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Richards, Greg. "The curatorial turn in tourism and hospitality." International Journal of Contemporary Hospitality Management 36, no. 13 (February 9, 2024): 19–37. http://dx.doi.org/10.1108/ijchm-06-2023-0905.
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Purpose This study, a conceptual paper, analyses the growth of curation in tourism and hospitality and the curator role in selecting and framing products and experiences. It considers the growth of expert, algorithmic, social and co-creative curation modes and their effects. Design/methodology/approach Narrative and integrative reviews of literature on curation and tourism and hospitality are used to develop a typology of curation and identify different curation modes. Findings Curational techniques are increasingly used to organise experience supply and distribution in mainstream fields, including media, retailing and fashion. In tourism and hospitality, curated tourism, curated hospitality brands and food offerings and place curation by destination marketing organisations are growing. Curation is undertaken by experts, algorithms and social groups and involves many of destination-related actors, producing a trend towards “hybrid curation” of places. Research limitations/implications Research is needed on different forms of curation, their differential effects and the power roles of different curational modes. Practical implications Curation is a widespread intermediary function in tourism and hospitality, supporting better consumer choice. New curators influence experience supply and the distribution of consumer attention, shaping markets and co-creative activities. Increased curatorial activity should stimulate aesthetic and stylistic innovation and provide the basis for storytelling and narrative in tourism and hospitality. Originality/value This is the first study of curational strategies in tourism and hospitality, providing a definition and typology of curation, and linking micro and macro levels of analysis. It suggests the growth of choice-based logic alongside service-dominant logic in tourism and hospitality.
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Dekker, Annet, and Gaia Tedone. "Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation." Arts 8, no. 3 (July 8, 2019): 86. http://dx.doi.org/10.3390/arts8030086.
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Online curation is shaped and defined not merely by its content, but just as much by the nature of the structure and the systems that are used by curators and artists. It could be argued that this applies to any medium, but as this essay will show, the Web profoundly influences the role of the curator in new ways. In this paper we show how curation on the Web is not merely concerned with presenting art, but that curation functions within a wider ecology of social and technical power relations. This shift is characterized by a collision of different interests driven by economic, cultural, and socio-political agendas, and can be framed as a new space of performativity: signaling a move from curating a set of objects to a conceptual and operational process that puts different constellations of human and machinic agents, objects and practices into relation with one another. This means that a curator needs to take into account a complex interrelated network of dependencies and contexts that are often invisible or incomprehensible to most people. In such a scenario online curation becomes ‘networked co-curation’ and shifts the attention from what is produced to how it is performed under the socio-technical conditions and relations that characterize the current state of the Web.
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YAROSHENKO, T. О., and O. I. IAROSHENKO. "Digital Curation: Opportunities and Challenges for Ukrainian Libraries." University Library at a New Stage of Social Communications Development. Conference Proceedings, no. 9 (December 28, 2024): 114–19. https://doi.org/10.15802/unilib/2024_314917.
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Objective. Today digital landscape continues to evolve rapidly, presenting libraries with the dual challenge of not only preserving digital content but also curating it. This is particularly pertinent given the needs of open science and open data, which emphasize searchability, accessibility, interoperability, and reuse (FAIR principles). Methods include a critical review of domestic and international publications on digital curation, official documents, and websites of Ukrainian libraries dedicated to open research data. Results. The current challenges necessitate the development of effective library strategies for digital curation and research data management and the enhancement of librarians' relevant skills through library education and lifelong learning. The paper examines key global trends in digital curation and explores the prospects for implementing these practices in Ukrainian libraries, especially in light of the National Open Science Plan and increased access to research data. The study argues that engagement in and leadership of digital curation practices could significantly transform the role, perception, and identity of academic libraries, thereby enhancing their ongoing relevance to research communities. Additionally, it emphasizes the necessity of advancing librarians' skills and competencies in digital curation and considers the complexities of collaborating with scholars in this context. Conclusions. The study's findings highlight the need to comprehensively consider digital curation as a new library function. It also underscores the role of university libraries in coordinating and advocating for these efforts at the institutional level. Additionally, it suggests the introduction of digital curation as a specialization within the library field, with roles such as data librarian (data curator) who could participate in research groups focused on data management.The article also concludes with an agenda for future research.
