Relevant bibliographies by topics / Cultural heritage protection law

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural heritage protection law'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Cultural heritage protection law"

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Halim, Bougrain Abdel, and Mubarak bin Al-Tibi. "The Penal protection of cultural heritage in Algerian law." Journal of Legal and Political Studies 7, no. 2 (December 22, 2019): 319–43. http://dx.doi.org/10.17656/jlps.10161.

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Redchits, Maria. "Criminal Law Protection of Cultural Heritage." Law. Journal of the Higher School of Economics, no. 3 (October 1, 2016): 50–60. http://dx.doi.org/10.17323/2072-8166.2016.3.50.60.

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Merryman, John Henry. ""Protection" of the Cultural "Heritage"?" American Journal of Comparative Law 38 (1990): 513. http://dx.doi.org/10.2307/840556.

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de Clippele, Marie-Sophie, and Lucie Lambrecht. "Art Law & Balances. Increased Protection of Cultural Heritage Law vs. Private Ownership: Towards Clash or Balance?" International Journal of Cultural Property 22, no. 2-3 (August 2015): 259–78. http://dx.doi.org/10.1017/s0940739115000119.

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Abstract:Private ownership and cultural heritage protection are two interests in continuing tension. The traditional conception of property right is based on an absolute individual right to the peaceful enjoyment of possessions. However, interference in this right may restrict its exercise and impose charges on the owner, such as classification measures and conservation easements. This paper formulates a hypothesis about an increased protection of cultural heritage along with that of private ownership.Against the background of a complex constitutional allocation of cultural powers, Belgian law provides a pertinent illustration of this development. At the one hand, Belgian governments have been adopting more extensive legislation protecting cultural heritage. On the other hand, Belgian courts, traditionally reluctant to recognize any compensation right when the protective measure only restricts the ownership, gradually appear to undertake a more thorough analysis of the fair balance between the conflicting interests, notably in favor of the owner.The authors gauge the merits of a new model of cultural heritage protection.
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Owley, Jessica. "Cultural heritage conservation easements: Heritage protection with property law tools." Land Use Policy 49 (December 2015): 177–82. http://dx.doi.org/10.1016/j.landusepol.2015.07.007.

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Alshehaby, Fatimah. "Cultural Heritage Protection in Islamic Tradition." International Journal of Cultural Property 27, no. 3 (August 2020): 291–322. http://dx.doi.org/10.1017/s0940739120000259.

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AbstractCultural heritage is a crucial component that plays a fundamental role in defining an individual’s identity and advancing the protection of his or her human rights. Reinforcing cultural distinctions and human differences are significant and therefore recognized in Islam. This article enhances the understanding of an Islamic approach to cultural heritage and human rights through the lens offered by three examples: the right to education, freedom of religion, and the right to development. The discussion of the protection of cultural heritage in Islam is essential because Islam is one of the legal sources in many Muslim states, and, therefore, the examination of its intersection with international law could enhance the protection of cultural heritage and promote human rights in the Islamic world. The article develops principles of cultural heritage protection that are in conformity with international law. These principles are the promising common ground for the possibility of universal cultural heritage policy. Despite the fact that there is no clear reference to the notion of cultural heritage in Islamic teaching, this article shows that principles of the protection of cultural heritage are established.
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Blake, Janet. "On Defining the Cultural Heritage." International and Comparative Law Quarterly 49, no. 1 (January 2000): 61–85. http://dx.doi.org/10.1017/s002058930006396x.

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Examples can be found from ancient times of concern for the protection of cultural artefacts and early legislation to protect monuments and works of art first appeared in Europe in the 15th century. Cultural heritage was first addressed in international law in 1907 and a body of international treaties and texts for its protection has been developed by UNESCO and other intergovernmental organisations since the 1950's. The 1954 Convention for the Protection of Cultural Property in the Event of Armed Conflict of UNESCO (henceforth the “Hague Convention”) is the earliest of these modern international texts and was developed in great part in response to the destruction and looting of monuments and works of art during the Second World War. It grew out of a feeling that action to prevent their deterioration or destruction was one responsibility of the emerging international world order and an element in reconciliation and the prevention of future conflicts. International law relating to the protection of cultural heritage thus began with comparatively narrow objectives, the protection of cultural property in time of war.
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Özsunay, Ergun. "Protection of Cultural Heritage in Turkish Private Law." International Journal of Cultural Property 6, no. 2 (July 1997): 278–90. http://dx.doi.org/10.1017/s0940739197000349.

