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Journal articles on the topic 'Cupid and Psyche (Tale) in literature'

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Published: 4 June 2021
Last updated: 27 July 2025

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1

Kotaridi, Yuliya G. "Philosophical Versions of the Eternal Storyline About Cupid and Psyche: from Neoplatonism to Christianity." Проблемы исторической поэтики 27, no. 1 (2020): 36–55. http://dx.doi.org/10.15393/j9.art.2020.7302.

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<p>The subject of this paper is the transformation of the poetics of Cupid and Psyche plot in its national and historical modifications in European literature. The methodology of the analysis is based on mythological studies (A. N. Veselovsky, A. F. Losev) and genre studies (M. M. Bakhtin, S. S. Averintsev, E. M. Meletinsky, etc.). Allegorization of the images of Love and Soul appeared in the antiquity long before the novel by Apuleius “Asinus Aureus” or “Metamorphoses&
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Kotaridi, Yuliya. "On the Reception of the French Version of Cupid and Psyche Plot in the Poem of Ippolit Bogdanovich “Dushenka” (1783)." Przegląd Wschodnioeuropejski 10, no. 1 (2019): 325–35. http://dx.doi.org/10.31648/pw.4528.

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The subject of this paper is the transformation of poetics of Cupid and Psyche plot in its national and historical modifications in French and Russian literatures of the 17th–18th centuries. The methodology of the analysis is based on mythological studies (K. Levi-Strauss, J. Frazer, A. N. Veselovsky, A. F. Losev) and genre studies (M. M. Bakhtin, S. S. Averintsev, E. M. Meletinsky, etc.). This paper examines the genre of J. de La Fontaine’s and his follower Ippolit Bogdanovich’s versions of the plot and the interrelation of various literary styles in their poetics. The genre of the French and
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Penwill, J. L. "Reflections on a ‘Happy Ending’: The Case of Cupid and Psyche." Ramus 27, no. 2 (1998): 160–82. http://dx.doi.org/10.1017/s0048671x00001880.

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The yo-yo problem: first Psyche is mortal and exposed as though for death (DOWN); then she is rescued and cohabits with Cupid (UP); then she falls from Cupid (DOWN); then she searches and with help almost succeeds in her trials (UP); then she fails and lies in a sleep like death (DOWN); then she is rescued by and married to Cupid (UP).Ken Dowden, ‘Psyche on the Rock’ (1982)Well I've been down so goddam' long, that it looks like up to me.Jim Morrison, ‘Been Down So Long’ (1971)Bella fabella (‘beautiful little story’) exclaims the ass at the conclusion of the unnamed old woman's narration of the
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Kramer Linkin, Harriet. "Mary Tighe's Psyche, William Hayley's Psyche, and George Romney's Cupid and Psyche." Romanticism 24, no. 1 (2018): 1–21. http://dx.doi.org/10.3366/rom.2018.0350.

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In July 1806 William Hayley suggested that Mary Tighe publish an illustrated edition of Psyche; or, The Legend of Love, using engravings of George Romney's Cupid and Psyche cartoons. Tighe declined, as she did all recommendations that she publish an edition of Psyche. Although she usually cited modesty as her rationale for not publishing, in this instance she pointed to the unsuitability of Romney's illustrations for her narrative. The Romney cartoons closely adhered to Apuleius's narrative of the Cupid and Psyche legend, and were sketched in 1777 to illustrate Hayley's subsequently unfinished
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5

He, Pei. "CURIOSITAS AND PSYCHE'S GROWTH IN APULEIUS' METAMORPHOSES." Greece and Rome 70, no. 2 (2023): 197–217. http://dx.doi.org/10.1017/s0017383523000025.

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In the tale-within-tale ‘Cupid and Psyche’ narrated in Apuleius’ Metamorphoses, the female heroine Psyche goes through a series of wanderings and tasks as punishments for seeing her husband Cupid's real form out of curiosity. Psyche's curiosity connects this internal tale with the external narratives in Metamorphoses, the protagonist of which, Lucius, shares a similar curiosity that leads to his downfall. While scholars attribute favourable qualities to Lucius’ curiosity despite its negative consequences, they deny the same value to Psyche's curiosity. In this paper, I argue against the condem
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6

Elytis, Odysseus, Jeffrey Carson, and Nikos Sarris. "Cupid and Psyche." World Literature Today 66, no. 3 (1992): 447. http://dx.doi.org/10.2307/40148364.

