Relevant bibliographies by topics / Cultural public institutions

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural public institutions'

Author: Grafiati
Published: 18 April 2022
Last updated: 25 April 2022

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Journal articles on the topic "Cultural public institutions"

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Domnina, S. V., and O. A. Podkopaev. "ATTRACTING PUBLIC FINANCIAL SUPPORT FROM CULTURAL INSTITUTIONS." Фундаментальные исследования (Fundamental research), no. 9 2020 (2020): 20–24. http://dx.doi.org/10.17513/fr.42837.

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Bychkova, O. "Measuring economic value of cultural institutions: cultural sector efficiency in public policy." Voprosy Ekonomiki, no. 6 (June 20, 2016): 116–30. http://dx.doi.org/10.32609/0042-8736-2016-6-116-130.

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Today, many cultural institutions like museums, theaters or libraries, are considered as major economic agents who can have a profound economic impact. This paper reviews different approaches to analyze economic value and efficiency of cultural institutions in public policy; it also discusses the major arguments that explain the evolving roles of those institutions in society. The shortcomings of the evaluation approaches are also discussed.
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Weerts, David J. "The Organizational Ecology of State Support for Public Flagship Universities." Teachers College Record: The Voice of Scholarship in Education 123, no. 8 (2021): 114–45. http://dx.doi.org/10.1177/01614681211048631.

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Background/Context: Several studies have investigated state political and economic factors that explain differences in levels of state appropriations for colleges and universities. Few studies have considered how stakeholder beliefs or taken-for-granted assumptions about various institutions may impact budgeting decisions for specific campuses. A gap in the literature remains in understanding how normative agreements about various institutional types—such as public flagship universities—may influence levels of state appropriations for these institutions. Purpose/Objective/Research Question/Focus of Study: This study investigates how levels of state support for research universities might relate to their formal, informal, or even contested status as public flagship institutions. The research question guiding this study is: How might flagship identity relate to differences in levels of state appropriations for public research universities across states? Research Design: This multicase study examines differences in levels of state support for four flagship universities between 1984 and 2004. Case institutions were generated from an analysis of outlier institutions that received lower- or higher-than-predicted levels of appropriations during the two-decade period. Outliers analyzed for this study include the University of Massachusetts-Amherst and University of Virginia (lower-than-predicted support) and the University of Connecticut and the University of Maryland-College Park (higher-than-predicted support). Qualitative data were collected and analyzed to investigate disparities in state support among these four institutions. Findings/Results: This study found that a “flagship ideal” exists across the four cases, which provides meaning for stakeholders as they consider levels of state funding for these institutions. Idealized views of flagships provided advantages to some institutions and disadvantaged others in state budgeting processes during the study period. In addition, normative beliefs about the case institutions were mediated by state culture, politics, and powerful regional influences. Higher education governance structure was less important than cultural and political context in making sense of variations in state support across the institutions. Conclusions/Recommendations: The study suggests that flagship university leaders must be mindful about taken-for-granted assumptions held by key stakeholders and resource providers as they create appeals for state support. Across all institutional types, leaders must be attuned to the historical, cultural, economic, or political factors that shape understandings about their institutions. In addition, leaders must evaluate the influence of allies or foes in shaping the narrative about the institution’s unique identity and need for funding. Strategic leaders leverage their institutional identities and unique governing arrangements in ways that expand resource opportunities.
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Getha-Taylor, Heather, Maja Husar Holmes, and Justin R. Moen. "Evidence-Based Interventions for Cultural Competency Development Within Public Institutions." Administration & Society 52, no. 1 (2018): 57–80. http://dx.doi.org/10.1177/0095399718764332.

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Cultural competency is critical to ensuring responsive public services. This article asks how we might develop individual cultural competency in a meaningful way, including which interventions are effective in enhancing cultural competence of experienced public employees. We examine the impact of targeted interventions on the development of individual public administrator cultural competence using a survey developed by Longoria and Rangarajan. The findings suggest the importance of understanding cultural competency as a developmental process that requires attention to the multidimensional aspects (knowledge, skills, attitudes, and behaviors) of cultural competency and developing training that reflects these realities.
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Keller, Paul, Thomas Margoni, Katarzyna Rybicka, and Alek Tarkowski. "Re-use of public sector information in cultural heritage institutions." International Free and Open Source Software Law Review 6, no. 1 (2014): 1–9. http://dx.doi.org/10.5033/ifosslr.v6i1.104.

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Strang, Tom. "Developing a GIS of Hazards for Canadian Cultural Institutions." Biodiversity Information Science and Standards 2 (June 15, 2018): e26305. http://dx.doi.org/10.3897/biss.2.26305.