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Koshoffer, Amy, Amy E. Neeser, Linda Newman, and Lisa R. Johnston. "Giving datasets context: a comparison study of institutional repositories that apply varying degrees of curation." International Journal of Digital Curation 13, no. 1 (December 21, 2018): 15–34. http://dx.doi.org/10.2218/ijdc.v13i1.632.
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This research study compared four academic libraries’ approaches to curating the metadata of dataset submissions in their institutional repositories and classified them in one of four categories: no curation, pre-ingest curation, selective curation, and post-ingest curation. The goal is to understand the impact that curation may have on the quality of user-submitted metadata. The findings were 1) the metadata elements varied greatly between institutions, 2) repositories with more options for authors to contribute metadata did not result in more metadata contributed, 3) pre- or post-ingest curation process could have a measurable impact on the metadata but are difficult to separate from other factors, and 4) datasets submitted to a repository with pre- or post-ingest curation more often included documentation.
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Amato, Nicole, and Katie Priske. "Columns: Critical Curations: Curating Joy." English Journal 113, no. 1 (September 1, 2023): 98–100. http://dx.doi.org/10.58680/ej202332636.
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Yaroshenko, Tetyana, and Oleksandra Iaroshenko. "Digital Curation: Opportunities and Challenges for Ukrainian Libraries." University Library at a New Stage of Social Communications Development. Conference Proceedings, no. 9 (December 28, 2024): 114–19. https://doi.org/10.15802/unilib/2024_314917.
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<strong>Objective</strong>. Today digital landscape continues to evolve rapidly, presenting libraries with the dual challenge of not only preserving digital content but also curating it. This is particularly pertinent given the needs of open science and open data, which emphasize searchability, accessibility, interoperability, and reuse (FAIR principles). <strong>Methods</strong> include a critical review of domestic and international publications on digital curation, official documents, and websites of Ukrainian libraries dedicated to open research data. <strong>Results.</strong> The current challenges necessitate the development of effective library strategies for digital curation and research data management and the enhancement of librarians' relevant skills through library education and lifelong learning. The paper examines key global trends in digital curation and explores the prospects for implementing these practices in Ukrainian libraries, especially in light of the National Open Science Plan and increased access to research data. The study argues that engagement in and leadership of digital curation practices could significantly transform the role, perception, and identity of academic libraries, thereby enhancing their ongoing relevance to research communities. Additionally, it emphasizes the necessity of advancing librarians' skills and competencies in digital curation and considers the complexities of collaborating with scholars in this context. <strong>Conclusions</strong>. The study's findings highlight the need to comprehensively consider digital curation as a new library function. It also underscores the role of university libraries in coordinating and advocating for these efforts at the institutional level. Additionally, it suggests the introduction of digital curation as a specialization within the library field, with roles such as data librarian (data curator) who could participate in research groups focused on data management.The article also concludes with an agenda for future research.
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Higgins, Sarah. "Digital curation: the development of a discipline within information science." Journal of Documentation 74, no. 6 (October 8, 2018): 1318–38. http://dx.doi.org/10.1108/jd-02-2018-0024.
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Purpose Digital curation addresses the technical, administrative and financial ecology required to ensure that digital information remains accessible and usable over the long term. The purpose of this paper is to trace digital curation’s disciplinary emergence and examine its position within the information sciences domain in terms of theoretical principles, using a case study of developments in the UK and the USA. Design/methodology/approach Theoretical principles regarding disciplinary development and the identity of information science as a discipline are applied to a case study of the development of digital curation in the UK and the USA to identify the maturity of digital curation and its position in the information science gamut. Findings Digital curation is identified as a mature discipline which is a sub-meta-discipline of information science. As such digital curation has reach across all disciplines and sub-disciplines of information science and has the potential to become the overarching paradigm. Practical implications These findings could influence digital curation’s development from applied discipline to profession within both its educational and professional domains. Originality/value The disciplinary development of digital curation within dominant theoretical models has not hitherto been articulated.
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Amato, Nicole, and Katie Priske. "Columns: Critical Curations: Curating Critical Friendship." English Journal 113, no. 3 (January 1, 2024): 94–96. http://dx.doi.org/10.58680/ej2024113394.
