Relevant bibliographies by topics / Culture broadcasting on television

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Culture broadcasting on television'

Author: Grafiati
Published: 28 May 2022
Last updated: 31 July 2025

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Journal articles on the topic "Culture broadcasting on television"

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Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)." Humaniora 5, no. 1 (2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.

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This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission
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Elena A., Goryacheva. "History of Television Broadcasting Development in Japan (From Experimental Broadcasting to Nationwide Broadcasting in the 1960s)." Humanitarian Vector 15, no. 6 (2020): 151–61. http://dx.doi.org/10.21209/1996-7853-2020-15-6-151-161.

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The article views and analyzes the early period of the nationwide television broadcasting in Japan (from the mid 1920s to the end of the 1960s). Previously, this problem has not been a subject of research in Russian oriental studies, and taking into account the operation of established television broadcasting system in modern Japan, it seems necessary to identify the features of the genesis and evolution of the nationwide television broadcasting in Japan at its earliest stage, using both historical-genetic and problem-chronological methods. Based mainly on the media history research of Japanes
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Aksoy, A., and K. Robins. "Peripheral Vision: Cultural Industries and Cultural Identities in Turkey." Environment and Planning A: Economy and Space 29, no. 11 (1997): 1937–52. http://dx.doi.org/10.1068/a291937.

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We consider recent developments in the cultural industries in Turkey, with particular reference to television broadcasting. We seek to show how recent transformations in the industry have been associated with significant developments in Turkish cultural identity. Historically, broadcasting has existed under the monopoly of the state-run Turkish Radio and Television Authority (TRT), and functioned very much as a voice of the Kemalist ideology of the Republic. From 1990, however, there was a rapid proliferation of illegal, commercial television channels, broadcasting signals from outside the cou
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Mazdalifah, Mazdalifah, Februati Trimurni, and Mohd Fuad Mat Jali. "Local Content-based Broadcasting Model in North Sumatra Province." Jurnal Komunikasi: Malaysian Journal of Communication 41, no. 2 (2025): 21–33. https://doi.org/10.17576/jkmjc-2025-4102-02.

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Local content is an important topic in broadcasting in Indonesia. Regulations from the Indonesian Broadcasting Commission (KPI) stipulate that broadcasting (television and radio) must contain 10% local content from the total program. In reality, media that functions to socialize various values do not apply broadcasting regulations. North Sumatra Province has Batak, Mandailing, and Javanese cultures among others. North Sumatra Province has local broadcasting media that actively present local content such as in Medan and Simalungun. Efarina TV is one of the local televisions in North Sumatra Pro
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Noor, Ady Ferdian, Erika Sari, Iin Nurbudiyani, et al. "Variety Show with Indonesian Culture among the Imperialism of Foreign Culture." International Journal of Universal Education 2, no. 2 (2024): 70–76. https://doi.org/10.33084/ijue.v2i2.9031.

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Background: Variety show infotainment program that was successful in society and became a topic of conversation in public communication. Indonesian society in 11 cities was seen 90% happy to watch television in 2017. The program was full of gossip about the lives of artists at that time. The show gave birth to changes in ethical values that could damage the cultural order of the Indonesian nation as an eastern society that upholds good manners. Aim: The purpose of the study was to determine whether cultural values, religion, and social norms in Indonesian society are the main elements in every
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Tiani, Riris, and M. Suryadi. "Broadcasting Applications of Local Wisdom Character on Coastal Environment in Communication Media." E3S Web of Conferences 125 (2019): 09007. http://dx.doi.org/10.1051/e3sconf/201912509007.

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This study aims to determine the effect of television shows on people's verbal behavior. Natnography used as a research method, to find out the types of television programs that are seen by many people of all ages. Cultural studies methods also used to determine the negative impact of television broadcast content. How the influence of television shows on the style of public communication in forming the character of millennial society. In-depth interview techniques with KPID and representatives of national television stations. Based on research in the field, television shows are present for 24
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Dunleavy, Trish. "A Soap of Our Own: New Zealand's Shortland Street." Media International Australia 106, no. 1 (2003): 18–34. http://dx.doi.org/10.1177/1329878x0310600104.

