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Journal articles on the topic 'Cultural ownership'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 January 2023

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1

Venturelli, Shalini. "Ownership of cultural expression." Telematics and Informatics 17, no. 1-2 (2000): 9–37. http://dx.doi.org/10.1016/s0736-5853(99)00026-x.

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2

Bjuggren, Per-Olof, and Henrik af Donner. "Ownership of a cultural landmark." International Review of Law and Economics 21, no. 4 (2002): 499–519. http://dx.doi.org/10.1016/s0144-8188(01)00081-3.

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3

Renold, Marc-André. "Cultural Co-Ownership: Preventing and Solving Cultural Property Claims." International Journal of Cultural Property 22, no. 2-3 (2015): 163–76. http://dx.doi.org/10.1017/s0940739115000223.

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Abstract:Cultural property claims are numerous and of very different nature. Some relate to recent trafficking of cultural property;1some are based on ancient legal grounds which are contested today;2others relate to past wars and colonial times;3others, still, relate to mass spoliations in times of conflict.4In general, though, the original owner seeks to recover what was taken from him, or at least to obtain some form of compensation.5The present owner or possessor is as a matter of principle interested in keeping his possession.6These conflicting positions are often seen as irreconcilable a

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4

Rearick, Emma L., and Gregory L. Newmark. "Reducing Rural Car Ownership: Cultural Not Policy Changes?" Transportation Research Record: Journal of the Transportation Research Board 2672, no. 6 (2018): 1–10. http://dx.doi.org/10.1177/0361198118790327.

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Automobile use is recognized as affecting public health, environmental sustainability, land use, and household expense. Car use is closely tied to car ownership rates. Most car ownership research focuses on urban areas; however, 97% of the United States’ land area and a fifth of its population remains rural. Factors that affect car ownership in these communities may be different than in more urbanized areas. This research focuses on the 2,285 counties in the continental United States that are defined as entirely rural by the guidelines established in the Agricultural Act of 2014. These countie

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5

Han, Minghui, Yong Li, Ning Wang, and Hao Zhang. "Cultural diversity in ownership and stock liquidity." Applied Economics Letters 27, no. 21 (2020): 1772–77. http://dx.doi.org/10.1080/13504851.2020.1723785.

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6

Wanda George, E. "Intangible cultural heritage, ownership, copyrights, and tourism." International Journal of Culture, Tourism and Hospitality Research 4, no. 4 (2010): 376–88. http://dx.doi.org/10.1108/17506181011081541.

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7

Jong, Eelke De, and Radislav Semenov. "Cultural determinants of ownership concentration across countries." International Journal of Business Governance and Ethics 2, no. 1/2 (2006): 145. http://dx.doi.org/10.1504/ijbge.2006.009414.

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8

Kaufman, Tammie J., and Michael Scantlebury. "Cultural tourism and the vacation ownership industry." Journal of Retail & Leisure Property 6, no. 3 (2007): 213–20. http://dx.doi.org/10.1057/palgrave.rlp.5100062.

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9

Hirsch, Paul M. "U.S. Cultural Productions: The Impact of Ownership." Journal of Communication 35, no. 3 (1985): 110–21. http://dx.doi.org/10.1111/j.1460-2466.1985.tb02452.x.

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10

Campfens, Evelien. "Whose Cultural Objects? Introducing Heritage Title for Cross-Border Cultural Property Claims." Netherlands International Law Review 67, no. 2 (2020): 257–95. http://dx.doi.org/10.1007/s40802-020-00174-3.

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Abstract Cultural objects have a special, protected, status because of their intangible ‘heritage’ value to people, as symbols of an identity. This has been so since the first days of international law and, today, there is an extensive legal framework to protect cultural objects and to prohibit looting. Despite this, for as long as demand exists and profits are high, cultural objects continue to be looted, smuggled and traded. At some point, their character tends to change from protected heritage in an original setting to valuable art and commodity in the hands of new possessors. In this new s

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11

Ronald Radano. "On Ownership and Value." Black Music Research Journal 30, no. 2 (2010): 363. http://dx.doi.org/10.5406/blacmusiresej.30.2.0363.

