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Journal articles on the topic 'Culture of clothing'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

ÖZKAN KUŞ, Nurhan. "SHALWAR IN TURKISH CLOTHING CULTURE: SHALWAR EXAMPLES FROM KIRŞEHİR." Zeitschrift für die Welt der Türken / Journal of World of Turks 13, no. 1 (April 15, 2021): 357–74. http://dx.doi.org/10.46291/zfwt/130118.

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Culture is all of the unique, material and spiritual values that distinguish societies formed as a result of historical accumulation. Values such as customs and traditions nurtured by cultures have shaped the dress codes of societies. Turks, who have a rich culture, have their own traditional clothes. The aim of this study is to deal with the historical dimension of the shalwar which has always played an important role in the life of the Turkish nation with a long history, and which has a place among the traditional clothes. Shalwars contain the cultural and spiritual values of the society. Since this cultural heritage is in danger of extinction in the future, it is important to research, document, preserve and keep alive the material cultural assets without losing these values completely. In the study, a literature review was made on the definition, history, and current status of shalwar. Among the examples of shalwars which have survived to the present day and are few in boxes and museums, two shalwar samples in Kırşehir Province Museum were included in the study. The shalwars were examined through observation slips prepared according to their characteristics. Combining the information obtained with today's trends, one shalwar was sewn. It is thought that this study will contribute to the survival of the shalwar, which is an important part of the Turkish clothing culture. Key words: Turkish culture, Shalwar, Traditional clothing, Kırşehir Region Shalwars

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Arifin, Ardian, Ferry Marlianto, and Aris Budiman. "PENGEMBANGAN GAME EDUKASI PAKAIAN TRADISIONAL INDONESIA BERBASIS ANDROID." Journal Of Computer Networks, Architecture and High Performance Computing 1, no. 2 (May 23, 2019): 10–15. http://dx.doi.org/10.47709/cnapc.v1i2.99.

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Culture in Indonesia has a lot of diversity. Indonesia which has many provinces also has many cultures. One of the cultures that exist in Indonesia is raditional clothing. Traditional clothing, a characteristic of adat and culture in each region and also used in each traditional ceremony. Along with the development of the times, the concern for the preservation of national culture, especially traditional clothing, was very minimal. For example, the lack of recognition and socialization of Indonesian culture in the community is one of the important factors why people's interest is lacking in traditonal clothing. This study aims to develop the development of an Android-based educational game on traditional Indonesian clothing. The method used in this study uses Research and Development methods. The results of this study were developed an educational game "Introduction to Traditional Clothing in Indonesia" on the Android platform that provides information to users about any traditional musical instruments in Indonesia. Educational games are expected to help in the introduction of existing cultures and can be used as a way to provide insight to children. From the results of testing carried out with the black box method, it can be concluded that this application can function well. And can provide users of Android smartphone games that are educational.Keywords: Educational Games, Traditional Clothing, Android Smartphones

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Akou, Heather Marie. "Clothing as Material Culture (review)." Technology and Culture 47, no. 4 (2006): 824–26. http://dx.doi.org/10.1353/tech.2006.0213.

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Setiawan, Deni, Timbul Haryono, and M. Agus Burhan. "Analisis Fungsi Pakaian Karnaval di Yogyakarta Menurut Roland Barthes dan Fungsi Seni Edmund Burke Felmand." Humaniora 6, no. 3 (July 30, 2015): 418. http://dx.doi.org/10.21512/humaniora.v6i3.3368.

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Carnival clothing is one form of artists’ creativities in fine art, created in various functions. Those functions are viewed based on utility value and the purpose that consistently are embedded in an art work. In addition, several functions of carnival clothing were constructed on the basis of social and cultural conditions that are effective in a certain place. Each and every type of clothing raises perception to everyone else who sees it. Promotion of fashion style and industry through carnival clothing results in diverse perceptions acceptable to the viewers. Audience’s perceptions are also not apart from the key functions, social ones, and the physical ones of those carnival clothings themselves. Those three functions are the common ones of each art work created as communication tool with everyone else. The carnival clothings are communication tools of the fashion designer to the customers, communication between one customer and another one. On the carnival clothing there are also sources of knowledge science, history, technology, and many other explainable meanings. Through carnival clothings, the detectable issues in physical and non-physical structures are identifiable as well as they play role as the space to make more exploration on the dynamics of a community culture. This article aims to answer the functions of carnival clothing, using aesthetic approach, through the theory of clothing functions Roland Barthes and Edmund Burke Feldman’s art functions.

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Totu, Andreas. "Kadazan-Dusun Youth Consumerist Culture: Social Media, Clothing and Fashion." Journal of Advanced Research in Dynamical and Control Systems 12, SP7 (July 25, 2020): 671–80. http://dx.doi.org/10.5373/jardcs/v12sp7/20202157.

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Ma, Li. "Study on the Architecture Materials Design of Art and Clothing Materials Design." Advanced Materials Research 743 (August 2013): 82–85. http://dx.doi.org/10.4028/www.scientific.net/amr.743.82.

