Relevant bibliographies by topics / Cultural tradition

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Cultural tradition'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 April 2022

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Journal articles on the topic "Cultural tradition"

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Noyes. "Tradition: Three Traditions." Journal of Folklore Research 46, no. 3 (2009): 233. http://dx.doi.org/10.2979/jfr.2009.46.3.233.

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Voronina, Tatiana. "International symposium “Visual Traditions—Folk Tradition." Visual Anthropology 2, no. 1 (January 1989): 93–99. http://dx.doi.org/10.1080/08949468.1989.9966504.

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Woods, William F. "The cultural tradition of nineteenth‐century “traditional” grammar teaching." Rhetoric Society Quarterly 15, no. 1-2 (January 1985): 3–12. http://dx.doi.org/10.1080/02773948509390717.

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Quinn, Joanna R. "Tradition?! Traditional Cultural Institutions on Customary Practices in Uganda." Africa Spectrum 49, no. 3 (December 2014): 29–54. http://dx.doi.org/10.1177/000203971404900302.

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This contribution traces the importance of traditional institutions in rehabilitating societies in general terms and more particularly in post-independence Uganda. The current regime, partly by inventing “traditional” cultural institutions, partly by co-opting them for its own interests, contributed to a loss of legitimacy of those who claim responsibility for customary law. More recently, international prosecutions have complicated the use of customary mechanisms within such societies. This article shows that some traditional and cultural leaders continue to struggle to restore their original institutions, some having taken the initiative of inventing new forms of engaging with society. Uganda is presented as a test case for the International Criminal Court's ability to work with traditional judicial institutions in Africa.
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Widyasari, Widyasari, and Rachmaniah Mirza Hariastuti. "Sapi-Sapian, Contextualizing Mathematical Concepts Through Cultural Tradition." Journal of Medives : Journal of Mathematics Education IKIP Veteran Semarang 5, no. 1 (January 13, 2021): 36. http://dx.doi.org/10.31331/medivesveteran.v5i1.1431.

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Sapi-sapian is one of the traditions in Kenjo Village which is carried out every Muharram month as an expression of gratitude to God for abundance of agricultural crops. Sapi-sapian tradition contains four processions, namely the selametan pecel gerang, tumpeng serakat, ider bumi oncor-oncoran,and the celebration, which contain ethnomathematics. In order to get the most out of ethnomathematics in the Sapi-sapian tradition, a qualitative-descriptive study was conducted as a method. Due to the conditions of the Covid-19 pandemic which caused the Sapi-sapian tradition to be carried out optimally in 2020, data was collected using in-depth interviews, and cultural documentation. The research informants were the Chief of the Kenjo Village Custom, the Deputy Head of the Adat, and one resident who had been involved in the implementation of the Sapi-sapian tradition. The data obtained were analyzed qualitatively based on several analysis processes in ethnographic research. The results showed that there are mathematical concepts found in the Sapi-sapian tradition of Kenjo Village, including : two and three dimensional geometry, fractions, transformations, and traditional measurements with non-standard units. Keyword : Sapi-sapian, Cultural tradition, Ethnomathematics
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Shenzhi, Li. "China's Cultural Tradition and Modernization." Contemporary Chinese Thought 33, no. 2 (December 2001): 63–91. http://dx.doi.org/10.2753/csp1097-1467330263.

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Parameswaran, Uma, and Paul Sharrad. "Raja Rao and Cultural Tradition." World Literature Today 62, no. 4 (1988): 728. http://dx.doi.org/10.2307/40144777.

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Williams, Raymond. "Film and the Cultural Tradition." Cinema Journal 52, no. 3 (2013): 19–24. http://dx.doi.org/10.1353/cj.2013.0026.

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Hoppál, Mihály. "Cultural tradition as sign process." World Futures 34, no. 3-4 (October 1992): 201–8. http://dx.doi.org/10.1080/02604027.1992.9972305.

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Rabkin, Leslie Y. "Cultural Theory and Psychoanalytic Tradition." American Journal of Psychotherapy 47, no. 2 (April 1993): 308. http://dx.doi.org/10.1176/appi.psychotherapy.1993.47.2.308.

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Dissertations / Theses on the topic "Cultural tradition"

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Zainal, Azlena. "Traditional verbal social control in Malay cultural tradition." Thesis, University of Sheffield, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.392504.

