Journal articles: 'Culture Media'

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RAO, V. TIRUPATHI. "Postfeminist Media Culture : Sensible Elements." Global Journal For Research Analysis 3, no. 8 (2012): 1–3. http://dx.doi.org/10.15373/22778160/august2014/204.

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Emihovich, Catherine, and Walter Wager. "Media Culture/School Culture." Education and Urban Society 24, no. 4 (1992): 435–39. http://dx.doi.org/10.1177/0013124592024004001.

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Condayan, Chris. "Culture media." Nature Reviews Microbiology 6, no. 9 (2008): 646. http://dx.doi.org/10.1038/nrmicro1981.

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Malinowska, Anna, and Toby Miller. "Sensitive Media." Open Cultural Studies 1, no. 1 (2017): 660–65. http://dx.doi.org/10.1515/culture-2017-0060.

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Abstract The paper engages with what we refer to as “sensitive media,” a concept associated with developments in the overall media environment, our relationships with media devices, and the quality of the media themselves. Those developments point to the increasing emotionality of the media world and its infrastructures. Mapping the trajectories of technological development and impact that the newer media exert on human condition, our analysis touches upon various forms of emergent affect, emotion, and feeling in order to trace the histories and motivations of the sensitization of “the media things” as well as the redefinition of our affective and emotional experiences through technologies that themselves “feel.”

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Koh, Benson, Nadiah Sulaiman, Mh Busra Fauzi, et al. "A Three-Dimensional Xeno-Free Culture Condition for Wharton’s Jelly-Mesenchymal Stem Cells: The Pros and Cons." International Journal of Molecular Sciences 24, no. 4 (2023): 3745. http://dx.doi.org/10.3390/ijms24043745.

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Xeno-free three-dimensional cultures are gaining attention for mesenchymal stem cell (MSCs) expansion in clinical applications. We investigated the potential of xeno-free serum alternatives, human serum and human platelet lysate, to replace the current conventional use of foetal bovine serum for subsequent MSCs microcarrier cultures. In this study, Wharton’s Jelly MSCs were cultured in nine different media combinations to identify the best xeno-free culture media for MSCs culture. Cell proliferation and viability were identified, and the cultured MSCs were characterised in accordance with the minimal criteria for defining multipotent mesenchymal stromal cells by the International Society for Cellular Therapy (ISCT). The selected culture media was then used in the microcarrier culture of MSCs to determine the potential of a three-dimensional culture system in the expansion of MSCs for future clinical applications, and to identify the immunomodulatory potential of cultured MSCs. Low Glucose DMEM (LG) + Human Platelet (HPL) lysate media appeared to be good candidates for replacing conventional MSCs culture media in our monolayer culture system. MSCs cultured in LG-HPL achieved high cell yield, with characteristics that remained as described by ISCT, although the overall mitochondrial activity of the cells was lower than the control and the subsequent effects remained unknown. MSC microcarrier culture, on the other hand, showed comparable cell characteristics with monolayer culture, yet had stagnated cell proliferation, which is potentially due to the inactivation of FAK. Nonetheless, both the MSCs monolayer culture and the microcarrier culture showed high suppressive activity on TNF-α, and only the MSC microcarrier culture has a better suppression of IL-1 secretion. In conclusion, LG-HPL was identified as a good xeno-free media for WJMSCs culture, and although further mechanistic research is needed, the results show that the xeno-free three-dimensional culture maintained MSC characteristics and improved immunomodulatory activities, suggesting the potential of translating the monolayer culture into this culture system in MSC expansion for future clinical application.

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Sirojiddin, Pardayev. "INFLUENCE OF MASS MEDIA ON CULTURE." Current Research Journal of Philological Sciences 5, no. 1 (2024): 61–65. http://dx.doi.org/10.37547/philological-crjps-05-01-12.

