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Journal articles on the topic 'Culture populaire – France – 1990-2020'

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1

Desrivières, Jean-Durosier. "L’haïtianité et l’antillanité d’après le poète-critique Georges Castera fils (Haïti) et le poète-penseur Monchoachi (Martinique) : perspective poétique franco-créole." Francophonies d'Amérique, no. 58 (2024): 89–109. https://doi.org/10.7202/1116866ar.

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Le poète-critique haïtien Georges Castera fils (1936-2020) et le poète-penseur martiniquais Monchoachi (1946- ) écrivent en français et en créole. Si le premier évolue dans une nation formelle, indépendante, assortie d’une spécificité culturelle élitaire et populaire, le second évolue dans une société antillaise complexe, marquée par une culture singulière, à la fois créolisée et assimilée à la France. Cet article montre que l’haïtianité selon Castera s’édifie sur le matérialisme historique (Marx) et un nationalisme linguistique assez fermé, tandis que l’antillanité non nommée de Monchoachi s’
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Berthold, Étienne, and Marie-Josée Verreault. "Vivre l’objet patrimonial. Les fêtes de la Nouvelle-France." Recherche 47, no. 1 (2006): 95–114. http://dx.doi.org/10.7202/013643ar.

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Dans un regard d’ensemble sur les Fêtes de la Nouvelle-France (FNF) perçues comme un événement populaire à caractère culturel et historique, nous mettons d’abord en relief l’ensemble de l’événement, tout comme la façon dont il prend place, depuis 1997, dans l’espace social et physique du Vieux-Québec (et particulièrement autour du « décor naturel » de Place-Royale). En vertu de la conception du patrimoine qu’elles véhiculent (laquelle invite à vivre l’objet patrimonial), les FNF s’insèrent directement à l’intérieur du contexte d’interprétation caractérisant les paradigmes patrimoniaux de Place
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Maldavsky, Aliocha. "Financiar la cristiandad hispanoamericana. Inversiones laicas en las instituciones religiosas en los Andes (s. XVI y XVII)." Vínculos de Historia. Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 8 (June 20, 2019): 114. http://dx.doi.org/10.18239/vdh_2019.08.06.

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RESUMENEl objetivo de este artículo es reflexionar sobre los mecanismos de financiación y de control de las instituciones religiosas por los laicos en las primeras décadas de la conquista y colonización de Hispanoamérica. Investigar sobre la inversión laica en lo sagrado supone en un primer lugar aclarar la historiografía sobre laicos, religión y dinero en las sociedades de Antiguo Régimen y su trasposición en América, planteando una mirada desde el punto de vista de las motivaciones múltiples de los actores seglares. A través del ejemplo de restituciones, donaciones y legados en losAndes, se
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Flores, Silvana. "Otros modos de escribir la historia del cine: la cinematografía mexicana según tres documentales de los últimos años." Fotocinema. Revista científica de cine y fotografía, no. 20 (January 29, 2020): 165. http://dx.doi.org/10.24310/fotocinema.2020.v0i20.7598.

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Este artículo se propone analizar tres largometrajes documentales mexicanos lanzados en los últimos años que tienen en común su interés por forjar, a través del formato audiovisual, una memoria sobre la historia del cine de aquel país, y en torno a ello, sobre las microhistorias doméstico-familiares que involucran personalmente a sus realizadores, restituyendo ciertos aspectos sobre ese tópico en particular que incluyen tanto la reivindicación de la cultura popular como la proyección de experiencias privadas sobre dicha construcción. Aquellos films, Perdida (Viviana García Besné, 2009), La his
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Belozerov, Vasily K. "Clausewitz, War, and Meaning Formation: Raymond Aron’s Experience of Philosophical Reflection." Russian Journal of Philosophical Sciences 63, no. 1 (2020): 40–65. http://dx.doi.org/10.30727/0235-1188-2020-63-1-40-65.

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The article studies the influence of the ideological heritage of the Prussian war theorist Carl von Clausewitz on the works, worldview, and political views of the French researcher Raymond Aron. For a long time, in France the value and relevance of Clausewitz’s theory of war was acknowledged only in the light of specialized military issues. Aron was one of the first in the country to recognize the value and methodological potential of Clausewitz’s political philosophy of war for the understanding of the preparation and usage of military force, maintenance of national and international security
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Byrnes, Joseph F. "Reclaiming the Sacred: Lay Religion and Popular Politics in Revolutionary France. By Suzanne Desan. Ithaca, N.Y.: Cornell University Press, 1990. xv + 262 pp. $33.50." Church History 63, no. 1 (1994): 120–21. http://dx.doi.org/10.2307/3167863.

