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Tingskog, Hedda. "Hyllningskultur: de samarbetande kvinnornas strategi : En sociologisk studie om hur hyllningskultur tar sig uttryck bland kvinnliga scenkonstnärer i sociala medier." Thesis, Södertörns högskola, Sociologi, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-37994.
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Det här är en uppsats som sökt svaret på frågorna: Vad är hyllningskultur och hur tar den sig uttryck bland kvinnliga scenkonstnärer i sociala medier idag? Hur kan hyllningskultur förstås ur ett sociologiskt perspektiv? Sammanlagt har material från 119 Instagraminlägg tillhörande 46 personer samlats in via snöbollsurval och bearbetats med hjälp av framinganalys. Detta har möjliggjort för en analys av hur hyllningskultur framställts. Med vetenskapliga begrepp som inkludering, homosocialitet, kapital och ryktesbaserat samarbete har hyllningskultur beskrivits till att innefatta framställningen av huvudpersonens process, framställningen av upphovspersonens position, relationen dem samt andra konstnärer emellan samt det samhälleliga projektet som konsten är en del av. Tillsammans har de beskrivit det sociala fenomenet hyllningskultur. Hyllningskultur är ett samarbete för att uppvärdera ens egna erfarenheter och ställa om maktförhållandet mellan den egna verksamheten och mainstream. Det är en förhandling med kapital för synlighet, makt och resurser. Hyllningskultur är de samarbetande kvinnornas strategi – en tydlig protest mot den ensamme mannens geni.This study aims to answer the questions: What is is culture of tribute and how is it expressed amongst female performance artists in social media today? How can culture of tribute be understood in sociological terms? A total of 119 Instagram posts from 46 creators have been analysed. The posts were collected by chain sampling and processed by framing analysis, to visualize how culture of tribute has been portrayed. This study applies theories of inclusion, homosociality, capital and reputation-based cooperation and describes culture of tribute as the framing of the chief character's process, the framing of the consignor's position, the framing of the relationship them between and the political and social project of which the art is part of. Together, these describe the social phenomenon 'culture of tribute'. The results show culture of tribute as a cooperation aiming to upgrade own experiences and challenge the relationship between the own artistic work and mainstream, culture of tribute is a negotiation of capital with social visibility, power and control over resources as a goal. It is the strategy of cooperating women and a protest against the notion of the autonomous male genius.
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Costa, Márcia Rodrigues da. "Jornalismo cultural: a produção de Patrícia Galvão no jornal A Tribuna." Universidade Metodista de São Paulo, 2008. http://tede.metodista.br/jspui/handle/tede/827.
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Previous issue date: 2008-04-16This study salvages Patrícia Galvão s participation in cultural journalism in the city of Santos, between 1954 and 1961, from a sociologic-historical perspective. From the study of her intellectual trajectory, it was possible to identify, through a qualitative analysis of the column Literature, produced by the journalist between 1957 and 1961 for the newspaper A Tribuna, the defining characteristics of her production in four decades of dedication to the press: the constant search for reporting the vanguard , the didactic preoccupation, the intellectual autonomy, the defense of literature as a form of social emancipation and the dialogue with local, Brazilian and foreign intellectuals and writers. This study has situated Patricia Galvão in a generation which contributed to modernize the discussion of ideas and the very language of the magazines and periodicals in which they participated. The production of these intellectuals stressed the role of newspapers as an instrument of analysis and criticism in face of the discussions on culture and society, which allows the understanding of the press as a territory of conflicts which shelters different symbolic productions.
Este estudo resgata a atuação de Patrícia Galvão no jornalismo cultural em Santos entre 1954 e 1961, adotando uma perspectiva histórico-sociológica. A partir do acompanhamento de sua trajetória intelectual, identificou-se, por meio de uma análise de conteúdo qualitativa da coluna Literatura, produzida pela jornalista entre 1957 e 1961 no jornal A Tribuna, as características definidoras de sua produção ao longo de quatro décadas de dedicação à imprensa: a busca constante pela divulgação da vanguarda, a preocupação didática, a autonomia intelectual, a defesa da literatura como forma de emancipação social e o diálogo com os escritores e intelectuais locais, nacionais e internacionais. O estudo situou Patrícia Galvão em uma geração que contribuiu para modernizar o debate de idéias e a própria linguagem dos periódicos. A produção destes intelectuais reforçou o papel do jornal como instrumento de análise e crítica frente às discussões sobre cultura e sociedade, o que permite entender a imprensa como um território de conflitos que abriga produções simbólicas diversas.
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Linhares, Bianca de Freitas. "A cultura política porto-alegrense : tributos e confiança institucional." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2006. http://hdl.handle.net/10183/8672.
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Um elemento que tem caracterizado países democráticos é a desconfiança institucional. Bancos de dados de pesquisas realizadas em todo o mundo mostram que os cidadãos não têm depositado confiança nas instituições políticas e nos políticos. Para justificar tal comportamento, usualmente são consideradas várias causas como a corrupção, a apatia da própria população e a falha dos governos em propiciar políticas públicas que vão ao encontro das necessidades dos cidadãos. Entretanto, o descrédito na política e nas suas instituições tem base não apenas nessas questões mas também na tributação. Como o impacto do pagamento de impostos no comportamento da população é pouco estudado na América Latina, esta dissertação propôs uma análise sobre a percepção do pagamento tributário e a sua influência na confiança institucional dos porto-alegrenses, com vista a verificar a manutenção do seu Contrato Social. Para averiguar tal questão, foram utilizados dados de pesquisa tipo survey realizada em Porto Alegre/RS, no ano de 2003. A partir desta pesquisa, foi construído um índice de percepção dos impostos para confrontá-lo com dados sobre confiança da população estudada. Os principais resultados alcançados mostraram que os cidadãos porto-alegrenses percebem elementos de manutenção do Contrato Social e têm a sua confiança institucional influenciada pela sua percepção do pagamento tributárioAn element that has characterized democratic countries is institutional distrust. Survey research data conducted globally show that the citizens are growingly distrustful of political institutions and politicians. Such behavior is justified based upon corruption, citizen’s apathy and government’s failure in providing public policies design to meet the needs of the citizens. However, the discredit in politics and political institutions are not only explained by those factors but also on how taxes influence the daily life of citizens. As the impact of taxes in the population’s behavior has rarely been studied in Latin America, this dissertation analyzes porto alegrenses’ perceptions about tax payment’s and its influence in their political trust. We basically examine how the relationship between these two dimensions contribute, or not, to the maintenance of the Social Contract. In order to answer this question a survey research was conducted in Porto Alegre/RS, in 2003. An index of perception of tax payment was constructed and then crossed with institutional trust. The results indicate porto-alegrenses demonstrate and support the Social Contract. However, this trust is negatively influenced by the perception of excessive tax payments.
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Deconinck, Kate Yanina. "The Aftermath: Memorialization, Storytelling, and Walking at the 9/11 Tribute Center." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:15821956.
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Located in the heart of Lower Manhattan, the 9/11 Tribute Center is a small memorial museum that commemorates the attacks of September 11, 2001, and their aftermath. Tribute’s five small galleries house numerous exhibits and artifacts; however, this museum is most widely recognized for its daily walking tours, which are led by individuals who hold direct connections to the attacks. These docents—who include survivors, first responders, rescue and recovery workers, local residents, and family members of the deceased—share historical information, statistics, and their own stories as they lead visitors around the new World Trade Center site.
Drawing from four years of ethnographic research and interviews at this memorial museum, my dissertation argues that Tribute has been a site of profound meaning making for many individuals struggling to gain purchase on an event that shattered their lives. I employ an existential and phenomenological approach to show how everyday acts of memorialization, storytelling, and walking have allowed individuals to cultivate a sense of agency and restore intersubjective bonds. Case studies also illuminate the complex interplay between personal memory and collective memory at this site as docents attempt to navigate the space between private and public realms.
In analyzing the continual negotiation of memory and discourse, I reveal how tensions can inhere when individual and official framings of the past diverge. Particular attention is given to the ambiguous place of religious narratives, histories, and interpretations of the past at Tribute, an institution that strives to remain religiously and politically neutral. I analyze the reasons why Tribute’s leaders have attempted to prohibit conversations about religion from their site while also pointing to some of the consequences—both individual and social—of their framing.
Ultimately, this dissertation makes two important contributions to the field of Religious Studies. First, this work moves beyond conventional frames of reference to analyze the manifold resources (whether conventionally called “religious” or not) upon which humans draw to reconstruct viable lives in the wake of a trauma. And, second, it examines how institutional ideas about religion can shape exhibits, tours, and larger public perceptions of an event.
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Everbach, Tracy. "Managing "Amazonia" a cultural case study of female leadership at the Sarasota Herald-Tribune /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2004. http://hdl.handle.net/10355/4088.
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Thesis (Ph. D.)--University of Missouri-Columbia, 2004.The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file viewed on (June 28, 2006) Vita. Includes bibliographical references.
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Ayres, Vivian Nani. "Da sala de leitura à tribuna: livros e cultura jurídica em São Paulo no século XIX." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8137/tde-25032019-105757/.
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Investigar os livros presentes nas residências paulistanas, na segunda metade do século XIX, é um caminho para se compreender a história da cidade. De que forma a sua presença poderia revelar aspectos da estrutura e da superestrutura vigentes, assim como indicar as transformações operadas? Qual papel esse tipo de impresso cumpriu nessas transformações? Essas são as per-guntas, inspiradas nas proposições de Lucien Febvre, que tentamos responder com a presente pesquisa. São Paulo do começo do século XIX não se parecia em nada com a cidade na qual se transformaria ao final da centúria. A trajetória dos livros, que tantos obstáculos enfrentou, en-controu na criação da Academia de Direito, em 1827, um terreno fértil para a sua expansão. Mas, assim como ocorreu com a instituição na qual pode frutificar, o universo livresco demorou a deitar raízes e se restringiu a um grupo seleto de leitores. No entanto, ele cumpriu uma im-portante função, inclusive quando a crescente economia cafeeira reposicionou a cidade em es-cala nacional e internacional. A análise dos livros presentes nos inventários post-mortem e os debates em torno da cultura jurídica, sobretudo em relação à ideia de direito natural, refletem esses processos e ajudam a melhor compreender a dinâmica das mudanças vivenciadas na ca-pital paulistana, no século XIX.A way to understand the Sao Paulo history is analyzing the books present in paulistano\'s homes in the second half of the twentieth century. How their presence can reveal aspects of structure and superstructure by that time as well as indicate changes? How those books have influenced these changes? Based on Lucien Febvre propositions, the intention is to answer these questions in this research. Sao Paulo of the beginning of nineteeth century had nothing to do with the city it became in the end of this same century. The difficult book circulation in Brazil found in the establishment of Law School a breeding ground to its expansion. Yet the book universe took long to put down roots and restrained itself to a small group of readers as it happened to the institution where it grew. Even so the book universe played an important role when the growing coffee economy put the city of Sao Paulo in a new position in national and international level. The analysis of books present in the post-mortem inventories and the debates about legal culture, mainly about natural rights, reflect these processes and help understand better the dynamic of changes lived in the paulista capital in the nineteenth century.
