senamiesčio, kaip kultūros paveldo... [toliau žr. visą tekstą]
Object of thesis – tourists’ satisfaction. Purpose of thesis – evaluate tourists’ satisfaction with Kaunas old town cultural heritage objects. To reach purpose of thesis there were formulated next tasks: 1) to present theoretical substantiation of tourists’ satisfaction with cultural heritage objects; 2) to evaluate stream of tourists in Kaunas city; 3) to examine main cultural heritage objects in Kaunas old town; 4) to accomplish analysis of tourists’ satisfaction with cultural heritage objects in Kaunas old town. Results of research. After accomplishing tourists’ satisfaction with Kaunas old town cultural heritage analysis, was established, that 86% of respondents, who completed the inquest, were visiting these cultural heritage objects – main Kaunas old town street (Vilniaus str.), town hall and Kaunas castle. According to the respondents answers, Kaunas old town – beautiful, cozy, secure, tidy, clean, unique part of the city, where different objects haggle with each other. While analyzing tourists’ satisfaction with different cultural heritage objects in Kaunas old town, can be seen, that respondents, who participated in inquest, highly satisfied with the atmosphere of an old town, town hall, architecture of an old town, Kaunas castle. One third of respondents, who visited Kaunas old town, had noticed few disadvantages: in this part of town there are not enough of cultural heritage objects, cultural heritage objects are unlit, and also it is hard to find them. Leaning... [to full text]

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Alloteau, Fanny. "Contribution à la compréhension des mécanismes de l'altération atmosphérique des verres et étude d'un traitement de protection à base de sels de zinc." Thesis, Paris Sciences et Lettres (ComUE), 2017. http://www.theses.fr/2017PSLEC004/document.

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Parmi la grande diversité des productions de verres anciens appartenant aux collections muséales (vaisselle, vitres, vitraux, bijoux, perles, incrustations, statuettes, mosaïques, émaux, céramiques glaçurées…), une proportion importante montre à leur surface les signes sévères d’une altération atmosphérique (présence de sels alcalins, fracturation) conduisant à une perte de transparence voire une perte irréversible de matière. Ces œuvres sont produites essentiellement à partir du Moyen-Âge (XIIe-XIIIe siècle), avec une forte représentation aux XVIe, XVIIe et XVIIIe siècles. Les verriers ont en effet appliqué alors de nouvelles recettes par rapport à celles des périodes anciennes conduisant à une instabilité chimique du verre vis-à-vis de l’humidité ambiante. Quant aux œuvres actuellement en bon état de conservation, elles sont également susceptibles de se dégrader au cours du temps, selon leur composition et leur condition de conservation. À ce jour, le meilleur moyen de protection mis en œuvre par les conservateurs et les restaurateurs pour ralentir sensiblement cette altération est le contrôle de la température et de l’humidité de l’environnement de conservation (vitrines d’exposition spécifiques, réserves de musée). Cependant, afin de préserver cet important patrimoine culturel, il est d’un intérêt majeur de proposer de nouvelles solutions de protection qui soient à la fois plus efficaces et moins coûteuses pour les musées. C’est dans ce contexte que s’inscrit le présent projet de thèse. Il vise d’une part à faire progresser la compréhension des mécanismes d’altération atmosphérique des verres d’oxyde, d’autre part à mettre au point un traitement de protection à base de sels de zinc adapté au contexte muséal. En s’inspirant de procédés industriels qui exploitent de manière empirique l’effet protecteur des ions zinc (stockage et transport du verre plat, produits de lavage du verre en lave-vaisselle), nous avons en effet d’ores-et-déjà mis en évidence le fort potentiel de très faibles quantités de sels de zinc pour réduire efficacement les cinétiques d’altérations de compositions verrières altérables du patrimoine
In the cultural heritage field, it is of major concern to develop new protective methods for ancient glass objects that decay under atmosphere. In this framework, two complementary research directions are undertaken. The first one aims to get a better understanding of the glass atmospheric alteration mechanisms at a small scale. The second one is focused on the potentiality of a zinc salt surface treatment. By the mean of accelerated ageing experiments (temperature and humidity control) of replica glasses (alkali silicates), untreated or zinc salts treated, the evolution of the glass surface and sub-surface with atmospheric alteration are evaluated at different scales (macro – nano). These surface modifications are compared to the properties of hydrated layers of ancient glass objects that have been altered over decades. The influence of the ageing temperature and the glass composition on the atmospheric alteration mechanisms are highlighted. In particular, these parameters affect the proportion of alkali elements that are retained into the hydrated layer, which would severely impact the glass chemical durability. Positive effect of a zinc salt treatment to reduce the replica glasses hydration kinetics is shown with ageing experiments at 80 °C or 40 °C, when the glass surfaces are not pre-altered before the deposit. The formation of thermally activated zinc species that react with the glass surface are put in evidence as well as their predominant role in the protection mechanisms. Therefore, a zinc salt treatment might be considered if a heating step of the glass object is accepted (around 60 °C). However, the treatment performances seem to be strongly dependent on the surface alteration degree before the deposit. This point is critical for the relevance of the treatment for the glass artwork conservation and should be investigated deeper. Others directions of research are arisen in this work and should be followed to propose new protective methods in the longer terms

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Chorošilova, Ginaitaitė Kristina. "Šiaulių apskrities kraštovaizdžio vertybių tvarkymas ir organizavimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070808.112315-02255.

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Natūralus gamtinis kraštovaizdis dažnai yra naikinamas, keičiamas, arba sukuriamas naujas kultūrinis kraštovaizdis. Esant tokiai situacijai, būtina išsaugoti teritorijas, turinčias ekologinę, socialinę bei kultūrinę reikšmę. Įvertinta Šiaulių apskrityje esančių kraštovaizdžio vertybių naudojimo ir apsaugos sistema bei jų tvarkymo organizavimas. Analizės rezultatai parodė, kad problematiškiausios yra kultūros paveldo ir gamtos vertybių teritorijos. Vykstant žemės grąžinimo procesams, savavališkų statybų invazijai, dėl žmonių žemo ekologinės savimonės lygio, šios teritorijos gali prarasti vertybinį funkcionavimo pagrindą, skatinti didesnę ar mažesnę natūralaus kraštovaizdžio biodegradaciją. Norint apsaugoti kraštovaizdžio vertybių kultūrinę vertę, sustabdyti gamtinio kraštovaizdžio nykimą gamtinio karkaso bei saugomose teritorijose, atliekamas Šiaulių apskrities generalinio plano koncepcijos strateginių pasekmių vertinimas; rengiami saugomų teritorijų planavimo dokumentai; kompleksiškai organizuojama saugomų teritorijų priežiūra; vykdomi NATURA 2000 saugomų teritorijų tinklo gamtotvarkiniai projektai.
Natural landscape very often is being destroyed, replaced or created as a new cultural landscape. In such a situation it is very important to preserve areas, which has got it’s own ecological, social and cultural significance. The main purpose of this work is to estimate the valuable landscape’s, located in Šiauliai district, usage, protection system and how it’s regulation is being organized. As results of the analysis show, the biggest problems meet cultural heritage and valuable natural areas. While land rehabilitation is being in progress, illegal building is being held, because of people misbehavior, these areas may loose they own natural values, bigger or smaller natural landscape destruction may began. Trying to protect natural landscape’s cultural values, stop its disappearance and destruction in natural frame and conservation areas, general (long term) plan concept ional strategies consequences in Šiauliai district estimation is being held, conservation areas planning documents being created, conservation areas completed supervision being organized, NATURA 2000 conservation area’s network landscape management projects being arranged.

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Hess, M. "A metric test object informed by user requirements for better 3D recording of cultural heritage artefacts." Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1471114/.

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This research is motivated by the potential of digital technologies for 3D optical surface recording of museum artefacts and cultural heritage, and aims to enable heritage professionals to produce fit-for-purpose 3D digital records for research. The thesis is considering the idea if a digital surrogate object can be indistinguishable from the original against both qualitative and quantitative metric assessments with outcomes of the work being expressed through a new metric test object and case studies with real objects carried out by the author. The thesis investigates user requirements for 3D image quality using a series of research methods including semi-structured interviews with comparative testing of real artefacts next to digital representations and psychometric methods for image quality testing adapted from 2D to 3D image assessment. Outcomes of this work provide key information about: viewing habits and current recording tools, motivations for 3D imaging, and digital image criteria required for visual inspection and condition reporting. These are validated through interviews with stakeholders to generate a new set of 3D quality metrics which can be used to plan and assess 3D imaging of artefacts. User requirements highlighted a range of metrics that might be explored numerically including spatial and structural resolution and dimensional recording capabilities of optical surface recording systems. This thesis focusses on form metrology through a purpose designed metric artefact in order to evaluate the performance of state-of-the-art 3D capture technologies. A procedure for close range imaging system characterization has been developed and aimed at use by heritage professionals. The combination of metrics from quantitative comparative sensor testing with findings from qualitative testing have led to a planning tool connecting object properties, sensor metrology capabilities and user requirements. A better understanding has been gained of how technologies produce fit-for-purpose 3D digital records and conclusions are presented in a framework for 3D projects and better 3D recording of cultural heritage artefacts. Examples of the framework are given as case studies carried out by the author.

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Nascimento, Natali da Assunção Gonçalves do. "O baralho de cartas como objecto de comunicação da cultura popular." Master's thesis, Faculdade de Arquitectura, 2011. http://hdl.handle.net/10400.5/6073.

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Tese de Mestrado em Design de Comunicação.
Hoje em dia os jogos de cartas e mais especificamente os baralhos de cartas, são vistos como objectos que fazem parte da vida quotidiana, das horas de lazer onde várias pessoas se juntam sem um propósito específico, apenas o de ocupar o tempo livre. Esta dissertação tem como objecto de estudo o baralho de cartas reinterpretando- o como potencial objecto de comunicação do conhecimento popular (tornando físico e de acesso fácil algum património imaterial). Consideramos que actualmente existe uma crescente perda e desvalorização da cultura popular, (este conhecimento não faz parte do quotidiano das pessoas) bem como uma separação das diferentes faixas etárias de população, não existindo troca de conhecimentos entre as diferentes gerações. A criação de um baralho de cartas com provérbios tradicionais portugueses vem tentar colmatar de uma forma mais lúdica esse afastamento de gerações e consequente desaparecimento da cultura popular. O objectivo será difundir os provérbios, gerar troca de conhecimento e propiciar a união das várias gerações Pretendemos com esta investigação criar um baralho que seja interessante para as gerações mais velhas não esquecendo as suas vivências e capacidades. Cativar as gerações mais novas através de um jogo ilustrado, difundindo entre elas a cultura popular, da qual se encontram distantes, unindo assim diferentes gerações (unir os avós que vivem em zonas desertificadas aos netos que vivem nas grandes cidades). O baralho de cartas a desenvolver neste projecto manterá as características dos baralhos convencionais já conhecidos, tal como os quatro naipes, as diferentes as figuras, os ases e os números. Mantendo assim a capacidade para se jogar os jogos já conhecidos, utilizamos assim o baralho de cartas como objecto difusor dos provérbios. A este baralho será adaptado um sistema de pontos que obrigue o utilizador a ler e a reter informação sobre os provérbios inscritos em cada carta do baralho, para que ocorra transmissão do conhecimento popular. Sendo o baralho de cartas um objecto de baixo custo que está ao alcance de todas as classes sociais, pretendemos tirar partido desta característica, levando através do baralho a desenvolver nesta dissertação, o conhecimento popular a um maior número de pessoas, unindo os mais novos com as gerações mais experientes, num jogo que é do agrado de todos.