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Hudson-Vitale, Cynthia, Hannah Hadley, Jennifer Moore, Lisa Johnston, Wendy Kozlowski, Jake Carlson, Mara Blake, and Joel Herndon. "Extending the Research Data Toolkit: Data Curation Primers." International Journal of Digital Curation 15, no. 1 (August 19, 2020): 14. http://dx.doi.org/10.2218/ijdc.v15i1.713.
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Niche and proprietary data formats used in cutting-edge research and technology have specific curation considerations and challenges. The increased demand for subject liaisons, library archivists, and digital curators to curate this variety of data types created locally at an institution or organization poses difficulties. Subject liaisons possess discipline knowledge and expertise for a given domain or discipline and digital curation experts know how to properly steward data assets generally. Yet, a gap often exists between the expertise available within the organization and local curation needs.
 While many institutions and organizations have expertise in certain domains and areas, oftentimes the heterogeneous data types received for deposit extend beyond this expertise. Additionally, evolving research methods and new, cutting-edge technology used in research often result in unfamiliar and niche data formats received for deposit. Knowing how to ‘get-started’ in curating these file types and formats can be a particular challenge. To address this need, the data curation community have been developing a new set of tools - data curation primers. These primers are evolving documents that detail a specific subject, disciplinary area or curation task, and that can be used as a reference or jump-start to curating research data. This paper will provide background on the data curation primers and their content detail the process of their development, highlight the data curation primers published to date, emphasize how curators can incorporate these resources into workflows, and show curators how they can get involved and share their own expertise.
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Kondo, Satoshi. "Curation." Journal of the Institute of Image Information and Television Engineers 67, no. 8 (2013): 695–96. http://dx.doi.org/10.3169/itej.67.695.
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Dayer, Carolina. "Curation." Journal of Architectural Education 72, no. 1 (January 2, 2018): 167. http://dx.doi.org/10.1080/10464883.2018.1410674.
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Cooper-Novack, Gemma. "Curation." English Journal 110, no. 3 (January 1, 2021): 49. http://dx.doi.org/10.58680/ej202131066a.
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Cooper-Novack, Gemma. "Curation." English Journal 110, no. 3 (January 1, 2021): 49. http://dx.doi.org/10.58680/ej202131074.
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He, Wanrong, Mitchell L. Gordon, Lindsay Popowski, and Michael S. Bernstein. "Cura: Curation at Social Media Scale." Proceedings of the ACM on Human-Computer Interaction 7, CSCW2 (September 28, 2023): 1–33. http://dx.doi.org/10.1145/3610186.
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How can online communities execute a focused vision for their space? Curation offers one approach, where community leaders manually select content to share with the community. Curation enables leaders to shape a space that matches their taste, norms, and values, but the practice is often intractable at social media scale: curators cannot realistically sift through hundreds or thousands of submissions daily. In this paper, we contribute algorithmic and interface foundations enabling curation at scale, and manifest these foundations in a system called Cura. Our approach draws on the observation that, while curators' attention is limited, other community members' upvotes are plentiful and informative of curators' likely opinions. We thus contribute a transformer-based curation model that predicts whether each curator will upvote a post based on previous community upvotes. Cura applies this curation model to create a feed of content that it predicts the curator would want in the community. Evaluations demonstrate that the curation model accurately estimates opinions of diverse curators, that changing curators for a community results in clearly recognizable shifts in the community's content, and that, consequently, curation can reduce anti-social behavior by half without extra moderation effort. By sampling different types of curators, Cura lowers the threshold to genres of curated social media ranging from editorial groups to stakeholder roundtables to democracies.
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Qibtiyah, Desy Bariyyatul. "Kurasi Produk UMKM Kabupaten Probolinggo dalam Meningkatkan Daya Saing di Pasar Retail Modern." GUYUB: Journal of Community Engagement 5, no. 3 (September 30, 2024): 691–708. http://dx.doi.org/10.33650/guyub.v5i3.8757.
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This MSMEs product curation assistance is motivated by the many potential MSMEs in Probolinggo Regency that have not been optimally developed. The purpose of this curation is to encourage MSMEs in Probolinggo Regency to compete in modern and even export markets. In addition, curating products for MSMEs can ensure that these products meet the quality and feasibility standards required by consumers. This curation assistance is a collaboration between Business Center at the University of Nurul Jadid, Rumah Kurasi, and the Probolinggo District Office of Cooperatives, Micro Enterprises, Trade and Industry. There were 20 business participants who participated in the product curation assistance. The curation process begins with product photos for digitalization needs, interviews, then giving a curation report. The curation results show that 14 MSMEs have modern market qualifications and 6 MSMEs have traditional market qualifications. The output of this curation assistance is a “Business to Business (B2B) - Business Matching” event or bringing together Probolinggo District MSMEs with buyers from shops, retail, restaurants and souvenir centers throughout Malang held at the Malang Creative Center. They will select suitable products to be sold in their stores based on the buyers' wishes and product quality standards.
