Relevant bibliographies by topics / Culture of clothing

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Culture of clothing'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Culture of clothing"

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ÖZKAN KUŞ, Nurhan. "SHALWAR IN TURKISH CLOTHING CULTURE: SHALWAR EXAMPLES FROM KIRŞEHİR." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (April 15, 2021): 357–74. http://dx.doi.org/10.46291/zfwt/130118.

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Culture is all of the unique, material and spiritual values that distinguish societies formed as a result of historical accumulation. Values such as customs and traditions nurtured by cultures have shaped the dress codes of societies. Turks, who have a rich culture, have their own traditional clothes. The aim of this study is to deal with the historical dimension of the shalwar which has always played an important role in the life of the Turkish nation with a long history, and which has a place among the traditional clothes. Shalwars contain the cultural and spiritual values of the society. Since this cultural heritage is in danger of extinction in the future, it is important to research, document, preserve and keep alive the material cultural assets without losing these values completely. In the study, a literature review was made on the definition, history, and current status of shalwar. Among the examples of shalwars which have survived to the present day and are few in boxes and museums, two shalwar samples in Kırşehir Province Museum were included in the study. The shalwars were examined through observation slips prepared according to their characteristics. Combining the information obtained with today's trends, one shalwar was sewn. It is thought that this study will contribute to the survival of the shalwar, which is an important part of the Turkish clothing culture. Key words: Turkish culture, Shalwar, Traditional clothing, Kırşehir Region Shalwars
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Arifin, Ardian, Ferry Marlianto, and Aris Budiman. "PENGEMBANGAN GAME EDUKASI PAKAIAN TRADISIONAL INDONESIA BERBASIS ANDROID." Journal Of Computer Networks, Architecture and High Performance Computing 1, no. 2 (May 23, 2019): 10–15. http://dx.doi.org/10.47709/cnapc.v1i2.99.

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Culture in Indonesia has a lot of diversity. Indonesia which has many provinces also has many cultures. One of the cultures that exist in Indonesia is raditional clothing. Traditional clothing, a characteristic of adat and culture in each region and also used in each traditional ceremony. Along with the development of the times, the concern for the preservation of national culture, especially traditional clothing, was very minimal. For example, the lack of recognition and socialization of Indonesian culture in the community is one of the important factors why people's interest is lacking in traditonal clothing. This study aims to develop the development of an Android-based educational game on traditional Indonesian clothing. The method used in this study uses Research and Development methods. The results of this study were developed an educational game "Introduction to Traditional Clothing in Indonesia" on the Android platform that provides information to users about any traditional musical instruments in Indonesia. Educational games are expected to help in the introduction of existing cultures and can be used as a way to provide insight to children. From the results of testing carried out with the black box method, it can be concluded that this application can function well. And can provide users of Android smartphone games that are educational.Keywords: Educational Games, Traditional Clothing, Android Smartphones
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Akou, Heather Marie. "Clothing as Material Culture (review)." Technology and Culture 47, no. 4 (2006): 824–26. http://dx.doi.org/10.1353/tech.2006.0213.

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Setiawan, Deni, Timbul Haryono, and M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand." Humaniora 6, no. 3 (July 30, 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

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Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.
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Totu, Andreas. "Kadazan-Dusun Youth Consumerist Culture: Social Media, Clothing and Fashion." Journal of Advanced Research in Dynamical and Control Systems 12, SP7 (July 25, 2020): 671–80. http://dx.doi.org/10.5373/jardcs/v12sp7/20202157.

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Ma, Li. "Study on the Architecture Materials Design of Art and Clothing Materials Design." Advanced Materials Research 743 (August 2013): 82–85. http://dx.doi.org/10.4028/www.scientific.net/amr.743.82.

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The building is enclosed the spatial structure of the human lifestyle, and clothing is the "packaging" of the people, with modesty naked. The building on the space recorded the development and progress of human society, and the clothing reflects the development of human civilization. In this paper, the use of color, body composition and materials of the three aspects of clothing and architecture are discussed similarities and similarities in terms of design, In addition, from the official architectural culture and clothing culture, literati building materials culture and clothing culture and folk building materials culture and clothing materials culture demonstrates the culture intrinsic link between architectural culture clothing culture of mutual learning and mutual influence. To further illustrate the architecture and clothing appears to be two different professional, but in terms of design and culture, between each other is a profound inner link, Both organically combined, will be able to better develop the architectural design and fashion design.
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Sarkhan Abdulova, Gulzade. "THE ROLE OF FELT IN APPAREL CULTURE OF TURKIC PEOPLE." SCIENTIFIC WORK 67, no. 06 (June 21, 2021): 17–25. http://dx.doi.org/10.36719/2663-4619/67/17-25.