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Balnienė, Aida. "Nykstančių Kauno centro architektūros objektų įvertinimas: medžiaga virtualiam pateikimui." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110615_095116-26858.

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Atliktas tyrimas, kurio pagrindinis tikslas – Senamiesčio ir Naujamiesčio teritorijose esančių blogos ir avarinės būklės architektūros objektų įvertinimas, pagrindinį dėmesį atkreipiant į objektų reikšmingumo lygį, kaitą ir atnaujinimo galimybes. Aptarta bendra paveldosauginė tiriamos teritorijos situacija, teritorijų ribos ir veiklos reglamentavimas jose. Atlikti vizualiniai tyrimai, fotofiksacija, sudarytas nykstančių architektūros objektų sąrašas, objektai suklasifikuoti stilistiniu ir fizinio sunykimo požiūriu. Pristatomas šių objektų išsidėstymas ir architektūrinė sankloda. Sudaryti žemėlapiai: 2011 metais patikslinta 2006 metų blogos būklės Kauno Senamiesčio (20171) ir Naujamiesčio (22149) architektūros objektų sklaida. Išskirtos architektūros objektų nykimo priežastys. Darbas taikomojo pobūdžio. Pateikiamos rekomendacijos nykstančių Kauno centro objektų esamos situacijos pristatymui internetinėje medijoje. Pasiūlytas koncepcinis nykstančio Kauno centro paveldo pateikimo internete modelis. Siekis - demokratizuoti priėjimą prie kultūros vertybių, skatinti aktyvų santykį su jomis.
The primary objective of this study was to evaluate the emergency condition of architectural objects located in the Old town and New town areas of the city. The main emphasis was put on the significance of the objects, their change and reconstruction options. The analysis discusses overall situation of area under heritage protection, the territorial limits and related regulation of activities. The analysis was conducted by multiple ways, i.e. on-site visits, photo shoots, etc. Consequently a list of endangered architectural objects was prepared by classifying them based on stylistic and physical deterioration perspectives. The location and architectural structure of the objects shall be also presented. The following maps where prepared in 2011: a revised version of dissemination of emergency condition architectural objects in Kaunas Old town (20171) and New town (22149) of year 2006. The causes of architectural objects loss were examined as well. It should be noted that the study may be approached as a guideline since recommendations are provided regarding endangered architectural objects located in Kaunas city center and their presentation to the online media. The results of the study suggest a conceptual model of online presentation of endangered architectural objects in Kaunas city center. The goal of the study is to democratize the access to cultural values and promote a strong active relationship with them.

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Kizis, Vilmantas. "Sakralinio paveldo objekto pritaikymas piligriminiam turizmui (Tytuvėnų bažnyčios ir vienuolyno ansamblio pavyzdžiu)." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2009~D_20090602_090944-85591.

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Sakralinio paveldo objekto pritaikymas piligriminiam turizmui. Baigiamajame magistro darbe analizuojama sakralinių erdvių tematika, apžvelgiami jų pritaikymo turizmo reikmėms aspektai, pateikiama klasifikacija, charakteristikos, apžvelgiama sakralinių kultūros paveldo objektų raida ir jos ypatumai, piligriminio turizmo samprata ir svarbiausi Lietuvos piligriminio turizmo objektai. Sąlyginai darbą galima skirstyti į dvi dalis: pirmojoje nagrinėjami teoriniai aspektai, o antrojoje pateikiama pasiūlymų kaip pritaikyti sakralinio paveldo objektus piligriminiam turizmui, įvertinamos alternatyvos, atliekamas anketinis tyrimas, siekiant išsiaiškinti lankytojų nuomonę apie Tytuvėnų bažnyčios ir vienuolyno ansamblio pritaikymo piligriminiam turizmui galimybes ir ištirti lankytojų demografinius bei socialinius rodiklius, lankantis Tytuvėnų bažnyčios ir vienuolyno ansamblyje. Tyrimo objektu pasirinkti sakralinio paveldo objektai, o baigiamojo darbo tikslas yra: išanalizuoti ir įvertinti Kelmės rajono Tytuvėnų miestelio Švč. Mergelės Marijos bažnyčios ir bernardinų vienuolyno pritaikymo piligriminiam turizmui galimybes ir įvertinti šiame objekte besilankančių asmenų motyvus, lūkesčius ir jų išpildymo galimybes, pritaikant objektą piligriminiam turizmui. Praktiniai sakralinio kultūros paveldo objektų pritaikymo piligriminiam turizmui pasiūlymai formuluojami atlikus Tytuvėnų bažnyčios ir vienuolyno pritaikymo piligriminiam turizmui studiją. Apžvelgus piligriminio turizmo sampratą ir... [toliau žr. visą tekstą]
Adjustment of sacred objects to pilgrim tourism. At the final master's work sacred spaces and subjects are analyzed, an overview of their application needs of the tourism aspects, the classification, characteristics, an overview of the sacred objects of cultural heritage development and its features, the concept of pilgrim tourism and the Lithuanian most important pilgrimage tourism objects are provided in this work. Conditionally work can be divided into two parts: the first is dedicated to theoretical aspects, while the second provides suggestions as to adapt the sacral cultural heritage to pilgrim tourism, evaluation of alternatives, a questionnaire survey to ascertain the opinion of visitors Tytuvėnai ensemble of churches and monasteries adaptation to pilgrim tourism and visitors to explore the demographic, social and motivation indicators, visits to churches and Tytuvėnai monastery ensemble. Investigation to choose the cultural heritage of sacral objects, and the final objective is: based on the acquired theoretical knowledge, to analyze and assess the town of Kelme district Tytuvėnai St. Mary's Church and Bernadine monastery adaptation to pilgrim tourism opportunities and to assess the reasons for people visiting the site, the fulfillment of their aspirations and opportunities, using the object for pilgrim tourism. Practical sacral objects subordinate to the cultural adaptation of pilgrim tourism proposals formulated by the church and monastery of Tytuvėnai monastery... [to full text]

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18

Šimkutė, Aurelija. "Nekilnojamųjų kultūros paveldo objektų rekonstrukcijos analizė." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2007. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2007~D_20070629.151727-53788.

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Pagrindinis darbo tikslas – išanalizuoti nekilnojamojo kultūros paveldo objektų rekonstrukcijos strategijos politiką bei įvertinti jos efektyvumą, apžvelgti užsienio šalyse esamas sąlygas nekilnojamojo kultūros paveldui išsaugoti, pateikti pasiūlymus Lietuvos kultūros paveldo objektų rekonstrukcijos strateginei būklei pagerinti. Atlikta SWOT analizė, apibendrinanti ir sujungianti išorinės aplinkos ir išteklių analizės rezultatus, suklasifikuojant nekilnojamojo kultūros paveldo strategiją lemiančius veiksnius į keturias grupes: stiprybės, silpnybės, galimybės ir grėsmės. Šiame darbe bus taip pat aptariama nekilnojamojo kultūros paveldo dabartinė būklė ir jų išsaugojimo bei rekonstrukcijos strategija. Darbą sudaro 6 dalys: įvadas, apžvalginis skyrius,analitinė – metodinė dalis, mokslinė – tyriamoji dalis, išvados ir pasiūlymai, literatūros sąrašas. Darbo apimtis – 60 p. teksto be priedų, 22 iliustr., 14 lent., 62 bibliografiniai šaltiniai. Atskirai pridedami darbo priedai.
The main aim of this graduation – analyse of reconstruction strategy policy of objects of the real estate of a cultural heritage and estimate it’s efficiency, review available conditions in foreign countries to protect of a real estate of a cultural heritage also to present suggestions to make better strategy of reconstruction of objects of the real estate of a cultural heritage. Acted a comprehensive analyses of the SWOT, summarized and conjoint the external environments and analysis of resouces results, classified subjects who determine organizations strategy in four groups: strengths, weaknesses, opportunities and threats. There will be consideration of the real estate of a cultural heritage present conditions, it’s preservation and strategy of reconstruction. Structure: introduction, review chapter, analytical-methodical section, scientific-research section, conclusions and suggestions, references. Thesis consist of: 60 p. text without extras, 22 pictures, 14 tables, 62 bibliographical entries. Appendixes included.

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Sharkawi, Maissoun. "Les pressoirs à olives à vis en fer à activation manuelle du XIXe siècle comme objet de patrimonialisation, dans le contexte du patrimoine culturel palestinien." Thesis, Université de Lorraine, 2018. http://www.theses.fr/2018LORR0208.

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Cette thèse expose dans quel environnement social et historique, la notion du patrimoine culturel palestinien fut formulée au cours de deux derniers siècles. L’étude se base sur un travail de terrain visant à la réalisation d'un inventaire sur les pressoirs à vis en fer à activation manuelle (autrement dit PVFM), existant encore in situ dans la région rurale du gouvernorat de Ramallah. Cet inventaire est une première étape de valorisation du patrimoine lié à la production de l’huile d’olive, illustrant la Palestine à travers la proto-industrie rurale qui existait dès la deuxième moitié du XIXe siècle. L’illustration de l'histoire par en bas, à travers ces traces, ainsi que la documentation de l’évolution des ces techniques sont des outils essentiels pour promouvoir et se réapproprier de cette partie du patrimoine en tant qu’élément intégral de la culture, de l’histoire et de l’identité palestinienne, tout en l’intégrant à la culture méditerranéenne de l’huile d’olive en général
This thesis explores the social and historical environment in which the concept of Palestinian cultural heritage has been formulated throughout the past two centuries. The study, which is based on fieldwork, relies on an inventory of the manually operated, iron screw-mechanism olive presses (MISP) that still exist in situ in the rural area of the Ramallah governorate. This inventory constitutes an essential step in evaluating the heritage linked to the production of olive oil and in illustrating the rural proto-industry that existed by the second half of the 19th century in Palestine. Illustrating the bottom-up history of these findings and documenting the evolution of these techniques in view of offering a tool for the promotion and re-appropriation of this part of heritage as an inherent part of Palestinian culture, history and identity while incorporating it as an integral part of the greater Mediterranean olive oil culture

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Varkalytė, Aistė. "Širvintų rajono savivaldybės gamtos ir nekilnojamojo kultūros paveldo objektų išsaugojimo vertinimas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2011. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2011~D_20110614_114152-21086.

