Relevant bibliographies by topics / Cultural network

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural network'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "Cultural network"

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Smolla, Marco, and Erol Akçay. "Cultural selection shapes network structure." Science Advances 5, no. 8 (August 2019): eaaw0609. http://dx.doi.org/10.1126/sciadv.aaw0609.

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Cultural evolution relies on the social transmission of cultural traits along a population’s social network. Research indicates that network structure affects information spread and thus the capacity for cumulative culture. However, how network structure itself is driven by population-culture co-evolution remains largely unclear. We use a simple model to investigate how populations negotiate the trade-off between acquiring new skills and getting better at existing skills and how this trade-off shapes social networks. We find unexpected eco-evolutionary feedbacks from culture onto social networks and vice versa. We show that selecting for skill generalists results in sparse networks with diverse skill sets, whereas selecting for skill specialists results in dense networks and a population that specializes on the same few skills on which everyone is an expert. Our model advances our understanding of the complex feedbacks in cultural evolution and demonstrates how individual-level behavior can lead to the emergence of population-level structure.
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Jagoda, Patrick. "Network Ambivalence." Contemporaneity: Historical Presence in Visual Culture 4 (August 3, 2015): 108–18. http://dx.doi.org/10.5195/contemp.2015.150.

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The language of networks now describes everything from the Internet to the economy to terrorist organizations. In distinction to a common view of networks as a universal, originary, or necessary form that promises to explain everything from neural structures to online traffic, this essay emphasizes the contingency of the network imaginary. Network form, in its role as our current cultural dominant, makes scarcely imaginable the possibility of an alternative or an outside uninflected by networks. If so many things and relationships are figured as networks, however, then what is not a network? If a network points towards particular logics and qualities of relation in our historical present, what others might we envision in the future? In many ways, these questions are unanswerable from within the contemporary moment. Instead of seeking an avant-garde approach (to move beyond networks) or opting out of networks (in some cases, to recover elements of pre-networked existence), this essay proposes a third orientation: one of ambivalence that operates as a mode of extreme presence. I propose the concept of "network aesthetics," which can be tracked across artistic media and cultural forms, as a model, style, and pedagogy for approaching interconnection in the twenty-first century. The following essay is excerpted from Network Ambivalence (Forthcoming from University of Chicago Press).
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Park. "Accessibility Measure of Cultural Facilities Using Urban Network Analysis." Journal of the Korean Society of Civil Engineers 35, no. 2 (2015): 455. http://dx.doi.org/10.12652/ksce.2015.35.2.0455.

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Imperiale, Francesca, and Marilena Vecco. "Determinants of Network Effectiveness: Evidence from European Cultural Networks." Cultural Management: Science and Education 3, no. 2 (December 16, 2019): 9–32. http://dx.doi.org/10.30819/cmse.3-2.01.

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Cultural cooperation in Europe has grown considerably in the last two decades. This growth is mainly driven by European policies that support stable public-private partnerships to enable the cultural workforce to cooperate internationally. This research focuses on the effectiveness of cultural networks, proposing insights for a comprehensive framework of determinants that can enhance or limit their effectiveness. To this end, the paper discusses the results achieved on both a theoretical and empirical level, examining respectively the networking literature on the effectiveness of public-interest networks and surveying the CEOs of ten renowned European cultural networks funded by the Creative Europe Programme.
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McConnell, William R. "Cultural Guides, Cultural Critics: Distrust of Doctors and Social Support during Mental Health Treatment." Journal of Health and Social Behavior 58, no. 4 (October 12, 2017): 503–19. http://dx.doi.org/10.1177/0022146517736291.

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Research on relationships and health often interprets culture as the passively transmitted “content” of social ties, an approach that overlooks the influence of cultural resources on relationships themselves. I propose that mental health patients seek social support partly based on cultural resources held by their network members, including members’ medical knowledge and beliefs. I test hypotheses using data from the Indianapolis Network Mental Health Study, an egocentric network survey of new mental health patients ( N = 152) and their personal relationships ( N = 1,868). Results from random-intercept regressions show that patients obtain support from network members who trust doctors and who have experience with mental problems. In contrast, network members who distrust doctors disproportionately cause problems for patients. I discuss how cultural resources can categorize network members as supportive cultural guides or disruptive cultural critics. Reconsidering how culture shapes relationships clarifies the role of networks during illness management and illustrates their potentially harmful effects.
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Staber, Udo. "Network Evolution in Cultural Industries." Industry & Innovation 15, no. 5 (October 2008): 569–78. http://dx.doi.org/10.1080/13662710802374229.

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KOBTI, ZIAD, ROBERT G. REYNOLDS, and TIM A. KOHLER. "THE EMERGENCE OF SOCIAL NETWORK HIERARCHY USING CULTURAL ALGORITHMS." International Journal on Artificial Intelligence Tools 15, no. 06 (December 2006): 963–78. http://dx.doi.org/10.1142/s0218213006003065.