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7

Diekman, Allisa. "“The Golden Root”: Cupid, Psyche, and Basile’s Pentamerone." Selected Proceedings of the Classics Graduate Student Symposia at the University of Florida 2 (March 25, 2023): 38–59. http://dx.doi.org/10.32473/pcgss.2.132929.

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This paper traces the literary genealogy of the Tale of Cupid and Psyche from Apuleius to Disney, with a primary focus on the role that Basile’s Pentamerone played in this transmission. Through an analysis of different versions of fairytales, this paper discusses the literary relationship between Apuleius and Basile, which became a major part of the Western fairytale canon due to Basile’s influence on the tales of Perrault and the Brothers Grimm. The common motifs of these various accounts point towards the influence that the folktale nature of myth had on the later fairytale genre.
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8

Ogden, Daniel. "The Jeweled Castle of the Dragon." Preternature: Critical and Historical Studies on the Preternatural 13, no. 1 (2024): 198–225. http://dx.doi.org/10.5325/preternature.13.1.0198.

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ABSTRACT Five analog narratives—from Apuleius’s Metamorphoses (“Cupid and Psyche,” second century AD), Philostratus’s Apollonius (ca. AD 220), Callimachus and Chrysorrhoe (early fourteenth century AD), Konrad’s Saga (fourteenth century AD) and The Theodore Tiron Miracle Story (fourteenth century AD)—prove to be underpinned by an ideal story type along the following lines. A dragon lives in a golden, jeweled castle, almost impossible of access. It is surrounded by and infested by lesser serpents. Within it he has a special raised platform, and he is served in it by automatic air-powered trays,
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9

Rychlewska-Delimat, Alicja. "Les Amours de Psyché et de Cupidon de Jean La Fontaine comme exemple de prosimètre." Quêtes littéraires, no. 6 (December 30, 2016): 18–26. http://dx.doi.org/10.31743/ql.207.

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The loves of Psyche and Cupid by La Fontaine is a romance of mixed genres, combining the features of a tale, a narrative poem and a philosophical dialogue. The author of this study classifies it as a prosimetrum, to focus her analysis, on the one hand – upon the interrelation between prose and verse, functions and means of introducing rhyming parts, etc., on the other hand – examining metatextual texts of the narrator who provokes interesting aesthetic reflection.
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10

Pawłowski, Kazimierz. "Baśń o Erosie i Psyche Apulejusza z Madaury. Duchowe aspekty baśni." Vox Patrum 65 (July 15, 2016): 533–46. http://dx.doi.org/10.31743/vp.3515.

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This work will discuss the eponymous tale of „Cupid and Psyche”, originally written as a part of Lucius Apuleius Madaurensis’ „Metamorphoses”. The tale’s main thread, the motif of Psyche making an effort to reclaim Cupid’s lost affec­tion, is depicted through the means of mysteriosophic context of Apuleius’ phi­losophy, as well as his theory on love. The work will draw upon the characteristic motifs of the ancient sacred mysteries, thus suggesting that the story of Psyche’s trials and tribulations is somewhat an allegory of the spiritual development of man, who searches for love to find the me
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11

Parker, S., and P. Murgatroyd. "Love poetry and Apuleius’ Cupid and Psyche." Classical Quarterly 52, no. 1 (2002): 400–404. http://dx.doi.org/10.1093/cq/52.1.400.

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12

Tagliabue, Aldo. "RE-ENACTMENTS OF THE PROLOGUE IN CUPID'S PALACE: AN IMMERSIVE READING OF APULEIUS’ STORY OF CUPID AND PSYCHE." Classical Quarterly 71, no. 2 (2021): 799–818. http://dx.doi.org/10.1017/s0009838821000926.

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AbstractThis article offers a new interpretation of Apuleius’ story of Cupid and Psyche. Most scholars have previously offered a second-time reading of this story, according to which the reader reaches Book 11 and then looks back at Psyche's story of fall and redemption as a parallel for Lucius’ life. Following Graverini's and other scholars’ emotional approach to the Metamorphoses, I argue that the ecphrasis of Cupid's palace within the story of Cupid and Psyche includes multiple re-enactments of the novel's prologue. These re-enactments invite the reader to undertake a first-time and immersi
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MURGATROYD, P. "(M.) Zimmerman, (S.) Panayotakis, (V.C.) Hunink, (W.H.) Keulen, (S.J.) Harrison, (T.D.) McCreight, (B.) Wesseling, van (D.) Mal-Maeder Apuleius Madaurensis: Metamorphoses. Books IV. 28-35, V and VI. 1-24. The Tale of Cupid and Psyche. Text, Introduction and Commentary. (Groningen Commentaries on Apuleius.) Pp. x + 596. Groningen: Egbert Forsten, 2004. Cased, €110. ISBN: 90-6980-146-9." Classical Review 56, no. 1 (2006): 137–39. http://dx.doi.org/10.1017/s0009840x05000703.

