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Journal articles on the topic 'Cultural mapping'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Birge-Liberman, Phil. "Cultural mapping as cultural inquiry." Social & Cultural Geography 17, no. 4 (2015): 603–4. http://dx.doi.org/10.1080/14649365.2015.1109045.

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Crossick, Geoffrey. "Cultural mapping as cultural inquiry." Cultural Trends 25, no. 4 (2016): 305–6. http://dx.doi.org/10.1080/09548963.2016.1241466.

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Woarlang, Ju, and Kang Byounghoun. "Cultural Mapping Web of Chinese Female Marriage Immigrants." Korean Language and Literature in International Context 101 (June 30, 2024): 315–35. http://dx.doi.org/10.31147/iall.101.11.

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4

Anderson, Ian. "Mapping the cultural interface." Postcolonial Studies 12, no. 2 (2009): 261–67. http://dx.doi.org/10.1080/13688790902905833.

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5

Longley, Alys, and Nancy Duxbury. "Introduction: Mapping cultural intangibles." City, Culture and Society 7, no. 1 (2016): 1–7. http://dx.doi.org/10.1016/j.ccs.2015.12.006.

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6

Schall, Janine M. "Cultural Exploration Through Mapping." Social Studies 101, no. 4 (2010): 166–73. http://dx.doi.org/10.1080/00377990903284146.

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7

Duxbury, Nancy. "Mapeamento cultural. Enfrentar o desafio de políticas e planeamento culturais mais participativos e pluralistas." Todas as Artes Revista Luso-Brasileira de Artes e Cultura 3, no. 2 (2020): 10–24. http://dx.doi.org/10.21747/21843805/tav3n2a1.

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The term cultural mapping refers to both an interdisciplinary field of research, encompassing an array of approaches used in diverse contexts as a tool and method of inquiry, organization, and presentation; and an insight-generating praxis, as a participatory planning and development tool embedded in “communal engagement and the creation of spaces to incorporate multivocal stories” (Duxbury and Saper, 2015: n.p.). The evolution of cultural mapping intertwines academic and artistic research with policy, planning, and advocacy contexts. Its current methodological contours have been informed by f

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8

Cosgrove, Denis. "Cultural cartography : maps and mapping in cultural geography." Annales de géographie 660-661, no. 2 (2008): 159. http://dx.doi.org/10.3917/ag.660.0159.

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9

Perriam, Chris. "Mapping Spanish ‘queer’ cultural identities." Journal of Romance Studies 2, no. 1 (2002): 103–10. http://dx.doi.org/10.3828/jrs.2.1.103.

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10

Fuxbury, Nancy. "Cultural mapping: addressing the challenge of more participative and pluralist cultural policies and planning." Mouseion, no. 33 (September 24, 2019): 17. http://dx.doi.org/10.18316/mouseion.v0i33.6048.

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The evolution of cultural mapping intertwines academic and artistic research with policy, planning, and advocacy contexts. Its current methodological contours have been informed by five main cultural mapping trajectories: community empowerment and counter-mapping, cultural policy, municipal governance, mapping as artistic practice, and academic inquiry. This article provides an overview of this field, identifies some of the objectives and issues with which researchers are currently engaging, and offers questions and suggestions to guide efforts to build closer connections with the realms of cu

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Besmonte, Edgardo, Al Besmonte, Alwin Calig, and Michael Cobilla. "Documentation of Cultural Properties in Tabaco City, Philippines through Cultural Mapping." Journal of Education, Management and Development Studies 2, no. 4 (2022): 13–25. http://dx.doi.org/10.52631/jemds.v2i4.130.

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This research project was conducted to document the cultural properties of Tabaco City, Philippines, through Cultural Mapping. It sought to generate baseline data for cultural statistics on tangible and intangible heritage, natural heritage, significant personalities, and cultural institutions. This study adopted the Cultural Mapping Methodology of the National Commission for Culture and the Arts. Participants of this cultural mapping were composed of 11 mappers who were trained to do the heritage documentation. Ethnography, community immersion, in-depth interviews, document analysis, particip

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Makovníková, J., J. Kobza, B. Pálka, J. Mališ, R. Kanianska, and M. Kizeková. "An approach to mapping the potential of cultural agroecosystem services." Soil and Water Research 11, No. 1 (2016): 44–52. http://dx.doi.org/10.17221/109/2015-swr.