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Zimmerman, Paul. "Cultural Tradition and Cultural Change in Postcommunist Poland| A Secondary Data Analysis." Thesis, Grand Canyon University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3617584.

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Nations sharing similar historical, linguistic, and social backgrounds tend to cluster around the same cultural values systems. However, changing socioenvironmental conditions drive cultural values systems to change over time. This study compared changing cultural values in Poland in the postcommunist era with values in the Czech Republic and Slovenia, using factorial ANOVA of published data from the European Values Survey and World Values Survey. The hypotheses were: (a) cultural values in Poland have moved from traditionalist values toward secularism; (b) Poland's rate of cultural values movement was more moderate than either the Czech Republic or Slovenia; and (c) the higher degree of religiousness in Poland mirrored the slower rate of movement toward secularism. The study participants were 20,038 adults from the Czech Republic, Poland, and Slovenia. Findings showed 10 of 19 cultural values in Poland showed moderate movement toward secularism, confirming that traditional cultural values in Poland had decreased. However, the findings also showed cultural migration in Poland preserved strong traditional family and religious values despite the influence of far reaching social, economic, and political changes. This study revealed two important points: (a) as cultural values within groups of nations change, cultural values in similar clusters of nations tend to move in the same direction, and (b) deeply held traditional values tend to preserve the differentiation between nations, even as process of cultural values change continues.

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Bovana, Solomzi Victor. "Cultural villages inherited tradition and "African culture": a case study of Mgwali Cultural Village in the Eastern Cape." Thesis, University of Fort Hare, 2010. http://hdl.handle.net/10353/552.

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A growing number of studies concerning cultural villages have in most instances tended to focus on the cultural village as almost legitimately self-explanatory and have not been particularly concerned with either how a particular history is produced in and through these villages, or with the ways that particular discourses and practices associated with heritage, tourism, community and development intersect in the production of these meanings. As such Mgwali Cultural Village seemed to promise something different in the form of cultural villages. The thesis argues that Mgwali Cultural Village is unique in the history of cultural villages in that it moves away from presenting a cultural village in Africa as tribal and primitive. It does this by opening up spaces for other aspects such as Christianity and resistance politics, story of Tiyo Soga rather than focusing and confining itself only to aspects cultural portraying Africans and traditional. It is imperative that cultural villages ought to be understood within a broader framework and context where its definition and presentation is not trapped into an anthropological paradigm thinking of exploring and discovering something new by tourists which they are not familiar with. However, the thesis also argues that much as Mgwali Cultural Village promised something new from the known through depiction of other aspects, those histories seem to be absent or marginal at the Cultural Village. The only aspects that are fore grounded are traditions and culture thus freezing Mgwali as a village and its people in time as if they have not evolved and its cultures are static and not dynamic. The thesis therefore explores all those contradictions, silences, or absence thereof of other stories and histories.
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Nurse, Andrew. "Tradition and modernity : the cultural work of Marius Barbeau." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq22486.pdf.

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Munro, Margaret Lily. "Language and cultural identities in the Scots comic tradition." Thesis, Open University, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.429521.

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Ackerman, Brenda Papakee. "The tradition of Meskwaki ribbonwork cultural meanings, continuity, and change /." [Ames, Iowa : Iowa State University], 2008.

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Vagopoulou, Evaggelia. "Cultural tradition and contemporary thought in Iannis Xenakis's vocal works." Thesis, University of Bristol, 2007. http://hdl.handle.net/1983/5e2e6e08-ec52-4d63-97b1-90b863ccc417.

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Marra, Juliana Ribeiro. "Catira: performance e tradição na dança caipira." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/7293.

