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Dissertations / Theses on the topic 'Culture broadcasting on television'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Cheema, Munira. "The production and reception of gender-based content in Pakistani television culture." Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/54446/.

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2

Borthwick, Stuart. "Dance, culture, television : an analysis of the politics of contemporary dance culture and its televisual representations." Thesis, Liverpool John Moores University, 1998. http://researchonline.ljmu.ac.uk/5031/.

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3

Kariofilli, Helen. "Television broadcasting and cultural sovereignty in Greece." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=26206.

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This thesis makes a proposal for a Greek policy in the area of television broadcasting aimed at ensuring the country's ability to maintain a distinctive position in the European broadcasting market while protecting and promoting Greece's culture and language. The first part of the thesis presents the evolution of Greek legislation on television broadcasting and the status of programming content and quality from 1966, when the first television programme schedule was transmitted, until the present day. The European Community's legal framework and, in particular, the "Television Without Frontiers

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4

Brennan, Niall. "The Brazilian television mini-series : representing the culture, values and identity of a nation." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/505/.

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This thesis investigates the Brazilian television mini-series as a cultural form in the media landscape of Brazil, examining it as a reflection of the political, cultural and social history of Brazil. The research question asks in what ways does the Brazilian television miniseries represent continuity and change in Brazilian national culture, values and identity. In this thesis, I construct a theoretical framework based on two strands of the concept of hybridity: the sociocultural dimensions of hybridity in the postcolonial context, and the textual-generic implications of hybridity for popular

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5

Crone, Vincent Christiaan Alexander. "De kwetsbare kijker een culturele geschiedenis van televisie in Nederland /." Amsterdam : Vossiuspers UvA, 2007. http://site.ebrary.com/id/10302657.

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6

Silcock, B. William. "Global gatekeepers : mapping the news culture of English language television news producers inside Deutsche Welle /." free to MU campus, to others for purchase, 2001. http://wwwlib.umi.com/cr/mo/fullcit?p3025650.

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7

Smaill, Belinda 1972. "Amidst a nation's cultures : documentary and Australia's Special Broadcasting Service Television." Monash University, Centre for Comparative Literature and Cultural Studies, 2001. http://arrow.monash.edu.au/hdl/1959.1/8644.

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8

Matsanga, Nziengui Marina. "La production et la diffusion de la culture dans les chaines de télévisions publiques africaines. : L’expérience gabonaise." Thesis, Université Grenoble Alpes (ComUE), 2018. http://www.theses.fr/2018GREAL033/document.

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L’analyse de la diffusion des contenus culturels de Gabon Télévision permet de comprendre son fonctionnement, son organisation programmatique, son rapport aux publics et également d’évaluer ses relations aux téléspectateurs-citoyens ainsi que la réception en termes d’attentes et de besoins.La qualité et la quantité des programmes culturels (nationaux) diffusés sur la chaîne publique gabonaise nourrissent ce questionnement : Comment l’Etat ou le gouvernement via Gabon Télévision conçoivent-ils la culture ? La télévision publique gabonaise remplit-elle sa mission de service public (culturel) ? A

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9

Thomas, Suzanne Lynne. "Heroes, assassins, mobsters and murderers : martial arts TV and the popular Chinese imagination in the PRC /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2003. http://wwwlib.umi.com/cr/ucsd/fullcit?p3112189.

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10

Lafontaine, Monique T. "Foreign ownership, television broadcasting and Canadian culture, an appeal for increased liberalization of the foreign ownership restrictions." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0005/MQ43389.pdf.

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11

Flew, Terry. "Culture, Citizenship and Content: Australian Broadcast Media Policy and the Regulation of Commercial Television 1972-2000." Thesis, Griffith University, 2001. http://hdl.handle.net/10072/367568.

