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Journal articles on the topic 'Culture broadcasting on television'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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1

Tulasi, Dominikus. "Implementasi Pedoman Perilaku Penyiaran Menurut Perspektif Komisi Penyiaran Indonesia (KPI)." Humaniora 5, no. 1 (2014): 414. http://dx.doi.org/10.21512/humaniora.v5i1.3040.

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This multidiscipline research combines models and theoretical guidance of Indonesia Broadcasting Commission in implementing ethical behavioral guidance toward television broadcasting programs as mass media, a case study at Trans7. This qualitative research examined on how both Television management and Indonesia Broadcasting Commission highlight and perceive behavioral acting of host relating to entertainment programs. In one hand, program producer is able to construct, construe, and reconstruct societal opinions and mindset to its program. On the other hand, Indonesia Broadcasting Commission

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2

Elena A., Goryacheva. "History of Television Broadcasting Development in Japan (From Experimental Broadcasting to Nationwide Broadcasting in the 1960s)." Humanitarian Vector 15, no. 6 (2020): 151–61. http://dx.doi.org/10.21209/1996-7853-2020-15-6-151-161.

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The article views and analyzes the early period of the nationwide television broadcasting in Japan (from the mid 1920s to the end of the 1960s). Previously, this problem has not been a subject of research in Russian oriental studies, and taking into account the operation of established television broadcasting system in modern Japan, it seems necessary to identify the features of the genesis and evolution of the nationwide television broadcasting in Japan at its earliest stage, using both historical-genetic and problem-chronological methods. Based mainly on the media history research of Japanes

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Aksoy, A., and K. Robins. "Peripheral Vision: Cultural Industries and Cultural Identities in Turkey." Environment and Planning A: Economy and Space 29, no. 11 (1997): 1937–52. http://dx.doi.org/10.1068/a291937.

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We consider recent developments in the cultural industries in Turkey, with particular reference to television broadcasting. We seek to show how recent transformations in the industry have been associated with significant developments in Turkish cultural identity. Historically, broadcasting has existed under the monopoly of the state-run Turkish Radio and Television Authority (TRT), and functioned very much as a voice of the Kemalist ideology of the Republic. From 1990, however, there was a rapid proliferation of illegal, commercial television channels, broadcasting signals from outside the cou

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4

Mazdalifah, Mazdalifah, Februati Trimurni, and Mohd Fuad Mat Jali. "Local Content-based Broadcasting Model in North Sumatra Province." Jurnal Komunikasi: Malaysian Journal of Communication 41, no. 2 (2025): 21–33. https://doi.org/10.17576/jkmjc-2025-4102-02.

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Local content is an important topic in broadcasting in Indonesia. Regulations from the Indonesian Broadcasting Commission (KPI) stipulate that broadcasting (television and radio) must contain 10% local content from the total program. In reality, media that functions to socialize various values do not apply broadcasting regulations. North Sumatra Province has Batak, Mandailing, and Javanese cultures among others. North Sumatra Province has local broadcasting media that actively present local content such as in Medan and Simalungun. Efarina TV is one of the local televisions in North Sumatra Pro

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Noor, Ady Ferdian, Erika Sari, Iin Nurbudiyani, et al. "Variety Show with Indonesian Culture among the Imperialism of Foreign Culture." International Journal of Universal Education 2, no. 2 (2024): 70–76. https://doi.org/10.33084/ijue.v2i2.9031.

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Background: Variety show infotainment program that was successful in society and became a topic of conversation in public communication. Indonesian society in 11 cities was seen 90% happy to watch television in 2017. The program was full of gossip about the lives of artists at that time. The show gave birth to changes in ethical values that could damage the cultural order of the Indonesian nation as an eastern society that upholds good manners. Aim: The purpose of the study was to determine whether cultural values, religion, and social norms in Indonesian society are the main elements in every

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Tiani, Riris, and M. Suryadi. "Broadcasting Applications of Local Wisdom Character on Coastal Environment in Communication Media." E3S Web of Conferences 125 (2019): 09007. http://dx.doi.org/10.1051/e3sconf/201912509007.

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This study aims to determine the effect of television shows on people's verbal behavior. Natnography used as a research method, to find out the types of television programs that are seen by many people of all ages. Cultural studies methods also used to determine the negative impact of television broadcast content. How the influence of television shows on the style of public communication in forming the character of millennial society. In-depth interview techniques with KPID and representatives of national television stations. Based on research in the field, television shows are present for 24

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Dunleavy, Trish. "A Soap of Our Own: New Zealand's Shortland Street." Media International Australia 106, no. 1 (2003): 18–34. http://dx.doi.org/10.1177/1329878x0310600104.