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Shortland Street is a prime-time soap opera that launched on New Zealand television in 1992 and was created to meet a combination of commercial and ‘public service’ objectives. Shortland Street is institutionally and culturally significant as New Zealand's first attempt at daily drama production and one of the first major productions to follow New Zealand television's 1989 deregulation. Placing Shortland Street in the context of national television culture and within the genre of locally produced TV drama, this paper explores several key facets of the program, including: its creation as a co-p
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Setiawan, Harry, Siti Karlinah, Dadang Rahmat Hidayat, and Yuliandre Darwis. "The Failure of Implementation Broadcasting Regulations in Indonesia-Malaysia Border Region: Case Study on Free-to-air Television in Meranti Regency, Riau Province - Indonesia." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (2021): 88–106. http://dx.doi.org/10.17576/jkmjc-2021-3701-06.

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Border residents in Meranti Regency still love Malaysian free to air television broadcasts. The broadcasting regulation stipulates that broadcasters must provide free to air access to foster a love of Indonesian television broadcasts and a spirit of nationalism for all levels of society. However, the reality in the field is inversely proportional. An important point that questioned in this research is how the implementation of broadcasting regulations governing equality of access to information and containers of cultural expression in free to air broadcasts for all Indonesian people, especiall
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Alamsyah, Feri Ferdinan, Enjang Pera Irawan, and Dini Valdiani. "Menelisik Kontribusi Penyiaran Televisi untuk Visi Indonesia Generasi Emas 2045." JURNAL KOMUNIKATIO 11, no. 1 (2025): 15–29. https://doi.org/10.30997/jk.v11i1.16367.

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A preventive idea for Indonesia's Generasi Emas 2 045 challenges in facing the demographic dividend in the future. This demographic dividend is a social threat that has tremendous impact, if not dealt with properly. All stakeholders, including television broadcasting industry, can contribute. Komisi Penyiaran Indonesia (KPI) stated that the television industry has great potential. This research aims to show the potential of the television industry in supporting this idea. The method used is a qualitative approach with descriptive analysis. Through the Desk study tradition, a research method th
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Rianto, Puji Rianto, Hermin Indah Wahyuni Wahyuni, and Sugeng Bayu Wahyono Wahyono. "The Cultural Expression in the Local Television." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 10, no. 1 (2025): 1–14. https://doi.org/10.25008/jkiski.v10i1.1191.

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Since the beginning of the reformation era in 1998 and the enactment of Broadcasting Law No. 32/2002, local television channels has grown significantly. These emerging local television channels were expected to serve as an antithesis to Jakarta-based national television while also providing a space for cultural expression. This study investigates how local television express local culture using the cultural-political economy perspective. The research employs a case study with an instrumental case design and was conducted at ADiTV in Yogyakarta from April to September 2023. Data were collected
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Dissertations / Theses on the topic "Culture broadcasting on television"

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Cheema, Munira. "The production and reception of gender-based content in Pakistani television culture." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54446/.

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Borthwick, Stuart. "Dance, culture, television : an analysis of the politics of contemporary dance culture and its televisual representations." Thesis, Liverpool John Moores University, 1998. http://researchonline.ljmu.ac.uk/5031/.

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Kariofilli, Helen. "Television broadcasting and cultural sovereignty in Greece." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26206.

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This thesis makes a proposal for a Greek policy in the area of television broadcasting aimed at ensuring the country's ability to maintain a distinctive position in the European broadcasting market while protecting and promoting Greece's culture and language. The first part of the thesis presents the evolution of Greek legislation on television broadcasting and the status of programming content and quality from 1966, when the first television programme schedule was transmitted, until the present day. The European Community's legal framework and, in particular, the "Television Without Frontiers
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Brennan, Niall. "The Brazilian television mini-series : representing the culture, values and identity of a nation." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/505/.