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12

Kim, Hyun Gon, Ajai S. Gaur, and Debmalya Mukherjee. "Added cultural distance and ownership in cross-border acquisitions." Cross Cultural & Strategic Management 27, no. 3 (2020): 487–510. http://dx.doi.org/10.1108/ccsm-01-2020-0003.

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PurposeAs multinational companies enter different countries, the extent of cultural unfamiliarity they face depends on their most recent entry. We examine this pattern of added cultural distance between a newly entered target country and the closest previous one and its effect on ownership decisions in each cross-border acquisition (CBA). We also examine the combined effect of added cultural distance and time between successive acquisitions on such decisions.Design/methodology/approachThe sample came from the Thomson Financial Securities Data Corporation (SDC) Platinum database, which spans di

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13

RUDMIN, FLOYD W. "OWNERSHIP OF ECONOMIC PROPERTY: McCLELLAND'S 1961 CROSS-CULTURAL DATA." Psychological Reports 73, no. 3 (1993): 794. http://dx.doi.org/10.2466/pr0.1993.73.3.794.

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14

Rudmin, Floyd W. "Ownership of Economic Property: Mcclelland's 1961 Cross-Cultural Data." Psychological Reports 73, no. 3_part_1 (1993): 794. http://dx.doi.org/10.1177/00332941930733pt111.

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McClelland's 1961 cross-cultural data on the ownership of economic property in 45 tribes were found unreliable and should not be used in archival studies of the institutional and societal correlates of private property.

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15

Owen, Stephen. "Happiness, ownership, naming: Reflections on Northern Song cultural history." Frontiers of Literary Studies in China 5, no. 1 (2011): 3–24. http://dx.doi.org/10.1007/s11702-011-0116-z.

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16

Rudmin, Floyd Webster. "Cross-cultural correlates of the ownership of private property." Social Science Research 21, no. 1 (1992): 57–83. http://dx.doi.org/10.1016/0049-089x(92)90018-c.

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17

Breske, Ashleigh. "Politics of Repatriation: Formalizing Indigenous Repatriation Policy." International Journal of Cultural Property 25, no. 3 (2018): 347–73. http://dx.doi.org/10.1017/s0940739118000206.

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Abstract:This article will show how institutions and cultural values mediate changes in the governance of repatriation policy. By examining ownership paradigms and institutional power structures and analyzing the changing discourses before and after the passage of the Native American Graves Protection and Repatriation Act, it is possible to understand the ramifications of formalizing repatriation. The current binary of cultural property nationalism/cultural property internationalism in relation to Indigenous ownership claims does not represent the full scope of the conflict for Indigenous peop

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18

Mölder, Andreas, Malin Tiebel, and Tobias Plieninger. "On the Interplay of Ownership Patterns, Biodiversity, and Conservation in Past and Present Temperate Forest Landscapes of Europe and North America." Current Forestry Reports 7, no. 4 (2021): 195–213. http://dx.doi.org/10.1007/s40725-021-00143-w.

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Abstract Purpose of Review Ownership patterns and the associated management characteristics are related to forest structures, biodiversity patterns, and their conservation worldwide. A literature review on this topic is missing so far. We fill this gap with an emphasis on the temperate forests of Europe and North America. Mixed-ownership landscapes are the special focus of the analysis. In a first step, historical effects of ownership patterns on forest structure and biodiversity are elucidated. Second, connections between present-time forest ownership patterns and both forest structural and b

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19

Jerma A. Jackson. "On Ownership and Value: Response." Black Music Research Journal 30, no. 2 (2010): 371. http://dx.doi.org/10.5406/blacmusiresej.30.2.0371.

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20

Ingrid Monson. "On Ownership and Value: Response." Black Music Research Journal 30, no. 2 (2010): 375. http://dx.doi.org/10.5406/blacmusiresej.30.2.0375.