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Ryška, Ivan. "Types of cultural property and their protection under International Criminal Law." International and Comparative Law Review 20, no. 1 (June 1, 2020): 220–36. http://dx.doi.org/10.2478/iclr-2020-0010.

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SummaryIn this article we analyze the forms of protection of distinct types of cultural heritage under International Criminal Law. Initially, we introduce the concept of categorization of cultural heritage into types, and review its historical development. The main focus is on the present day approach to the protection based on human rights, which builds heavily on the link between a certain type of cultural heritage and a community or individual. Later, we examine the possible ways to prosecute attacks against cultural heritage under International Criminal Law. Our analysis demonstrates, that the attacks against cultural heritage may, under various circumstances, fall under the category of war crimes, crimes against humanity, or genocide. We support our conclusions by jurisprudence arguments from case law treating the prosecution of destruction of cultural heritage under International Criminal Law.
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Ryška, Ivan. "Shift from Cultural Property to Cultural Heritage and its Possible Consequences for International Criminal Law." Polish Review of International and European Law 10, no. 2 (December 18, 2021): 37–61. http://dx.doi.org/10.21697/priel.2021.10.2.02.

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The article examines the content of terms ‘cultural property’ and ’cultural heritage’. It illustrates the continual development in the protection of cultural property that evolved into the concept of cultural heritage. The first part of the article describes differences between the two notions and explains why the term ’cultural heritage’ is more suitable for the current approach to protection of cultural expressions. The second part of the article deals with possible consequences that the conceptual shift from cultural property to cultural heritage can bring to protection under International Criminal Law. It argues that despite the wording of relevant legal documents, it does not explicitly work with the term ’cultural heritage’. The author notes that jurisprudence of international criminal tribunals has already been recognizing this concept and reflecting upon the extent of the term in some of their decisions.
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Dissertations / Theses on the topic "Cultural heritage protection law"

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Dromgoole, Sarah. "Law and the underwater cultural heritage : a legal framework for the protection of the underwater cultural heritage of the United Kingdom." Thesis, University of Southampton, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308336.

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DiPaolo, Andrea. "Space law and the protection of cultural heritage: the uncertain fate of humanity's heritage in space." Thesis, McGill University, 2014. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=121600.

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As numerous governments and commercial entities plan ambitious expeditions into outer space and to celestial bodies, humanity's heritage in space is threatened. This Thesis examines the protections currently available to those objects and sites that represent the great achievements of humankind in using and exploring space, with a focus on Tranquility Base, the Apollo 11 landing site. Existing protections are analyzed under both cultural heritage law and space law, focusing primarily on the language of relevant treaties in these fields. There have been several endeavors undertaken in the United States to protect the Apollo landing sites in general and Tranquility Base in particular. These actions are reviewed herein for appropriateness and efficacy. Recommendations to optimize the protection of space heritage in the future are then presented. This Thesis concludes that the most effective approach, which is also likely to succeed, consists of a multi-step process including unilateral actions, bilateral treaties, and a multilateral soft law solution, ideally culminating in a multilateral treaty, and possibly leading to the formation of customary international law. Fundamentally, cooperation and good faith are the cornerstones of any solution to this issue of international law. It is important that the legal rules governing interaction with and preservation of these objects and sites be clearly determined to avoid irreversible damage to a unique and irreplaceable resource.
Alors que de nombreux gouvernements et entités commerciales prévoient d'ambitieuses expéditions dans l'espace extra-atmosphérique et dans les corps célestes, le patrimoine de l'humanité dans l'espace est menacé. Cette thèse examine les protections actuellement disponibles pour les objets et sites qui représentent les grandes réalisations de l'humanité concernant l'utilisation et l'exploration de l'espace, avec une attention particulière portée sur la Base de la Tranquillité, le site d'atterrissage d'Apollo 11. Les protections existantes sont analysées en vertu du droit du patrimoine culturel et du droit de l'espace, et se concentrent principalement sur le langage des traités en ces domaines. Il y a eu plusieurs tentatives menées aux États-Unis pour protéger les sites d'atterrissage d'Apollo, en particulier concernant la Base de la Tranquillité. Ces mesures sont examinées dans les développements de la thèse afin d'évaluer leur pertinence et leur efficacité. Les recommandations pour optimiser la protection du patrimoine de l'espace dans le futur sont ensuite présentées. Cette thèse conclut que l'approche la plus efficace, qui est également la plus susceptible de réussir, consiste en un processus en plusieurs étapes, comprenant des mesures unilatérales, des traités bilatéraux et une solution multilatérale de soft law, aboutissant idéalement à un traité multilatéral, et pouvant éventuellement conduire à la formation de droit international coutumier. Fondamentalement, la coopération et la bonne foi sont les pierres angulaires de toute solution à ce problème de droit international. Il est important que les règles juridiques régissant l'interaction et la préservation de ces objets et de ces sites soient clairement déterminées, afin d'éviter que des dommages irréversibles ne soient causés à une ressource unique et irremplaçable.
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Dragasi, E. "The legislative process in developing cultural heritage protection policy in Greece with particular reference to the protection of cultural heritage in law 3028/2002." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1443159/.