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Shortland Street is a prime-time soap opera that launched on New Zealand television in 1992 and was created to meet a combination of commercial and ‘public service’ objectives. Shortland Street is institutionally and culturally significant as New Zealand's first attempt at daily drama production and one of the first major productions to follow New Zealand television's 1989 deregulation. Placing Shortland Street in the context of national television culture and within the genre of locally produced TV drama, this paper explores several key facets of the program, including: its creation as a co-p

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8

Setiawan, Harry, Siti Karlinah, Dadang Rahmat Hidayat, and Yuliandre Darwis. "The Failure of Implementation Broadcasting Regulations in Indonesia-Malaysia Border Region: Case Study on Free-to-air Television in Meranti Regency, Riau Province - Indonesia." Jurnal Komunikasi: Malaysian Journal of Communication 37, no. 1 (2021): 88–106. http://dx.doi.org/10.17576/jkmjc-2021-3701-06.

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Border residents in Meranti Regency still love Malaysian free to air television broadcasts. The broadcasting regulation stipulates that broadcasters must provide free to air access to foster a love of Indonesian television broadcasts and a spirit of nationalism for all levels of society. However, the reality in the field is inversely proportional. An important point that questioned in this research is how the implementation of broadcasting regulations governing equality of access to information and containers of cultural expression in free to air broadcasts for all Indonesian people, especiall

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9

Alamsyah, Feri Ferdinan, Enjang Pera Irawan, and Dini Valdiani. "Menelisik Kontribusi Penyiaran Televisi untuk Visi Indonesia Generasi Emas 2045." JURNAL KOMUNIKATIO 11, no. 1 (2025): 15–29. https://doi.org/10.30997/jk.v11i1.16367.

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A preventive idea for Indonesia's Generasi Emas 2 045 challenges in facing the demographic dividend in the future. This demographic dividend is a social threat that has tremendous impact, if not dealt with properly. All stakeholders, including television broadcasting industry, can contribute. Komisi Penyiaran Indonesia (KPI) stated that the television industry has great potential. This research aims to show the potential of the television industry in supporting this idea. The method used is a qualitative approach with descriptive analysis. Through the Desk study tradition, a research method th

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10

Rianto, Puji Rianto, Hermin Indah Wahyuni Wahyuni, and Sugeng Bayu Wahyono Wahyono. "The Cultural Expression in the Local Television." Jurnal Komunikasi Ikatan Sarjana Komunikasi Indonesia 10, no. 1 (2025): 1–14. https://doi.org/10.25008/jkiski.v10i1.1191.

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Since the beginning of the reformation era in 1998 and the enactment of Broadcasting Law No. 32/2002, local television channels has grown significantly. These emerging local television channels were expected to serve as an antithesis to Jakarta-based national television while also providing a space for cultural expression. This study investigates how local television express local culture using the cultural-political economy perspective. The research employs a case study with an instrumental case design and was conducted at ADiTV in Yogyakarta from April to September 2023. Data were collected

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Guo, Jiawei. "Television News Broadcasting: Conformance to News Standards and Emotional Expression." Advances in Social Behavior Research 6, no. 1 (2024): 34–37. http://dx.doi.org/10.54254/2753-7102/6/2024046.

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With the progress of the era and the development of society, China's broadcast television industry has entered the era of all media. The industry level and technology have achieved a qualitative leap, which has placed higher demands on the professional capabilities of broadcasters and hosts. Language communication ability and emotional expression skills are an important part of the professional capabilities of frontline news broadcasters and hosts. Only by aligning news standards with emotional expression can news broadcasters and hosts convey the connotation and viewpoints of news accurately

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Prastowo, FX Ari Agung, and Dadang Rahmat Hidayat. "Public Perception of Indonesian Television Broadcasting Programs Quality." KOMUNIKA: Jurnal Dakwah dan Komunikasi 16, no. 2 (2022): 201–17. http://dx.doi.org/10.24090/komunika.v16i2.6776.

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The public's interest in television programs is raised due to their function to increase education and protect the country from conflict or disharmony. According to the function of media, the media has three purposes: as a watchdog, a public forum, and media for public participation. The media also has the assignment to critique the government if they need to be released good regulations for the public. So the researchers are interested in exploring media content, especially television. This research analyzes the public perception of television programs such as news, talk shows, variety shows,

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García-Matilla, Agustín. "About a television for the education in tuning multimedia." Comunicar 13, no. 25 (2005): 33–44. http://dx.doi.org/10.3916/c25-2005-005.