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The article discusses men's apparel-felt, which plays an important role in the clothing culture of the Caucasian peoples. Information about the history of this type of clothing, its distribution area, production method, types and their forms are provided. The article also researched the pronunciation of clothing in different languages, and using dictionaries compiled by well-known researchers, these expressions were brought into scientific circulation. Our research analyzed the expressions related to yapinji recorded in Mahmud Kashgari's famous work "Divani-lüğet-it türk" and those expressions helped us to think about the etymology of the yapinji. This study provides detailed information on the forms and etymology of yapinji in Azerbaijan, and notes the toponyms associated with 'kapanak'. Special attention is paid to the etymology of the kapanak, and it is concluded that the kapanak is not an insect, as noted in the scientific literature, and is associated with the Kapan branch of the pecheneg tribe. The article puts forward new scientific views on the widespread "khillig" among Azerbaijanis living in the Agbaba region. Conceptual, historical and review methods were used in the research. The article will be as a useful resource for students, researchers, scientists and experts whose research is mostly related to this field. Key words: Clothing culture, felt cloak, clothing history, turkic people, kepenek
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Ayhan, Fatma. "SHALWAR IN TURKISH TRADITIONAL CLOTHING CULTURE." e-Journal of New World Sciences Academy 16, no. 1 (January 30, 2021): 59–70. http://dx.doi.org/10.12739/nwsa.2021.16.1.4c0243.

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Aung, May, and Ou Sha. "Clothing consumption culture of a neo-tribe." Journal of Fashion Marketing and Management 20, no. 1 (March 14, 2016): 34–53. http://dx.doi.org/10.1108/jfmm-07-2014-0053.

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Purpose – A number of postmodern consumer scholars have their attention on the consumption behaviour of neo-tribes. Changing gender roles and households’ consumption practices have also shaped new sets of cultural manifestations for the clothing consumption milieu. The purpose of this paper is to explore the clothing consumption culture of a neo-tribe, gay professionals within the subculture of gay consumers. Design/methodology/approach – An extended conceptual framework built upon Ajzen and Fishbein’s (1980) theory of “reasoned action” served as the conceptual guideline for this study. Specifically, the attitude-behaviour framework is proposed and employed to better understand the clothing consumption behaviour of a neo-tribe consisting of gay professionals. Personal in-depth interviews were conducted in a metropolitan city as well as two small towns in Canada. Findings – Stereotypical as well as non-stereotypical understandings are offered. The findings from this study portrayed the gay professions of this neo-tribe as rational and practical. Personal psychological factors, social factors and marketplace factors relevant to a neo-tribe of gay professionals are documented and deeper insights are presented. Research limitations/implications – Findings challenge the existing understanding of fashion manifestation for this consumers group. However, this study may be of limited scope. Future studies should further examine the clothing consumption cultural manifestations of other neo-tribes within the gay community. Practical implications – The interviewees consistently demonstrated their positive attitudes towards quality, stylish and conservative clothing. For marketers it is crucial to perceive the gay community as a non-homogeneous market segment. There is a need to understand different consumption practices within this community and to tailor marketing mix elements accordingly. Originality/value – This study has extended the understanding of the neo-tribes of gay consumers. In addition, this study offers the clothing consumption reality of a neo-tribe encompassing gay professionals. This study illuminates their rational and practical clothing consumption cultural manifestations and clothing consumption behaviour. These insights further enrich the general understandings that exist in the area of consumer research.
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Hsu, Hsiu-Ju, and Leslie Davis Burns. "The Effects of Culture, Long-Term Orientation, and Gender on Consumers' Perceptions of Clothing Values." Social Behavior and Personality: an international journal 40, no. 10 (November 1, 2012): 1585–95. http://dx.doi.org/10.2224/sbp.2012.40.10.1585.

