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1

Daigaku), International Cultural Exchange Symposium (1989 Aoyama Gakuin. Kokusai Bunka Kōryū Shinpojūmu: Rikai to gokai no hazama de--Nichi-Bei bunka kōryū no kadai to tenbō = International Cultural Exchange Symposium : between understanding and misunderstanding, problems of and prospects for U.S.-Japan cultural exchange. Tōkyō: Kokusai Bunka Kōryū Shinpojūmu Soshiki Iinkai, 1989.

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2

Carroll, Raymonde. Cultural misunderstandings: The French-American experience. Chicago: University of Chicago Press, 1988.

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3

Lebedko, Maria. Culture bumps: Overcoming misunderstandings in cross-cultural communication. Vladivostok: Far Eastern State University Press, 1999.

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4

Cornford, C. M. A computational model which addresses misunderstandings caused by gender and cultural differences. Manchester: UMIST, 1996.

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5

Ovchinnikova, M. F. (Marina Fedorovna), author, Stoli︠a︡rova, I. N. (Irina Nikolaevna), author, and Buri︠a︡tskiĭ gosudarstvennyĭ universitet, eds. Mezhkulʹturnoe obshchenie: neponimanie?: Lingvodidakticheskie reshenii︠a︡ = Intercultural communication: misunderstanding : linguodidactic solutions. Ulan-Udė: Buri︠a︡tskiĭ gosuniversitet, 2012.

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6

Bimpiri, Eleni-Kalliopi. A critique on computational models that address misunderstandings caused by gender and cultural differences. Manchester: UMIST, 1997.

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7

Brzostowska-Tereszkiewicz, Tamara, Magdalena Rembowska-Pluciennik, and Beata Sniecikowska. Understanding Misunderstanding. Vol. 1: Cross-Cultural Translation. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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8

Brzostowska-Tereszkiewicz, Tamara, Magdalena Rembowska-Pluciennik, and Beata Sniecikowska. Understanding Misunderstanding. Vol. 1: Cross-Cultural Translation. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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9

Brzostowska-Tereszkiewicz, Tamara, Magdalena Rembowska-Pluciennik, and Beata Sniecikowska. Understanding Misunderstanding. Vol. 1: Cross-Cultural Translation. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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Brzostowska-Tereszkiewicz, Tamara, Magdalena Rembowska-Pluciennik, and Beata Sniecikowska. Understanding Misunderstanding. Vol. 1: Cross-Cultural Translation. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2019.

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11

Brzostowska-Tereszkiewicz, Tamara, Magdalena Rembowska-Płuciennik, and Beata Śniecikowska, eds. Understanding Misunderstanding. Vol.1: Cross-Cultural Translation. Peter Lang D, 2019. http://dx.doi.org/10.3726/b15741.

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12

Between understanding and misunderstanding: Problems and prospects for international cultural exchange. New York: Greenwood Press, 1990.

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13

Shammas, Nafez Antonius. Cross-cultural pragmatic failure: Misunderstanding in verbal communication between speakers of Arabic & English. 1995.

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14

East East Program: Partnership Beyond Borders., ed. From misunderstanding towards openness and collaboration in multicultural societies: Experience of Moldova, Estonia, and Northern Ireland. Chișinău: Pontos, 2005.

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15

Gover, Robert. One Hundred Dollar Misunderstanding: Author Corrected Text. Legacy Classic, 2010.

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16

Kapoor, Reena, and Ezra E. H. Griffith. Cultural competence. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780199360574.003.0060.

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Disparities exist in the rate of incarceration of minorities, with substantial elevations occurring in African American, Latino, and Native populations. Cultural competence is an essential aspect of providing mental health care in any setting. An understanding of culture is even more important in correctional settings, as several unique factors may lead to conflict and misunderstanding if not adequately addressed. First, minority ethnic groups are vastly overrepresented in prisons and jails, so a familiarity with the predominant culture of those groups is necessary to engage inmates in treatment and diagnose them accurately. Second, mental health clinicians may be unfamiliar with law enforcement culture, which heavily influences the practices of corrections officers and differs significantly from health care culture. Third, many correctional psychiatrists grow up and train outside the United States, bringing their own cultural beliefs about crime and punishment into the American health care system. As the field of cultural psychiatry has developed, scholars have attempted to apply its principles to the correctional setting to deliver competent care in prisons and jails. These papers have provided guidance to correctional mental health clinicians on matters such as immigrant populations, language barriers, validity of psychological testing in different ethnic groups, stigma of mental illness in prison, religion’s role in coping with the stress of incarceration, and many others. This chapter reviews the evolution of cultural competence skills in correctional settings and current best practices in jails and prisons to optimize effective treatment outcomes.
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17

Sugiyama, Yasushi. Between Understanding and Misunderstanding: Problems and Prospects for International Cultural Exchange (Contributions to the Study of Education). Greenwood Press, 1990.