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The building is enclosed the spatial structure of the human lifestyle, and clothing is the "packaging" of the people, with modesty naked. The building on the space recorded the development and progress of human society, and the clothing reflects the development of human civilization. In this paper, the use of color, body composition and materials of the three aspects of clothing and architecture are discussed similarities and similarities in terms of design, In addition, from the official architectural culture and clothing culture, literati building materials culture and clothing culture and folk building materials culture and clothing materials culture demonstrates the culture intrinsic link between architectural culture clothing culture of mutual learning and mutual influence. To further illustrate the architecture and clothing appears to be two different professional, but in terms of design and culture, between each other is a profound inner link, Both organically combined, will be able to better develop the architectural design and fashion design.

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Sarkhan Abdulova, Gulzade. "THE ROLE OF FELT IN APPAREL CULTURE OF TURKIC PEOPLE." SCIENTIFIC WORK 67, no. 06 (June 21, 2021): 17–25. http://dx.doi.org/10.36719/2663-4619/67/17-25.

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The article discusses men's apparel-felt, which plays an important role in the clothing culture of the Caucasian peoples. Information about the history of this type of clothing, its distribution area, production method, types and their forms are provided. The article also researched the pronunciation of clothing in different languages, and using dictionaries compiled by well-known researchers, these expressions were brought into scientific circulation. Our research analyzed the expressions related to yapinji recorded in Mahmud Kashgari's famous work "Divani-lüğet-it türk" and those expressions helped us to think about the etymology of the yapinji. This study provides detailed information on the forms and etymology of yapinji in Azerbaijan, and notes the toponyms associated with 'kapanak'. Special attention is paid to the etymology of the kapanak, and it is concluded that the kapanak is not an insect, as noted in the scientific literature, and is associated with the Kapan branch of the pecheneg tribe. The article puts forward new scientific views on the widespread "khillig" among Azerbaijanis living in the Agbaba region. Conceptual, historical and review methods were used in the research. The article will be as a useful resource for students, researchers, scientists and experts whose research is mostly related to this field. Key words: Clothing culture, felt cloak, clothing history, turkic people, kepenek

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Ayhan, Fatma. "SHALWAR IN TURKISH TRADITIONAL CLOTHING CULTURE." e-Journal of New World Sciences Academy 16, no. 1 (January 30, 2021): 59–70. http://dx.doi.org/10.12739/nwsa.2021.16.1.4c0243.

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Aung, May, and Ou Sha. "Clothing consumption culture of a neo-tribe." Journal of Fashion Marketing and Management 20, no. 1 (March 14, 2016): 34–53. http://dx.doi.org/10.1108/jfmm-07-2014-0053.

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Purpose – A number of postmodern consumer scholars have their attention on the consumption behaviour of neo-tribes. Changing gender roles and households’ consumption practices have also shaped new sets of cultural manifestations for the clothing consumption milieu. The purpose of this paper is to explore the clothing consumption culture of a neo-tribe, gay professionals within the subculture of gay consumers. Design/methodology/approach – An extended conceptual framework built upon Ajzen and Fishbein’s (1980) theory of “reasoned action” served as the conceptual guideline for this study. Specifically, the attitude-behaviour framework is proposed and employed to better understand the clothing consumption behaviour of a neo-tribe consisting of gay professionals. Personal in-depth interviews were conducted in a metropolitan city as well as two small towns in Canada. Findings – Stereotypical as well as non-stereotypical understandings are offered. The findings from this study portrayed the gay professions of this neo-tribe as rational and practical. Personal psychological factors, social factors and marketplace factors relevant to a neo-tribe of gay professionals are documented and deeper insights are presented. Research limitations/implications – Findings challenge the existing understanding of fashion manifestation for this consumers group. However, this study may be of limited scope. Future studies should further examine the clothing consumption cultural manifestations of other neo-tribes within the gay community. Practical implications – The interviewees consistently demonstrated their positive attitudes towards quality, stylish and conservative clothing. For marketers it is crucial to perceive the gay community as a non-homogeneous market segment. There is a need to understand different consumption practices within this community and to tailor marketing mix elements accordingly. Originality/value – This study has extended the understanding of the neo-tribes of gay consumers. In addition, this study offers the clothing consumption reality of a neo-tribe encompassing gay professionals. This study illuminates their rational and practical clothing consumption cultural manifestations and clothing consumption behaviour. These insights further enrich the general understandings that exist in the area of consumer research.

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Hsu, Hsiu-Ju, and Leslie Davis Burns. "The Effects of Culture, Long-Term Orientation, and Gender on Consumers' Perceptions of Clothing Values." Social Behavior and Personality: an international journal 40, no. 10 (November 1, 2012): 1585–95. http://dx.doi.org/10.2224/sbp.2012.40.10.1585.