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We examined the effects of culture, high and low long-term orientation, and gender on consumers' perceptions of clothing values when making clothing purchase decisions. Participants were 487 university students from USA and 903 from Taiwan who completed a self-administered questionnaire. It was found that consumers from the culture with high long-term orientation (Taiwan) scored significantly higher on economic and religious clothing values than did consumers from the culture with low long-term orientation (USA). Moreover, consumers' clothing values varied according to the type of clothing, and female participants scored significantly higher on aesthetic and social clothing values when compared to male participants.
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Dissertations / Theses on the topic "Culture of clothing"

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Zou, Xuemei, and 邹雪梅. "Landscape renovation: for Dahongmen clothing culture industry district." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B47152965.

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Romagnoli, Simone <1974&gt. "Competence: intelligence in sheep's clothing? Culture, representations, and cognitive performance." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2013. http://amsdottorato.unibo.it/5817/.

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The first aim of this thesis was to contribute to the understanding of how cultural capital (Bourdieu, 1983/1986) affects students achievements and performances. We specifically claimed that the effect of cultural capital is at least partly explained by the positioning students take towards the principles they use to attribute competence and intelligence. The testing of these hypothesis have been framed within the social representations theory, specifically in the formulation of the Lemanic school approach (Doise, 1986).
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Ripley, Julie. "Surf's Us : constructing surfing identities through clothing culture in Cornwall." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13447/.

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Critical literature on surfing is concerned primarily with its development as a competitive sport, focusing on ‘stand-up’ surfing in the USA and to some extent in Australia, resulting in a body of work populated almost exclusively by young white males. However, in Cornwall, forms of surfing including belly and body boarding have been enjoyed for almost a century by all ages and ethnicities, both sexes, at every level from international competition to non-competitive leisure, from daily practice to holiday novelty. The area has developed a distinctive clothing culture stemming from this plethora of surfing activities. This study asks, how has the material culture of bellyboarding and surfing in Cornwall developed historically, and how does the clothing culture in the area relate to the global phenomenon of surf style? The contemporary scene is evaluated by means of a visual ethnography of a Cornish seaside village where surfing is the focus of social events and commercial endeavours. Through an examination of the clothing culture in the area, it explores how gender and sexuality, class and consumption, community and belonging are negotiated and articulated. The historical and cultural contexts in which this complex relationship developed are discussed with reference to archival material from regional museums, personal collections and interviews with amateur and professional surf historians. Oral histories of surfing, bellyboarding, bodyboarding and beach life compiled for the study and from existing collections are additionally used to interrogate existing narratives of surfing history. Drawing on and extending theoretical perspectives on subculture, taste, consumption, space and place, this will be the first study that investigates how the clothing culture of surfing explores and constitutes, constructs and reconstructs gender, class and regional identity, and how it defines and redefines the region’s surfing locales by its visible presence.
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Martach, Swantje. "Towards a New Materialist Ontology of Clothing." Doctoral thesis, Universitat Autònoma de Barcelona, 2020. http://hdl.handle.net/10803/670649.