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Landry, Latrice, Mary Lucas, Anietie Andy, and Ebelechukwu Nwafor. "Artificial Intelligence Assisted Curation of Population Groups in Biomedical Literature." International Journal of Digital Curation 18, no. 1 (August 18, 2024): 9. http://dx.doi.org/10.2218/ijdc.v18i1.950.
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Curation of the growing body of published biomedical research is of great importance to both the synthesis of contemporary science and the archiving of historical biomedical literature. Each of these tasks has become increasingly challenging given the expansion of journal titles, preprint repositories and electronic databases. Added to this challenge is the need for curation of biomedical literature across population groups to better capture study populations for improved understanding of the generalizability of findings. To address this, our study aims to explore the use of generative artificial intelligence (AI) in the form of large language models (LLMs) such as GPT-4 as an AI curation assistant for the task of curating biomedical literature for population groups. We conducted a series of experiments which qualitatively and quantitatively evaluate the performance of OpenAI’s GPT-4 in curating population information from biomedical literature. Using OpenAI’s GPT-4 and curation instructions, executed through prompts, we evaluate the ability of GPT-4 to classify study ‘populations’, ‘continents’ and ‘countries’ from a previously curated dataset of public health COVID-19 studies. Using three different experimental approaches, we examined performance by: A) evaluation of accuracy (concordance with human curation) using both exact and approximate string matches within a single experimental approach; B) evaluation of accuracy across experimental approaches; and C) conducting a qualitative phenomenology analysis to describe and classify the nature of difference between human curation and GPT curation. Our study shows that GPT-4 has the potential to provide assistance in the curation of population groups in biomedical literature. Additionally, phenomenology provided key information for prompt design that further improved the LLM’s performance in these tasks. Future research should aim to improve prompt design, as well as explore other generative AI models to improve curation performance. An increased understanding of the populations included in research studies is critical for the interpretation of findings, and we believe this study provides keen insight on the potential to increase the scalability of population curation in biomedical studies.
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Tedesco, Delacey. "Curating Political Subjects: Fashion Curation as Affective Methodology." GeoHumanities 7, no. 1 (June 1, 2021): 328–44. http://dx.doi.org/10.1080/2373566x.2021.1907207.
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Johnston, Lisa R., Jake Carlson, Cynthia Hudson-Vitale, Heidi Imker, Wendy Kozlowski, Robert Olendorf, Claire Stewart, et al. "Data Curation Network: A Cross-Institutional Staffing Model for Curating Research Data." International Journal of Digital Curation 13, no. 1 (December 26, 2018): 125–40. http://dx.doi.org/10.2218/ijdc.v13i1.616.
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Funders increasingly require that data sets arising from sponsored research must be preserved and shared, and many publishers either require or encourage that data sets accompanying articles are made available through a publicly accessible repository. Additionally, many researchers wish to make their data available regardless of funder requirements both to enhance their impact and also to propel the concept of open science. However, the data curation activities that support these preservation and sharing activities are costly, requiring advanced curation practices, training, specific technical competencies, and relevant subject expertise. Few colleges or universities will be able to hire and sustain all of the data curation expertise locally that its researchers will require, and even those with the means to do more will benefit from a collective approach that will allow them to supplement at peak times, access specialized capacity when infrequently-curated types arise, and stabilize service levels to account for local staff transition, such as during turn-over periods. The Data Curation Network (DCN) provides a solution for partners of all sizes to develop or to supplement local curation expertise with the expertise of a resilient, distributed network, and creates a funding stream to both sustain central services and support expansion of distributed expertise over time. This paper presents our next steps for piloting the DCN, scheduled to launch in the spring of 2018 across nine partner institutions. Our implementation plan is based on planning phase research performed from 2016-2017 that monitored the types, disciplines, frequency, and curation needs of data sets passing through the curation services at the six planning phase institutions. Our DCN implementation plan includes a well-coordinated and tiered staffing model, a technology-agnostic submission workflow, standardized curation procedures, and a sustainability approach that will allow the DCN to prevail beyond the grant-supported implementation phase as a curation-as-service model.