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18

(Translator), Carol Volk, ed. Cultural Misunderstandings: The French-American Experience. University Of Chicago Press, 1990.

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19

Cultural Misunderstandings: The French-American Experience. Chicago, USA: University of Chicago Press, 1990.

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20

Misunderstanding in Social Life. Pearson ESL, 2003.

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21

Christie, William, Angela Dunstan, and Q. S. Tong, eds. Tribute and Trade. Sydney University Press, 2020. http://dx.doi.org/10.30722/sup.9781743326008.

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In the 18th and 19th centuries, relations between China and the West were defined by the Qing dynasty’s strict restrictions on foreign access and by the West’s imperial ambitions. Cultural, political and economic interactions were often fraught, with suspicion and misunderstanding on both sides. Yet trade flourished and there were instances of cultural exchange and friendship, running counter to the official narrative. Tribute and Trade: China and Global Modernity explores encounters between China and the West during this period and beyond, into the early 20th century, through examples drawn from art, literature, science, politics, music, cooking, clothing and more. How did China and the West see each other, how did they influence each other, and what were the lasting legacies of this contact?
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22

Roberts, Kathleen Glenister. War, Masculinity, and Native Americans. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036514.003.0007.

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This chapter draws on several years of ethnographic research on Native American ceremonials to examine the metaphor of the “warrior” in some Native American communities. It discusses their views of “war,” which are expressed both in military service and in other contexts within their communities. Their perspective on war is at times an ancient one, and has impacted American history more than most non-Natives understand. Because this misunderstanding has through history often led to continued disrespect on the part of non-Natives, the chapter uses an ethnographic approach to explain the warrior ideal in the voices of those who fight to defend their homes and their cultural communities.
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23

Juliane, House, Kasper Gabriele, and Ross Steven Charles 1947-, eds. Misunderstanding in social life: Discourse approaches to problematic talk. London: Longman, 2003.

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24

Kasper, Gabriele, Juliane House, and Steven Ross. Misunderstanding in Social Life: Discourse Approaches to Problematic Talk. Taylor & Francis Group, 2016.

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25

Weininger, Elliot B., and Annette Lareau. Pierre Bourdieu’s Sociology of Education. Edited by Thomas Medvetz and Jeffrey J. Sallaz. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199357192.013.11.

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Decades after the publication of his key works, Pierre Bourdieu’s sociology of education remains the object of persistent misunderstanding. A coherent account of this work must distinguish, at minimum, two phases to Bourdieu’s thoughts on education. During the early period, Bourdieu asserted the salience of both self-selection and institutional selection in shunting students into class destinations that echoed their class origins. However, these works were uniformly devoted to identifying the peculiarities of the (then) contemporary French system, considered to be an exemplar of a distinct (“traditionalistic”) institutional form. In contrast, Bourdieu’s later work sought to develop a model of the relation between education and social inequality that had significant cross-national scope. This work de-emphasized the role of self-selection, and developed a substantially more nuanced account of the relation between education and social mobility. What Bourdieu terms the “scholastic mode of reproduction” in this period denotes a system in which children from the upper reaches of the class structure are systematically advantaged in the pursuit of social rewards by virtue of their inherited cultural capital, yet nevertheless face a real risk of downward mobility. For this reason, we term it a theory of “imperfect social reproduction.”
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26

Anderson, Harold. Indigenous Innovations on Music and Christianity at Ratana Pa. Edited by Jonathan Dueck and Suzel Ana Reily. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199859993.013.34.