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The Canadian Conservation Institute (CCI) has developed a Geographic Information System (GIS) of hazards for Canadian cultural heritage institutions. The greatly increased access to open data is changing how advisory bodies like the CCI and the public can access and share information. For the purpose of investigating how a GIS approach can assist the CCI with its mandate to improve the preservation of collections, a map layer of cultural heritage institutions across Canada has been assembled and continues to be upgraded for accuracy, inclusion and detail (Fig. 1). This was combined with a collation of hazard layers; a partial list includes: seismic risk, notably expectations of earthquake severity tied to improvements in the national building code, tsunami exposure, wildfire data, hurricane, tornado, lightning density, pest distribution, and energy use indicators such as heating degree days and climate norm data. The platform allows examination of expectations around climate change driven risks such as sea-level rise, storm-incursions, permafrost melt. The GIS approach will also allow reassessments around expected changes to flood risk maps issued by jurisdictions, as well as Statistics Canada layers on population related factors such as changes in numbers of local populations, income and demographic shifts which can be stressors or opportunities. Sources have been drawn from federal, provincial, municipal, and academic evaluations of hazards, which now are more commonly published as GIS products. Mapping Canadian heritage institution's within a GIS improves our ability to: visualise and interpret to clients the relative magnitude of their local hazards, make ties to more refined local analyses, and show adjacencies to mapped historical events. From a national perspective the GIS can generate profiles of aggregated institutional exposure to the hazards, and more readily identify sub-populations of institutions for which particular risks would rank higher or lower among their concerns. This improves CCI's preventive conservation advisory service's perspective on mappable risks for any institution we deal with as clients. Ultimately, through federal initiatives in open data, it is our intention that client groups can look at the GIS for the purpose of educating themselves on hazards they would want to prepare for.
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Mojic, Dusan, Jelena Jovancevic, and Sasa Jovancevic. "Culture and public administration reforms in postsocialist transformation: The case of Serbia." Sociologija 60, no. 3 (2018): 653–69. http://dx.doi.org/10.2298/soc1803653m.

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The paper deals with cultural embeddedness of public administration transformations in Serbia during postsocialism. Public administration reform represents an important aspect of transformation of overall institutional framework in contemporary societies. According to institutional approach, the changes of formal institutions (including public administration) are deeply embedded in informal institutions or culture. Theoretical and methodological framework of the GLOBE research program has been used as a basis for the empirical analysis. The goal of the paper has been to identify the scores on cultural dimensions in Serbia and to analyze the correlation of these scores with expectations of the public administration reform. The expected similarity of culture in Serbia with other East European cultures has been confirmed, as well as hypothesis about its norms and values as strong informal obstacles for successful public administration reform.
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Stainforth, Elizabeth, and Ana Baeza Ruiz. "Technologies of public culture: Heritage encounters with photography, television and the web." International Journal of Cultural Studies 22, no. 4 (2018): 595–611. http://dx.doi.org/10.1177/1367877918801036.

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The operations through which cultural heritage institutions perform their civic and governmental roles have been identified with a logic of visual apprehension by writers such as Tony Bennett. This article explores how these institutions have ordered and regulated contact with their publics via a negotiation of different visual communication technologies, specifically, photography, television and the web. Through analysis of individual cases, it is possible to discern the shifting relationship between public heritage institutions and their audiences, as mediated by these technologies. It is argued that this approach develops a distinctive understanding of public culture and demonstrates the ways in which notions of publicness shape and are shaped by visual communication technologies in the cultural heritage context.
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Polčák, Radim. "Digitisation, Cultural Institutions and Intellectual Property." Masaryk University Journal of Law and Technology 9, no. 2 (2015): 121–41. http://dx.doi.org/10.5817/mujlt2015-2-7.

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Digitisation of cultural content represents one of most challenging problems of contemporary IP law. Cultural artefacts, let it be books, paintings or 3D objects, are often very old, so there are no issues in copyright protection of their content. However, the public availability of such content is in these cases strongly limited namely due to physical conditions of the carriers and subsequent conservation demands.Digitisation might serve here as powerful enabler of re-use of these works that are frequently of enormous cultural value. On the other hand, getting useful (and re-usable) digital images of 2D or 3D cultural objects means to invest into advanced technologies that are able to capture the respective content while protecting its fragile carriers from physical damage or destruction. Consequently, there is a need for business models that can motivate investors by offering them valuable consideration for such efforts.Recently, such business models are based namely on exclusive agreements between digitisers and cultural institutions that, together with specific copyright protection of digitised images in some jurisdictions, create new form of legal barriers to re-use of even very old cultural content. The paper critically discusses these new restrictive legal instruments namely in the light of the revised PSI re-use directive.
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Rius-Ulldemolins, Joaquim, and Ricardo Klein. "From artistic direction to cultural management: governance and management of Barcelona's artistic institutions in the twenty-first century." International Journal of Public Sector Management 34, no. 1 (2020): 33–49. http://dx.doi.org/10.1108/ijpsm-03-2020-0082.

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PurposeDuring the twentieth and twenty-first centuries, debate about the governance and management of national cultural institutions has largely focused on the problematic relationship between art and the economy. However, several more recent changes have made this discussion outdated. These include loss of autonomy in the art world, transformation of cultural production and distribution and instrumentalisation of cultural policies to generate a new context leading to the emergence of art managers.Design/methodology/approachIn terms of cultural policy, the interplay between the governance and management of national cultural institutions is currently problematic, with the work of art managers now replacing the previous “art versus economy” binomial. Here, we demonstrate the growing centrality of the governance paradigm and generation of public value in the local context, by qualitatively examining the discourses of politicians and national cultural institution managers in Barcelona.FindingsWe concluded that a new interface between policymakers and managers has appeared in twenty-first century cultural institutions, and that this has replaced the previous antagonism between artistic directors and managers. Finally, although there is a consensus that the objective of national cultural institutions should be to enhance public value, we also identified the presence of a symbolic battle over how this public value is defined and who should evaluate it.Originality/valueThis paper reveals the centrality of this new debate: policymakers and managers have developed discourses and strategies so that their vision of public value now predominates. In turn, this debate has become the new “battlefield” of cultural policy and reflects a rebalancing between the artistic and political spheres.
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Dissertations / Theses on the topic "Cultural public institutions"

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Frot, Emmanuel. "Cultural transmission, public goods, and institutions." Thesis, London School of Economics and Political Science (University of London), 2007. http://etheses.lse.ac.uk/1975/.