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In this paper we extend the cultural framework previously developed for the Village multi-agent simulation in Swarm to include the emergence of a hub network from two base networks. The first base network is kinship, over which generalized reciprocal exchange is defined, and the second is the economic network where agents carry out balanced reciprocal exchange. Agents, or households, are able to procure several resources. We use Cultural Algorithms as a framework for the emergence of social intelligence at both individual and cultural levels. Successful agents in both networks can promote themselves to be included in the hub network where they can develop exchange links to other hubs. The collective effect of the hub network is representative of the quality of life in the population and serves as an indicator for motives behind the mysterious emigration from the region. Knowledge represents the development and use of exchange relationships between agents. The presence of defectors in the hub network improved resilience of the social system while maintaining the population size at that observed where no defectors were present.
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Leem, Byung-Hak, and Seong-Won Eum. "Impact of National Cultural Networks on Trade Network: QAP Analysis." Korea International Trade Research Institute 17, no. 3 (June 30, 2021): 11–20. http://dx.doi.org/10.16980/jitc.17.3.202106.11.

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Li, Haifeng, Zuoqin Shi, Li Chen, Zhenqi Cui, Sumin Li, and Ling Zhao. "Analysis of Cultural Meme Characteristics for Big Data of Cultural Relics." Information 11, no. 12 (December 17, 2020): 584. http://dx.doi.org/10.3390/info11120584.

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The cultural meme is the smallest unit constituting a dynasty′s culture, which has the same inheritance and variability as biological genes. Here, based on the name of cultural relics, we extract cultural memes through semantic word segmentation, word frequency statistics, and the synonym merging method, and construct dynasty cultural meme vectors. We analyzed color, auxiliary, texture, shape, and overall networks of five types of model to construct the culture network, using the social network analysis method, and explored the clustering and degrees of centrality characteristics of cultural memes. We then analyzed the similarities and differences among cultures of the dynasties. The main conclusions are as follows: (1) Cultural memes represent different cultural characteristics of dynasties, and the inheritance and differences among dynasties’ cultures are closely related to their historical background. (2) Prevalence memes construct the cultural label of dynasties, which can roughly restore the cultural appearance of dynasties through fewer prevalence memes. (3) The use of community detection with a cultural meme network can determine the clustering of dynasties′ cultures, and the degree of centrality further reflects the main cultural characteristics presented by successive dynasties.
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Hu, Shao-Dong, and Si-Yan Chen. "Cultural beliefs, agency relationship, and network governance." Chinese Management Studies 9, no. 2 (June 1, 2015): 176–96. http://dx.doi.org/10.1108/cms-03-2015-0054.

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Purpose – The purpose of this paper is to investigate the effects of cultural beliefs on governance in a business network without a legal institutional framework. Particular emphasis is placed on the cross-country remittance mail operating network in Chaoshan, China, during the period 1860-1949. This investigation builds on Greif’s business governance theory and develops an analytical framework that considers cultural beliefs, agency relationships and multilateral punishment mechanisms. Furthermore, it uses the institutional analysis method to identify the institutional factors that sustained the remittance mail operating networks and their underlying mechanisms. Design/methodology/approach – This paper adopts the qualitative research method. First, it investigates the history of the remittance mail operating network and agency relationships by searching through the contents of the relevant historical documents preserved in the official archives and information found in other records. Thereafter, it summarizes and demonstrates the cultural beliefs inferred from that research. The archival materials permit analysis of the interactions between cultural beliefs, agency relationships and multilateral punishment mechanisms by the institutional analysis method. Findings – Due to the lack of legal institutions in China during the period under review, cultural beliefs played a central institutional role in cross-country business relations. Network governance was coupled with clan cultural beliefs in the remittance mail operating network. This relationship was the key to sustain the efficient operation of the remittance mail network. Originality/value – In the West, corporate governance has been influenced by and has become an integral feature of Western culture and values. This is not necessarily so for the corporate governance in terms of Chinese culture and values. Thus, instead of mimicking the modes of developed countries, it is important for Chinese enterprises to seek a mode of corporate governance that is in accord with their local cultures. This may be an important focus for enterprise development.
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Dissertations / Theses on the topic "Cultural network"

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Jiang, Jian. "Modeling of complex network, application to road and cultural networks." Phd thesis, Université du Maine, 2011. http://tel.archives-ouvertes.fr/tel-00691129.

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Many complex systems arising from nature and human society can be described as complex networks. In this dissertation, on the basis of complex network theory, we pay attention to the topological structure of complex network and the dynamics on it. We established models to investigate the influences of the structure on the dynamics of networks and to shed light on some peculiar properties of complex systems. This dissertation includes four parts. In the first part, the empirical properties (degree distribution, clustering coefficient, diameter, and characteristic path length) of urban road network of Le Mans city in France are studied. The degree distribution shows a double power-law which we studied in detail. In the second part, we propose two models to investigate the possible mechanisms leading to the deviation from simple power law. In the first model, probabilistic addition of nodes and links, and rewiring of links are considered; in the second one, only random and preferential link growth is included. The simulation results of the modelling are compared with the real data. In the third part,the probabilistic uncertainty behavior of double power law distribution is investigated. The network optimization and optimal design of scale free network to random failures are discussed from the viewpoint of entropy maximization. We defined equilibrium network ensemble as stationary ensembles of graphs by using some thermodynamics like notions such as "energy", "temperature", "free energy" for network. In the forth part, an union-division model is established to investigate the time evolution of certain networks like cultural or economical networks. In this model, the nodes represent, for example, the cultures. Several quantities such as richness, age, identity, ingredient etc. are used to parameterize the probabilistic evolution of the network. The model offers a long term view on the apparently periodic dynamics of an ensemble of cultural or economic entities in interaction.
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Sawhney, Ena. "Cultural Intelligence: Extending the Nomological Network." FIU Digital Commons, 2014. http://digitalcommons.fiu.edu/etd/1661.