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De fet, estem envoltats de molta més roba que persones. I de les persones que ens envolten, veiem més roba que pell. Per què estem tan convençuts que el que veiem són persones? Per tal de re-equilibrar les concepcions de sentit comú de el vestir ("clothing", definit aquí no com ho manifest, sinó com a relació humà/vestimenta), la tesi "Cap a una ontologia nova materialista del vestir" aspira a revelar l'equivalència immanent a aquest tipus de relació humà/cosa. Per atendre les agències materials i existències a part de la nostra en el vestir, aquesta tesi es va fer càrrec de el regne de el Nou Materialisme (NM). No obstant això, com NM mai s'ha enfocat en el vestir, el present projecte va haver de construir per si mateix una bastida metodològic de quatre parts. A més d'adoptar no l'assumpte sinó la forma de (1) investigació nova materialista, es va basar en (2) enfocaments teòrics de moda/vestimenta. A causa de que les aspiracions d'investigació d'aquest últim es dirigeixen a l'humà, en el camí cap al qual simplement es trobi la vestimenta; precisament no les seves respostes proporcionades fins ara, sinó més aviat els seus assumptes encara per resoldre, van ser adoptats. (3) Es va trobar més assistència en Material Culture (MC) Studies, una escola antropològica veïna a NM, en les consideracions es va incloure més vestimenta que moda des de llavors. Finalment, com una escola amb què NM sovint es confon o s'agrupa, (4) l'ontologia orientada a objectes (Object Oriented Ontology) es va utilitzar com a suport addicional, així que com un altre mitjà de contrast. Aquesta metodologia creuant el vestir i NM va permetre una re-elaboració d'el concepte de la "cosa", que els quatre àmbits d'investigació mantenen estimat, i amb que fan malabarismes amb tanta naturalitat. En lloc d'entitats d'objectes, el present projecte proposa l'esdevenir de webs/nusos com a unitat dinàmica d'investigació. Eventualment, aquest projecte aspira a ressaltar el valor de la vestimenta i de el vestir com assumpte d'investigació filosòfica, per la qual cosa que tant de bo contribuirà a un canvi de atribuir-li una falta de serietat, a apreciar el poder que té sobre cadascun de nosaltres. En el seu statu quo, la pràctica quotidiana de el vestir és un gran contaminant ecològic, així com una càrrega psicològica freqüentment pesada. A l'relacionar-lo amb el NM, aquest projecte anima a re-conceptualitzar el vestir, i així avançar cap a una coexistència més respectuosa, responsable i estètica dels humans/vestimenta.
De hecho, estamos rodeados de mucha más ropa que personas. Y de las personas que nos rodean, vemos más ropa que piel. ¿Por qué estamos tan persuadidos de que lo que vemos son personas? Con el fin de re-equilibrar las concepciones de sentido común del vestir ("clothing", definido aquí no como lo manifiesto, sino como relación humano/vestimenta), la tesis "Hacia una ontología nueva materialista del vestir" aspira a revelar la equivalencia inmanente a este tipo de relación humano/cosa. Para atender a las agencias materiales y existencias aparte de la nuestra en el vestir, esta tesis se hizo cargo del reino del Nuevo Materialismo (NM). Sin embargo, como NM nunca se ha enfocado en el vestir, el presente proyecto tuvo que construir por sí mismo un andamio metodológico de cuatro partes. Además de adoptar no el asunto sino la forma de (1) investigación nueva materialista, se basó en (2) enfoques teóricos de moda/vestimenta. Debido a que las aspiraciones de investigación de este último se dirigen al humano, en el camino hacia el cual simplemente se encuentre la vestimenta; precisamente no sus respuestas proporcionadas hasta ahora, sino más bien sus asuntos aún por resolver, fueron adoptados. (3) Se encontró más asistencia en Material Culture (MC) Studies, una escuela antropológica vecina a NM, en cuyas consideraciones se incluyó más vestimenta que moda desde entonces. Finalmente, como una escuela con que NM a menudo se confunde o agrupa, (4) la ontología orientada a objetos (Object Oriented Ontology) se utilizó como respaldo adicional, así que como otro medio de contraste. Esta metodología cruzando el vestir y NM permitió una re-elaboración del concepto de la "cosa", que los cuatro ámbitos de investigación mantienen querido, y con que hacen malabarismos con tanta naturalidad. En lugar de entidades de objetos, el presente proyecto propone el devenir de webs/nudos como unidad dinámica de investigación. Eventualmente, este proyecto aspira a resaltar el valor de la vestimenta y del vestir como asunto de investigación filosófica, por lo cual que ojalá contribuirá a un cambio de atribuirle una falta de seriedad, a apreciar el poder que tiene sobre cada uno de nosotros. En su statu quo, la práctica cotidiana del vestir es un gran contaminante ecológico, así como una carga psicológica frecuentemente pesada. Al relacionarlo con el NM, este proyecto anima a re-conceptualizar el vestir, y así avanzar hacia una coexistencia más respetuosa, responsable y estética de los humanos/vestimenta.
As a matter of fact, we are surrounded by many more clothes than people. And from the people surrounding us, we see more clothes than skin. Why are we thus so persuaded that what we see are people? In order to rebalance commonsense conceptions of the clothing (defined here not as the manifest thing, but as humans/clothes relation), the thesis "Towards a New Materialist Ontology of Clothing" aspires to disclose the equivalence immanent to this kind of human/thing relation. For attending to material agencies and existences apart from our own in the clothing, this thesis took over the realm of New Materialism (NM). However, as NM has never targeted clothes/clothings, the present project had to construct for itself a four-parted methodological scaffold. Apart from adopting not the matter but rather the manner of (1) new materialist research, it drew on (2) fashion/dress (cultural) theoretical approaches. As the investigatory aspirations of the latter are directed onto the human, en route to which clothes are merely met; precisely not their hitherto provided answers, but rather their yet-to-solve matters were shouldered. (3) More assistance was found in Material Culture (MC) Studies, an anthropological school neighbouring NM, in the considerations of which more dress than fashion was included ever since. Finally, as a school NM often becomes confused or lumped together with, (4) Object-Oriented Ontology was used as additional back-up as well as further means of contrast. This clothing/NM-queering methodology allowed for a reworking of the concept of the "thing", which is held so dear and juggled-around with so naturally by all four touched-upon realms of research. Instead of object entities, the present project proposes web/knot-splitting becomings as units for research. Eventually, this project aspires to highlight the worth of the clothing as philosophical research matter, whereby it hopefully will contribute to a shift from ascribing it a lack of seriousness, to appreciating the power it has over each of us. In its status quo, the everyday clothing practice is a major ecological polluter as well as an often heavy psychological burden. By relating the clothing and NM, this project animates to reconceptualize the latter and thus move towards a more respectful, responsible, and aesthetic co-existence of humans/clothes therein.
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Liu, Xiaoyi. "Clothing, Food and Travel: Ming Material Culture as Reflected in Xingshi Yinyuan Zhuan." Diss., The University of Arizona, 2010. http://hdl.handle.net/10150/193863.