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This thesis discusses the consequences of different institutional forms in various settings, with a particular focus on the interactions between institutions, cultural transmission, and public goods. Chapter 1 introduces the main ideas, motivation, and results of the subsequent chapters. It provides a detailed summary of the thesis. Chapter 2 considers how institutions that modify behaviors affect the transmission of cultural traits. It argues that they create an environment that crowds out the behavior they were trying to promote. When applied to a model of public good provisions it illustrates how institutions that reduce free riding may decrease the level of public good in the long run. Chapter 3 extends this framework to make institutions endogenous. Individuals vote for their preferred institutional arrangement and the outcome is determined by majority voting. The crowding out of behaviors imply that agents have an incentive to affect strategically the transmission of preferences through collective socialization. Institutions can induce the formation of additional institutions such as schools in order to guarantee their sustainability. Chapter 4 considers that children acquire preferences through the choice of friends in the population, and that parents try to influence this choice. It shows how this creates a game between parents where their efforts to socialize their children to a particular cultural trait constitutes a public good. It studies the consequences for cultural groups of being intolerant and how they can survive cultural transmission. Chapter 5 uses the important example of commons as an institutional failure. It examines the case for privatization in an environment with different resources that may not be all privatized. It shows that labor reallocation reduces the gains of privatization, potentially to the point of reducing welfare. First best institutions may fail in a second best environment.
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Wessels, Bridgette. "The cultural dynamics of innovation." Thesis, University of Sussex, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310240.

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Abbey, Jennifer Ann, and mikewood@deakin edu au. "Death and late-stage dementia in institutions: a cultural analysis." Deakin University. School of Nursing, 1995. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050825.153139.

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The first purpose of this study was to describe the deaths of fifteen nursing home residents with late-stage dementia. The devastating effect of dementia on a person has been called a ‘living death’ (Woods, 1989). The caring which occurs when someone is going through this process in a nursing home was recorded and analysed. In analysing this act of caring, the second purpose was to look for the origins of the structures and the sources of pressure that shaped the context and therefore helped determine the behaviour of the various groups under observation. These groups were residents and their relatives, the staff of the nursing home and the treating doctors. Before commencing observations and carrying out this study, an understanding needed to be developed of: the condition of dementia as it is perceived by health professionals and presented in the media; the institutions in which the majority of people with dementia end their days; the background and conditions of the staff who nurse in them; the models of care that guide and determine policies; and the conceptions of life and death which underpin relevant laws and moral standpoints. Accordingly, in part 1. chapter 1 the history, causes, pathology and effects of dementing conditions are examined. Relevant medical and lay literature including media influences are examined which pertain to the subject of death and dementia and nursing home care. The history of this institutional care is briefly examined together with the growth of the discipline of gerontological nursing. Chapter 2 discusses some of the effects of this history on present day care and the concept of emotional work being carried out within the present day aged care public policy regulations. The moral arguments surrounding illness and dying in Australian society today are briefly discussed. Chapter 3 describes the conceptual framework for the study, the ethnographic method that has been employed and an outline of critical theory as the basis for analysis. The chapter concludes by recounting the practical steps taken to arrange the field work, secure the consent of participants, record data and gather documents, and outlines the ethical considerations given to the undertaking of the study. Chapter 4 describes the context in which the study took place and the first tentative exploration of the culture from an etic perspective. Part 2 describes the death trajectories observed and raises some questions about alternative strategies that may have been considered within a different paradigm of caring. In chapter 5 the death trajectories of each of the fifteen residents in the study are described, each written with a particular emphasis to illustrate aspects of the culture of care that emerged through thematic analysis. Observations, comments and feelings from staff and family are wound in and around these case studies. Chapter 6 looks more closely at the impact of policy and institutional pressure on the milieu in which these deaths took place. Part 3 draws conclusions from the observations and makes suggestions for emancipatory change as viewed from the author's standpoint of critical ethnographic analysis. In the final chapter an argument is presented for policy change that leads a movement towards palliative care practices for people with late-stage dementia. Approaches to implementation of palliative care will need to take account of any expression by the resident such as an advanced directive, indicating a preferred approach to treatment in the period prior to death; a need for a better understanding of such issues as the significance of body breakdown, the manifestations of pain and electrolyte imbalances; the surrounding ethical complexities and shift in public opinion, and perhaps, most of ail, the culture of the institutions in which this dying will take place. A definition of late-stage dementia which might be used in determining patterns of care is set out. A discussion about changes in practice which relate lo communication with treating doctors, the administering of antibiotics, the relief of pain, the mobilisation of residents and the provision of food and water takes place in light of the evidence found. The discussion of these issues is raised in the form of debate. Each aspect needs more rigorous analysis and information so that evidence-based practice, rather than care which is value-laden and emotional, can be used when treatment decisions are made for people with late-stage dementia.
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Lee, Toby Kim. "Public Culture and Cultural Citizenship at the Thessaloniki International Film Festival." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11165.