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14

Edwards, Mark. "Till We Have Faces as Myth and Allegory." Journal of Inklings Studies 6, no. 2 (2016): 113–38. http://dx.doi.org/10.3366/ink.2016.6.2.5.

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Till We Have Faces is widely regarded by admirers of C.S. Lewis as his best work of fiction, and also the most enigmatic. While it is not obviously didactic, most readers have a sense that a meaning lurks in it that cannot be ascertained by a conventional analysis of the plot, the observations of the narrator and her developing awareness of her own motives. It is argued here that Lewis, who was familiar with allegorical readings of the tale of Cupid and Psyche in Apuleius and with at least some later imitations, may have been sufficiently influenced by these precedents to conceive his own tale
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15

Mykhailova, Olena. "A TRAVEL BY LIMINAL SPACE IN APULEIUS' IN A SHORT NOVEL-TALE "CUPID ET PSYCHE"." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 37 (2025): 52–57. https://doi.org/10.17721/1728-2659.2025.37.09.

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Background. Old myths, fairy epos, literary works of antique times retain for us worldviews of former generations about the periods of transitivity in the history of mankind, about cardinal social changes and initiation processes, magical practices and the rituals that have entered into the cultural heritage of the mankind and require today's comprehension. The images of the Greek and the Roman gods in Apuleius' short novel-tale, a trial of Psyche, the main heroine, during the ceremonies of transition between the two worlds, profane (human) and sacral (divine), certify to specific mythological
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De Armas, Frederick A. "The Colors of Curiosity: Ekphrasis from Marguerite de Navarre to María de Zayas’ Tarde llega el desengaño." Humanities 14, no. 4 (2025): 85. https://doi.org/10.3390/h14040085.

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María de Zayas’ Tarde llega el desengaño, the fourth tale in her Desengaños amorosos (1641), is one of the most studied novellas in the collection. The reader’s curiosity may stem in part from the main model for the tale, the Apuleian story of Cupid and Psyche, which has curiositas as its central motivation. Nevertheless, this essay argues that one of the reasons that the tale has attracted so much attention has to do with the vividness of its scenes, the chromatic design that Zayas uses to write for the eyes and the relationship of these topics to curiosity. The text induces characters and re
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O'Brein, Maeve. "M. Zimmerman, S. Panayotakis, V. C. Hunink, W. H. Keulen, S. J. Harrison, Th. D. Mccreight, B. Wesseling and D. Van Mal-Maeder (Eds), Apuleius Madaurensis. Metamorphoses Books IV 28–35, V and VI, 1–24. The Tale of Cupid and Psyche. Text, Introduction and Commentary. Groningen: Egbert Forsten, 2004. Pp. 596. ISBN 90-6980-146-9. €110.00." Journal of Roman Studies 96 (November 2006): 269–70. http://dx.doi.org/10.1017/s0075435800001325.

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18

O’ktamovna, Navro’zova Gulrux. "CHARACTERISTICS AND SPECIAL FEATURES OF CHILDREN'S LITERATURE." International Journal Of Literature And Languages 03, no. 02 (2023): 49–56. http://dx.doi.org/10.37547/ijll/volume03issue02-10.

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This article analyzes children's fiction and its specific features, explores the importance of the literary fairy tale genre and folklore, the concepts of national psyche and psychologism, and the differences between children's literature and adult literature
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19

Hall, Kirsten. ""It is all one": Hetty Sorel and the Myth of Cupid and Psyche." Renascence 67, no. 4 (2015): 279–94. http://dx.doi.org/10.5840/renascence201567420.

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20

Lefterova, O. M. "SYMBOLISM OF THE SEA ELEMENT IN THE NOVEL-TALE ABOUT CUPID AND PSYCHE (BASED ON THE NOVEL BY APULEIUS “ METAMORPHOSES”)." "Scientific notes of V. I. Vernadsky Taurida National University", Series: "Philology. Journalism" 2, no. 5 (2022): 159–64. http://dx.doi.org/10.32782/2710-4656/2022.5.2/28.