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Lietuvoje sukurta daug įvairaus rango, paskirties, dydžio, skirtingos funkcinės paskirties saugomų teritorijų. Širvintų rajone saugomos teritorijos užima 4,2 proc. rajono ploto. Paveldo objektai – atskiri arba tankias grupes sudarantys gamtos ir kultūros paveldo objektai – kraštovaizdžio elementai, kuriems dėl jų vertės teisės aktais nustatytas specialus apsaugos ir naudojimo režimas. Tyrimas atliktas siekiant įvertinti minėtų objektų apsaugą Širvintų rajone. Šiame darbe atlikta norminių dokumentų, teritorijų planavimo, mokslinių darbų ir kitos aktualios literatūros analizė, nuvykus į Kultūrinį Kernavės rezervatą apžiūrėti paveldo objektai ir įvertinta jų būklė. Pagrindinis tokių objektų apsaugos tikslas – perleisti paveldą ateities kartoms. Vienas svarbiausių uždavinių paveldo objektų saugojime – atsakingas šių objektų stebėjimas ir jų būklės vertinimas. Tyrimo rezultatai parodė, kad Širvintų rajono nekilnojamojo kultūros ir gamtos paveldo teritorijos yra geros būklės, nuolat vykdomi objektų būklės gerinimo darbai, nekilnojamojo kultūros paveldo objektų teritorijų naudojimas ir apsauga yra reglamentuota pakankama teisine baze.
Lithuania has created a lot of protected areas, which differ in ranks, purpose, size and function. In Širvintos district protected territories cover 4,2 percent of area. Heritage sites - individual or groups of natural and cultural heritage objects – are the landscape elements, which are protected by special statutory protection and recovery mode. Aim of the research is to evaluate the protection of natural and cultural heritage in Širvintos district. This work analyzes normative documents, planning, research papers and other relevant literature, presents results of on-site evaluation of heritage objects in Kernave Cultural Reserve. The main purpose of the protection of these objects is to conduct the heritage to future generations. This is achievable only with the help of responsible observation and evaluation of condition of these objects. The results show that in Širvintos district areas of immovable cultural and natural heritage are in good condition, regularly maintained. Protection and use of immovable cultural heritage objects are regulated by a sufficient legal basis.

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Barňák, Tomáš. "Přístupy k znovuvyužití památkových objektu." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2012. http://www.nusl.cz/ntk/nusl-225623.

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The thesis briefly defines basic concepts of the basic landmarks and distribution. Options owners of historic buildings, their rights and obligations. Outlines the options are and what support may be listed structures by the State of the European Union and by various endowment funds for recovery and subsequent use for the future and future generations. Analyzes aspects of the approach to the use of selected monuments.

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Lesaffre, Gaelle. "Objets de patrimoine, objets de curiosité : Le statut des objets extra-occidentaux dans l'exposition permanente du musée du quai Branly." Phd thesis, Université d'Avignon, 2011. http://tel.archives-ouvertes.fr/tel-00919401.

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La question du statut des objets issus des sociétés extra-occidentales conservés dans les musées occidentaux restait posée, jusqu'à récemment, dans les termes du paradigme construit au cours du vingtième siècle opposant le statut ethnographique au statut esthétique, et à partir d'une conception intrinsèque du statut des objets. La controverse suscitée par l'annonce du projet du musée du quai Branly au sein des communautés anthropologique et muséale en témoigne. Cette recherche propose de renouveler l'approche du statut des objets extra-occidentaux en adoptant une conception extrinsèque du statut des objets. Elle repose sur deux analyses sémiotiques successives de l'exposition permanente du musée du quai Branly. La première vise à analyser séparément et exhaustivement les registres médiatiques de l'espace, scriptovisuel et audiovisuel qui composent, avec le registre des objets, l'exposition ; la seconde à analyser, au sein d'un corpus restreint d'unités d'exposition, l'interaction des registres, dans le but final d'identifier les processus interprétatifs producteurs du sens des objets. L'objectif de cette double analyse consiste à vérifier que l'exposition permanente du musée du quai Branly assigne le statut d'objet de patrimoine aux objets issus des sociétés extra-occidentales qu'il conserve.La première partie de la thèse est consacrée à restituer la construction de la question de recherche, qui porte surle caractère patrimonial du statut des objets de musée extra-occidentaux, et à rendre compte des moyens méthodologiques mis en oeuvre pour y répondre. La deuxième partie, consacrée aux résultats de l'analyse séparée des registres, confirme que les marqueurs nécessaires à l'assignation du statut patrimonial des objets extra-occidentaux, les mondes d'origines ailleurs et muséaux, sont bien certifiés dans l'exposition. Elle montre également la mobilisation particulière du registre de l'espace. L'ensemble incite à formuler l'hypothèse que l'espace ne constitue pas un interprétant des objets, que les mondes d'origine ailleurs et muséaux occupent une place secondaire dans l'assignation du statut des objets et, finalement, que les objets sont les principaux interprétants des objets. Enfin, la troisième partie permet de vérifier que la certification de l'appartenance des objets à leur double monde d'origine est bien réalisée par le traitement muséal, l'exposition assigne donc bien le statut de patrimoine aux objets exposés, mais elle montre aussi que les éléments de la certification apparaissent comme secondaires, tandis que la production du sens des objets par la relation entre les objets favorise l'assignation d'un autre statut de l'objet : le statut de curiosité. En s'appuyant sur la production de la signification des objets par le dispositif d'exposition pour le visiteur, cette recherche permet de penser, plus largement, la capacité de l'exposition à proposer un discours neutre qui modifie son opérativité, et qui permet à l'institution muséale de se placer dans une posture de délégation du sens produit par l'exposition.

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Rymkevičiūtė, Agnė. "Kultūros paveldo objektų bei vietų atstatymas Europoje ir Lietuvoje XX a. antroje pusėje - XXI a. pradžioje: teorija ir praktika." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20081203_184401-15359.

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Kultūros paveldo objektų bei vietų atstatymas Europoje ir Lietuvoje XX a. antroje pusėje - XXI a. pradžioje: teorija ir praktika Santrauka Atstatymas kaip specifinis paveldo „išsaugojimo“, tiksliau - jo originalios būsenos susigrąžinimo veiksmas, šiuolaikinėje paveldosaugoje yra griežtai ribojamas ir pateisinamas tik išskirtiniais atvejais. Istorinių paminklų ir vietų atstatymas ypatingai tapo svarbus XX amžiuje, kai pasauliniai karai sunaikino nemažą dalį istorinių vietų ar atskirų objektų. Darbo objektas – kultūros paveldo objektų ir vietų atstatymo fenomenas. Šio reiškinio fenomenalumui atskleisti pasirinkti ryškiausi XX a. antros pusės ir XXI a. pradžios atstatymo pavyzdžiai Europoje bei Lietuvoje. Ypatingas dėmesys atkreiptinas į Antrojo pasaulinio karo sunaikintų objektų ir vietų atstatymą. Todėl, atsižvelgiant į tai, pasirinkti dviejų, labiausiai karo nuniokotų Europos šalių – Lenkijos ir Vokietijos – atstatymo pavyzdžiai. Tai – Varšuvos senamiestis, Frankfurto Giotės namai, Drezdeno Frauenkirche, Berlyno Karališkieji rūmai. Lietuvos atveju analizuojami šie atstatymo pavyzdžiai - Trakų salos pilis, tarpukario paminklai, Valdovų rūmai ir Vilniaus istorinio geto būdingi fragmentai. Dažnai kultūros paveldo objektų ir vietų atstatymai praktikoje prieštarauja paveldosaugos teisėje bei teoretikų veikaluose vyraujančiai atstatymo sampratai. Todėl kyla klausimas – kodėl ir kaip yra atstatomi tam tikri kultūros paveldo objektai ir vietos? Kodėl tam tikrais laikotarpiais jie... [toliau žr. visą tekstą]
Reconstruction of Cultural Heritage Objects and Sites in Europe and Lithuania: Theory and Practice (second half of the 20th c. - 21st c.) Summary Reconstruction as a specific undertaking of heritage „preservation“, to be precise – the recovery of its original state, is strictly limited by contemporary conservation law and is legitimized only at exceptional cases. The reconstruction of historical monuments and sites turned to be notably significant in 20th c. after the damages caused by the World Wars. The object of the thesis is the phenomenon of reconstruction of cultural heritage objects and sites. The most salient examples in Europe and Lithuania (second half of the 20th c. - 21st c.) are chosen here for the revelation of the reconstruction phenomenon. Exclusive regard is paid to the reconstruction of historical objects and sites ruined during the Second World War. Therefore the reconstruction examples are chosen here of two the most of all injured countries during the War – Poland and Germany. These are – the old town of Warsaw, Goethehaus in Frankfurt, Dresden‘s Frauenkirche, Stadtschlos in Berlin. The reconstruction examples analysed in the case of Lithuania are – castle of Trakai, the monuments of the first Independence, Grand Duke Palace and the typical fragments of Vilnius historical ghetto. Frequently the reconstructions of historical monuments and sites disagree/ed to the mainstream conception in the conservation charters and theory works. Consequently the question... [to full text]

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Fučíková, Petra. "Oceňování stavebních prací z kamene při restaurování nemovitých historických objektů." Doctoral thesis, Vysoké učení technické v Brně. Fakulta stavební, 2016. http://www.nusl.cz/ntk/nusl-355622.

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The aim of this thesis is to analyse the current situation in valuation of restoration works during construction work, and then to define and standardize the construction work of stone during the restoration of immovable historical monuments. The dissertation moves further knowledge about the issue of restoration work valuation and brings benefits at both theoretical and practical level. In the first part thesis deals with the detailed definition of basic terms, namely restoration, cultural heritage, calculations and costs. The second part of the thesis is dedicated to international comparisons of the historical monuments care in the Czech Republic and France. The result is a comparison of selected indicators of historical monuments care in the Czech Republic and France. Further the attention in the second part is devoted to the pricing development and standardization in construction and restoration, as well as to the pricing of construction work. The third part of the thesis is dedicated to the actual research work, which is focused on the methodology of determining the price of stone construction work in the restoration of the historical buildings. Based on the results of the research there are presented conclusions and proposals of solutions to the existing issue. It is primarily about defining the scope of the building technical documentation with respect to the requirements of restoration, defining direct and indirect costs and profits of construction work of stone in the restoration of historical buildings. At the end of this section there are defined conclusions from the research, which summarize the determination of price list and its description. An integral part of this dissertation is a proposal for the further development and possible solutions of this specific issue.

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Markytánová, Eva. "Financování obnovy a údržby památkových objektů." Master's thesis, Vysoká škola ekonomická v Praze, 2011. http://www.nusl.cz/ntk/nusl-125148.