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This dissertation explores the relationship between state, citizen and public culture through an ethnographic and historical examination of the Thessaloniki International Film Festival in northern Greece. In the two-year period leading up to and following its fiftieth anniversary in 2009, the festival was caught up in the larger economic, political and social crises that have overtaken Greece in the last five years - a painful period of rapid transformation and neoliberalization for one of Europe's staunchest social-welfare states. As the Greek state faces bankruptcy - both economic and political - it is being forced to revisit the terms of its social contract with its citizens. In a country where "culture" was once touted as a national "heavy industry," the relationship between the state and cultural production is also being restructured. Public culture is one of the areas of social life in which people are now struggling with these changes and attempting to redefine what it means to be a citizen of the Greek state - utilizing and revising local, national and transnational identities in the process.<br>Anthropology
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Marrone, Jenna. "INSPIRING PUBLIC TRUST IN OUR CULTURAL INSTITUTIONS: ARCHIVES, PUBLIC HISTORY, AND THE PRESIDENT'S HOUSE IN PHILADELPHIA." Master's thesis, Temple University Libraries, 2012. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/162224.

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History<br>M.A.<br>The so-called culture wars of recent years have created an ethos of caution in our cultural institutions. Museums often avoid exhibits and programming that might prove controversial for fear of public backlash. This paper examines how public historians and archivists might work together to devise strategies for positive public engagement in controversial history projects. Archives have the power to ensure the public's trust in their cultural institutions, while primary source material can be utilized to promote constructive conversation among audiences. Public conflict will be directed into more productive channels if museums create a safe space for dialogue.<br>Temple University--Theses
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Hoffmann, Amy M. "Alternative interpretive strategies for multi-generational learning in public horticulture institutions." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file, 134 p, 2008. http://proquest.umi.com/pqdweb?did=1605142581&sid=6&Fmt=2&clientId=8331&RQT=309&VName=PQD.

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O'Connor, N. "Finding effectiveness : balancing core museum mission with the demands of governance and public management requirements at the National Museum of Ireland." Thesis, Queen's University Belfast, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.680233.

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Junanto, Deny. "The use of performance information in the Indonesian public sector : the role of rational/technocratic and political/cultural frameworks." Thesis, University of Birmingham, 2018. http://etheses.bham.ac.uk//id/eprint/8305/.

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Public administrative reform in Indonesia accelerated after the country experienced economic and political turbulence in 1999. As part of the reform policy, the central government introduced performance management systems in order to improve the capacity of public institutions, particularly local governments. The thesis uses semi-structured interviews to answer, how effective is the performance management system in Indonesian local government? How do rational/technocratic and political frameworks affect the effectiveness (or ineffectiveness) of performance management system? The evidence suggests the performance management system in the Indonesian public sector is ineffective. This is indicated by gaps between performance indicators and actual performance, by the non-use of performance information and by the behaviour of those who are supposed to be influenced. The ineffectiveness may be explained by both rational/technocratic factors, and political/cultural factors. Based on our findings, those elements affect effectiveness of the performance management system. However, respondents emphasised that political/cultural elements were more fundamental to successful use of performance information, but present more difficult and challenging issues to reform. Indonesian government agencies compete with each other to maintain a role in the context of decentralisation, each seeking to prevent too much accumulation of power by any other agency. Therefore, although the government agencies may favour a technocratic approach, they will resist any comprehensive technocratic scheme of system integration, particularly in the performance management system. The Indonesian public sector may thus represent a case of ‘political technocracy’ in which rationality is limited by political interests.
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Couret, Magali. "La production de l'œuvre publique d'art contemporain." Thesis, Paris 1, 2014. http://www.theses.fr/2014PA010256/document.