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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
This research aims at proposing a widening of the understanding of catira, a traditional dance of the Brazilian popular culture. The dance territorializes itself in the region of the caipira culture and has its structure founded in the clapping of hands and on step dancing of the dancers under the rhythm of the moda de viola and of the recortado. The viola is therefore the essential instrument for the dance. Catira is a dance but also music and poetry, which find identification with the rural world of the southern center of Brazil. Although the practice is considered contemporary of the country´s colonization – and the catira groups are many – there are few records and studies that go about it. Therefore, initially to introduce the dance, its forms and elements were presented and there has been an attempt to analyze them bearing in mind its insertion in the studies concerning popular culture and folklore in Brazil. Following that the theoretical and methodological approach of the research is outlined. Catira becomes then the focus of an analysis built within interdisciplinary knowledge. Focus in which, a method and categories of analyses of social sciences and also of the arts, are supposed. Cultural performances rise as the interpretative axis of the research, as long as in relationship with other concepts that also establish themselves in the multidisciplinary perspective – i.e. tradition, socialization, memory, body and dance. Bearing in mind these concepts, we reach the analysis of the records gained from the field research of the work. The analytical narrative is built from the interviews, observation and participation, theoretical relationships and audiovisual records, mainly the photographs taken in the fieldwork. Firstly the dance of the catira within the ritual of folia of Companhia de Reis Bandeira Vermelha, in the town of Goiás/GO, is analyzed. After that the focus is turned to the town of Itaguari/GO and its enormous Folia de Reis, where the groups Irmãos Oliveira e Orgulho Caipira are to be found. Finally having the experience lived with the groups as a referential, the analysis is deepened with focus on the identities, the power relationships and the negotiating carried by the groups of catira. The understanding is that the identities sought and lived are related to the places and territories in which this performing heritage of the caipira culture takes place. The endurance is characteristic of these bodies that move harmonized and in pairs since immemorial times, in the conjunctures of nowadays – if permitted indicating a path beforehand – in a future not envisioned.
Essa pesquisa tem como objetivo propor uma ampliação da compreensão sobre a catira, dança tradicional da cultura popular brasileira. A dança se territorializa na região de cultura caipira e tem sua estrutura fundamentada no palmeado e sapateado dos dançadores no ritmo da moda de viola e do recortado. A viola é, pois, o instrumento essencial à dança. Assim, catira é dança, mas também música e poesia que se identificam com o mundo rural do centro-sul do Brasil. Embora a prática seja considerada contemporânea à colonização do país – e os grupos de catira sejam muitos –, são poucos os registros e estudos que versam sobre ela. Neste sentido, inicialmente se apresentou a dança, sua forma e elementos e buscou analisa-la tendo em vista sua inserção nos estudos acerca da cultura popular e do folclore no Brasil. Em seguida, delineia-se a abordagem teórica e metodológica da pesquisa, e a catira passa a ser o foco de uma análise construída na interdisciplinaridade dos saberes, no qual supõe-se métodos e categorias de análise das ciências sociais, mas também das artes. As performances culturais emergem como eixo interpretativo da pesquisa, desde que em relação com outros conceitos que também se estabelecem na perspectiva multidisciplinar – a saber: tradição, socialização, memória, corpo e dança. Tendo em vista esses conceitos, chega-se à análise dos dados obtidos a partir do trabalho de campo realizado na pesquisa. A narração analítica é construída a partir de entrevistas, observação e participação, relações teóricas e registros audiovisuais, sobretudo as fotografias produzidas em campo. Primeiramente, se analisa a dança da catira inserida no ritual da folia da Companhia de Reis da Bandeira Vermelha, na Cidade de Goiás/GO e, posteriormente, o foco se desloca para a cidade de Itaguari/GO e sua imensa Folia de Reis, onde se encontram os grupos Irmãos Oliveira e Orgulho Caipira. Finalmente, tendo ainda como referencial a experiência vivenciada com os grupos, o estudo é aprofundado focando as identidades, as relações de poder e negociações empreendidas pelos grupos de catira. Entende-se que as identidades buscadas e vividas se relacionam com os lugares e territórios nos quais são produzidos esse patrimônio performático da cultura caipira e que a resistência é característica desses corpos que se movimentam, harmonizados e em duplas, desde tempos imemoriais, nas conjunturas da atualidade e – se for permitido indicar um caminho de antemão – em um futuro a perder de vista.
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McGuire, Adam. "Designing for Diaspora: Interpreting the Cherokee Tradition." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491226136485596.

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O'Connor, Tony 1972. "Governing bodies: a Maori healing tradition in a bicultural state." Thesis, University of Auckland, 2008. http://hdl.handle.net/2292/2327.