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In 2005, the current socialist government has set out to undertake the greatest update in broadcasting policy since 1956, the moment in which television was born in Spain. This transformation is related to the quick digital reconversion that television has suffered in the latest years. Despite the changes in the law and some reasons to be optimistic about technological development in a recent future the television of the 21st century can not do without being profitable in a social, cultural and educative sense. This is a challenge which many countries have not faced yet and Spain is among thes

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Thomas, Julian. "The Old New Television and the New: Digital Transitions at Home." Media International Australia 129, no. 1 (2008): 91–103. http://dx.doi.org/10.1177/1329878x0812900110.

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Over the past decade, a major policy and regulatory problem for governments in Australia and elsewhere has been the implementation of strategies to switch from analogue to digital television broadcasting systems. Despite extensive debate, the transition to digital broadcasting remains fraught. What seems to be a technical matter conceals a range of intractable social, economic and cultural policy decisions. This article explores some of the challenges of digital television through the prism of an earlier, and often overlooked, transformation of television, namely the consumer-driven uptake of

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15

Tunnisa, Fauziyyah Sholeha, and Anissa Lestari Kadiyono. "Analisis Budaya Organisasi Stasiun Televisi Lokal X di Bandung dengan OCAI (Organizational Culture Assessment Instrument)." Personifikasi: Jurnal Ilmu Psikologi 11, no. 2 (2020): 161–80. http://dx.doi.org/10.21107/personifikasi.v11i2.9103.

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ABSTRACTNow, the world has entered globalization, it forms an industry which is determined by the international market. This change has an impact on companies in the media and broadcasting sectors. Now, the company is trying to be at the advance with client-based values. Facing up this rapidly changing environment requires a strategy to adapt. Determination of these strategies can be helped by knowing the organizational culture that is owned by the company. Local television station X is one of the local television stations that has survived for more than 20 years in media and broadcasting sect

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16

Kisielewska, Alicja. "Przestrzenie telewizji – przestrzenie w telewizji – przestrzenie telewizyjne. Serialowe praktyki udomawiania przestrzeni." Załącznik Kulturoznawczy, no. 8 (2021): 405–29. http://dx.doi.org/10.21697/zk.2021.8.20.

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The subject of reflection in this article are television space production practices, such as: television spaces – spaces on TV – TV spaces in the most popular Polish drama series produced since 1997 by major broadcasting television stations. I focus on the ‘communities of imagination’ as spatial communities created in TV series perceived as spatial stories. I assume that thanks to the television practices of creating real-imagined space, space is being domesticated, contradicting the idea of relocation common in postmodern culture. In this article, I propose an analysis of television spatial a

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17

Green, Joshua. "Why Do They Call it TV When it's Not on the Box? ‘New’ Television Services and Old Television Functions." Media International Australia 126, no. 1 (2008): 95–105. http://dx.doi.org/10.1177/1329878x0812600111.

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This paper examines a set of ‘new television’ projects and their relationship to existing understandings of the object of television. The rise of online video-sharing has been surrounded by discourse about the decline of broadcast television's role for content delivery and advertising revenue. Amidst discussions of ‘piracy’ and debates about new audience measurement techniques and user-generated content, official and unofficial platforms for the distribution of television content have emerged. Some of these sites — like ‘internet TV’ projects such as the Participatory Culture Foundation's Miro

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18

Kwak, Ki-Sung. "The Role of the State in the Regulation of Television Broadcasting in South Korea." Media International Australia 92, no. 1 (1999): 65–79. http://dx.doi.org/10.1177/1329878x9909200109.

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Television broadcasting in South Korea is experiencing a major change in its regulatory structure under the new government led by Kim Dae-Jung, who won the 1997 election as an opposition candidate for the first time in Korean history. Based on the review of the regulatory history of television broadcasting and its recent development in South Korea, this paper provides an overall background which explains the way in which the state has shaped and developed the regulatory structure of television broadcasting in Korea. It argues that the policies set in law and regulatory practice exercised by th

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19

Ershov, Yuri M. "European TV in the 2020s: challenges and development trends." RUDN Journal of Studies in Literature and Journalism 28, no. 2 (2023): 293–305. http://dx.doi.org/10.22363/2312-9220-2023-28-2-293-305.