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We examined the effects of culture, high and low long-term orientation, and gender on consumers' perceptions of clothing values when making clothing purchase decisions. Participants were 487 university students from USA and 903 from Taiwan who completed a self-administered questionnaire. It was found that consumers from the culture with high long-term orientation (Taiwan) scored significantly higher on economic and religious clothing values than did consumers from the culture with low long-term orientation (USA). Moreover, consumers' clothing values varied according to the type of clothing, and female participants scored significantly higher on aesthetic and social clothing values when compared to male participants.

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Tran, Luong Thi Thu. "Cultural features in the way of clothing of Korean and Vietnamese traditional cultures." Science and Technology Development Journal 18, no. 2 (June 30, 2015): 81–91. http://dx.doi.org/10.32508/stdj.v18i2.1196.

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The demand for clothing belongs to the need to ensure the survival of humans and human society. Clothing is the cultural achievements dealing with the natural environment. Together with social development process, clothes serve as signaling messages about social status, profession, economic conditions, aesthetic taste of the wearer. Therefore, in the basic structure of the culture of physical life organization, clothing – one of the three basic needs (food, shelter, clothing) deeply expresses cultural characteristics of the subject. This paper presents striking cultural features of Vietnamese and Korean civilians’ everyday clothing in Vietnamese and Korean traditional culture periods (before exposure to Western culture).

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Jin, Chen Yi, and Rong Rong Cui. "Research on the Development of Clothing Brand Position under the Modern Consumer Culture." Advanced Materials Research 282-283 (July 2011): 261–66. http://dx.doi.org/10.4028/www.scientific.net/amr.282-283.261.

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For the vague positioning of the domestic clothing brand at present and the growing homogenization of products, this article analyzed the features of the modern consumer culture, pointed out the existing problems to the clothing brand development, and introduced a correct countermeasure to guide the market. The author tries to find a developing way to the clothing brand and provide an idea for the marketing strategies for the Chinese clothing enterprises and for the plan of development.

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Yang, Rong, and Xiaoming Yang. "A Study on Cultural Characteristics of Taoist Clothing." Asian Social Science 16, no. 4 (March 31, 2020): 70. http://dx.doi.org/10.5539/ass.v16n4p70.

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Dress and personal adornment of Taoism, also short for Taoist Clothing. Its refers to the type of clothing with ‘Tao’ as the core concept. Taoist clothing as a kind of religious symbolic clothing, it can be described as a typical carrier of Chinese traditional culture (especially the Han nationality), which contains Chinese traditional religion, philosophy, aesthetics and technology. By studying the history, form and cultural symbols of Taoist clothing has important significance for help us to deeply understand Chinese traditional costume culture and to discover the valuable cultural elements contained in them.

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Vilches, Patricia. "Alberto Blest Gana and the Sensory Appeal of Wealth." Open Cultural Studies 5, no. 1 (January 1, 2021): 81–95. http://dx.doi.org/10.1515/culture-2021-0006.

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Abstract This essay explores sensory stimuli in La aritmética en el amor [Arithmetic in Love/Economics of Love] (1860) as they relate to the consumer preferences (for clothing, furniture, jewellery) and purchasing practices of nineteenth-century Santiago, Chile. The novel presents detailed descriptions, for example, of fine fabrics, emphasising the sounds that the wearers of such fabric reproduce as they move about. Wealthy or not, people feel the pressure to present themselves in their best garments, but the “best noise” is made by the rich, who transmit the affect of opulence to the less fortunate. Overall, to radiate a sensory appeal, characters frequent the city of Santiago and patronise the finest clothing stores. From our very first encounter with the protagonist Fortunato Esperanzano, he is dressed accordingly, engaging with Santiago and showing in his persona that he shops only for nice clothes and the best cigars. From a Lefebvrian perspective, Fortunato represents how Chile’s modernisation transforms the capital’s “marketplace” as a social space where a new luxury economy flourishes and a traditional, rigid social order is maintained.

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Varshneya, Geetika, Shivendra K. Pandey, and Gopal Das. "Impact of Social Influence and Green Consumption Values on Purchase Intention of Organic Clothing: A Study on Collectivist Developing Economy." Global Business Review 18, no. 2 (March 1, 2017): 478–92. http://dx.doi.org/10.1177/0972150916668620.

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The present study is an attempt to investigate the impact of green consumption values and social influence on purchase intention for organic clothing. Five hypotheses were developed with the support of relevant literature. These were tested with the help of primary data of young adult Indian consumers in the age group 20–40 years, collected through a structured questionnaire. Structural equation modelling (SEM) was used to test the hypotheses. The results of structural model revealed that attitude partially mediates the relationship of green consumption values and purchase intention for organic clothing. Further, social influence has no impact on attitude as well as purchase intention for organic clothing. The outcomes also indicated that for products at the introductory stages of the lifecycle, such as organic clothing, social influence does not play a vital role even in a collectivist culture. In such situations, consumers in a collectivist culture like India tend to exhibit individualistic behaviour. The results will be beneficial for designing market entry strategies for organic clothing brands targeting developing countries. The study also tries to extend our knowledge of understanding of departures from collectivistic behaviours in products which are in the introductory stages of the lifecycle in collectivist cultures.