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Biculturalism is a relationship in government between the British Crown and the indigenous [Māori] people of New Zealand. I show that this relationship permeated some Māori healing practitioners’ healing knowledge and perception. A key way in which this occurred was through the practitioners recognizing biological and social boundaries between Māori and Pākehā [New Zealanders of European descent]. A second was through the practitioners’ embodiment of connections with social groups including the nation, a history and present shared between Māori and Pākehā and an idealized pre-contact past. A fundamental principle of Te Oo Mai Reia was that for the practitioners to harness the power of the various forces that sustained life they had to be in touch with their whakapapa [genealogy] for it was through their ancestors that they could commune with the Ultimate Deity, Io, the source of the most potent of all forces of life. A further key principle was that spiritually inspired and traditional Māori culture heightened the wellbeing of Māori, not modern, Pākehā culture. Spiritual and ancient knowledge was supra-conscious and made knowable through an embodied awareness of self and other. To make my argument I draw on literature inspired by Foucault that shows how states govern by implementing their operations and securing their penetration into the citizenry by drawing and building upon pre-existing bodies of knowledge and relations of power. I also draw on literature that shows how the human body bears the effects of such practices of government. To this literature I integrate perception by showing how, in this Māori healing context, the government of the bicultural nation-state worked through the ways the practitioners made sense with the body (especially through feeling, seeing and touching).
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Books on the topic "Cultural tradition"

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Sharrad, Paul. Raja Rao and Cultural Tradition. London: Oriental University Press, 1987.

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Cultural theory and psychoanalytic tradition. New Brunswick, N.J: Transaction Publishers, 1991.

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He, Xirong. Cultural tradition and social progress. Washington, DC: Council for Research in Values and Philosophy, 2009.

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Sharrad, Paul. Raja Rao and cultural tradition. New Delhi: Sterling Publishers, 1987.

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Alberta's cultural heritage: Building on tradition. Edmonton, Alta.]: Alberta Culture, 1985.

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Mehdi, Abedi, ed. DebatingMuslims: Cultural dialogues in postmodernity and tradition. Madison: University of Wisconsin, 1990.

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Cottom, Daniel. Ravishing tradition: Cultural forces and literary history. Ithaca, N.Y: Cornell University Press, 1996.

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The Southern political tradition. Baton Rouge: Louisiana State University Press, 2012.

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Capoeira: A martial art and a cultural tradition. New York: Rosen Pub. Group, 1999.

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Trouble with tradition: Native title and cultural change. Sydney: Federation Press, 2008.

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Book chapters on the topic "Cultural tradition"

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Fiore, Lisa B., and Catherine Koverola. "Cultural Priority: Tradition." In Building Trust between Faculty and Administrators, 127–48. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003148739-10.

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Storey, John. "The 'culture and civilization' tradition." In Cultural Theory and Popular Culture, 18–37. Eighth edition. | London ; New York : Routledge, [2018]: Routledge, 2018. http://dx.doi.org/10.4324/9781315226866-2.

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Fei, Xiaotong. "Cultural Tradition and Innovation." In China Academic Library, 231–39. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46648-3_21.

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Pisotska, Viktoriya, Kerem Gurses, and Luca Giustiniano Giustiniano. "The Tradition of Being Innovative." In Managing Cultural Festivals, 13–33. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003127185-3.

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Paipetis, S. A. "Trojan War and Cultural Tradition." In History of Mechanism and Machine Science, 49–55. Dordrecht: Springer Netherlands, 2010. http://dx.doi.org/10.1007/978-90-481-2514-2_6.

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Aspraki, Gabriella. "Tradition as Development Strategy." In Cultural Heritages as Reflexive Traditions, 34–54. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230285941_3.

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Storey, John. "The ‘culture and civilization' tradition." In Cultural Theory and Popular Culture: An Introduction, Ninth Edition, 18–37. 9th ed. Ninth Edition. | New York : Routledge, 2021. | Revised edition of the author’s Cultural theory and popular culture, 2018.: Routledge, 2021. http://dx.doi.org/10.4324/9781003011729-2.

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Kaphle, Sabitra. "Tradition, culture and spirituality." In Socio-Cultural Insights of Childbirth in South Asia, 80–106. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003089940-4.

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Sun, Yingchun. "Tradition, Cultural Modernization, and Soft Power." In China in the Xi Jinping Era, 221–45. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-29549-7_9.

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Hua, Shiping. "Law in the Chinese cultural tradition." In Chinese Legal Culture and Constitutional Order, 16–28. Abingdon, Oxon ; New York, NY: Routledge, 2019. | Series: Routledge studies in Asian law: Routledge, 2019. http://dx.doi.org/10.4324/9780429203688-3.