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The author examines the institutional originality of television in the countries of the European Union. The purpose of the study is to explain the nature of the institution of European broadcasting, which better than anything else reflects the idea of a common European home. A brief historical overview of the establishment of the European Broadcasting Union and cooperation between national broadcasters in Europe is given. The task is to identify the dynamics and trends in the development of the community of European broadcasters in the context of political, economic and technological changes i

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20

Haiyang Zhang, Haiyang Zhang. "Research on Film and Television Culture Communication from the Perspective of Integrated Media." Northeast Asian Arts and Cultural Management Association 1, no. 1 (2024): 13–18. http://dx.doi.org/10.69887/jnaacm.2024.1.1.13.

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Purpose - This paper discusses the transformation of Harbin Radio and Television Station in the era of deep media integration, points out the problems faced by Harbin Radio and Television Station in the context of deep media integration and puts forward countermeasure suggestions, responds to the call for media reform, and makes the crisis into a turning point. Design/Methodology/Approach - With the continuous downward trend of the social economy, the social economy has been greatly impacted, and the traditional TV media has also been significantly affected.This paper combines the actual situa

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Keinonen, Heidi. "Arts and Advertising: Aesthetics of Early Commercial Television in Finland." Acta Universitatis Sapientiae, Film and Media Studies 6, no. 1 (2013): 165–77. http://dx.doi.org/10.2478/ausfm-2014-0010.

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Abstract Finnish television was launched by a commercial company in 1956. TES-TV, the first television station, was later followed by a programming company called Tesvisio and joined by the television channel of YLE, the Finnish Broadcasting Company. The TES-TV/Tesvisio years are a unique period in television history, since they witnessed the creation of a connection between commercial television and the arts. In this article I aim to study early Finnish television aesthetics by analyzing television as art and also the relations between television and other art forms. My focus is on the repres

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22

Meikle, Graham, and Sherman Young. "Beyond Broadcasting? TV for the Twenty-First Century." Media International Australia 126, no. 1 (2008): 67–70. http://dx.doi.org/10.1177/1329878x0812600108.

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TV is being reshaped, reimagined and reinvented in unpredictable ways. Broadcasting has become only one of a set of options for the distribution of TV content, alongside cable, DVDs, internet downloads, and online video streams. Simultaneously, audiences have embraced new modes of engagement with audio-visual products, with many seamlessly shifting from the role of consumer to that of producer. Broadcasting still reigns, but its place as the normative television form is under greater threat than ever. The articles in this issue of MIA suggest that, while it may no longer be the cultural norm,

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23

Putri, Shinta Hartini, Tiarani Vidia Pratami, and Nugraha Sugiarta. "Broadcasting Strategy Implementation of Malire Ki Sunda Program as Media Preserving Sundanese Culture at SMTV Sumedang Local Television Station." International Journal of Research in Community Services 5, no. 1 (2024): 26–34. http://dx.doi.org/10.46336/ijrcs.v5i1.563.

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Malire Ki Sunda is a mandatory program of SMTV Sumedang to provide information about the noble values of the Sundanese Society, and arts that are closely related to Sundanese Culture. The speakers presented were Artists and Cultural Practitioners. The purpose of this study is to determine the broadcasting strategy implementation of Malire Ki Sunda Program as media preserving Sundanese culture at SMTV Sumedang local television station. This research uses the theory of Program Broadcasting Strategy from Peter K. Pringle. The approach used is qualitative with a case study method. Data were obtain

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Alem, Febri Sonni, Hijjang Pawennari, Tahara Tasrifin, and Iqbal Sultan M. "The Contestation of Power Between Newsrooms and Media Owners in Television Stations in Indonesia." International Journal of Global Community I, no. 3 (2018): 245–60. https://doi.org/10.5281/zenodo.1572992.

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This article describes the contest for power and influence that goes on behind the scenes of Indonesian television broadcasting stations. There is a dynamic relationship between agent and structure – journalists and media owners – in news broadcasting in Indonesian television stations. The newsroom was previously idealised as an independent, neutral space free from intervention, but its independence has been eroded by political contestations involving media owners. Politics relies greatly on the dissemination of information to rally support from constituents. Television is currentl

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Tereshchuk, Vitaliy. "FRANCE’S INTERNATIONAL BROADCASTING SYSTEM: FROM COLONIALISM TO FRANCOPHONIE." Integrated communications 19, no. 1 (2025): 26–32. https://doi.org/10.28925/2524-2652.2025.13.