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Arista Jaya, I. Kadek, Heny Perbowosari, and I. Gede Sedana Suci. "Penyimpangan Nilai-Nilai Etika Dalam Berbusana Adat Ke Pura Di Desa Penarungan Kecamatan Mengwi Kabupaten Badung." Metta : Jurnal Ilmu Multidisiplin 1, no. 1 (July 19, 2021): 7–19. http://dx.doi.org/10.37329/metta.v1i1.1305.

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The development of global currents has an impact on various aspects of life, including community culture. One of them is in terms of clothing which is influenced by foreign cultures. This of course degrades ethical values in the use of clothing, especially clothing used at social events or places of worship such as traditional clothing to temples. The influence of outside culture that is abused certainly causes deviations in ethical values in the use of traditional clothing to the temple, one of the villages affected by the deviation is Penarungan Village. As a tourism destination, the people of Penarungan Village cannot turn a blind eye to outside culture, this causes deviations in ethical values of traditional dress to the temple in Penarungan village. This research uses value theory, behaviorism, and social interaction. The approach used is ethnography. Informants were determined by purposive sampling. The research location chosen was Penarungan Village. Data collection techniques are by observation, interviews, and library techniques. The results of the study show that the forms of deviation from ethical values in traditional attire to the temple in Penarungan Village include: (1) Deviations using kamen, (2) loose hair, (3) transparent and vulgar clothes, (4) T-shirts. the causes of deviations in values. Ethical factors in traditional kepura dress in Penarungan Village include (1) social media, (2) development of the times, (3) economic factors. The strategies of Hindu religious leaders in strengthening ethical values in traditional attire to temples in Penungan Village (1) bring order to the people who violate them, (2) use uniform clothing.

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Na, Wei. "Modern Chinese Folk Clothing Accessory-Buttons." Advanced Materials Research 821-822 (September 2013): 755–58. http://dx.doi.org/10.4028/www.scientific.net/amr.821-822.755.

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The structure and function of clothing buttons, to a great extent, influence the clothing modeling, covering function and use function. It is a sign of evolution of clothing. This article elaborates the modern women's clothing buttons type, and the relationship between function and aesthetic culture connotation. The conclusion is button is an important organic part of clothing.

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Xiao, Jin Rong. "The Garment Dyeing Technology and Folk Culture of Wuling Miao-Yao Branch." Advanced Materials Research 1048 (October 2014): 322–27. http://dx.doi.org/10.4028/www.scientific.net/amr.1048.322.

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This paper studies the clothing color and dyeing technology of Wu Ling Miao-Yao, and discussing its relevant folk culture. From the perspective of geographical and climatic conditions, analysis the dyeing of raw material on the Miao Yao languages colored clothing. From the view of folk custom and technology, analysis the characteristics of garment dyeing technology and the process flow, especially the process of blue dress color which represents the main color of clothing, through the one by one explaining of the preparation of dyes, dye, indigo dyeing, after preparation consolidation of color, summing up the folk culture connotation of clothing color, aiming at exploring the plant dye resources, protecting the traditional folk culture, maintain the sustainable development of ecological environment.

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Yang, Rong, and Xiaoming Yang. "Literature Review of Taoism Dress Culture in China." Asian Social Science 16, no. 1 (December 31, 2019): 49. http://dx.doi.org/10.5539/ass.v16n1p49.

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Religious dress is a special kind of dress, which often embodies the thoughts and cultural ideas of a certain religion, but it is also likely to show the deeply cultural deposits of a certain national culture. Taoist clothing is a kind of clothing and accessories with obvious Taoism cultural connotation formed by absorbing, integrating and extending Taoism doctrines on the basis of Chinese traditional dress, which is of great significance to study of Chinese traditional culture and worth in-depth study in further.

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Miller, Sanda. "Clothing Art:The Visual Culture of Fashion 1600–1914." Fashion Theory 24, no. 1 (April 9, 2018): 141–57. http://dx.doi.org/10.1080/1362704x.2018.1442066.

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BOWEN, RACHEL. "Clothing Culture, 1350?1650 edited by Catherine Richardson." Gender & History 19, no. 2 (August 2007): 391–92. http://dx.doi.org/10.1111/j.1468-0424.2007.00482_6.x.

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Artac, Berna Yıldırım, and Emine Koca. "A Period Analysis on Values Shaped by Culture: Turkish and Armenian Women's Clothing." European Scientific Journal, ESJ 14, no. 32 (November 30, 2018): 131. http://dx.doi.org/10.19044/esj.2018.v14n32p131.