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This thesis analyzes the possibilities of financing the rehabilitation and maintenance of historical buildings in the Czech Republic with the practical application of the city Vimperk. The theoretical part discusses the importance of cultural heritage and the preservation of monuments, including its legislation and the manner of its organization. Various options for financing of survival sights both from domestic and foreign sources are discussed in detail. First the South Bohemian town Vimperk is introduced with monuments in its territorial jurisdiction in the practical part. Furthermore, this part approaches the system of the performance of local public administration and system for implementing conservation at the level of the city and South Region. A large space is devoted to the analysis and evaluation of sources of funding utilized conservation in this city, there are also recommended other appropriate support options. The subsidy programs of the South Bohemian Region, the Ministry of Culture, European and other foreign funds are mentioned. The amount of tables and graphs are added especially in this part for the better illustration. Information needed for the development of this work were obtained from the literature, Internet resources and personal consultations at the municipal office Vimperk and ROP Southwest.

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Högström, John. "Hur spel blir kulturarv : En fallstudie om kulturarvsproduktion utifrån praktiker i Play Beyond Play på Tekniska museet." Thesis, Uppsala universitet, Institutionen för ABM, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-387694.

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This research explores games as cultural heritage. The purpose of this study is to contribute with knowledge about how games as cultural heritage is made. The study seeks answers to which principal museum practices that are being carried out in the work with games as cultural heritage and what constitutes them. Furthermore this study explains how these practices influences the making of games as cultural heritage. The analysis has been carried out on Play Beyond Play, a game exhibition made at Tekniska museet in Stockholm 2018, where practices is being understood and analyzed from a practice theory perspective with the use of games as boundary objects. The empiric data was collected through semi-structured qualitative interviews with people working with the content of the exhibition and an place-based observation of the exhibition itself. The concept of ”anchoring practices” has been used as an analythic method to find and sort which principal practices that were carried out. The analysis resulted in six principal practices in the work of knowledge and mediation of games as techinchal development, the role of playablity, the matter of thinking ctitically, the effect of practical limitations and possibilities, the implementation and use of research, and the certification of games as cultural heritage. These practices influence the making of games as cultural heritage by defining games, how knowledge about games should be carried out and why games is important as cultural heritage through the location, role and area of focus at Tekniska museet. The study contributes with explanations and reinforces the connection between practices and the use of objects to create and mediate knowledge about games, where the knowledge carried out is affected by the context where it is being created through a longer period of time. This is a two years master’s thesis in Museum and Cultural Heritage Studies.

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Ugalde, Francisca B. "A Case for Collections Management Policy for Passive Collecting Institutions." University of Akron / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=akron1353296784.

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Friberg, Olivia. "Vargarna från öst : En objektbiografisk studie av kanonerna på Gripsholms slott." Thesis, Uppsala universitet, Institutionen för arkeologi och antik historia, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-447055.

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This study has aimed to understand Suggan and Galten as its history and story has changed through time. To achieve this a biography perspective are applied. Suggan and Galten is war trophies taken from Russians during the Livonian war (1558-1583) and now presented at Gripsholm castle. Apart from understanding their history this study is going to discuss Suggan and Galtens role as war trophies, furthermore how they relate to society both now and then. But also, how they are viewed upon as cultural heritage. This thesis has been based on a litterature study with supplementary illustrations to put Suggan and Galten in a larger context. In the litterature study an object biographical perspective has been obtained to be able to study the entire life story. Materiality and agency have also been used to explain human relationships to the cannons and to try to clarify peoples actions around them. The object biographical perspective has verified several aspects of Suggan and Galtens life journey. With the help of the theoretical starting point, the development of the cannons from Äldre Vasatiden to the present day has partly been accounted for. The study describes how Suggan and Galten were casted in Moscow by casting master Andrei Chekhov. How they were used by the Russian army in the Livonian war. Then taken over by the Swedes and shipped to Sweden. Once on Swedish soil, they participated in a trophy parade and then became cultural heritages at Gripsholm castle. War trophies refer to an object taken during conquest, which Suggan and Galten were. Furthermore, they have been used as war trophies in parades to demonstrate the power of the royal family. It was also during this time that the cannons began to develop into a cultural heritage. Only when the cannons were placed at Gripsholm castle where they considered as cultural heritage.
Studien har undersökt Suggan och Galtens livshistoria från tillverkningen i Ryssland till utställningen på Gripsholms slott. Syftet och frågeställningarna har varit att förstå och tydliggöra Suggan och Galtens utveckling genom tid och rum. Samt att redogöra för kanonerna som krigstroféer och varför dem blivit det. Slutligen har kulturarvsfrågan diskuterats utifrån objekten och hur de har speglats i samhället både då och nu. Uppsatsen har baserats på en litteraturstudie med kompletterande bildmaterial för att sätta Suggan och Galten i ett större sammanhang. I litteraturstudien har ett objektbiografiskt perspektiv erhållits för att kunna studera hela livshistorien. Materialitet och agens har också använts för att förklara människans relation till kanonerna och för att försöka klarlägga personers handlingar kring dem. Det objektbiografiska perspektivet har verifierat flera aspketer av Suggan och Galtens livsresa. Med hjälp av den teoretiska utgångspunkten har kanonernas utveckling från Äldre Vasatiden fram till idag delvis kunnat redogöras för. Studien redogör för hur Suggan och Galten gjöts i Moskva av gjutmästare Andrej Chokhov. Hur de användes av den ryska armén i livländska kriget för att sedan övertas av svenskarna och skeppas till Sverige. Väl på svensk mark deltog de i troféparaden för att sedan bli ett kulturarv på Gripsholms slott. Krigstroféer syftar på föremål som tagits under erövring vilket Suggan och Galten gjordes. Vidare har de som krigstroféer använts i triumfparader i syfte till att påvisa kungafamiljens makt. Det var även under den här tiden som kanonerna började utvecklas till ett kulturarv. Först när kanonerna placerades på Gripsholms slott ansågs de som fulländade kulturarv.

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Derolez, Séverine. "La patrimonialisation des objets scientifiques contemporains et leurs contextes de valorisation : cas de l’accélérateur de particules Cockcroft-Walton." Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE1274/document.

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Notre recherche en didactique des sciences, explore la potentialité des objets scientifiques contemporains à devenir des objets de patrimoine à travers un cas d'étude : l'accélérateur de particules Cockcroft-Walton (CW). Nous faisons l'hypothèse que la valorisation des objets scientifiques contemporains, étape importante du processus de patrimonialisation, est spécifique et nécessite une expertise particulière. Notre travail a été réalisé grâce au dispositif CIFRE, nous permettant de travailler aux côtés du musée des Confluences à Lyon, qui expose un accélérateur de particules CW dans Sociétés : le théâtre des hommes. L'Institut de Physique Nucléaire de Lyon (IPNL) possède également un appareil de ce type, qui est aujourd'hui au cœur d'un projet de valorisation. Notre analyse s'appuie sur une étude du contexte, historique, épistémologique et social, de « naissance » du premier accélérateur CW et d'une étude scientifique de l'objet. Nous avons également mené deux enquêtes, la première visant à retracer la trajectoire de l'accélérateur CW à Lyon, la seconde à retrouver l'ensemble des accélérateurs CW dans le monde. En nous appuyant sur différents travaux qui ont souligné les étapes du processus de patrimonialisation, nous avons caractérisé les spécificités du patrimoine scientifique contemporain, et recherché les traces laissées par ces caractéristiques dans la mise en exposition de l'objet. Nos résultats mettent en évidence le manque d'informations permettant l'interprétation et l'appropriation de l'accélérateur CW par un public, et nous invitent à interroger le contenu représentationnel de l'objet, véhiculé à travers d'autres contextes d'utilisation, formel ou fictionnel
Our thesis in science education explore the potentiality of contemporary scientific objects to become objects of heritage through a study case: the Cockcroft-Walton particle accelerator (CW). We call it “patrimonialisation” (the making of heritage) according to Information and Communication Sciences. We assume that the value of contemporary scientific objects, an important stage of the patrimonialisation, is specific and requires a particular expertise. Our work was realized thanks to a french financing facility, allowing us to work with Le musée des Confluences in Lyon (France), which exposes a particle accelerator CW in Societies: the human theater. The Institute of Lyon Nuclear physics (IPNL) also possesses a device of this type, who is the focus of a recognition project. sing a multidisciplinary approach, our analysis begin with a study of historical, epistemological, social and scientific context, of the first one CW. We also led two inquiries, the first one to redraw the accelerator CW trajectory in Lyon, the second to find all the accelerators CW in the world. Several studies have indeed highlighted the stages of the patrimonialisation. Relying on these studies we characterized the specificities of the contemporary scientific heritage, and looked for tracks left by these characteristics in the exhibition text (museography). Our results demonstrate the lack of information allowing the interpretation (lecture) and the appropriation of the accelerator CW by a public, and invite us to question the representational contents of the object, conveyed through other contexts of use, formal or fictional

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Hahne, Ylva. "Den blinda röda fläcken : Menstruation i svenska museisamlingar." Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-453333.

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Denna studie undersöker förekomsten av kulturarv rörande menstruation i svenska museisamlingar samt i vilka samband de har deltagit i utställningar eller på annat sätt exponerats för allmänheten. Undersökningen ämnar även ta reda på om tabu relaterat till menstruation påverkat insamlingen och exponeringen av de såkallade ”menstruationsföremålen”. Det empiriska materialet utgörs av en enkätundersökning utskickad till vad som kan sägas vara det allmänna museiväsendet i Sverige bestående av centralmuseum, regionala museum, kommunala museum, stadsmuseum samt ytterligare tre kulturhistoriska museum med en svarsfrekvens på 85,4% då 81 av 96 museum har deltagit. Studien visar att 50,6% av museerna har menstruationsföremål i samlingarna och att majoriteten av dessa hade cirka 1-5 stycken sådana och att den absolut vanligast förekommande föremålskategorin var menstruationsskydd. 64,8% av museer med menstruationsföremål i samlingarna hade exponerat dessa för allmänheten, oftast bara ett fåtal föremål och det vanligast förekommande utställningsformatet var tillfälliga utställningar. Majoriteten av menstruationsföremålen har förvärvats åren 1951-2021. Huruvida menstruationstabut har påverkat förekomsten av kulturarv rörande menstruation i svenska museum är svårt att utröna baserat på denna studie. Däremot kan tabut ha påverkat vilken sorts föremål som finns i museernas samlingar då det mesta materialet utgörs av menstruationsskydd vars uppgift att kontrollera mensflödet kan spegla samhällets förhållande till menstruation som ofta utgörs av skamkänslor inför ämnet.
This study examines the existence of cultural heritage concerning menstruation in Swedish museum collections and in which contexts they have participated in exhibitions or been otherwise exposed to the public. The study also intends to find out whether taboos related to menstruation have affected the collection and exposure of the so-called "menstrual items". The empirical material consists of a survey sent to what can be said to be the general museum system in Sweden consisting of central museum, regional museum, municipal museum, city museum and three other cultural history museums with a response rate of 85.4% as 81 of 96 museums have participated. The study shows that 50.6% of the museums have menstrual items in the collections and that the majority of these museums had approximately 1-5 of such items. The most common item category was menstrual protection. 64.8% of museums with menstrual objects in the collections had exposed these to the public, usually only a few objects and the most common exhibition format was temporary exhibitions. The majority of menstrual items have been acquired in the years 1951-2021. Whether menstrual taboos have affected the existence of cultural heritage concerning menstruation in Swedish museums is difficult to ascertain based on this study. On the other hand, taboos may have affected the type of objects in museums' collections, as most of the material consists of menstrual protection, the task of which is to control the flow of menstruation, which may reflect society's relationship to menstruation, which often consists of feelings of shame about the subject.