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This thesis explores the discourse of cultural heritage internationalism and nationalism as they were expressed within the broader theoretical discourse in the cultural heritage field, as well as their expressions during the making of Greek Law 3028/2002 on the Protection of Antiquities and Cultural Heritage in General. More particularly, this research investigates the underlying interests of powerful groups, motivations of actors, ideological beliefs, and the origins of conflicting interests on cultural heritage protection within Greece during the making of this particular Law in comparison to the theoretical debate over cultural heritage ownership and control of its use, value and meaning. Furthermore, it explains the origins of conflicting interests, power relations, and motivations of actors, groups and institutions in their attempt to dominate, accumulate capital, distinguish themselves and maintain their social position in the cultural heritage discourse by adopting Bourdieu’s theories of habitus and practice. Analysis of archival material from various primary and secondary sources constituted the methodological framework alongside interviews with officials, specialist lawyers, and academics in Greece. My thesis reviews specific examples of Greek law and policy by looking into trends that show how the ideas of cultural heritage nationalism have been reflected in Greek legislation to protect material representations and identities from the foundation of the Greek state in 1830, when Greece gained independence from the Ottomans, until the enactment of the current Law 3028/2002. Additionally, it examines the journey of this particular Bill of Law 3028/2002 throughout its legislative stages, analyses the main factors that necessitated a new cultural heritage protection law, and evaluates the policy priorities behind the Bill. The in-depth analysis of the lengthy discussions that took place during the making of Law 3028/2002 at three different stages of the legislative process indicated interwoven and structured dynamics between international and national arrangements in Greece’s case and that all forms of internationalism had an element of a ‘built-in’ nationalism. This evidence-based approach revealed, empirically, that during the enactment of the Law actors expressing both sides of the debate,attempted to systematise and orchestrate their ‘voices’ according to their practices, beliefs and personal interests in order to control the use and value of heritage exclusively, and maintain their ownership rights and social status.
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Strati, Anastasia G. "The protection of the underwater cultural heritage as an emerging objective of the contemporary law of the sea." Thesis, Cardiff University, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.336543.

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Kogelschatz, Megan. "Protecting the Past for a Better Future: Protecting Palestinian Cultural Heritage." Thesis, University of Oregon, 2016. http://hdl.handle.net/1794/20523.

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Cultural heritage is fundamentally important to humanity. Societies around the world have recognized this for centuries. However, in the context of war, damage to cultural heritage goes unnoticed until it is too late. Palestinian cultural heritage is disappearing at a rate of 12,000 pieces per year. If this destruction continues, there may not be any cultural heritage left for future generations. This paper examines the current legal framework in place for the protection of Palestinian cultural heritage in light of the biggest threats to it, in order to determine if there is an adequate legal framework in place for the protection of Palestinian cultural heritage. Then, considering how many cultural heritage pieces have already been illicitly exported from the Palestinian territories, I examine the legal duties of the Palestinian government, Israeli government, and International governments that may aid in the restitution of Palestinian cultural heritage.
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Turhalli, Zeynep. "La protection du patrimoine culturel des minorités en droit international." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100188.