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This thesis looks at broadcast media policy in Australia towards the commercial free-to-air television sector, with a focus upon those policies that impact upon media content, during the period from 1972 to 2000. It analyses the relationship between cultural institutions, citizenship discourses, and practices of media policy formation in Australia. It focuses upon both forms of institutional continuity in the relations established between broadcasters, regulatory agencies and others active in media policy in Australia, and upon sources of change in broadcast media policy, such as those arising

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12

Reid, Donald, and n/a. "Cultural citizenship and the TVNZ charter : the possibility for multicultural representation in the commercial television environment." University of Otago. Department of Communication Studies, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070627.112747.

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Summary: Implemented in 2003, the TVNZ Charter is a one-page document that outlines the broadcaster�s objectives to deliver programming that represents New Zealand�s ethnically and socially diverse population. This thesis will examine issues surrounding the representation of diversity especially in the context of the state-commercial television network. Using the notion of �cultural citizenship�, or the demand from minority groups within a society to be represented and included in the institutions of the state, I will examine how TVNZ is attempting to meaningfully represent New Zealand as a

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13

Ferrari, Chara Francesca. "Translating stereotypes Italian television and the cultural politics of reformatting /." Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1467887551&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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14

Shewman, Edward J. "Media culture and the "Kingdom" transforming worlds in the moral imagination /." Theological Research Exchange Network (TREN), 1999. http://www.tren.com.

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15

Slevin, James Martin. "The normative foundations of television culture : a critical account of the conceptualization of moral responsibility in Dutch and British state broadcasting policy." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.307905.

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16

Taylor, J. "From sound to print in pre-war Britain : the cultural and commercial interdependence between broadcasters and broadcasting magazines in the 1930s." Thesis, Bournemouth University, 2013. http://eprints.bournemouth.ac.uk/21079/.

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This thesis is a study of key broadcasting magazines published in the United Kingdom prior to the Second World War. At its centre is the premise that the relationship between broadcasting and the magazine industry evolving around it was symbiotic in nature. The relationship was complex because the broadcasters provided much of the material for the magazines to publish and therefore could potentially use this as a tool for influence and publicity, as they sought to stimulate the demand for their output in the British public. However, the magazines were the mediators of the flow of communication

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17

Earl, Emma. "Brand New Zealanders: The Commodification of Polynesian Youth Identity in bro'Town." Thesis, University of Canterbury. Journalism and Mass Communication, 2006. http://hdl.handle.net/10092/1036.

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Maori and Pacific Island youth are the 'it kids' of Aotearoa New Zealand television today, as the exceptional success of the television series bro'Town attests. Corporate sponsors clamour to associate their brands with the hit programme, from international heavyweights including Coke and Vodafone to local players such as G-Force. Likewise, celebrities from at home and abroad proclaim their support for bro'Town in guest appearances on the show. But, what is at stake when the visibility of Polynesian youth in the media is so inextricably intertwined with the commercial imperatives of major corpo

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18

Judy, Jon. "TO BE SEEN AND ALSO HEARD: TOWARD A MORE TRULY PUBLIC BROADCASTING SYSTEM FOR CHILDREN." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1587498952367546.

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19

Higgins-Dobney, Carey Lynne. "News Work: the Impact of Corporate Newsroom Culture on News Workers & Community Reporting." PDXScholar, 2018. https://pdxscholar.library.pdx.edu/open_access_etds/4410.

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By virtue of their broadcast licenses, local television stations in the United States are bound to serve in the public interest of their community audiences. As federal regulations of those stations loosen and fewer owners increase their holdings across the country, however, local community needs are subjugated by corporate fiduciary responsibilities. Business practices reveal rampant consolidation of ownership, newsroom job description convergence, skilled human labor replaced by computer automation, and economically-driven downsizings, all in the name of profit. Even so, the people laboring

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20

Keys, Wendy, and n/a. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia." Griffith University. School of Arts, Media and Culture, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060928.135325.

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This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs t

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21

Keys, Wendy. "Grown-Ups In a Grown-Up Business: Children's Television Industry Development Australia." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/366792.