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21

Shane White. "On Ownership and Value: Response." Black Music Research Journal 30, no. 2 (2010): 379. http://dx.doi.org/10.5406/blacmusiresej.30.2.0379.

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22

Renz, Franziska, Richard Posthuma, and Eric Smith. "Extending Boundaries of Psychological Ownership Research: Measurement, Outcomes, Cultural Moderators." Academy of Management Proceedings 2020, no. 1 (2020): 10334. http://dx.doi.org/10.5465/ambpp.2020.10334abstract.

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23

Applegate, Matthew C. "Cultural perceptions, ownership and interaction with re-purposed musical instruments." Journal of Music, Technology and Education 3, no. 2 (2011): 93–106. http://dx.doi.org/10.1386/jmte.3.2-3.93_1.

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24

Galligan, Ann M. "The Ownership of Cultural Property and Other Issues of Legitimacy." Journal of Arts Management, Law, and Society 35, no. 2 (2005): 83–87. http://dx.doi.org/10.3200/jaml.35.2.83-87.

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25

Plit, Joanna. "The stamps of the authority and ownership in cultural landscape." Geographia Polonica 86, no. 3 (2013): 267–77. http://dx.doi.org/10.7163/gpol.2013.23.

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26

Kuprecht, Karolina. "The Concept of “Cultural Affiliation” in NAGPRA: Its Potential and Limits in the Global Protection of Indigenous Cultural Property Rights." International Journal of Cultural Property 19, no. 1 (2012): 33–63. http://dx.doi.org/10.1017/s0940739112000057.

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AbstractIn the debate about indigenous cultural property, the Native American Graves Protection and Repatriation Act (NAGPRA) of the United States has developed and implemented an unorthodox concept of “cultural affiliation.” The act entitles Indian tribes and Native Hawaiian organizations to claim repatriation of their cultural property—comprising human remains, funerary objects, sacred objects, and objects of cultural patrimony—upon the establishment of a specific shared group identity and a cultural affiliation to an object. The concept of cultural affiliation in the act replaces proof of o

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27

Pusey, Michael, and Marion McCutcheon. "From the Media Moguls to the Money Men? Media Concentration in Australia." Media International Australia 140, no. 1 (2011): 22–34. http://dx.doi.org/10.1177/1329878x1114000106.

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This article examines how the Howard government's 2006 media ownership rules affected the concentration of ownership of Australian commercial television and radio services and newspapers. It reviews the historical context of these changes and presents new data on ownership in the light of attitude surveys showing that a large majority of Australians believe media owners have too much power. It shows that the new ownership regime has led to more rather than less concentration of ownership, and explains how the 2006 rules both give primacy to economic market considerations and further sideline o

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28

Mateus, Cesario, and Irina B. Mateus. "Editorial: Corporate governance through a prism of multi-disciplinary research." Corporate Ownership and Control 17, no. 2 (2020): 4–6. http://dx.doi.org/10.22495/cocv17i2_editorial.

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This volume of the journal “Corporate Ownership and Control” is focused on corporate governance, corporate social responsibility, earnings and performance management, ownership concentration, institutional ownership, audit fees, audit quality and independence, cross-cultural management and cultural dimensions, financial instruments risk disclosure, equity incentives, firm performance, shareholder composition and monitoring effects, etc. The topics addressed in this issue highlight the continuing need for knowledge present in academic and non-academic research. The papers published in this issu

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29

Flew, Terry. "Review: Cultural Crossroads: A Collection of Papers from the Conference ‘Cultural Crossroads: Ownership, Access, Identity’." Media International Australia 90, no. 1 (1999): 187–88. http://dx.doi.org/10.1177/1329878x9909000133.

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30

Kanngiesser, Patricia, Shoji Itakura, Yue Zhou, Takayuki Kanda, Hiroshi Ishiguro, and Bruce Hood. "The role of social eye-gaze in children’s and adults’ ownership attributions to robotic agents in three cultures." Interaction Studies 16, no. 1 (2015): 1–28. http://dx.doi.org/10.1075/is.16.1.01kan.