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The article characterizes international broadcasting as a foreign policy instrument of the French Republic and its transformation in a geopolitical context. The relevance of this vector is determined, firstly, by the fact that the state international media of France practically did not participate in the dissemination of propaganda in the period between the World Wars, during the Second World War and the Cold War, which distinguishes French international broadcasting from similar services in Western countries, and, secondly, by the focus of the French international broadcasting system on the p

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26

Wijfjes, Huub. "A British Broadcasting Centenary and Media History." TMG Journal for Media History 26, no. 1 (2023): 1–7. http://dx.doi.org/10.18146/tmg.860.

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Book review of: Martin Cooper, Radio’s Legacy in Popular Culture. The Sounds of British Broadcasting over the Decades (London: Bloomsbury, 2022); David Hendy, The BBC: a People’s History (London: Profile Books, 2022); Jamie Medhurst, The Early Years of Television and the BBC (Edinburgh University Press, 2022) and Simon J. Potter, This is the BBC. Entertaining the Nation, Speaking for Britain? 1922-2022 (Oxford University Press, 2022).

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Nguyen, Thi Nhung. "Television in the Tay-Nung Language in Vietnam." Journal on Asian Linguistic Anthropology 1, no. 4 (2019): 25–35. http://dx.doi.org/10.47298/jala.v1-i4-a3.

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Broadcasting and television are two popular types of media, with more audience than other types of media in Viet Nam today. Tay-Nung is a common language of two ethnic groups with the largest population of ethnic minorities in Viet Nam. Research on broadcasting and television in the Tay-Nung language is importance research, involving both journalism and the science of language. On the basis of surveys on the state of broadcasting in Tay-Nung language and the attitude, needs and aspirations of the Tay and Nung ethnicity on this activity, this article aims to describe and evaluate the current st

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SHAHAB, Fauziah. "Mediamorphosis of Betawi Cultural Broadcasting Domain Into New Media Domain." International Journal of Environmental, Sustainability, and Social Science 4, no. 4 (2023): 1154–61. http://dx.doi.org/10.38142/ijesss.v4i4.715.

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Along with the development of technology and the internet, mediamorphosis has affected the domain of broadcasting Betawi culture, which was initially limited to traditional media such as radio and television, shifting to new media domains such as the internet and social media. This mediamorphosis significantly impacts the promotion, representation, and understanding of Betawi culture among the public. This study aims to analyze the mediamorphosis from the broadcasting domain of Betawi culture to the domain of new media by paying attention to disruption and changes in the representation and acc

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Okhlopkova, Ulyana V. "YAKUT TELEVISION IN USSR: FACTORS OF FORMATION, INFRASTRUCTURE, INFORMATION POLICY." Sign problematic field in mediaeducation 49, no. 3 (2023): 21–29. http://dx.doi.org/10.47475/2070-0695-2023-49-3-21-29.

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The article considers the process of organization and development of television in the Republic of Sakha (Yakutia) in USSR from the establishment of the fi rst TV studio to the collapse of the USSR (1961-1991). It is the fi rst attempt to describe the factors of the appearance of television, the organization of infrastructure and activities of a television studio in the national republic in the conditions of party-state policy. The purpose of the article is to identify the conditions, stages, features of the organization and development of Yakut television. Also we have a goal to determine the

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Cronin, B. J., and S. R. King. "The Development of the Descriptive Video Servicesm." Journal of Visual Impairment & Blindness 84, no. 10 (1990): 503–6. http://dx.doi.org/10.1177/0145482x9008401003.

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Television is an important means of obtaining information and sharing in the culture of this society. Because it is primarily a visual medium, blind and visually impaired people have not had full access to it. In 1990, after five years of research and development, a national service became available over the Public Broadcasting Service that makes television accessible to blind and visually impaired viewers. Developed by WGBH-TV in Boston, Descriptive Video Servicesm provides narrated descriptions of the key visual elements of television programs without interfering with their audio or dialogue

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Dr.Jamil Ahmed Barvi and Dr.Fehmida Tabbasum. "Tradition Of The Muslim History , The Culture And Historical Urdu Drama." Dareecha-e-Tahqeeq 4, no. 3 (2023): 51–56. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i3.138.

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It's written on the historical topic in all the literatures of the world.The fictitious expression of the history in different genres is very beneficial for the readers to fulfill a great performing duty.Pakistan television has telecasted drama on different angles and historical figures in the recent 50 years.It is the duty of every broadcasting department to reform its nation and country through broadcasting the stories of the brave sons.So by remembering the brilliant past ,people can change future for better and by learning from the past mistakes.They will promise not to repeat the mistakes

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Rincón, Omar. "New Television Narratives: Entertainment, Telling, Citizenship, Experimental." Comunicar 18, no. 36 (2011): 43–50. http://dx.doi.org/10.3916/c36-2011-02-04.