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This dissertation profiles the children's television industry in Australia; examines the relationship between government cultural policy objectives and television industry production practices; and explores the complexities of regulating and producing cultural content for child audiences. The research conducted between 1997 and 2002 confirms that children's television is a highly competitive business dependent on government regulatory mechanisms and support for its existence. For example, the Australian Broadcasting Authority's retaining of mandatory program standards for children's programs t

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22

Atabey, Melek. "Television news broadcasting and journalism in Turkey : the impact of political, economic and socio-cultural change in the 1990s." Thesis, University College London (University of London), 1998. http://discovery.ucl.ac.uk/10018984/.

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The purpose of this study is to investigate current issues in Turkish journalism with specific reference to television news broadcasting. It does so by combining two main theoretical approaches to the study of news production: the political economy perspective and the culturalist view, both of which are critically explored as part of the research. In collecting data, various methods were employed; interviews with journalists, and quantitative and qualitative analysis of news programmes. The study consists of two main parts. At the macro level, a review of recent changes in broadcast media arou

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23

Malik, Sarita. "Representing Black Britain : Black images on British television from 1936 to the present day." Thesis, n.p, 1998. http://ethos.bl.uk/.

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24

Rennie, Elinor Mary. "The future of community broadcasting : civil society and communications policy." Thesis, Queensland University of Technology, 2003. https://eprints.qut.edu.au/15829/1/Elinor_Rennie_Thesis.pdf.

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Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communicat

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25

Rennie, Elinor Mary. "The Future of Community Broadcasting: Civil Society and Communications Policy." Queensland University of Technology, 2003. http://eprints.qut.edu.au/15829/.

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Will community television one day be lamented in the same way as the Glenn Valley Bridge Club in Pennsylvania, where no one remains 'who can tell us precisely when or why the group broke up' (Putnam, 2000: 15)? Robert Putnam's bestseller Bowling Alone proposed that people 'need to reconnect with one another' and rebuild their communities for the good of society. Although he may not have succeeded in instigating a revival of lawn bowls and bridge, Putnam did spark a debate about the meaning of "community" today and its role in bringing about positive social change. At a time when the communicat

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26

Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Thesis, Queensland University of Technology, 2005. https://eprints.qut.edu.au/16496/1/Wei_Ling_Lim_Thesis.pdf.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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27

Lim, Wei Ling Tania Patricia. "Formatting and Change in East Asian Television Industries: Media Globalization and Regional Dynamics." Queensland University of Technology, 2005. http://eprints.qut.edu.au/16496/.

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Television is increasingly both global and local. Those television industries discussed in this thesis transact in an extensive neo-network of flows in talents, financing, and the latest forms of popular culture. These cities attempt to become media capitals but their status waxes and wanes, depending on their success in exporting their Asian media productions. What do marital arts dramas, interactive game-shows, children's animation and teenage idol soap operas from East Asian television industries have in common? Through the systematic use of TV formatting strategies, these television genres

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28

Bentley, Jon Alexander. "A Question of Queerness: Case Studies of Contemporary American Television." Thesis, University of North Texas, 2005. https://digital.library.unt.edu/ark:/67531/metadc4900/.

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This project utilizes a case study approach to explore the various ways in which the portrayals of gay people have changed on American television. Three contemporary programs - Will & Grace, Queer Eye for the Straight Guy and The L Word - are examined as examples of how far American television has progressed in terms of treating gay people with respect. Whether those shows move beyond merely presenting gay characters and into a level of actively challenging mainstream views on gay people is also examined. Findings suggest different factors affect the ability of the individual programs to test

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29

Brito, Flavio de Souza. "A TV Cultura de São Paulo e a produção de documentários (1969-2004)." Universidade de São Paulo, 2009. http://www.teses.usp.br/teses/disponiveis/27/27153/tde-31082015-152118/.

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O objetivo geral da pesquisa é realizar uma abordagem histórica da produção de documentários da TV Cultura de São Paulo entre 1969 e 2004, procurando estabelecer recortes conceituais e eixos temáticos para sua análise. Destacando as particularidades de uma TV Pública cultural e educativa e utilizando-se de fontes diversificadas, os objetivos específicos referem-se às atividades de levantamento e sistematização das obras e das informações disponíveis sobre elas, produzindo e/ou tornando acessíveis documentos, informações e reflexões relevantes para pesquisadores nesse campo. A partir do registr

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30

Yang, Mu-Li. "A study of Chinese adult immigrants' television viewing motivations." CSUSB ScholarWorks, 1995. https://scholarworks.lib.csusb.edu/etd-project/1218.