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Conference papers on the topic "Cultural tradition"

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Leone, Massimo. "CULTURAL SEMIOTICS AS FLUXORUM SCIENTIA." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-009.

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Azarova, Veronica. "SOCIO-CULTURAL SIGNS IN POLITICAL DIALOGUE." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-145.

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Rossolatos, George. "TOWARDS THE CULTURAL BRANDING MODEL OF THE BRANDOSPHERE: FROM SHARE-OF-MARKET TO SHARE-OF-CULTURAL REPRESENTATIONS." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-157.

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Rahayu, Nuryani Tri, and Joko Suryono. "Traditional and Digital Media; Cultural Communication Mix in Sekaten Tradition." In International Conference on Community Development (ICCD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201017.125.

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Budi Utami, Sri, and Bea Anggraini. "‘Islamic’ Bawean Cultural Identity in Tradition." In Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296726.

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Jin, Aihui. "Moral education paradigm of cultural tradition." In Proceedings of the 2019 4th International Conference on Modern Management, Education Technology and Social Science (MMETSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/mmetss-19.2019.81.

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Monteiro, Ricardo Nogueira de Castro. "SEMIOTICS OF CULTURAL HERITAGES: THE DIALECTICAL PROCESS OF ASSIMILATION AND REJECTION OF OTHERNESS IN THE CULTURAL HERITAGE OF THE AL-ANDALUS CIVILIZATION." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-010.

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Haidar, Julieta, and Eduardo Chávez Herrera. "NARCO-TRAFFIC IN THE LIGHT OF CULTURAL SEMIOTICS AND COMPLEXITY THEORY." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-024.

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Olkhovikov, Konstantin, Svetlana Olkhovikova, and Anton Korobeynikov. "Is there human organization outside cultural tradition?" In International Days of Statistics and Economics 2019. Libuše Macáková, MELANDRIUM, 2019. http://dx.doi.org/10.18267/pr.2019.los.186.114.

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Martinelli, Dario. "THE LITHUANIAN SINGING REVOLUTION AS CULTURAL HERITAGE AND SOURCE OF SOFT POWER." In New Semiotics. Between Tradition and Innovation. IASS Publications, 2015. http://dx.doi.org/10.24308/iass-2014-072.

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Reports on the topic "Cultural tradition"

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Shaw, R. D. The archaeology of the Manokinak site: a study of the cultural transition between late Norton tradition and historic Eskimo. Alaska Division of Geological & Geophysical Surveys, 1985. http://dx.doi.org/10.14509/1164.

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Tyson, Paul. Sovereignty and Biosecurity: Can we prevent ius from disappearing into dominium? Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp3en.

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Drawing on Milbank and Agamben, a politico-juridical anthropology matrix can be drawn describing the relations between ius and bios (justice and political life) on the one hand and dominium and zoe (private power and ‘bare life’) on the other hand. Mapping movements in the basic configurations of this matrix over the long sweep of Western cultural history enable us to see where we are currently situated in relation to the nexus between politico-juridical authority (sovereignty) and the emergency use of executive State powers in the context of biosecurity. The argument presented is that pre-19th century understandings of ius and bios presupposed transcendent categories of Justice and the Common Good that were not naturalistically defined. The very recent idea of a purely naturalistic naturalism has made distinctions between bios and zoe un-locatable and civic ius is now disappearing into a strangely ‘private’ total power (dominium) over the bodies of citizens, as exercised by the State. The very meaning of politico-juridical authority and the sovereignty of the State is undergoing radical change when viewed from a long perspective. This paper suggests that the ancient distinction between power and authority is becoming meaningless, and that this loss erodes the ideas of justice and political life in the Western tradition. Early modern capitalism still retained at least the theory of a Providential moral order, but since the late 19th century, morality has become fully naturalized and secularized, such that what moral categories Classical economics had have been radically instrumentalized since. In the postcapitalist neoliberal world order, no high horizon of just power –no spiritual conception of sovereignty– remains. The paper argues that the reduction of authority to power, which flows from the absence of any traditional conception of sovereignty, is happening with particular ease in Australia, and that in Australia it is only the Indigenous attempt to have their prior sovereignty –as a spiritual reality– recognized that is pushing back against the collapse of political authority into mere executive power.
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Brinkman, Henry D. Cultural Change: Participation of Traditional Reservists in the Nuclear Weapon Personnel Reliability Program (PRP). Fort Belvoir, VA: Defense Technical Information Center, April 2000. http://dx.doi.org/10.21236/ada378226.