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Nascimento, Jorge Luiz do. "Trincheiras ideológicas : o debate entre os jornais peruanos El Comércio e La Tribuna." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2010. http://hdl.handle.net/10183/27143.
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Este trabalho procura mostrar a formação de uma cultura política, no contexto peruano do século XX, a partir da análise de uma parte significativa da imprensa nacional. Constata-se que as diferentes abordagens produzidas pelos segmentos políticos mais importantes, a oligarquia peruana e o Partido Aprista Peruano, contribuíram decisivamente para a proliferação de valores, conceitos e práticas políticas autoritárias, radicais e mesmo violentas através de seus principais veículos de comunicação, respectivamente, os jornais El Comercio e La Tribuna. São, inclusive, co-responsáveis pela frequente imposição de regimes anômalos, como ditaduras civis e militares. Restringindo a pesquisa aos momentos nos quais a liberdade de expressão permitiu o convívio legalizado de ambos periódicos, especialmente entre os anos de 1931/1932 e 1945/1948, estabelece-se uma comparação integral dos conteúdos publicados, percorrendo a trajetória que levou à fixação dos posicionamentos daqueles agentes políticos, sua importância no comportamento político e mesmo o desdobramento das influências por eles exercidas em períodos posteriores.This work presents the formation of a political culture in the Peruvian context of the 20th century from an analysis of a significant part of the national press. The different approaches used by the most important political segments, the Peruvian oligarchy and the Partido Aprista Peruano, contributed decisively to widespread values, concepts and radical, authoritarian and even violent political practices through the main press, respectively the newspapers El Comercio and La Tribuna. Both were co-responsible for the frequent imposition of anomalous regimes such as military and civil dictatorships. Narrowing the scope of the research to the periods in which freedom of speech enabled the legal co-existence of both newspapers, especially between 1931/1932 and 1945/1948, it is possible to compare the content published to understand the establishment of these two political agents, their importance in the national political behavior as well as the unfolding of their political influences later on in history.
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Gestin, Martine. "Les gens du dos et leurs voisins : anthropologie d'une culture minoritaire dans les Monts Cardamone, Inde du sud." Paris 10, 2003. http://www.theses.fr/2003PA100156.
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Les Muduvar sont un petit groupe d'anciens agriculteurs itinérants dans les monts Cardamome sud indiens. Comme bien peu d'études leur ont été consacrées jusqu'à maintenant alors qu'ils sont dépositaires d'un fonds culturel autochtone aux traits singuliers, cette thèse est une monographie destinée à le dévoiler davantage. Son développement s'ouvre par une étude contextuelle qui prend pour objet un village muduvar. Puis il se poursuit dans la direction du temps historique en procédant à un élargissement de son objet, incluant les voisins traditionnels des Muduvar, pour retracer leurs traditions politiques communes et leurs transformations sous la colonisation. Enfin il se termine par un recentrage sur le fonds autochtone muduvar entendu comme "matrice culturelle" par son degré de cohérence, abordant notamment les traits originaux de son système de parenté. Cette monographie se veut un nouvel effort pour penser le degré d'autonomie des sociétés dites tribales dans la culture sud indienneThe Muduvar are a small group of former shifting cultivators in the south indian Cardamom Hills. As very few studies were dedicated to them until now even though they are depository of an autochtonous cultural heritage with singular features, this dissertation aims to unravel it further. Its development opens with a contextual study which focuses on a muduvar village. Then it goes on in the direction of historical time, widening its scope in order to include Muduvar's traditional neighbors and study their common political traditions and transformations under the colonial rule. Finally, it comes back to the muduvar autochthonous heritage considered as a "cultural matrix" for its cohesiveness, dealing in particular with its original kinship system. This monograph claims to be a new endeavor in thinking the so called tribal societies' degree of autonomy in the South Indian culture
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MAGGIOLINI, PAOLO MARIA LEO CESARE. "ARABI CRISTIANI DI TRANSGIORDANIA DALLO STATO OTTOMANO ALL'EMIRATO HASHEMITA. SPAZIO POLITICO E CULTURA TRIBALE." Doctoral thesis, Università Cattolica del Sacro Cuore, 2010. http://hdl.handle.net/10280/798.
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Il percorso di ricerca si propone di studiare la Transgiordania, le sue tribù arabe, cristiane e musulmane, e le sue unità spazio-ecologiche in cui presero forma ambienti socio-politici differenti. La tesi si propone lo studio delle differenti fasi di transizione – dalla tribù allo stato e dalla tribù alla comunità – in cui gli spazi politici e sociali vennero riconfigurandosi secondo logiche di potere antiche e nuove al tempo stesso. L’obiettivo è individuare un itinerario storico che, attraversando i differenti distretti della Transgiordania durante il XIX secolo, la Grande guerra e il Mandato britannico, racconti la realtà del cristianesimo locale, le caratteristiche dei suoi micro-cosmi politici e la nascita dell’Emirato Hashemita di Transgiordania.The thesis aims at studying Transjordan, its Arab Christian and Muslim tribes, and its spatial-ecological units in which different socio-political dynamics took place. The thesis analyzes different transition stages, from tribes to state and from tribe to community, in which political and social spaces have been reconfigured according to power logics, which were old and new at the same time. The objective is to identify a historical journey that deals with the reality of local Christianity, the characteristics of its political micro-cosmos and the birth of the Hashemite Emirate of Transjordan. This would be done by looking at the micro-history of the Transjordanian districts during the nineteenth century, the Great War and the British Mandate.
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Van, Camp April. "MEMORIES AND MILESTONES: THE BRIGHTON SEMINOLE TRIBE OF FLORIDA AND THE DIGITIZATION OF CULTURE." Doctoral diss., University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/3415.
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This dissertation project discusses individual photographs of the Brighton Seminole Tribe of Florida from the early 1900s to the current period, each organized by way of their institutional significance, not their place in chronological history. Following Jean Mohr and John Berger's model in Another Way of Telling, I create a narrative for the pictures with a discussion of historical information, current data from interviews, Tribal members' stories, and my own personal story as it is tethered to the tribe. The research addresses the following questions: Can photography offer a technological means to communicate culture in a vital, organic way? Can photos communicate culture as identity and not something merely to identify with? Can this cultural identification include me, an outsider, and is it possible that a colonialist viewpoint is actually beneficial to the tribe? John Berger, Roland Barthes, and Gregory Ulmer's theories allow opportunity for new perspectives, and even would-be answers at times. Admittedly, there is no frame large enough to hold all of the truth, but these theorists' works push the frame's boundaries to look at the pictures from other perspectives, other as both different and from the outside. These critics offer light and air, posing questions such as, what assumptions help a viewer transcend the normally limited perspective of a superficial observer? What possible contributions might an outsider bring to the interpretation?Ph.D.
Department of English
Arts and Humanities
Texts and Technology PhD
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Wallez, Philippe. "Local and regional information in the age of electronic media : a comparative study (United States - France)." Thesis, Aix-Marseille, 2017. http://www.theses.fr/2017AIXM0557.
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La concurrence est en voie d’extinction dans l’industrie de la Presse Quotidienne Régionale en France et des grands journaux « metropolitan » des Etats-Unis. La concurrence est un débat économique et sociétal récurrent dès qu’il s’agit de médias. La pluralité des voix est considérée à tort ou à raison comme un des piliers de la démocratie représentative. Elle est protégée par des lois en France et aux Etats-Unis visant à réguler la concentration. Force est de constater que ces textes restent sans efficacité sur le terrain. Les économistes sont partagés quant à l’effet de la concentration sur les affaires. Certains soulignent une baisse du lectorat//audience dans les départements en situation de monopole. La corrélation dominante cause/effet n’a jamais été prouvée, dans la mesure où le déclin de la presse a d’autres raisons. Les partisans de la concentration avancent les avantages financiers de cette situation, principalement des économies d’échelle et la possibilité de fixer les prix hors de la réalité d’un marché concurrentiel. Mais cette époque est révolue. Notre sujet est pourtant pionnier au sens où la concurrence redevient la règle sur le marché de le publicité numérique et également des «informations ». Des starts-up se multiplient aux Etats-Unis défiant les groupes historiques dans une compétition certes encore très asymétrique, La France semble toujours en retard quant à cette émergence d’entrepreneurs régionaux. A travers des études de cas, nous tenterons de prouver que la concurrence marketing et éditoriale a encore un effet dopant sur les ventes « papier » (compétition Ouest-France et Télégramme ou sur Chicago à moindre échelle)Due to concentration, in the United States and France, competition is about to be eradicated in the local and metropolitan newspaper industry. Some scholars regret the lack of pluralism which is historically the function of the press in a representative democracy. Pluralism is highly regulated by the states, but laws could not prevent concentration. Economists are divided about the impact of concentration regarding business. Some point out that circulation has dropped in newly monopolistic areas. But they do not provide the undoubtedly proof of a correlation between those two facts. Economies of scale and financial benefits (price-fixing) of a monopolistic position may justify concentration on an economic level. Some companies have enjoyed double-digit profit while in a monopolistic position. But this time is over. The emergence of the Internet has generated a highly competitive market regarding advertising and news business. Our topic is thus not lamenting the good old days of competition, but it is pioneering. In the United States, many start-ups, mostly non-profit, challenge the legacy regional and metropolitan newsgroups the same way that already big groups do nationwide, such as Buzzfeed or Quartz or Vox. Entrepreneurs, in a Schumpeterian meaning, strive to replace stagecoach owners and build the railways of the future. The trend is much less clear in the French case.Our research wants to assert that marketing and full editorial competition still boosts circulation and business (Brittany in France) and is an unavoidable rendezvous for the legacy groups in the digital news era because they are forced to abandon the corporate culture of the past
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Van, Camp April Cone. "Memories and milestones the Brighton Seminole Tribe of Florida and the digitization of culture /." Orlando, Fla. : University of Central Florida, 2008. http://purl.fcla.edu/fcla/etd/CFE0002243.
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Boufatma, Abdeslam. "Contribution à l'étude du changement socio-économique et culturel dans la société rurale : cas de Karia." Paris 5, 1987. http://www.theses.fr/1987PA05H013.