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Xingshi Yinyuan Zhuan 醒世姻缘传 (The Story of a Marital Fate to Awaken the World) is a 100-chapter, 100,000-character Chinese magnum opus written under the pseudonymous aegis of the seventeenth-century writer Xizhou Sheng 西周生. The novel primarily concerns itself with a curious reversal of power dynamics and relations in the institution of marriage, namely henpecking. To do so, the novel weaves into its narrative, both in the personalities and the events it illustrates, great details of Ming material life. It is through this literary snapshot of material culture that this dissertation is able to investigate the practices and custom of clothing, food and travel, three of the "four major concerns of the people's livelihood", known as yishizhuxing 衣食住行 in Chinese. The project, while frequenting economic dimensions and probing the impact that Ming politics had on the ethos and social economy of the period, sheds significant, if not equal, light on folk custom, legal and religious practices and women's status, among other issues. Although this dissertation allocates one chapter to the surveying of Ming sumptuary laws and ethos as evidenced by the "guxiu incident," the struggle between the forces of conservative social hierarchy and the growing market as a feature of Ming material life is a question that runs throughout the entire composition.
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Baron, Rixt. "An Interaction Design approach to Clothing Swaps." Thesis, Malmö universitet, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-45935.

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This study analysed the second hand clothing culture and clothing swaps that have gained popularity in recent years. Through interaction design, a solution is sought to the problem that secondhand shopping has become popular and thereby less affordable for people with a low income. By means of the five phases of design Thinking, a final concept has been designed. In which an early version of a prototype has been developed. The final concept helps solve the problem by making clothing swapping easier and more efficient, this is done through a combination of drop off locations and the use of an app. It demonstrates how interaction design can be used in clothing swaps and make them accessible to anyone interested.
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Coo, Stéphanie Marie R. "Clothing and the colonial culture of appearances in nineteenth century Spanish Philippines (1820-1896)." Thesis, Nice, 2014. http://www.theses.fr/2014NICE2028/document.