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Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media wit

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Zhang, Guang Ping, and Yu Qi. "The Space Design of Radio and Television Building in the Digital and Network Era." Advanced Materials Research 450-451 (January 2012): 942–46. http://dx.doi.org/10.4028/www.scientific.net/amr.450-451.942.

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Broadcasting buildings as the embodiment of high-tech, cutting-edge culture and building on behalf of the type of process rigorous, complex architectural features, the rapid development of high public concern. Digital network era of such architectural features to the evolving content of the article studies the construction of a new era of Broadcasting the core characteristics of the design space - open space complex import and application of new technologies and other related issues with a view to create a fit time, sustainable development and change radio and television building benefits.

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Nurfitria, Syintia, Muhamad Yusuf, and Ican Mandala. "MIGRASI MEDIA TELEVISI MAINSTREAM KE DIGITAL." KOMUNIKASIA: Journal of Islamic Communication and Broadcasting 2, no. 1 (2022): 37–54. http://dx.doi.org/10.32923/kpi.v2i1.2489.

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Digital era has influenced most local television to retreat in media and also factors such as human resources and production financing are thing that hinder growth of local television in entering digital system. However, since the issuance of Law no. 32 of 2002 about Broadcasting, ownership of local television station in Indonesia is increasing. This law can be a rule as well as a protector for diversity of content and ownership of local television station in maintaining their existence. Local television existences have an important role in changing function of mainstream media, especially in

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Shapaya, Beneah. "A historical perspective on the evolution and presentations of the ideal in children’s television: A study of Kenyan television from 1989 to 2012." Nairobi Journal of Humanities and Social Sciences 1, no. 1 (2017): 147–65. http://dx.doi.org/10.58256/njhs.v1i1.355.

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This paper aims at offering a brief history of children’s television in Kenya since 1989 when Voice of Kenya (VoK) was rebranded Kenya Broadcasting Corporation (KBC). The year 1989 is unique in the sense that broadcasting hours were increased, giving room for more programmes for children. This paper tries to provide a historical progression of Kenyan children’s television programmes, while analysing their portrayal of the world to the child. The paper will also look at notable opinions by Kenyan scholars on what children television ought to be vis-à-vis what it is. This paper concludes that al

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Гольдерова, И. В., and Л. А. Кузьмина. "Biographical portrait essay in screen culture: the case of the Sakha National Broadcasting Company." Vestnik of North-Eastern Federal University. Series "Economics. Sociology. Culturology", no. 4(16) (June 5, 2020): 43–52. http://dx.doi.org/10.25587/svfu.2020.16.4.004.

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Статья посвящена культурологическому анализу развития биографического портретного очерка в региональной телевизионной публицистике. При этом используется авторский опыт создания документального видеоматериала в этом жанре. В ней рассматриваются основные этапы становления жанра портретного очерка на материале Национальной вещательной компании «Саха» (НВК «Саха»). Специфика предмета исследования предопределила биографический метод изучения процессов развития, формирования личности в культурном контексте. В начале ХХI в. на телеэкраны возвращаются портретные очерки, истории про людей. Биографичес

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Ikromzoda, Haiyom I. "Russian-language television broadcasting as a tool for implementing language policy in the Republic of Tajikistan." Media Linguistics 12, no. 1 (2025): 153–69. https://doi.org/10.21638/spbu22.2025.109.

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The article is devoted to the analysis of the development of Russian-language television broadcasting in the Republic of Tajikistan in the context of deepening political, economic and cultural ties with the Russian Federation. The relevance of the study is due to the desire of the state to maintain the status of the Russian language as a means of interethnic communication and management of the language situation in the country. The purpose of the article is to analyze how Russian-language television broadcasting contributes to the implementation of the objectives of the state language policy i

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Sadıç, Faruk. "Azerbaijani TV Viewers' Practices of Watching Turkish Television Programs In The Context of Cultural Studies: Turkish Culture And Tourism." Erciyes İletişim Dergisi 11, no. 2 (2024): 481–95. http://dx.doi.org/10.17680/erciyesiletisim.1444556.