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13

Jurėnė, Skaistė, and Dalia Krikščiūnienė. "Mapping audience engagement of cultural organizations." Vilnius University Open Series, no. 2 (December 5, 2019): 27–33. http://dx.doi.org/10.15388/openseries.2019.18400.

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Audience engagement is a new strategic approach of cultural organizations when they aim to turn audience members to active participants and thus build their personal relationships with the organization. There are various suggestions how to make audience engagement stronger, but lack of evidence how to monitor it. In this article, we introduce integrated approach to audience engagement while evaluating and analysing the concept of mapping. The created prototype of audience engagement mapping can help cultural organizations to efficiently measure and evaluate their actions for choosing effective

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14

Kärjä, Antti-Ville. "REVIEW | Cultural Mapping and Musical Diversity." IASPM Journal 10, no. 2 (2020): 81–83. http://dx.doi.org/10.5429/2079-3871(2020)v10i2.7en.

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15

Fordham, Finn. "Mapping Cultural Networks and its Discontents." Gaziantep University Journal of Social Sciences 18 (December 31, 2019): 1–15. http://dx.doi.org/10.21547/jss.603867.

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16

Protasevich, Aleksandr R. "Cultural Mapping in the Digital Economy." Observatory of Culture 19, no. 4 (2022): 350–59. http://dx.doi.org/10.25281/2072-3156-2022-19-4-350-359.

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The article discusses issues related to the development and prospects of applying the cultural mapping technology in the Russian Federation. This technology, based on the integration of creative industries and advanced information and communication developments, involves the comprehensive identification, inventory and updating of tangible and intangible cultural resources with their subsequent inclusion in strategic plans for territorial development. The relevance of the article is connected with the need to search for new resources to develop regions, and Russia as a whole, in the conditions

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Troitsky, Sergey A., and Natalia L. Gulyaeva. "A Method of Cultural Transformations Mapping." Observatory of Culture 14, no. 4 (2017): 482–88. http://dx.doi.org/10.25281/2072-3156-2017-14-4-482-488.

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18

Judaken, Jonathan. "Mapping the ‘New Jewish Cultural Studies’." History Workshop Journal 51, no. 1 (2001): 269–77. http://dx.doi.org/10.1093/hwj/2001.51.269.

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19

Van Holt, Tracy, Jeffrey C. Johnson, Kathleen M. Carley, James Brinkley, and Jana Diesner. "Rapid ethnographic assessment for cultural mapping." Poetics 41, no. 4 (2013): 366–83. http://dx.doi.org/10.1016/j.poetic.2013.05.004.

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20

Freitas, Raquel. "Cultural mapping as a development tool." City, Culture and Society 7, no. 1 (2016): 9–16. http://dx.doi.org/10.1016/j.ccs.2015.10.002.

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21

Deeg, Max. "Mapping common territory—mapping other territory." Acta Orientalia Vilnensia 8, no. 1 (2007): 145–61. http://dx.doi.org/10.15388/aov.2007.1.3746.

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Cardiff UniversityThis paper addresses the different functions of the construction of religious, i.e. sacred, space depending on whether such a construction is done in and for its own cultural sphere or whether it is done in and from a cultural context positioned outside the constructed space. This is demonstrated by two case studies of pilgrimage narratives. The first one concentrates on South-Asian culture (Kaśmīr, Nepal) in which two religious traditions (Buddhism, Hinduism) coexisted and constructed sacred space by either the same narratives or by similar but sufficiently different narrati

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22

Towers, George. "Cultural Dasymetric Population Mapping with Historical GIS." International Journal of Applied Geospatial Research 2, no. 4 (2011): 38–56. http://dx.doi.org/10.4018/jagr.2011100103.