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This dissertation consists of three independent studies, which study the nomological network of cultural intelligence (CI)—a relatively new construct within the fields of cross-cultural psychology and organizational psychology. Since the introduction of this construct, CI now has a generally accepted model comprised of four codependent subfactors. In addition, the focus of preliminary research within the field is on understanding the new construct’s correlates and outcomes. Thus, the goals for this dissertation were (a) to provide an additional evaluation of the factor structure of CI and (b) to examine further the correlates and outcomes that should theoretically be included in its nomological network. Specifically the model tests involved a one-factor, three-factor, and four-factor structure. The examined correlates of CI included the Big Five personality traits, core self-evaluation, social self-efficacy, self-monitoring, emotional intelligence, and cross-cultural experience. The examined outcomes also included overall performance, contextual performance, and cultural adaption in relation to CI. Thus, this dissertation has a series of 20 proposed and statistically evaluated hypotheses. The first study in this dissertation contained the summary of the extant CI literature via meta-analytic techniques. The outcomes of focus were significantly relevant to CI, while the CI correlates had more inconclusive results. The second and third studies contained original data collected from a sample of students and adult workers, respectively. In general, the results between these two studies were parallel. The four-factor structure of CI emerged as the best fit to the data, and several correlates and outcomes indicated significant relation to CI. In addition, the tested incremental validity of CI showed significant results emerging in both studies. Lastly, several exploratory analyses indicated the role of CI as a mediator between relevant antecedent and the outcome of cultural adaption, while the data supported the mediator role of CI. The final chapter includes a thorough discussion of practical implications as well as limitation to the research design.
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Gu, Xin. "Social networks in cultural industries : fashion, new media and network development policy in Manchester." Thesis, Manchester Metropolitan University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.492146.

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This thesis is a multi-disciplinary approach to the subject of 'cultural industries'. The term has been mostly debated within subjects of social economics, economic geography and cultural studies alongside the public interests in the term. The aim of this research is to investigating the role of social networks in the development of cultural industries and the proposition of network development policy. It is based on the review of dominant critics about the commodification or the exploitation of social relationships in cultural industries and how it is an outcome of increasing individualization. Through qualitative interviews and ethnographical case studies, this thesis attempts to draw attention to the social, cultural or aesthetic aspects of the networks. The uniqueness of this research hence comes from its focus on the sociological explanation for networking instead of relying on theories within economics, economic geography or political economy alone. Although these areas have been most fruitful in concerning the functionality of social networks, it is felt in this research that the non-instrumental roles of these social networks are under-represented. The results show the tendency of a rejuvenation of social responsibility, creative authenticity and other non-instrumental aspects in developing interpersonal relationship in the independent cultural sectors in Manchester. In particular, the increasing integration between these non-instrumental aspects and the economic functions in these industries suggests that it is a 'constitutive' progress - it is not only about making a living as an artist but also about living like one. These new affective communities in cultural industries become very attractive to the development of local creative economy despite that it imposes real challenges to local policy makers. The role and practice of CIDS in terms of forming networking infrastructures for local cultural businesses provide templates to understand both tensions and conflicts among the parties involved.
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Schuch, Brunet Karla. "Network projects and collaboration. Models for socio-cultural changes-on the internet." Doctoral thesis, Universitat Pompeu Fabra, 2006. http://hdl.handle.net/10803/7520.

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Esta tesis propone modelos para cambios socio-culturales en Internet. Proyectos en red en colaboración fueran el objeto de este estudio. Fueran elegidos 100 proyectos para una base de datos donde se hizo un análisis detallado. Después de un estudio de los resultados de la base de datos, asimismo basándose en teorías de multitud, resistencia, tolerancia, controle y protocolo, cultura libre y realismo virtual, modelos emergieron.

Los proyectos fueron divididos en 3 áreas: diseño, colaboración, y metas. Diseño como una manera de categorizar proyectos referente a su uso de elementos visuales. Luego, esbozase formatos de cómo las contribuciones son presentadas a los usuarios y cómo está estructurada la toma de decisión. Metas, como foco de esta investigación, apuntaron a cuatro modelos: discutir, reflexionar, expresar y actuar. Estos son útiles para la comprensión de cambios socio-culturales en Internet; además, plantean implicación en el espectro de relaciones y redes sociales.
This thesis proposes models for socio-cultural changes on the Internet. Network projects were the object of study, and through collaboration they achieve transformation. I selected 100 projects to be part of a database to a detailed examination. After an analysis of the results of this database, and based on theories of multitude resistance, tolerance, protocol and control, free culture, and virtual realism, models emerged.