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L'art contemporain se veut transgressif, c'est un art fugitif dont on garde trace dans ses souvenirs, grâce à des photographies et des protocoles conservés dans les archives des institutions et prêts à être «réactivés». Située à la frontière de plusieurs domaines de création et confrontée à une forte dématérialisation, l'œuvre d'art contemporain déroute le juriste. Aujourd'hui, elle ne résulte plus du travail d'un artiste agissant seul dans son atelier, mais d'équipes réunissant les talents de multiples professions qui fragmentent sa réalisation en plusieurs phases. De fait, la scénographie ou le procédé artistique l'emportent souvent sur l'œuvre elle-même. Ce procédé prend le nom de «production» d'art. C'est pourquoi l'art contemporain constitue un objet d'étude complexe en droit, lequel s'attache encore trop à la forme de l'œuvre plutôt qu'à ses modes de création. La production artistique contemporaine est un domaine où les usages et les coutumes naissent au gré de pratiques efficientes, et prennent petit à petit le pas sur le droit. Dès lors, un fossé se creuse entre les professionnels de l 'art contemporain et le droit, ce qui a tendance à induire la co­existence de pratiques divergentes et d'interprétations diverses des coutumes établies, ainsi que le chevauchement de la coutume et de la législation, sans que des directives d'application de l'une ou l'autre ne soient adoptées. La question à laquelle nous tentons donc de répondre dans cette thèse est celle de savoir comment réduire cet écart entre la pratique des professionnels de la création contemporaine et le droit afin d'apporter sécurité juridique à la production artistique, et plus particulièrement au sein de la commande publique<br>Contemporary art transgress, it is a fugitive art, which we remember thanks to our memories, to photographs and protocols owned by institutions, ready to be revived. The contemporary work of art is dematerialized and located in-between many fields of creation. That is why legal experts have troubles understanding it. Nowadays, a sole artist does not make the work of art anymore. Although, it is the result of the work of a team, gathering multiples professionals, who divide the creation of the work of art up in many phases. That phenomenon is called « production of art». Thus, contemporary art is a complex subject for the law, which is still focused on the form and materials constituting the work of art, instead of being focused on the ways it is produced. The artistic production is regulated by customs, which tend progressively to take advantage on the law. In fact, this creates divergent practices and interpretations of the rules. Plus, the law and the customs sometimes tend to overlap, and no one knows which one should be applied. The question we try to answer in this thesis is how is it possible to reduce the gap between the professional practices and the law, in pursuing the goal to bring legal security in the artistic production, and most specifically, in the field of public call for artists
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McKrell, Lindsay. "Public libraries adapting to change : from cultural institutions to agents of change in learning & community development." Thesis, University of Edinburgh, 2001. http://hdl.handle.net/1842/26756.

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This thesis is an examination of public libraries in Britain today. It sets forward the hypothesis that a new type of librarianship is emerging to meet the needs of change in the socioeconomic environment, and that this is based on a community development approach. The thesis examines the role of public libraries within their communities through a historical, contemporary and international review of literature and a national questionnaire survey of community development strategies in public library authorities. The survey forms part of a research programme funded by the British Library Research and Innovation Centre on the social impact of libraries. It was designed collaboratively, by myself, Andrew Green of the Community Services Group of the Library Association and Kevin Harris of the Community Development Foundation, although all subsequent work has been my own. In-depth analysis is followed by telephone interviews with four library authorities chosen as case studies, to establish the relationship between policy and practice. The thesis as a whole considers the history and development of libraries. After suffering years of policy drift, a poor research base and a low public profile, public libraries are considering how best to quantify their social impact. Rapid socioeconomic change has had a marked effect on the labour market and social cohesion in the UK, resulting in greater demand for training, education and information. Government has responded with community-oriented policies aimed at improving public access to the information society, making local government more accountable, empowering communities and supporting citizenship in an increasingly active democracy. Rapid advances in Information Technology have increased the potential of public libraries to contribute to this process and act as lifelong learning facilitators and providers. This thesis presents evidence of public libraries' changing role as an educative medium. A majority of public libraries responding to the survey are engaged in interagency work to support the independent learner and empower communities. Many are doing so as part of a community development strategy, or are working on such a strategy. Respondents to the survey of public library authorities expressed the desire to involve their public in a meaningful way. Those library services with a written community development strategy have taken practical steps to achieve this and have set up systems to monitor their progress. A new model for management of community-oriented services is proposed, highlighting issues of policy and practice such as staff training and service accessibility. Conclusions are drawn on an effective role for public libraries in Britain and the need for further research on how this can be achieved.
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Books on the topic "Cultural public institutions"

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Kettunen, Pauli, Stein Kuhnle, and Yuan Ren. Reshaping welfare institutions in China and the Nordic countries. Nordic Centre of Excellence NordWel, 2014.

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Niels, Ejersbo, ed. Contracts as reinvented institutions in the public sector: A cross-cultural comparison. Praeger, 2005.

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Mária, Andrássy. A művelődési otthonok: Adottságok, lehetőségek, eredmények a hetvenes években. Művelődéskutató Intézet, 1985.

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Pál, Beke. Művelődési otthonon innen és túl. Művelődéskutató Intézet, 1987.

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Property, Canada Movable Cultural. Designation of institutions and public authorities : guidelines & information =: Désignation des administrations et des établissements : lignes directrices et informations. Dept. of Communications = Ministère des communications, 1990.

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1962-, Smith James T., ed. Political democracy, trust, and social justice: A comparative overview. University Press of New England, 2005.

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Andrain, Charles F. Political democracy, trust, and social justice: A comparative overview. Northeastern University Press, 2007.

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Rouland, Norbert. L' Etat français et le pluralisme: Histoire politique des institutions publiques (de 476 à 1792). Editions O. Jacob, 1995.

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(Vietnam), Asia Foundation. Training needs assessment report: Public library institutions and communal cultural post offices in Thai Nguyen, Nghe An and Tra Vinh Provinces. The Asia Foundation, 2009.

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Zhongguo shi ye dan wei gai ge tan suo: Zhonguo shiye danwei gaige tansuo. Ren min chu ban she, 2010.

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Book chapters on the topic "Cultural public institutions"

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Alexander, Victoria D. "Public institutions of “high” culture." In Routledge Handbook of Cultural Sociology. Routledge, 2018. http://dx.doi.org/10.4324/9781315267784-40.