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This article argues that media coverage, news, entertainment, and advertising are preferentially based on classical, gender, racial falsification or distortion of facts and social segmentation. At the same time, it was mentioned that entertainment programs, especially, are heavily watered with cultural falsification and stamps, and their target audience is mainly young people. These media representations influence political views, shape or change cultural patterns, create or offer dates and icons for worship, influence social orders, and influence relationships between social institutions. change is discussed in this article.

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Schmidt, Siegfried J. "Media, culture: Media culture a constructivist offer of conversation." Poetics 21, no. 3 (1992): 191–210. http://dx.doi.org/10.1016/0304-422x(92)90004-m.

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Lizunova, I. V. "Media culture as dialogue of cultures in modern society." Bibliosphere, no. 4 (December 30, 2017): 30–34. http://dx.doi.org/10.20913/1815-3186-2017-4-30-34.

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Media culture as the phenomenon occurred simultaneously with media appearance. However, scientists have started talking about the necessity to study media culture in society and its formation only in the late XX century. Media culture obtains the special priority position under conditions of the information society. It is promoted by the accelerated development of communication and digital technologies, the rapid growth in volume, richness and multiformat media consumption by contemporaries. Changes of the technocratic world should be accompanied with development of new media skills and preferences of the individual and society: understanding media flows, analyzing and evaluating information, engaging in dialogue with the media, do not let them manipulate you. The media culture should be the main factor of individuals’ socialization in the information society. The term «media culture» is based on two fundamental concepts, which are «media» and «culture», with many interpretations each. Therefore, the definition of the term remains ambiguous. Media culture is studied in the framework of technological, personal, creative and informational approaches. The determining factor in understanding media culture, in our opinion, becomes an interactive approach that makes possible and effective intercultural dialogue through a global network of communications. The opportunity and focus for dialogue is becoming a key characteristic of media culture. The interaction, mutual relation and correlation of media and book cultures should be considered in the framework of the dialogue approach. The interactive nature of the media culture allows us to hope for preserving and reproducing bookishness in the conditions of the digital media revolution, for its further integration into the new communication environment.

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Lugmayr, Artur. "Ambient Media Culture." International Journal of Ambient Computing and Intelligence 4, no. 4 (2012): 58–64. http://dx.doi.org/10.4018/jaci.2012100104.

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Ambient media is a new form of media, which deals with media objects that mediate information throughout the natural environment of people. In ambient media environments, the media becomes part of daily life activities and environments – similar to location based services, where the physical world has a virtual digital overlay providing digital services for the consumer on a specific location. As any new media environment, also ambient media environments enable a new form and way of communication and impact on human culture. This article should provide a first starting point for discussing the wide topic of ambient media, and introduce aspects that relate to the development of an ambient media culture. The article shows different notions and discussions from a media cultural perspective, that impacts on ambient media environments. It compiles the results of the discussions that took place during the 2nd meeting of the Nordic network “The Culture of Ubiquitous Information” in Helsinki on the 19th January 2011. It shall lead to an initial discussion of this aspect and provide new ways of thinking how ubiquitous computation will impact human culture and which impact theories of Martin Heidegger or Katherine Hayles have in this context.

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Goggin, Gerard. "ASSEMBLING MEDIA CULTURE." Journal of Cultural Economy 2, no. 1-2 (2009): 151–67. http://dx.doi.org/10.1080/17530350903064162.

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Gill, Rosalind. "Postfeminist media culture." European Journal of Cultural Studies 10, no. 2 (2007): 147–66. http://dx.doi.org/10.1177/1367549407075898.

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Traynor, Peter. "Culture Media SIG." Microbiology Australia 33, no. 4 (2012): 000. http://dx.doi.org/10.1071/ma12903.

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The Culture Media Special Interest Group of the Australian Society for Microbiology was formed in 1991 by a group of interested individuals after an upsurge in interest in the issue of media quality and the appearance that no common standards or consensus existed in this area in Australia. Increased interest, especially amongst medical microbiologists, in what was being done, or should be done, by way of assuring the quality of microbiological media made the issue contentious.