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Wang, Qiuyue, and Ping Zhao. Consumer Behavior Research on Culture Identity of Traditional Chinese Costume. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1352.

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5

Willis, Craig. Why Scottish and Welsh Speakers Will Miss European Structural Funds. European Centre for Minority Issues, August 2021. http://dx.doi.org/10.53779/jkwo3330.

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In this blog piece Craig Willis investigates the contribution of European Structural and Investment Funds projects in the period between 2007-2013 and 2014-2020, in order to ascertain direct and indirect links to the four Celtic languages, following the separation of cultural funds from the ESIF into Creative Europe and Erasmus Plus from 2007. He shows that, given that the speakers of such languages often reside in economically peripheral areas (at least in higher percentage terms), their livelihoods and everyday culture in the traditional speaking areas (even for non-speakers) are affected by availability of structural funds.
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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Wollongong. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206965.

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Wollongong’s geographic proximity to the southern sprawl of Sydney, accessible transport and cultural diversity have been an attractor for many inward bound creative migrants, helping it diversify away from its industrial past. Wollongong City Council, understanding the importance of the creative industries, has been very proactive in ensuring that the heart of the city has been well and truly activated by sectors of these industries, while the University of Wollongong and its Innovation Campus have also proved a boon to both specialist and embedded creatives. Wollongong maintains a balance between traditional creatives and newer tech-oriented operatives, most with local, national and international suppliers and clients.
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7

Poelina, Anne, J. Alexander, N. Samnakay, and I. Perdrisat. A Conservation and Management Plan for the National Heritage Listed Fitzroy River Catchment Estate (No. 1). Edited by A. Hayes and K. S. Taylor. Martuwarra Fitzroy River Council; Nulungu Research Institute, The University of Notre Dame Australia., 2020. http://dx.doi.org/10.32613/nrp/2020.4.

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The Martuwarra Fitzroy River Council (Martuwarra Council) has prepared this document to engage widely and to articulate its ambitions and obligations to First Law, customary law and their guardianship authority and fiduciary duty to protect the Martuwarra’s natural and cultural heritage. This document outlines a strategic approach to Heritage Conservation and Management Planning, communicating to a wide audience, the planning principles, key initiatives, and aspirations of the Martuwarra Traditional Owners to protect their culture, identity and deep connection to living waters and land. Finer granularity of action items required to give effect to this Conservation and Management Plan for the National Heritage Listed Fitzroy River Catchment Estate are outlined in section 7 and which will be more fully explored by the Martuwarra Council in the coming months and years.
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8

Nickens, P. R. National Register of Historic Places multiple property documentation form -- Historic, archaeological, and traditional cultural properties of the Hanford Site, Washington. Office of Scientific and Technical Information (OSTI), August 1997. http://dx.doi.org/10.2172/348853.

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McIntyre, Phillip, Susan Kerrigan, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Albury-Wodonga. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206966.

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Albury-Wodonga, situated in Wiradjuri country, sits astride the Murray River and has benefitted in many ways from its almost equidistance from Sydney and Melbourne. It has found strength in the earlier push for decentralisation begun in early 1970s. A number of State and Federal agencies have ensured middle class professionals now call this region home. Light industry is a feature of Wodonga while Albury maintains the traditions and culture of its former life as part of the agricultural squattocracy. Both Local Councils are keen to work cooperatively to ensure the region is an attractive place to live signing an historical partnership agreement. The region’s road, rail, increasing air links and now digital infrastructure, keep it closely connected to events elsewhere. At the same time its distance from the metropolitan centres has meant it has had to ensure that its creative and cultural life has been taken into its own hands. The establishment of the sophisticated Murray Art Museum Albury (MAMA) as well as the presence of the LibraryMuseum, Hothouse Theatre, Fruit Fly Circus, The Cube, Arts Space and the development of Gateway Island on the Murray River as a cultural hub, as well as the high profile activities of its energetic, entrepreneurial and internationally savvy locals running many small businesses, events and festivals, ensures Albury Wodonga has a creative heart to add to its rural and regional activities.
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Kerrigan, Susan, Phillip McIntyre, and Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.
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