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Books on the topic 'Cultural performances'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

G, Reinelt Janelle, ed. Gender in cultural performances. Wissenschaftlicher Verlag Berlin, 2005.

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2

Heidrun, Brückner, Schömbucher Elisabeth, and Zarrilli Phillip B. 1947-, eds. The power of performance: Actors, audiences, and observers of cultural performances in India. Manohar Publishers & Distributors, 2007.

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3

Richard, Bauman, ed. Folklore, cultural performances, and popular entertainments: A communications-centered handbook. Oxford University Press, 1992.

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4

1940-, Bauman Richard, ed. Folklore, cultural performances and popular entertainments: A communications-centred handbook. Oxford University Press, 1992.

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5

Anjali, Padhi, ed. Cultural performances: Folk songs and folk dances of Kalahandi, Orissa. Mayur Publications, 2008.

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6

1945-, Novy Marianne, ed. Cross-cultural performances: Differences in women's re-visions of Shakespeare. University of Illinois Press, 1993.

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7

Fieled, Adam. Disturb the Universe: The Collected Essays of Adam Fieled (2nd Ed.). 2nd ed. Edited by Jeffrey Side. Argotist Online/IA, 2010.

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8

Jān̲, Caiman̲. Folk narratives, rituals and performances: An intangible cultural heritage of Tamil Nadu. DK Printworld, 2016.

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9

Freeman, Regalado Nancy, Doss-Quinby Eglal 1953-, Krueger Roberta L, and Burns E. Jane 1948-, eds. Cultural performances in medieval France: Essays in honor of Nancy Freeman Regalado. D. S. Brewer, 2007.

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10

Miller, Ken B. Highwire Gallery: Calendars: January/April 2005. Edited by Ken B. Miller. Highwire Gallery, 2005.

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11

International Symposium on the Conservation and Restoration of Cultural Property (10th 1986 Tokyo, Japan). International Symposium on the Conservation and Restoration of Cultural Property: Masked performances in Asia. Tokyo National Research Institute of Cultural Properties, 1987.

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12

Berkeley, Women and Language Conference (3rd 1994 Berkeley Calif ). Cultural performances: Proceedings of the third Berkeley Women and Language Conference, April 8, 9, and 10, 1994. Berkeley Women and Language Group, University of California, Berkeley, 1994.

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13

Fieled, Adam. Disturb the Universe: The Collected Essays of Adam Fieled (2nd Ed.). 2nd ed. Edited by Jeffrey Side. Argotist Online/IA, 2010.

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14

Fieled, Adam. Multi-Media Readings. Edited by Mark Young and Otoliths. Otoliths, 2010.

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15

Siikala, Anna-Leena. Hidden rituals and public performances: Traditions and belonging among the post-Soviet Khanty, Komi and Udmurts. Finnish Literature Society / SKS, 2011.

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16

Landis, Kevin, and Suzanne Macaulay. Cultural Performance. Macmillan Education UK, 2017. http://dx.doi.org/10.1057/978-1-137-60395-1.

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17

Moussa, Mahmoud, Thomas Doumani, Adela McMurray, Nuttawuth Muenjohn, and Ling Deng. Cross-Cultural Performance Management. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91268-0.

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18

Elin, Diamond, ed. Performance and cultural politics. Routledge, 1996.

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19

Nijhawan, Michael. Sikh Cultural Performances. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199699308.013.013.

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20

Prakash, Brahma. Cultural Labour. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780199490813.001.0001.

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Folk performances reflect the life-worlds of a vast section of subaltern communities in India. What is the philosophy that drives these performances, the vision that enables as well as enslaves these communities to present what they feel, think, imagine, and want to see? Can such performances challenge social hierarchies and ensure justice in a caste-ridden society? In Cultural Labour, the author studies bhuiyan puja (land worship), bidesia (theatre of migrant labourers), Reshma-Chuharmal (Dalit ballads), dugola (singing duels) from Bihar, and the songs and performances of Gaddar, who was asso

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21

Mapping Cultural Identity in Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). Peter Lang Publishing, 2001.

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22

Mapping Cultural Identity In Contemporary Australian Performance (Dramaturgies: Texts, Cultures and Performances). College of Europe Pubns, 2001.

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23

Drawing on Beckett: Portraits, performances, and cultural contexts. Yolanda and David Katz Faculty of the Arts, Tel Aviv University, 2003.

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24

Ben-Zvi, Linda. Drawing on Beckett: Portraits, Performances, and Cultural Contexts. Assaph Books, 2003.

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25

Abject Performances: Aesthetic Strategies in Latino Cultural Production. Duke University Press, 2018.

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26

Press, Duke University, ed. Abject performances: Aesthetic strategies in Latino cultural production. 2018.

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27

Words Images And Performances In Translation. Continuum, 2012.

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28

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook. Oxford University Press, 1992.

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29

Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2024.

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30

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-Centered Handbook. Oxford University Press, Incorporated, 1992.

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31

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-centered Handbook. Oxford University Press, USA, 1992.

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32

Novy, Marianne. Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. University of Illinois Press, 1993.

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33

Novy, Marianne. Cross-Cultural Performances: Differences in Women's Re-Visions of Shakespeare. University of Illinois Press, 1993.

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34

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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35

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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36

Bauman, Richard. Folklore, Cultural Performances, and Popular Entertainments: A Communications-centered Handbook. Oxford University Press, USA, 1992.

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37

Garlough, Christine L. Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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38

Desi Divas: Political Activism in South Asian American Cultural Performances. University Press of Mississippi, 2013.

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39

Harvey, Douglas S. Theatre of Empire: Frontier Performances in America, 1750-1860. Taylor & Francis Group, 2015.

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40

Harvey, Douglas S. Theatre of Empire: Frontier Performances in America, 1750-1860. Taylor & Francis Group, 2016.

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41

Harvey, Douglas S. Theatre of Empire: Frontier Performances in America, 1750-1860. Taylor & Francis Group, 2015.

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42

Harvey, Douglas S. Theatre of Empire: Frontier Performances in America, 1750-1860. Taylor & Francis Group, 2010.

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43

Harvey, Douglas S. Theatre of Empire: Frontier Performances in America, 1750-1860. Taylor & Francis Group, 2015.

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44

Hospitable performances: Dramatic genre and cultural practices in early modern England. Purdue University Press, 1992.

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45

Balme, C. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. Palgrave Macmillan, 2006.

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46

Balme, C. Pacific Performances: Theatricality and Cross-Cultural Encounter in the South Seas. Palgrave Macmillan Limited, 2006.

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47

L'inaliénabilité des collections, performances et limites? L'Harmattan, 2012.

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48

The theatre of empire: Frontier performances in America, 1750-1860. Pickering & Chatto, 2010.

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49

(Editor), Lars Frers, and Lars Meier (Editor), eds. Encountering Urban Places: Visual And Material Performances in the City (Materialising Cultural Geography) (Re-Materialising Cultural Geography). Ashgate Publishing, 2007.

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50

Language and Masculinities: Performances, Intersections, Dislocations. Routledge, 2014.

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