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Gassl, Vincent, Merel R. Aberle, Bas Boonen, Rianne D. W. Vaes, Steven W. M. Olde Damink, and Sander S. Rensen. "Chemosensitivity of 3D Pancreatic Cancer Organoids Is Not Affected by Transformation to 2D Culture or Switch to Physiological Culture Medium." Cancers 14, no. 22 (2022): 5617. http://dx.doi.org/10.3390/cancers14225617.

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Organoids are increasingly used to investigate patient-specific drug responsiveness, but organoid culture is complex and expensive, and carried out in rich, non-physiological media. We investigated reproducibility of drug-responsiveness of primary cell cultures in 2D versus 3D and in conventional versus physiological cell culture medium. 3D pancreatic ductal adenocarcinoma organoid cultures PANCO09b and PANCO11b were converted to primary cell cultures growing in 2D. Transformed 2D cultures were grown in physiological Plasmax medium or Advanced-DMEM/F12. Sensitivity towards gemcitabine, paclitaxel, SN-38, 5-fluorouacil, and oxaliplatin was investigated by cell viability assays. Growth rates of corresponding 2D and 3D cultures were comparable. PANCO09b had a shorter doubling time in physiological media. Chemosensitivity of PANCO09b and PANCO11b grown in 2D or 3D was similar, except for SN-38, to which PANCO11b cultured in 3D was more sensitive (2D: 8.2 ×10−3 ± 2.3 ×10−3 vs. 3D: 1.1 ×10−3 ± 0.6 ×10−3, p = 0.027). PANCO09b and PANCO11b showed no major differences in chemosensitivity when cultured in physiological compared to conventional media, although PANCO11b was more sensitive to SN-38 in physiological media (9.8 × 10−3 ± 0.7 × 10−3 vs. 5.2 × 10−3 ± 1.8 × 10−3, p = 0.015). Collectively, these data indicate that the chemosensitivity of organoids is not affected by culture medium composition or culture dimensions. This implies that organoid-based drug screens can be simplified to become more cost-effective.

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Mansell, Robin. "Power, Media Culture and New Media." Matrizes 3, no. 1 (2011): 99. http://dx.doi.org/10.11606/issn.1982-8160.v3i1p99-117.

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Mansell, Robin. "Power, Media Culture and New Media." Media Asia 36, no. 3 (2009): 132–39. http://dx.doi.org/10.1080/23776277.2009.12224387.

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Broeckmann, Andreas. "Towards a European Media Culture - which Culture, which Media, which Europe?" Convergence: The International Journal of Research into New Media Technologies 4, no. 2 (1998): 94–101. http://dx.doi.org/10.1177/135485659800400210.

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Rosaliza, Mita, Risdayati Risdayati, and Raja Syamsidar. "MEDIA SOSIAL: PLATFORMISASI DAN BUDAYA KONVERGENSI." Jurnal Ilmu Budaya 18, no. 1 (2021): 66–86. http://dx.doi.org/10.31849/jib.v18i1.7850.

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When new technology is available on various platforms, there are many transfers of knowledge content or even the platform itself as a medium that produces culture, the result can be convergence, culture becomes more similar, more similar and uniform as a result, or divergence when culture adopts technology. in a different way that maintains or even accentuates the difference. Johnston and Johal (1999) stated that the internet is a virtual culture by using the dimensions of Hofstede (1980) it can be concluded that internet culture develops and is unified and uniformized. In this case, the algorithm plays a role in regulating the flow of culture that will be transferred to users so that it becomes uniform. Marcus and Gould (2000) review selected platforms for transferring convergent cultures, based on an analysis of the recent work by Hofstede (1991). it can be concluded that culture, as revealed by Hofstede's dimension, does indeed affect multiple platforms and has the potential to be the same or monoculture. With discourse analysis supported by digital data from the Tik Tok platform, this article is expected to contribute to the idea that many platforms are used in social media, which can produce new cultures or even reproduce cultures that are uniform and certain.