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Trois types de changements ont marqué l'évolution de la société rurale à Karia. A la différence des grands bouleversements qui nous préoccupent au XXème siècle le changement produit au cours du XVIIIème et du XIXème siècle était lent, partiel et superficiel. Une rotation du pouvoir personnel était permise par la transformation des tribus en groupes militaires. Cette modification politique a contribué à la constitution des domaines seigneuriaux par l'aristocratie administrative et religieuse. Au fait le changement semble avoir agi sur la terre et sur la tribu et non dans la tribu. Avec la colonisation les bases de l'organisation tribale commençaient à subir des changements importants. Deux processus furent à l’origine de ce fait: la destruction et le déséquilibre. Le premier affectait les rapports économiques, les systèmes politiques et juridiques. Le second touchait à l'ordre social des familles, des lignages et perturbait le schème culturel et symbolique. La situation coloniale restait enfin, marquée par le désordre social du à l'expansion démographique, au chômage, à l'exode, a l'acculturation. Avec la mise en œuvre des reformes nationales la société paysanne entrait dans une phase d'évolution nouvelle dominée par une dynamique générale de restructuration. Désormais, l'organisation sociale s'éloigne sensiblement de ses anciennes structures. Le système de production capitaliste engendre la formation nette des classes sociales et le déclin des hiérarchies traditionnelles. A l'organisation tribale se substitue l'organisation communale. Le passage de la famille étendue à la famille conjugale accompagne l'introduction des partis politiques et l'extension de l'infrastructure urbaine. Tout cela lie à l'effet des mass-médias et de la scolarisation massive opèrent des changements culturels importants: recul des rapports sacres et mythiques, des activités rituelles et magiques, substitution du temps linéaire au temps cyclique. Dynamiques et contraintes, conflits et élaborations font que la société soit remise en cause de façon permanente; ils contribuent à constituer et manifester sa pluralité. Analyser et démontrer les dimensions spécifiques de cette pluralité reste une étude à faireThree kinds of change have marked the evolution of rural society in Karia. Contrary to the great upheavals we are concerned of in the 20th century, the change that occured during the 18th and 19th centuries was generally slow, and superficial. The political change has contributed to the constitution of lords domains by acted on the land and the tribe, and not within the tribe. It’s in the colonization period that the bases of tribal organization began to go through significant changes. At the origin of that fact there were two processus: destruction and inbalance. The former affected economic relations, political and juridical systems. The latter had a direct impact on social order of lineages, and disturbed the cultural schema. These caracteristic conditions of the colonial situation remained marked by social disorder. With the implementation of national reforms and plans, rural society entered an era of new evolution dominated by general dynamics of restructruring. Henceforth social organization sharply leaves its old structures. The system of capitalist production is imposed on all sectors. The clear establishment of social classes completely modifies traditional hierarchies. Village organization has replaced tribal organization. The change from the extended family to the conjugal family is linked with the extension of urban and administrative infrastructure. The last facts, combined with great effect of the mass-media and schooling make important cultural changes. Dynamics and contraints, conflicts and elaborations call society into question in permanent basis; they contribute to the construction and demonstration of its plurality. To analyses and demonstrate the specific dimensions of this very plurality is a study ahead
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Chiesa, Carolina Dalla. "A casa da cultura digital como uma tribo contemporânea : etnografando formas de sociação." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2014. http://hdl.handle.net/10183/96868.
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O objetivo principal desse trabalho foi o de descrever e compreender a maneira pela qual se constituem em mantém-se as formas de sociação de uma organização chamada Casa da Cultura Digital em Porto Alegre (CCD). Para tanto, os objetivos específicos foram: descrever as sociabilidades e conflitos como formas de sociação; descrever as peculiaridades da forma se organizar da CCD; e, compreender os significados que a CCD tem para seus integrantes. Estes objetivos estão embasados nos direcionamentos das “lentes teóricas” utilizadas que buscam compreender os estilos de vida e as formas de viver em conjunto permeadas por uma saturação do indivíduo em meio às objetificações da vida moderna, as quais podem lhe constranger. Em certos casos, tais objetificações são chamadas de formas de sociação: maneiras pelas quais as pessoas associam-se umas com as outras e desenvolvem conteúdos – entendidos como motivações ou interesses – que se abrigam em uma determinada “forma”. Quando uma lógica racional-instrumental, que faz parte de tais objetificações, dá sinais de saturação, emerge uma forma de viver em comum estética, lúdica e presenteísta que, de certo modo, opõe-se às institucionalizações, ao gigantismo e ao imperativo da eficiência. Um exemplo dessa expressão acontece em tribos pós-modernas, as quais revelam um modo de ser e estar com os outros dotado de uma razão sensível. Neste trabalho, estão em foco estas duas noções: formas de sociação e tribos contemporâneas à luz do exemplo de uma organização de natureza associativa, que busca realizar eventos, palestras e encontros para informar a população sobre cibercultura, uso dos meios digitais e o universo hacker - não restrita a isso. A partir de uma aproximação etnográfica com esse campo, foi possível notar sinais de uma exacerbação das sociabilidades, dos conflitos e de algumas peculiaridades da forma de organizar as tarefas, tais como: a rejeição de formalizações, de hierarquias, certa aversão às relações demasiadamente monetarizadas, bem como o modo de uso dos espaços físicos e do ciberespaço. Tal forma de ser e de organizar-se revela aspectos de um grupo que busca expressar-se em sua criatividade, demonstrando, para além disso, uma tentativa de se opor às formas de trabalho centralizadoras e pouco criativas, formatando um espaço divergente. Nesse jogo de formas, entre proximidades e afastamentos, o sujeito mostra que quando não encontra a satisfação nos ambientes “tradicionais”, este busca maneiras de expressão concretizadas em uma organização que se aproxima da metáfora da tribo contemporânea, constituindo uma forma de sociação, a qual revela negações e rearticulações de formas de gestão.The main objective of this work was to describe and comprehend the way through which forms of sociation are constituted and maintained in an organization named Casa da Cultura Digital (CCD) situated in Porto Alegre. Thus, the specific objectives were: to describe sociabilities and conflicts as forms of sociation; to describe the peculiarities of the way CCD is organized; and, comprehend the meanings that CCD plays to its members. These objectives are based on the directions of the “theoretical lenses” which search to comprehend the life styles and forms of living together permeated by a saturation of the individual amidst the objectifications of a modern life, which can constrain him (SIMMEL, 2005b). In certain cases, these objectifications are named forms of sociation: manners through which people associate with one another and develop contents – understood as motivations and interests – that accommodate in a certain form. When an instrumental rationality, which is part of those objectifications, displays signs of saturation, an aesthetic, playful, and presentist way of living emerges in a certain way opposing to an institutionalization, a gigantism, and an efficiency imperative. An example of this expression happens in “post-modern tribes” (MAFFESOLI, 2010b) that reveal a form of being with others permeated by a sensitive reason. In this work, both notions of forms of sociation and contemporary tribes are in focus from an example of organization named Casa da Cultura Digital, an association which seeks to perform events, lectures, meetings to inform the population about cyberculture, the use of digital means and the hacker realm – not restricted to these themes. This form of being and organizing reveals a group that seeks to express itself in its creativity, sensitiveness, hedonism, and presentist interactions, which demonstrate, beyond that, an attempt to oppose centralized and less creative forms of working, thus, formatting a different space. In this play of forms, between proximities and distances, the individual shows that when the satisfaction is not found in “traditional” realms, he searches for forms to express himself that are actualized in an organization which approaches the metaphor of a contemporary tribe constituting a form of sociation, which reveals denials and re-articulations of ways of managing.
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Linhares, Bianca de Freitas. "Cultura política e percepção tributária : uma análise sobre a sustentação da democracia brasileira." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2011. http://hdl.handle.net/10183/30634.
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A desconfiança tem sido uma característica constante em vários países democráticos. Um forte motivo para esse comportamento é que em diversas sociedades os cidadãos não mostram satisfação com atividades governamentais, tais como disponibilização ou o acesso a bens e serviços. Mas, para que governos possam ofertar esses bens e serviços, é necessário que a população cumpra alguns deveres na relação Sociedade-Estado. Faz parte dessas obrigações o pagamento de impostos, previsto na teoria do contrato social, que define direitos e deveres mútuos para os atores acima referidos. O dever do Estado é buscar o bem comum. Contudo, pesquisas de opinião têm revelado a fragilidade da relação supracitada, o que pode colocar em risco a estabilidade democrática. Esta tese se propõe a pesquisar, a partir da teoria da cultura política, as relações entre a percepção tributária e as bases de sustentação da democracia (o apoio e a satisfação dos brasileiros em relação à democracia no Brasil), aspectos fundamentais para a manutenção do contrato social e do equilíbrio democrático. A pesquisa tem natureza quantitativa, com uso de bancos de dados de diferentes pesquisas realizadas em âmbito nacional. Os resultados do estudo sugerem que a atual percepção tributária da população brasileira favorece atitudes e comportamentos deletérios para as bases democráticas do país.Distrust has been a constant characteristic in many democratic countries. A big reason for this behavior is that citizens in different societies do not show satisfaction with government activities, such as availability or access to goods and services. But, for governments can offer such goods and services, it is necessary that the population meets some duties in the relation State-Society. Part of those obligations is to pay taxes, predicted by social contract theory, which defines mutual rights and duties for the actors mentioned above. The state's duty is to seek the common good. However, polls has revealed the fragility of the relationship above, which can endanger democratic stability. This dissertation aims to explore, from the theory of political culture, relations between taxes perceptions and the bases of sustentation for democracy (the support and the satisfaction of Brazilians regarding democracy in Brazil), essential aspects for the maintenance of the social contract and democratic balance. The research is quantitative, using databases from different surveys conducted nationwide. The study results suggests that the current tax perception of the population favors deleterious attitudes and behaviors to the democratic foundations of the country.
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MacKendrick, Katharine. "Climate Change Adaptation Planning for Cultural and Natural Resource Resilience: a Look at Planning for Climate Change in Two Native Nations in the Pacific Northwest U.S." Thesis, University of Oregon, 2009. http://hdl.handle.net/1794/10022.
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xii, 172 p. A print copy of this thesis is available through the UO Libraries. Search the library catalog for the location and call number.The literature indicates that for indigenous peoples the environmental impacts of climate change and some proposed solutions threaten lifeways, subsistence, economic ventures, future growth, cultural survivability, rights, land ownership, and access to resources. However, limited understanding and awareness of the vulnerability and capacity of American Indian and Alaska Native tribes and of climate change impacts at the local level affect climate policymaking, planning, and equity. Case studies with the Coquille and Hoopa Valley Indian tribes in the Pacific Northwest U.S. explore the key considerations in planning for climate change adaptation, particularly for cultural and natural resource resilience. Document analysis and semi-structured interviews offer insight on the risks the tribes face and the role of traditional and local knowledge and experience in planning for climate change adaptation. Conclusions offer information useful in planning for climate impacts, local-level climate adaptation research, and climate policy development at the local to global levels.
Committee in Charge: Dr. Michael Hibbard, Chair; Dr. Cassandra Moseley; Kathy Lynn
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Wigren, Laura. "MYAAMIA LUNAR CALENDAR PROJECT PHASE II: USING NEW TECHNOLOGY TO BUILD MUTUAL LEARNING." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1240544548.
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Ramírez, Salamanca Carla. "Ola ke ase? : estética adolescente en Santiago." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/115411.