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Goble, C., R. Stevens, D. Hull, K. Wolstencroft, and R. Lopez. "Data curation + process curation=data integration + science." Briefings in Bioinformatics 9, no. 6 (July 11, 2008): 506–17. http://dx.doi.org/10.1093/bib/bbn034.
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O’Donoghue, Jean, and Jano I. Van Hemert. "Using the DCC Lifecycle Model to Curate a Gene Expression Database: A Case Study." International Journal of Digital Curation 4, no. 3 (December 7, 2009): 57–70. http://dx.doi.org/10.2218/ijdc.v4i3.120.
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Developmental Gene Expression Map (DGEMap) is an EU-funded Design Study, which will accelerate an integrated European approach to gene expression in early human development. As part of this design study, we have had to address the challenges and issues raised by the long-term curation of such a resource. As this project is primarily one of data creators, learning about curation, we have been looking at some of the models and tools that are already available in the digital curation field in order to inform our thinking on how we should proceed with curating DGEMap. This has led us to uncover a wide range of resources for data creators and curators alike. Here we will discuss the future curation of DGEMap as a case study. We believe our experience could be instructive to other projects looking to improve the curation and management of their data.
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Voss, Barbara L. "Curation as research. A case study in orphaned and underreported archaeological collections." Archaeological Dialogues 19, no. 2 (November 26, 2012): 145–69. http://dx.doi.org/10.1017/s1380203812000219.
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AbstractAs archaeologists grapple with the international curation crisis, new attention is being given to the problem of ‘orphaned’ archaeological collections and collections that are underanalysed and underreported. The common rationale for curating such collections is to restore research potential, but such efforts are met with frustration because of the difficulties of re-establishing provenance and quantitative control for artefacts long separated from their original archaeological context. Moreover, most archaeologists view curation as a process that manages, rather than investigates, archaeological collections. To the contrary, this article argues that accessioning, inventory, cataloguing, rehousing and conservation are not simply precursors to research, but rather meaningful generative encounters between scholars and objects. Examples from the curation of the Market Street Chinatown archaeological collection illustrate how the process of curation can generate innovative research undertakings. Because archaeological research on this collection cannot proceed in a typical way, the research developed through the curation process departs from archaeological conventions to bring new perspectives on the social history of the Overseas Chinese diaspora.
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Tahlina, Yuliia S., and Oleksandra S. Kutenko. "THE ROLE OF THE PRINCIPLE OF CURATION IN THE CONTEMPORARY CULTURE." Journal of V. N. Karazin Kharkiv National University, Series "The Theory of Culture and Philosophy of Science", no. 63 (May 31, 2021): 68–76. http://dx.doi.org/10.26565/2306-6687-2021-63-08.
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The article analyzes phenomenon of the «principle of curation» in historical and philosophical development. In the modern world, overloaded with large volumes of information, it is not just access to information that becomes important, but the ability to navigate it. Problems of critical reflection, choice, interpretation in the information space are gaining in importance. That is exactly why the use of the principle of curation is proposed to implement these processes. The authors consider history of the emergence of the concepts of «curator» and «curatorship», delineation of the features of curatorial principle and differences in meanings and understanding of the principle of curation. Having considered the history of transformation of these concepts, having analyzed their use in various fields, the authors come to the conclusion that semantic component of the curator changes over time. If initial connotations were limited to the view of the curator as a guardian and caretaker of collections, then in the modern sense curator him/herself is a creative subject. Therefore, the interpretation of works of art essentially depends on the creative activity of the curator and the space that he creates for presentation. Modern practice of curation should be considered as a newly formed field of activity, which is fundamentally different from the forms that preceded it. In the 21st century, the principle of curation is becoming a universal and necessary method of presenting selected and orderly information, which aims to solve the problem. Curators are the ones who work with this flow of information in the era of information overload: they process it, systematize, organize, conceptualize and present it to the public, thus becoming liquidators of the problem of information overload. The article puts forward a hypothesis for further philosophical reflection: the curatorial principle is a necessary component for organizing the presentation space of a cultural archive.