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L’objectif de cette recherche est de reconstituer la culture ou les cultures vestimentaire(s) dans les Philippines espagnoles au XIXe siècle et de mettre en exergue l’importance du vêtement dans cette société coloniale. Cette étude explore les interactions, uniques et complexes, entre le vêtement et les apparences, d’une part, et, d’autre part, les catégories raciales, sociales et culturelles dans le contexte des changements sociaux, culturels et économiques qui sont intervenus entre 1820 et 1896. L’objectif est de restituer la vie coloniale en s’appuyant sur le vêtement dans la mesure où il permet d’aborder de nombreux problèmes raciaux, sociaux, économiques et de genre qui agitent les Philippines de cette époque. Pour la première fois, l’étude des vêtements est ici utilisée pour comprendre les changements socio-culturels et économiques qui sont intervenus dans la société coloniale des Philippines au XIXe siècle. Les différents groupes raciaux et sociaux philippins sous domination espagnole sont analysés à travers leurs vêtements. Cette étude des pratiques vestimentaires aux Philippines s’inscrit dans le contexte d'une société coloniale pluriethnique et pluriculturelle. Après des siècles de colonisations, les Philippines du XIXe siècle étaient – et, dans une certaine mesure, restent – un amalgame de cultures autochtone, occidentale et chinoise. L’analyse des pratiques vestimentaires comme élément de l’histoire coloniale s’inscrit, plus largement, dans l’étude des interactions culturelles, des modes de vie coloniaux, des relations humaines et des comportements sociaux. Le vêtement et les apparences ont été analysés avec l’objectif de mieux comprendre les hiérarchies ethniques, sociales et de genre à cette époque. Cette recherche prétend dépasser les frontières académiques entre les catégories des études philippines, de l’histoire coloniale et de l’étude du vêtement
The purpose of this research is to reconstruct the clothing culture of 19th century Spanish Philippines and to discover the importance of dress in Philippine colonial society. This study explores the unique and complex interplay of clothing and appearance with race, class and culture in the context of the social, cultural and economic changes that took place between 1820 and 1896. The objective is to recreate an impression of colonial life by turning to clothes to provide insights on a wide range of race, class, gender and economic issues. For the first time, this uses the study of clothing to understand the socio-cultural and economic changes that took place in 19th century Philippine colonial society. The different racial and social groups of the Philippines under Spanish colonization were analyzed in light of their clothing. This locates the study of Philippine clothing practices in the context of a multi-ethnic, multi-cultural colonial society. After centuries of colonization, 19th century Philippines was – and continues to be- an amalgam of indigenous, Western and Chinese cultures. This study of clothing practices as an element of colonial life points to a broader study of cultural interactions, colonial lifestyles, human relations and social behavior. Clothing and appearance were analyzed to understand the ethnic, social and gender hierarchies of that period. This work crosses the frontiers between the disciplines of Philippine studies, colonial history and costume studies
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Wagstaff, Bethany Joy. "Redressing clothing in the Hebrew Bible : material-cultural approaches." Thesis, University of Exeter, 2017. http://hdl.handle.net/10871/27594.

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Despite the dynamic portrayal of clothes in the Hebrew Bible scholars continue to interpret them as flat and inert objects. They are often overlooked or reduced to background details in the biblical texts. However, this thesis will demonstrate that the biblical writers’ depictions of clothes are not incidental and should not be reduced to such depictions. This thesis employs a multidisciplinary approach to develop and challenge existing approaches to the clothing imagery in the Hebrew Bible. It will fall into two main parts. In the first part, I draw insights from material-cultural theories to reconfigure ways of thinking about clothing as material objects, and reassessing the relationships between people and objects. Having challenged some of the broader conceptions of clothing, I will turn to interrogate the material and visual evidence for clothing and textiles from ancient Syro- Palestinian and ancient West Asian cultures to construct a perspective of the social and material impact of clothing in the culture in which the biblical texts were constructed and formed. In the second part, I will examine the biblical writers’ depiction of clothing through two case studies: Joseph’s ketonet passim (Genesis 37) and Elijah’s adderet (1 Kings 19 and 2 Kings 2). These analyses will draw from the insights made in the first part of this thesis to reassess and challenge the conventional scholarly interpretations of clothing in these texts. In this thesis, I argue that clothes are employed in powerful ways as material objects which construct and develop the social, religious and material dimensions of the text. They are also intimately entangled in relationships with the characters portrayed by the biblical writers and can even be considered as extensions of the people with whom they are engaged. Clothes manifest their own agency and power, which can transform other persons and objects through their performance and movement in a biblical text.
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Pitman, Sophie. "The making of clothing and the making of London, 1560-1660." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/269651.