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Le patrimoine culturel des minorités comprend l’ensemble des œuvres matérielles et non matérielles de ses artistes et de ses savants, ainsi que les créations anonymes du groupe, comme la langue, les rites, les croyances, et les modes de vies, qui marquent l’identité culturelle du groupe et qui donnent un sens à la vie de ses membres.Comment protéger le patrimoine culturel de ces groupes et assurer leur contribution au patrimoine commun de l’humanité ?La première difficulté est le présupposé selon lequel la reconnaissance de l’identité culturelle collective de ces groupes dépend de leur reconnaissance juridique dans l’ordre juridique international. De ce point de vue, le droit international est un système constitué par et pour des personnes juridiques comme les États et les organisations internationales. La personne humaine ne trouve sa place dans cet ordre qu’en tant qu’individu sujet des droits de l’homme. Mais les entités comme les peuples, les minorités et les peuples autochtones ont besoin d’une reconnaissance juridique. La généralité du concept même de patrimoine culturel des minorités constitue un second obstacle. En l’absence de conventions explicites, le patrimoine culturel de ces groupes recouvre une réalité vaste et complexe, difficile à appréhender en droit. Dans cette thèse nous étudierons comment le droit international protège le patrimoine culturel des minorités. En effet, nous considérons que, bien qu’il n’existe toujours pas de définition précise et unifiée du patrimoine culturel, les développements juridiques récents démontrent bel et bien l’émergence d’une coutume internationale protégeant le patrimoine culturel des minorités
The cultural heritage of minorities comprises the works of its artists, its intellectuals, as well as all the creations arisen from its memory and the collective knowledge, such as the languages, the shared rituals, beliefs, and ways of life, those mark the cultural identity of the group and give the sense to the lives of its members. How to protect the cultural heritage of these groups and ensure their contribution to the common heritage of mankind? The first difficulty in this regard is the presumption that the cultural heritage of these groups is linked to their collective identity. Thus, the protection of the identity depends to the recognition of the group as the subject of international law. From this point of view, international law is a system made by and for the legal entities such as States and the international organizations. The individual finds its place in this order as subject of human rights. Nevertheless, collective entities like peoples, minorities and indigenous peoples need a legal recognition. On the other hand, the generality of the concept of cultural heritage it self is a second obstacle before its legal recognition. In the absence of explicit conventions defining it, the cultural heritage of these groups covers a vast and complex reality hard to recognize in legal terms. In this thesis we analyze how does international law protects the cultural heritage of minorities. We consider, although there is not still any clear and unified legal definition of cultural heritage, recent developments demonstrate the emergence of a customary international law protecting the cultural heritage of these groups
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Gärtner, Tanya, and Magnus Obermann. "The Role of the 'Coordinating State' in the Protection of the Underwater Cultural Heritage: An analysis of the cooperative jurisdictional regime of the UNESCO Convention for the Protection of the Underwater Cultural Heritage (2001) including relevant state practice." Beiträge des UNESCO-Lehrstuhls für Internationale Beziehungen, 2020. https://tud.qucosa.de/id/qucosa%3A70871.

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The article at hand concerns itself with evaluating the impact the State Cooperation System has had on how underwater cultural heritage is dealt with in international waters. A total of six researched cases, including the infamous Titanic and the currently controversial San José, attest that the notion of the Coordinating State has yet to deliver a higher standard of protection for cultural assets underwater. Also, generic ramifications caused by the superficial configuration of the treaty, such as disregarding private stakeholders and elements of bureaucracy, are identified. The discontent with cooperative jurisdictional provisions seems to be omnipresent. This affirms the need for reforming the Convention itself, even in consideration of the sixth Meeting of State Parties’ Draft Ratification and Implementation Strategy. In order to provide a workable proposal for reform, the authors acknowledge the potential role model effect of existing systems of shared jurisdiction. In conclusion, it is suggested to upgrade the convention’s Scientific and Technical Advisory Body (STAB) and assign it the identification of underwater cultural heritage, notifying state parties with a verifiable link to the heritage site as well as taking emergency measures. This is consistent with missions the STAB has already deployed to assist state parties on-site and preliminary deliberations to strengthen the support and funding of the STAB in the aforementioned Draft Ratification and Implementation Strategy.
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North, MacLaren. "Protecting the past for the public good archaeology and Australian heritage law /." Connect to full text, 2007. http://hdl.handle.net/2123/1602.

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Thesis (Ph. D.)--University of Sydney, 2007.
Title from title screen (viewed 25 March 2008). Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy to the Dept. of Archaeology, Faculty of Arts. Degree awarded 2007; thesis originally submitted 2006, corrected version submitted 2007. Includes bibliographical references. Also available in print form.
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Kianguebeni, Ulrich. "La protection du patrimoine culturel au Congo." Thesis, Orléans, 2016. http://www.theses.fr/2016ORLE0001/document.