The projects were divided in 3 areas: design, collaboration, and goals. Design as a way to categorize projects in relation to their use of visual aesthetics elements. Shortly, it is outlined formats on how the contributions are displayed to users and how is decision-making structuralized. Goals, the focus of this investigation, suggested four models: discuss, reflect, express, and act. These models are helpful to the understanding of socio-cultural changes on the Internet; moreover, they have implication on the spectrum of social relations and networks.
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Poo-Im, Phanugorn, and Sangkan Savaikiat. "Cultural influences on the social network marketing effectiveness : A case Study in Thailand." Thesis, Mälardalens högskola, Akademin för hållbar samhälls- och teknikutveckling, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:mdh:diva-14999.

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UNIVERSITY Mälardalen University (Mälardalens högskola) School of Sustainable Development of Society and Technology COURSE Master Thesis in Business Studies with Specialization in International Marketing COURSE CODE EFO705 TITLE Cultural influences on the social network marketing effectiveness: A case study in Thailand. RESEARCH QUESTIONS How does collectivism influence the effectiveness of social network marketing? PURPOSE OF THE STUDY The purpose of this thesis is to investigate and analyze whether the cultural dimension of collectivism among Thais has an influential impact on the effectiveness of social network marketing implementation on clothing retailing companies toward online customers or not. METHODOLOGY This thesis has employed both primary and secondary data to operationalize the conceptual framework. A questionnaire given to 160 respondents and the interview of 2 Thai expert marketers has been carried out to operationalize this research question. CONCLUSION The collectivistic behaviors among Thais show a slightly positive relationship which supports the effectiveness of social network marketing implementation. The other influential factors, apart from collectivism, are detergency in educational levels, knowledge of using social network, smart phone trends, and internet facility readiness.
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Lee, Minha. "Weaving a Web for Cultural Capacity: A Network Analysis of the Cultural Ecosystem in Columbus, Ohio." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1238007351.

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Scholnick, Jonathan. "APPRENTICESHIP, CULTURAL TRANSMISSION AND THE EVOLUTION OF CULTURAL TRADITIONS IN HISTORIC NEW ENGLAND GRAVESTONES." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/194673.

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Cultural evolutionary models that relate spatial and temporal patterning in artifact sequences to human social learning processes and history have made many recent advances. Specifically, these models connect evolutionary forces and social leaning mechanisms along cultural pathways with expectations that can be assessed using material culture. In this dissertation, I use an historical archaeology case study of carved New England gravestones to evaluate three different aspects of cultural transmission and artifact patterns. First, I study the role of social network structure in the transmission of cultural information among carvers organized in workshops that were principally comprised of a carver and his apprentices. The results of this study suggest that the motifs reflect widespread similarity that transcends workshop organization. However, the finer grained decorative elements that make up these motifs correspond with cultural lineages of gravestone carvers. Second, I examine the relationship between the diffusion of innovations and cultural transmission mechanisms that result in spatiotemporal patterning. The spatial patterning suggests that social contagion among consumers created brief instances of wave-like diffusion from a distinct workshop, highlighting the role of consumer choice. A review of probate payments shows that gravestones were rarely purchased from distance sources, as transport costs could be prohibitive. The spatial patterning and historic record suggest that carvers also learned from other carvers creating a hierarchical diffusion process. These two populations created a feedback mechanism that leads to complex emergent phenomena, as illustrated by the rapid and widespread adoption of the cherub motif. Third, the neutral model of stylistic variation is applied to gravestone data to examine the ways that increased consumption and an expanding carving industry led to dominant decorative motifs. This study shows that neutrality can be a fleeting and transitional state between the dominance of single decorative styles. These three studies use New England gravestones to illustrate the evolutionary forces and cultural transmission mechanisms among artifact producers and consumers, which generated the stylistic patterning we observe in the archaeological record.
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Miller, Andrew. "A Social Network Analysis of the Ye’kwana Horticulturalists of Lowland Venezuela." University of Cincinnati / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1414750232.

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Silva, Elisangela Alves. "Para todas as estações da vida: uma proposta de formação de redes intergeracionais." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/27/27151/tde-17112010-144824/.