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Restrepo-Navarro, Paulina. "Le droit du patrimoine culturel colombien à l´épreuve de la restitution internationale des biens archéologiques : Quelle approche vis-à-vis des vestiges qui se trouvent à l´étranger ?" Thesis, Paris 11, 2013. http://www.theses.fr/2013PA111007.

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Vingt-cinq ans après la ratification de la Convention de l'Unesco de 1970 et un an après celle de la Convention d'Unidroit de 1995 par l’État colombien, il est pertinent de réaliser un état des lieux du droit du patrimoine culturel colombien et de son appréhension des problématiques liées à la circulation des biens archéologiques et à leur transfert de propriété. Si ces vestiges appartiennent incontestablement à la Nation depuis 1991, leur protection constitutionnelle ne suffit pas à satisfaire la politique nationaliste que ce pays-source souhaiterait mener. Le questionnement est donc double : d'une part, celui du régime juridique auquel les biens archéologiques sont soumis sur le territoire national et, d'autre part, celui des possibilités d'application de ce dispositif protecteur lorsqu'ils se trouvent à l'étranger. Il s'agit donc de s'interroger sur la clarté et la précision du régime juridique auquel ces vestiges sont soumis en droit colombien pour permettre à l’État de fonder des demandes en restitution ou de retour susceptibles de réussir et, aussi, de définir dans quelle mesure ce dispositif national peut être appliqué par les autorités et les tribunaux étrangers. Par ailleurs, les traités internationaux spécialement adoptés en la matière depuis la seconde moitié du XXe siècle semblent insuffisants en vue de répondre aux attentes colombiennes de restitution et de retour de ses biens archéologiques. La pratique a démontré que la lutte internationale contre le trafic illicite reste étroitement liée aux législations nationales, tant celle de l’État requérant que celle de l’État requis. Les stratégies contentieuses susceptibles d'être mises en œuvre devant les autorités et les tribunaux français ont été étudiées à titre d'exemple. Plusieurs acteurs sont au centre de ces disputes : les États, les peuples autochtones, les marchands d'art et les musées. La diversité de leurs intérêts révèle la complexité des rapports qui peuvent se tisser autour de ces vestiges considérés, selon les différents points de vue, comme des objets identitaires, sacrés, artistiques ou scientifiques.Enfin, au regard de l'évolution récente du droit du patrimoine culturel colombien, les conditions semblent présentes pour revisiter le rapport que ce pays entretient vis-à-vis des vestiges archéologiques d'origine colombienne qui se trouvent à l'étranger
It has been more than twenty-five years since Colombia State ratified the 1970 Unesco Convention and one year later it ratified the 1995 Unidroit Convention. It is now relevant to evaluate Colombia’s cultural heritage law and its perception of the issues surrounding the international trade of archaeological objects and ownership transfer. If archaeological antiquities belong unmistakably to the Nation since 1991, their constitutional protection does not satisfy the nationalistic policy this source country would like to lead.The evaluation of cultural heritage law is a double issue. On the one hand, there is the problem of how the domestic laws are applied to archaeological objects within the national territory. On the other hand, there is the difficulty of implementing domestic legislation when the antiquities are abroad. It is therefore a question of assessing if Colombia’s cultural heritage legislation has a framework that is clear and precise enough to allow the State to succeed in its claims and of defining to what extent it can be reinforced by foreign authorities and courts.Furthermore, international treaties adopted in this field since the second half of the twentieth century seem insufficient to meet Colombia´s concerns. Practice has shown that the international fight against illicit trade is closely bound to domestic laws, either that of the requesting State or of the requested State. The litigation strategies that can be brought before French authorities and courts have been studied as an example.These conflicts concern several actors: States, indigenous people, art dealers and museums. Their different level of interests reveal the complexity of the relationships that can be built among these antiquities considered, according to the stakeholders’ point of view, as identity, sacred, artistic or scientific objects.Finally, the recent development of Colombia’s cultural heritage legislation seems to challenge the country’s relation with its archaeological objects abroad

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Kvapilová, Vendula. "Rekonstrukce Knurrova paláce, Fulnek." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2018. http://www.nusl.cz/ntk/nusl-372093.

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This diploma thesis deals with the reconstruction and rehabilitation of a real cultural monument in Fulnek. It is a four-winged object with almost rectangular atrium. The main subject of the diploma thesis is the change in the use of the building and the proposals for remediation of damp walls. Knurr's palace has three above-ground floors and is non-decked, covered by a classic shell with fiber cement. The use of the object is mainly designed as a civic amenities, now the building is not used. The building is located in close proximity to the slope and the building is adjacent to the building. The project is solved at the level of the documentation for construction.

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Canghiari, Emanuela. "La dialectique des restes : circulation, trafic et appropriation des vestiges archéologiques au Pérou." Thesis, Paris Sciences et Lettres (ComUE), 2018. http://www.theses.fr/2018PSLEH036/document.

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Le but de cette recherche ethnographique, menée au Pérou à partir de 2008, est de restituer les pratiques, les discours moraux et les multiples stratégies qui sous-tendent l’appropriation des vestiges et des pièces archéologiques par plusieurs acteurs. Cette question est abordée à travers le prisme particulier du trafic d’art et des pratiques considérées comme illicites. Une ethnographie itinérante (Marcus, 1995) et une méthodologie basée sur la biographie des objets (Kopytoff, 1986) permettent dereconstruire le circuit de céramiques, de la production (la fouille clandestine) à laconsommation (l’achat) en passant par leur échange, don et contrefaçon. De trésors à biens culturels, d’artefacts à curiosités, le parcours de ces objets met au jour à la fois la multiplicité de leurs usages socio-politiques et l’évolution des instances delégitimation qui les concernent.La thèse s’intéresse plus particulièrement au département de Lambayeque, situé sur la côte nord, connu pour les remarquables découvertes archéologiques (civilisation Mochica) qui y ont eu lieu au cours des dernières décennies. Elle démontre que, loin d’être les fruits d’un consensus, la patrimonialisation et la mise en tourisme, en tantque ressources économiques et symboliques, peuvent exacerber les conflits, en créantdes dynamiques d’inclusion et exclusion. De fait, l’opposition historique entre conservateurs et destructeurs du patrimoine renforce encore davantage l’asymétrie entre professionnels et communautés porteuses, en termes de savoir et de pouvoir. De plus, le manque de filiation des habitants avec les ancêtres (et donc l’absence de continuité et d’ « authenticité »), jugé par les institutions comme en lien avec une attitude destructive et purement marchande, a entravé une réelle participation de la communauté dans la patrimonialisation. Pour en être reconnus en tant qu’acteurs légitimes, et non comme simples bénéficiaires, ils sont ainsi contraints de reformuler leurs régimes de valeur et de renégocier leurs logiques d’appartenance
The aim of this ethnographic research, carried out in Peru as of 2008, is to map the practices, moral discourses and multiple strategies which underlie the appropriation of relics and archaeological objects by different actors. This topic is analysed through the prism of art trafficking and practices considered to be illicit. A multi-sited ethnography (Marcus 1995) and a methodology based in the biography of objects (Kopytoff, 1986) allows to reconstruct the circuit of ceramics, from production (clandestine digging) to consumption (purchase), through various forms of exchange, gift and counterfeit. From treasures to cultural goods, from artefacts to oddities, the itinerary of these objects sheds light on the multiplicity of their socio-political uses and the evolution of legitimation authorities concerned by them. The thesis focuses more specifically on the region of Lambayeque, on the northern Peruvian coast, which has been characterised by extraordinary archaeological discoveries (Mochica civilisation) over the last few decades. It shows that, far from being the product of consensus, the heritage making and touristic development, as an economic and symbolical resource, can exacerbate conflicts, creating dynamics of inclusion and exclusion. In fact, the historical opposition between heritage conservationists and destroyers reinforces the asymmetry between professionals and bearer communities, in terms of knowledge and power. Moreover, a destructive attitude and commercial interest in relics, considered as the sign of a lack of filiation and therefore of continuity and « authenticity », hinders inhabitants’ participation. In order to be recognized as legitimate actors, and not as simple beneficiaries of heritage making they are obliged to reformulate their value regimes and renegotiate their logics of belonging

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Jaillot, Vincent. "3D, temporal and documented cities : formalization, visualization and navigation." Thesis, Lyon, 2020. http://www.theses.fr/2020LYSE2026.

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L'étude et la compréhension de l'évolution des villes est un enjeu sociétal important, notamment pour améliorer la qualité de vie dans une ville toujours plus dense. Le numérique et en particulier les modèles 3D de villes peuvent être des éléments de réponse. Leur manipulation est parfois rendue complexe par la prise en compte de leurs dimensions thématique, géométrique et topologique ainsi que de leur structuration hiérarchique
The study and understanding of cities evolution is an important societal issue, particularly for improving the quality of life in an increasingly dense city. Digital technology and in particular 3D city models can be part of the answer. Their manipulation is however sometimes complex due to their thematic, geometric, topological dimensions and hierarchical structure.In this thesis, we focus on the integration of the temporal dimension and in the enrichment with multimedia documents of these 3D models of the city, in an objective of visualization and navigation on the web. Moreover, we take a particular interest in interoperability (based on standards), reusability (with a shared software architecture and open source components) and reproducibility (to make our experiments durable).Our first contribution is a formalization of the temporal dimension of cities for interactive navigation and visualization on the web. For this, we propose a conceptual model of existing standards for the visualization of cities on the web, which we extend with a formalization of the temporal dimension. We also propose a logical model and a technical specification of these proposals.Our second contribution allows the integration of multimedia documents into city models for spatial, temporal and thematic visualization and navigation on the web. We propose a conceptual model for the integration of heterogeneous and multidimensional geospatial data. We then use it for the integration of multimedia documents and 3D city models.Finally, this thesis took place in a multidisciplinary context via the Fab-Pat project of the LabEx IMU, which focuses on cultural heritage sharing and shaping. In this framework, a contribution combining social sciences and computer science has allowed the design of DHAL, a methodology for the comparative analysis of devices for sharing heritage via digital technology. Dans cette thèse, nous nous intéressons à l'intégration de la dimension temporelle et à l'enrichissement avec des documents multimédia de ces modèles 3D de la ville, dans un objectif de visualisation et de navigation sur le web. Nous portons un intérêt particulier à l'intéropérabilité (en s'appuyant sur des standards), à la réutilisabilité (avec une architecture logicielle partagée et des composants open source) et à la reproductibilité (permettant de rendre nos expérimentations pérennes).Notre première contribution est une formalisation de la dimension temporelle des villes pour une navigation et visualisation interactive sur le web. Pour cela, nous proposons un modèle conceptuel des standards existants pour la visualisation de villes sur le web, que nous étendons avec une formalisation de la dimension temporelle. Nous proposons également un modèle logique et une spécification technique de ces propositions.Notre deuxième contribution permet d'intégrer des documents multimédias aux modèles de villes pour une visualisation et une navigation spatiale, temporelle et thématique sur le web. Nous proposons un modèle conceptuel pour l'intégration de données géospatiales hétérogènes et multidimensions. Nous l'utilisons ensuite pour l'intégration de documents multimédias et de modèles 3D de villes.Enfin, cette thèse s'est déroulée dans un contexte pluridisciplinaire via le projet Fab-Pat, du LabEx IMU, qui s'intéresse au partage de la fabrique du patrimoine. Dans ce cadre, une contribution mêlant sciences sociales et informatique a permis de concevoir DHAL, une méthodologie pour l’analyse comparative de dispositifs pour le partage du patrimoine via le numérique

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Benkass, Zahra. "La collecte de l'objet contemporain au sein de l'écomusée et du musée de société." Phd thesis, Université d'Avignon, 2012. http://tel.archives-ouvertes.fr/tel-00807037.

