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Books on the topic 'Cultural sponsorships'

Author: Grafiati
Published: 4 June 2021
Last updated: 9 February 2022

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1

Sauvanet, Nathalie. Cultural sponsorship in Europe: A study. Paris: CEREC, 1999.

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2

Klein, Armin. Der exzellente Kulturbetrieb. Wiesbaden: VS Verlag für Sozialwissenschaften, 2007.

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3

Stolper, Friedman Carolyn, and Friedman Carolyn Stolper, eds. Successful fundraising for arts and cultural organizations. 2nd ed. Phoenix, Ariz: Oryx Press, 1997.

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4

Fields in vision: Television sport and cultural transformation. London: Routledge, 1992.

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5

Delsol, Xavier. Le mécénat et parrainage: Guide juridique et fiscal, à jour au 15 novembre 1989. Lyon: Editions Juris, 1990.

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6

Delsol, Xavier. Le mécénat et parrainage: Guide juridique et fiscal. 3rd ed. Lyon: Editions Juris-Service, 2003.

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7

Kunstsponsoring: "Das Volkswagen-Kultur-Engagement" : eine Fallstudie. Münster: Lit, 2000.

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8

Klein, Armin. Der exzellente Kulturbetrieb. 3rd ed. Wiesbaden: VS Verlag für Sozialwissenschaften, 2011.

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9

White, Robert E. How corporate business practices are transforming education: case studies of five Canadian secondary schools. Lewiston, N.Y: Edwin Mellen Press, 2009.

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10

White, Robert E. How corporate business practices are transforming education: Case studies of five Canadian secondary schools. Lewiston, N.Y: Edwin Mellen Press, 2010.

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11

Culture Incorporated: Museums, Artists, and Corporate Sponsorships. University of Minnesota Press, 2002.

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12

Culture Incorporated: Museums, Artists, and Corporate Sponsorships. University of Minnesota Press, 2002.

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13

Consulting, Andersen, and Spain Ministerio de Cultura, eds. El patrocinio empresarial de la cultura en España. Madrid: Ministerio de Cultura, 1992.

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14

Legal structures of private sponsorship: International deminar on legal structires of private sponsorship and participation in the protection and maintenance ... Weimar Germany, April 17 to 19, 1997. Nationalkomitee der Bundesrepublik Deutschland, 1997.

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15

In-hye, Chin, and Yurŏp Sahoe Munhwa Yŏnʼguso, eds. Chʻukche chŏngchʻaek kwa chiyŏk hyŏnhwang: Chʻukche ŭi ironjŏk chŏngnip kwa saeroun chʻukche mohyŏng ŭl wihan hakchejŏk chŏpkŭn. Sŏul Tʻŭkpyŏlsi: Yŏnse Taehakkyo Chʻulpʻanbu, 2006.

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16

Hopkins, Karen Brooks, and Carolyn Stolper Friedman. Successful Fundraising for Arts and Cultural Organizations: Second Edition. 2nd ed. Oryx Press, 1996.

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17

Levinson, David, and Gertrud Pfister, eds. Berkshire Encyclopedia of World Sport. Berkshire Publishing Group, 2016. http://dx.doi.org/10.1093/acref/9780190622695.001.0001.

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300 entriesThis renowned encyclopedia provides comprehensive coverage of the culture, history, and business of sports around the world. The third edition brings the study of sports into the 21st century by integrating Berkshire's past work on women's sports and extreme sports into a complete sporting library. It includes over 300 updated and new articles on sports management and marketing, branding, sponsorship, doping scandals, sporting goods, extreme and fantasy sports, and technology, as well as on environmental and economic issues. Every sport imaginable is covered, and articles focus on the history, evolution, and future of sports around the world, and offer readers a solid understanding of why sports are played the way they are and what they mean to society
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18

Karaca, Banu. The National Frame. Fordham University Press, 2021. http://dx.doi.org/10.5422/fordham/9780823290208.001.0001.

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Based on long-term ethnographic research in the art world of Istanbul and Berlin, The National Frame rethinks the role of art in state governance. It argues that artistic practices, arts patronage and sponsorship, collecting and curating art, and the modalities of censorship, just like official cultural policies, continue to be refracted through the conceptual lens of the nation-state—despite the intensified and much-studied globalization of art. By examining discussions on the civilizing function of art in Germany and Turkey and moments in which art is seen to cede this function, the book reveals the histories of violence on which the production, circulation, and presentation—indeed our very understanding—of art are predicated. It is in the process of disavowing this violence that contemporary art as a global practice keeps being called back into the national frame. Turkey and Germany occupy different places in dominant geopolitical and civilizational imaginaries that have construed the world in terms of “East” and “West,” and, more recently, “Islam” and “Christianity” as incommensurable entities. Unlike German art, art from Turkey is often seen as merging “traditional” and modern motifs, and expressive of “Turkish culture.” Working against this asymmetric perception the book fosters a comparative perspective by showing that Germany and Turkey share a long, troubling history of cultural encounters and political affiliation and similar struggles in claiming modern nationhood. The joint analysis of both cases reveals how art is configured politically and socially and why art has been at once vital and unwieldy for national projects.
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19

A word from our sponsor: Admen, advertising, and the golden age of radio. Fordham University Press, 2014.

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20

Rogers, Asha. State Sponsored Literature. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857761.001.0001.

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Debates about the value of the ‘literary’ rarely register the expressive acts of state subsidy, sponsorship, and cultural policy that have shaped post-war Britain. In State Sponsored Literature, Asha Rogers argues that the modern state was a major material condition of literature, even as its efforts were relative, partial, and prone to disruption. Drawing from neglected and occasionally unexpected archives, she shows how the state became an integral and conflicted custodian of literary freedom in the postcolonial world as beliefs about literature’s ‘public’ were radically challenged by the unrivalled migration to Britain at the end of Empire. State Sponsored Literature retells the story of literature’s place in modern Britain through original analysis of the institutional forces behind canon-formation and contestation, from the literature programmes of the British Council and Arts Council to the UK’s fraught relations with UNESCO, from GCSE literature anthologies to the origins of The Satanic Verses in migrant Camden. The state did not shape literary production in a vacuum, Rogers argues, rather its policies, practices, and priorities were inexorably shaped in turn. Demonstrating how archival work can potentially transform our understanding of literature and its reading publics, this book challenges how we think about literature’s value by asking what state involvement has meant for writers, readers, institutions, and the ideal of autonomy itself.
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21

1928-1987, Warhol Andy, Wiehagen Rebate 1959-, Nymphius Friederike, and DaimlerChrysler, eds. Andy Warhol: [cars and business art] : commissioned art by Robert Longo, Simone Westerwinter, Mathis Neidhart : interviews with John M Armleder, Peter Halley, Sarah Morris. Stuttgart: DaimlerChrysler AG, 2002.

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22

Gogger, Christian, and Warhol Andy. Andy Warhol: Cars: Business Art. Hatje Cantz Publishers, 2003.

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