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Esta pesquisa visa contribuir para o desenvolvimento do conceito de rede cultural, instância fundamental na promoção de trocas simbólicas e interações indispensáveis aos processos culturais de construção de sentidos. O paradigma norteador deste estudo exploratório é a rede intergeracional, como modalidade da rede cultural, tomada sob perspectiva teórica e metodológica a partir de enfoque histórico-cultural e quanto às possibilidades como dispositivo de reterritorialização das relações entre idosos e jovens. Foi utilizada metodologia colaborativa, modalidade que envolve a atuação direta da pesquisadora nas oficinas com os grupos de idosos que compõem a Estação Memória e com as crianças e jovens que participam do Núcleo Educação Cidadã, do Programa Einstein na Comunidade de Paraisópolis. A fundamentação teórico-metodológica está centrada nas abordagens do conceito das redes, porém ressalta-se o vazio relacionado à conceituação das redes culturais e das redes intergeracionais sob a perspectiva cultural. Nesse sentido, são apresentadas as potencialidades da estrutura das redes em sua dimensão estratégica para colocar em prática ações culturais marcadas pela aproximação entre as diferentes gerações. Propõe-se a apropriação dos recursos tecnológicos e de comunicação, como as ferramentas de redes sociais on-line e os blogs, para estabelecer as conexões rompidas. O estudo conclui que a rede intergeracional, como modalidade da rede cultural, revela-se de fato possível e relevante para estabelecer e sustentar os laços sociais e simbólicos entre as diferentes gerações, além de reforçar a identidade tanto dos sujeitos como dos grupos geracionais.
This research aims to contribute to the development of the cultural network concept, basic instance in the promotion of symbolic exchanges and indispensable interactions to the cultural processes of meaning construction. The paradigm that directed this exploratory study is the network between generations, as a cultural network`s way, taken on theoretical and methodological perspective, from the historical and cultural aspect and the possibilities as a device to repossession of relations between older people and youth. A collaborative research methodology was used that envolves the direct intervention of the researcher in the workshops with groups of elderly who compose the Estação Memória (Station Memory) and groups of children and youth who participates in the Citizen Education Area, from Programa Einstein na Comunicadade de Paraisópolis (Einstein in the Paraisópolis Community Program). The theoretical references is focused on the concept of networks, however, there are gaps related to the cultural networks concept and intergenerational networks in the cultural perspective. Therefore, we present the potential of the networks structure in its strategic dimension to put in practice cultural activities marked by the rapprochement between different generations. Besides concluding the appropriation of the technological and communication resources, like online social networks and blogs, can contribute for the reestablishment of breached social bows. To conclude, the intergenerational networks, as a modality from the cultural network, revels in fact, possible and relevant to establish and support the social and symbolic bows between the different generations, moreover, to reinforcing the identity of both groups of subjects as the generational group.
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Reynolds, Alexandra. "Crowdsourcing, curating and network power : towards a critical crowdsourced cultural archive." Thesis, Kingston University, 2016. http://eprints.kingston.ac.uk/35849/.

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This thesis explores the use of the crowdsourced digital archive in contemporary museological and cultural projects and investigates ways co-creation can be used more critically and meaningfully by museums, galleries and wider cultural initiatives. A primary focus of the project is the inherent relationship between the archive, curator, power and politics, particularly in relation to the performative mechanisms through which hegemonic power produces, mediates and consolidates cultural norms and ideals. Specifically, this project seeks to explore the complex relationship between the crowdsourced cultural archive and contemporary capitalist power, defined variously as New Capitalism, Network Capitalism or Inclusive Neoliberalism. Referring to a range of contemporary crowdsourced projects, the thesis argues that many existing participatory digital archives performativelt replicate and consolidate hegemonic cultural norms, mirroring historical archival forms in this way. Further, I argue that particular structuration of contemporary capitalism requires that attempts at critically or political action tend to be reassimilated into hegemonic power. Nonetheless, responding to calls for critical digital networks by theorists such as Jodi Dean (2008) and Geert Lovink (2011), the thesis aims to identify new models for the design and structuration of future critical crowdsourced archives. The project looks to Tactical Media, Hacktivism and Critical Digital Art to explore effective online criticality within New Capitalism, while an investigation of alternative architecures for critical collaboraion is undertaken with reference to Free and Open Source Software (FLOSS) and Net Art. Through this research, tenets for future critical crowdsourced cultural projects are delineated, paying particular attention to the role of the curator within the co-created project and critical approaches to digital architecture and design. The thesis primarily employs interpretive research based in Cultural Studies, but also includes findings from nine interviews undertaken with prominent digital project leaders. It is hoped the research will contribute to knowledge within Digital Humanities, Art and Design History, Museum and Gallery Studies, Design Theory and Cultural Studies, as well as contemporary curatorial and archival practice in museums and galleries.
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Books on the topic "Cultural network"

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Santangelo, Antonio. Brain network and cultural shape. Milano, Italy: La Pietra, 1995.

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Santangelo, Antonio. Brain network and cultural shape. Milano, Italy: La Pietra, 1995.

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Jang, Ha-Yong. Cultural differences in organizational communication and interorganizational networks: A smantic network analysis. New York: State University of New York, 1995.

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Arts, and Cultural Education Network (New York N. Y. ). Arts and Cultural Education Network menu, 1988-1989. Brooklyn, NY: New York City Board of Education, Division of Curriculum and Instruction, Office of Cultural Arts, 1988.

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Eng, Kuah Khun, ed. Chinese women and their cultural and network capitals. Singapore: Marshall Cavendish Academic, 2004.

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Staines, Judith. Working groups: Network solutions for cultural cooperation in Europe. Brussels: European Forum for the Arts and Heritage, 1996.

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Fenwick, Tara J. Actor-network theory in education. New York: Routledge, 2010.

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K'orian tiasŭp'ora wa munhwa net'ŭwŏk'ŭ: Korean diaspora & its cultural network. Sŏul-si: Puk K'oria, 2010.

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Beksac, Engin. Pinarhisar-Tsarevo Kültürel Agi ( The Cultural Network Of Pinarhisar -Rsarevo ). Pinarhisar, Kirklareli,: Pinarhisar Belediyesi, 2008.

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Fenwick, Tara J. Actor-network theory in education. Milton Park, Abingdon, Oxon: Routledge, 2010.

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Book chapters on the topic "Cultural network"

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Sieck, Winston R., Benjamin G. Simpkins, and Louise J. Rasmussen. "A Cultural Belief Network Simulator." In Social Computing, Behavioral-Cultural Modeling and Prediction, 284–91. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-642-19656-0_40.