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31

Moyo, Rachel. "Exploratory study of the University of Fort Hare students' perception of the role of global television in cultural homogenisation." Thesis, University of Fort Hare, 2013. http://hdl.handle.net/10353/d1005988.

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The implications of globalisation in African societies raise an interesting debate and also pose a challenge to 21st century scholars of media/cultural tradition. While the media/cultural imperialism theory views global media as perpetuating cultural imperialism, revisionist theories of the media such as the audience reception theory argue against this, saying that media texts can be negotiated with. Both sides have always provided facts to argue their cases and the argument between them remains fluid. This study, which is a quantitative survey of some University of Fort Hare students’ percept

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32

Gee, Narelle. "Maintaining our rage: Inside Australia's longest-running music video program." Thesis, Queensland University of Technology, 2015. https://eprints.qut.edu.au/85665/10/Narelle_Gee_Thesis.pdf.

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This research presents an insider's account of rage, Australia's longest-running music video program. The research's significance is that there has been scarce scholarly analysis of this idiosyncratic ABC program, despite its longevity and uniqueness. The thesis takes a reflective and reflexive narrative journey across rage's decades, presenting the accounts of the program makers, aided by the perspective of an embedded researcher, the program's former Series Producer. This work addresses the rage research gap and contributes to the scholarly discussion on music video and its contexts, the ABC

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33

Євстаф’єва, Д. "Мовні помилки у програмі «На часі: ранок» ТРК «UA. Суми»". Thesis, Сумський державний університет, 2016. http://essuir.sumdu.edu.ua/handle/123456789/49321.

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У статті розглянуто та проаналізовано мовлення ведучих у програмі «На часі: ранок» ТРК «UA. Суми», запропоновано варіанти поліпшення мовленнєвої ситуації в ефірі.<br>The article discusses and analyzes leading broadcast in the program «At the time : Morning» TRC «UA. Sumy» proposed options for improving the situation of speech in the air.

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34

White, James D. "Balancing the flow in a world of information three case studies of information flows in Japan, China and Hong Kong /." Thesis, University of Hawaii at Manoa, 2003. http://catalog.hathitrust.org/api/volumes/oclc/58596783.html.

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35

Chun, Jayson Makoto. "A nation of a hundred million idiots : a social history of Japanese television, 1953-1973 /." view abstract or download file of text, 2004. http://wwwlib.umi.com/cr/uoregon/fullcit?p3120616.

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Thesis (Ph. D.)--University of Oregon, 2004.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 405-428 (v. 2)). Also available for download via the World Wide Web; free to University of Oregon users.

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36

Wheatley, Helen. "Gothic television." Thesis, University of Warwick, 2002. http://wrap.warwick.ac.uk/2837/.

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This thesis examines forms of Gothic fiction on television, and defines the ways in which television produces Gothic drama which is medium-specific (e.g. formally distinct from versions of the genre in other media). This work employs a textual analysis to explore Gothic television, and combines this with archival research and an examination of the changing climate of television production in a range of national and historical contexts. The thesis is organised into four case studies, each dealing with different national industries during different periods: British anthology drama of the 1960s a

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37

Johnson, Renata. "The role of TV Globo Internacional for Brazilian immigrants in south Florida and Toronto." Diss., Columbia, Mo. : University of Missouri-Columbia, 2006. http://hdl.handle.net/10355/4556.

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Thesis (M.A.)--University of Missouri-Columbia, 2006.<br>The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (February 8, 2007) Includes bibliographical references.

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38

Schwartz, Mallory. "War on the Air: CBC-TV and Canada’s Military, 1952-1992." Thesis, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/30345.