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Le droit du patrimoine culturel congolais est un droit récent en raison du jeune âge de ses outils juridiques. En effet, ce droit s’est largement inspiré du système français à travers l’application, au Congo, de la législation française avant l’indépendance. Instituée dans un contexte historique particulier, la conception congolaise du patrimoine est une émanation des administrateurs coloniaux et missionnaires français. Cette conception est essentiellement basée sur l’adoption des valeurs culturelles françaises car la France en tant que métropole a institué l’application de sa législation dans les colonies. Cependant, cette application n’a pas été suivie d’effet au Congo en raison de l’absence du patrimoine au sens occidental. Avec l’indépendance en 1960, la nouvelle élite congolaise, issue des écoles françaises, a opté pour un mimétisme juridique et institutionnel. Les premiers textes à illustrer ce mimétisme ont été la loi 32/65 du 12 août 1965 donnant à l’Etat la possibilité de créer des organismes tendant au développement de la culture et des arts et le décret 68-45 du 19 février 1968 fixant les modalités d’application de la loi 32/65 du 12 août 1965. Ce mimétisme a révélé des lacunes en raison de la non prise en compte des réalités socio-culturelles congolaises. Dès lors, on a assisté, à la fin des années 1970, à une tentative d’élargissement de la conception du patrimoine avec la prise en compte de la conception traditionnelle à travers notamment l’affirmation de l’identité culturelle congolais. De nos jours, le Congo marque un grand intérêt à la protection du patrimoine par les politiques de développement culturel et par l’adoption deux textes majeurs : la loi n°8-2010 du 26 juillet 2010 portant protection du patrimoine national culturel et naturel et la loi de n°9-2010 du 26 juillet 2010 portant orientation de la politique culturelle au Congo. Une démarche supplémentaire qui illustre la marche vers la protection du patrimoine culturel bien que celle-ci soit encore embryonnaire et présente beaucoup d’insuffisances. Cependant, il convient de noter que la protection du patrimoine culturel connaît beaucoup de difficultés, lesquelles sont liées aux ressources humaines aux ressources financières. C’est pourquoi ce travail propose des mesures et initiatives en faveur d’une protection et d’une gestion efficaces du patrimoine culturel au Congo
Congolese cultural heritage law is recent due to the young age of legal tools. In fact, this law that is inspired by French law because of cultural assimilation from French colonization. Instituted in a particular historical context, current conception of cultural heritage in Congo has been an emanation of colonial administrators and missionaries. This conception is essentially based in French cultural values. As a metropolis, France instituted the application of its laws in the colonies. An application not followed of actions because of the lack of heritage in the western understanding in Congo. When Congo got its independency in 1960, new Congolese elite graduated in French schools opted for a legal and institutional imitation to rule the State but also to protect cultural heritage. Consequently, first laws that illustrate this imitation are the Law 32/65 of August 12th 1968 providing the state with the possibility to create organs to develop culture and arts and the Decree 68-45 of February 19th 1968 fixing the operation procedures of the Law32/65 of August 12th 1968. This imitation revealed gaps because Congolese social and cultural conditions have not been taken into account. Therefore at the end of the 1970’s, there has been an attempt to come back to the traditional conception of cultural heritage, with for example the affirmation of Congolese cultural heritage. Congo still emphasizes this interest for the protection of cultural heritage by cultural development policies and adoption of two laws: the Law N°8-2010 of July 26th 2010 on the protection of national cultural and natural heritage and the Law N°09-2010 of July 26th 2010on the orientation of cultural policy in Congo. This is an additional walk towards the protection of cultural heritage, although this is still embryonic and very insufficient. However, it must be stressed that protection of cultural heritage encounters many difficulties linked to human and financial resources. This is why this work proposes some measures and initiatives in favor of an effective protection and management of Congolese cultural heritage
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Khalaf, Husam. "Le droit du patrimoine culturel en Irak : approche locale et internationale." Thesis, Clermont-Ferrand 1, 2013. http://www.theses.fr/2013CLF10424.