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This thesis investigates the Brazilian television mini-series as a cultural form in the media landscape of Brazil, examining it as a reflection of the political, cultural and social history of Brazil. The research question asks in what ways does the Brazilian television miniseries represent continuity and change in Brazilian national culture, values and identity. In this thesis, I construct a theoretical framework based on two strands of the concept of hybridity: the sociocultural dimensions of hybridity in the postcolonial context, and the textual-generic implications of hybridity for popular
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Crone, Vincent Christiaan Alexander. "De kwetsbare kijker een culturele geschiedenis van televisie in Nederland /." Amsterdam : Vossiuspers UvA, 2007. http://site.ebrary.com/id/10302657.

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Silcock, B. William. "Global gatekeepers : mapping the news culture of English language television news producers inside Deutsche Welle /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3025650.

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Smaill, Belinda 1972. "Amidst a nation's cultures : documentary and Australia's Special Broadcasting Service Television." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8644.

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Matsanga, Nziengui Marina. "La production et la diffusion de la culture dans les chaines de télévisions publiques africaines. : L’expérience gabonaise." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL033/document.

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L’analyse de la diffusion des contenus culturels de Gabon Télévision permet de comprendre son fonctionnement, son organisation programmatique, son rapport aux publics et également d’évaluer ses relations aux téléspectateurs-citoyens ainsi que la réception en termes d’attentes et de besoins.La qualité et la quantité des programmes culturels (nationaux) diffusés sur la chaîne publique gabonaise nourrissent ce questionnement : Comment l’Etat ou le gouvernement via Gabon Télévision conçoivent-ils la culture ? La télévision publique gabonaise remplit-elle sa mission de service public (culturel) ? A
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Thomas, Suzanne Lynne. "Heroes, assassins, mobsters and murderers : martial arts TV and the popular Chinese imagination in the PRC /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3112189.

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Lafontaine, Monique T. "Foreign ownership, television broadcasting and Canadian culture, an appeal for increased liberalization of the foreign ownership restrictions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0005/MQ43389.pdf.

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Books on the topic "Culture broadcasting on television"

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Mittell, Jason. Television & American culture. Oxford University Press, 2009.

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Fiske, John. Television culture. Routledge, 1988.

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Fiske, John. Television culture. Methuen, 1987.

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1966-, Banet-Weiser Sarah, Chris Cynthia 1961-, and Freitas Anthony, eds. Cable visions: Television beyond broadcasting. New York University Press, 2007.

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Hanhardt, John G. Video culture: A critical investigation. Gibbs M. Smith, 1986.

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Hanhardt, John G. Video culture: A critical investigation. Gibbs M. Smith, 1986.

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J, Thomas Terrence, ed. Television and culture: The quest for national identity. Library of Parliament, 1987.

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Oren, Tasha G. Demon in the box: Jews, Arabs, politics, and culture in the making of Israeli television. Rutgers University Press, 2004.

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Mitra, Ananda. Television and popular culture in India: A study of the Mahabharat. Sage Publications, 1993.

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Annette, Hill, ed. TV living: Television, culture, and everyday life. Routledge in association with the British Film Institute, 1999.

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Book chapters on the topic "Culture broadcasting on television"

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Bignell, Jonathan. "2.3.2. Television." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.xxxv.33big.

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A focus on the details of how TV drama scripts were commissioned, edited and realised offers insight into the relationships between writers and television institutions. This study of the early years of the BBC’s popular science fiction series Doctor Who is based on archival documents from the 1960s and shows how the role of the screenwriter was negotiated in relation to the opportunities and constraints of format, genre, cost and intended audience, at a time of rapid and dynamic change in British television culture. The decisions about screenwriting analysed in this chapter affected how Doctor
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Bignell, Jonathan. "2.3.2. Television." In Comparative History of Literatures in European Languages. John Benjamins Publishing Company, 2024. http://dx.doi.org/10.1075/chlel.35.33big.

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A focus on the details of how TV drama scripts were commissioned, edited and realised offers insight into the relationships between writers and television institutions. This study of the early years of the BBC’s popular science fiction series Doctor Who is based on archival documents from the 1960s and shows how the role of the screenwriter was negotiated in relation to the opportunities and constraints of format, genre, cost and intended audience, at a time of rapid and dynamic change in British television culture. The decisions about screenwriting analysed in this chapter affected how Doctor
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McCabe, Janet. "Why the World Fell for Borgen: Legitimizing (Trans)National Public Service Broadcasting Culture in the Age of Globalization." In Danish Television Drama. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40798-8_3.