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The aim of present study is to explore the reception processes of Azerbaijani viewers’ of television channels broadcasting from Turkey within the framework of Cultural Studies pertaining to Turkish culture and tourism. Employing the audience-centered reception approach within the tradition of Cultural Studies, this study examines the reception patterns exhibited by participants residing in diverse cities in Azerbaijan who watch Turkish television programs. Four separate focus group interviews involving a total of 36 participants were conducted to investigate the dominant, negotiated, and oppos

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Rogaleva, OLga. "Specialized News Television: Structural, Substantive and Stylistic Features (Based on Cultural News)." Izvestia of Smolensk State University, no. 2 (54) (September 4, 2021): 111–23. http://dx.doi.org/10.35785/2072-9464-2021-54-2-111-123.

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Specialized news broadcasting is of particular interest and it needs to be studied. The subject of the article is the content-thematic and stylistic features of news and information-analytical programs on the Kultura (Сulture) TV channel. The research is based on the method of content analysis, linguistic methods of  analysis. As a result, the content and thematic features of information broadcasting in the field of culture have been revealed. The topics of the TV channel programs are diverse; they include such types of art as theater, music, literature, visual arts, cinema, etc. By topi

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Putsiata, І. "ПРИНЦИПИ ПОРУШЕННЯ ЕСТЕТИКИ ТЕЛЕВІЗІЙНОГО МОВЛЕННЯ НА ПРИКЛАДІ ВЕДУЧИХ «24 КАНАЛУ» – КАТЕРИНИ СОЛЯР ТА АРТЕМА ОВДІЄНКА". State and Regions. Series: Social Communications, № 4(56) (20 січня 2024): 132. http://dx.doi.org/10.32840/cpu2219-8741/2023.4(56).16.

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<p><em>The article defines that <strong>the purpose of the research</strong> is to analyze the principles of violation of the aesthetics of television broadcasting on the example of the presenters of «Channel 24» – Kateryna Solyar and Artem Ovdienko.</em></p><p><strong><em>The methodological basis of the research </em></strong><em>is the systematic, comparative, and induction method. Thus, the systematic method was used in order to reveal the integrity of the scientific views of Ukrainian and foreign researchers regarding

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Utina, M. E. "“Korean Wave” and development trends of the South Korean broadcasting corporation KBS." Neophilology 10, no. 2 (2024): 476–86. http://dx.doi.org/10.20310/2587-6953-2024-10-2-476-486.

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INTRODUCTION. The study examines the history, development, licensing features, and financial problems of the South Korean broadcasting corporation KBS. The relevance of the topic is due to insufficient knowledge of the influence of the Korean wave and South Korean media companies on the global media market. The goal is to show the features of KBS’s development strategy.MATERIALS AND METHODS. Aspects of the Korean wave, the history of the formation of KBS, its development trends in 2023 and 2024, and broadcasting directions in 2024 are studied. The media products of the South Korean internation

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Rutherford, Leonie. "The ABC, the Australian Children's Television Foundation and the Emergence of Digital Children's Television in Australia." Media International Australia 151, no. 1 (2014): 5–15. http://dx.doi.org/10.1177/1329878x1415100103.

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This article analyses the campaign to establish terrestrial digital children's public service broadcasting in Australia. It finds that the development of the Australian Broadcasting Corporation's digital children's channel (ABC3), an initiative initially embraced somewhat opportunistically, enabled an expansion strategy for the public service broadcaster that ultimately helped determine the shape of its current digital channel portfolio. Contrasting the collective and divergent interpretations of future audience behaviours and needs developed by the Australian Children's Television Foundation

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Shagdarova, Bayarma. "Development of Mass Radio Broadcasting in the 1970s (On the Materials of the Republic of Buryatia)." Humanitarian Vector 20, no. 2 (2025): 91–101. https://doi.org/10.21209/1996-7853-2025-20-2-91-101.

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The aim of the study is to summarize the experience of mass radio broadcasting in the Buryat ASSR in 1970– 1973. The analysis of the state of scientific development showed that the specific problem of the history of mass radio broadcasting in Buryatia posed in this work has not become the subject of a comprehensive analysis within the selected chronological period. Consequently, the relevance of the topic of this scientific work is based on the needs of historical science itself, since it has not been sufficiently developed to date. The materials of the study were documents that belong to the

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Simon, Danielle. "From Radio to Radio-visione." Representations 151, no. 1 (2020): 1–25. http://dx.doi.org/10.1525/rep.2020.151.1.1.