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Clark, Mackenzie, Erika Frydenlund, and Jose J. Padilla. "Network Structures and Humanitarian Need." In Social, Cultural, and Behavioral Modeling, 214–23. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-80387-2_21.

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Mazet, Florence, Robert Salle, and Robert Spencer. "International Networks and International Network Strategies: Networks in Different Cultural Contexts." In Business Marketing: An Interaction and Network Perspective, 351–74. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0645-0_13.

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Kim, Inhye. "A Cultural Network in 1930s Korea." In Interpreting Modernism in Korean Art, 128–39. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429351112-17.

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Kreutel, Jörn. "Augmenting Network Analysis with Linked Data for Humanities Research." In Digital Cultural Heritage, 1–14. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15200-0_1.

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López-Fuentes, Francisco de Asís, and Juan Alejandro Ibañez-Ramírez. "A Multimedia Platform for Mexican Cultural Heritage Diffusion." In Cryptology and Network Security, 542–51. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-98678-4_54.

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O’Neil, Patrick. "Dynamic, Covert Network Simulation." In Social Computing, Behavioral - Cultural Modeling and Prediction, 239–47. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-29047-3_29.

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Moreno Rocha, Mario Alberto, Carlos Alberto Martínez Sandoval, Cuauhtémoc Rivera Loaiza, and Ma Margarita Vírgen González. "Developing a Contextual Network for Indigenous Communities in Mexico." In Cross-Cultural Design. Cultural Differences in Everyday Life, 451–57. Berlin, Heidelberg: Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-39137-8_50.

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Sen, Arunabha, Victoria Horan Goliber, Chenyang Zhou, and Kaustav Basu. "Terrorist Network Monitoring with Identifying Code." In Social, Cultural, and Behavioral Modeling, 329–39. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-93372-6_36.

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Smith, Robert W. "Clashing Interests: The Cambridge Network and International Controversies." In Historical & Cultural Astronomy, 245–96. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-54218-4_7.

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Conference papers on the topic "Cultural network"

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Neumann, Hans-Rudolf, Dirk Röder, and Hartmut Röder. "Diverse and rich fortified cultural heritage of the Iberian Peninsula. Basis for culture tourism with the European Culture Route Fortified Monuments FORTE CULTURA®." In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11394.

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Fortresses are architectural pearls, cultural sites, event locations, experience places and memorials, mostly situated at breath-taking places on mountains, rivers or in the under-ground. Fortresses are monuments of common European history, they mirror the past into the present, connect cultures and offer deep insights into the historical conflicts. Fortified monuments are part of what makes Europe unique and attractive. This cultural heritage has to be preserved and made accessible for the culture tourism at the same time. The Iberian fortified heritage has big potential for new culture touristic topics and travel routes away from mass tourism. Therefore, cultural routes are a useful instrument. The European Culture Route Fortified Monuments –FORTE CULTURA®– is the European umbrella brand for fortress tourism. It offers useful instruments for international marketing of fortified monuments. The implementation of the attractive architectura militaris of the Iberian Peninsula into the culture route FORTE CULTURA® makes it possible to network this culture asset touristically, make it visible and experienceable on international tourism markets and market it Europe-wide. By implementing a new touristic regional brand “FORTE CULTURA – Iberian Fortified Heritage” the qualified culture tourism will be addressed. This supports a balance between over and under presented monuments and extends the sphere of activity of local actors onto whole Europe.
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Silva, Mariana O., Clarisse Scofield, Gabriel P. Oliveira, Danilo B. Seufitelli, and Mirella M. Moro. "Exploring Brazilian Cultural Identity Through Reading Preferences." In Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2021. http://dx.doi.org/10.5753/brasnam.2021.16130.

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In Brazil, each region has its own cultural identity regarding accent, gastronomy, customs, all of which may reflect in its literature. Specially, we believe that country's background and contextual features are directly related to what people read. Hence, we perform a cross-state comparison analysis based on Brazilian reading preferences through a multipartite network model. Also, we explore the effects of socioeconomic and demographic factors on favorite books and writing genres. Such cross-state analyses highlight how the country is culturally rich, where each region has its own distinctive culture. Our findings offer great opportunities for the Brazilian book industry by enhancing current knowledge on social indicators related to reading preferences.
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Uçak, Olcay. "Towards a Single Culture in Cross-Cultural Communication: Digital Culture." In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.007.

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Culture is a multifaceted, complex process which consists of knowledge, art, morals, customs, skills and habits. Based on this point of view of Tylor, we can say that the culture is the human in the society, his learning styles and the technical or artistic products that originate from these learning styles, in other words, the content. In antropology it is argued that when the concept of culture is considered as a component in a social system, the combination of the social and cultural areas form the socio-cultural system. Approaches that handle culture within the socio-cultural system are functionalism (Malinowski), structural-functionalism (Radliffe-Brown), historical-extensionist (Kluckhohn, Krober), environmental adaptive (White), while the approaches that treat culture as a system of thought are cognitive (Goodenough), structural (Levi Strauss) and symbolic (Geertz) approaches. In addition to these approaches that evaluate cultures specific to communities, another definition is made according to the learning time: Margeret Mead, Cofigurative Culture. In order to evaluate today’s societies in terms of culture, we are observing a new culture which has cofigurative features under the influence of convergent technologies (mobile, cloud technology, robots, virtual reality): Digital Culture. This study aims to discuss the characteristics of the digital culture, which is observed after the theoretic approaches that define different cultures in cross-cultural communication (Hofstede’s Cultural Dimension and Cofigurative Culture) and called as network society by Manual Castells and accelerated during the Covid19 pandemic, in other words the common communication culture. Common cultural features will be studied through methods of semiology and text analysis upon digital contents which are starting to take hold of cross-cultural communication, a comparison between cross-cultural communication and communicative ecology will be made, the alteration in the cultural features of the society will be examined via visual and written findings obtained.
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Zhijiang Yang. "Cultural survey of network vocabulary." In 2011 International Conference on Multimedia Technology (ICMT). IEEE, 2011. http://dx.doi.org/10.1109/icmt.2011.6002997.