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Aux XXe et XXIe siècles, l'idée de protection du patrimoine culturel (matériel et immatériel) et des biens culturels s’est accrue tant au niveau national qu’international. Elle se manifeste notamment par la définition des biens à protéger, l’élaboration de normes et la mise en place d’institutions. Cette étude s’attache à la formation du droit du patrimoine culturel en Irak dans une perspective historique en retraçant la genèse des notions relatives au patrimoine culturel, l’évolution et la portée de la législation mais également en analysant les institutions et les règles juridiques contemporaines élaborées pour en assurer la protection. Dans le cadre de l’Irak, en lien avec les conflits récents, les années d'embargo et les atteintes portées au patrimoine culturel, la question de l’efficacité des dispositions nationales et internationales se pose. A partir d’une analyse des violations commises malgré les conventions internationales, la détermination d’une mise en jeu de la responsabilité pour atteinte au patrimoine culturel peut être envisagée. Depuis 2003, une politique est menée pour renforcer la protection, la conservation et la valorisation du patrimoine culturel avec l’appui d’une coopération internationale. A la lumière de ces différents éléments, cette thèse formule des préconisations pour contribuer à une réflexion sur de possibles évolutions
In the twentieth and twenty-First centuries, the idea of protection of tangible and intangible heritage and cultural properties developed tremendously at both national and international levels. This idea is specially coming out by defining the properties to protect, developing the standards necessary and establishing the institutions mandatory for this purpose.This study focuses on the formation of cultural heritage law in Iraq in a historical perspective by tracing the genesis of concepts related to cultural heritage, evolution of the legislation but also by analyzing the institutions and legal Contemporary rules developed to ensure the protection. In case of Iraq, especially with the recent conflicts, the embargo years and the damage caused to the cultural heritage, the effectiveness of national and international provisions remains questionable.From an analysis of committed violations despite international conventions, determination an implementation of the responsibility for the cultural heritage may be considered. Since 2003, a strategy is established to strengthen the protection, to conserve and valuate this precious heritage with the support of international cooperation. Using all these elements, this thesis suggests recommendations to contribute to further possible developments
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Books on the topic "Cultural heritage protection law"

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Cultural heritage law. Cheltenham, UK: Edward Elgar Publishing Limited, 2012.

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An introduction to cultural heritage law. Valletta (Malta): Midsea Books, 2008.

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Jote, Kifle. International legal protection of cultural heritage. Stockholm: Juristförlaget, 1994.

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Cultural heritage, cultural rights, cultural diversity: New developments in international law. Leiden: Martinus Nijhoff Publishers, 2012.

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International law and the protection of cultural heritage. London: Routledge, 2010.

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Forrest, Craig James Stuart. International law and the protection of cultural heritage. New York: Routledge, 2009.

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Lanka, National Trust-Sri, and ICOMOS Sri Lanka. General Meeting, eds. The protection of culture, cultural heritage, and cultural property. Colombo: National Trust--Sri Lanka, 2006.

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Roodt, Christa. Private international law, art and cultural heritage. Cheltenham, UK: Edward Elgar Publishing, 2015.

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Graeme, Wiffen, ed. Heritage law in Australia. South Melbourne, Australia: Oxford University Press, 2006.

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Gillman, Derek. The idea of cultural heritage. New York: Cambridge University Press, 2010.

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Book chapters on the topic "Cultural heritage protection law"

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Tsivolas, Theodosios. "Criteria of Protection." In Law and Religious Cultural Heritage in Europe, 95–101. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-07932-5_6.

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D’amico Soggetti, Gabriele. "Blue Helmets for Culture: Involving Communities in the Protection of Their Heritage." In Cultural Heritage and International Law, 163–73. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_8.

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Michl, Fabian. "The Protection of Cultural Goods and the Right to Property Under the ECHR." In Cultural Heritage and International Law, 109–27. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_6.

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Oeter, Stefan. "Intangible Cultural Heritage in Need of Protection: The Case of Regional and Minority Languages." In Cultural Heritage and International Law, 59–83. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_4.

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Simon, Sophie. "Le Commissaire aux droits de l’homme, un acteur de la protection de la diversité linguistique." In Cultural Heritage and International Law, 15–36. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_2.

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Petrillo, Pier Luigi. "Intangible Cultural Heritage and Comparative Law. Towards a Global Legal Protection of the Intangible Cultural Heritage." In The Legal Protection of the Intangible Cultural Heritage, 231–63. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-319-72983-1_11.

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Manacorda, Stefano. "Criminal Law Protection of Cultural Heritage: An International Perspective." In Crime in the Art and Antiquities World, 17–48. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-7946-9_2.

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de Matos, Mariana Monteiro. "Cultural Identity and Self-Determination as Key Concepts in Concurring Legal Frameworks for the International Protection of the Rights of Indigenous Peoples." In Cultural Heritage and International Law, 273–92. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78789-3_13.

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Kanungo, Parthabi. "Protection of Lunar Heritage Sites: A Customary Law Perspective." In Protection of Cultural Heritage Sites on the Moon, 85–94. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38403-6_8.

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Scovazzi, Tullio. "International Legal Instruments as a Means for the Protection of Cultural Heritage." In Transcultural Diplomacy and International Law in Heritage Conservation, 155–67. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-16-0309-9_11.