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Sweet, Ryan. "Conclusion." In Prosthetic Body Parts in Nineteenth-Century Literature and Culture. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78589-5_7.

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AbstractThis concluding chapter uses British free-to-air television broadcasting network Channel 4’s “Superhumans Return” advertising campaign for its coverage of the 2016 Paralympic Games as a case study with which to explore the overlaps between nineteenth-century and contemporary cultural representations of prosthesis users. It highlights the way that contemporary sources, including Channel 4’s campaign, interrogate a privileging of normalcy while remaining encoded by ableist inclinations. The chapter draws together the various strands of the book’s argument to make the case that the litera
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Wu, Weilong, and Xinyi Yang. "Analysis of the Dissemination Effects of VR Audiovisual Arts on Local Culture in Cross-Cultural Contexts: A Case Study of the Broadcasting and Television Industry." In Cross-Cultural Design. Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-60913-8_5.

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Vuletic, Dean. "The Intervision Song Contest." In Music and Democracy. mdwPress / transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839456576-006.

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During the Cold War, Eastern Bloc broadcasting organizations held the Intervision Song Contest (ISC) as an alternative to Western Europe's Eurovision Song Contest (ESC). Staged in Czechoslovakia and Poland between 1964 and 1980, the ISC has usually been depicted in the popular media as merely a belated, fleeting copy of the ESC, with the ISC's failure being a metaphor for the decline of the economic and political systems of communist party-led Eastern Europe. However, unlike with the ESC, there has been little academic research on the ISC. This chapter is based on archival sources from nationa
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Irwin, Stacey O. "Television and Broadcasting." In Survey of Media. Routledge, 2024. http://dx.doi.org/10.4324/9781003397588-5.

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Barendt, Eric, Laurence Lustgarten, Kenneth Norrie, and Hugh Stephenson. "Broadcasting." In Libel and the Media The Chilling Effect. Oxford University PressOxford, 1997. http://dx.doi.org/10.1093/oso/9780198262275.003.0005.

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Abstract Obviously there are important legal and practical differences between the positions of newspapers and the broadcasting media. As far as the law is concerned, it must be remembered that the latter are relatively tightly regulated, in that, first, alicence must be granted before a commercial broadcaster, whether of radio or television, is free to operate; secondly, broadcasting legislation1 imposes a number of detailed programme requirements; and thirdly (at the time of writing), the Broadcasting Complaints Commission controls, among other matters, the fairness of programmes. Equally, t
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Emanuel, Susan. "Quality, Culture and Education." In Television Broadcasting in Contemporary France and Britain. Berghahn Books, 1999. http://dx.doi.org/10.2307/j.ctv287sh8j.14.

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Jensen, Helle Strandgaard. "Ban and Bother." In Sesame Street. Oxford University PressNew York, 2023. http://dx.doi.org/10.1093/oso/9780197554159.003.0004.

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Abstract This chapter deals with the Children’s Television Workshop’s efforts to sell Sesame Street to Britain. It shows that the Workshop was extremely interested in selling to the British Broadcasting Corporation (BBC) due to its important position in the European broadcasting landscape. However, this failed because the BBC already had a long and very different tradition of producing children’s television. Importantly, the BBC’s views of childhood, education, and television production culture differed greatly from the Workshop’s. The chapter also explains how and why Sesame Street ended up b
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Conference papers on the topic "Culture broadcasting on television"

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Nguyen Thi, Nhung, and Minh Thu Nguyen Thi. "Television in the Tay-Nung Language in Vietnam." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.17-2.