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Written works such as miniatures, engravings and travel books, which contain visuals related to the Ottoman State, are considered to be documents bearing witness to history and imparting information about the daily life of the Ottoman Empire. These documents contain visuals of the people living in the Ottoman State, imparting, among other information, clues on the characteristics of the clothes of the period. In the Ottoman state cultural interaction often overrode attempts to create boundaries in the forms of clothing belonging to distinct communities. The resulting similarities in clothing form the starting point of this study. Focusing on the examination of clothes belonging to Turkish and Armenian women who lived in the Ottoman Empire in the18th and 19th centuries, this study aims to determine the similarities and differences between the clothing cultures of the two communities. A total of 22 images reflecting the everyday clothing of Turkish and Armenian women were examined with the help of a clothing examination form repared by the researchers. The visuals were analyzed according to form and usage, design features were explained, and the similarities and differences between the women's garments were interpreted.

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Wu, Shi Gang. "Application of Typology Method in Chinese-Style Clothing Pattern Design." Advanced Materials Research 331 (September 2011): 590–93. http://dx.doi.org/10.4028/www.scientific.net/amr.331.590.

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In order to make clothing style sculpts to embody inherent culture and memory of clothing, and realize element design of pattern, here introduce typology method. This way use type extracting, type transforming, type innovating, and apply new idea and means. Through applying pattern example analyze process of clothing pattern design. It will provide new method for clothing structure design and reference for pattern design.

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Buijs, Cunera, and Mariane Petersen. "Festive clothing and national costumes in 20th century East Greenland." Études/Inuit/Studies 28, no. 1 (March 24, 2006): 83–107. http://dx.doi.org/10.7202/012641ar.

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Abstract This study on developments in festive clothing is based on clothing and photograph collections in museums, interviews with Tunumiit (East Greenlanders) and participant observation during several months in Kalaallit Nunaata Tunua (East Greenland) in 1997, 1998 and 2001. Festive garments for special occasions did not exist in the traditional pre-Christian culture of East Greenland. In this article we investigate what influences affected the development of special clothing for festive occasions. Changes in Kalaallit Nunaata Kitaa (West Greenland) and European influences deeply affected clothing traditions in East Greenland. In the course of this process, some Tunumiit garments came to disappear and others were re-invented and re-shaped using new materials. Preparing animal skins and sewing attire always have been a women's preserve. In the past, sewing qualities were highly valued within Inuit society. Today, sewing skills and designing clothing are paid for but they still reflect women's qualities and sealskin garments shape Kalaallit identity. The development of festive clothing and the continuity in celebrating first events and rites of passage testify to the dynamics and strength of East Greenland culture. East Greenland clothing is part of a vivid cultural tradition and is still “women's magic.”

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Zimniewska, Malgorzata, Mariola Pawlaczyk, Izabella Krucinska, Iwona Frydrych, Przemysław Mikolajczak, Katarzyna Schmidt-Przewozna, Agnieszka Komisarczyk, Lucyna Herczynska, and Barbara Romanowska. "The influence of natural functional clothing on some biophysical parameters of the skin." Textile Research Journal 89, no. 8 (April 17, 2018): 1381–93. http://dx.doi.org/10.1177/0040517518770680.

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The objectives of the study were to develop functional natural fiber clothing with microcapsules containing active herbal extracts with properties enhancing the treatment of dermatoses and to confirm the efficiency of the clothing's activity by testing its effect on the biophysical parameters of human skin. As a result of the work, clothing enriched with green tea and Viola tricolor extracts enclosed in ethyl cellulose microcapsules was produced. The microcapsules were applied on the inner surface of linen knitted fabric, which ensured direct contact of the active substances with the patients' affected skin. The efficiency of the clothing was tested according to our own methodology, which included wearing tests, microbiological tests of the skin and tests of skin moisture, transepidermal water loss and itching intensity. Also, the effect of the active substances present on the fabrics on the in vitro culture of human keratinocytes was evaluated. The test results confirmed that linen clothing enriched with medicinal plant extracts enclosed in microcapsules had an effect on the reduction of itching intensity, an increase in skin moisture, reduction of transepidermal water loss and a reduction of pathogenic bacterial colonies residing on the patients' skin. They confirmed that the new method of administering herbal substances to the skin of dermatological patients via the wearing of functional clothing is effective and leads to symptom relief. The studies allowed for the filing of a patent submission, number P 411869, titled “The clothing acting as a dressing supplement in the therapy of dermatological diseases.”

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Petrova, O. L. "Traditional Indonesian Clothing and Modernity. Batik and kebaya." South East Asia: Actual problems of Development, no. 1(46) (2020): 483–93. http://dx.doi.org/10.31696/2072-8271-2020-1-1-46-483-493.

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Indonesia is the largest island state, each of the provinces has their unique traditional costumes. Indonesian culture has been influenced by many religions, including Christianity, Islam, Confucianism, Buddhism, and Hinduism for centuries. Despite foreign influence, various regions have retained their indigenous cultures. Different ethnic groups still wear their historical outfits and practice ethnic rituals. Styles of traditional dress are still inseparably connected with the prestige and power. Traditional clothing has not remained unchanged in design, but reflects an individual choice in aesthetics and lifestyle, in the face of rapid changes.