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This chapter explores how Maori innovated on the music and religion that European colonialists brought to Aotearoa/New Zealand, constructing a synthesis that transcended both the European and the native. For Maori, Christianity was conceived within a framework of “cultural economy,” in which cultural misunderstandings served as resources in a process of cultural selection involving the preservation of some elements and rejection of others, to enhance power among Maori. The chapter focuses on the Ratana Church, founded by the visionary prophet T. W. Ratana in the early 20th century. Ratana purposefully used music and performance in forging his syncretic brand of Christianity, creating new repertoires aligned with his project of finding a place for Maori in the new nation. This vision continues to be celebrated each year at the powhiri (ceremony of encounter), where Aotearoa New Zealand is performed through the confluence of diverse cultures, traditions, and worldviews.
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27

minnows. London, UK: 197 books, 2009.

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28

Gamberini, Andrea. Rural Communes and the Culture of Practices. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824312.003.0012.

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The projection of city-state political culture on to the surrounding countryside did not only generate forms of resistance from and misunderstanding with local society. This chapter shows how certain social and political actors active in rural areas managed to exploit urban political and legal culture, bending it to their own interests. In other words, the advent of city domination created new possibilities, especially those linked to the activity of the communal courts, which could transform the claims of certain countryside figures into concrete rights. The chapter offers an analysis of several of these situations, in order to provide a clearer understanding of the relationship between city and countryside.
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29

Hirschmann, Wolfgang. “He Liked to Hear the Music of Others”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038136.003.0001.

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Those seeking to understand Bach and his music in the context of his time face an apparently intractable situation: studying Bach's music in reference only to itself seems a logical impossibility. However, relating Bach to his German contemporaries will produce only misunderstandings. This chapter outlines some means for making the situation tractable by identifying the premises required for understanding Bach and his German contemporaries, rather than one or the other. It proposes taking a kind of ethnological perspective on Bach's music and the different cultural webs into which it has been incorporated in the past and in which it is embedded in the present.
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30

Easterbrooks, Susan R. Conceptualization, Development, and Application of Research in Deaf Education. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190455651.003.0001.

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Many have referred to practices in deaf education as having their basis in beliefs and attitudes rather than evidence and science; misunderstandings between the culture of the researcher and the culture of the practitioner result in misperceptions of the intentions from both sides. The purpose of this chapter is to identify how a good idea makes it from a belief in a practice to scientific validation of its effectiveness. The available research designs are legion, and all have their purposes. This chapter describes the place of the different designs on the path from a belief to an evidence-based practice and uses examples from the existing evidence base to demonstrate how they fit in the overall scheme of moving a good idea into the evidence base.
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31

Matoesian, Gregory. Language and Law. Edited by Robert Bayley, Richard Cameron, and Ceil Lucas. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199744084.013.0034.

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This chapter focuses on the complex yet elusive relationship between language, law, and sociocultural context. It discusses the sociocultural dimensions of language and law, paying particular attention to the role of power in legal discourse. The first section discusses the major contributing approaches to the sociocultural analysis of language and law: conversation analysis, linguistic anthropology, and, to a lesser extent, Critical Discourse Analysis. The second section covers substantive studies from what has been referred to as the language and power school of legal anthropology: Law school socialization, police–citizen interaction, courtrooms, bilingual encounters, and cross-cultural misunderstandings in legal interviews and translation. The last section suggests a new direction for the study of language and law, one that may provide a deeper understanding of language, law, and sociocultural context.
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32

Guha, Chinmoy, ed. Bridging East and West. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199489046.001.0001.

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This amazing inter-cultural correspondence (1919–1940) between two cultural icons of the twentieth century—Nobel laureates from the East and the West: the Indian poet Rabindranath Tagore (1861–1941) and the French novelist, playwright and biographer Romain Rolland (1866–1944)—had remained undiscovered for far too long. Published for the first time in English, these letters and telegrams are among the finest exchanges of thought between the East and the West, and script the intellectual history of that period. It is also the story of a profound friendship, where Tagore and Rolland unlock their hearts to each other. The book also records the differences of opinion and misunderstandings between the two outstanding humanists of contemporary history, who often felt isolated in their own countries, on serious issues like Gandhi and fascism. This majestic and serene correspondence, comprising 46 letters and telegrams, along with three dialogues between the two at various times, as well as letters by Rathindranath Tagore and others, is a journey towards the imaging of a different world which would create the possibility of a new space outside cultural hegemony. Edited and annotated by one of India’s foremost French scholars, it is one of the most important quests for an alternative discourse in the last century.
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33

Steichen, James. Introduction. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190607418.003.0001.