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7

Antropova, Nataliya D. "HISTORICAL AND PHILOSOPHICAL ASPECTS IN THE RENEWAL OF THE LANGUAGE OF CHURCH MONUMENTAL PAINTING IN FRANCE AT THE TURN OF THE 20th CENTURY ON THE EXAMPLE OF PAINTINGS BY MAURICE DENIS." Architecton: Proceedings of Higher Education, no. 3(71) (September 29, 2020): 21. http://dx.doi.org/10.47055/1990-4126-2020-3(71)-21.

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The study analyzes the historical and philosophical origins of the renewal in church monumental art in French culture at the turn of the 20th century. The crisis that broke out in the second half of the 19th century within the philosophical knowledge and classical religion and an attempt to rethink the evolution of Christianity entailed significant changes in artistic creativity devoted to the sacred theme. The author explores the topic based on the church mural paintings of the French painter Maurice Denis, who stood at the origins of the transformation of the language of religious painting a
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Bajnai, László, and Attila Józsa. "A Few Chapters of the Earlier History of Operational Urban Development in Central Europe." Acta Universitatis Sapientiae, European and Regional Studies 18, no. 1 (2020): 11–28. http://dx.doi.org/10.2478/auseur-2020-0008.

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Abstract The necessity of operational urban development becomes obvious if we intend to respond with a planned urban development to the challenges posed by an environmentally, socially, and economically sustainable urbanization. We all know the means necessary to enable operational urban development, the ones making planned urban development possible in the most developed founding Member States of the EU as well as in Central Europe – the region of the former ‘Mitteleuropa’. Operational urban development needs to be fully consistent with its objective in a constantly changing public policy, ma
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Gibson, Ralph. "Reclaiming the Sacred. Lay religion and popular politics in revolutionary France. By Suzanne Desan. (The Wilder House Series in Politics, History, and Culture.) Pp. xv + 262 incl. frontispiece, 3 ills and 5 maps. Ithaca-London: Cornell University Press, 1990. $35.50. 0 8014 2404 6." Journal of Ecclesiastical History 43, no. 4 (1992): 672–73. http://dx.doi.org/10.1017/s0022046900002244.

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Lacerda, Wania Maria Guimarães. "Estudantes de camadas populares e a afiliação à universidade pública (Students from working classes and their affiliation to the public university)." Revista Eletrônica de Educação 13, no. 2 (2019): 572. http://dx.doi.org/10.14244/198271992541.

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This article is about a work developed between 2013 and 2015 within the Sociological Observatory of Student Life at the Federal University of Viçosa –UFV – (Brazil), a research group that produces and disseminates knowledge about students from working classes’ university life. This work aimed at creating possibilities for poor students do an intellectual affiliation to the public university. First, eighteen pedagogy female students developed a self-analysis of their own school trajectories and academic experiences, describing them reflexively based on Bourdieu ideas. Then, projects and researc
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Neagu, Maria-Ionela. "INTRODUCTION. MULTIMODAL DIMENSIONS OF IDENTITY IN CULTURE, SOCIETY, AND THE ARTS." JOURNAL OF LINGUISTIC AND INTERCULTURAL EDUCATION 17, no. 2 (2024): 7–13. https://doi.org/10.29302/jolie.2024.17.2.1.

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The concept of identity has been approached from multiple perspectives, as the self always relates to everything and everybody that surrounds it, getting adjusted by every experience it passes through, in a continuous attempt to gain self-apprehension and to recover its sense of belonging. Place, time, emotions, culture are only a few of the factors that impact upon the self, reconfiguring it, as a result of the “troubled condition of the individual, displaced and oscillating between cultures” (Dobrinescu 2017: 156). It is the quest for personal identity, against the background of social relat
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Pablo González, Juan. "Editorial." Contrapulso - Revista latinoamericana de estudios en música popular 5, no. 2 (2023): 1–3. http://dx.doi.org/10.53689/cp.v5i2.227.

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Con este número comenzamos una segunda época de Contrapulso que ya posee dos indexaciones –Latindex y Rilm– y ha cambiado los meses de publicación de enero y julio a los meses de abril y octubre de cada año. Este número incluye tres secciones: un dosier temático, un grupo de artículos libres y un conjunto de reseñas de publicaciones recientes. El dosier “Pueblos originarios y música popular en América Latina” está a cargo de Jacob Rekedal, de la Universidad Alberto Hurtado y subdirector de Contrapulso, e Ignacio Soto Silva, de la Universidad de Los Lagos y del Núcleo Milenio en Culturas Musica
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Pavón Benito, Julia. "¿Es necesario seguir investigando sobre la muerte? Una reflexión historiográfica y nuevas perspectivas." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 65–83. http://dx.doi.org/10.18239/vdh_2023.12.03.