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There has been a recent flurry of interest in dasymetric population mapping. However, the ancillary coverages that underlie current dasymetric methods are unconnected to cultural context. The resulting regions may indicate density patterns, but not necessarily the boundaries known to inhabitants. Dasymetric population mapping is capable of capturing the cultural commonality and community interaction that define social spaces. Dasymetric mapping may be improved with methodologies that reflect the ways in which social spaces are established. This research applies a historical GIS methodology for

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23

Arch., Dennis L. Estacio, Ma Teresa V. Gopez Arch., and Ma. Saturnina C. Parungao Arch. "Malolos Heritage District: A cultural heritage mapping and inventory – 2020-2021." Global Journal of Engineering and Technology Advances 8, no. 2 (2021): 062–86. https://doi.org/10.5281/zenodo.5556136.

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In the past, Cultural Mapping and Inventory has been used as a technique by some professionals in the 'Community Development' sector as a way of 'Mapping' community assets. How it was undertaken was largely dependent on who was doing it and why, most commonly it was used as a tool to identify the resources of communities and was referred to as 'Community Mapping’. If one were to ask what is Cultural Mapping we would firstly have to say that it involves mapping the Culture of who or what you are, be it a tribe, organization, community, group, school, association, busin

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24

Smith, Susan J., S. Pile, and N. Thrift. "Mapping the Subject. Geographies of Cultural Transformation." Transactions of the Institute of British Geographers 21, no. 2 (1996): 434. http://dx.doi.org/10.2307/622495.

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25

Rouhvand, Hassan. "THINKING CULTURAL SPACE: A MAPPING OF 'ARTICULATION'." PEOPLE: International Journal of Social Sciences 3, no. 3 (2017): 712–26. http://dx.doi.org/10.20319/pijss.2017.33.712726.

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26

Fokas, Nikos, Gábor Jelenfi, and Róbert Tardos. "Mapping Cultural Distances in a Catnet Approach." Comparative Sociology 21, no. 1 (2022): 1–42. http://dx.doi.org/10.1163/15691330-bja10047.

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Abstract This article studies national-ethnic images and cultural distances utilizing contemporary network methodology. The conceptual framework related to cognitive maps of perceived in-group and out-group stereotypes builds on an extended application of the catnet concept introduced by Harrison White. Employing an adapted version of the classical comparative approach by Buchanan and Cantril, the survey took place online in 2016/17, in a joint project with Greek and Hungarian samples. The analyses build on a two-mode network approach of attributes attached to these two, and four other nationa

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27

Azmi, Nur Farhana, Faizah Ahmad, and Azlan Shah Ali. "Identifying Place Distinctiveness Through Cultural Resource Mapping." Journal of Regional and City Planning 32, no. 2 (2021): 179–95. http://dx.doi.org/10.5614/jpwk.2021.32.2.6.

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Regardless of their size, every town, city, or more generally each place, has its own beautiful, unique and distinct characteristics. However, only few studies have provided valuable information on exceptional and unique features that can contribute to the distinctiveness and identity of small-scale towns. It is important to identify these cultural resources, especially now that the identity of small towns is rapidly weakening. This study explored the significance of cultural resource mapping as an important technique for identifying the unique characteristics of a place. A questionnaire surve

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28

Hedquist, Saul L., Stewart B. Koyiyumptewa, Wesley Bernardini, T. J. Ferguson, Peter M. Whiteley, and Leigh J. Kuwanwisiwma. "Mapping the Hopi Landscape for Cultural Preservation." International Journal of Applied Geospatial Research 6, no. 1 (2015): 39–58. http://dx.doi.org/10.4018/ijagr.2015010103.

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For the Hopi people, named places on the landscape localize, commemorate, and transmit traditional knowledge within a spatial context used to reference and explain Hopi history and culture—geographic information the Hopi Tribe seeks to preserve. This paper discusses the Hopi Cultural Preservation Office's use of geospatial technologies during recent collaborative efforts to document important places and associated cultural information. It considers how GIS and other geospatial technologies have been used to produce maps and digital imagery in a manner guided by traditional landscape perspectiv

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29

Wall, Karen. "Who needs experts? Counter-mapping cultural heritage." Leisure/Loisir 42, no. 1 (2018): 125–27. http://dx.doi.org/10.1080/14927713.2018.1430661.