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This introduction explains that the early collaborative efforts of George Balanchine and Lincoln Kirstein have been written about in ways that misrepresented the true character of their activity during the 1930s. It shows how a “received history” has come to define this period, which is construed as leading to the inevitable success of the School of American Ballet and New York City Ballet. It contextualizes the goals of this book in relation to recent innovations in the study of twentieth-century dance and music, in particular scholarship on modernism, and makes the case for a new approach to this period of cultural history. It argues that a lack of clarity regarding this formative period in Balanchine and Kirstein’s collaborative enterprise has led to misunderstandings regarding the past, present, and future meaning of their individual and collective work.
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34

Yacovazzi, Cassandra L. Epilogue. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190881009.003.0008.

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Nuns in popular media today are a staple of kitsch culture, evident in the common appearance of bobble-head nuns, nun costumes, and nun caricatures on TV, movies, and the stage. Nun stereotypes include the sexy vixen, the naïve innocent, and the scary nun. These types were forged in nineteenth-century convent narratives. While people today may not recognize the name “Maria Monk,” her legacy lives on in the public imagination. There may be no demands to search convents, but nuns and monastic life are nevertheless generally not taken seriously. This epilogue traces opposition to nuns from the Civil War to the present, analyzing the various images of nuns in popular culture as they relate to the antebellum campaign against convents. It argues that the source of the misunderstanding about nuns is rooted in the inability to categorize these women either as traditional wives and mothers or as secular, career-driven singles.
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35

Roman, Zoltan. Decadent Transitions. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199316090.003.0014.

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Not unlike Jugendstil, ‘decadence’ has had a difficult time establishing itself in musical scholarship. In both cases, concept and label originated and were used chiefly in other fields: the former in the visual arts, the latter in literature. Moreover, both had been entrenched in specific cultures: German(ic) in the one case, French in the other. Yet another impediment to an objective application of ‘decadence’ in musical discourse arises from the contradictions, misunderstandings, and misinterpretations that span the term’s history in all disciplines. Finally, for a broadly interdisciplinary examination of Mahler’s life and music under the convolute concept of decadence, transition, and modernism (the purpose of this chapter), the historian must take into account Vienna’s unique social, political, and artistic complexion around 1900.
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36

Carayon, Céline. Eloquence Embodied. University of North Carolina Press, 2019. http://dx.doi.org/10.5149/northcarolina/9781469652627.001.0001.

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Taking a fresh look at the first two centuries of French colonialism in the Americas, this book answers the long-standing question of how and how well Indigenous Americans and Europeans communicated with each other during colonial encounters. French explorers and colonists in the sixteenth century noticed that Indigenous peoples from Brazil to Canada used signs to communicate. The newcomers, in response, quickly embraced the nonverbal as a means to overcome cultural and language barriers throughout French America. Céline Carayon's close examination of French accounts, combined with her multidisciplinary methodology, enables her to recover these sophisticated Native practices of embodied expression. In a colonial world where communication and trust were essential but complicated by the multiplicity of Indigenous languages, intimate and sensory communications ensured that colonists and Indigenous peoples understood each other well. Understanding, in turn, bred both genuine personal bonds and violent antagonisms. Nonverbal communication shaped Indigenous resistance to colonial pressures across the Americas just as it fueled the French imperial imagination and strategies. Challenging the notion of colonial America as a site of misunderstandings and insurmountable cultural clashes, Carayon shows that Natives and newcomers used nonverbal means to build relationships before the rise of linguistic fluency--and, crucially, well afterward.
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37

Teves, Stephanie Nohelani. Defiant Indigeneity. University of North Carolina Press, 2018. http://dx.doi.org/10.5149/northcarolina/9781469640556.001.0001.

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"Aloha" is at once the most significant and the most misunderstood word in the Indigenous Hawaiian lexicon. For Kānaka Maoli people, the concept of "aloha" is a representation and articulation of their identity, despite its misappropriation and commandeering by non-Native audiences in the form of things like the "hula girl" of popular culture. Considering the way aloha is embodied, performed, and interpreted in Native Hawaiian literature, music, plays, dance, drag performance, and even ghost tours from the twentieth century to the present, Stephanie Nohelani Teves shows that misunderstanding of the concept by non-Native audiences has not prevented the Kānaka Maoli from using it to create and empower community and articulate its distinct Indigenous meaning. While Native Hawaiian artists, activists, scholars, and other performers have labored to educate diverse publics about the complexity of Indigenous Hawaiian identity, ongoing acts of violence against Indigenous communities have undermined these efforts. In this multidisciplinary work, Teves argues that Indigenous peoples must continue to embrace the performance of their identities in the face of this violence in order to challenge settler-colonialism and its efforts to contain and commodify Hawaiian Indigeneity.
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38

Igarashi, Yohei. The Connected Condition. Stanford University Press, 2019. http://dx.doi.org/10.11126/stanford/9781503610040.001.0001.