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Broadcasting and television are two popular types of media, with more audience than other types of media in Viet Nam today. Tay-Nung is a common language of two ethnic groups with the largest population of ethnic minorities in Viet Nam. Research on broadcasting and television in the Tay-Nung language is importance research, involving both journalism and the science of language. On the basis of surveys on the state of broadcasting in Tay-Nung language and the attitude, needs and aspirations of the Tay and Nung ethnicity on this activity, this article aims to describe and evaluate the current st
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Huang, Fei, and Zhibo Feng. "Research on Broadcasting and Television Image Communication Based on Ethnic Cultural Knowledge Graph." In ICBDDM 2024: 2024 International Conference on Big Data and Digital Management. ACM, 2024. http://dx.doi.org/10.1145/3696500.3696569.

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Opoku-Boateng, Judith. "Applying the “baby nursing model” in under-resourced audiovisual archives in Africa." In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.4.18.

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It is a well-known fact that there has been extensive documentation of African traditional arts in post-colonial Africa, which has contributed to the growing accumulation of field recordings in Africa that could form the nucleus for archives in individual African countries. These include private collections as well as recordings at broadcasting and television stations; government ministries such as Tourism, Culture and Information; museums and academic institutions. Sadly, these precious traditions – which have been expensively captured – are often not properly managed in their host institutio
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Harrison, David, and Nicholas Lodge. "Broadcasting presence: immersive television." In Electronic Imaging, edited by Bernice E. Rogowitz and Thrasyvoulos N. Pappas. SPIE, 2000. http://dx.doi.org/10.1117/12.387208.

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Ono, Yozo. "HDTV and Today's Broadcasting World." In SMPTE Television Conference. IEEE, 1989. http://dx.doi.org/10.5594/m00758.

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Matzel, E. "Widescreen television at ZDF." In International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960833.

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Aitken, M. A. "Digital television implementation solutions." In International Broadcasting Conference (IBC). IEE, 1997. http://dx.doi.org/10.1049/cp:19971263.

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Ruskova, E. O., A. A. Maksimova, and M. S. Shushnov. "The main indicators of digital television broadcasting. Signal propagation in television broadcasting networks." In Modern Problems of Telecommunications - 2024. Siberian State University of Telecommunications and Information Systems, 2024. http://dx.doi.org/10.55648/spt-2024-1-204.

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Digital television broadcasting is a modern technology for transmitting images and sound using digital signals. The main indicators of digital television broadcasting include image and sound quality, data transfer rate, as well as the volume of frequencies used. Signal distribution in television broadcasting networks is carried out through satellite, cable and on-air broadcasts, providing wide audience access to content
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Popkin, D. "Virtual studios in television production." In International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960796.

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Vlek, T. "Advances in widescreen television receivers." In International Broadcasting Convention (IBC). IEE, 1996. http://dx.doi.org/10.1049/cp:19960836.

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Reports on the topic "Culture broadcasting on television"

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Kapelyushnyi, Anatolyi. TRANSFORMATION OF FORMS OF DEGREES OF COMPARISON OF ADJECTIVES IN LIVE TELEVISION BROADCASTING. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.50.11105.

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The article analyzes transformation of forms of degrees of comparison of adjectives in live television broadcasting. Particular attention is paid to the specific properties of different forms of degrees of comparison of adjectives. To analyze the peculiarities of their use for errors in speech of television journalists, associated with non-compliance with linguistic norms on ways to avoid these errors, to make appropriate recommendations to television journalists. The main method we use is to observe the speech of live TV journalist, we used during the study methods of comparative analysis of
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Kapelyushnyi, Anatolyi. TRANSFORMATION OF WORD-FORMS DURING THEIR SPONTANEOUS CREATION IN LIVE TELEVISION BROADCASTIN: ADJECTIVES ADVERBS. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11409.

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The article analyzes transformation of word-forms during spontaneous creation in live television broadcasting. Particular attention is paid to adjectives adverbs. The specific properties of adverbs makes it easier to trace general trends in their transformations, because adverbs are not burdened with many different forms and their variations, that occur in the process of word change of some other class of words at the same time adverbiatives allow to analyze in more detail the semantical and grammatical structure of speech. The main method we use is to observe the speech of live TV journalist,
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Alcolea-Díaz, G., and JV García-Santamaría. Football broadcasting rights in Spain in the digital age: between pay television and streaming services. Revista Latina de Comunicación Social, 2019. http://dx.doi.org/10.4185/rlcs-2019-1338en.