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RESUMENLa historiografía sobre la muerte, desarrollada entre finales de los años setenta y noventa de la pasada centuria, tuvo especial interés y proyección a partir de las investigaciones trazadas por la tercera generación de Annales. Los planteamientos de esta corriente, en sintonía con los modelos de dicha escuela y avalados por la renovación del objeto histórico tras el estructuralismo, giraron alrededor del estudio de las condiciones materiales, actitudes, imágenes y gestualidad del hombre medieval ante la muerte. El cuerpo de esta fructífera reflexión, como parcela de la “historia de las
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14

Essefi, Elhoucine. "Homo Sapiens Sapiens Progressive Defaunation During The Great Acceleration: The Cli-Fi Apocalypse Hypothesis." International Journal of Toxicology and Toxicity Assessment 1, no. 1 (2021): 18–23. http://dx.doi.org/10.55124/ijt.v1i1.114.

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This paper is meant to study the apocalyptic scenario of the at the perspectives of the Great Acceleration. the apocalyptic scenario is not a pure imagination of the literature works. Instead, scientific evidences are in favour of dramatic change in the climatic conditions related to the climax of Man actions. the modelling of the future climate leads to horrible situations including intolerable temperatures, dryness, tornadoes, and noticeable sear level rise evading coastal regions. Going far from these scientific claims, Homo Sapiens Sapiens extended his imagination through the Climate-Ficti
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15

Sandstrom, Alan R. "Return to the Object in Anthropological Inquiry: Examples from Latin America - THE POTTERY OF ACATLAN: A CHANGING MEXICAN TRADITION. By Louana M. Lackey (Norman: University of Oklahoma Press, 1982. Pp. 164. $35.00 cloth, $18.95 paper.) - INDIAN CLOTHING BEFORE CORTES: MESOAMERICAN COSTUMES FROM THE CODICES. By Patricia Rieff Anawalt, foreword by H. B. Nicholson, charts by Jean Cuker Sells. (Norman: University of Oklahoma Press, 1981. Pp. 232. $60.00 cloth, $37.95 paper.) - SPANISH THREAD ON INDIAN LOOMS: MEXICAN FOLK COSTUME / HILO ESPAÑOL, TELAR INDIGENA: EL TRAJE POPULAR MEXICANO. By Frances F. Berdan and Russell J. Barber, translated by Rafael E. Correa Catalog for an exhibition at the University Art Gallery. (San Bernardino: California State University, 1988. Pp. 106. $12.00 paper.) - MEXICAN CELEBRATIONS. By Eliot Porter and Ellen Auerbach, essays by Donna Pierce and Marsha C. Bol (Albuquerque: University of New Mexico Press, 1990. Pp. 115. $40.00 cloth.) - DRAWING THE LINE: ART AND CULTURAL IDENTITY IN CONTEMPORARY LATIN AMERICA. By Oriana Baddeley and Valerie Fraser. (London: Verso, 1989. Pp. 164. $49.50 cloth, $17.95 paper.)." Latin American Research Review 29, no. 1 (1994): 119–31. http://dx.doi.org/10.1017/s0023879100035354.

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16

Navarro, Celina, Núria García-Muñoz, and Matilde Delgado. "Local fiction series: the value of European Public Service Media (1990–2020)." Media, Culture & Society, March 7, 2022, 016344372110699. http://dx.doi.org/10.1177/01634437211069972.

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This paper investigates the role of European Public Service Media (PSM) in the commissioning and scheduling of local series over the past three decades. With a comparative approach between the main European television markets (Germany, the United Kingdom, France, Italy and Spain), the schedules of 30 seasons of 25 general-interest channels have been analysed to explore how the changes in the markets have altered the role of public channels as promoters of domestic fiction and local culture. The study shows a clear division along a Northern European axis with a large, uninterrupted commissionin
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Dunoyer, Christiane. "Monde alpin." Anthropen, 2019. http://dx.doi.org/10.17184/eac.anthropen.101.

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Après avoir été peint et décrit avec des traits plus pittoresques qu’objectifs par les premiers voyageurs et chercheurs qui traversaient les Alpes, mus tantôt par l’idée d’un primitivisme dont la difformité et la misère étaient l’expression la plus évidente, tantôt par la nostalgie du paradis perdu, le monde alpin a attiré le regard curieux des folkloristes à la recherche des survivances du passé, des anciennes coutumes, des proverbes et des objets disparus dans nombre de régions d’Europe. Au début du XXe siècle, Karl Felix Wolff (1913) s’inspire de la tradition des frères Grimm et collecte un
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18

Radünz, Roberto, and Anthony Beux Tessari. "ACERVO RESGATE DO PROJETO ECIRS." Revista UFG 24 (March 24, 2025). https://doi.org/10.5216/revufg.v24.77817.