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Seo, Yongseok. "Chapter 22. East Asian Response to the Globalization of Culture: Perceptional Change and Cultural Policy." In Fairness, Globalization, and Public Institutions, edited by Jim Dator, Richard C. Pratt, and Yongseok Seo. University of Hawaii Press, 2017. http://dx.doi.org/10.1515/9780824841966-023.

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Zan, Luca. "Management Control and Managerial Rhetoric in Italian Public Sector Cultural Institutions." In Managerial Rhetoric and Arts Organizations. Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230624801_3.

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Tallerås, Kim, Terje Colbjørnsen, Knut Oterholm, and Håkon Larsen. "Cultural Policies, Social Missions, Algorithms and Discretion: What Should Public Service Institutions Recommend?" In Sustainable Digital Communities. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-43687-2_49.

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Bilney, Chris, and Soma Pillay. "Perspectives on Institutional Theory." In Public Sector Organizations and Cultural Change. Palgrave Macmillan US, 2015. http://dx.doi.org/10.1057/9781137445346_3.

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"Public institutions of high” culture." In Handbook of Cultural Sociology. Routledge, 2010. http://dx.doi.org/10.4324/9780203891377-48.

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"Cultural Democracy: Representation, Institutions and Experimentation." In Intellectuals, Culture and Public Policy in France. Liverpool University Press, 2010. http://dx.doi.org/10.5949/liverpool/9781846312458.003.0007.

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Gallardo, J. M., R. Sepúlveda, F. Medina, and E. Díaz-Gutiérrez. "Public institutions as deposits for lean-intensive-care cultural heritage objects." In Conserving Cultural Heritage. CRC Press, 2018. http://dx.doi.org/10.1201/9781315158648-58.

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Gupta, Dipankar, and Ramin Jahanbegloo. "Modern Institutions and Cultural Spaces." In Talking Sociology. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199489374.003.0006.

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This section ties together Gupta’s life-long research and ideology to his vision for India. He discusses the concepts of space and non-space and posits the nation state as a cultural space. Gupta underlines the distinction between secularism and secularization and argues that in India, secularization is still at a very unfinished state. While we have a democratic system, citizenship and modernity have not progressed. The deification of politicians in Tamil Nadu is discussed. When politicians start patronizing religious functions and use religious symbols in public acts, secularization is compromised to indulge in the politics of majoritarinism and minoritism. India is progressive in intent but it is compromising in deed. The goals of citizenship move ahead, once a victory is achieved, new obstacles appear.
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Gantzias, George K. "Cultural Policy, Administration, and Info-Communication Landscape." In Public Affairs and Administration. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8358-7.ch091.

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In the recent economic crisis, some of the most important and widely debated issues in the areas of digitalization of cultural policy and cultural management are the protection of cultural diversity, cultural rights, cultural freedom, cultural capital, and cultural goods (products and services). A new digital revolution is coming, this time not only in cultural management of cultural goods but also in the administration systems of cultural organizations and institutions. New technologies exert strong pressure on traditional cultural organizations and institutions to digitalize their cultural management and administration structures. This article examines and analyses cultural management, administration, new technologies, and info-communication globalization. In addition, it examines cultural heritage as a very important issue of cultural diversity in the info-communication landscape. It explores digitalisation of cultural management and administration structures and proposes a new dynamic cultural management model, the Info-Communication Cultural Management (ICCM).
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Conference papers on the topic "Cultural public institutions"

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Idilov, Ibragim. "Public Entrepreneurship As A Form Of Activities Of Public Institutions." In SCTCMG 2019 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.12.04.176.

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DEMI (MOSHO), Albana, and Arjana KADIU. "ALBANIA AND CULTURAL SOCIAL ECONOMIC DEVELOPMENT." In Happiness And Contemporary Society : Conference Proceedings Volume. SPOLOM, 2021. http://dx.doi.org/10.31108/7.2021.16.

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Everyone This paper aims to present the social and cultural side in Albania, intertwined with the economic aspect, based on the analysis of the changes occurred recently in our country. Considering the happiness as a key daily factor this paper will give an overview of the public policies, including public and family costs. The purpose of this paper is to analyze if the welfare is provided only in conditions of an environment characterized by the economic, political and social stability. The research is based on the data collected by the public institutions regarding the social policies, economic growth, challenges of tourism, as well as the different cultures that exist in Albania. Keywords: public policies, economic, social policies, tourism, culture, economic growth.
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Matanovac Vučković, Romana, Ivana Kanceljak, and Marko Jurić. "CULTURAL HERITAGE INSTITUTIONS DURING AND AFTER THE PANDEMIC: THE COPYRIGHT PERSPECTIVE." In EU 2021 – The future of the EU in and after the pandemic. Faculty of Law, Josip Juraj Strossmayer University of Osijek, 2021. http://dx.doi.org/10.25234/eclic/18312.