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Ouyang, Xuebing, Zhaohui Li, and Jia Chen. "A Cultural-Creative Network Ecological System." In 2012 Fifth International Conference on Intelligent Computation Technology and Automation (ICICTA). IEEE, 2012. http://dx.doi.org/10.1109/icicta.2012.147.

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Michard, Alain. "Aquarelle: a cultural heritage information network." In SYBEN-Broadband European Networks and Electronic Image Capture and Publishing, edited by Jan Bares. SPIE, 1998. http://dx.doi.org/10.1117/12.324124.

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Sun, Hongxia. "Essence of Marx's Cultural Thought and Its Enlightenment to China's Cultural Industry." In 8th International Conference on Social Network, Communication and Education (SNCE 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/snce-18.2018.175.

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Chen, Runxuan, Haoran Xie, Jiaxing Chen, Yanghui Rao, Yingchao Zhao, and Fu Lee Wang. "Extractive Adversarial Networks for Network Embedding." In 2018 5th International Conference on Behavioral, Economic, and Socio-Cultural Computing (BESC). IEEE, 2018. http://dx.doi.org/10.1109/besc.2018.8697264.

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Xiaojiao, Li. "Study on Characteristics of Japanese Culture and Sino-Japanese Cross-cultural Communication." In 2017 7th International Conference on Social Network, Communication and Education (SNCE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/snce-17.2017.170.

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Do Nascimento, Mateus L., Pedro H. B. Ruas, Otaviano Neves, Luis H. Zárate, and Cristiane N. Nobre. "Uma análise do fator cultural em tecnologias persuasivas: um estudo de caso da rede social Facebook." In VII Brazilian Workshop on Social Network Analysis and Mining. Sociedade Brasileira de Computação - SBC, 2018. http://dx.doi.org/10.5753/brasnam.2018.3589.

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O Facebook é uma rede social usada por mais de um bilhão de usuários, e está presente em vários páıses tentando influenciar as pessoas a adotarem determinados comportamentos alvos. Este trabalho foi realizado visando entender a influência cultural na interação dos usuários no contexto das tecnologias persuasivas. Para isso foi realizado um estudo de caso sobre a utilização da rede social Facebook, comparando o Brasil com outros páıses, sendo os dados da utilização obtidos via questionários e analisados por métodos estatísticos. Concluiu-se que os usuários das culturas analisadas possuem comportamento semelhante na rede.
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Reports on the topic "Cultural network"

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Núñez Ladevéze, L., M. Núñez Canal, and JA Irisarri Núñez. Guidelines for the cultural and political integration of the mass media society into the network society. Revista Latina de Comunicación Social, January 2018. http://dx.doi.org/10.4185/rlcs-2018-1252en.

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Schreiber, Craig, Siddhartha Singh, and Kathleen M. Carley. Construct - A Multi-Agent Network Model for the Co-Evolution of Agents and Socio-Cultural Environments. Fort Belvoir, VA: Defense Technical Information Center, May 2004. http://dx.doi.org/10.21236/ada460028.

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Lyons, Joseph B. Developing Cultural Analysis and Sociological Network Theory for Understanding Virtual Communities and Their Intrinsic Relationships on the Web. Fort Belvoir, VA: Defense Technical Information Center, September 2012. http://dx.doi.org/10.21236/ada582053.

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Bertrand, Marianne, Erzo F. P. Luttmer, and Sendhil Mullainathan. Network Effects and Welfare Cultures. Cambridge, MA: National Bureau of Economic Research, December 1998. http://dx.doi.org/10.3386/w6832.

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Kelly, Luke. Lessons Learned on Cultural Heritage Protection in Conflict and Protracted Crisis. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/k4d.2021.068.