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21

Elsom, Helen E. "Paula James, Unity in Diversity: a Study of Apuleius' Metamorphoses with Particular Reference to the Narrator's Art of Transformation and the Metamorphosis Motif in the Tale of Cupid and Psyche (Altertumswissenschaftliche Texte und Studien XVI). Hildesheim, etc.: Olms-Weidmann, 1987. Pp. vi + 272. ISBN 3-487-07820-1. - G. F. Gianotti, ‘Romanzo’ e ideologia: studi sulle ‘metamorfosi’ di Apuleio (Forme, materiali e ideologie del mondo antico XXVI). Naples: Liguori, 1986. Pp. 129. ISBN 88-207-1495-7." Journal of Roman Studies 78 (November 1988): 248–49. http://dx.doi.org/10.2307/301493.

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22

López, Martín Zulaica. "Las fuentes de un episodio satírico-alegórico en El Bernardo de Balbuena: la seducción de Ferragut por la hechicera Arleta." Calíope 28, no. 1 (2023): 118–39. http://dx.doi.org/10.5325/caliope.28.1.0118.

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Abstract This article studies the literary sources of a meritorious satirical-allegorical episode recounted, mainly, in book VII of El Bernardo of Balbuena: the seductiveness of Ferragut by the enchantress Arleta. The complex exercise of imitatio multiplex with which Balbuena combines the texts of Amadís de Gaula with the romanzi of Boiardo and Ariosto, together with the myth of Psyche and Cupid in the Asinus aureus version and/or, more probably, the chivalric history of El Conde Partinuplés is studied. Likewise, the allegorical interpretation of the episode offered by Balbuena is examined in
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23

Osgood, Josiah. "Nuptiae Iure Civili Congruae: Apuleius's Story of Cupid and Psyche and the Roman Law of Marriage." Transactions of the American Philological Association 136, no. 2 (2006): 415–41. http://dx.doi.org/10.1353/apa.2006.0015.

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Nowak, Małgorzata. "Sataniczność kreacji bohatera w Arabie Juliusza Słowackiego." Przestrzenie Teorii, no. 35 (December 15, 2021): 217–34. http://dx.doi.org/10.14746/pt.2021.35.10.

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This article attempts to read Juliusz Słowacki’s Arab from the comparative perspective of John Milton’s Paradise Lost. The protagonist of Słowacki’s oriental tale, who is a variation on the Byronic hero, also shows similarities with Milton’s Satan: unceasing motion, obsession of revenge, loneliness, axiological preference of evil. The analysis of those similarities creates a new interpretative context for Arab, which was hitherto regarded as a superficial study of the pathological psyche or a caricature of the Byronic model.
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Szczeglacka-Pawłowska, Ewa. "Barwa komiczna [Królewny Lali] Adama Mickiewicza. Od baśni Apulejusza z Madaury o Amorze i Psyche do Duszeńki Ippolita F. Bogdanowicza [The comic quality of Adam Mickiewicz's [Królewna Lala] [The Princess Doll]. From the fairy tale of Apuleius from Madaura about Cupid and Psyche to Duszeńka by Ippolit F. Bogdanowicz]." Napis XXIV (2018) (December 28, 2018): 25–41. https://doi.org/10.18318/napis.2018.1.3.

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The article is an interpretative study devoted to [<em>Kr&oacute;lewna Lala</em>] [<em>The Princess Doll</em>] by Adam Mickiewicz, in light of the comic poem convention. It is an attempt at identifying and developing the lines of interpretation which already exist in the research dedicated to the text, initiated by Tadeusz Sinko. The scholar devoted much attention to the unfinished long poem by Mickiewicz. Sinko called [<em>Kr&oacute;lewna Lala</em>] a fairy-tale and proposed (having supported it with source text analyses) that the long poem contained motifs and subplots for which the most lik
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Panayotakis, Costas. "Vision and Light in Apuleius’ Tale of Psyche and her Mysterious Husband." Classical Quarterly 51, no. 2 (2001): 576–83. http://dx.doi.org/10.1093/cq/51.2.576.

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27

Kowshikah, N., and M. Siva Ram Sanker. "Unveiling Narrative Threads: Wilde’s Spectral Tale vs. James’s Haunting Mystery." Shanlax International Journal of Arts, Science and Humanities 11, S2-March (2024): 33–36. http://dx.doi.org/10.34293/sijash.v11is2-march.7504.