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30

Clark Barrett, H., Christopher D. Peterson, and Willem E. Frankenhuis. "Mapping the Cultural Learnability Landscape of Danger." Child Development 87, no. 3 (2016): 770–81. http://dx.doi.org/10.1111/cdev.12495.

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31

Król, Karol. "Mapping digital cultural heritage museums in Poland." Scientific Papers of Silesian University of Technology. Organization and Management Series 2024, no. 206 (2024): 397–417. https://doi.org/10.29119/1641-3466.2024.206.23.

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Purpose: Digital cultural heritage has become inherent to the Polish cultural landscape, as evidenced by the growing attention digital cultural artefacts receive. The research objective is to build a map and list of places where digital cultural heritage artefacts are protected and made available to the public in Poland. Design/methodology/approach: The article outlines a concept for a ‘Tourist Trail of Digital Cultural Heritage in Poland’. The trail links several dozen unique places that bear testimony to the history of technical development and associated socioeconomic phenomena. A pilot stu

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32

Moss, Pamela. "Mapping the Subject: Geographies of cultural transformation." Health & Place 3, no. 3 (1997): 201–2. http://dx.doi.org/10.1016/s1353-8292(97)82717-7.

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33

Koufou, Andreanna. "Supporting cultural education using digital concept mapping." International Journal of Computational Intelligence Studies 5, no. 1 (2016): 106. http://dx.doi.org/10.1504/ijcistudies.2016.075987.

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34

Gauchat, Gordon, and Kenneth T. Andrews. "The Cultural-Cognitive Mapping of Scientific Professions." American Sociological Review 83, no. 3 (2018): 567–95. http://dx.doi.org/10.1177/0003122418773353.

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Even with widespread interest, public perceptions of science remain understudied and poorly theorized by social scientists. A central issue has been the persistent assumption that publics require a base of scientific knowledge for science to have broad cultural meaning. Yet, recent advances in cultural and cognitive sociology point to alternative research programs seeking to identify how publics come to understand complex and uncertain issues, when information is incomplete and asymmetric. We use this approach to analyze data on public perceptions of how scientific different fields are from th

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35

Hunzaker, M. B. Fallin, and Lauren Valentino. "Mapping Cultural Schemas: From Theory to Method." American Sociological Review 84, no. 5 (2019): 950–81. http://dx.doi.org/10.1177/0003122419875638.

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A growing body of research in sociology uses the concept of cultural schemas to explain how culture influences beliefs and actions. However, this work often relies on belief or attitude measures gleaned from survey data as indicators of schemas, failing to measure the cognitive associations that constitute schemas. In this article, we propose a concept-association-based approach for collecting data about individuals’ schematic associations, and a corresponding method for modeling concept network representations of shared cultural schemas. We use this method to examine differences between liber

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36

Smith, Aaron C. T., and David Shilbury. "Mapping Cultural Dimensions in Australian Sporting Organisations." Sport Management Review 7, no. 2 (2004): 133–65. http://dx.doi.org/10.1016/s1441-3523(04)70048-0.

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37

Blaut, James M., David Stea, Christopher Spencer, and Mark Blades. "Mapping as a Cultural and Cognitive Universal." Annals of the Association of American Geographers 93, no. 1 (2003): 165–85. http://dx.doi.org/10.1111/1467-8306.93111.

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38

Godfrey, Elizabeth, and Lesley Parker. "Mapping the Cultural Landscape in Engineering Education." Journal of Engineering Education 99, no. 1 (2010): 5–22. http://dx.doi.org/10.1002/j.2168-9830.2010.tb01038.x.

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39

Guerra, Claudia. "Cultural Mapping: Engaging Community in Historic Preservation." Forum Journal 30, no. 4 (2016): 29–37. http://dx.doi.org/10.1353/fmj.2016.a631476.