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Zhang, Yang, and Xuetao Wang. "A Comparative Study of Heilongjiang Minority Costumes and Customs (taking Oroqen and Manchu as examples)." Historical and social-educational ideas 13, no. 1 (February 28, 2021): 79–92. http://dx.doi.org/10.17748/2075-9908-2021-13-1-79-92.

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National clothes and jewelry, one might say, are the symbol of a particular nation. Such factors of influence as, different living conditions, culture, history and others, lead to their great diversity. Each nation has its own unique clothing and jewelry, exploring them you can even deeper understand the national culture and see the unique cultural value. Using the analytical method, and taking as an example the small peoples of Heilunjiang, let us compare the national dress, jewelry and customs, study the clothing and jewelry of the Manchus and Orochon. Analyzing from the point of view of clothing, we will study its functions even more and determine the factors of difference at this stage. Through the analysis of clothing, we will clearly define the distinctive features of clothing of various small nations and the factors of their difference. Then, we will pro-pose a rational development strategy to promote the long-term development of national dress in China.

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Williams, Calvin, Patty McGraw, Elyse E. Schneck, Anna LaFae, Jesse T. Jacob, Daniela Moreno, Katherine Reyes, et al. "Impact of Universal Gowning and Gloving on Health Care Worker Clothing Contamination." Infection Control & Hospital Epidemiology 36, no. 4 (January 2, 2015): 431–37. http://dx.doi.org/10.1017/ice.2014.75.

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OBJECTIVETo determine whether gowning and gloving for all patient care reduces contamination of healthcare worker (HCW) clothing, compared to usual practice.DESIGNCross-sectional surveys.SETTINGFive study sites were recruited from intensive care units (ICUs) randomized to the intervention arm of the Benefits of Universal Gown and Glove (BUGG) study.PARTICIPANTSAll HCWs performing direct patient care in the study ICUs were eligible to participate.METHODSSurveys were performed first during the BUGG intervention study period (July–September 2012) with universal gowning/gloving and again after BUGG study conclusion (October–December 2012), with resumption of usual care. During each phase, HCW clothing was sampled at the beginning and near the end of each shift. Cultures were performed using broth enrichment followed by selective media. Acquisition was defined as having a negative clothing culture for samples taken at the beginning of a shift and positive clothing culture at for samples taken at the end of the shift.RESULTSA total of 348 HCWs participated (21–92 per site), including 179 (51%) during the universal gowning/gloving phase. Overall, 51 (15%) HCWs acquired commonly pathogenic bacteria on their clothing: 13 (7.1%) HCWs acquired bacteria during universal gowning/gloving, and 38 (23%) HCWs acquired bacteria during usual care (odds ratio [OR], 0.3; 95% confidence interval [CI], 0.2–0.6). Pathogens identified includedS. aureus(25 species, including 7 methicillin-resistantS. aureus[MRSA]),Enterococcusspp. (25, including 1 vancomycin-resistantEnterococcus[VRE]),Pseudomonasspp. (4),Acinetobacterspp. (4), andKlebsiella(2).CONCLUSIONNearly 25% of HCWs practicing usual care (gowning and gloving only for patients with known resistant bacteria) contaminate their clothing during their shift. This contamination was reduced by 70% by gowning and gloving for all patient interactions.Infect Control Hosp Epidemiol 2014;00(0): 1–7

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Waters, Catherine. "‘Fashion in undress’: Clothing and Commodity Culture inHousehold Words." Journal of Victorian Culture 12, no. 1 (January 2007): 26–41. http://dx.doi.org/10.3366/jvc.2006.12.1.26.

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Evan Casey and Deirdre Clemente. "Clothing the Contadini: Migration and Material Culture, 1890–1925." Journal of American Ethnic History 36, no. 4 (2017): 5. http://dx.doi.org/10.5406/jamerethnhist.36.4.0005.

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Ulväng, Marie. "Clothing Economy and Clothing Culture: The Farm Wardrobe from a Gendered Perspective in Nineteenth‐Century Sweden." Gender & History 33, no. 2 (June 11, 2021): 365–89. http://dx.doi.org/10.1111/1468-0424.12543.

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Xu, Xu Bing, and Lei Feng. "A Brief View on the Reflection of Pleated Design in the Concept of Low-Carbon Clothing." Advanced Materials Research 955-959 (June 2014): 162–65. http://dx.doi.org/10.4028/www.scientific.net/amr.955-959.162.

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By defining the concept of low carbon clothing and summarizing the design factors, this paper analyzes the low-carbon characteristics of pleated design in the processes of design, production and wearing. In the concept of low-carbon clothing, pleated design achieves the structure design of “multiple ways of wearing one piece of clothes” and “one-piece style”. It saves the cost of clothing, satisfies people’s diverse needs for clothing, brings a fresh wearing experience to customers, advocates the concept of “green” wearing and consumption, and meets people’s spiritual demand for low-carbon culture and life.