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Jain, Neha, Kathleen F. Mittendorf, Marilyn Holt, Michele Lenoue-Newton, Ian Maurer, Clinton Miller, Matthew Stachowiak, et al. "The My Cancer Genome clinical trial data model and trial curation workflow." Journal of the American Medical Informatics Association 27, no. 7 (June 1, 2020): 1057–66. http://dx.doi.org/10.1093/jamia/ocaa066.
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Abstract Objective As clinical trials evolve in complexity, clinical trial data models that can capture relevant trial data in meaningful, structured annotations and computable forms are needed to support accrual. Material and Methods We have developed a clinical trial information model, curation information system, and a standard operating procedure for consistent and accurate annotation of cancer clinical trials. Clinical trial documents are pulled into the curation system from publicly available sources. Using a web-based interface, a curator creates structured assertions related to disease-biomarker eligibility criteria, therapeutic context, and treatment cohorts by leveraging our data model features. These structured assertions are published on the My Cancer Genome (MCG) website. Results To date, over 5000 oncology trials have been manually curated. All trial assertion data are available for public view on the MCG website. Querying our structured knowledge base, we performed a landscape analysis to assess the top diseases, biomarker alterations, and drugs featured across all cancer trials. Discussion Beyond curating commonly captured elements, such as disease and biomarker eligibility criteria, we have expanded our model to support the curation of trial interventions and therapeutic context (ie, neoadjuvant, metastatic, etc.), and the respective biomarker-disease treatment cohorts. To the best of our knowledge, this is the first effort to capture these fields in a structured format. Conclusion This paper makes a significant contribution to the field of biomedical informatics and knowledge dissemination for precision oncology via the MCG website. Key words knowledge representation, My Cancer Genome, precision oncology, knowledge curation, cancer informatics, clinical trial data model
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Smets, Annelien, Pieter Ballon, and Nils Walravens. "Mediated by Code: Unpacking Algorithmic Curation of Urban Experiences." Media and Communication 9, no. 4 (November 18, 2021): 250–59. http://dx.doi.org/10.17645/mac.v9i4.4086.
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Amid the widespread diffusion of digital communication technologies, our cities are at a critical juncture as these technologies are entering all aspects of urban life. Data-driven technologies help citizens to navigate the city, find friends, or discover new places. While these technology-mediated activities come in scope of scholarly research, we lack an understanding of the underlying curation mechanisms that select and present the particular information citizens are exposed to. Nevertheless, such an understanding is crucial to deal with the risk of the socio-cultural polarization assumedly reinforced by this kind of algorithmic curation. Drawing upon the vast amount of work on algorithmic curation in online platforms, we construct an analytical lens that is applied to the urban environment to establish an understanding of algorithmic curation of urban experiences. In this way, this article demonstrates that cities could be considered as a new materiality of curational platforms. Our framework outlines the various urban information flows, curation logics, and stakeholders involved. This work contributes to the current state of the art by bridging the gap between online and offline algorithmic curation and by providing a novel conceptual framework to study this timely topic.
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Lewis, D. N., and T. S. Foster. "Curation and conservation - the poor relations of research?" Geological Curator 6, no. 3 (March 1995): 129–32. http://dx.doi.org/10.55468/gc500.
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Curation is frequently regarded as a dull and unexacting task suitable for those of lesser knowledge, experience, abilities and intellect. Conservation is considered likewise, usually as an adjunct to the duties of a curator. Without good curation and conservation, the efforts of collecting and research can be completely negated by the loss of data and material.
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Alvey, Liz. "Digital Curation." Journal of the Australian Library and Information Association 66, no. 4 (July 27, 2017): 419. http://dx.doi.org/10.1080/24750158.2017.1357243.
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Begley, Jessica. "Digital curation." Australian Academic & Research Libraries 47, no. 4 (October 2016): 326–27. http://dx.doi.org/10.1080/00048623.2016.1262737.
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Schultz, William. "Digital Curation,." Journal of Web Librarianship 11, no. 3-4 (June 28, 2017): 260–61. http://dx.doi.org/10.1080/19322909.2017.1338056.
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Sheffer, Jolie A., and Stefanie Dennis Hunker. "Digital Curation." Pedagogy 19, no. 1 (January 1, 2019): 79–105. http://dx.doi.org/10.1215/15314200-7173771.