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Diseñador GráficoNo autorizada por el autor para ser publicada a texto completo
El proyecto consiste en la edición de un libro de pequeño formato, en el cual se presenta la estética visual de tres grupos de adolescentes en Santiago de Chile, como una pieza de ensayo y registro. En estos grupos se presentan formas y signos estéticos, tanto icónicos como simbólicos, que se vienen manifestando desde aproximadamente el año 2007 hasta hoy en día. Estos grupos de adolescentes, denominados “Tribus Urbanas” poseen un gran componente simbólico oculto cuyos significados se transmiten en formas de pensar,vestir, hablar y escribir, apelando a su diversidad y formas de manifestarse. Bajo el título “Ola ke ase?”, el libro se basa en una investigación y en una exploración en terreno para observar tres tribus urbanas que se dicen ser originadas netamente en Santiago de Chile: Peloláis, Pokemones y Flaites. El contenido del libro consiste en un ensayo fotográfico acompañado de comentarios, citas y otras referencias para componer un documento que registra una visión de este fenómeno histórico-cultural.
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Hooper, David Alan. "Cultural and ecological relationships between the Nisqually Indian Tribe and plants of Mount Rainier National Park." Thesis, University of Montana, 2015. http://pqdtopen.proquest.com/#viewpdf?dispub=3728557.
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Throughout the history of the National Park Service, the question of whether Native American’s still have rights to traditionally used natural resources found within park lands has been debated. This debate is largely held in political, legal, and philosophical arenas, but there are ethnographic and ecological questions that need to be addressed in order for policy makers to make informed decisions. Addressing these questions also provides insight into how cultures develop sustainable harvesting practices. One of the parks that has been addressing traditional plant harvesting is Mount Rainier National Park, which has been working with the Nisqually Indian Tribe to develop a collecting agreement that would allow members of the Tribe to harvest twelve species of plants. In this dissertation, I ask two questions: first, how do members of the Nisqually Tribe traditionally harvest these plants? My other question is: what are the biological effects of harvesting beargrass (Xerophyllum tenax (Pursh) Nutt.) and pipsissewa ( Chimaphila umbellata (R. BR.) Spreng,), and peeling bark of western redcedar (Thuja plicata Donn. Ex D. Don)? I used a combination of ethnographic and ecological methods to answer these questions. Based on the metrics I used, the Nisqually practices do not decrease the abundance of beargrass and pipsissewa. The traditional harvest of cedar bark does not change the tree’s secondary growth rate. The lack of measureable change in these three species is a product of limiting the amount of biomass harvested to within the plants’ range of tolerance to damage. Results suggest that the Nisqually’s methods of harvesting are based upon traditional ecological knowledge. The results of this research will help Mount Rainier managers and the Nisqually Tribe to develop policy that allows the Tribe to utilize these plants while not interfering with the park’s mission.
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Randestad, Stina. "BREED." Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-8988.
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Breed has a concept and a main goal, to be unpredictable and visually impressive. The idea that it was built on was to try to create a collection with the method of breeding and the rules of genetics. At first, twelve individuals were created. They were all given characteristics – “genes”, handed out in a random way, decided by the toss of a dice. The individuals bred and were blended into a second generation, who thereafter procreated into a third. This third generation of eight characters, four females and four males, carry genes and features from their ancestors. They have been twisted, mutated and mixed, just like in nature. It is voluminous line-up with clashes between references, colours and styles. The challenge has been to let chance take decisions and to do something that was unexpected and was going to give an unpredictable result. Breed has not been done for a commercial destination but would be suitable for styling artists, editorials for fashion magazines, costumes in music videos or artistic films. The method is supposed to make people interested, the result is supposed to give the onlooker a smaller chock, a tingling sensation and the impression of a new subculture, a modern day tribe or a new breed. Or simply “What crazy person made this?”
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Mancinelli, Fabiola. "Zafimaniry: l'invention d'une tribu. Art ethnique, patrimoine immatériel et tourisme dans une communauté de Madagascar." Doctoral thesis, Universitat de Barcelona, 2013. http://hdl.handle.net/10803/128415.
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Cette thèse a pour objectif la description et l'analyse des dynamiques de production et valorisation de l'identité Zafimaniry à partir de trois domaines différents: l'art ethnique, le patrimoine immatériel et le tourisme.
Les Zafimaniry sont un groupe d'un peu plus de 35.000 personnes qui habitent une région située au coeur des Hautes Terres de Madagascar. Leur vie à proximité de la forêt leur a permis de gagner une grande maîtrise dans le travail du bois, visible surtout dans l'architecture de leurs maisons et dans les gravures qu'ils utilisent pour décorer les objets usuels. Le processus de marchandisation de l'art Zafimaniry commence à partir des années '60, impulsé par les missionnaires catholiques, à qui on doit aussi les germes du tourisme moderne dans la région. Actuellement, le pays Zafimaniry attire un nombre croissant d'étrangers, à la recherche des «secrets de cette culture traditionnelle ». La transformation du savoir-faire du travail du bois des Zafimaniry dans un « art» et le développement touristique de la région sont en quelque manière légitimés et amplifiés par le classement de l'UNESCO, qui en 2008 inclut le savoir-faire du bois des Zafimaniry dans la liste des expressions du patrimoine culturel immatériel de l'humanité.
La recherche repose sur un approche ethnographique qui, à partir de la description des événements qui ont lieu dans une partie de la région par rapport à la labellisation UNESCO et au développement du tourisme, identifie les discours et les pratiques des acteurs sociaux qu'y jouent un rôle et dégage les représentations et les imaginaires qui soutiennent leurs actions. L'analyse s'articule sur des plans dédoublés qui engagent la dimension locale aussi bien que celles institutionnelles, à savoir les discours des médiateurs touristiques, des organismes ministériels promoteurs de la candidature UNESCO et des marchands d'art ethnique. Par l'analyse de ces trois types de discours, on dévoile un processus d'introduction des Zafimaniry dans des «régimes de valeur », rattachés à la marchandisation de leur art et de leur identité ethnique, mais aussi à la construction d'une image de ce groupe comme culture «traditionnelle» et« originaire».
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Cattai, Júlio Barnez Pignata. "O estandarte silencioso: a United States Information Agency na mídia impressa do Brasil - Correio da Manhã e Tribuna da Imprensa, 1953-1964." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8138/tde-13012012-122334/.
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Em 1.º de junho de 1953, a administração do presidente norte-americano Dwight D. Eisenhower fundou a United States Information Agency (USIA), reunindo sob a coordenação da nova agência os programas de informação dos Estados Unidos da América (EUA) no exterior. O intuito era o de aproximar as audiências internacionais dos valores do sistema democrático e de livre empresa encenado pelo país, granjeando governos às posições norte-americanas na Guerra Fria. A atuação da agência se deu no âmbito das disputas entre os governos dos Estados Unidos e da União das Repúblicas Socialistas Soviéticas (URSS) em programas de propaganda cultural naquilo que a historiografia tem chamado de Guerra Fria Cultural (Cultural Cold War). Esta pesquisa teve por objetivo investigar a atuação da USIA no Brasil, entre os anos de 1953, data de fundação da agência, e 1964, quando as questões de que se ocupava foram reorientadas em função, no plano internacional, da Guerra no Vietnam e, no Brasil, do golpe civil-militar. Para tanto, analisamos o material da agência matérias, artigos, notícias, notas e fotografias veiculado nos jornais cariocas Correio da Manhã e Tribuna da Imprensa, duas das mais importantes publicações da mídia impressa brasileira do período. Verificamos que a agência passou, paulatinamente, a empregar atividades secretas, além das atividades não secretas, driblando as resistências que a opinião pública brasileira mostrava à presença oficial norte-americana no debate de questões políticas nacionais. Embora as estratégias utilizadas pela USIA fossem realizadas em nome das liberdades democráticas, a agência não vacilou em lançar mão de operações secretas para a consecução de seus objetivos políticos na Guerra Fria.On June, 1st, 1953, U.S. President Dwight D. Eisenhowers administration founded the United States Information Agency (USIA) for gathering U.S. information programs overseas under its umbrella. The aim of the new agency was to broadcast democratic system and free enterprise values portrayed by the country to international audiences in order to garner nations to U.S. positions during the Cold War. The Agency proceedings took place in the context of disputes between the heads of government of the United States of America (USA) and the Union of Soviet Socialist Republics (USSR) in programs of cultural propaganda called the Cultural Cold War by historiography. The present study aimed at investigating USIAs performance in Brazil between the years 1953, founding date of the Agency, and 1964, when the Agencys previous issues were redesigned on account of Vietnam War, at an international level, and of the civil-military coup, in Brazil. Therefore, we analyzed the Agency material newspaper reports, articles, news, notes and photos released in Correio da Manhã and Tribuna da Imprensa newspapers, two of the most important publications of the Brazilian Press for the period edited in Rio de Janeiro. We found that the Agency has, gradually, carried out covert activities, besides the overt ones, dodging Brazilian public opinion resistance against official U.S. presence in the debate on national political issues. Although the strategies used by the USIA were held in the name of democratic freedoms, the Agency did not hesitate about resorting covert operations to achieve its political objectives in the Cold War.
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Opgenort, Jean Robert. "A grammar of Wambule : grammar, lexicon, texts and cultural survey of a Kiranti tribe of eastern Nepal /." Leiden : Brill, 2004. http://catalogue.bnf.fr/ark:/12148/cb392610086.
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Texte remanié de: Dissertation--Descriptive linguistics--Leiden university, 2002. Titre de soutenance : The Wāmbule language.Comprend un lexique wambule-anglais et un lexique anglais-wambule. Bibliogr. p. [895]-900.
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Witt, Michelle Pambrun, and Michelle Pambrun Witt. "Understanding the Sunrise Ceremony as a repository of cultural traditions and values: an exploration of ritual as a means for studying the health of the Apache people." Thesis, The University of Arizona, 1996. http://hdl.handle.net/10150/627129.
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The intent of this exploratory study was to discover the cultural significance of an Apache ritual, the Sunrise Ceremony, as it relates to the physical, mental, and emotional well-being of the Apache individual, family, and community at large. The ethnographic methodology was used to gather data because this design provided the most systematic and flexible process to generate the widest range of information necessary for describing this culture from the native's
point of view. Four culturally relevant domains were developed and analyzed to reveal five cultural themes, including "It's my strength," "Women are the core of living here," "It Tells You the Story of the Beginning," and "Change is Sad--Alcohol is Bad." The findings suggest that because the Sunrise Ceremony is central to the Apache way of life, its values and culture, an understanding of the Sunrise Ceremony can assist in the development of accurate nursing assessments and successful interventions to improve the collective health and well being of the Apache people. Additionally, recommendations for nursing practice and further research are proposed.
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Daries, Anell Stacey. "Visualizing Volkekunde: Photography in the Mainstream and Dissident Tradition of Afrikaner Ethnology, 1920-2013." University of Western Cape, 2020. http://hdl.handle.net/11394/7539.