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Alexeyeff, Kalissa, and Geir Henning Presterudstuen. "Fashioning culture: Transforming perspectives from Oceania." Critical Studies in Fashion & Beauty 12, no. 1 (June 1, 2021): 5–24. http://dx.doi.org/10.1386/csfb_00018_2.

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In this introductory article we discuss what might be gained from examining more familiar areas of anthropological research such as cloth, dress or material culture through fashion as an analytical category and, in turn, how insights from Pacific clothing cultures can broaden understandings of fashion. Our aim is to unsettle the ethnographic gaze that is often brought to bear on non-western cultures of fashion, cloth, clothing, style and innovation. Fashion, as we conceive of it, spans from the physical production and design of garments and objects to everyday appearances, the desire to be ‘in vogue’ and the consumption of aesthetic objects that are considered popular. From this starting point we move analyses of fashion from the systemic to the experiential, reflecting ethnographic sensitivity to everyday embodied practice and the constant political and creative negotiation of values and norms that takes place in quotidian social relations. We situate these analyses in a region that is often perceived to be at the very edge of the world economy and invite further discussion about the relationship between fashion and the global flow of people, ideas and commodities.

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AS, Nasruddin. "Pergeseran Budaya Masyarakat Perlak Asan: Studi Kasus tentang Pakaian Adat." Jurnal Adabiya 20, no. 1 (April 16, 2020): 1. http://dx.doi.org/10.22373/adabiya.v20i1.6775.

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The shift of traditional clothing in society is very common to happen because of an attempt to adapt with new need. The happening of shift in traditional clothing of marriage in Perlak Asan village, Sakti Sub-dis- trict, Pidie Regency focus more on the clothes during religious rite and cultural rite of marriage. This research is using qualitative method which is observation, interview and documentation. The result of research show that traditional clothing for marriage is changing from traditional into modern. But the shift is about the mod- ernization of the clothes which show the process of social culture transformation as the urge of society to be up to date with global world. Traditional clothing that is being used consists of values or messages that want to be delivered by the brides. Traditional clothing for example is Acehnese clothing, Seloyor. And modification of modern clothing is Acehnese clothing Duyung, Indian wedding dress, Barbie dress, Kebaya gown and Kebaya robe.

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Zhou, Hui. "Research about the Influence of Clothing Store Designs and Displays on the Consumer Purchase Decision Based on the Data Analysis." Applied Mechanics and Materials 687-691 (November 2014): 4959–62. http://dx.doi.org/10.4028/www.scientific.net/amm.687-691.4959.

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Along with the increasing development of clothing market and our fashion industry, more and more clothing stores lay great emphasize on the designs and displays in their clothing store. In our modern time, clothing store is not only a simple place to sell goods but also a place to present the personality and characteristic of our clothing brand. In other words, clothing store has been a place for customers to enjoy beauty and spiritual experience when they purchasing and browsing their clothes. In this sense, the purpose of the designs and displays in clothing store is just to appeal customers to enter clothing store, enjoying clothes, choosing clothes and at last buying clothes. Therefore, the designs and displays in clothing store has been an important mark for the clothing brand and clothing industry. This paper mainly from the angle of designs and displays in clothing store to study the influence of customer purchase decision based on the data analysis. Using excellent design and display in clothing store can attract the customers' vision, induce customers' minds, stimulate customers' interest and change their passive purchase concept. Then the author will make a summary about some following principles about the designs and displays in clothing store which should be pay much attention and put forward the importance of making good designs and displays in clothing stores and enriching our clothing brand culture in order to satisfy our customers various needs.

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Šimša, Martin. "The Origins of Women’s Skirt and Shirt Clothing on the Moravian-Slovak Border and Its Central European Context." Slovenský národopis / Slovak Ethnology 69, no. 1 (March 1, 2021): 30–60. http://dx.doi.org/10.2478/se-2021-0003.

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Abstract Over the past one hundred years, folk clothing has been considered one of the most significant elements of cultural heritage and has been perceived in this way not only by experts but, for many decades, by its wearers as well. In the present study, the author seeks to find an answer, based on an analysis of older expert texts, as to what formed the theoretical basis for this process, who were its representatives, at what conclusions they arrived, and how the methods of their work were reflected in the formulation of their conclusions. From the historical perspective, the study summarises the opinions on folk clothing, projected through the idea of Slavic unity, as can be observed in the case of Jan Koula and, through the reception of these opinions, also in the case of Lubor Niederle, Drahomíra Stránská and Viera Nosáľová. This work also offers newer reflections from the studies by Alena Jeřábková on the shaping of folk clothing within the Carpathian culture. Through the example of women’s linen skirts, the material part of the study seeks to point out the pitfalls of these approaches and highlight the need to study the construction of folk clothing from a longer historical perspective. Only in this way is the effect of clothing styles in the form of domestication of the individual pieces of stylish clothing evident, combined with older clothing layers. Even though most parts of folk clothing are not proto-Slavic and do not necessarily relate to the culture of the Carpathian curve, as a whole, they prove well the way the countryside managed to accept the transformations of contemporary fashion over the last four centuries and to incorporate them into a unique clothing complex.