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Stewart, James R. "Digital curation." Technical Services Quarterly 34, no. 1 (December 12, 2016): 127–28. http://dx.doi.org/10.1080/07317131.2017.1238241.
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Kennedy, Krista. "Textual Curation." Computers and Composition 40 (June 2016): 175–89. http://dx.doi.org/10.1016/j.compcom.2016.03.005.
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Dale, Stephen. "Content curation." Business Information Review 31, no. 4 (December 2014): 199–205. http://dx.doi.org/10.1177/0266382114564267.
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Mallon, Melissa. "Data Curation." Public Services Quarterly 8, no. 4 (October 2012): 326–37. http://dx.doi.org/10.1080/15228959.2012.730400.
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Yakel, Elizabeth. "Digital curation." OCLC Systems & Services: International digital library perspectives 23, no. 4 (November 6, 2007): 335–40. http://dx.doi.org/10.1108/10650750710831466.
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Appleton, Andrea. "Curation Conservation." New England Review 40, no. 3 (2019): 181–83. http://dx.doi.org/10.1353/ner.2019.0104.
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Jacobson, Jenna. "Information curation." Proceedings of the American Society for Information Science and Technology 49, no. 1 (2012): 1–2. http://dx.doi.org/10.1002/meet.14504901269.
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Dong, Renrong. "Interdisciplinary Approaches in Art ManagementConcert Planning Meets Sound Art Curation: Insights from the Beethoven and Chopin Immersive Interactive Concert and the Soundscapes of China Exhibition." Communications in Humanities Research 56, no. 1 (April 7, 2025): 165–70. https://doi.org/10.54254/2753-7064/2024.21741.
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Based on the development process of art management in China and the West, this study deconstructs and reconstructs the four elements of sound art curation, visual art, and concert planning and adopts the two-case analysis method to discuss the ideas of sound art curation and concert planning from the perspective of music art management. The research selects two representative art projects, namely, sound art and curation visual art and concert planning, respectively. Through two cases of sound art curation and music art management and planning, the key elements in the integration of sound art curation and cross-border art concert planning are systematically analyzed, including the analysis of the audience of artistic ideas and the selection of artistic works. The research topic of cross-boundary Chinese and Western art management curating and concert planning, such as the analysis of audience interaction mechanisms and technology application, provides a theoretical basis for the practice of music art management and has a certain development space in the research field of art exhibition and concert planning.
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Wu, Yu, Na Wang, Jessica Kropczynski, and John M. Carroll. "The appropriation of GitHub for curation." PeerJ Computer Science 3 (October 9, 2017): e134. http://dx.doi.org/10.7717/peerj-cs.134.
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GitHub is a widely used online collaborative software development environment. In this paper, we describe curation projects as a new category of GitHub project that collects, evaluates, and preserves resources for software developers. We investigate: (1) what motivates software developers to curate resources; (2) why curation has occurred on GitHub; (3) how curated resources are used by software developers; and (4) how the GitHub platform could better support these practices. We conduct in-depth interviews with 16 software developers, each of whom hosts curation projects on GitHub. Our results suggest that the motivators that inspire software developers to curate resources on GitHub are similar to those that motivate them to participate in the development of open source projects. Convenient tools (e.g., Markdown syntax and Git version control system) and the opportunity to address professional needs of a large number of peers attract developers to engage in curation projects on GitHub. Benefits of curating on GitHub include learning opportunities, support for development work, and professional interaction. However, curation is limited by GitHub’s document structure, format, and a lack of key features, such as search. In light of this, we propose design possibilities to encourage and improve appropriations of GitHub for curation.
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Plumer-Moodie, Hannah, Carlos Quiroz, Katherine A. Miller Wolf, and Yasser Musa. "When Provenience Is Lost: Achievements and Challenges in Preserving the Historical St. John's, Belize, Skeletal Collection." Advances in Archaeological Practice 7, no. 1 (February 2019): 40–46. http://dx.doi.org/10.1017/aap.2018.41.