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The COVID-19 pandemic has imploded the traditional ways in which creative, cultural and artistic content are presented and consumed. Museums, libraries, archives, and other cultural institutions have been closed in lockdowns all around the European Union, and their content presented and consumed online. This paper will analyse how copyright rules affect cultural heritage institutions (publicly accessible libraries or museums, archives or film or audio heritage institutions) in the digital age. Four recent legal documents at the European level refer to the digitalisation of their collections and the digitised content’s exposure to the public in the Digital Single Market. These are Directive 2001/29/EC, Directive 2012/28/EU, Directive (EU) 2019/790 and Directive (EU) 2019/1024. This paper willfirst analyse how exclusive rights are regulated for authors, other creators, publishers, and producers in the digital age. Those rights need to be respected and exercised effectively by their owners. On the other hand, there is also a public interest, in that digitisation and access to digitised content should be free in cultural heritage institutions. To resolve the tension inherent in this relationship is not easy. The recent rapid change in consumption of creative, cultural and artistic content in the Single Digital Market (due to the pandemic caused by the COVID-19 virus) has triggered the need for swifter digitisation of cultural heritage institutions’ collections. The European legal framework offers some solutions to this need, which will be presented here. It does not resolve the situation generally, but refers to particular issues, such as orphan works, out-of-commerce works, text and data mining and the re-use of public sector information. In general, copyright protection prevails. Nevertheless, the tendencies towards free access grow stronger every day. This paper will analyse how these four directives interact with each other in the effort to resolve the tension between copyright, digitisation and free access to digitised content in cultural heritage institutions. At the end, two ideas for a new balance are presented.
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Strizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.

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Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.
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Monteiro, Caique Cahon. "Aesthetic Experience and Digital Culture: New Flows in The Space of Art Exhibition." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.67.

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Artistic institutions are traditionally places of cultural and social memory reverberation. Such spaces have a character of institutionalisation of the cultural market. Contemporary works of art and the exhibition format are factors that shape the possibilities of consumption and experience from visitors within these spaces. By taking advantage of the artifices of their time, art and artists appropriate new digital Technologies, digital culture contextualizes this movement, interweaving new paradigms in the exhibition spaces of museums, galleries and cultural centres. It is clear that the artistic production that involves digital media at some level creates increasingly subjective and hybrid paths between machine and human in the processes. This occurs not only in the scope of raw material and in the production of their poetics and narratives, but also in every present social context, of consumption, access, and dissemination of artistic works. In the last 10 years there has been a growing number of public in cultural institutions in Brazil (data from IPEA - Institute for Applied Economic Research), this curve does not resemble any increase in investment in public policies, improvement in education or culture. This rate of increase in visitors to cultural spaces is like the increase in access to mobile devices and use of the internet and social networks, perhaps, at some level, it shows that internet access and digital culture may be enabling an environment of spontaneous dissemination for the artistic market in Brazil. With the advent of smartphones and the constant use of this technology in various moments of leisure and work, the habit of taking a picture from any work of art has become something normalised in institutions. This process can create different media flows that reformulate the visitor's experience in front of the exhibition space. In this way, the traditional and passive spectator subject is mixed with the user subject present in digital culture, with its agency potential and sharing capacity. Although these photographs present themselves in society as a cultural product, their visualisation and distribution extend to a computational level. This master's research project proposes to establish dialogues between the field of communication and the arts, especially digital culture, and aesthetic experience. The object of study is the production of photographic images made by visitors to cultural exhibitions through smartphones and shared on the Instagram social network. Through the use of artificial intelligence, it will be possible to analyse hundreds of images from the Instagram social network that were taken at the Banco do Brasil Cultural Centre, located in the city of Rio de Janeiro, Brazil (Brazilian institution with the highest number of visitors in the last 5 years). This qualitative and quantitative analysis enables a reflection on the contemporary media character present in art exhibition spaces and the observation of new experiences between public, work, and digital culture.
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Plugina, Maria, and Inga Rodionova. "The Formation of Multi-Culturalness as a Prerequisite for the Efficient Performance of Lecturers in Situations of Inter-Ethnic Communication." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-44.

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A characteristic trait of the global society is the introduction of the idea of multi-culturalness into all areas of human life. Therefore, general cultural competencies shall include such a constituent as multi-cultural competency of personality to enable efficient performance in situations of inter-ethnic communication. The set problem has been tackled by all social institutions, however, the central role in that regard is the teaching community, which has a strong influence on the content of young people’s consciousness and behaviour. In this regard, it is important to update the problem of shaping the multicultural competence of university lecturers, which is the purpose of this study. To achieve the set objective, several intercomplementary research methods and techniques were applied: the theoretical analysis of scientific literature, observations, questionnaires, a content-analysis method, testing. A study of 200 teachers showed that in the minds of teachers, knowledge regarding the specifics of a multicultural environment, the image of a representative of another culture and inter-ethnic interactions are presented at the everyday level, are formed spontaneously based on their own experience, which requires the creation of special conditions for their further development. The content-analysis has yielded that markers used during defining a multi-cultural environment often include such semantic constructions as ‘various cultures’ and ‘several cultures’. A study of the characteristics of communicative tolerance showed that most teachers have a high level of tolerance manifested in various situations of interpersonal relations, whereas a low level was not detected.
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Pokusai, Nataliia. "ACTUALIZATION OF DIGITALIZATION EDUCATIONAL PROCESS HIGHER EDUCATION INSTITUTIONS OF I-II LEVEL OF ACCREDITATION IN UKRAINE." In PUBLIC COMMUNICATION IN SCIENCE: PHILOSOPHICAL, CULTURAL, POLITICAL, ECONOMIC AND IT CONTEXT. European Scientific Platform, 2020. http://dx.doi.org/10.36074/15.05.2020.v4.02.

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Cazacu, Oleg. "Aspects of the history of the military band in the cultural area of the Republic of Moldova." In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.03.

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The military marching band is an imposing but also prestigious artistic present in the national and international musical landscape. Having a rich and old tradition, it continues to play an important role in the cultural life, asserting itself as a mechanism for promoting national and universal musical heritage and as an effective means of ethical and aesthetic education of the military and the general public. Often, famous works from the universal repertoire are more easily assimilated by the average spectator through fanfares. In this article, we will refer to some aspects of the history of the phenomenon. After 1990, with the postponement of the independence of the Republic of Moldova, military structures, internal affairs bodies, institutions for training specialists in the field, such as the Police Academy, etc. are created. As a result, military band orchestras are established and invigorated. One of them, which enjoys success and shows high professionalism, is the Band Orchestra of the General Inspectorate of Carabineers of the Ministry of Internal Affairs.
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Klimova, Maria. "Sustainable Development Goals Calendar: The International Project." In Sixth World Professional Forum "The Book. Culture. Education. Innovations". Russian National Public Library for Science and Technology, 2021. http://dx.doi.org/10.33186/978-5-85638-236-4-2021-135-137.

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Russian National Public Library for Science and Technology and V. I. Vernadsky Nongovernmental Foundation collaborate in promoting the UN Sustainable Development Goals to libraries and other institutions of culture and education. In 2020, the new activity was successfully tested; it was to attract attention to SDGs with the contest of calendars. In 2021, the contest has expanded to the international project and comprised, beside competing calendars on SDG 11.4 «Preservation of the World Cultural and Natural Heritage», a series of supporting educational events. The background, development and goals of the project are discussed. The project topic and its key provisions are characterized.
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Lisovetc, Irina. "The Modern Multi-Functional Cultural Center (Yeltsin Center) as a Platform for Dialogue Both Public & Private." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-11.

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The article covers the modern multi-functional cultural centre as an institution of Russian culture of the 21st Century in the terms of the interaction of publicity and privacy. On the basis of the institutional approach in cultural theory and the philosophical and aesthetic analysis of the space of the cultural centre, the most important role of this institution in individual and personal assimilation of sociocultural values is substantiated. The objectives (programme) of such an institution, its chronotope and functionality are directed at the involvement of contemporaries into various forms and levels of the culture of the past, and its emotional-sensual assimilation via media-communication technologies. The ‘Yeltsin-Center’ in the city of Yekaterinburg was taken as the example not only for being orientated on the familiarisation of its visitors with the history of the Russian state and its culture of the late 20th century and the early 21st century, but also for the subjective experience of turning points of those times and the city where the personality and activities of the first Russian president were shaped and began. The calibre of the President’s personality, in this case, is diversely represented within the space of the Centre, and becomes crucial for understanding what was going on at that time. The ‘Yeltsin-Center’ is a principally new cultural complex, each component of which, and above all its central part - the Museum of the First President - is structured to show the turning point in Russian history as the President’s life journey and to encourage citizens to understand the past and present. The use of modern information technologies in this cultural complex, and primarily in its museum exhibition having been arranged as an artistic artefact, becomes crucial to the dialogue of publicity and privacy.
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Reports on the topic "Cultural public institutions"

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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia. Its population is booming and its local governments are working together to establish world-class communications, transport and health infrastructure, while maintaining the integrity of the region’s much-lauded environment and lifestyle. As a result, the Sunshine Coast Council is regarded as a pioneer on smart city initiatives, while Noosa Shire Council has built a reputation for prioritising sustainable development. The region’s creative economy is growing at a faster rate that of the rest of the economy—in terms of job growth, earnings, incomes and business registrations. These gains, however, are not spread uniformly. Creative Services (that is, the advertising and marketing, architecture and design, and software and digital content sectors) are flourishing, while Cultural Production (music and performing arts, publishing and visual arts) is variable, with visual and performing arts growing while film, television and radio and publishing have low or no growth. The spirit of entrepreneurialism amongst many creatives in the Sunshine Coast was similar to what we witnessed in other hotspots: a spirit of not necessarily relying on institutions, seeking out alternative income sources, and leveraging networks. How public agencies can better harness that energy and entrepreneurialism could be a focus for ongoing strategy. There does seem to be a lower level of arts and culture funding going into the Sunshine Coast from governments than its population base and cultural and creative energy might suggest. Federal and state arts funding programs are under-delivering to the Sunshine Coast.
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Martínez, Lina María, and Juan Tomás Sayago. Does Public Investment Contribute to Increasing Institutional and Interpersonal Trust?: Place-Based Policies for Sports and Cultural Activities in Cali, Colombia. Inter-American Development Bank, 2021. http://dx.doi.org/10.18235/0003827.

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This paper studies the effect of two place-based policies implemented in Cali, Colombia on social capital and trust. We use the CaliBRANDO survey to account for institutional and interpersonal trust, matching neighborhood of residence and where policies are applied. We set up a difference-in-difference model to estimate the impact of the policies on the indexes that measure trust. We nd that the organized sport policy improves institutional trust by about 4%. Our results are significant for soccer and basketball and not significant for futsal and other activities. The evidence does not support an effect of nightlights on trust.
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