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Na história da preservação do patrimônio cultural no Brasil, o estado assumiu um papel preponderante, por meio do Instituto do Patrimônio Histórico e Artístico Nacional (Iphan). Não obstante, iniciativas também ocorreram em outros âmbitos, como é o caso da experiência de registro do patrimônio a partir de uma instituição privada de ensino superior no Sul do Brasil. Neste texto, expõe-se o trabalho e o acervo constituído pelo projeto Ecirs, vinculado ao Instituto Memória Histórica e Cultural (IMHC) da Universidade de Caxias do Sul (UCS). Este projeto, com origem na década de 1970, produziu exte
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"Suzanne Desan. Reclaiming the Sacred: Lay Religion and Popular Politics in Revolutionary France. (Wilder House Series in Politics, History, and Culture.) Ithaca: Cornell University Press. 1990. Pp. xv, 262. $33.50." American Historical Review, February 1992. http://dx.doi.org/10.1086/ahr/97.1.216.

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Bermès, Emmanuelle. "Trente ans de numérique à la BnF." Balisages, no. 6 (October 5, 2023). http://dx.doi.org/10.35562/balisages.1099.

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Dès le tournant des années 1990, la promesse du numérique apparaît clairement aux professionnels des bibliothèques : une reproductibilité infinie sans perte de qualité, une capacité de mise à disposition très large, la possibilité de toucher de nombreuses audiences différentes… de quoi alimenter l’utopie de la reproduction qui voudrait que l’on puisse, de manière transparente, transférer tous les documents vers ce nouveau support. Un projet pharaonique voit le jour : celui d’une bibliothèque « d’un type entièrement nouveau », c’est-à-dire, qui s’appuierait massivement sur les nouvelles technol
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Toutant, Ligia. "Can Stage Directors Make Opera and Popular Culture ‘Equal’?" M/C Journal 11, no. 2 (2008). http://dx.doi.org/10.5204/mcj.34.

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Cultural sociologists (Bourdieu; DiMaggio, “Cultural Capital”, “Classification”; Gans; Lamont & Foumier; Halle; Erickson) wrote about high culture and popular culture in an attempt to explain the growing social and economic inequalities, to find consensus on culture hierarchies, and to analyze cultural complexities. Halle states that this categorisation of culture into “high culture” and “popular culture” underlined most of the debate on culture in the last fifty years. Gans contends that both high culture and popular culture are stereotypes, public forms of culture or taste cultures, each
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Guedj, Pauline. "Afrocentrisme." Anthropen, 2017. http://dx.doi.org/10.17184/eac.anthropen.046.

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Bien que souvent non revendiqué par les auteurs que l’on considère comme ses tenants (Molefi Asante 1987, Maulana Karenga 2002, John Henrik Clarke 1994, Marimba Ani 1994, Frances Cress Welsing 1991, Théophile Obenga 2001, qui lui préfèrent les termes afrocentricité, africologie ou kawaida), le terme afrocentrisme est utilisé pour désigner un courant d’idées présent dans les cercles académiques nord-américains, africains et européens, depuis la deuxième moitié du vingtième siècle. Académique, l’afrocentrisme est actuellement l’objet d’un important processus de transnationalisation et entretient
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LAURA, LUONGO, Massimo Galli, Ivana Garaguso, Mariangela Petrucci, and Salvatore Vitale. "First report of Colletotrichum fioriniae and C. nymphaeae as Causal Agents of anthracnose on walnut in Italy." Plant Disease, July 14, 2021. http://dx.doi.org/10.1094/pdis-05-21-1062-pdn.

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English walnut (Juglans regia L.) is species grown either for high quality wood or fruit production. In Italy walnut cultivation occupies an area of about 4600 ha (FAOSTAT, http://www.fao.org/faostat, 2020). In 2019-2020, walnut fruits (cv Lara) with anthracnose symptoms were collected from walnut orchards in Province of Venice (Northern Italy). Affected fruits showed necrotic and circular lesions with acervuli in the center causing the complete mummification of the fruit as described by Da Lio et al., 2018. Orange conidial masses appeared under wet conditions. The fungus was isolated from nec
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Liu, Yingyu, Sakshi Vasiu, Margery Louise Daughtrey, and Melanie Filiatrault. "First Report of Dickeya dianthicola causing blackleg on New Guinea Impatiens (Impatiens hawkeri) in New York State, USA." Plant Disease, November 17, 2020. http://dx.doi.org/10.1094/pdis-09-20-2020-pdn.