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How can Romantic poetry, motivated by the poet’s intense yearning to impart his thoughts and feelings, be so often difficult and the cause of readerly misunderstanding? How did it come to be that a poet can compose a verbal artwork, carefully and lovingly put together, and send it out into the world at the same time that he is adopting a stance against communication? This book addresses these questions by showing that the period’s writers were responding to the beginnings of our networked world of rampant mediated communication. The Connected Condition reveals that major Romantic poets shared a great attraction and skepticism toward the dream of perfectible, efficient connectivity that has driven the modern culture of communication. Samuel Taylor Coleridge, William Wordsworth, Percy Shelley, and John Keats all experimented with their artistic medium of poetry to pursue such ideals of speedy, transparent communication at the same time that they tried out contrarian literary strategies: writing excessively ornate verse, prolonging literary reading with tedious writing, being obscure, and questioning the allure of quickly delivered information. This book shows that the Romantic poets have much to teach us about living in—and living with—the connected condition, as well as the fortunes of literature in it.
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39

Omaswa, Francis, and Nigel Crisp, eds. African Health Leaders. Oxford University Press, 2015. http://dx.doi.org/10.1093/med/9780198703327.001.0001.

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Most accounts of health and healthcare in Africa are written by foreigners. African Health Leaders: Making Change and Claiming the Future redresses the balance. Written by Africans, who have themselves led improvements in their own countries, this online resource discusses the creativity, innovation and leadership that has been involved tackling everything from HIV/AIDs, to maternal, and child mortality and neglected tropical diseases. It celebrates their achievements and shows how, over three generations, African health leaders are creating a distinctively African vision of health and health systems. It covers how African Health Leaders are claiming the future - in Africa, but also by sharing their insights and knowledge globally and contributing fully to improving health throughout the world, and illustrates how African leadership can enable foreign agencies and individuals working in Africa to avoid all those misunderstandings and misinterpretations of culture and context which lead to wasted efforts and frustrated hopes. It also addresses the need to tackle weak governance, corrupt systems and low expectations and sets out what Africa needs from the rest of the world in the spirit of global solidarity - not primarily in aid, but through investment, collaboration, partnership and co-development.
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40

Schultz, Jaime. Women's Sports. Oxford University Press, 2019. http://dx.doi.org/10.1093/wentk/9780190657710.001.0001.

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Although girls and women account for approximately 40 percent of all athletes in the United States, they receive only 4 percent of the total sport media coverage. SportsCenter, ESPN’s flagship program, dedicates less than 2 percent of its airtime to women. Local news networks devote less than 5 percent of their programming to women’s sports. Excluding Sports Illustrated’s annual "Swimsuit Issue," women appear on just 4.9 percent of the magazine’s covers. Media is a powerful indication of the culture surrounding sport in the United States. Why are women underrepresented in sports media? Sports Illustrated journalist Andy Benoit infamously remarked that women’s sports "are not worth watching." Although he later apologized, Benoit’s comment points to more general lack of awareness. Consider, for example, the confusion surrounding Title IX, the U.S. Law that prohibits sex discrimination in any educational program that receives federal financial assistance. Is Title IX to blame when administrators drop men’s athletic programs? Is it lack of interest or lack of opportunity that causes girls and women to participate in sport at lower rates than boys and men? In Women’s Sports, Jaime Schultz tackles these questions, along with many others, to upend the misunderstandings that plague women’s sports. Using historical, contemporary, scholarly, and popular sources, Schultz traces the progress and pitfalls of women’s involvement in sport. In the signature question-and-answer format of the What Everyone Needs to Know® series, this short and accessible book clarifies misconceptions that dog women’s athletics and offers much needed context and history to illuminate the struggles and inequalities sportswomen continue to face. By exploring issues such as gender, sexuality, sex segregation, the Olympic and Paralympic Games, media coverage, and the sport-health connection, Schultz shows why women’s sports are not just worth watching, but worth playing, supporting, and fighting for.
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