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Magister Artium - MAThis mini-thesis explores the role of photography in the mainstream and dissident tradition of Afrikaner ethnology (volkekunde) from the time of its establishment at Stellenbosch University in the 1920s through to its development at Pretoria University in the 1950s to 1970s, to its period of decline in the era of dissidence from the 1970s to the 2010s. I use a biographical approach, tracing the career biographies and photographic portfolios of three volkekundiges: the German-trained government ethnologist Nicolaas J. van Warmelo; little known dissident volkekundige Frans Hendrik Boot (1939-2010) who founded the Volkekunde Department at the University of the Western Cape in 1972 and for whom fieldwork photography was an expression of his humanist digression from the racialised mainstream volkekunde tradition; and Cornelis Seakle “Kees” van der Waal (1949-) whose ‘Long Walk from Volkekunde to Anthropology’ has been textually demonstrated but also takes on visual expressions in his use of photography. My thesis seeks to demonstrate that photography and visuality was important in displaying the different traditions of volkekunde. The central argument in this thesis postulates that fieldwork photographs, read in relation to the ethnographers intellectual focus offers us insight into an individual’s orientation. Furthermore this thesis explores the degree of a photographers technicality and aesthetics skill
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Cugola, Umberto. "Les contradictions culturelles du développement : la tribu de la Conception à Nouméa, Nouvelle-Calédonie." Toulouse 2, 2009. http://www.theses.fr/2009TOU20051.
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Avec la signature de l’accord de Matignon en 1988 prorogé en 1998 par celui de Nouméa, les Kanak abordent un tournant décisif de leur histoire. Les tribus baignent désormais dans une société calédonienne marquée par de vigoureuses dynamiques de développement soutenues à la fois par les transferts massifs de l'État et par une intensification d'une production de nickel entraînée par la « mondialisation ». De surcroît avec l'institutionnalisation de leur culture les Kanak jouissent d'un niveau de reconnaissance exceptionnel dans l'enceinte républicaine. De prime abord toutes les conditions semblent réunies pour réaliser l'objectif tant recherché d'une « intégration des Kanak à l'économie de marché ». La tribu de La Conception sur laquelle porte ce travail de thèse semble faire référence en la matière. Or en Nouvelle-Calédonie comme ailleurs dans le monde le développement et la culture entretiennent un rapport contradictoire et conflictuel. Les tensions enregistrées dans ce rapport sont patentes à La Conception car cette tribu possède la particularité unique d'être établie en plein cœur de l'agglomération du Grand-Nouméa. En prise directe avec de puissantes dynamiques urbaines et les formes classiques d'une société moderne, la communauté de La Conception subit impuissante le flétrissement de sa sphère culturelle. Pour contrer ce processus des jeunes kanak de cette tribu créent une association et décident de réhabiliter un patrimoine légué par leurs ancêtres : la culture irriguée en terrasses du taro. Action de développement née d'une réflexion sur une « culture vécue » et à laquelle appartient l'auteur, voila comment doit-être située cette initiative. Appuyé sur cette expérience, ce travail de thèse questionne le rapport entre culture et développement. Quand le développement s'intègre mal à une communauté, on dit couramment qu'il rencontre des obstacles culturels. D'aucuns prétendent que la culture est un frein au développement. Et si ces résistances n'étaient pas simplement des obstacles qu'il suffirait de comprendre pour les contourner ? Ne pourraient-elles pas représenter une forme politique d'expression cherchant à donner un sens plus « humain » au développement ? Pour penser le rapport entre culture et développement, ce travail intègre une dimension politique héritée de la colonisation. Economique, culturel et politique, tels sont les trois secteurs à travers lesquels sont recherchées les « Contradictions culturelles du développement »With the signature of Matignon's agreement in 1988, extended in 1998 by the Noumea's one, Kanak were coming to a turning point of their history. Tribes are now immersed in a Caledonian society marked by vigorous development processes which, at the same time, are boosted by State's massive transfers of money and by an enhancement of the nickel production due to "globalization". Moreover through the institutionalization of their culture, Kanak enjoy a special level of recognition in the republican arena. At first glance, all conditions seem to be met to reach the objectives which are pursued through the «incorporation of the Kanak in a free market ". The tribe of La Conception which this thesis focuses on, seems to be a standard reference in the domain. In New Caledonia as elsewhere in the world, development and culture maintain a contradictory and controversial relation. Tensions are obvious in La Conception because this tribe has the unique feature to be situated in the very center of the urban area of Grand-Nouméa. Tuned into the powerful urban dynamics and classical forms of a modern society, the community of La Conception is affected by the deterioration of its cultural sphere. To counter this process, young kanak persons of this tribe created an organisation and decided to rehabilitate one of their forefathers' heritages: the terrace irrigated taro cultivation. This local initiative should be seen such as an action of development which is generated by a thought on a « lived culture » (which the author belongs to),. Based on this experience, this thesis questions the relationship between culture and development. When development badly integrates into a community, it is fluently said that it meets cultural obstacles. Some people assert that culture acts as a brake on development. Are not those resistances mere obstacles which have just to be understood and then to be overcome? Could not they represent a political form of expression trying to give a more "human” sense to development? To think out the relation between culture and development, this work refers to a political dimension inherited from colonization. Economic, cultural and political, such are the three domains through which this thesis researches on the «cultural contradictions of development »
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Vinyeta, Kirsten. "A Cultural Snapshot: Exploring the Value of Community Photography for the Coquille Indian Tribe in a Climate Change Era." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/17880.
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Like many American Indian tribes, the Coquille Indian Tribe of Oregon has endured long struggles to preserve its cultural traditions despite the impacts of colonization. Now, advancing climate change poses additional threats to indigenous ways of life. In recent decades, the Coquille have archived historical documents and photographs as a means to protect and assert their tribal sovereignty. There has also been a surge in photography within the Tribe to document contemporary tribal activities. Community photography may be a useful tool for the purpose of asserting tribal culture and self-determination in the face of a changing climate. Photovoice, a type of community photography in which photographs are combined with oral descriptions, may be particularly well suited for tribal purposes. This collaboration explores the value of community photography in general, and photovoice in particular, when used by the Coquille Indian Tribe in the context of climate change.
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Wang, Yu Hsin, and n/a. "Learning from the past, providing for our future : an exploration of traditional Paiwanese craft as inspiration for contemporary ceramics." Swinburne University of Technology, 2006. http://adt.lib.swin.edu.au./public/adt-VSWT20070205.101252.
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This project started with the Taiwanese�s Cultural & Creative Industries Policy,
which demands that all new products include local cultural content. However, little
is known about Taiwanese cultures. This research looked specifically at one of the
cultures, the Paiwanese Tribe.
This thesis reports on the research journey; identifying what the Paiwanese knew
about their culture and why they were unable to produce traditional products. It
argues that the displacement of the tribe has made it materially impossible to
continue traditional practices. This research then identified ways of capturing spirit
of traditional culture using modern technology. A successful model of working with
crafts people workshops in discussed. A case is made for the use of narrative
enquiry and oral history to record Paiwanese understanding. These
understandings were translated into a design outcome using a design method
called narrative design. The success of this research suggests that such an
approach is one model that can be used in design using new technologies and
materials from the re-establishment method of traditional products.
The understanding generated for regaining traditional craft knowledge is extended
with the design of a tea set that draws on this traditional knowledge, narrative and
culture. The tea set represents this knowledge for a global market. It is argued that
the design process used can guide design that transforms the culture message
and delivers it for a wide audience. This design concept process is a model that
can be used to develop cultural products.
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Chuang, Ya-Fei, and 莊雅斐. "A Study of the Musical Culture of Miao Folk from Xie Sui’s “Zhigongtu” (the picture of foreign countries pay tribute to emperor )." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/21397171265762703839.
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碩士東吳大學
音樂學系
94
This thesis take Xie Sui’s ”zhi gong tu” as a start, studying main traditional musical instruments of the Chinese miao folk - “lu sheng”(mouth organ), ”tong gu” (metal drum), “ling” (bell) and the connection of its cultural life also clan society. In study, the method of research step of Tilman Seebass put forward to the music iconology, for Xie Sui’s ”zhi gong tu” (the picture of foreign countries pay tribute to emperor ), ”huang qing zhi gong tu” (The emperor justify the usage "the picture of foreign countries pay tribute to emperor), “ tuand guang yu sheng lan ”(The picture that describes the beautiful scenery) three main literatures, carry on detailed music picture comparing and try to find out in the literatures the main application forms to these three kinds of main musical instruments in its clan society and the musical instrument evolution of it's applications . The origin study discovers, “lu sheng” (mouth organ), ”tong gu” (metal drum) and “ling” (bell) often appear in the festival at the same time during miao folk 's life, also indicates“lu sheng” (mouth organ), ”tong gu” (metal drum) and “ling” (bell) in miao folk 's tradition is close combined to life, for several hundred years till now still keep the similar position. Therfore, in research this thesis could become an example of typical model in musuc iconology.
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Murray, Sally-Ann. "Mediating contemporary cultures : essays on some South African magazines, malls and sites of themed leisure." Thesis, 1998. http://hdl.handle.net/10413/6273.
Full textAbstract:
In this Thesis, from the disciplinary vantage point of English Studies, I explore some of the complex meanings that may be attributed to several forms and practices of South African consumer culture: magazines, malls and themed leisure. While these contemporary cultural 'texts' are often ephemeral, and people's attachments to them fractured, transient or at least ambivalent rather than unproblematic, my argument takes issue with the pessimism that informs much local and international criticism of consumer culture. My Thesis turns to concepts of affect, image, sign and discourse which have become features of current English Studies in order to generate readings of commercial culture more nuanced than the 'hard
analyses' favoured by dominant practitioners of 'radical' South African cultural studies. At the same time, though, my analyses have learnt through disparate forms of local cultural study the necessity of grounding textuality in the structures of political economy. By means of manageable yet conceptually-suggestive South African instances, I consider how commodities and commodified experiences - generated in the first instance by the vested interests of Capital and related ideologies - may nevertheless be experienced by people in a plethora of ways not directly tied to the commercially-expedient construct of the 'target audience'. This experiential process entails a rampant volatility typical of a mass-mediated
lexicon which challenges boundaries between high and low, formal and unofficial, propriety and the improper. While advertising and promotion, for instance, function as corporate attempts to contain proliferating signifiers and to secure a preferred, 'authorised' meaning for cultural goods or services, it is also the case that consumers themselves, perhaps creatively and certainly in clandestine ways that escape the supposed authorities of either market researcher or academic intelligence, author meanings that rework the limitations of what still tends to be construed within the university as a culture industry at once banal and insidious. The meanings of the contemporary cultures with which I deal, then, are highly mediated and many-layered, rather than constituting the mere surface announcement often imagined by scholars of both literary culture and of media- and cultural studies. The contexts of my Thesis are particular: it was completed in 1998, and has been produced from a university in KwaZulu-Natal by an academic formally trained in English Studies. In some respects, then, the interpretations I offer are narrow: geographically,
historically and disciplinarily focussed. Yet in working on South African examples of commoditised forms and practices that derive from metropolitan vectors and have convoluted international genealogies, I have also sought to theorise the shifting interrelations of regional and national, local and global, discipline-specific and interdisciplinary knowledge. Drawing widely on studies into consumer relations - and at apposite points identifying conceptual connections and differences between 'foreign' figures like Michel de Certeau and influential South African thinkers such as Njabulo S. Ndebele - I suggest that for all its shortcomings consumerism needs to be understood as active process rather than as passive effect. My argument implies that such a rethinking of the conventional binaries of production and consumption is appropriate in a South Africa which is gradually giving substance to a democratic social order. Even within a politics premised on the individual, forms of consumption such as magazine reading and shopping need not necessarily be scorned as the selfish, even hedonistic pursuits caricatured by ideological purists: the Thesis seeks to demonstrate that people are at once citizens and consumers, individuals searching after distinctive identity and style as well as desirous of achieving a variety of community inflected
bonds. Overall, the commercial culture examined in the Thesis is represented not as inevitably marred by cultural deficiency and degraded value - despite the dissatisfactions, irritations and deferred pleasures which for many of us form at least one facet of consumption - but as an everyday spectacle which is available for symbolic interpretation and aesthetic investment. This investment may be emotional as well as cognitive, sensuous as well as critical, mundane as well as exceptional, since individuals come to commodity culture with a range of longings, dreams, fears and sedimented allegiances. As my readings demonstrate, it is such diversity of response - provisional and elusive rather than predictable and guaranteed - which gives the lie to theories which are 'always-already' premised on the prior inscription and encoding of consumerism as manipulation.Thesis (Ph.D.)-University of Natal, Durban, 1998.
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Yao, Chen-Bo, and 陳博耀. "The maritime culture and its shifts of Cepo’ tribe." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/vnzv7n.
Full textAbstract:
碩士國立東華大學
民族事務與發展學系
107
This thesis explores the maritime culture and its shifts of Cepo’ tribe in Fongbin Township, Hualien County. Utilizing auto-ethnography, this thesis discusses the content and changing historical contexts of maritime culture through three aspects: sea festival, boats, and traditional fishing method. The findings suggest that Cepo’ used to have rich maritime culture and knowledge. However, traditional maritime culture has shifted since modernity began in the tribe and became indistinguishable from mainstream maritime cultural systems. The sea festival had great significance in the tribe traditionally. Due to drastic changes in social structure and large numbers of migration, its legacy was once in crisis. Recently, with innovation and consciousness raising of members of the tribe, the festival has seen the kind of participation and enthusiasm it once enjoyed. Yet, loss of the native language among the younger generation and changes in values have once altered the content of the festival. At the height of Cepo’s boat culture, there were four different kinds of rafts: Tuluay (raft with three tubes), Dadanguyan (bamboo raft), and two different Lunan (boats). This vessels were used to transport construction materials, crop, people, and served as fishing tools. Through progression of modernity these traditional boat cultures are disappearing. Traditional fishing activities take place close to seashore. They were organized around age groups, clans, families, and individuals and followed calendars based on fishing season, the moon, and tides. This culture of traditional livelihood was replaced by modern monetary economics after the appearance of external fishing systems such as the introduction of fixed fishnet by the Japanese, building of the Shi-ti port, and recent eel fry catching. Currently, there are only a few small-scale maritime activities that maintained traditional cultural features, although they may eventually become commercial fishing activities.
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HUNG, JR-MING, and 洪志明. "Songhe Tribe Culture from the Perspective of Knowledge Management." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/84834009578583442746.
Full textAbstract:
碩士逢甲大學
國際經營管理碩士學位學程
98
At the beginning of 21st century, the economy condition has turned into innovation economy condition. Thus, all administrators are making efforts to promote their local cultural industries. Local cultural industry is not only an economic and cultural resource worthy of development but also a cultural tourism resource irreplaceable for local development of rural community. This study chose Songhe tribe, Pok Oi village, Heping Township, Taichung County as its research fields. Based on literature review, this research uses the knowledge management and locally culture industry as a theoretical framework. This study has some findings as follows: (1) Songhe constructs the knowledge management model and uses locally culture for researching and developing new product value.(2) Promote the commitment and understating of the residents to the local community industry. And this kind of cultural patterns implies the subsistence strategy of maintaining collective action and a sense of belonging, which is under the ethnic identity. (3) Songhe should occasionally hold courses in the nature ecological and legal knowledge and information. Promoting resident self-acting to sweep and clean up their living environment.
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Hsiao, Chiang Chen, and 陳孝強. "The Sustainable Tourism of Indigenous Culture -A Study on the Seediq Culture of Tausa Tribe." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/k45g86.
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SU, WEN-HSIANG, and 蘇文祥. "Investigation of the Planning and Design of Environment Public Signs from theMaterial Culture of Bunun Tribe.－A Case Study of the Bunun Tribe Cultural and Educational Park.－." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/u848j6.
Full textAbstract:
博士中原大學
商業設計研究所
93
Information indication and delivery are no more the sole functions of the design of environment public signs following the changes of times and the rise of cultural diversity. As the display of styles and objectives tends to be more precise, elements and variances of sign planning have diversified. For examples, signs must inherit culture, contain education value, shape an image, beautify the environment, and are interesting and entertaining. Moreover, the appearance of shapes, materials of signs, implementations for the handicapped, and the climate, landform, culture, history etc of the local area should be considered at the same time. The planning and design of the environment signs for the Bunun Tribe Cultural and Educational Park situated in Yenping Township, Taitung Connty, is the subject of this study. The park resembles an outdoor museum of the tribe, with focus on the collection, continuation, preservation and maintenance of tribe’s culture. While cultural inheritance and outdoor display are the target functions of the park, this study investigated how to combine the cultural image of indigenous people and the environment, culture and characteristics of local tribes to cultural preservation and demonstration functions through environment sign design by studying the social structure, knowledge system, religion and rituals of the tribe from its material culture in order to embody the cultural continuation, edutainment, image shaping and environment beatification functions in the planning and design of environment signs. This study also hopes to enhance the park environmental quality and to provide visitors more information about local history, people, events, ecology and culture through project execution and reinforcing local environment sign education.
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Chen, Yi-Fei, and 陳怡妃. "Culture Reconstruction and Crisis of Culture Legacy of Modernized Bunun folk Songs of Hualien Gufeng Tribe." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/06822578376051529038.
Full textAbstract:
碩士國立成功大學
藝術研究所
93
Due to the effect of the interpenetration of consciousness of western music, performance of commercial pursuits and the identification of the tribe anti-slander for all the jobs which trying to make the Bunun folk song inherited for so many years, the reappearance of them shows no features which belongs to the region and from the dialogue of the song but the uniform of a chorus and the fixed rhythm combined with dance. And they just change into the fine art of a tribe without a region feature. In spite of the reappearance of the Bunun folk song offers the identity among all different tribes and culture, the feature of commercial also comes with it. Under the intense storm of the history and culture of modern times, elites in the tribe are in charge the job of how to hand the Bunun folk song down, face all the uncertain knowledges from pure tradition, the romantic nostalgic emotion, and the the swinging consciousness between mainstream value and political-economical affairs have made them construct a movement without putting actions into practice. I suspect this is indeed the conflict and also the crisis of how they are going to hand down and develop the modernized Bunun folk songs. All the actions which disobey tradition and against ordinary tribe fellows are now taken by Gufeng tribe should cause the tribe away from main-stream commercialized and colonized alienation. Gufeng tribe is no doubt on it's way.
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Tai, Pei-yu, and 戴培宇. "A research of Chinese herb culture in the AnPing Tribe." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/07292734905836802928.
Full textAbstract:
碩士國立臺南大學
台灣文化研究所碩士班
101
The Traditional Chinese herbal store in Yanping Street have got the most traditional feature on the variety of times. With the advance of times, the stage and direction seem unlimited; they still keep their origins and characters of business, neither frame nor drift with the tide. From the origin of the traditional Chinese pharmacy in Yanping Old Street explains the strong key of influence is the religious in old Anping tribe. The relationship between the local traditional Chinese herbal store was the important factor of the development in the past. The metabolism of all walks of life and the between traditional Chinese herbs and traditional Chinese herbal store develop their own differences today. It’s easy to get the products of Chinese herbs everywhere and also there is a modern Chinese herbal store in Old Anping tribe. Besides, the Chinese herbs preserves are the popular product at the local modern Chinese herbal store. The souvenir trend of business is depend on local feature and will impact on modern Chinese herbal store. The development trend of Chinese herbal store is different from the past; because of the times and the policy, let Chinese herbal store has to face the period of transition. This research accord with the period of transition from the old to new, and hope that we will be succeed to leave a record for the industry and culture of Chinese herbal store.
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Hsu, Kuang-Ting, and 許光廷. "Culture Landscape Research of the Rukai Tribe in Dona Community." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/th26nc.
Full textAbstract:
博士中原大學
設計學博士學位學程
104
In 2005, Taiwan amended its Cultural Heritage Preservation Act, officially adding “cultural landscape” as one of its preservation items and expanding the concept of preservation from single buildings to large-scale, region-based building clusters. However, many contradictions still remain concerning cultural landscape preservation. Therefore, this study examined the cultural landscapes of the Dona Tribe (of the Rukai people) to reinterpret the term “cultural landscape” for such Tribe. By collecting and analyzing literature data, conducting a field research, and interviewing senior Rukai people, this study explored the characteristics of the cultural landscapes of the Dona Tribe. Differences in the cultural development between the Eastern and the Western societies have created different cultural landscape theories. Likewise, the idea of cultural landscape may be different between Han Chinese and indigenous people living in Taiwan. Therefore, this study adopted both a microscopic and a macroscopic perspective, in which the former studied the cultural landscapes of the Dona Tribe, whereas the latter investigated cultural landscape-related preservation concepts in Taiwan and abroad. Such an investigation provided insight into the difference between the idea cultural landscape preservation held by the Dona Tribe and that held by the general public. This study first revisited the definition of cultural landscape provided by existent domestic and foreign research. Next, the study examined the historical changes and cultural landscapes of the Dona Tribe, the latter of which included aspects such as productions, lifestyle, culture, religions, and ideologies. Finally, the study identified the cultural landscape resources of the Dona Tribe that can be used by future studies examining the differences in cultural landscape preservation between different indigenous people.
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Li, Wei-Fan, and 李偉帆. "Theology of Land Implies in The Culture of Paiwan Tribe." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/8d5rj7.