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Conference papers on the topic "Cultural heritage protection law"

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Salgado, Marina. "Cultural heritage and urban protection legislation." In XXVI World Congress of Philosophy of Law and Social Philosophy. Initia Via, 2015. http://dx.doi.org/10.17931/ivr2013_wg155_01.

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Li, Na, and Huibing Yu. "Analysis on the Legal Protection Mode of Intangible Cultural Heritage." In Proceedings of the 5th International Conference on Economics, Management, Law and Education (EMLE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/aebmr.k.191225.187.

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Victoria Browne, Kim. "The Treasures of the Sea: 2001 Convention on the Protection of the Underwater Cultural Heritage." In Annual International Conference on Law, Regulations and Public Policy. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3809_lrpp15.36.

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Shults, Roman, Petro Krelshtein, Iulia Kravchenko, Olga Rogoza, and Oleksandr Kyselov. "Low-cost Photogrammetry for Culture Heritage." In Environmental Engineering. VGTU Technika, 2017. http://dx.doi.org/10.3846/enviro.2017.237.

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Culture heritage will always remain one of the priorities of any state. Taking a cultural or historical object under protection is impossible without inventory. The best technology, which allows getting high-quality inventory, is close-range photogrammetry. Unfortunately, the full capabilities of this technology is fully owned by professionals only. The situation changed significantly with the advent of mobile devices that are equipped with digital cameras and low-cost software that does not require any special knowledge in the theory and practice of photogrammetry. These developments have been called lowcost photogrammetry technologies. In the present study, we examined the use of smartphones and nano UAV and PhotoScan software for solve the problem fortifications II World War inventory near the city of Kiev. For qualitative data, the calibration of digital cameras in smartphones and ultra-light UAV was performed on calibration bench. One of the features of this project was the integration of the terrestrial photos and photos captured by nano UAVs. As a result of work performed were obtained 3D models of fortifications. Results showed high efficiency of the low-cost photogrammetry technologies. At the end of work some practical guidelines were provided, how to get high-quality data using low-cost photogrammetry technologies.
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Atanasio-Guisado, Alberto, and Jorge Moya Muñoz. "La red de búnkeres construida en el siglo XX entre la bahía de Cádiz y la desembocadura del Guadalquivir." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11516.

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The bunker network built in the twentieth century between the Bay of Cádiz and the mouth of the Guadalquivir RiverThe Andalusian Defensive Architecture Plan (PADA) justifies the legal protection of all Andalusian defensive architecture based on the historical condition of the region as a border of kingdoms and civilizations. It supports by using the Decree of April 22, 1949 on the protection of Spanish castles; to the subsequent Law 16/1985 on Spanish Historical Heritage, which declared Bien de Interés Cultural the assets included in the Decree of 1949; and extending the term “castle” to the more generic of “defensive architecture” or “military architecture”. However, the fortification of the twentieth century in Andalusia hardly has any protection. Devices such as the north shore of the Strait or the Bay of Cádiz remain unnoticed and abandoned to their fate. The objective of this contribution is to present this device: the defensive network of bunkers for machine guns and / or anti-tank guns executed in the surroundings of the Bay of Cádiz and the mouth of the Guadalquivir River (from Chiclana de la Frontera to Almonte, passing through Cádiz, Rota or Sanlúcar de Barrameda, among others). Due to the territorial condition of the system, georeferencing and parametrization tools will be applied to the original planimetry located in the Southern Military Intermediate Archive of Seville, deepening in what was the setup and tactical sense of the works around 1945.
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Browne, Kim Victoria. "International Cultural Heritage Law The Internationalisation of Cultural Heritage." In Annual International Conference on Law, Regulations and Public Policy. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2251-3809_lrpp14.11.

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Meng, Lu. "Restitution of Cultural Heritage under International Law." In Proceedings of the 2019 3rd International Conference on Education, Culture and Social Development (ICECSD 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icecsd-19.2019.13.

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Baoping, Li. "Path Selection of Chinars Cultural Heritage Protection." In Fifth International Conference on Public Management : International Collaboration for Innovated Public Governance (ICPM 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icpm-18.2018.21.

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Mei, Jia-Qi. "Functions of Oral History from Inheritor of Intangible Cultural Heritage in Cultural Heritage Protection." In 2nd Annual International Conference on Social Science and Contemporary Humanity Development. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/sschd-16.2016.35.

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"Research on Intangible Cultural Heritage and Traditional Cultural Protection Mechanism." In 2017 International Conference on Humanities, Arts and Language. Francis Academic Press, 2018. http://dx.doi.org/10.25236/humal.2017.41.