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This rapid review examines evidence on the lessons learned from initiatives aimed at embedding better understanding of cultural heritage protection within international monitoring, reporting and response efforts in conflict and protracted crisis. The report uses the terms cultural property and cultural heritage interchangeably. Since the signing of the Hague Treaty in 1954, there has bee a shift from 'cultural property' to 'cultural heritage'. Culture is seen less as 'property' and more in terms of 'ways of life'. However, in much of the literature and for the purposes of this review, cultural property and cultural heritage are used interchangeably. Tangible and intangible cultural heritage incorporates many things, from buildings of globally recognised aesthetic and historic value to places or practices important to a particular community or group. Heritage protection can be supported through a number of frameworks international humanitarian law, human rights law, and peacebuilding, in addition to being supported through networks of the cultural and heritage professions. The report briefly outlines some of the main international legal instruments and approaches involved in cultural heritage protection in section 2. Cultural heritage protection is carried out by national cultural heritage professionals, international bodies and non-governmental organisations (NGOs) as well as citizens. States and intergovernmental organisations may support cultural heritage protection, either bilaterally or by supporting international organisations. The armed forces may also include the protection of cultural heritage in some operations in line with their obligations under international law. In the third section, this report outlines broad lessons on the institutional capacity and politics underpinning cultural protection work (e.g. the strength of legal protections; institutional mandates; production and deployment of knowledge; networks of interested parties); the different approaches were taken; the efficacy of different approaches; and the interface between international and local approaches to heritage protection.
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Brain, Kelsey. The Transnational Networks of Cultural Commodities: Peruvian Food in San Francisco. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.2249.

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Wandji, Dieunedort, Jeremy Allouche, and Gauthier Marchais. Vernacular Resilience: An Approach to Studying Long-Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo. Institute of Development Studies (IDS), April 2021. http://dx.doi.org/10.19088/steps.2021.001.

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This working paper aims to situate our research project within the various debates around resilience. It advocates a historical, cultural and plural approach to understanding how communities develop and share resilient practices in contexts of multiple and protracted crises. A focus on ‘vernacular’ resilience, as embedded in social practices and cultural repertoires, is important since conventional approaches to resilience seem to have overlooked how locally embedded forms of resilience are socially constructed historically. Our approach results from a combination of two observations. Firstly, conventional approaches to resilience in development, humanitarian and peace studies carry the limitations of their own epistemic assumptions – notably the fact that they have generic conceptions of what constitutes resilience. Secondly, these approaches are often ahistorical and neglect the temporal and intergenerational dimensions of repertoires of resilience. In addition to observable social practices, culture and history are crucial in understanding the ways in which vernacular and networked knowledge operates.
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Wandji, Dieunedort, Jeremy Allouch, and Gauthier Marchais. Vernacular Resilience: An Approach to Studying Long-Term Social Practices and Cultural Repertoires of Resilience in Côte d’Ivoire and the Democratic Republic of Congo. Institute of Development Studies (IDS), May 2021. http://dx.doi.org/10.19088/steps.2021.002.

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This working paper aims to situate our research project within the various debates around resilience. It advocates a historical, cultural and plural approach to understanding how communities develop and share resilient practices in contexts of multiple and protracted crises. A focus on ‘vernacular’ resilience, as embedded in social practices and cultural repertoires, is important since conventional approaches to resilience seem to have overlooked how locally embedded forms of resilience are socially constructed historically. Our approach results from a combination of two observations. Firstly, conventional approaches to resilience in development, humanitarian and peace studies carry the limitations of their own epistemic assumptions – notably the fact that they have generic conceptions of what constitutes resilience. Secondly, these approaches are often ahistorical and neglect the temporal and intergenerational dimensions of repertoires of resilience. In addition to observable social practices, culture and history are crucial in understanding the ways in which vernacular and networked knowledge operates.
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Rogers, Amanda. Creative Expression and Contemporary Arts Making Among Young Cambodians. Swansea University, May 2021. http://dx.doi.org/10.23889/sureport.56822.

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This project analysed the creative practices and concerns of young adult artists (18-35 years old) in contemporary Cambodia. It examined the extent to which the arts are being used to open up new ways of enacting Cambodian identity that encompass, but also move beyond, a preoccupation with the Khmer Rouge (1975-1979). Existing research has focused on how the recuperation and revival of traditional performance is linked to the post-genocidal reconstruction of the nation. In contrast, this research examines if, and how, young artists are moving beyond the revival process to create works that speak to a young Cambodian population.The research used NGO Cambodian Living Arts’ 2020 Cultural Season of performances, workshops, and talks as a case study through which to examine key concerns of young Cambodian artists, trace how these affected their creative process, and analyse how the resulting works were received among audiences. It was funded through the AHRC GCRF Network Plus Grant ‘Changing the Story’ which uses arts and humanities approaches to ‘build inclusive societies with, and for, young people in post-conflict settings.
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Young, Craig. Problematic plant monitoring in Hopewell Culture National Historical Park: 2008–2019. Edited by Tani Hubbard. National Park Service, July 2021. http://dx.doi.org/10.36967/nrr-2286658.

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Managers are challenged with the impact of problematic plants, including exotic, invasive, and pest plant species. Information on the cover and frequency of these plants is essential for developing risk-based approaches to managing these species. Based on surveys conducted in 2008, 2011, 2015, and 2019, Heartland Network staff and contractors identified a cumulative total of 51 potentially problematic plant species in Hopewell Culture National Historical Park. Of the 37 species found in 2019, we characterized 7 as very low frequency, 9 as low frequency, 17 as medium frequency, and 4 as high frequency. Of these, midpoint cover estimates of 2 medium frequency and 2 high frequency species exceeded the 10-acre threshold. Because of the number, extent, and cover of problematic plants in the park and the small park size, control efforts should focus on treating high priority species across the entire park. High priority species may include plant species capable of rapid spread, species at low population levels, and species which can effectively be controlled.
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