Full textAbstract:
碩士長榮大學
神學系
106
Paiwan’s culture is beautiful in God’s eyes , including the content of ecological harmony and spectacular inner beauty. First chapter introduces the connections between God and the Paiwan’s culture. The second chapter gives the explanation about the rich and diverse mythical stories of the Paiwan tribe, and how these myths are connected with Paiwan’s tribal religion, daily rituals, and logical concepts. It also showed that Paiwanese were great warriors and indomitable defending their land, their deep relationship and bonding with the land based from Paiwan’s tribal history. The third chapter gives four distinct mythical stories and uncover the theological meanings which are closely related to the land. For instance, the first “myth of the millet” establishes Paiwan people’s respect and attitude towards the land and discovers the “sacrifice” which cannot be separated from the land caring. Paiwan’s sacrifice manifests the mutually beneficial and co-existing wisdom which is among the living person, dead person (the spirit of ancestor) and the creator. Thus the mechanism makes the land respectful and precious. The “myth of the turtle” expresses the vast wisdom of the nature and it is much superior than the human being. In which shows Paiwanese humble attitude towards the nature. The “myth of the wild boar” describes the Paiwannese acknowledgment of greed and the punishment when they make mistakes and cross the line. Lastly, the “myth of shooting the sun” lets Paiwan people begin to reconcile with themselves, nature and the creator and expresses the mission that the human shall have. The fourth chapter explains the heritage of the first born (Vusam) and its resemblance of the endless creation of the land. In the pan-deism worldview of the Paiwan tribe, the land is viewed as the living place for their ancestors, which naturally became a binding force for the Paiwan tribe to protect and preserve the ecology. It further established the coexistence relationship between the land and the people. The fifth chapter concludes the close relation of the Paiwan culture with the ecology, and the abundant theological meaning within this relationship.
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Wu, Hui-Xian, and 吳慧嫻. "Research on Maljeveq music in Paiwan Culture: Based on Kuljaljau Tribe." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/14835856184532216859.
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碩士國立臺灣師範大學
民族音樂研究所
105
This thesis focuses on Maljeveq ritual music at Kuljaljau village in Paiwan culture. Music in Maljeveq connects different ritual sections with variations on several tunes. Previous studies, however, view the music as a series of individual songs. With ethnographic documentation in 2014-2015 and discussions with people from Kuljaljau village, this study aims to categorize Maljeveq ritual music and point out the relationship between tunes with analysis on music structure shown in the form of melodic skeleton. The music is monophonic and can be categorized as five different tunes and sung in the forms of reciting, chanting, and call and respond. Some of the lyrics are fixed and others are not. Through the work of ethnography, this study hopes to present and merge local perspectives together into academic research and serve as the reference for future studies.
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Yang, Ya-chieh, and 楊亞傑. "The Traditional Hunting Culture and Its Present Status of Northern Tsou Tribe." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/19283036102556162219.
Full textAbstract:
碩士環球技術學院
環境資源管理所
97
The traditional hunting activities of Tsou tribe represent the whole process of observing the tribal law and order and respecting the surrounding mountains and forests from which daily needs are met and game animals are shared with within the entire tribe. This study was aimed to discover the interactive patterns between hunting activities and environmental resources from the viewpoint of the environment. The information was gathered mainly via the participant observation and in-depth interviews. Preliminary research results showed that: the hunting seasons of Tsou tribe synchronized with the rhythm of the animal’s reproduction circle; the targeted species were limited in place of sparing none; the objective of hunting was for sharing and ritual purposes instead of financial issues; the ranks of hunters were determined by their hunting experiences and outcomes rather than by election; and the clan as the division unit of the hunting grounds is responsible for the sustainable management of species within their own hunting ground, which operates in harmony with neighboring grounds. However, under the pressure of societal and economic trends, the difficulty to maintain such tradition had become even trickier.
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Chiu, Wei-Cheng, and 邱韋誠. "The Baseball History of Amis Tribe: Dimensions of Body Culture and Identity." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/cyu4hp.
Full textAbstract:
博士國立體育大學
體育研究所
101
This study reconstructed a baseball history in the subjective position of Amis tribe. Theory: Under the paradigm of historical sociology, related theories or concepts should be referred to their collective situation in ethnic development and social change. Study approaches: Equipping with synthetic approaches of discursive analysis and oral history, therefore, this study tries to (re) contextualize aborigines in the nexus of baseball history and aboriginal history. It revealed the subjective experience and body culture of Amis aborigines which embedded in baseball history, moreover, the collective memory and identity in the ethnic history which been contextualized. Conclusion: Amis People’s collective and social memories of baseball were interacted in the very fabric of their daily life and garner its own cultural dynamism. Social network is very important for the tribal members to contact baseball and start their sporting career. Besides, we take collective memory, identity, and social network as theoretical tools to examine and construct the intra-diversity between indigenous baseball practices. In addition, it also discusses how they perceive their own bodies, and the relationship between their body practice and ethnic-identity in baseball. Suggestions: this study suggested a ‘post-national paradigm’ as an alternative access for future studies to reconstruct the historical subject and identity discourse, and then to explore the development style of body culture and identity disposition, last but not least, to avoid reproducing the domination of power and knowledge complex.
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Jhang, Pei-Cin, and 張珮芹. "The totem design and application of Paiwan Tribe culture on hair instruments." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/y77j4d.
Full textAbstract:
碩士國立屏東科技大學
時尚設計與管理系所
105
This study is based on the Paiwan Tribe culture to create hair instruments by adding totems onto the designs. We attempted to make a breakthrough to represent the meaning of this culture on the hair instruments by applying these totems. This study uses purposive sampling for which 500 questionnaires are issued, consisting of 387 valid questionnaires and 113 invalid questionnaires. The response rate is 77.4%. The overall results from the questionnaires, including basic information data statistics, the validity and reliability of evaluations of cultural products, background factors, and the value of products designed around a culture, were analyzed through 5 dimensions, including “culture value”, “the idea of the design”, “economic value”, “artistic value” and “design quality”. All the samples were analyzed to understand the accuracy of the transformation of culture. Furthermore, an evaluation of emotional design preference was conducted through 3 dimensions, the applications of creativity of “practical design”, “emotional design” and “sympathy”. The users are and designers are connected through the products with cultural symbols and emotions of the Paiwan Tribe. The goal of this study is to bring Taiwan aboriginal culture forward by incorporating elements of the Paiwan Tribe culture into the design of hair instruments. The goal of this study is and proven with the following results: (1) Through literature reviews, metaphor transformation and 3-stage design, the special design incorporating the Paiwan Tribe culture into hair instruments is applicable. (2) The cultural products designed in this study have no significant difference among people with a different background or from a different group, meaning these products are highly valued on a cultural level by the general public. (3) People in different positions, such as designers, professional assistants, or other non-hair related professionals, showed different preferences to the emotional designs. Designers have their own way of selecting tools and instruments. (4) The general public and hair professionals shared different points of view of products designed based on a culture in this study. The general public does not seem as eager to link these hair instruments with daily accessories. (5) Commercialization of the culture of the Paiwan Tribe is possible.
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Ling, Yeh Chia, and 葉家菱. "The Research of Bunun Culture and Creative Industry Development in Tamahu Tribe." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/63566586918299497571.
Full textAbstract:
碩士大仁科技大學
文化創意產業研究所
102
From year 1993 of Republic of China,aboriginal cultural and creative industries have been incorporated into the public sector , and since then the Indigenous Committee had started to implement “Executive Yuan Challenge 2008” : A six-year National Development Plan - New Home Community Development - Aboriginal tribes was attached importance to its new movement. Nevertheless, after typhoon Morakot, Executive Yuan reconstruction council had allocated budget from Kaohsiung homeland inject funds into three major industrial workshops ,which one workshop has indicated in my research project - Tamahu Industrial Workshop . Bunun are primarily population for the Tamahu tribes in Kaohsiung City, also the only tribe has its own embryonic form of written language. However, this valuable artistry is gradually lost, due to time-consuming process ,expensive labor costs, more importantly not current preferences demand for general public. As aboriginal culture is one of the most important multiculturalism in Taiwan , this study is aimed to understand and analyze the aboriginal history ,and the cultural factors specifically focused on the development of creative industries in Tamahu Industrial Workshop .Though interviewing with tribal elders , local archivist , craftsmen and tribal residents , in order to have an in-depth thinking and proposals to re-build the creative industries. The conclusions are as following : The prospect of Tamahu creative industry. 1.The prospect of Tamahu creative industry : 1)The proposal to Tamahu Industrial Workshop and community. • Introducing tribe with original Bunun family surname spelling. • Cooperate with school human resources. • Conduct tribal musical event with church. • Developing eight tribes chorus and Tamahu Elementary School samba drum corps. • Improving packaging design of cultural goods. • Introducing the story of the context and meaning of the cultural and creative goods. • Integrated local culture and refined creative goods. • Professional training programs are required ,allocate applicable personal. • Combine religion with local culture to develop creative industry. • Exert the functions of community development associations. • Training community guide. • Combine with local Agricultural products to home delivery, and well use internet marketing. • Organizing weekend market. • Encouraging intellectuals and young people to participate in community development. • Develop cultural goods in combining alpine plants with weaver craft. 2)The proposal to public sector • Constructing tourist trails with the redevelopment in Bao Lai. • Introduce artists to resident in Tamahu • Phased counseling and support programs with bonus.
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張莉菁. "Effedt of cultures on creativity "how unique native cultures influence designed of billboard by tribe member"." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/08393680865218460202.
Full textAbstract:
碩士國立臺灣師範大學
設計研究所在職進修碩士班
93
“For a thousand years, Taiwan’s aborigines and the plainspeople, who came later, did not really meet each other heart to heart.” For those who are unfamiliar with Taiwan’s aborigines, we often forget that every aboriginal tribe has its cultural uniqueness. That is, not only are there numerous aboriginal tribes, there are also numerous cultural differences among the tribes. Further more, no matter when the tribe came about, each has special cultural characteristics that deserve care, preservation, and continual development. It is then, in this spirit, this study hopes to find the essence of each aboriginal tribe, so as to form the foundation of new culturally inspired aerations, for the purpose of further development, preservation of aboriginal cultures, raising public awareness on Taiwan’s aborigines, and respecting each tribe’s unique practices and value systems additionally. It is the hope of this study that this will bring in further studies and more positive interactions among investigations. In detail for the experimental creation, the gathered cultural data will be organized, using conductive and inductive method, taking into account the geological locations, social structures, cultural uniqueness, important ceremonial practices, and special uses of colors of each aboriginal tribe. Then, the results will be presented as posters, utilizing illustration principals and digital photo processing software such as CorelDraw, Photoshop, and Photo Impact.
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張欣穎. "A Study of Mayasvi Music in Cou(Tsou) Culture: Based on Tapangʉ Tribe." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/56303618526054845837.
Full textAbstract:
碩士國立臺灣師範大學
民族音樂研究所
102
This thesis focuses on mayasvi ritual music in tapangᵾ tribe of cou(tsou) People. Previous studies of the music of cou(tsou) people have mainly focused on tfuya tribe while this thesis, on one hand, compensates with research on tapangᵾ tribe of cou(tsou) people and on the other hand, discusses specifically the use of music in the mayasvi ritual, and the relationships between the two. This study aims to provide new perspectives for examining the crucial role of music in mayasvi ritual. Mayasvi is the only cou(tsou) ritual that involves participation of people from the whole tribe. Other unique aspects of the ritual are to be found in the lyrics: first, the lyrics are constituted by “old language”; second, some of the lyrics change depending on different leading singers. This thesis examines seven pieces of mayasvi ritual song. In terms of lyrics, it categorises different leading singers’ singing content, translates cou(tsou) old language into Chinese language, and analyzes the structure of lyrics. This study further suggests that there are two types of lyrics, “fixed lyrics” and “compound lyrics.” In terms of musical analysis, it examines the musical form, character, scale texture, harmonization, melodic line, and alternating voices of seven mayasvi ritual songs. Through the analysis of the relationships between ritual music and cou(tsou) society, polyphonic singing style and social structure, this study advocates “call, respond, and join” three phenomena in mayasvi music culture. It further illustrates the transmission of inherited mayasvi ritual tradition in connection with the spirits of cou(tsou) history and social structure.