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Jumabekovna, Usmonova Shoira, and Xaydarova Xilola Rahimberdievna. "THE ROLE OF MEDIA COMPETENCE IN DEVELOPING MEDIA LITERACY OF PARENTS." International Journal of Pedagogics 4, no. 4 (2024): 63–68. http://dx.doi.org/10.37547/ijp/volume04issue04-11.

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The article is devoted to the role and place of media competence in the development of virtual pedagogical culture of parents in an informed society and is analyzed as one of the current issues of today. It also highlights the extent to which parents' use of the media, in relation to them, corresponds to concepts such as religious values, ethnic culture, ethical norms, virtual culture, virtual literacy, and so on. The specific positive aspects of media competence in the acquisition of a virtual pedagogical culture by parents are highlighted.

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Borzenok, S. A., B. E. Malyugin, D. S. Ostrovskiy, et al. "Survival of the posterior lamellar cornea graft keratocytes and endothelial cells cultivated in the modified corneal preservation media." Fyodorov journal of ophthalmic surgery, no. 2 (July 15, 2021): 32–39. http://dx.doi.org/10.25276/0235-4160-2021-2-32-39.

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Purpose. To study the survival of keratocytes and endothelial cells of a human donor cornea storage in the standard and the new media which was specifically designed for optimized cornea hydration. Material and methods. 2D cell cultures of keratocytes and endothelial cells obtained from the Eye tissue bank were used for culture in improved storage media over a period of 14 and 7 days subsequently. To confirm phenotype characteristics, the cells were stained by the following markers: for keratocytes – Lumikan, Keratocan, and α-smooth muscle actin; for endothelial cells – ZO-1 and Na/K-ATPase. The onset of apoptosis in cell culture of keratocytes were detected with Cytochrome C, BAX, and Caspase 3 and 8. Viability of cell cultures after the cultivation was carried out using a commercial set of "Live and Dead". Morphology of the endothelial cells was assessed using an electron scanning microscope. Results. It was shown that the 2D keratocyte culture cultured in the improved storage media expressed specific markers: Lumican, Keratocan, and did not express α-smooth muscle actin. There were no markers of apoptosis in the cell culture of keratocytes after 14 days of cultivation. Corneal endothelium cultured in the improved storage media expresses ZO-1, Na/K-ATPase and presented hexagonal cell shape morphology according to electron microscopy. Conclusion. The improved storage media allow to preserve the unique phenotype of keratocytes, with a slight decrease in proliferative cells activity during 14 days. The media maintain a viable and functional corneal endothelium for at least seven days of cultivation. Key words: cell culture; corneal endothelium; keratocyte; posterior lamellar graft, corneal storage media.

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Ljajić, Samir. "Media culture in modern society." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 19 (2020): 61–67. http://dx.doi.org/10.5937/univmis2019061l.

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The importance of media culture in contemporary society is extremely large because it shapes a modern man life, the creation of political attitudes and social behavior of individuals. The products of media culture, paintings, sounds and performances are increasingly organizing free time of a contemporary man, shaping his thinking and identity. Based on the content of radio, television, film, and new media technologies, a person creates an image of himself, his own potentials, values, success, as well as his own affiliation, a certain class, race, nationality, and thus media culture has a remarkable social significance. A number of relevant authors state that media culture shapes people's perceptions of the world, the value system, morality, good and evil. Worldwide, the contents of the media culture today constitute a general culture and are seen as the basis for new forms of global culture. A complex spectrum of actions that make media, primarily radio television, film, and media of modern technologies, creates the need for a more precise definition of the term media culture, bearing in mind its breadth and complexity. In this context, the main goal of this paper is to define the concept of media culture, in order to better understand all aspects, as well as the complexity of the whole that this term implies. Media culture is determined by the terms which provide an insight into a better understanding of this term, and in this paper they are given considerable attention. D. Kelner in the Media Culture section points to the following important determinants: a wide range of media resources that form an integral part of the media culture; performances created by the combination of picture and sound; creation of features and symbols of contemporary social life; media culture as a high technology culture (techno-culture); the relation between media culture and society; theory of media and cultures.