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This article investigates a series of experimental television broadcasts undertaken by Italian Fascism’s national broadcasting entity, the Ente Italiano per le Audizioni Radiofoniche, in the years leading up to the Second World War. It explores both the official autarchical policies and the technological limitations that shaped the radio network’s early experiments with television to show that producers’ attitudes regarding medium specificity shaped decisions about programming and musical content. It then suggests that these early sorties into televisual broadcasting left traces that can be se

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Aketema, Joseph, Emmanuel Nana Beyin Kwaku Ofori, and Sylvia Tetteyfio Manu. "An Audiences’ Perception of Ghanaian Television Drama Series on National Values." Journal of Society and Media 8, no. 2 (2024): 588–611. http://dx.doi.org/10.26740/jsm.v8n2.p588-611.

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This paper examines students’ views regarding television series in line with the cultural and ideological broadcasting of Ghana’s regulations. With the main objective of evaluating the effects and influences of Ghana’s television series on audiences lived experiences, both qualitative and quantitative methodological approaches were used to evaluate a purposively sampled University of Ghana’s student body on their perception of Ghana’s television content. Key findings indicates that there is an -increasing enculturation of Ghanaian culture by Euro-American media products. This has proven to hav

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Kinal, Jarosław. "Media Market as an Example of a Deregulated Market: Historical and Social Analysis of the Local Media." European Journal of Sustainable Development 8, no. 5 (2019): 146. http://dx.doi.org/10.14207/ejsd.2019.v8n5p146.

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The media market consists of: media (media, ie television, radio and printed press, as well as new media in the domain), their recipcom and filter, and so-called. regulators, that is organizations and institutions that control media activities (note: Internet content is not a regulation format). The National Council of Radio Broadcasting and Television controls the content of television broadcasting and analyzing programs as well as receiving and receiving concessions. The Office of Electronic Communications assigns and controls the subject of technical possibilities of broadcasting radio and

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Chałubińska-Jętkiewicz, Katarzyna. "Status prawny agencji reklamowej w ustawodawstwie polskim." Themis Polska Nova 7, no. 2 (2014): 44–63. http://dx.doi.org/10.15804/tpn2014.2.04.

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The remit of public service broadcasting includes the obligation of universal programming, which covers all kinds of programmes such as culture, news, entertainment and sport. Several European Union documents stress the special role of Public Service Broadcasting (PSB) in society and acknowledge a far-reaching autonomy of Member States to define and finance their national system of public service broadcasting. All European countries have defined remits for their public service broadcasters. The definition of the mission of PSB in Poland is only related to the activity of the public radio and t

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Chałubińska-Jentkiewicz, Katarzyna. "Programy wyspecjalizowane jako zadanie w realizacji misji publicznej nadawcy publicznego." Themis Polska Nova 6, no. 1 (2014): 124–42. http://dx.doi.org/10.15804/tpn2014.1.08.

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The remit of public service broadcasting includes the obligation of universal programming, which covers all kinds of programmes such as culture, news, entertainment and sport. Several European Union documents stress the special role of Public Service Broadcasting (PSB) in society and acknowledge a far-reaching autonomy of Member States to define and finance their national system of public service broadcasting. All European countries have defined remits for their public service broadcasters. The definition of the mission of PSB in Poland is only related to the activity of the public radio and t

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MARKOV, ALEXANDER V. "TELEVISION IN THE POETRY OF VICTOR KRIVULIN." Art and Science of Television 20, no. 2 (2024): 87–111. http://dx.doi.org/10.30628/1994-9529-2024-20.2-87-11.

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The paper explores the representation of television and the television screen in the later poetry of Viktor Krivulin (1944–2001), a prominent figure in independent Russian literature. The analysis is framed within the concept of the underground culture, which highlights a creative individual’s media engagement, as well as media selection based on credibility, message relevance, and replicability. It is hypothesized that this experience significantly influenced Krivulin’s depiction of television. The study evaluates the utility of Lacan’s methodology, as interpreted in Kittler’s media theory,fo

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Genders, Amy. "BBC arts programming: a service for citizens or a product for consumers?" Media, Culture & Society 42, no. 1 (2019): 58–74. http://dx.doi.org/10.1177/0163443719842079.

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The British Broadcasting Corporation occupies what is often considered to be a unique position within UK culture as both a respected national institution that is a pillar of enlightenment values and, increasingly, an agile, entrepreneurial business that has to deliver ‘value-for-money’. This study will contribute to the existing body of literature examining the impact of a neoliberal marketisation discourse on BBC policy by focusing specifically on the provision of arts programming as a key indicator of how the logic of the marketplace has permeated the BBC’s commissioning culture. In doing so

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