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Liu, Hui-ling, and 柳惠玲. "The Research of the Maljeveq’s Body Culture on the Gulou Village of Paiwan Tribe." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/35547146494553081507.
Full textAbstract:
碩士國立屏東教育大學
體育學系
100
This study aims to explore the Maljeveq rituals’ contents on the Gulou village of Paiwan tribe, and then research Maljeveq’s body culture. In this study, we use ethnographic for research method. Participant observation and depth interview are used to collect information. We interview twelve people, and choose Gulou village (located in Laiyi township, Pingtung County) for our study field. The results are as following: First, Maljeveq rituals’ contents on the Gulou village of Paiwan tribe are: (A) Religious – It believes in anthropomorphic of gods to build the coexist space, and be bound by ritual behaviors and the norms of social order. (B) Historical – It passes the tribes’ creation history, space environment, concept of time, and the establishment of family history. (C) Social – It focuses on the consolidation of hierarchy system, the strength of family relationships, the sense of cohesion, and the pray for tribal harvest of the original motivation. Second, the Maljeveq’s body culture on the Gulou village: It contains Maljeveq’s body culture on the Gulou village. It’s the three level’s system of intrinsic body values, norms and constraints of the physical attributes reflect the intertwined rituals and cultural interaction. (A)Body values – It focus on the values and tame of power, the value of the co-existence between human and god, and the tracing of body’s values. (B) Body constraints by norms- It makes the points of the hierarchy system, the practical and constraining body, and the behaviors of entertaining god and themselves. (C) External manifestation of rituals – It emphasizes the behaviors of the god, the body constraints of social status, and the actions of entertaining god and taming themselves. Finally, four recommendations are concluded: (A) Reconstruct tribal ritual culture from the body culture. (B)Promote aboriginal people’s characteristics of body culture. (C)Develop the teaching materials about body culture, and (D)Write the tribal history.
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LI, Meng-Chao, and 李孟釗. "A Study for Rukai Song's Culture-A Case Study of Kucapungane Tribe in Rinali." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/7a27w3.
Full textAbstract:
碩士國立臺灣師範大學
民族音樂研究所
105
Kucapungane is a village located in Wutai Township of Pingtung County. It is one of the places where western Rukai originated. Blessed with its unique environmental situations, it has developed abundant cultural characteristic. In addition to Stone-board House, it has a high cultural value in history, article and music. Fieldwork of this thesis was conducted after Kucapungane moved to Rinari. The fieldwork not only collected songs, but also observed the situation of cultural preservation about music after the migration of Kucapungane. Through these songs, we are able to understand the original forms of lives, politics and societies in Kucapungane. Moreover, by recording tribesmen’s conditions of adaptation and memories after migration, analyzing the connection between songs and their emotions becomes possible. This thesis divided into six chapters. Chapter I presents motivation, objects, methods and references of this research. Chapter II introduces background of Kucapungane village, such as history, society and other factors influence music. By knowing background of village, we can understand how its music formed. Chapter III probes how Kucapungane tribesmen recognize “Music” and discusses the way to classify songs from researchers and tribesmen’s view. Chapter IV records different kinds of songs, including normal songs and some behaviors with musical elements like “tubi” and “wacapi” ceremony. Chapter V focused on the emotions of music. Singing songs is not individual behavior. It is always connected with everyone in the village. This chapter tries to find out different aspects of music research through analyzing Kucapungane tribesmen’s collective memory about music. Final chapter checks whether this thesis accomplishes the goals of research or not and makes the conclusion.
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AN, BO-LIN, and 安柏霖. "A Study of the Application of Hunting Culture in Tsou Tribe In-Depth Tour." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/7bevzn.
Full textAbstract:
碩士國立中正大學
台灣文學與創意應用碩士在職專班
107
In recent years, the economic revenue derived from Alishan Tsou tribe tourism has been increasing steadily, causing related “cultural tours” to spring up as well, such as Chaishan “Hufu Festival,” Niahosa “Hunter Camp,” Saviki “Taiwan Ku Fish Festival,” all of which are tourism activities that emerged due to the rise of indigenous tourism. Currently, the majority of the tribe tours are geared towards "mass tourism" which collaborate with travel agencies to put out package tours that bring large amounts of tourists into the tribe or cultural parks for an economic experience of tribal culture. However, this type of tour suffers from a lack of substantial content. This paper delves into this issue and investigates the possibility of creating “in-depth tours” centered on the rich hunting culture of Tsou people. A close inspection of Tsou hunting culture reveals that Tsou hunters have their own hunting habits with preferable times, locations and methods, and most own self-built hunter’s shelters or hunter’s cabins that are highly stylized. These experienced hunters have many stories to share. In light of which， the project “Tsou Hunter’s Story House” gradually took shape, which aims to investigate related issues through “action research cases,” compare and examine the viability of potential directions, propose substantial itineraries, and facilitate the development of relevant cultural industries. As a base of in-depth tourism, “Tsou Hunter’s Story House” offers itineraries consisting of hunting trips that last from two to three days, allowing tourists more in-depth choices. Participants will visit spaces created with traditional materials, observe the artifacts, tools associated with hunting, learn about indigenous culture at bonfires, listen to exciting hunting stories told by seasoned hunters themselves, and experience authentic indigenous cultural ambience. There will also be a variety of experience zones for tourists to gain real-life hunting experience including fishing, trapping, firearm, and camping area. The project also incorporates an e-tourism platform to improve the Story House’s online profile. “Tsou Hunter’s Story House” can be expected to help reconstruct the “einu” culture of Tsou people (hunting conventions, norms, etiquette, and reverence) , facilitate related cultural accumulation, preservation and inheritance in systematic ways, promote and cultivate cultural courses in tribal and elementary schools, and transform indigenous hunting culture into an authentic cultural industry that can revitalize indigenous culture, community and economy.
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Peng, Jian-Hao, and 彭建豪. "A Study of Hunting Culture of the Bunun Tribe in Danda Area, Nantou, Taiwan." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/59795868507317845651.
Full textAbstract:
碩士國立屏東科技大學
森林系所
96
This study aims to discuss traditional hunting culture of the Bunun tribe in the Danda area by interviews and participant observation. Research is operated from year of 2005 to 2007 with 56 interviewees, who are most come from Taki-banoan community and Taki-bahka community. The largest number of interviewees in the age is 51-60 years old, then the second number of interviewees is 41-50 years old. Most of the interviewees have hunting experiences for over 10 years, and lots of them have experiences for 31-40 years. Results show that communities in Danda area are Taki-banoan, Taki-bahka, and Taki-vadan. They have the same ancestral hunting grounds, which also can be divided into grounds of taki-banoan, Taki-bahka, and Taki-vadan. The area of traditional hunting grounds is highly overlapped with the existing Danda major wildlife habitats. The major hunting preys are flying squirrels, Formosan muntjac, goats, sambar, Formosan wild boar and Formosan macaque. Most of the prey are used for consumption, sale, and specimen. The hunting season is decided by the weather and farming period. Usually they will hunt in holidays or not busy at farming during September to April of the next year. Shotguns and trap are the most popular ways for hunting. Furthermore, taboos about death and dream are believed by most in Danda area.
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CHEN, QING-LIN, and 陳慶林. "The Construction of Pingtung Rinari Dashe Tribe Cultural Craft Industry." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/80382597102149603024.
Full textAbstract:
碩士國立屏東大學
社會發展學系碩士班
104
This study used qualitative research method of individual interviews. Take Pingtung RinariDashe tribe as a research field, interviewing tribal craftsmen, Community Development Associationcadres, personnel involved in tribal cultural craft industry and tribesmen, in total of twelve. Themotivation of this study is to explore how Rinari Dashe tribe, which faced the change of industrial structure, created a new vision with cultural craft industry after Typhoon Morakot, and how theyenhance the tribe cultural craft industry and the autonomy of the tribe through all sorts of resourcesafter moving to Rinari Dashe tribe, as well as explore how the tribe organization construct new vision of the industry and rebuild the new look for the tribe. The main purposes of this study are asfollows: a. Understand the impact of Typhoon Morakot on the industry of aboriginal village and RinariDashe tribe. b. Describe the process of promoting cultural craft industry in Rinari Dashe tribe. c. Reflect on the charm and restriction on the cultural craft industry in Rinari Dashe tribe. d. Explore the new vision of the cultural craft industry in Rinari Dashe tribe.Understand the impact of the natural disastrous damage on the industry in aboriginal village tribe through the twelve interviews, the tribe moved to Rinari because of the Typhoon Morakot.New environment, new challenges and the observation of the author make the author deeply realized the problems that Rinari Dashe tribe cultural craft industry encountered, and the new visionof the industry. Therefore, through this study, summed up 7 conclusions as follow: a. The change of the industry in the tribe after Typhoon Morakot: The development of the industryin aboriginal tribe is related to their life and the nature environment, so the change of theenvironment will influence the development of the industry in the tribe. b. The change of the tribe moving to another place: Because of the convenient transportation afterDashe tribe moving to Rinari, the tribe has more exposure and marketing opportunities. c. The influence of the training plan on Rinari Dashe tribe industry: The training plan provideslabor and financial help on tribe cultural craft industry; however, because of the lack ofexecutive, reducing the effectiveness of the program. d. The construction of the industry center in Rinari: The reason why established the industrydevelopment center is to enhance the development of the industry in Rinari. But it is difficult toconstruct it because of the difference of ideas. e. How Rinari Dashe tribe industry promote the community construction: The tribe wants build anew look for the tribe with cultural craft industry, but because of the tribe consensus and theworkshop set up in the industry development center which affect the tribe construction. f. Competitiveness in Rinari Dashe tribe cultural craft industry: The handcrafts are exquisite andfull with cultural connotation, but there are restrictions on development because of the lack of the capabilities of marketing and management. g. The prospects of Rinari Dashe tribe cultural crafts industry: The prospects of the industry arenot only increasing the economic benefits, but hoping to improve the tribe autonomy and keepyoung people, so that the cultural industry can be sustainable and inheritance. Integrate analyses done by the previous chapters; this study has some recommendations forfour aspects: Support programs, operation of the organization, tribal construction and future research: a. Support programs: The subsidy program must have the level and continuity, and the tribe canget real help on the development of the industry by cooperating with people from other place. b. Operation of organization: Building consensus between the organizations, and working togetherin order to create more economic opportunities. c. Tribal construction: Creating new look for the tribe with cultural crafts, and establish an artsculture village to promote the new vision of the construction. d. Future research: Keeping understanding how Rinari Dashe tribe form the industry consensus,and combine with the industry development center in Rinari in order to promote theconstruction of the industry in the tribe.