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Reports on the topic "Cultural heritage protection law"

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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Soyluoğlu, Mehmetcan. Underwater cultural heritage protection in Cyprus and its contribution to Roman archaeology. Honor Frost Foundation, 2020. http://dx.doi.org/10.33583/mags2020.05.

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Ignatenko, A. S. FORMATION OF LEGISLATION FOR THE PROTECTION OF ARCHAEOLOGICAL CULTURAL HERITAGE OF KOREA IN 1910-1945 YEARS. "Росток", 2018. http://dx.doi.org/10.18411/ign-2018-16.

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Levochkina, N. A. Lecture course for distance learning "Museum management" (training course: 43.03.02 "Tourism", 51.03.04 "Museology and protection of objects of cultural and natural heritage", level of higher education - bachelor's degree). Science and Innovation Center Publishing House, November 2016. http://dx.doi.org/10.12731/levochkina.01112016.22234.

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Poelina, Anne, J. Alexander, N. Samnakay, and I. Perdrisat. A Conservation and Management Plan for the National Heritage Listed Fitzroy River Catchment Estate (No. 1). Edited by A. Hayes and K. S. Taylor. Martuwarra Fitzroy River Council; Nulungu Research Institute, The University of Notre Dame Australia., 2020. http://dx.doi.org/10.32613/nrp/2020.4.

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The Martuwarra Fitzroy River Council (Martuwarra Council) has prepared this document to engage widely and to articulate its ambitions and obligations to First Law, customary law and their guardianship authority and fiduciary duty to protect the Martuwarra’s natural and cultural heritage. This document outlines a strategic approach to Heritage Conservation and Management Planning, communicating to a wide audience, the planning principles, key initiatives, and aspirations of the Martuwarra Traditional Owners to protect their culture, identity and deep connection to living waters and land. Finer granularity of action items required to give effect to this Conservation and Management Plan for the National Heritage Listed Fitzroy River Catchment Estate are outlined in section 7 and which will be more fully explored by the Martuwarra Council in the coming months and years.
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Levochkina, N. A. TOURISM OF THE OMSK REGION: The twentieth century (Thematic bibliographic index of literature) (direction: 43.03.02 "Tourism" (International and domestic tourism), 51.03.04 "Museology and protection of objects of cultural and natural heritage", level - bachelor). Science and Innovation Center Publishing House, September 2016. http://dx.doi.org/10.12731/levochkina.01092016.22121.

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KellerLynn, Katie. John Muir National Historic Site: Geologic resources inventory report. National Park Service, December 2021. http://dx.doi.org/10.36967/nrr-2288497.

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Geologic Resources Inventory reports provide information and resources to help park managers make decisions for visitor safety, planning and protection of infrastructure, and preservation of natural and cultural resources. Information in GRI reports may also be useful for interpretation. This report synthesizes discussions from a scoping meeting held in 2007 and a follow-up conference call in 2020. Chapters of this report discuss the geologic heritage, geologic features and processes, and geologic resource management issues of John Muir National Historic Site. Guidance for resource management and information about the previously completed GRI map data is also provided. A GRI map poster (separate product) illustrate the GRI map data. Geologic features, processes, and resource management issues identified include the Great Valley sequence, an unconformity, the Martinez Formation, the San Andreas Fault, an anticline, fluvial features and processes, erosion, flooding, slope movements, earthquakes, climate change, and paleontological resources.
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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, February 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the recipient instead of a pop pointer, without even communicating to the audience the information stipulated in the media laws − information support-protection-development of ethno-culture national product in the domestic and foreign/diaspora mass media, the support of ethnoculture by NGOs and the state institutions themselves. In the context of the study of the cultural national socio-humanitarian space, the article diagnoses and predicts the model of creating and preserving in it the dynamic equilibrium of the ethno-cultural space, in which the nation must remember the struggle for access to information and its primary sources both as an individual and the state as a whole, culture the transfer of information, which in the process of globalization is becoming a paramount commodity, an egregore, and in the post-traumatic, interrupted-compensatory cultural-information space close rehabilitation mechanisms for national identity to become a real factor in strengthening the state − and vice versa in the context of adequate laws («Law about press and other mass media», Law «About printed media (press) in Ukraine», Law «About Information», «Law about Languages», etc.) and their actual effect in creating motivational mechanisms for preserving/protecting the Ukrainian language, as one of the main identifiers of national identity, information support for its expansion as labels cultural and geostrategic areas.
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