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AbstractIn small developing countries like Belize, lack of funding for archaeological research and post excavation curation remains one of our greatest challenges to preserving our tangible cultural heritage. The state of curation of human remains and artefact collections at St. John's College in Belize City is a perfect example of what can go wrong in the absence of a properly funded and managed curation program both at the national and the institutional level. This article highlights the rediscovery of a historically significant group of over 70 human remains in the biological collection of Friar Deickman, which had been forgotten in an attic after his death in 2003. We outline the process of, and accomplishments in improving the curation conditions of these individuals while uncovering their importance to Belizean history in the eighteenth through twentieth centuries. Preliminary analysis reveals life histories of slavery and indentured servitude of individuals of African, Maya, European, and possible mixed African and European descent. We emphasize the importance of ethical responsibility in properly curating excavated human remains, and the challenges researchers face when poor curation results in lost provenience. We offer suggestions for scientific analysis in recovering information lost as a result of poor excavation or curation methods.
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Amato, Nicole, and Katie Priske. "Columns: Critical Curations: Curating Publishers: Beyond the Book Fair." English Journal 113, no. 5 (May 1, 2024): 109–11. http://dx.doi.org/10.58680/ej20241135109.
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Oliveira, Alcinete Maquine Carvalho, Ana Isabel Sousa Rosa, and Rosangela da Silva Gomes. "O contributo do profissional da informação na curadoria digital." Prisma.com 45 (2021): 74–83. http://dx.doi.org/10.21747/16463153/45a6.
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The information professional is gaining more and more space in the current information society. Information and communication technologies appear to facilitate the performance of work in the digital environment. With the increasing amount of information, either digitized or born digital, the care of digital objects has become urgent. Digital curation appears as an alternative in the care of digital objects, ensuring that they have a longer life and can be used. It is believed that activities related to digital curation have required constant updates and other competencies for the information professional. Therefore, we intend to know: what are the information professional's practices that contribute to digital curatorship? General Objective: To identify which types of information professionals perform activities related to digital curatorship. Specific objectives: to highlight the literatures that deal with the information professional in digital curatorship; to verify the necessary competences for the information professional to act as digital curator; to specify the similar and different aspects in the typologies of the information professional. Results: Most digital curators are librarian, archivist or museologist professionals, with master's degrees in the areas of librarianship, records management, archivists or in information science. Few specialize or have master's degrees in digital curation or data curation. Some of the activities that the digital curator performs include the following services: creating metadata; accessing, collecting and manipulating content; discarding; maintaining resources; developing policies and managing data plans and procedures for digital content. Conclusion: Digital curation is important to ensure the long life and integrity of the digital object, so organizations adapt to their reality, life cycle models to work with these digital objects. The specialized training for digital curators is directly linked to the areas of Librarianship and Information Science. This research highlights the type of information professional: the librarian, who most performs activities related to digital curation.
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Hummel, Riët, Joost den Boer, Geert van der Heijden, Wil van der Sanden, and Josef Bruers. "Longitudinal patterns of provided oral healthcare services to Dutch young patients: An observational study." PLOS ONE 19, no. 2 (February 23, 2024): e0299470. http://dx.doi.org/10.1371/journal.pone.0299470.
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General dental practitioners (GDPs) differ in the preventive and curative care they provide to their young patients. This may be related to variation in the caries risk of patients, but also to differing opinions among GDPs about ’proper care’. Longitudinal data offers the possibility to make care patterns of GDPs comparable and to reveal possible treatment variation between GDPs. GDPs who participated in this study delivered data on the oral healthcare services (OHS) they provided to young patients during the period 2013–2017. Subsequently, data from patients who received regular OHS for 4 to 5 years were used in the analyses. Based on this, longitudinal preventive and curative care patterns were distinguished. Patients were divided into 3 preventive care patterns: no prevention, occasional prevention, and regular prevention. Furthermore, 3 curative care patterns were distinguished: no curation, curation in 1 year, and curation in several years. These care patterns were then combined. In addition, patients were classified into caries risk categories based on the caries-related treatments they received over a 2-year period: low (no procedures), elevated (1 procedure), and high (2 or more procedures). The caries risk based on the first 2 years and the last 2 years in the dataset were combined into a longitudinal caries risk profile. The most frequent combined care pattern (35.8%) was no curation and occasional or regular prevention. The most common longitudinal caries risk profile was low at beginning and end (45.2%). Dental practices varied considerably in the distribution of curative and preventive care patterns. Thereby, no relationship was shown between curative care patterns and provided preventive care. There was also a large spread in the provided OHS within the various caries risk profiles. These diversities indicated treatment variation between GDPs, which is unwarranted if less or more care is provided than necessary.
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Poole, Alex H. "The conceptual landscape of digital curation." