Relevant bibliographies by topics / Cultural relations – History – Exhibitions

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural relations – History – Exhibitions'

Author: Grafiati
Published: 26 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Cultural relations – History – Exhibitions"

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Juříčková, Miluše. "Two Art Exhibitions as Dialogic Events in the History of Czech-Norwegian Cultural Relations." AUC PHILOLOGICA 2021, no. 1 (2021): 121–27. http://dx.doi.org/10.14712/24646830.2021.16.

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The article analyses two art exhibitions in the context of Czech-Norwegian relations, presenting both the Czechoslovak book exhibition in Oslo (1937) and the Norwegian painting and applied art exhibition in Prague (1938) as important parts in a bilateral cultural dialogue. The promising initial communication in form of a mutual information exchange was soon disrupted by the beginning of World War II and post-war politics.
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Muñoz, Pedro Felipe, and Stefan Rinke. "Latin America in the global exchange of the German Hygiene Museum in Dresden (1919-1930)." Revista Tempo e Argumento 14, no. 35 (2022): e0104. http://dx.doi.org/10.5965/2175180314352022e0104.

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In 1912, Karl Lingner created the German Hygiene Museum Dresden profiting from the Dresden International Hygiene Exhibition 1911. Lingner aimed to build a permanent building for the museum, but due to the Great War and post-war economic crisis in Germany, the permanent building was not opened until 1930. In the Weimar Republic, the museum circulated internationally through traveling exhibitions and the sale and donation of collections and exhibits. This circulation comprised a global exchange promoting health education that included Latin America. In keeping with German foreign cultural policy
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Falcucci, Beatrice. "European museology and colonial concord: Italy at the 1934 Expo du Sahara in Paris." Modern Italy 27, no. 3 (2022): 239–58. http://dx.doi.org/10.1017/mit.2022.24.

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AbstractThis article assesses Italy's participation in the Expo du Sahara in Paris in 1934, placing it within the framework of European colonial culture, exhibitions, and international relations during the 1930s. Hitherto, the Expo du Sahara has been largely ignored by historiography, but it offers important insights into Italo-French relations in the years immediately preceding Italy's invasion of Ethiopia, as well as the ways in which Fascist Italy sought national and international legitimacy through the medium of exhibitions. The Paris exhibition, staged by the European powers after years o
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Počs, Kārlis. "A VIEW ON THE HISTORY OF LATVIAN-FRENCH CULTURAL RELATIONS BEFORE WORLD WAR II." Via Latgalica, no. 1 (December 31, 2008): 75. http://dx.doi.org/10.17770/latg2008.1.1598.

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Because of the geographic location of the Latvian and the French nations and of different trends in the development of their histories contacts between them were established relatively late. This in turn slowed down the development of their cultural relations. In this development, we can distinguish two stages: before the formation of the Latvian state (from the second half of the 19th century until 1918), and during the Latvian state until the Soviet occupation (1920–1940). The objective of this paper is to determine the place and the role of the Latvian-French cultural relations in the devel
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Kossowska, Irena. "Cultural Diplomacy and Informal Artistic Relations in East Central Europe in the 20th Century: A Global Perspective." Arts 14, no. 2 (2025): 41. https://doi.org/10.3390/arts14020041.

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The contributors to this Special Issue engage in a critical debate on key questions arising from discourses on the history and socio-political foundations of international traveling art exhibitions and cultural exchange [...]
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Lorenc, Magdalena. "„Obok. Polska – Niemcy. 1000 lat historii w sztuce” jako przykład wystawy politycznej." Przegląd Politologiczny, no. 2 (June 19, 2018): 163–76. http://dx.doi.org/10.14746/pp.2013.18.2.14.

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The objective of the paper is to analyze and assess the institutional conditions of the exhibition entitled Side by Side. Poland – Germany. 1000 years of Art and History, organized in Martin-Gropius-Bau in Berlin between September 23, 2011 and January 9, 2012. In terms of the number of works of art presented this undertaking was unprecedented in the history of Polish- German relations. The exhibition, and the catalogue that accompanied it, were a part of the Cultural Program of the Polish Presidency in the EU Council in 2011, becoming an exemplification of the issue of the politicization of ex
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Ainutdinov, A. S. "Sverdlovsk Artists at Post-War Art Exhibitions, 1946–1952." Art & Culture Studies, no. 1 (February 2022): 164–95. http://dx.doi.org/10.51678/2226-0072-2022-1-164-195.

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The article is devoted to studying various aspects of the exhibition process in the post-war Sverdlovsk. For the first time in the Ural art history, the art exhibitions that were held after the Great Patriotic War and had works by Sverdlovsk visual artists on display, are named, described, systematized, and classified in one research. The new data sources used in the research uncover the reasons behind the low levels of participation of Sverdlovsk painters, sculptors, and graphic artists in the All-Soviet and national exhibitions in 1946–1952. When performing the research task, the author achi
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Хертек, А. С. "Tuva and Mongolia: cooperation in the fine arts." Iskusstvo Evrazii [The Art of Eurasia], no. 3(22) (September 30, 2021): 116–25. http://dx.doi.org/10.46748/arteuras.2021.03.010.

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Статья посвящена культурным связям между Республикой Тыва и Монголией в связи со 100-летием российско-монгольских дипломатических отношений. Автор приводит обзор ряда фактов из истории тувинского и монгольского изобразительного искусства, совместных выставочных проектов. Так, ключевыми событиями, повлиявшими на творчество мастеров, стали первая крупная выставка тувинских художников и Нади Рушевой в Монгольской Народной Республике в 1984 году, другие выставки в Монголии, Москве и Туве, групповые обменные поездки монгольских и тувинских художников в XX–XXI веках. Важными для сотрудничества стали
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Petranský, Ivan A. "Miesto histórie vo vývoji kultúrnych vzťahov medzi Československom a Talianskom v rokoch 1948 – 1989." Kultúrne dejiny 15, no. 1 (2024): 37–58. http://dx.doi.org/10.54937/kd.2024.15.1.37-58.

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The topic of the article is the place of history in the development of cultural relations between Czechoslovakia and Italy between 1948 and 1989. Cultural relations are an inseparable part of bilateral relations between countries, and this is true in the case of the complicated relations between Czechoslovakia and Italy in the period from the rise of the communist regime in Czechoslovakia in 1948 to its demise in 1989. History, in its various forms, also had an indispensable place in these relations. This was due to the general fact that the regime in Czechoslovakia used historical themes and
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Krasuska, Karolina. "Gendering the Holocaust gallery in POLIN Museum of the History of Polish Jews." European Journal of Women's Studies 26, no. 3 (2019): 247–60. http://dx.doi.org/10.1177/1350506819857220.

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Even though a gender perspective, in reference to various aspects of museums and their exhibits, permeates the reflection on museums, gender is not explicitly taken up as a category of knowledge within the self-reflective narratives about the core exhibition or the conceptualization of the Holocaust gallery in POLIN Museum of the History of Polish Jewish, which opened in Warsaw, Poland in 2014. Building upon the research gendering the memory of the Holocaust, especially with regard to historical exhibitions, and using a cultural studies framework to the study of representation, this article as
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Dissertations / Theses on the topic "Cultural relations – History – Exhibitions"

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Pane, Caroline. "Francia Italia in mostra : les expositions comme observatoires des relations franco-italiennes dans la construction d’une diplomatie culturelle européenne après la Seconde Guerre mondiale." Thesis, Aix-Marseille, 2016. http://www.theses.fr/2016AIXM3092/document.

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S’inscrivant dans le courant historiographique de l’histoire culturelle des relations internationales, cette thèse interroge le rôle des échanges artistiques dans les relations diplomatiques franco-italiennes, du lendemain de la Seconde Guerre mondiale à la construction européenne. L’analyse des expositions réalisées par les services culturels des Affaires étrangères français et italien, respectivement en Italie et en France, met en évidence les rapports de force et les clés du rapprochement franco-italien après 1945. La reconstruction des identités nationales, leurs représentations et leurs c
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Samuelsson, Anna. "I naturens teater : Kultur- och miljösociologiska analyser av naturhistoriska utställningar och filmer." Doctoral thesis, Uppsala universitet, Sociologiska institutionen, 2008. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-9336.

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This thesis is a study of constructions of reality in visual and textual representations in current exhibitions in the Swedish Museum of Natural History in Stockholm with comparisons to the Natural History Museum in Gothenburg and minor excursions to other museums. The study also includes seven giant screen films in Cosmonova: an IMAX theatre which is part of the Swedish Museum of Natural History. The study consists of three parts: I. Historical and theoretical contextualisation: The emergence of museums is understood as an aspect of modernity and nature, and analytical concepts from semiotics
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Sutherland, Ann. "Art exhibitions in the national interest: Australian cultural diplomacy, 1918 to 1941." Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.

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Australia’s relationship with the rest of the world was particularly complex in the two decades of acute economic, political, and social crises between World War One and Two. This thesis argues that Australia employed visual arts exhibitions in the national interest within its foreign policy stance to amplify and recruit allies for its response to this complexity and that it did so to both international and domestic audiences. Six visual arts exhibitions between 1918 and 1941 have been selected to illustrate this transactional Australian cultural diplomacy within the decline of the European em
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Floe, Hilary Tyndall. "The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change." Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.

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This thesis examines the first seventeen years of the history of the Museum of Modern Art Oxford (MOMA), from its founding in 1965 until c. 1982. It is concerned with the changing relationships between the museum and its audience, focusing on those aspects of the museum's programming that shed light on its role as a public mediator of recent art. This provides a means to consider the underlying values and commitments that informed MOMA's emergence as a leading contemporary art institution. Chapter one examines the museum's relationship to utopian countercultures through the metaphor of the mus
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Heinonen, Alayna. "CONTESTED SPACES IN LONDON: EXHIBITIONARY REPRESENTATIONS OF INDIA, c. 1886-1951." UKnowledge, 2012. http://uknowledge.uky.edu/history_etds/1.

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Following the first world exhibition, the 1851 Crystal Palace Exhibition in London, exhibitions became routine events across the West that merged both education and entertainment to forward political and economic goals. For the most part scholars have taken the frequency, popularity, and propagandistic efforts of exhibitions at face value, viewing them as successful reassertions of the imperial, industrial, and technological superiority of Western nation-states. Though offering valuable insights into the cultural technologies of imperial rule, these works miss the complexities of imperial proj
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Wilburn, Alayna. "IMPERIAL KNOWLEDGE AND CULTURAL DISPLAY: REPRESENTATIONS OF COLONIAL INDIA IN LATE-NINETEENTH AND EARLY-TWENTIETH CENTURY LONDON." Lexington, Ky. : [University of Kentucky Libraries], 2008. http://hdl.handle.net/10225/957.

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Thesis (M.A.)--University of Kentucky, 2008.<br>Title from document title page (viewed on December 11, 2008). Document formatted into pages; contains: vi, 104 p. : ill., maps. Includes abstract and vita. Includes bibliographical references (p. 97-103).
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Richardson, Glenn John. "Anglo-French political and cultural relations during the reign of Henry VIII." Thesis, London School of Economics and Political Science (University of London), 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.309232.

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Fazlioglu, Akin Zulal. "Cultural Policy in Turkey – European Union Relations." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1502860978590657.

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McKevitt, Andrew C. "Consuming Japan: Cultural Relations and the Globalizing of America, 1973-1993." Diss., Temple University Libraries, 2009. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/37645.

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History<br>Ph.D.<br>This dissertation explores the U.S. encounter with Japanese goods in the 1970s and 1980s. It argues that this encounter transformed social and cultural life in the United States by ideologically and materially introducing Americans to their first intense, sustained engagement with the processes of contemporary globalization. The dissertation proceeds thematically, first outlining the ideological transformation of American life. While some groups in the United States interpreted Japan's ascendency to economic supremacy as a threat to U.S. national power, others imagined Japa
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Chun, Cai. "The foreign relations of the CPC/PRC in Chinese cultural and historical perspective." Thesis, Lancaster University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310372.

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Books on the topic "Cultural relations – History – Exhibitions"

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Zurfluh, Anselm, and Anna Pakhomova. Russian Switzerland: 1814-2014 : artistic and historical perspectives : 200 years of diplomatic relations = La Suisse par les Russes = Russkai︠a︡ shvetsarii︠a︡. Infolio editions, 2014.

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Fernandes, Paulo Almeida, and Ana Paula Antunes. Lisboa plural: 1147-1910 : convivência(s)/coexistence. EGEAC, 2019.

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Paulo, Centro Cultural São, and Arquivo Histórico Judaico Brasileiro, eds. Comunidade judaica em São Paulo: Diálogos nos anos 40 : Centro Cultural São Paulo, de 22 de novembro a 16 de dezembro de 1990 = The Jewish community in São Paulo : dialogues during the forties. Arquivo Histórico Judaico Brasileiro, 1990.

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Hakubutsukan, Sendai-shi. Kokuhō "Keichō ken'ō shisetsu kankei shiryō". Sendai-shi Hakubutsukan, 2001.

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Anderlik, Heidemarie. Weitblick: Städtisches Museum Braunschweig und Kulturen der Welt. Michael Imhof Verlag, 2017.

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Caterina, Olcese Spingardi, and Galleria d'arte moderna di Genova., eds. Ottocento in salotto: Cultura, vita privata e affari tra Genova e Napoli. Maschietto, 2006.

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Paula, Matta, and Small Press Center (New York, N.Y.), eds. Roots in print: A multicultural exhibit of small press books on ethnic history, culture, customs, and neighborhoods : an exhibition, May 15-June 25, 1992, at the Small Press Center, New York City. The Center, 1992.

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Jacobo, Israel Garzón, Macías Kapón Uriel, and Museo de la Ciudad (Madrid, Spain), eds. Los sefardíes del norte de Marruecos, un puente con España: Música, religión y cultura. La Comunidad, 2003.

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), Italy Ambasciata (U S. Italy INspires US. [Publisher not identified], 2014.

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René, Aymes Jean, ed. La nación en armas: España 1808-1814 : Teatro Fernán-Gómez, Centro Cultural de la Villa de Madrid, del 12 de febrero al 11 de mayo de 2008. Sociedad Estatal de Conmemoraciones Culturales, 2008.

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Book chapters on the topic "Cultural relations – History – Exhibitions"

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Baldacci, Cristina. "Re-Presenting Art History." In Cultural Inquiry. ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_18.

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Can reenactment both as reactivation of images and restaging of exhibitions be considered an alternative way of tackling the critical task to re-present art history (i.e., to present it anew) in the here and now, over and over and over again? The gesture of restoring visibility to something no longer present, reactivating or reembodying it as an object/image in and for the present, is here proposed as a (political) act of restitution and historical recontextualization. Examining the boundaries between past and present, original and copy (as well as originality and copyright), repetition and va
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Mizuno Yamanlar, Minako. "Turkish Art Exhibitions in Japan and Their Cultural Significance." In 100 Years of Turkish-Japanese Relations. Routledge, 2025. https://doi.org/10.4324/9781003537830-15.

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Pickering, Michael. "Relations of Mutual Constitution." In History, Experience and Cultural Studies. Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-25951-9_6.

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Clerc, Louis. "Coordinating and Facilitating Bilateral Cultural Contacts." In Palgrave Macmillan Series in Global Public Diplomacy. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-12205-7_4.

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AbstractIn 1970, when Marjatta Oksanen joined the Ministry of Education, the Department of international affairs was divided into three administrative units: multilateral affairs, bilateral affairs (with two different organizations for East and West) and Nordic relations. The Finnish state managed various forms of cultural relations with countries or groups of countries, mostly in a facilitative function: support for exhibitions or concerts, longer-term support for cultural centres or language teaching and so forth. Most of these bilateral activities originated from private initiatives, and so
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Page, Joanna. "6. Taxidermy and Natural History Dioramas." In Decolonial Ecologies. Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0339.06.

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This chapter explores works that engage with the art and science of taxidermy and the construction of dioramas for museums of the late nineteenth and twentieth centuries. While many artists have rejected taxidermy, given its association with cruelty toward animals, some have reclaimed the practice with the purpose of drawing attention to histories of animal objectification or rethinking human/animal relations. Recent recourses to taxidermy among Latin American artists have provided an opportunity to question of the exhibition practices of natural history museums, while exploring alternative wa
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Witcomb, Andrea. "Oral History and First-Person Narratives in Migration Exhibitions: Tracking Relations Between “Us” and “Them”." In Remembering Migration. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17751-5_14.

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Aldous, Christopher. "Masking or Marking Britain’s Decline? The British Council and Cultural Diplomacy in Japan, 1952–1970." In The History of Anglo-Japanese Relations 1600–2000. Palgrave Macmillan UK, 2002. http://dx.doi.org/10.1057/9780230373600_18.

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Goss, W. M., Claire Hooker, and Ronald D. Ekers. "Pawsey and Philosophy of Science." In Historical & Cultural Astronomy. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-07916-0_33.

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AbstractScientists are mostly not especially reflective on the nature of science itself—or at least not in public. The history, philosophy and sociology (HPS) of science may be of interest, but science is complex and time for contemplation of the enterprise is limited. Pawsey, from the records that remain, was little different. But he had grown up in a family where ideas and values were taken seriously, and in an era that questioned established truths concerning religion, morality, the relations of Empire, the rights of working men (and women), and of course, after WWII, unquestioned loyalty t
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M’bayo, Tamba. "Chapter 5. Mediating a complex cultural matrix." In Benjamins Translation Library. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/btl.159.05mba.

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The complex cultural matrix within which Muslim interpreters mediated between French colonizers and colonized Africans offers a window through which we see how both unequal relations of power and cultural capital shaped the intercessions of indigenous intermediaries in colonial Senegal. Despite their subordinate position in the French colonial administration, the interpreters held sway over information/knowledge conveyed to their kinfolk, which could influence perceptions about the dynamics of power relations between the French authorities and Africans. Drawing on the mediations of Muslim inte
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Bisanti, Armando. "Chapter 2. Italy." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxiv.02bis.

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This chapter traces a synthetic picture of Latin literature in Italy between the fifth and fourteenth centuries in its relations with political and cultural history. Generally speaking, the development of medieval Latin literature in Italy is examined with reference to literary genres and geographical areas, with particular attention to auctores and their works. Among the most significant authors are Boethius, Cassiodorus, Venantius Fortunatus, Gregory the Great, Paul the Deacon, Liutprand of Cremona, Peter of Eboli, Salimbene, Iacopo da Varazze, Dante, Petrarch and Boccaccio.
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Conference papers on the topic "Cultural relations – History – Exhibitions"

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Cmeciu, Doina, and Camelia Cmeciu. "VIRTUAL MUSEUMS - NON-FORMAL MEANS OF TEACHING E-CIVILIZATION/CULTURE." In eLSE 2013. Carol I National Defence University Publishing House, 2013. http://dx.doi.org/10.12753/2066-026x-13-108.

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Considered repositories of objects(Cuno 2009), museums have been analysed through the object-oriented policies they mainly focus on. Three main purposes are often mentioned: preservation, dissemination of knowledge and access to tradition. Beyond these informative and cultural-laden functions, museums have also been labeled as theatres of power, the emphasis lying on nation-oriented policies. According to Michael F. Brown (2009: 148), the outcome of this moral standing of the nation-state is a mobilizing public sentiment in favour of the state power. We consider that the constant flow of natio
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Chen, Jinling, and Zhongyi Bao. "History of Russia China Foreign Trade Relations." In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.015.

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Dementev, Aleksandr, and Vladimir Drobchenko. "Inter-Party Relations in Siberia after the Overthrow of the Russian Monarchy (March – October 1917)." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1280-2-61-69.

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Li, Bin, Lu Wang, Yuan Wen, Xiaohe Chen, and Yanhui Gu. "Discover social relations and activities from ancient Chinese history book Zuo Zhuan." In 2017 International Conference on Behavioral, Economic, Socio-cultural Computing (BESC). IEEE, 2017. http://dx.doi.org/10.1109/besc.2017.8256367.

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Solodukhina, T. K., and V. I. Solodukhin. "Modern ethno-cultural education of Old Believers in Russia." In Old Belief: History and Modernity, Local Traditions, Relations in Russia and Abroad. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0771-8-376-381.

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Khasbulatova, Zulay Imranovna, and Zulay Imranovna Khasbulatova. "Relations Of The Chechens With Peoples Of North Caucasus In Modern History." In International Conference on Social and Cultural Transformations in the Context of Modern Globalism. European Publisher, 2021. http://dx.doi.org/10.15405/epsbs.2021.11.107.

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Wallenböck, Ute. "Connecting Foodways: Cultural Entanglement in Inner Asia." In Current Issues in the Study of History, Foreign Relations and Culture of Asian Countries. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1268-0-102-109.

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Kotlyarova, Irina. "Museum-Reserve Kostenki and IHMC RAS: the history of relations." In The Earliest Paleolithic at Kostenki: Chronology, Stratigraphy, Cultural Diversity (on the 140th anniversary of archaeological research in the Kostenki-Borshchevo area). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-9273-2863-5-2019-8-12.

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Özgün, Tevfik Orçun, and Onur Koçak. "Turkey-Macedonia Relations from Cultural and Historical Perspective." In International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.00975.

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Balkans can be defined as a region which had been under different cultures’ and civilizations’ reign, and experienced different nations, religions and cultures. It is likely possible to see the effects of these multicultural and multinational structure on international politics and economy. In that sense, Macedonia is inevitably placed in an important point for Balkan and Ottoman history, and even for international politics. It is very possible to see Turkish influence on Macedonia, which -ruled by Ottoman for 542 years- has gained its independence, as a result of disintegration of Yugoslavia
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Назаров, Р. Р. "Dagestan and Central Asia: history of cultural contacts." In РЕГИОНАЛЬНЫЕ АСПЕКТЫ СОЦИАЛЬНОЙ ПОЛИТИКИ. Crossref, 2022. https://doi.org/10.34775/z4066-8486-2386-l.

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Дагестан и Средняя Азия издревле являются регионами, находившимися (и находящимися) в тесных контактах. Особенно это касается той части Средней Азии, которая непосредственно имеет выход к Каспию. В истории это были Хорезм и Младший Казахский жуз, в настоящее время – Туркменистан и Казахстан. Сухопутные связи между регионами также поддерживались: по южному маршруту через Азербайджан и Иран, по северному – через Калмыкию и Астрахань. Регионы развивали между собой тесные торгово-экономические и культурно-духовные отношения. Важным фактором связей были (и остаются) дагестанские диаспоры в Средней
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Reports on the topic "Cultural relations – History – Exhibitions"

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Pryt, Karina. Polish-German film relations in the process of building German cultural hegemony in Europe 1933-1939. Universitätsbibliothek Johann Christian Senckenberg, 2022. http://dx.doi.org/10.21248/gups.70888.

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The article presents Polish-German film relations in the framework of Nazis cultural diplomacy between 1933 and 1939. The Nazi effort to create a cultural hegemony through the unification of the European film market under German leadership serves as an important point of reference. On the example of the Polish-German relationship, the article analyses the Nazi “soft power” in terms of both its strength and limits. Describing the broader geopolitical context, the article proposes a new trail in the research on both the film milieus and the cinema culture in Poland in the 1930s. In mythological
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Yaremchuk, Olesya. TRAVEL ANTHROPOLOGY IN JOURNALISM: HISTORY AND PRACTICAL METHODS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11069.

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Our study’s main object is travel anthropology, the branch of science that studies the history and nature of man, socio-cultural space, social relations, and structures by gathering information during short and long journeys. The publication aims to research the theoretical foundations and genesis of travel anthropology, outline its fundamental principles, and highlight interaction with related sciences. The article’s defining objectives are the analysis of the synthesis of fundamental research approaches in travel anthropology and their implementation in journalism. When we analyze what metho
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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Arora, Saurabh, Arora, Saurabh, Ajit Menon, M. Vijayabaskar, Divya Sharma, and V. Gajendran. People’s Relational Agency in Confronting Exclusion in Rural South India. Institute of Development Studies (IDS), 2021. http://dx.doi.org/10.19088/steps.2021.004.

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Social exclusion is considered critical for understanding poverty, livelihoods, inequality and political participation in rural India. Studies show how exclusion is produced through relations of power associated with gender, caste, religion and ethnicity. Studies also document how people confront their exclusion. We use insights from these studies – alongside science and technology studies – and rely on life history narratives of ‘excluded’ people from rural Tamil Nadu, to develop a new approach to agency as constituted by two contrasting ways of relating: control and care. These ways of relat
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Tyson, Paul. Sovereignty and Biosecurity: Can we prevent ius from disappearing into dominium? Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp3en.

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Drawing on Milbank and Agamben, a politico-juridical anthropology matrix can be drawn describing the relations between ius and bios (justice and political life) on the one hand and dominium and zoe (private power and ‘bare life’) on the other hand. Mapping movements in the basic configurations of this matrix over the long sweep of Western cultural history enable us to see where we are currently situated in relation to the nexus between politico-juridical authority (sovereignty) and the emergency use of executive State powers in the context of biosecurity. The argument presented is that pre-19t
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