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La thèse interroge les pratiques mises en œuvre aujourd'hui pour collecter des objets contemporains au sein des écomusées et des musées de société en France. Cette question de la " contemporanéité " connaît un regain d'actualité en muséologie et prête le flanc à la critique dans le paysage des politiques culturelles. Aussi, la première partie constitue le questionnement théorique de la recherche. Elle interroge la situation paradoxale des musées ethnographiques français, dans l'objectif d'examiner la nouvelle orientation des collections, axée sur le " contemporain ". La deuxième partie trace l'évolution dans les orientations, les méthodes et les finalités des politiques d'acquisition. Le corpus de la recherche analyse, dans ce sens, des pratiques de collecte aujourd'hui opérationnelles au sein de trois musées, foncièrement différents de par leur taille, leur implantation géographique et leurs missions : le musée des Civilisations de l'Europe et de la Méditerranée (MUCEM) à Marseille, l'écomusée du Val de Bièvre à Fresnes (Val-de-Marne) et le musée de la ville de Saint-Quentin-en-Yvelines (Yvelines). Enfin, la troisième partie de la thèse présente les résultats de l'étude expérimentale de terrain. D'abord, en examinant le sens du contemporain au sein du musée de société, à travers la représentativité des exemples retenus dans le corpus. Ensuite, en présentant les conséquences de la collecte de l'objet contemporain, tant sur les missions du musée que sur le statut de l'objet. Ces deux entités sont analysées dans le cadre d'un " système signifiant " qui permet au musée de construire un savoir et une connaissance sur l'objet d'aujourd'hui, à partir des notions d'" altérité ", de " document ", de " tri ", de " mémoire " et de " patrimoine ".

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Laberge, Marie Elizabeth. "Médiation de l'architecture par l'exposition et sa réception par des visiteurs experts et non experts." Phd thesis, Université d'Avignon, 2012. http://tel.archives-ouvertes.fr/tel-00879654.

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Cette thèse s'intéresse à la médiation de l'architecture au musée et aux divers moyens employés pour communiquer le projet architectural en exposition. L'objectif est de mieux connaître la réception que font les visiteurs architectes et non-architectes des outils utilisés pour exposer les aspects variés du projet architectural. On s'entend pour dire que la communication du projet architectural par l'exposition n'est pas tâche facile. Des représentations diverses (dessins, maquettes, photographies, vidéos, etc.) sont utilisées pour exposer le bâti absent. Plusieurs des objets présentés sont complexes à interpréter, surtout pour un néophyte, notamment en raison des codes qu'ils contiennent. Une méthode souvent employée par les commissaires est la " mise en série " de divers types de représentations, chaque outil permettant d'accéder à des informations spécifiques sur le projet. Comme les objets présentés sont souvent difficiles d'accès et que leur présentation sous forme de série peut ajouter à la complexité, il apparaît important d'investiguer la manière dont les visiteurs font sens de ce type de dispositif. Cette recherche vise principalement à jeter les bases d'une connaissance empirique de la réception d'expositions d'architecture par les visiteurs. Six questions ont été retenues pour analyse : (1) Quels objets sont mobilisés par le visiteur? (2) Quels types d'opérations mentales sont faites en lien avec ces objets? (3) Quels sont les obstacles rencontrés, et que fait le visiteur suite à la rencontre d'un obstacle? (4) Quels aspects du projet architectural (matérialité, concept, contexte, etc.) retiennent l'attention du visiteur? (5) Comment le visiteur fait-il des liens entre les différents objets exposés sous forme de série? (6) Le profil professionnel des visiteurs (architectes vs non-architectes) a-t-il une influence sur la construction de sens? Le recueil de données auprès d'une trentaine de visiteurs s'est déroulé au Centre canadien d'architecture (CCA) de Montréal dans l'exposition " Perspectives de vie à Londres et à Tokyo imaginées par Stephen Taylor et Ryue Nishizawa ". Chaque participant visite l'exposition en compagnie de la chercheure avec qui il partage, au fur et à mesure de sa visite, ses pensées et émotions, selon la méthode des protocoles verbaux concomitants (aussi connue sous le nom de thinking aloud ou protocol analysis). L'ensemble des propos est enregistré pour permettre une retranscription exacte avant analyse. Plusieurs des résultats obtenus confirment des idées déjà avancées par les chercheurs telles la popularité des photographies, le peu d'intérêt de la part des non-architectes pour les plans, les aspects variés du projet mentionnés face aux objets exposés, ou encore l'établissement de liens entre les objets comme moyen d'identifier la série. D'autres résultats mettent plutôt en doute des affirmations retrouvées dans les écrits, mais encore jamais appuyées par des données empiriques. Par exemple, plusieurs commissaires considèrent que la maquette est un excellent outil pour communiquer l'architecture et qu'elle est appréciée de tous. Or, dans le cadre de la présente étude, la maquette est peu utilisée par les visiteurs. Le type de maquette et la manière dont elle est disposée dans l'espace peuvent ainsi rendre cet outil peu utile dans la construction de sens du visiteur. Plusieurs auteurs appréhendent des difficultés et des obstacles pour les visiteurs non-architectes. Les présents résultats confirment certaines difficultés des visiteurs néophytes, mais ils démontrent également que les architectes rencontrent eux aussi des obstacles variés

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Harris, Larissa. "The White Earth digital tribal museum: creation of an open-access online museum using 3D images of cultural heritage objects." 2017. http://hdl.handle.net/1993/32222.

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Barriers like financial constraints and travel logistics prevent Indigenous people from accessing their cultural heritage objects held by national, state, and local institutions. This can be overcome using photogrammetry to create 3D models of cultural heritage objects and housing them in virtual museums accessible via Internet-capable devices. This pilot project, working with the White Earth Band of Ojibwe on the White Earth Reservation in Minnesota, followed appropriate museology and communities of practice approaches to meet the concerns, desires, and budget of the tribal members to provide them unfettered access to cultural heritage objects. Because this approach presents cultural objects as 3D models, which can be 'manipulated' as if physically held, it offers visitors more meaningful engagement than they would have with single-dimension, restricted access museum displays. This project focusing on ten cultural heritage objects serves as a foundation on which similar digital museum projects initiated by Indigenous communities can build.
May 2017

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Benson, Bernadine Carol. "Addressing heritage crime in Gauteng, South Africa : an integrative exposition." Thesis, 2013. http://hdl.handle.net/10500/13055.

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This research explored, described and explained the nature and the extent of heritage crime as it manifested in the Gauteng Province of South Africa for the period 2006-2010. Gauteng was selected since it is deemed to be the hub of the legal trade. An operational definition of heritage objects was drafted for this study as ‘objects of artistic, cultural, historic or archaeological value regardless of age, housed in or curated by museums or galleries within Gauteng, and which are both tangible and moveable.’ Heritage crime for the purpose of this study was the illegal removal of any heritage object from a museum or gallery. The annual crime statistics released by the South African Police Services (SAPS) contain no reference to heritage crime of any sort. Therefore this research attempted to quantify the incidents of thefts experienced by museums and galleries in Gauteng for the period 2006-2010. Using a mixed method approach, data were gathered by qualitative and quantitative surveys. A total of 28 qualitative interviews were conducted. These data were integrated with the quantitative data which permitted the achievement of the strategic aims set out for this research. The following aims were achieved: • The roles and responsibilities of the custodians of the national estate were clarified; • International conventions designed to assist in combating crime perpetrated against cultural property were discussed; • The national legislation which guides the management, preservation and protection of heritage objects as well as the trade therein within South Africa was examined; • Policing agencies at the forefront of combating heritage crime were interviewed and international best practices were identified and compared with that which the SAPS are doing to address crime of this nature. These police agencies are situated in Italy, the United Kingdom, the USA and Germany; • The dynamics of the reported incidents of loss/theft were examined. Several anomalies were identified. Among these are the identification of the typologies of items being targeted and the possible identification of the type of thief perpetrating these crimes. • Through analysis of incidents it was also possible to highlight that the majority of thefts occur during the time when museums and galleries are open and that the items stolen are usually on open display (not affixed to the surface and not behind a barrier of any sort). Through the analysis of the data for legal trade and the theft incidents it was possible to design a Framework depicting the interface between the legal and illegal markets for trade in heritage objects. The research also provides law enforcement with minimum guidelines to ensure that crimes of this nature are addressed more effectively.
D.Litt. et Phil.
Department of Criminology (Police Science)

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Rodrigues, Hélia Carla Amado. "Arte xávega na comunidade da praia da Vieira de Leiria: a sua patrimonialização." Master's thesis, 2013. http://hdl.handle.net/10071/7009.