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Akou, Heather. "Prison uniforms on the outside: Intersections with US popular culture." Fashion, Style & Popular Culture 7, no. 4 (October 1, 2020): 473–99. http://dx.doi.org/10.1386/fspc_00040_1.

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With the United States having the highest rate of incarceration in the world ‐ peaking in 2008 at 755 prisoners for every 100,000 residents ‐ it is not surprising that American popular culture is saturated with images of prison. Although the experience of being in prison is associated with humiliation, punishment and a lack of choice (which is antithetical to the existence of fashion), numerous films, television shows, music videos, designers and retailers have demystified and even glamorized the ‘look’ of prison. This article explores how Americans outside of prison are able to engage with this imagery ‐ not just as passive consumers of media, but through buying and wearing prison uniform costumes, fashions inspired by prison uniforms, clothing made by prisoners and clothing formerly worn by prisoners.

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Luttmann, Ilsemargret. "Küchler, Susanne, and Daniel Miller (eds.): Clothing as Material Culture." Anthropos 102, no. 1 (2007): 273–76. http://dx.doi.org/10.5771/0257-9774-2007-1-273-2.

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Giafferi, Natacha. "Susanne Küchler & Daniel Miller, eds, Clothing as Material Culture." L'Homme, no. 183 (September 1, 2007): 255–57. http://dx.doi.org/10.4000/lhomme.9951.

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Crane, Diana, and Laura Bovone. "Approaches to material culture: The sociology of fashion and clothing." Poetics 34, no. 6 (December 2006): 319–33. http://dx.doi.org/10.1016/j.poetic.2006.10.002.

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Cao, Zhenyu, and Yuanqian Cao. "The effect of ancient Chinese philosophy on Chinese clothing culture." Research Journal of the Costume Culture 20, no. 5 (October 31, 2012): 766–74. http://dx.doi.org/10.7741/rjcc.2012.20.5.766.

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王, 梦凡. "Viewing Chinese Traditional Clothing Culture from the Shape of Sleeves." Design 05, no. 02 (2020): 11–18. http://dx.doi.org/10.12677/design.2020.52003.

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Zhenyu Cao and Yuanqian Cao. "The effect of ancient Chinese philosophy on Chinese clothing culture." Research Journal of the Costume Culture 20, no. 5 (October 2012): 766–74. http://dx.doi.org/10.29049/rjcc.2012.20.5.766.

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Waters, Catherine. "'Fashion in undress': Clothing and Commodity Culture in Household Words." Journal of Victorian Culture 12, no. 1 (2007): 26–41. http://dx.doi.org/10.1353/jvc.2007.0019.

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Winterton, Ruth. "Enterprise Culture and the Restructuring of the UK Clothing Industry." Management Research News 13, no. 6 (June 1990): 25–26. http://dx.doi.org/10.1108/eb028101.

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Zatlin, J. "Fashioning Socialism: Clothing, Politics and Consumer Culture in East Germany." German History 25, no. 3 (July 1, 2007): 453–54. http://dx.doi.org/10.1177/02663554070250030811.

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Hatherley, Owen. "Fashioning Socialism: Clothing, Politics and Consumer Culture in East Germany." Historical Materialism 16, no. 4 (2008): 225–32. http://dx.doi.org/10.1163/156920608x357819.

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Polley, Martin. "Knitting and the Olympic Games: Clothing, Competition, Culture, and Commerce." TEXTILE 12, no. 1 (March 2014): 72–85. http://dx.doi.org/10.2752/175183514x13916051793514.

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Lennon, Sharron J. "Bondage in Women's Clothing as Reflected in Television." Empirical Studies of the Arts 8, no. 1 (January 1990): 77–83. http://dx.doi.org/10.2190/1yev-tadr-5prb-cv4r.

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Changes in a society are often mirrored in changes in the decorative arts. This research was designed to investigate change in women's clothing fashions (elements of bondage) and its relationship to changing sex roles. Since television is thought to be reflective of the culture in which it exists, the clothing fashions used in this analysis came from three situation comedy series. Results indicate that as sex roles changed from traditional to nontraditional women's clothing in the sitcoms came to exhibit fewer elements of bondage.

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Ma, Li. "Strategy Study on National Tourism Clothing Cultural of Guilin Region." Applied Mechanics and Materials 411-414 (September 2013): 2335–38. http://dx.doi.org/10.4028/www.scientific.net/amm.411-414.2335.

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For some of the problems that exist in the current the Guilin Tourism Clothing cultural resources product development, In this paper, from the tourist costume culture resources should be associated with other tourism resources development; Increase in Guilin tourism clothing culture and the characteristics of product design and development; Add dress culture involved in tourism products; Make full use of the festival activities and related platform; Strengthen the intermediary function of guide information transmission and channels to strengthen tourism apparel product design and development of these six aspects jointly develop tourism apparel products, And can stand on the height of the global integration, based on its national cultural characteristic, carries on the reasonable and effective protection and development.

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