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New Guinea impatiens (NGI), Impatiens hawkeri, has a $54-million wholesale market value in the United States (National Agricultural Statistics Service, 2019) and is highly resistant to Impatiens downy mildew (Plasmopara obducens) according to growers’ experience (Warfield, 2011). In March 2019, NGI cv. Petticoat White in a New York greenhouse showed wilting, black stem streaks and vascular discoloration, with a 20% disease incidence. Symptomatic tissue pieces were added to sterile water in a test tube and streaks made on potato dextrose agar (PDA). After incubation at 26oC for two days, the mo
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De Araujo, Valter Shuenquener, and GABRIEL DE ANDRADE CAVALCANTI. "O Poder de Polícia nas Sociedades de Vigilância: história, limites e perspectivas." REVISTA QUAESTIO IURIS 16, no. 2 (2023). http://dx.doi.org/10.12957/rqi.2023.64654.

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AFONSO DA SILVA, Virgílio. O proporcional e o razoável. Revista dos tribunais, São Paulo, n. 798, p. 23-50. 2002. ALEXY, Robert. Zur Struktur der Rechtsprinzipien. In: Schilcher, Bernd/ Koller, Peter/ Funk, Bernd-Christian (Hg.), Regeln, Prinzipien und Elemente im System des Rechts. Wien: Verlag Osterreich. 2000. p. 31-52. ALBRECHTUSLUND, Anders. Online social networking as participatory surveillance. Peer-Reviewed Journal on the Internet, first monday, volume 13, number 3, 3 march, 2008. ANDREJEVIC, Mark. The Work of Watching One Another: Lateral Surveillance, Risk, and Governance. Surveillan
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Patterson-Ooi, Amber, and Natalie Araujo. "Beyond Needle and Thread." M/C Journal 25, no. 4 (2022). http://dx.doi.org/10.5204/mcj.2927.

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Introduction In the elite space of Haute Couture, fashion is presented through a theatrical array of dynamics—the engagement of specific bodies performing for select audiences in highly curated spaces. Each element is both very precise in its objectives and carefully selected for impact. In this way, the production of Haute Couture makes itself accessible to only a few select members of society. Globally, there are only an estimated 4,000 direct consumers of Haute Couture (Hendrik). Given this limited market, the work of elite couturiers relies on other forms of artistic media, namely film, ph
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Woldeyes, Yirga Gelaw. "“Holding Living Bodies in Graveyards”: The Violence of Keeping Ethiopian Manuscripts in Western Institutions." M/C Journal 23, no. 2 (2020). http://dx.doi.org/10.5204/mcj.1621.

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IntroductionThere are two types of Africa. The first is a place where people and cultures live. The second is the image of Africa that has been invented through colonial knowledge and power. The colonial image of Africa, as the Other of Europe, a land “enveloped in the dark mantle of night” was supported by western states as it justified their colonial practices (Hegel 91). Any evidence that challenged the myth of the Dark Continent was destroyed, removed or ignored. While the looting of African natural resources has been studied, the looting of African knowledges hasn’t received as much atten
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Gao, Xiang. "A ‘Uniform’ for All States?" M/C Journal 26, no. 1 (2023). http://dx.doi.org/10.5204/mcj.2962.

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Introduction Daffodil Day, usually held in spring, raises funds for cancer awareness and research using this symbol of hope. On that day, people who donate money to this good cause are usually given a yellow daffodil pin to wear. When I lived in Auckland, New Zealand, on the last Friday in August most people walking around the city centre proudly wore a cheerful yellow flower. So many people generously participated in this initiative that one almost felt obliged to join the cause in order to wear the ‘uniform’ – the daffodil pin – as everyone else did on that day. To donate and to wear a daffo
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Vasques Vital, Andre, and Mariza Pinheiro Bezerra. "Climate Change as Dark Magic in <em>Miraculous: Tales of Ladybug & Cat Noir</em> Animation." M/C Journal 26, no. 5 (2023). http://dx.doi.org/10.5204/mcj.2990.

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Animations, in their various genres, are an important amalgamation of art and technology that suggest new ways of thinking, feeling, and experiencing contemporary issues (Wells; Whitley). Animations can provide a commentary on the current planetary crisis, such as climate change, by offering a radically altered reality (Lundberg et al. 9). In the case of environmental animations, these issues become more evident because at their core is the production of knowledge, subjectivities, and speculations about the future of the planet and humanity. These problematisations usually arise from the centr
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