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In recent years, urban historians have established that the period from 1560 to 1660 was a key era for London’s development from a relatively small European urban centre into a large dynamic global capital. This dissertation attempts to intervene in London scholarship by drawing attention to the economic, political, religious and – most significantly – cultural importance of clothing in the city in this period. Using material, visual, literary and archival sources, it explores the ways clothing contributed to the development of early modern London and, in turn, how London’s rapid growth changed the making, wearing, and meaning of clothing. This dissertation places material evidence at the fore using extant objects from museum collections. It also employs the new methodology of reconstruction to explore craft, ingenuity, and emotional self-expression in dress. As clothing infused economic and social life, it draws upon on a wide range of evidence, from London guild records, to portraits, travel accounts, personal letters, diaries and account books, plays, sermons and poems. With a focus on urban experience, this dissertation discusses not only elite luxury consumption, but also investigates the wardrobes of guildsmen, immigrant craftspeople, apprentices and maids – asking what they wore, what they thought about what they were wearing, and how they used clothing to navigate through the city during this time of rapid change. A chapter on the ‘London Look’ shows how inhabitants and visitors documented the visual and material styles of the city. Exploring the collaborative processes by which clothing was made, worn and appreciated by craftspeople and consumers, a chapter on making and buying clothing demonstrates how clothes were made and charts the emergence of a new consumer culture. Existing scholarship on sumptuary laws is challenged in a chapter that demonstrates how laws were enforced in the city while also integrating extant objects into the discussion for the first time. Finally, using a sample of London wills, the dissertation shows how Londoners owned, bequeathed and inherited clothing, and imbued it with emotional meaning. In sum, this dissertation aims to integrate scholarship on early modern London with material culture studies, and to promote the new methodology of reconstruction for historians. In revealing how London was conceived during a time of rapid change, clothing can be used as a lens through which to explore wider discourse about a city that by 1657 was being described as ‘Londinopolis.’ Clothing helped to make London into a wealthy, dynamic, and diverse urban centre, and these changes dramatically shaped the way clothing was made and appreciated.
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Chen, Xiaofen. "The culture, ideology, and design of women's underwear for China." Thesis, University of Central Lancashire, 2018. http://clok.uclan.ac.uk/25465/.

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Books on the topic "Culture of clothing"

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Dalby, Liza Crihfield. Kimono: Fashioning culture. New Haven, Conn: Yale University Press, 1993.

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Kimono: Fashioning culture. London: Vintage, 2001.

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Ramos, Barge. Pinoy dressing: Weaving culture into fashion. Pasig City, Philippines: Published and exclusively distributed by Anvil, 2007.

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Volonté, Paolo. La creatività diffusa: Culture e mestieri della moda oggi. Milano: F. Angeli, 2003.

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Zang zu fu shi wen hua yan jiu: A study on Tibetan costume culture. Beijing: Ren min chu ban she, 2010.

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Stoecklein, David R. The cowboy hat: History, art, culture, function. Hailey, Idaho: Stoecklein Photography & Publishing, 2006.

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Vestire degenere: Moda e culture giovanili. Roma: Donzelli, 2010.

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Daniel, Roche. The culture of clothing: Dress and fashion in the "ancien régime". Cambridge: Cambridge University Press, 1996.

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The culture of clothing: Dress and fashion in the "ancien régime". Cambridge: Cambridge University Press, 1994.

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Fashioning memory: Vintage style and youth culture. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing, Plc, 2015.

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Book chapters on the topic "Culture of clothing"

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Xu, Guobin, Yanhui Chen, and Lianhua Xu. "Clothing, Food, Housing and Transportation." In Introduction to Chinese Culture, 181–203. Singapore: Springer Singapore, 2018. http://dx.doi.org/10.1007/978-981-10-8156-9_8.

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Glitsch, Veronika. "Fit in ready-to-wear clothing." In Design for a Sustainable Culture, 141–54. Abingdon, Oxon ; New York, NY : Routledge, [2017] | Series: Routledge studies in culture and sustainable development: Routledge, 2017. http://dx.doi.org/10.4324/9781315229065-11.

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Reitan, Janne Beate. "Contemporary vernacular Inuit clothing as sustainable fashion." In Design for a Sustainable Culture, 129–40. Abingdon, Oxon ; New York, NY : Routledge, [2017] | Series: Routledge studies in culture and sustainable development: Routledge, 2017. http://dx.doi.org/10.4324/9781315229065-10.

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North, Stella. "The Surfacing of the Self: The Clothing-Ego." In Skin, Culture and Psychoanalysis, 64–89. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300041_4.

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Dzon, Mary. "5. Birgitta of Sweden and Christ’s Clothing." In The Christ Child in Medieval Culture, 117–44. Toronto: University of Toronto Press, 2012. http://dx.doi.org/10.3138/9781442695337-009.

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Lemire, Beverly. "Margins and Mainstream: Jews in the English Clothing Trades." In Dress, Culture and Commerce, 75–94. London: Palgrave Macmillan UK, 1997. http://dx.doi.org/10.1057/9780230372757_4.

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Singh, Simrita, and Anu H. Gupta. "Crafting Lives: Redefining Culture and Artisan Lives Through the Revival of Crafts in the State of Punjab, India." In Functional Textiles and Clothing, 407–25. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-7721-1_31.