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Meilani, Meilani. "Berbudaya Melalui Media Digital." Humaniora 5, no. 2 (2014): 1009. http://dx.doi.org/10.21512/humaniora.v5i2.3210.

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Understanding and knowing the meaning of culture that shape the culture of a nation is the first step. Indonesia as a country that has various shades of different cultures from Sabang to Merauke, the diversity of cultural patterns is a matter of pride that should be preserved and passed on to generations of recipients so that its presence can be maintained. Do not let the culture of Indonesia is claimed by other countries simply because of ignorance and indifference to the Indonesian cultural heritage. Various means have been taken to promote the culture of the archipelago in conventional media such as magazines, books and even articles. Generations who have lived in abundance world of digital media technology is the next target of inheritance. So it would be nice if steps are taken to a great start to focus more on the spread of culture and passed it along the changing times and of course without losing the identity of the nation.

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Patel, Vanisha, Jose Amadeo A. Ferrolino, Randall Hayden, Randall Hayden, and Aditya H. Gaur. "2178. Sensitivity of Blood Cultures in Detection of Bacteremia in Febrile Neutropenia." Open Forum Infectious Diseases 6, Supplement_2 (2019): S739. http://dx.doi.org/10.1093/ofid/ofz360.1858.

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Abstract Background Febrile neutropenia (FN) secondary to bacteremia is a treatable complication of chemotherapy that increases mortality if not promptly recognized and managed. Methods The sensitivity of blood cultures collected in pediatric oncology patients with FN was assessed and stratified based on the day of FN episode, culture media type, and the source of blood culture draw at a single US center between 2013 and 2018. Paired aerobic and lytic media bottles were inoculated with each culture draw using a weight-based volume of blood; anaerobic cultures were included with initial cultures starting in September of 2015. Results In a retrospective analysis of 10,596 patients, a total of 3,039 episodes of FN were identified. Of the FN episodes, 17.7% had at least one positive blood culture; 84.5%, 1.3%, 0.9% and 13.3% of positive cultures were collected on day 0, day 1, day 2 and ≥ day 3 of a febrile episode. Among the positive day 0 cultures, the median time to detection of an organism was 14.1 hours. Host characteristics of blood culture-positive FN episodes are summarized in Table 1. Bacteremia was identified in 537 FN cases; 18.1%, 11.9% and 2.6% of cultures were positive in only aerobic, lytic or anaerobic media cultures, respectively. The most commonly isolated organisms were Escherichia coli, coagulase-negative Staphylococcus, viridans group streptococcus, Klebsiella pneumoniae and Pseudomonas aeruginosa. Fifteen percent of infectious episodes with a positive blood culture were polymicrobial. Conclusion In summary, the study findings have important clinical implications such as emphasizing the value of day 0 cultures and highlighting the importance of routinely collecting blood cultures in more than one media type. Despite an optimized blood culture approach, less than a fifth of FN episodes had a blood culture-based diagnosis. Disclosures Randall Hayden, MD, Abbott Molecular: Advisory Board; Quidel: Advisory Board; Roche Diagnostics: Advisory Board.

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Vuksanović, Divna. "Aesthetics, Media, Games." Diogenes 30, no. 2 (2022): 142–57. http://dx.doi.org/10.54664/rdrd7616.

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This paper reflects the relationship between contemporary media and games in the context of aesthetic research and the existing practice of digitalization of culture. The essay aims to explore and re-examine how the traditionally conceived notion of game can be considered and applied in theoretical terms in our time, taking into account the prevailing digital media culture and the presence of artificial intelligence in it. Furthermore, the essay deliberately addresses a possible critique of digital culture from the perspective of freedom and the general humanistic worldview.

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Berg, Lisa C., and Henry R. Owen. "A Comparison between Synthetic and Organic Iron Chelators on in Vitro Growth of Nicotiana tabacum Callus Cultures." HortScience 31, no. 4 (1996): 630g—631. http://dx.doi.org/10.21273/hortsci.31.4.630g.

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Nicotiana tabacum callus growth (fresh weight) was measured after culture in the light (16-hour photoperiod) or in darkness for four different culture media, differing in iron chelate type or concentration. All media contained MS basal medium supplemented with 30 g·L–1 sucrose, 2 mg·L–1 IAA, 0.2 mg·L–1 KIN, and 7 g·L–1 agar, pH 5.8. Three of the media contained iron-metalosate (Albion Laboratories), an organic iron chelate, at 100, 200, and 400 micromolar concentrations, and the fourth medium contained 100 μm Fe-EDTA. Twenty-five culture tubes were prepared for each of the 4 different media concentrations and 2 light treatments (8 treatments total). A 1-cm3 callus explant was used for each treatment and cultured for 56 days at 20°C. About 20-fold increases in callus fresh weight were observed for cultures incubated in light or in darkness. In addition, callus growth was not significantly affected by iron chelate type, suggesting the potential utility of this organic chelator in tissue culture media to alleviate potential problems of light-induced EDTA instability and subsequent IAA inactivation. These cultures are being maintained to examine the influence of iron chelate type on organogenesis.

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Kane, Michael T. "Culture media and culture of early embryos." Theriogenology 27, no. 1 (1987): 49–57. http://dx.doi.org/10.1016/0093-691x(87)90069-0.

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Blackmore, Tim. "Media Making: Mass Media In Popular Culture." American Journalism 17, no. 1 (2000): 110–12. http://dx.doi.org/10.1080/08821127.2000.10739231.

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Deuze, Mark. "Ethnic media, community media and participatory culture." Journalism: Theory, Practice & Criticism 7, no. 3 (2006): 262–80. http://dx.doi.org/10.1177/1464884906065512.

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Vassilev, Simeon. "Media, Media Culture, Communications: Processes and Transformations." Rhetoric and Communications, no. 59 (April 30, 2024): 7–27. http://dx.doi.org/10.55206/qveu7164.

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Abstract: This study aims to explore various scholarly perspectives on defining the concept of media culture and its significance for media, social, and cultural development. The theoretical review presents relevant theories, concepts, ap¬proaches, and important themes in the field of media culture. It argues for the necessity of a coherent theory of media transformation and media culture. The hypothesis posits that modern technologies utilizing artificial intelligence are not equivalent to human capabilities but are increasingly encroaching upon tradi¬tio¬n¬ally human domains such as language, religion, art, and politics. The conclusions drawn from the theoretical review and critical reading are applicable to several scientific fields. Media transformation often involves conflicts and is accom¬panied by crises. Therefore, media transformation can be seen as a process of transitioning from the old to the new. It expresses a new experience over time, accompanied by crises that arise from changes in technical, social, and political structures. These crises lead to a profound transformation in the media system and represent a turning point for the phenomenon of media culture as a social practice constructed by the media, through which meaning is created via different forms of communication. Keywords: transformation, media, media culture, media competence, culture, technology

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Mollah, MFA, K. Mosharaf, and Dr Mariom. "Selection of suitable media and intervals of media inoculation for culturing Tubificid worms." Journal of the Bangladesh Agricultural University 10, no. 2 (2013): 325–30. http://dx.doi.org/10.3329/jbau.v10i2.14925.