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Trabalho de projeto
O presente projeto tem como objetivo perceber a metamorfose da Arte Xávega em património cultural, a sua relação com o desenvolvimento local assim como com a construção da identidade da comunidade da Praia da Vieira de Leiria. O passado e o presente da Praia da Vieira, as suas gentes e saberes foram o mote de partida para este estudo de caso. Neste trabalho procuro, recorrendo a bibliografia especializada nos domínios da identidade, património cultural, valor de uso e valor simbólico dos objetos, entender o processo de patrimonialização da Arte Xávega na Praia da Vieira e o seu contributo para o desenvolvimento local. Esse processo implicou o estudo da Arte Xávega na Praia da Vieira de Leiria enquanto atividade económica que, confundindo-se com a génese da comunidade, se continua a praticar na atualidade. Aferi sobre a hipótese da transformação de objetos de uso em objetos simbólicos, criando, a partir deles uma rota cultural e um centro de interpretação da Arte Xávega. Por um lado espero contribuir para a preservação da memória nesta comunidade, bem como proporcionar algum dinamismo e empreendedorismo local.
This project aims to understand the Arte Xávega metamorphosis in cultural heritage, is relationship with local development as well as the construction of the Praia da Vieira de Leiria identity. The Praia da Vieira past and present, their people and knowledge were the starting point for this case study. In this work I try, using specialized literature about identity, cultural heritage, use value of objects and symbolic value of objects, to understand the Arte Xávega transformation in heritage at the Praia da Vieira and its contribution to the local development. This process involved the Praia da Vieira de Leiria Arte Xávega study while economic activity that, mingling with the genesis of the community, still practiced nowadays. I studied the possibility of transforming utilitarian objects in symbolic objects, creating from them a cultural route, and an Arte Xávega interpretation center. I hope to contribute to the memory preservation of this community as well as providing some local development and entrepreneurship.

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Smith, Sarah Rutherford. "Ownership of South African street art and the protection of cultural heritage resources." Thesis, 2019. http://hdl.handle.net/10500/26670.

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The development of graffiti into an accepted art form, street art, is a cause of concern for South African property owners. The current position in South African property law regarding the original acquisition of ownership suggests that the creation of street art on movable property belonging to another could result in the transfer of ownership. Ownership of the movable may transfer via accessio to the street artist provided that the artwork changes the nature of the movable. This would occur even if the street artist does not act in good faith because bona fides is not a requirement for the original acquisition of ownership via accessio. This anomaly requires that the South African law on accession in the case of pictura be developed such that good faith be a requirement for the transfer of ownership in this format. With the development and growing popularity of the art form the likelihood of this legal anomaly is becoming a greater possibility. Indeed, the popularity of British street artist, Banksy, has provided numerous examples of contested ownership, albeit within English law. Banksy artworks are collectable and financially valuable. Consequently, not only are they desirable but many of his street artworks are considered to be examples of British cultural heritage and as such may be worthy of protection and preservation. These cases highlight the growing need in South Africa to clearly identify who South African street artworks belong to and, to identify any South African street art that warrants cultural heritage protection. The legislation regarding the protection of South African cultural heritage resources has not yet been extended to any street artworks. Yet there are examples of street art in South Africa that meet the requirements for cultural heritage status or which have the characteristics of cultural heritage resources. The extension of cultural heritage resource status to South African street artworks that are culturally significant could assist in the protection and preservation of these resources. However, the effectiveness of the cultural heritage legislation, in particular the National Heritage Resources Act 25 of 1999, is limited. There are several problematic aspects in this Act. This is of great concern as the issues effect all South Africa’s cultural heritage resources (not just street art which may qualify for such status). However, these issues could be responded to through amendments to the legislation. Significantly, the National Heritage Resources Act seeks to deprive private owners of their property as it seeks to regulate what owners can do with cultural heritage property which they own. However, as it stands there are far too many challengeable issues in this legislation to justifiably deprive this property in terms of s25 of the Constitution of the Republic of South Africa, 1996. This renders significant portions of the National Heritage Resources Act inoperable. Consequently, the amendment of this legislation is necessary to ensure the purpose of the legislation i.e. to ensure the protection and preservation of the South Africa’s cultural heritage resources through the deprivation of property rights or indeed, if necessary, through the expropriation of property.
College of Law
LL. D.

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Лукашенко, Д. О., and D. O. Lukashenko. "Совершенствование взаимодействия органов государственной власти и бизнеса в сфере сохранения объектов культурного наследия в Свердловской области : магистерская диссертация." Master's thesis, 2018. http://hdl.handle.net/10995/66205.

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Master's dissertation is devoted to the problem of interaction of public authorities and business representatives in the field of preservation of cultural heritage in the Sverdlovsk region. The first сhapter deals with the activities of the executive bodies of state power in the sphere of preservation of cultural heritage, analyzes the legal framework of interaction between public authorities and business structures for the conservation and use of cultural heritage in the region, and also reveals the features of public and private partnership in the study area. The second chapter is devoted to the study of the experience of interaction between the executive bodies of state power and business for the preservation of cultural heritage in the Sverdlovsk region, identifying problems and opportunities for such cooperation. The third paragraph of the chapter presents the project «Development and implementation of a mechanism for the involvement of cultural heritage objects in the Treasury of the Sverdlovsk region in the economic turnover in 2018».
Магистерская диссертация посвящена проблеме взаимодействия органов государственной власти и представителей бизнеса в сфере сохранения объектов культурного наследия в Свердловской области. В первой главе работы рассматривается деятельность исполнительных органов государственной власти в сфере сохранения объектов культурного наследия, анализируются нормативно-правовые основы взаимодействия органов государственной власти и бизнес-структур по сохранению и использованию объектов культурного наследия в регионе, а также раскрываются особенности развития государственно-частного партнерства в изучаемой сфере. Вторая глава работы посвящена изучению опыта взаимодействия исполнительных органов государственной власти и бизнеса по сохранению объектов культурного наследия в Свердловской области, выявлению проблем и возможностей такого сотрудничества. В третьем параграфе главы представлен проект «Разработка и реализация механизма вовлечения объектов культурного наследия, находящихся в казне Свердловской области, в хозяйственный оборот в 2018 году».

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Murray, Ronald J., and Barbara B. Tillett. "Cataloging Theory in Search of Graph Theory and Other Ivory Towers. Object: Cultural Heritage Resource Description Networks." 2011. http://hdl.handle.net/10150/136270.

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Working paper summarizing research into cataloging theory, history of science, mathematics, and information science.
The report summarizes a research program that has been investigating how catalogers, other Cultural Heritage information workers, World Wide Web/Semantic Web technologists, and the general public understand, explain, and manage resource description tasks by creating, counting, measuring, classifying, and otherwise arranging descriptions of Cultural Heritage resources within the Bibliographic Universe and beyond it.

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Guerreiro, Dália Maria Godinho. "Repositório digital de património cultural móvel: uma aplicação a objectos do culto católico." Master's thesis, 2009. http://hdl.handle.net/10071/1829.

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Este trabalho analisa o processo de construção do repositório digital Objectos do culto católico. A constituição de uma colecção de temática religiosa justifica-se pelo facto de ser um conjunto coerente e representativo de uma parte significativa dos acervos nacionais de património cultural móvel. Por outro lado, a variedade de tipologias permite enquadrar o actual conceito de biblioteca digital, como um repositório alargado de conteúdos, integrando espécies bibliográficas e objectos museológicos. Estudámos as características das imagens digitalizadas adequadas à constituição de uma matriz de arquivo, a partir das quais se elaboram cópias de consulta, e descrevemos um esquema de nomeação e organização dos ficheiros digitais obtidos. Analisámos os esquemas de metadados a aplicar no âmbito dos objectos patrimoniais, de modo a garantir a leitura e a recuperação da informação a longo prazo. No contexto deste trabalho, inventariámos e processámos, segundo as regras de digitalização, metacodificação e preservação digital, compiladas e descritas nesta dissertação, 10 objectos patrimoniais de tipologia variada (pintura, ourivesaria, têxteis, mobiliário e livro antigo). Com os objectos digitais gerados foi construído o protótipo do repositório digital que se apresenta e discute neste trabalho, detalhando-se as suas funcionalidades. Utilizámos, para o efeito o Greenstone, disponível em open-source, o qual configurámos, incluindo vários modelos de pesquisa e uma hierarquia de thesaurus. Para efeitos de validação do trabalho realizado e obtenção de sugestões de melhoria, o protótipo foi submetido a 14 pessoas de diferentes áreas disciplinares (História, História da Arte, Biblioteconomia, Museologia, Comunicação Cultural e Informática), que o testaram em Windows e Linux e cujas observações foram recolhidas e são aqui apresentadas e analisadas.
This work analyzes the process of building a digital repository of objects of Catholic worship. The establishment of a collection of religious nature is justified by the fact that it constitutes a coherent and representative set of a significant part of the national collections. Moreover, the variety of types allows us to frame the current concept of digital library as a repository of expanded content, including bibliographic species and museum objects. We have studied the characteristics of digital images suitable for the formation of a digital archive, from which copies can be made for study or other activities. We also describe a naming and organization scheme for the files obtained. We have analyzed the metadata schemes needed and the ways to ensure the persistence and retrievability of data on the long run. In the context of this study we have made the inventory and processing, according to the rules of digitization, meta-codification and digital preservation, compiled and described in this work, 10 different types of objects (paintings, jewellery, textiles, furniture and old printed books). With the digital objects generated it was built a prototype of the digital repository that is presented and discussed on this work, while detailing its features. For this purpose we used the open-source software package Greenstone, which was configured including several models of research and a hierarchy of thesaurus. For the purpose of validating the work and obtain suggestions for its improvement, the prototype was submitted to 14 persons from different fields of study (history, art history, library, museum studies, cultural communication and computing), which tested it on Windows and Linux and whose comments were collected and analyzed and are also presented here on this work.

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Poiret, Clémentine. "Interprétation du patrimoine culturel immatériel au musée du quai Branly : la (re)découverte de l’«autre» dans l’exposition «Kanak. L’art est une parole»." Thèse, 2015. http://hdl.handle.net/1866/12471.