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The research delves into the distinct narrative techniques employed in the two novellas, Oscar Wilde’s The Canterville Ghost and Henry James’s The Turn of the Screw. Wilde’s work, characterised by its satirical and humorous approach to the supernatural, stands in stark contrast to James’s psychological horror narrative, which intricately weaves a web of ambiguity and suspense. The research examines the role of humour in The Canterville Ghost and its impact on the overall tone, drawing attention to Wilde’s use of satire to challenge conventional ghost story tropes. In contrast, The Turn of the
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Gray, Rosemary. "Redreaming ways of seeing: Ben Okri’s intuitive creativity." Tydskrif vir Letterkunde 55, no. 2 (2018): 73–90. http://dx.doi.org/10.17159/2309-9070/tvl.v.55i2.2256.

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Drawing on A Way of Being Free (1997) and A Time for New Dreams (2011) among other Okrian texts, this article is a discussion of the notion of redreaming ways of seeing through intuitive creativity. The argument is divided into three parts: the role of intuitive creativity; redreaming ways of seeing in The Landscapes Within (1981); and intuition or “the landscapes within”. The deployment of John Berger’s Ways of Seeing and Roland Barthes’s Image, Music, Text posits an Afro-Western worldview in which the title of Okri’s second novel effectively becomes a simulacrum for the lead character’s psyc
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LĂPĂDAT, Laviniu Costinel. "From Folklore to Literature: Utilising Bram Stoker’s Dracula as a Teaching Resource for Romanian Cultural Education." ANALELE UNIVERSITĂȚII DIN CRAIOVA SERIA ȘTIINȚE FILOLOGICE LIMBI STRĂINE APLICATE 2024, no. 1 (2024): 310–24. http://dx.doi.org/10.52744/aucsflsa.2024.01.34.

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Stoker's „Dracula” is not merely a tale of horror but a intricate interweaving of historical fact and Romanian folklore. The strigoi and nosferatu, while possibly perceived as mere relics of bygone superstitions, are integral facets of Romanian cultural identity. Their tales, replete with the wisdom and anxieties of a civilization, invite us to engage deeply with the narratives that have shaped and continue to influence a nation's collective psyche. It is this intricate dance between the real and the imagined, the living and the undead, that renders the study of Stoker’s Dracula and its Romani
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Allambergenov, Anvar. "About Uzbek Folk Tales and Their Educational Importance." International Journal Of Literature And Languages 5, no. 5 (2025): 181–82. https://doi.org/10.37547/ijll/volume05issue05-42.

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This article discusses one of the genres of Uzbek oral folk art — the fairy tale. It analyzes the process of creation and narration of fairy tales, the diversity of their themes, as well as their educational and spiritual significance. The article highlights the impact of fairy tales on the psyche, their interpretation, and their role in Uzbek culture. This article provides an in-depth analysis of Uzbek folk tales, one of the most important and ancient genres of oral folk literature. Folk tales are regarded as a vivid reflection of the people’s worldview, dreams, and aspirations. They portray
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Cheng-Lin, Catalina, and José Luis Ortega-Martín. "Demonic Possession, Dreams, and Ghosts in Ivan Turgenev’s Tale “The Dream”: A Literary Interpretation from the Perspective of Spirituality and the Human Psyche." International Journal of Literary Humanities 18, no. 2 (2020): 49–55. http://dx.doi.org/10.18848/2327-7912/cgp/v18i02/49-55.

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Kolotaev, Vladimir A. "TRANSITIVITY, NARRATIVE, IDENTITY." Scientific and analytical journal Burganov House. The space of culture 21, no. 1 (2025): 10–25. https://doi.org/10.36340/2071-6818-2025-21-1-10-25.

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The connection of the carnival activity with the states of transition offers the neophyte participant an opportunity to experience the act of death and rebirth in a new capacity, acquiring a new identity and taking his or her place in society. Similar experiences are experienced by the believer who has embarked on the path of movement towards truth, finding him or herself through contact with the images of the iconostasis and instantaneous transfer into the realm of truth, in union with God. The barrier on the way of the hero of works of art, literature, and cinema is the boundaries of the wor
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Dupras, Joseph A. "Tying the Knot in the Economic Warp of Jane Eyre." Victorian Literature and Culture 26, no. 2 (1998): 395–408. http://dx.doi.org/10.1017/s1060150300002473.