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Tubificid worms are aquatic invertebrates, belonging to the class Oligochaeta and family Tubificidae, used as an important live food for fishes. The study was conducted to culture Tubificid worms under running water in order to develop a suitable culture media and an optimum duration of media inoculation for culturing Tubificid worms. The worms were cultured under two experiments in cemented culvert system (160×25×10 cm3) for 90 days. In the first experiment the worms were cultured in three different media designated as treatment-I, treatment-II and treatment-III. The highest yield (503.39±22.98 mg cm-2) was found at 70th day of culture duration in the culture media containing a mixture of 35% mustard oil cake, 20% wheat bran, 25% cow-dung and 20% fine sand (treatment-III). Only 1.99 kg media ingredients valued BDT 29.85 were needed to yield 1 kg worms. In the second experiment, the worms were cultured at three different intervals of media inoculation i.e., 6, 10 and 15 days interval designated as treatment-I, treatment-II and treatment-III respectively using the media found best in the first experiment. Inoculation of media at 10 days interval showed significantly (P<0.01) higher production (488.94±5.60 mg cm-2).DOI: http://dx.doi.org/10.3329/jbau.v10i2.14925 J. Bangladesh Agril. Univ. 10(2): 325-330, 2012

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Özgenç, İdil, and Sema Birler. "The effects of culture media and media components on the development of rat embryos." Journal of Istanbul Veterinary Sciences 8, no. 1 (2024): 75–81. http://dx.doi.org/10.30704/http-www-jivs-net.1452639.

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After in vitro culture of rat embryos, blastocyst rates are lower than the other species because of the embryonic block observed in the 2- or 4-cell stages in vitro. Optimal culture media and systems that provide variable physiologic needs in the different stages of rat embryos. The modifications of rat embryo culture media could have a positive effect on increasing the blastocyst rates. However, since the results of rat embryo studies are changed depending on factors like strains preferred, maintenance conditions and different commercial products added to the culture media, the success rate of producing healthy newborns for reproductive biotechnological studies has not yet reached the desired level by using current embryo culture media. Understanding the needs of rat embryos cultured from zygote to blastocyst stage in vitro is important for successful advanced studies such as cloning and transgenesis. The purpose of this review is the effects of different culture media and media components on the preimplantation stages of rat embryos and get a perspective for developing the culture media

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Anderson, Ben. "Media Promises." Media Theory 7, no. 2 (2023): 209–24. http://dx.doi.org/10.70064/mt.v7i2.580.

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In this essay, I argue that Lauren Berlant’s work poses the question of how and to what we are attached by and through our media and popular culture. Beginning from a scene of listening, and juxtaposing it throughout the piece with the popular culture of romantic love, the piece encounters Berlant as a thinker of the movement of attaching-detaching. Attachment is a special type of relation, through which an ‘object’ becomes promissory. The first part of the essay summarises Berlant’s theorising of ‘attachment’ and argues that media and popular cultures circulate and distribute ‘promises’ that serve as resources to organise and intensify attachments. It then shifts to the importance of detaching and detachment in Berlant’s writings, arguing that detachment is the ever-present condition and accompaniment for attachment. As media circulate and distribute promises that are enacted through popular cultures, they simultaneously detach and (re)produce detachments. In conclusion, I advocate for a media theory that centres the dynamics of attaching-detaching and performs Berlant’s ethical-political imperative and methodological call to not shame people’s attachments.

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McGovern, Charles F., Susan J. Douglas, and James L. Baughman. "Media, Culture, and History." Reviews in American History 16, no. 4 (1988): 617. http://dx.doi.org/10.2307/2702363.

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Knight, Graham, and Keith Tester. "Media, Culture and Morality." Canadian Journal of Sociology / Cahiers canadiens de sociologie 22, no. 2 (1997): 286. http://dx.doi.org/10.2307/3341763.

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Shevchenko, L. "SOCIETY,CULTURE,MEDIA INTERTEXT:CORRELATIONS." Actual issues of Ukrainian linguistics: theory and practice, no. 32 (2016): 7–17. http://dx.doi.org/10.17721/apultp.2016.32.7-17.