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Kapelyushnyi, Anatolyi. Феноменологічний інструментарій ефективності девіатологічного контролювання впливу телевізійного тексту на формування емоційного тонусу суспільства. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11740.

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Main objectives of the study are the phenomenological tools of the effectiveness of deviatological control of the influence of television text on the formation of emotional tone of society. Particular attention is paid to the additional emotional meanings that arise when speaking live due to lack of time to understand them. Because of this, emotional nuances, and often the emotional background in general, arise involuntarily, against the wishes of the author. Emphasis is placed on making appropriate recommendations to TV journalists. During the Russian aggression in the Ukrainian media, the re
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Fedorchuk, Liudmyla. Культура в ефірі Суспільного: телевізійний контент і перспективи розвитку. Ivan Franko National University of Lviv, 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11729.

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Main objectives of this article are changes in the programming principles of the “Suspilne Culture” TV channel, the peculiarities of the program content in the period 2020-2022, as well as potential for further channel development from the content perspective. Methodology of the analysis includes processing primary sources of information, synthesis, induction and deduction, problem-thematic analysis of television programs. Results. During 2017-2021, the specialized public channel about culture increased the number of its own programs, and the ratings of the channel increased. “UA: Culture” pro
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Pavlyuk, Ihor. MEDIACULTURE AS A NECESSARY FACTOR OF THE CONSERVATION, DEVELOPMENT AND TRANSFORMATION OF ETHNIC AND NATIONAL IDENTITY. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11071.

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The article deals with the mental-existential relationship between ethnoculture, national identity and media culture as a necessary factor for their preservation, transformation, on the example of national original algorithms, matrix models, taking into account global tendencies and Ukrainian archetypal-specific features in Ukraine. the media actively serve the domestic oligarchs in their information-virtual and real wars among themselves and the same expansive alien humanitarian acts by curtailing ethno-cultural programs-projects on national radio, on television, in the press, or offering the
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Antonov, Volodymyr. Natural history BBC documentaries: history and functions. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11402.

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This scientific article studies natural history documentaries produced by BBC and traces important stages of the development of the attitude towards such genre as natural history documentary. This research is about understanding why this kind of programmes is important, particularly for Ukrainians, and why we should study the genre thoroughly, including the BBC’s experience in the field. Accordingly, the main objectives of the study were: 1. To substantiate the necessity for Ukrainian scholars to study natural history documentaries and BBC’s experience in the field. 2. To trace back and descri
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Hotsur, Oksana. FROM THE ECONOMIC CRISIS TO COVID-19: FEATURES OF THE DEVELOPMENT OF THE PRINT MEDIA MARKET OF UKRAINE. Ivan Franko National University of Lviv, 2022. http://dx.doi.org/10.30970/vjo.2022.51.11396.

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The study analyzes the traditional media during 2013-2021 and draws attention to a number of factors, factors of economic and global nature in the historical context, which affect the general state of the media market in Ukraine. The main goal is to outline the peculiarities of the development of the print media market in modern conditions and challenges. The study uses socio-communicative and axiological approaches, methods of content analysis, synthesis and general are the main methods that were used in the research process. In addition to catalysts for abrupt changes in the print media mark
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Cunningham, Stuart, Marion McCutcheon, Greg Hearn, Mark Ryan, and Christy Collis. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Sunshine Coast. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.136822.

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The Sunshine Coast (unless otherwise specified, Sunshine Coast refers to the region which includes both Sunshine Coast and Noosa council areas) is a classic regional hotspot. In many respects, the Sunshine Coast has assets that make it the “Goldilocks” of Queensland hotspots: “the agility of the region and our collaborative nature is facilitated by the fact that we're not too big, not too small - 330,000 people” (Paddenburg, 2019); “We are in that perfect little bubble of just right of about everything” (Erbacher 2019). The Sunshine Coast has one of the fastest-growing economies in Australia.
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Competition Issues in Television and Broadcasting. Organisation for Economic Co-Operation and Development (OECD), 2013. http://dx.doi.org/10.1787/407e6bc3-en.

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