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L’objectif de ce mémoire est de porter un regard critique sur l’exposition du patrimoine culturel immatériel kanak, dernièrement proposée au musée du quai Branly. Ayant pour objet de corriger l’élitisme de l’eurocentrisme, le postcolonialisme est un courant de pensée qui vise à repositionner les acteurs et enjeux marginaux. Interdisciplinaire, le discours postcolonial suscite une pluralité de perspectives pour inclure la voix des « autres ». Dans notre étude, nous choisissons de traiter du propos dans un cadre singulier. Notre approche se consacrera à l’interprétation de l’ « autre » par le musée du quai Branly, de manière à comprendre comment, aujourd’hui, la particularité du patrimoine culturel kanak y est exposée. Ce mémoire se propose d’effectuer un retour sur la venue du quai Branly dans le cadre de quelques problèmes récurrents concernant la perception et le traitement de l’objet nonoccidental, retour qui semble nécessaire à l’établissement d’un bilan sur les pratiques expositionnelles du patrimoine culturel immatériel dans l’exposition « Kanak. L’art est une parole ». Pour ce faire, les enjeux soulevés seront abordés dans les perspectives de l’histoire de l’art, de l’anthropologie et de la muséologie. Par la muséographie qu’il met en place, le musée fait part au public de son parti-pris quant au discours didactique qu’il souhaite lui transmettre. Les choix effectués pour la mise en exposition et sa contextualisation expriment la définition que le musée donne aux objets qu’il contient. Le musée du quai Branly est un cas particulier. Promu au rang de musée d’ « art premier » à son ouverture, il expose des objets ethnographiques venus d’Afrique, d’Océanie, des Amériques ou encore d’Asie pour leurs qualités esthétiques. Loin de nos préceptes occidentaux, la difficulté de ce musée est de rendre compte de l’histoire de ces objets. L’exemple de l’expression artistique kanak soulève le fond du problème dans la mesure où elle prend forme à travers des ressources orales.
The goal of this thesis is to propose a critical point of view about the exhibition of the kanak intangible cultural heritage, recently offer at the musée du quai Branly. It’s with a postcolonial point of view, which the subject will be approached. Designed to correct the elitism of eurocentrism, postcolonialism is a school of thought that seeks to reposition the fringe players and challenges in the international arena. Polysemic, postcolonial discourse creates a plurality of perspectives including the voice of the “other”. In our study, we choose to approach this subject with a particular viewpoint. Our approach will devote to the interpretation of the “other” in the musée du quai Branly to understand what, today, exposed the particularity of kanak cultural heritage. This thesis proposes to do a feedback on arrival of the musée du quai Branly througt many recurring questions about perception and handling of the non-western object. This feedback seems to be necessary to make a balance sheet on exhibitionary process of the intangible cultural heritage in the exhibition “Kanak. L’art est une parole”. For that, the issues raised will be to approach with perspective of history of art, anthropology and museology. By the museography developed, the museum share with public his commitment about didactic discourse that it would like transmits. Choices done for the exhibitionary process and his context determine the object definition that is in the museum. The musée du quai Branly is a special case. Promoted to the rank of museum of “primitive art” at his opening, it exhibits ethnographic objects came to Africa, Oceania, America and Asia for them aesthetic qualities. Far away to our western precepts, the challenge of this museum is to report on object’s history. The example of kanak artistic expression raises an issue insofar as it takes the form through intangible resources.

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"文化旅遊中的文化想像與文化生產: 麗江古城木雕與繪畫的旅遊藝術品研究." 2012. http://library.cuhk.edu.hk/record=b5549342.

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过去十年，许多学者都对丽江古城的旅游发展与文化变迁进行过批评。文化真实性的丧失和文化商品化是这些批评中的重要主题。这些问题不仅反映了丽江古城在文化旅游发展下的困境，也是众多其它文化遗产地共同面对的难题。本文通过对丽江古城的木雕与绘画旅游艺术品的研究，探讨了文化旅游中的文化生产与文化想像，并回应了这些相关问题。
在田野调查的基础上，本文总结了上个世纪九十年代以来云南旅游艺术品市场的形成，以及丽江旅游纪念品与木雕绘画产品的发展历程。接下来的讨论通过三个主题来进行：传统与原始、真实与消费、混杂与重构。在传统与原始的讨论中，笔者结合东巴象形文字在现代东巴画和旅游艺术品的应用，分析了当代纳西知识分子和精英画家对东巴文化的想像和艺术再现。所谓的传统生活与文化被绑定在了文化的原始性和艺术的原始性表现中。古城艺人在继承了现代东巴画派的成果的基础上将艺术品与现代生活做了更多的联接。但是传统与原始的联接仍然在很多方面建构着当地的文化想像和实践。真实与消费的讨论中，文章认为文化真实性既有客观性的一面，也有主观性的一面，他们共同构成了文化遗产地的文化真实。许多旅游艺术品的生产都与当地的文化想像有关，它是具有实践性的文化生产。在文化商品化的过程中，文化想像也发挥着作用，它使真实与消费联系起来。不同的参与者都在用自己的方式参与着文化变迁与重构的协商。在文化生产的过程中，当地的艺人运用混杂的方式不断试验着新的可以表达自己又获得市场认可的作品。他们通过与不同人的交流与想像，在古城的混杂的空间里寻找着自己可以发声的位置，对艺术的追求和艺术家身份的建构成为其中的一个硕果。
随着旅游的发展，古城空间和职能发生了根本性的改变，新的文化群体和文化空间正在形成，对文化想像的追寻代替了对文化真实性的追寻成为了旅游活动的主导。文化遗产概念在传播与应用过程中不断被文化想像所填充。尽管古城的木雕与绘画业仍然存在许多问题，但它却孕育出了一批有理想的当地年轻人，他们在文化变迁中正以自己的力量努力着。
Since the last decade, many scholars have undertaken critical researches on tourism development and culture changes. Cultural authenticity and cultural commercialization have been the main topics in the discussions. These problems exist generally in most heritage sites. This thesis proposes to further explore these topics by studying the case of Lijiang old town in Yunnan, China. It focuses on the local woodcrafts and paintings, two popular tourist art forms, to examine cultural construction and cultural imagination in cultural tourism.
Based on field studies, I have reviewed the formation of the market for tourism art in Yunnan Province and the short history of souvenir and tourism arts in Lijiang since 1990s. The following discussion focuses on three main topics: tradition and primitiveness, authenticity and consumption, hybridity and reconstruction. The first topic studies the cultural imagination in contemporary Dongba paintings from Naxi intellectuals and elite artists by analyzing the wide use of Dongba hieroglyphic characters. Cultural primitiveness is used to represent traditional life and culture in the paintings. Although the local craftsmen and painters try to connect traditional culture with modern life, the bond between cultural tradition and primitiveness is still a major influence on cultural imagination and practice. For the second topic, I argue that cultural authenticity has both objective and subjective sides, and both sides interact with local cultural imagination at the heritage site. Many tourism arts are produced with local cultural imagination, and in turn they influence the construction of local culture. Cultural imagination is the bridge between authenticity and consumption. Various stakeholders are participating in the negotiation of cultural changes in their own ways. For the third topic, at the production side, local artists experiment with hybridity on their craft works and have found an efficient way to express their ideas as well as getting feedbacks from the market and consumers. The local craftsmen find their identities and positions in the old town as a result of communication and practices. The pursuit for art and the identity of artist are their major achievements.
With the development of cultural tourism, the Lijiang old town has completely changed in terms of both space and function. Newer and younger cultural groups and cultural spaces are emerging, seeking cultural imagination instead of cultural authenticity in the tourism activities. The concept of cultural heritage is filled up with cultural imagination during its spread in practice. Although the development of woodcrafts and paintings in Lijiang still has many difficulties and problems, it has successfully cultivated a group of local artists who have dreams and will put all their efforts to develop the local culture in their works.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
Detailed summary in vernacular field only.
周蔚蔚.
Thesis (Ph.D.)--Chinese University of Hong Kong, 2012.
Includes bibliographical references (leaves 269-279) and indexes.
Electronic reproduction. Hong Kong : Chinese University of Hong Kong, [2012] System requirements: Adobe Acrobat Reader. Available via World Wide Web.
Abstracts in Chinese and English.
Zhou Weiwei.
导言 --- p.7
Chapter 第一章 --- 研究背景及文献回顾 --- p.11
研究背景及问题的产生 --- p.11
相关概念及文献回顾 --- p.16
理论资源 --- p.36
研究方法 --- p.48
论文框架 --- p.50
Chapter 第二章 --- 九十年代以来纳西民间木雕与绘画的发展概况 --- p.57
旅游艺术品市场的形成 --- p.57
丽江古城旅游纪念品（旅游艺术品）的概况 --- p.65
九十年代后古城木雕绘画旅游艺术品的概况 --- p.71
Chapter 第三章 --- 传统与原始：东巴象形文字与雕刻绘画 --- p.88
从宗教语言到艺术语言 --- p.88
主题的模式化 --- p.97
新力量的出现与主题的延伸 --- p.109
传统与原始性 --- p.115
抽离与全球化 --- p.123
小结 --- p.128
Chapter 第四章 --- 真实与消费：雕刻神灵 --- p.131
《归猎图》的传奇 --- p.131
《黑马图》与《归猎图 --- p.133
云南重彩画与云南少数民族的艺术再现 --- p.139
三朵指涉的形成 --- p.146
《东巴神像》 --- p.164
真实性的协商 --- p.173
小结 --- p.182
Chapter 第五章 --- 混杂与重构：古城与艺术家 --- p.184
“我爱丽江 --- p.185
再现古城奇观 --- p.189
凝视混杂的古城 --- p.198
在凝视中交流与创作 --- p.204
混杂的力量 --- p.209
对艺术家的文化想像 --- p.221
“要不择手段地成为艺术家 --- p.223
“丽江混混 --- p.229
中间人的缺失 --- p.233
小结 --- p.244
结论 --- p.250
文化想像、文化生产与文化遗产 --- p.250
古城、木雕绘画与旅游艺术品 --- p.256
尾声 --- p.259
Chapter 附录一 --- 现代东巴画派主要画家简介 --- p.261
Chapter 附录二 --- 古城木雕绘画艺人简介 --- p.263
Chapter 附录三 --- 田野调查访谈的主要人物与时间列表 --- p.265
Chapter 附录四 --- 本文所引用图表索引 --- p.266
Chapter 附录五 --- 本文所引用木雕绘画作品索引 --- p.267
英文参考文献 --- p.269
中文参考文献 --- p.275
未经发表的资料 --- p.280

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ŠTĚDRÁ, Miroslava. "Jezuitská kolej v Českém Krumlově Možnosti edukačního využití regionální památky ve školní výuce i mimo ni." Master's thesis, 2014. http://www.nusl.cz/ntk/nusl-172662.

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The aim of my thesis is to prepare a creative project in cooperation of primary schools and Gymnasium in Český Krumlov with the National Heritage Institute in České Budějovice. In the project I am going to outline the great educational potential which that discipline may offer to schools. I am going to introduce the educational possibilities of using one monument within the city of Český Krumlov. I am going to link my experience and knowledge with the experience and knowledge of teachers (lecturers who teach history). I am going to proceed from the literature of pedagogy and monument care, regional history, the curriculum, the research and the results of which are published on the website. The project is going to be focused on complementing and diversification of the curriculum, which is discussed in schools and it/the project will contribute not only to the effective presentation of heritage values, but also to the development of education, creativity, and value orientation of the target groups in favour of the voluntary and sustainable care of the cultural heritage.

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RAMDANOVÁ, Jitka. "Řetězové provázení jako prostředek výchovy ke vztahu ke kulturně historickému dědictví." Master's thesis, 2018. http://www.nusl.cz/ntk/nusl-376424.

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The subject of the diploma work thesis is the issue of museum education in an authentic environment, namely a possible way of using the technique of chain guidance in the mediation of the cultural and historical heritage of a certain place to the wider public. The aim of the thesis is to define in the theoretical part the concept of chain guidance in the context of education in relation to cultural heritage and museum education. Practical part contains characteristics and analysis of examples of practical realizations of chain guidence in four historical objects and the autor´s own creative project of chain guidence at the Zdenka Braunerova Studio, which was prepared and implemented in cooperation with the museum and the elementary school. The practical part also includes a proposal for a possible starting point for further cooperation between the Central Bohemian Museum and the Primary school in Roztoky.

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Dissertations / Theses on the topic 'Cultural heritage objects'

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