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From the earliest days of English-language Canadian Broadcasting Corporation television (CBC-TV), the military has been regularly featured on the news, public affairs, documentary, and drama programs. Little has been done to study these programs, despite calls for more research and many decades of work on the methods for the historical analysis of television. In addressing this gap, this thesis explores: how media representations of the military on CBC-TV (commemorative, history, public affairs and news programs) changed over time; what accounted for those changes; what they revealed about CBC

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39

Cheung, Wing-lim Gloria. "An analysis of the broadcasting regulatory system and programme quality in Hong Kong." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B21036743.

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40

Guo, Miao Albarran Alan B. "The impact of ownership, regulation issues and technology adoption on the introduction of digital terrestrial television a comparison of the United States and Mainland China /." [Denton, Tex.] : University of North Texas, 2007. http://digital.library.unt.edu/permalink/meta-dc-3968.

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Wiggins, David Joel. "The moral voice of television /." Digital version accessible at:, 1999. http://wwwlib.umi.com/cr/utexas/main.

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42

Kroener, Oliver. "Engaging television characters : a cognitive approach to contemporary television." Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/30875/.

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To what degree is the viewer’s engagement with a television character triggered by the distinct narrative context of a programme? As with other types of storytelling (e.g. film, literature), engaging with a television character is an integral part of the overall experience of watching television. More specifically, television characters provide an emotional focal point for the audience. They invite us to imagine ourselves in their situation, challenge our sense of morality, and encourage us to consider how we would react if we were to encounter them in our everyday life. Whereas in the past re

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43

Markou, Eleni. "Television broadcasting in the Single European Market." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283235.

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Kung, Chun-fai Frederick. "Influx of Western media to Asia and response of Asian governments /." Hong Kong : University of Hong Kong, 1996. http://sunzi.lib.hku.hk/hkuto/record.jsp?B1796314X.

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Thomas, Suzanne Lynne. "Heroes, assassins, mobsters, and murders martial arts TV and the popular Chinese imagination in the PRC /." online access from Digital Dissertation Consortium access full-text, 2004. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3112189.

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46

Caraway, Sylvester. "Community Television Broadcasting in Australia: The Development of Commercialism." Thesis, Griffith University, 2009. http://hdl.handle.net/10072/367653.

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The Australian community television industry was initially established to provide members of the public the opportunity to have ownership of, participate in, produce and broadcast programs that reflect local voices and are relevant to their local communities. However, since officially licensed in 1993 as narrowcast community television broadcasters, the practices by these stations have been more in-line with commercialism rather than performing under the very principles of why these services were established to serve; the public’s interest. With a focus primarily on Australia’s metro and rural

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47

Wen, Huike Peters John Durham Havens Timothy. "Dazzling the eyes television and the modernization ideal in 1980s China /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/449.

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48

Chan, Wai-kwong Colin. "TV City : towards an open broadcasting centre /." Hong Kong : University of Hong Kong, 1999. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25947266.

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49

Taylor, Gregory. "Canadian broadcasting regulation and the digital television transition." Thesis, McGill University, 2010. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=86874.

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This thesis examines the evolution of Canadian broadcasting regulation since the adoption of the 1991 Broadcasting Act with a specific focus on the digital television transition. For Canada, this technological shift exemplifies many of the greater changes in public policy in the last two decades: a faith in market mechanisms, light-touch regulation, co-regulatory approaches, and the powerful influence of new technologies. This dissertation will address the following central question: does the policy surrounding the transition to digital television broadcasting pose a challenge to traditional

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50

Potts, Neill. "The television work of Alfred Hitchcock." Thesis, University of Warwick, 2005. http://wrap.warwick.ac.uk/2457/.

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The thesis uses close textual analysis to study and evaluate the television work of Alfred Hitchcock. The corpus consists of the twenty shows personally directed by Hitchcock, including his appearances before and after those shows. In response to most previous writing, which tends to compare the programmes with Hitchcock’s films (often unfairly) the thesis emphasises them as products of television. Programmes are evaluated on the basis of their perceived success as television- if they harness conditions related to television production and integrate them with narrative themes or to create mean

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