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A prominent pattern in the weave of Jane Eyre's station, attitudes, and narrative is her finances, skewed by lineage and wont. Jane's fortune and psyche are as warped when she becomes wealthy and a writer as when she was a young, anxious outcast whom poverty demeaned and challenged. Her memoirs critique religious hypocrisy, male chauvinism, and economic degradation, but also expose her pernicious outlook on matrimony and Mammon, in contrast to a proclaimed wedded bliss. “[T]he same catastrophe — marriage” (228; ch. 19) — that she wryly predicts for romances, real and fictional, is a stigma on
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Dzhanumov, S. A., and A. D. Petukhov. "Literary Portrait of the Author of “Dushenka” in N. M. Karamzin’s Article “About Bogdanovich and His Works”." Russian Studies in Philology, no. 1 (September 18, 2023): 85–94. https://doi.org/10.18384/2949-5008-2024-1-85-94.

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Aim. To consider the features of the literary portrait genre in the critical heritage of N. M. Karamzin on the material of his article “About Bogdanovich and his works” (1803).Methodology. The main method of analyzing this article by Karamzin is biographical, since in it a work of art (in this case, I. F. Bogdanovich’s poem “Dushenka” (1783)) is directly dependent on the inner world of the author, on his individual fate and personality traits.Results. It is concluded that Karamzin’s article is of a syncretic nature, that is, it combines a literary portrait, an obituary and a critical analysis
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Panayotakis, Costas. "(M.) Zimmerman, (V.) Hunink, (Th.D.) McCreight, (D.) Van Mal-Maeder, (S.) Panayotakis, (V.) Schmidt and (B.) Wesseling Eds. Aspects of Apuleius' Golden Ass. Vol. 2. Cupid and Psyche. Groningen: Egbert Forsten, 1998. Pp. xii + 236 + illus. 9069801213. F1.105." Journal of Hellenic Studies 121 (November 2001): 191–92. http://dx.doi.org/10.2307/631853.

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Koltsova, Natalia Z. "NEO-MYTHOLOGICAL NOVEL OF THE 1920s–40s AS A GENRE OF RUSSIAN LITERATURE." Lomonosov Journal of Philology 48, no. 2, 2025 (2025): 167–77. https://doi.org/10.55959/msu0130-0075-9-2025-48-02-13.

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This article is devoted to the genesis of the genre of neo-mythological novel in Russian Soviet literature of the 1920–40s. Neo-myth (as well as myth) is a broad concept associated with the sphere of thinking, human consciousness, and with the sphere of art, literary creativity, poetics, too. Researchers define neo-myth, myth and neo-mythologism differently. Khalizev calls any individual author’s myth, including the myth of romantics, a neo-myth, Meletinsky and Mintz emphasize that the idea of neo-mythologism is applicable primarily to the culture of the Art Nouveau era. In their opinion, neo-
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Farooqui, Rummana. "Fragmented narrative techniques in Katherine Mansfield’s short fiction -the daughters of the late colonel as a reflection of psychological and emotional turmoil of the pinner sisters." Journal of Contemporary Research in Social Sciences 7, no. 1 (2025): 17–22. https://doi.org/10.55214/26410249.v7i1.6136.

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The purpose of this study is to explore the use of fragmentation in Katherine Mansfield's short fiction, "The Daughters of the Late Colonel," to illustrate the emotional as well as the psychological trauma of the Pinner sisters, torn apart by the death of their father and their conflicting desires. In literature, fragmentation may serve as a tool for psychological exploration, depicting characters’ fragmented thoughts and emotions to mirror the intricacies of the human psyche. In this short fiction, the narrative shifts between past and present, capturing the way memories surface and retreat i
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Deepa. "Stevens: The Unreliable Narrator in Kazuo Ishiguro’s The Remains of The Day." Creative Launcher 8, no. 2 (2023): 139–44. http://dx.doi.org/10.53032/tcl.2023.8.2.18.

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Kazuo Ishiguro, an eminent figure in contemporary literature, crafts narratives distinguished by their nuanced, restrained characters. One of his most profound works, The Remains of the Day (1989), offers readers a masterclass in the art of subtle storytelling. Central to this novel is the depiction of the protagonist, Butler Stevens, an embodiment of Ishiguro’s knack for blending subtlety with complexity. Stevens stands as a hallmark of Ishiguro’s imaginative prowess, serving as an intricate reflection of an era gone by. This character’s unyielding dedication to his profession, as reflected i
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Walker, Melissa. "SELF-MADE MAIDS: BRITISH EMIGRATION TO THE PACIFIC RIM AND SELF-HELP NARRATIVES." Victorian Literature and Culture 43, no. 2 (2015): 281–304. http://dx.doi.org/10.1017/s1060150314000552.

