Relevant bibliographies by topics / Cultural identity/diversity

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  1. Journal articles

Academic literature on the topic 'Cultural identity/diversity'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Cultural identity/diversity"

1

Meijer, Wilna A. J. "General education, cultural diversity, and identity." Studies in Philosophy and Education 15, no. 1-2 (1996): 113–20. http://dx.doi.org/10.1007/bf00367520.

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2

Wagstaff, M. Fernanda, Si Hyun Kim, Fernando R. Jiménez Arévalo, Said Al-Riyami, and Esperanza Huerta. "Individual bicultural identity and cultural intelligence." Management Research: Journal of the Iberoamerican Academy of Management 18, no. 1 (2020): 29–45. http://dx.doi.org/10.1108/mrjiam-06-2019-0931.

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Purpose This paper aims to examine the relationship between individual bicultural identity and attitudes toward diversity. The authors also theorize and test the mechanism through which individual bicultural identity will be more likely to result in positive attitudes toward diversity. Design/methodology/approach The authors collected survey data drawing from two different samples and two different measures of attitudes toward diversity. To test the hypotheses, the authors conducted structural equation modeling analyses. Findings The authors found that individual bicultural identity increases positive attitudes toward diversity and cultural intelligence partially mediates this relationship. Individual bicultural identity increases positive attitudes to others not necessarily known to us. Originality/value The authors integrate the cultural intelligence framework and the common in-group identity model in assessing the role of cultural intelligence in both individual bicultural identity and attitudes toward diversity.
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3

Roșca, Simion. "Cultural Diversity: Conceptual Approaches." Історико-політичні проблеми сучасного світу, no. 37-38 (December 18, 2018): 234–41. http://dx.doi.org/10.31861/mhpi2018.37-38.234-241.

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Cultural diversity is, as biodiversity, an element of the common heritage of humanity, whose defense is an ethical imperative inseparable from respect for the dignity of the human person. The concept of cultural diversity permits the existence of a variety of different cultures that are not, by far, isolated, but interact and intersect at all times. The UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expression of 2005 stated that cultural diversity is a defining feature of humanity and is aware of the fact that cultural diversity is a common heritage of humanity, being necessary for humanity just as biodiversity is necessary for nature . Everyone has the right to participate in cultural life, to have access to culture, has the right to respect for cultural identity and to identify with a cultural community, has the right to cultural, religious and linguistic diversity, the right to freely run cultural activities, etc. In this study the author will attempt to analyze and define the concept of "cultural diversity" as well as its basic culture component.
 Keywords: cultural diversity, culture, cultural heritage, cultural identity, European Union, humanity, cultural factor
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4

Hamamura, Takeshi. "Social Identity and Attitudes Toward Cultural Diversity." Journal of Cross-Cultural Psychology 48, no. 2 (2016): 184–94. http://dx.doi.org/10.1177/0022022116681845.

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Prior research indicates that there may be a disharmonious relationship between positive attitudes toward ethnic and cultural diversity and social identity within a socially dominant group. Recent work in cultural psychology, however, has implied that this disharmonious relationship may be confined to a specific representation of social identity. This research examined this possibility. Study 1 ( N = 51,238) found that the negative association between national identity and diversity attitudes found among participants from Western societies did not extend to participants from non-Western societies. Study 2 ( N = 222) recruited American and Japanese participants, disentangled two distinct representations of their social identity—collective and relational social identity—and found their differential associations with positive attitudes toward multiculturalism. Implications are discussed.
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5

Fitzpatrick, Kate R. "Cultural Diversity and the Formation of Identity." Music Educators Journal 98, no. 4 (2012): 53–59. http://dx.doi.org/10.1177/0027432112442903.

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6

KIM KITAI. "Using Film to Teach Cultural Diversity and Identity." Jungang Journal of English Language and Literature 57, no. 3 (2015): 39–58. http://dx.doi.org/10.18853/jjell.2015.57.3.003.

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7

McKinney, Gordon B. "Diversity in the Mountains: Regional and Cultural Identity." Appalachian Heritage 28, no. 3 (2000): 5–20. http://dx.doi.org/10.1353/aph.2000.0031.

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8

Ferdman, Bernardo. "Literacy and Cultural Identity." Harvard Educational Review 60, no. 2 (1990): 181–205. http://dx.doi.org/10.17763/haer.60.2.k10410245xxw0030.

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In this article, Bernardo Ferdman argues that cultural diversity has significant implications for the processes of becoming and being literate. He explores these connections by analyzing the relationship between literacy and cultural identity in a multiethnic society such as the United States. Ferdman asserts that literacy is culturally framed and defined; therefore,members of different cultures will differ in what they view as literate behavior. This, in turn, can influence how individuals engage in literacy acquisition and activity. He further argues that the type and content of literacy education that individuals receive can influence their cultural identity. He concludes by arguing that the connections between literacy and culture must be fully acknowledged and better understood in order to achieve the goal of literacy acquisition for all.
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9

Salsabila, Khansa. "NETFLIX: CULTURAL DIVERSITY OR CULTURAL IMPERIALISM?" Rubikon : Journal of Transnational American Studies 8, no. 1 (2021): 15. http://dx.doi.org/10.22146/rubikon.v8i1.65480.

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The global rise of Netflix as subscription video-on-demand (SVOD) has emerged along with its capitalization of film, television, and technology industry for the audience's convenience. It replaces the interest of local television with its claim of 'a global TV network' with cultural diversity in its contents. However, the term cultural diversity itself should be questioned whether it means to leave the American cultural power or it is only to claim themselves as a global company where global identity is represented in their identity to attract a wider audience. By using transnational approach, this study finds the use of cultural diversity merely to fulfill the demand of the American audience, with several globalization consequences in Netflix Original series, especially in non-American series. Those consequences are the homogenization in European-made Netflix series, where they appear to be fully Americanized with American lifestyle or American perspective, and heterogenization in Asian-made Netflix series with its collaboration of Asian culture and American popular culture. The claim of a 'global TV network' itself does not leave the American cultural power. Instead, they are taking advantage of the cultural power to retain the existing audiences and to fascinate more audiences. Therefore, the dependency of non-American producers in relying on Netflix platform as a way to reach global audience, even the use of Americanization to their works for global audience's satisfaction, confirms the cultural power of America in its ability to bring economic advancement to other countries.
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10

Mazurkiewicz, Piotr. "Cultural diversity versus multiculturalism." Chrześcijaństwo-Świat-Polityka, no. 24 (June 10, 2020): 229–50. http://dx.doi.org/10.21697/csp.2020.24.1.29.

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The text analyzes the differences between cultural diversity (a state meaning coexistence in one area of different cultures) and multiculturalism (ideology). The latter often tries to impose various forms of mixing cultures from above, proclaiming the positive fruits of such activities. For this reason, it omits the nature of man (objective, universal and common to all people), often turns against the national identity in which he sees an obstacle to the emergence of one global universal culture imposed from above. The creators of this ideology have their own system of values, which they often try to implement without the natural law.
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