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Alekseeva, Tamara Valentinovna, and Petr Petrovich Ivantsov. "On improving media culture." Interactive science, no. 2 (67) (February 28, 2022): 39–41. http://dx.doi.org/10.21661/r-556054.

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Tin, SimSai, and Viroj Wiwanitkit. "Antibiotics supplemented culture media." Journal of Human Reproductive Sciences 7, no. 3 (2014): 227. http://dx.doi.org/10.4103/0974-1208.142508.

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Hutnyk, John. "Media, Research, Politics, Culture." Critique of Anthropology 16, no. 4 (1996): 417–28. http://dx.doi.org/10.1177/0308275x9601600406.

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Gross, Larry, and Keith Tester. "Media, Culture and Morality." Contemporary Sociology 24, no. 6 (1995): 818. http://dx.doi.org/10.2307/2076719.

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IvanČiĆ, Viktor. "Media, Culture and Propaganda1." Helsinki Monitor 5, no. 3 (1994): 99–101. http://dx.doi.org/10.1163/157181494x00587.

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ROE, ROBERT C. "Traditional Media and Culture." Knowledge 10, no. 1 (1988): 49–66. http://dx.doi.org/10.1177/0164025988010001003.

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Mark Poster. "Global Media and Culture." New Literary History 39, no. 3-4 (2009): 685–703. http://dx.doi.org/10.1353/nlh.0.0039.

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Girard, Frederic. "Cell Culture Media Optimization." Genetic Engineering & Biotechnology News 31, no. 21 (2011): 46–47. http://dx.doi.org/10.1089/gen.31.21.22.

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Stankiewicz, Nikolai. "Compacted Cell-Culture Media." Genetic Engineering & Biotechnology News 36, no. 1 (2016): 23–24. http://dx.doi.org/10.1089/gen.36.01.14.

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Calovic, Dragan. "Culture of media ocularcentrism." Kultura, no. 137 (2012): 49–61. http://dx.doi.org/10.5937/kultura1237049c.

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Williams, Jane. "Notes on Culture Media." Nature Biotechnology 6, no. 5 (1988): 575–81. http://dx.doi.org/10.1038/nbt0588-575.

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Ginsburg, Faye, and Toby Miller. "Certifying Culture and Media." Media International Australia 82, no. 1 (1996): 66–72. http://dx.doi.org/10.1177/1329878x9608200110.

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Wen-Yan Xu, Wayne, Jun Yuan, Weilun Gong, et al. "Cell Culture Media Chronicle." Biomedical and Pharmacology Journal 13, no. 02 (2020): 551–54. http://dx.doi.org/10.13005/bpj/1917.

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Castelli, Germano, Antonella Galante, Vincenza Lo Verde, et al. "Evaluation of Two Modified Culture Media forLeishmania infantumCultivation Versus Different Culture Media." Journal of Parasitology 100, no. 2 (2014): 228–30. http://dx.doi.org/10.1645/13-253.1.

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Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure." Open Cultural Studies 2, no. 1 (2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract:

Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of bodies, objects, and spaces in particular scenes of lossy encounter generates unplanned affective intensities which may disorient and undo the consuming subject. Borrowing the concept of lossy file compression and adapting it for this purpose, the article’s broad aim is to offer a queer critical framework for inhabiting the contingent, emergent, and dissipating energies of media encounters beyond the capital-driven instrumentalisation of agency and the neoliberal imperatives of update culture.

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Rocha Bispo, Aline Simões da, Jéssica Ferreira Mafra, Paulo Sérgio Pedroso Costa Júnior, Thiago Alves Santos de Oliveira, Elizabeth Amélia Alves Duarte, and Norma Suely Evangelista Barreto. "Formulation of culture media using fish scale bioconversion." SDRP Journal of Earth Sciences & Environmental Studies 4, no. 1 (2018): 534–40. http://dx.doi.org/10.25177/jeses.4.1.ra.433.

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Journal articles on the topic 'Culture Media'

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