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The victorian discourse of self-help, popularized by Samuel Smiles in the mid-nineteenth century, was integral to the success of mid-Victorian British emigration and colonialism. As Robert Hogg notes in his study of British colonial violence in British Columbia and Queensland, Samuel Smiles's notion of character, which embraced the virtues of hard work, perseverance, self-reliance, and energetic action, helped sanction masculine colonial violence and governance in these regions (23–24). According to Robert Grant in his examination of mid-Victorian emigration to Canada and Australia, one's desi
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May, Regine. "HELLENISTIC POETRY, MAGICAL GEMS AND ‘THE SWORD OF DARDANUS’ IN APULEIUS’ CUPID AND PSYCHE." Classical Quarterly, February 1, 2024, 1–17. http://dx.doi.org/10.1017/s0009838823000800.

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Abstract Apuleius’ tale of Cupid and Psyche is shown to feature detailed knowledge of ancient magic integrated into the plot, especially the magic of the so-called ‘Sword of Dardanus’ spell and of other papyri with Middle Platonic content. A recently published gemstone from Perugia testifies to the wide distribution of the ‘Sword’. Apuleius’ allusion to the erotic spell involves both Cupid and Venus torturing Psyche. Although Venus’ intentions are to prevent the bond between the lovers, her actions inadvertently echo those depicted in the ‘Sword’ and contribute to the couple's eternal union. A
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Milena, Mileva Blažić. "COMPARATIVE ANALYSIS OF APULEIUS' METAMORPHOSES AND POLISH FAIRY TALES – A CASE STUDY OF CUPID AND PSYCHE." September 1, 2022. https://doi.org/10.5281/zenodo.7120943.

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Purpose of the paper is a comparative literary analysis of the fairy-tale type of animal groom/bride, which in the international fairy-tale index of H. J. &Uuml;ther. Fairytale type is widespread types with subtypes. It is ATU number from 400 -459. The fairy tale type is known from ancient literature, from Apuleius&#39;s Fairy Tale of Amor and Psyche (2nd c. AD). The purpose of the article is to make the public aware of the intertextual connection of selected Polish fairytales with European fairy tales. The results of the comparative analysis show that the Polish variants of fairy tales, at th
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Díaz Gito, Manuel Antonio. "Lewis Carroll y Apuleyo. Alicia/Psique en el País de las Maravillas: una catábasis sui géneris." International Journal of the Classical Tradition, May 22, 2024. http://dx.doi.org/10.1007/s12138-024-00660-6.

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AbstractThis paper attempts to interpret Lewis Carroll’s Alice’s Adventures in Wonderland as an example of the classical motif of the ‘katabasis’ or descent into the Underworld, a descensus ad Inferos sui generis, conditioned by having its origin as a fairy tale intended for the entertainment of a child reader (descensus ad Terram Mirabilem): this tale would have as its matrix reference the similar vicissitude of Psyche in the ‘tale of the marriage of Cupid and Psyche’ from the Metamorphoses or The Golden Ass by the Roman author Apuleius.
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"JUNGIAN ARCHETYPES AND PATRIARCHAL PATTERNS IN WHEN NIETZSCHE WEPT." GAP BODHI TARU - A GLOBAL JOURNAL OF HUMANITIES, August 10, 2019. http://dx.doi.org/10.47968/gapbodhi.22004.

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Archetypes, according to Jung are inborn personal unconscious, and this part of the psyche is truly not individual but ‘universal’ and in contrast to the personal psyche, it upholds specific contents and modes of behavior that are somewhat same for all individuals living or dead in different space and time zones. Literature is an essential tool for tracing human archetypes, the collective unconscious, and Yalom’s novel When Nietzsche Wept as a unique psychological study of fictional and well known historical figures provides the same. The paper investigates the strata of the character’s uncons
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Blažić, Milena Mileva, Kasilda, and Arburim Iseni. "A COMPARATIVE ANALYSIS OF FAIRY TALES AND FAIRY TALE WRITERS WITH AN EMPHASIS ON TINA WAJTAWA, THE ‘LITTLE FLOWER’ FROM RESIA." ANGLISTICUM Journal of the Association-Institute for English Language and American Studies, June 12, 2025, 23. https://doi.org/10.58885/ijllis.v14i2.23mb.