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40

Lyulyov, Oleksii, and Tetyana Pimonenko. "Mapping Cultural Influence on Green Economic Development." Economics and Culture 22, no. 1 (2025): 81–96. https://doi.org/10.2478/jec-2025-0007.

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Abstract Research purpose. This study explores the cultural underpinnings of green economic development in the EU and Ukraine by examining how national cultural dimensions shape eco-efficiency trajectories, institutional responsiveness, and technological transformation. By integrating Hofstede’s cultural framework with the Malmquist‒Luenberger productivity index (MLPI), this paper aims to identify cultural configurations that either catalyse or constrain green productivity and map country-specific patterns in green economic performance. Design/Methodology/Approach. The research applies a direc

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41

Lebzak, Anastasiya O., and Svetlana S. Yankelevich. "CURRENT TRENDS IN THE DEVELOPMENT OF MAPPING OF CULTURAL HERITAGE OBJECTS." Vestnik SSUGT (Siberian State University of Geosystems and Technologies) 26, no. 6 (2021): 78–85. http://dx.doi.org/10.33764/2411-1759-2021-26-6-78-85.

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The article examines the current trends of the development of mapping of cultural heritage objects. The purpose of the study is to identify these trends in the development of mapping of cultural heritage objects. The analysis of modern domestic and foreign approaches in the field of mapping cultural her-itage objects is given, on the basis of which modern requirements for the functionality and content of the cartographic web service of cultural heritage are determined. The main problems that arise when mapping cultural heritage objects are identified, and options for their solutions are propos

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42

Clarke, David, and Nina Parish. "Memory Books: Mapping Histories of Ethnic Coexistence." Diaspora 24, no. 2 (2024): 256–78. https://doi.org/10.3138/diaspora.24.2.2025.02.24.

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This article examines Armenian artistic and cultural practitioners’ uses of memory-mapping to create representational spaces in book form that challenge hegemonic national representations of territories with multiple, conflicted histories. Such mappings often draw on cartographic documents, but the projects discussed here reflect a broader definition of mapping as process. Vigen Galstyan and Nelli Shishmanyan's (2020) project Before the Crossfire. After the Wall provides a photographic record of everyday life in Armenian villages whose Azerbaijani populations have left since 1991 and tensions

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43

Kurniati, Rina, Sugiono Soetomo, and Imam Buchori. "Mapping of Public Space for Cultural Celebration Chinese Ethnic in Chinatown Semarang." Geoplanning: Journal of Geomatics and Planning 7, no. 2 (2020): 95–112. http://dx.doi.org/10.14710/geoplanning.7.2.95-112.

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Chinatown, often called Chinezen Wijk, is one of the centers of the city's economic activity. This area is developing very fast, plus the characteristics of worship activities and cultural celebrations that use public space in the form of roads, so that the area becomes crowded. Based on these problems, this study aimed to map the celebration of Chinese ethnic culture in the public space of the Semarang Chinatown. The research method is quantitative descriptive with GIS to map cultural celebration activities in the public space. The analysis results show that cultural celebration activities in

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44

Kumar, Vimal, R. R. K. Sharma, Pratima Verma, Kuei-Kuei Lai, and Yu-Hsin Chang. "Mapping the TQM implementation." Benchmarking: An International Journal 25, no. 8 (2018): 3081–116. http://dx.doi.org/10.1108/bij-06-2017-0150.

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Purpose Culture is considered as one of the variables that influence the total quality management (TQM) adoption process. The purpose of this paper is to explore the relationship between cultural dimensions and the strategy of the firms in TQM implementation. These relationships are the subject of prior research. Furthermore, the authors make a comparative analysis of cultural dimensions on strategic choices of the firms, i.e. innovators, prospectors and defenders in TQM implementation. Design/methodology/approach From the existing literature review on TQM practices and organizational culture,

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45

Mohanty, Pramod Kumar. "Mapping the Public Space." Indian Historical Review 41, no. 2 (2014): 235–70. http://dx.doi.org/10.1177/0376983614544574.