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Young children often treat robots as social agents after they have witnessed interactions that can be interpreted as social. We studied in three experiments whether four-year-olds from three cultures (China, Japan, UK) and adults from two cultures (Japan, UK) will attribute ownership of objects to a robot that engages in social gaze with a human. Participants watched videos of robot-human interactions, in which objects were possessed or new objects were created. Children and adults applied the same ownership rules to humans and robots – irrespective of whether the robot engaged in social gaze

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31

Menska, O. A. "WAIVER OF OWNERSHIP OF MONUMENTS OF CULTURAL HERITAGE AS A BASIS FOR TERMINATION OF OWNERSHIP RIGHTS TO THEM." Juridical scientific and electronic journal, no. 6 (2021): 64–67. http://dx.doi.org/10.32782/2524-0374/2021-6/16.

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32

Lee, Jaehong. "Third Generation Human Right to Cultural Heritage: A Possible Breakthrough with the DAOs." Center for Public Interest & Human Rights Law Chonnam National University 29 (August 30, 2022): 101–48. http://dx.doi.org/10.38135/hrlr.2022.29.101.

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The first and second generations of human rights which are established on individuality fall short of offering full protection to cultural heritage. Recognition of the solidarity among entities even beyond the geographical and temporal limit is an essential prerequisite of the right to culture as common heritage of mankind. Furthermore, cultural heritage serves as the basis of human identity which leads to human dignity and cultural heritage itself has its own value to be protected regardless of its use. These factors support Karel Vasak’s argument of the ownership of the common cultural herit

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33

Melkumyan, Hamlet, and Roman Hovsepyan. "Economic Transitions and Land Ownership." Anthropology of the Middle East 13, no. 1 (2018): 121–29. http://dx.doi.org/10.3167/ame.2018.130110.

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The Yezidis of Armenia, traditionally considered transhumant pastoralists, have been changing their economic habits over the past century. Nowadays, they are more engaged in agriculture than they were a century ago. The social and cultural backgrounds of these transformations are discussed, showing the involvement of the treatment of the Armenians and the adaptive character of the Yezidis’ economy. Presently, the Yezidis practise animal breeding and plant cultivation in parallel, using the human resources available in their family. The ongoing transformations in the economy and their engagemen

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34

Whatley, Sarah. "Embodied cultural property: Contemporary and traditional dance practices." International Journal of Cultural Property 29, no. 2 (2022): 171–81. http://dx.doi.org/10.1017/s0940739122000108.

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AbstractThis article discusses the implications of recording and digitizing a variety of cultural and contemporary dance performance practices, core to a European project known as WhoLoDancE, which focused on issues of reuse, ownership, property, and responsibility. The recordings and subsequent processing of dance material into digital data raised questions about the responsibilities to the dancers who have contributed their material to the project, particularly when it is transformed into data visualizations that can be accessed and reused by others. The article not only focuses on how value

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35

Kunst, Vincent, and Sjoerd Beugelsdijk. "Managerial Ownership and Firm Performance: The Cultural Boundaries of Agency Theory." Academy of Management Proceedings 2018, no. 1 (2018): 14213. http://dx.doi.org/10.5465/ambpp.2018.14213abstract.

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36

Renz, Franziska M., Richard Posthuma, and Eric Smith. "Extending the boundaries of psychological ownership research: measurement, outcomes, cultural moderators." Cross Cultural & Strategic Management 29, no. 1 (2021): 219–43. http://dx.doi.org/10.1108/ccsm-05-2021-0074.

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PurposePsychological ownership (PO) theory and extended self theory explain why someone feels like the owner of his/her job or organization. Yet, there is limited prior research examining whether PO differs as an individual versus collective phenomenon, and in different cultural contexts. The authors extend this literature by examining the dimensionality of PO, multiple outcomes and cultural values as boundary conditions.Design/methodology/approachData from surveys of 331 supervisors from Mexico and the US were collected to examine the relationships between the theorized constructs. The author

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37

Sumida, Ken, Ben Wooliscroft, and Michael Sam. "Sports fans and psychological ownership: the team as a cultural institution." Asia Pacific Journal of Sport and Social Science 4, no. 2 (2015): 144–66. http://dx.doi.org/10.1080/21640599.2015.1075269.