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The paper deals with the comparative analysis of the fairy-tale motif of the animal groom/bride, which in H. J. Uther's international index of fairy-tale types is marked with numbers from 400 to 459, or the Beauty and the Beast motif, which is marked with the number ATU 425C. The fairy tale type is known from ancient literature, from Apuleius' tale of Amor and Psyche (2nd century), through many versions of European fairy tales, from the French précieuses of M. De Beaumont (Beauty and the Beast), to the golden age of fairy tales and variants by Dorothea Viehmann (The Singing, Springing Lark, 18
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Gieni, Justine. "Rape and Revenge in Graphic Detail: Neil Gaiman's "Calliope," in The Sandman Comic Series." FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts, no. 13 (December 12, 2011). http://dx.doi.org/10.2218/forum.13.675.

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Neil Gaiman's ability to weave fantasy, fairytales, folktales, mythology, canonical literature, and Gothic horror into his creative medium has played a significant role in elevating graphic literature as a subject for scholarly discourses. The Sandman series is often recognized as Gaiman's most influential contribution to graphic literature. As an epic series, spanning seventy-five issues from 1989 to 1996, The Sandman tales center on the figure of Dream/Oneiros/Morpheus, the personification of the unconscious, ruler of dreams and nightmares, and all that is kept hidden from waking consciousne
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Proulx, Gabriel. "Parole désaffectée et pulsions de mort dans Retour définitif et durable de l’être aimé d’Olivier Cadiot." French Studies, October 29, 2019. http://dx.doi.org/10.1093/fs/knz265.

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Abstract The narrator of Olivier Cadiot’s Retour définitif et durable de l’être aimé has been described by critics as idiotic on several occasions, but these analyses imply that he is, deep down, a subject. This article proposes a different reading, according to which Robinson is, rather, an anti-subject, that is, he is incapable of any real, efficient subjectivation. It suggests, through a Lacanian reading of the text, that the narrator’s speech is disaffected and lacking all Eros, which prevents him from anchoring himself in his relation to the Other. His speech, thus cast adrift, leads to a
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Escobar, Francisco J. "Regine May - Stephen J. Harrison, Cupid and Psyche. The Reception of Apuleius’ Love Story since 1600. Trends in Classics – Pathways of Reception, 1, Berlin: De Gruyter, 2020, xii+466 pp., €109.95, ISBN 978-3-11-064119-6." Exemplaria Classica 25 (December 20, 2021). http://dx.doi.org/10.33776/ec.v25i0.5575.

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Sánchez Auñón, Estefanía. "Romanticism in the North American Short Story." Cartaphilus. Revista de investigación y crítica estética 18 (January 13, 2021). http://dx.doi.org/10.6018/cartaphilus.456101.

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El Romanticismo fue un movimiento extremadamente influyente que surgió a finales del siglo 18 y que tuvo un gran impacto en varias áreas, incluida la literatura. Innumerables escritores han representado en sus obras características esenciales del Romanticismo como la representación de horror y emociones intensas, el uso de entornos naturales exóticos y salvajes, el nacionalismo, el individualismo, la mente humana, y el simbolismo, entre muchas otras. En este artículo, se muestra cómo el Romanticismo influyó, en concreto, la narrativa breve norteamericana analizando cinco obras: “Rip Van Winkle
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Nelson, Todd H. "That’s Gonna Leave a Mark: Positionality and Secondary Trauma in Researching Mass Killing and Genocide." Journal of Contemporary Ethnography, March 13, 2024. http://dx.doi.org/10.1177/08912416241238449.

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In this article, I describe two fieldwork experiences dealing with traumatic subject matter: a three-month trip to the Russian Federation, researching the crimes of Stalin against the Soviet population, and a two-week odyssey across Poland, researching memorialization of the Holocaust as it occurred there. I had a much more difficult time on the Polish trip. These trips took place at different times, and my positionality had changed dramatically between the two experiences. The other relevant factor in each case was the nature of the material itself and the extent to which I was exposed to it.
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Sahakyan, K., and R. Hovhannisyan. "THE LANGUAGE OF THE PSYCHOLOGICAL RECORDS OF THE ARMENIAN EPIC." SUSh Scientific Proceedings, December 30, 2024, 256–68. https://doi.org/10.54151/27382559-24.2pb-256.

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In the article, we have referred to the examination of the language of the psychological retellings of one of the branches of the epic, “The Tale of the Boy David and the Girl Khandut”, the formation of the popular world perception and linguistic thinking, the formation of speech, and several features of the imaging system. Our goal is to revive the unity of the Armenian spirit and linguistic thinking in the psycholinguistic domain by examining an orally transmitted novel version of the Armenian epic poem. The original of the story, told by Davit, a peasant from the Apostle Thadeus Monastery a
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