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The article intends to give a comprehensive understanding of the colonial urbanisation as a cultural process in colonial Odisha centred at Cuttack city as manifest in the evolving public sphere and in the process contribute to the historical studies on colonialism in one of the neglected regions of South Asia and also from such a neglected perspective in South Asian history. While trying to assess the ‘problematic objectively’, it adopts the theoretical perspectives associated with ‘new cultural history’. Against this backdrop, the article tries to look at the issues of class, community and na

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46

Hua, Yixiong, and Song Qiu. "Review of Urban Cultural Map Research Based on “Mapping”." Journal of Design Service and Social Innovation 1, no. 2 (2023): 27–38. http://dx.doi.org/10.59528/ms.jdssi2023.1009a8.

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Urban cultural maps are important analytical tools that can guide urban design and planning from the perspective of information, provide services for urban cultural development, promote cultural planning and the construction of urban space, and reflect and promote the process of urban cultural progress in a dynamic way. Mapping is often used as a process tool for mapping, cognition, and analysis in geography or surveying and has recently been applied in architectural science. The field of architecture has given mapping a new definition and played a certain role in urban research and developmen

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47

Titisari, Ema Yunita, Yusfan Adeputera Yusran, and Lisa Dwi Wulandari. "Strengthening place identity through cultural mapping, Case study: Madura Pendalungan Kampong in Baran-Buring, Malang." ARTEKS : Jurnal Teknik Arsitektur 8, no. 1 (2023): 95–104. http://dx.doi.org/10.30822/arteks.v8i1.1917.

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The place identity needs to be resurfaced visual-architecturally through place-making and community engagement. From participatory identification of tangible and intangible cultural assets, cultural mapping can increase awareness of cultural assets and a sense of belonging, facilitate network development and collaboration, and prepare village development programs according to local potential. This study aims to compile the potential and resources of Kampung Baran in a participatory manner, and then present it as significant cultural character data in shaping the identity of the place. The rese

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48

Veronnezzi, João Luís, and Claudia Pato Carvalho. "Arteria – A Regional Cultural Mapping Project in Portugal." Culture and Local Governance 5, no. 1-2 (2015): 117–36. http://dx.doi.org/10.18192/clg-cgl.v5i1-2.1467.

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This paper discusses the relation between cultural mapping and participatory community cultural mapping, proposing the integration of a mobile device application (app) in the cultural mapping process of the Arteria project. This application aims to expand the notion of cultural appropriation by exploring how citizens can make crucial contributions to the cultural mapping process. This technology will evolve from and improve Arteria’s digital platform/website by boosting the processes of collection and registration of tangible and intangible cultural assets and the dissemination of registered c

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49

Lenovský, Ladislav. "Cultural Heritage as a Part of Cultural Potential (in the Context of Revitalization of Ethnic Minorities)." Studia Etnologiczne i Antropologiczne 19 (July 18, 2019): 77–88. http://dx.doi.org/10.31261/seia.2019.19.06.

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Cultural heritage is considered to be a valuable and representative part of the culture derived from the past. Cultural potential is a set of cultural phenomena, elements and complexes used or usable for profit. It consists of five components: heritage; organizations and institutions; events and products; infrastructure; human resources. Cultural mapping is being used for its identification, where the elements of cultural potential are cultural resources. The mapping of cultural potential with an emphasis on cultural heritage is a prerequisite for the success of revitalization of the nearly ex

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50

Ward, Susan, and Albert Moran. "Mapping Media." Media International Australia 124, no. 1 (2007): 83–86. http://dx.doi.org/10.1177/1329878x0712400108.

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This issue addresses a ‘spatial turn’ in communication or media studies. By becoming attuned to the specificities of place, research inevitably becomes embedded within real-life situations that acknowledge the similarities but also differences between localities brought about by, for example, processes of uneven development, local variations in social organisation and the articulation of creative networks that are critical to the cultural production industries. The field of media studies is still opening up to the productive possibilities that come with a primacy on the specificities of place.

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