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Francois, Marie. "Stitching Identities: Clothing Production and Consumption in Mexico City." In Consumer Culture in Latin America, 107–20. New York: Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137116864_8.

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Métraux, Guy P. R. "14. Prudery and Chic in Late Antique Clothing." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith, 271–94. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-019.

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Mohan, Urmila. "When Krishna wore a kimono: Deity clothing as rupture and inefficacy." In The Material Culture of Failure, 39–55. London; New York: Bloomsbury Academic, 2017.: Routledge, 2020. http://dx.doi.org/10.4324/9781003087069-3.

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Conference papers on the topic "Culture of clothing"

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Takahashi, Haruko. "An Image Digital Archive for Substantiating the Acculturation of Clothing Culture in Japan." In 2015 International Conference on Culture and Computing (Culture Computing). IEEE, 2015. http://dx.doi.org/10.1109/culture.and.computing.2015.13.

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Yang, Ruiliang, and Wen Sun. "Typical Clothing Ensemble for the Textile Worker." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.126.

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Takahashi, Haruko. "Acculturation of the Clothing Life in Japan Seen from Digital Archives of Dress, Fashion and Behavior." In 2013 International Conference on Culture and Computing (Culture Computing). IEEE, 2013. http://dx.doi.org/10.1109/culturecomputing.2013.59.

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Batmunkh, G., and B. Munh-Erdene. "THE CULTURE OF CLOTHING AND THE IMAGE OF CLOTHING IN THE GESER AND JANGAR EPICS." In The Epic of Geser — the spiritual heritage of the peoples of Central Asia. BSC SB RAS, 2020. http://dx.doi.org/10.31554/978-5-7925-0594-0-2020-78-82.

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Dubovitskaya, T. D. "The Culture Of Clothing And “I” Image Among Adolescents." In Humanistic Practice in Education in a Postmodern Age. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.11.44.

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Peng, Qinghui. "Aesthetic Expression Of Chinese Elements In Modern Women's Clothing." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.132.

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Ma, Xiaofang. "Research on the Bohemian Style Clothing." In Proceedings of the 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iccese-19.2019.63.

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Yang, Yang. "Analysis on WeChat Promotion Strategy of New Clothing Brand." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.149.

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Chaohong, Wu, and Li Yajun. "Discussion on the Competition Between Chinese and South Korean Traditional Clothing Culture in Cross - Cultural Communication." In 2nd International Conference on Language, Art and Cultural Exchange (ICLACE 2021). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210609.104.

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Xiao, Nan, and Fengjun Li. "Extraction and Analysis of Fashion Color in Women’s Clothing Brand." In 4th International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200316.058.

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Reports on the topic "Culture of clothing"

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Wu, Yingying, and Susan P. Ashdown. A Cross-Cultural Study of Consumer Perceptions of Clothing Fit. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1470.

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Wu, Yingying, and Susan Ashdown. A Cross-Cultural Study of Consumer Perceptions of Clothing Fit. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-415.

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Martinez-Novoa, Lorraine M., and Nancy Hodges. Beyond Shopaholism: A Socio-Cultural Examination of Compulsive Clothing Buying Behavior. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1412.

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DeLong, Marilyn, Seoha Min, Yoonkyung Lee, and Mary Alice Castro. Attachment to Clothing and Implications for Sustainability within a Cultural Context. Ames: Iowa State University, Digital Repository, 2013. http://dx.doi.org/10.31274/itaa_proceedings-180814-532.

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Opiri, Jane Andayi, and Laurel Romeo. Cultural Influences on Clothing Preferences among African Immigrant Women in the US. Ames: Iowa State University, Digital Repository, 2017. http://dx.doi.org/10.31274/itaa_proceedings-180814-387.

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Lee, Jaeil, and Mi-Young Choi. Cross-cultural study of obesity regarding socio-cultural attitudes on appearance involvement and appearance management behaviors through clothing: 20s-30s female plus-size consumers. Ames: Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-939.

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Lee, Minjung E., and Susan B. Kaiser. Les Liaisons Dangereuses: The Productive Tensions among the Fields of Clothing and Textiles, Fashion Studies, and Cultural Studies. Ames: Iowa State University, Digital Repository, November 2016. http://dx.doi.org/10.31274/itaa_proceedings-180814-1688.

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