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38

Huang, Youqin, Daichun Yi, and William A. V. Clark. "Multiple home ownership in Chinese cities: An institutional and cultural perspective." Cities 97 (February 2020): 102518. http://dx.doi.org/10.1016/j.cities.2019.102518.

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39

Klopper, S. "WHOSE HERITAGE?: THE POLITICS OF CULTURAL OWNERSHIP IN CONTEMPORARY SOUTH AFRICA." Nka Journal of Contemporary African Art 1996, no. 5 (1996): 34–37. http://dx.doi.org/10.1215/10757163-5-1-34.

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40

Curtis, Simon, Tim Dwyer, Derek Wilding, and Helen Wilson. "Too Soon: The Government's Media Ownership Proposals." Media International Australia 119, no. 1 (2006): 38–47. http://dx.doi.org/10.1177/1329878x0611900104.

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In response to Minister Helen Coonan's discussion paper on media reform released in March, the authors survey the recent history of media ownership policy with particular reference to the Productivity Commission's visionary 2000 report on broadcasting. They argue that the present proposals fall short of the plan laid out in this report and are premature pending further development of digital media.

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41

Young, Sherman. "Review: Collaborative Ownership and the Digital Economy." Media International Australia 119, no. 1 (2006): 163–65. http://dx.doi.org/10.1177/1329878x0611900120.

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42

Silberman, Neil Asher. "From Cultural Property to Cultural Data: The Multiple Dimensions of “Ownership” in a Global Digital Age." International Journal of Cultural Property 21, no. 3 (2014): 365–74. http://dx.doi.org/10.1017/s0940739114000162.

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Abstract:The global digital environment and the continuous expansion of digital information about cultural property necessitate a reevaluation of John Henry Merryman’s tripartite typology of cultural property ideals. Merryman put forth those ideals, namely 1.) ensuring the physical preservation of cultural property, 2.) protecting its even-handed interpretation, and 3.) offering public access to cultural property, as the main bases for the settlement of international cultural property disputes. However, new questions have arisen about the status of cultural property in an era when detailed vir

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43

Brown, Allan. "Media Ownership in the Digital Age: An Economic Perspective." Media International Australia 95, no. 1 (2000): 49–61. http://dx.doi.org/10.1177/1329878x0009500107.

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The restrictions on ownership in the Australian broadcasting legislation reflect the recognition that the media industries are more than mere producers of consumer goods and services; instead, the nature of their output gives them a more fundamental influence on society. It is claimed by some that the arrival of the new media technologies, especially digitalisation and the Internet, has undermined the rationale for the current restrictions on media ownership. This claim is based on the assumption that the new technologies will bring about a significant increase in the number of media outlets,

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44

Craith, Máiréad Nic. "Intangible Cultural Heritages." Anthropological Journal of European Cultures 17, no. 1 (2008): 54–73. http://dx.doi.org/10.3167/ajec.2008.01701004.

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Heritage has traditionally been associated with material objects, but recent conventions have emphasized the significance of intangible culture heritage. This article advocates a holistic approach towards the concept and considers key challenges for Europe's heritage at the beginning of the twenty-first century. Reflecting on the notion of 'European', it considers the question of how one defines European heritage and which European heritage is to be protected. It explores links between national and European conceptions of identity and heritage and queries issues of ownership, language and repr

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45

Karhulahti, Veli-Matti. "Reconsidering Esport: Economics and Executive Ownership." Physical Culture and Sport. Studies and Research 74, no. 1 (2017): 43–53. http://dx.doi.org/10.1515/pcssr-2017-0010.

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AbstractThis article starts with a literary review of the conceptual frames through which esport has been labeled academically. It shows how the concept of “electronic” has been taken as the core term for labelingesport, often accompanied by a strong emphasis on “professionalism.” The literary review is followed by the submission of an alternative conceptual frame based on the economic notion of executive ownership, which provides a theoretical grounding for esport as a cultural phenomenon. In accordance with the above, the article concludes with a reframed look at the history of esport and su

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46

Dzienis, Paweł. "Functioning of prohibitions and restrictions on the use of real property protecting the cultural landscape on the example of the Wilanów Cultural Park. Part 2: empirical." Nieruchomości@ I, no. I (2021): 135–53. http://dx.doi.org/10.5604/01.3001.0014.7464.

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The second part of the article on the juridical dimension of the Wilanów Cultural Park confirms the justification for that the existence of this area-based form of monument protection in casu is well founded. It completes the dogmatic analysis of presented in the first part. Here too, the key issues are the restrictions on the ownership right to property and the need to balance them with under the civil law. The author used the empirical method in the form of a survey of questionnaires directed addressed, within the frame in the mode of access to public information, to institutions that faced

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47

Nooitgedagt, Wybren, Borja Martinović, Maykel Verkuyten, and Sibusiso Maseko. "Collective Psychological Ownership and Territorial Compensation in Australia and South Africa." Journal of Cross-Cultural Psychology 53, no. 1 (2021): 87–108. http://dx.doi.org/10.1177/00220221211051024.

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Collective psychological ownership as a sense that a territory belongs to a group might explain attitudes of the White majority toward territorial compensation for Indigenous Peoples in settler societies. Ownership can be inferred from different general principles and we considered three key principles: autochthony (entitlements from first arrival), investment (entitlements from working the land), and formation (primacy of the territory in forming the collective identity). In two studies, among White Australians (Study 1, N = 475), and White South Africans (Study 2, N = 879), we investigated h

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48

Edge, Marc. "How the Camel Got in the Tent: The Canadian Assault on Australia's Foreign Media Ownership Limits." Media International Australia 132, no. 1 (2009): 42–53. http://dx.doi.org/10.1177/1329878x0913200106.

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Before 1991, Australia enforced strict limits on foreign ownership of licensed broadcasters and also limited foreign ownership of newspaper publishers. In the early 1990s, however, a pair of Canadian entrepreneurs succeeded in first raising and then circumventing those limits. Conrad Black bought 15 per cent of the Fairfax newspaper chain in 1992, and shortly before the ensuing national election lobbied to increase his stake to 25 per cent. In his 1993 autobiography, Black described backroom political dealings that resulted in a Senate inquiry. The Australian Broadcasting Authority soon began

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49

Calvi, Licia, Jessika Weber-Sabil, Daniel Asmar, and Xavi Socías Perez. "A Framework for Stakeholders’ Involvement in Digital Productions for Cultural Heritage Tourism." Multimodal Technologies and Interaction 6, no. 7 (2022): 52. http://dx.doi.org/10.3390/mti6070052.

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This paper proposes a new framework for the production and development of immersive and playful technologies in cultural heritage in which different stakeholders such as users and local communities are involved early on in the product development chain. We believe that an early stage of co-creation in the design process produces a clear understanding of what users struggle with, facilitates the creation of community ownership and helps in better defining the design challenge at hand. We show that adopting such a framework has several direct and indirect benefits, including a deeper sense of si

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50

Hao, Andy Wei, Xin Liu, Michael Hu, and Xiaoling Guo. "Cultural differences in vertical brand extension evaluations: the influence of thinking styles." Cross Cultural & Strategic Management 27, no. 2 (2020): 245–63. http://dx.doi.org/10.1108/ccsm-07-2019-0133.

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PurposeThe paper examines the cultural differences in consumers' evaluations of vertical brand extensions.Design/methodology/approachA 2 (extension types: upward, downward) × 2 (nationality: USA, China) × 2 (ownership: owner, non-owner) between-subjects design with thinking styles as a covariate was employed to test consumers' evaluations of vertical brand extensions. A total of 228 subjects from the US and 194 from China participated in the two experimental studies.FindingsThe paper finds that consumers prefer downward extensions to upward extensions. Furthermore, Chinese consumers have even

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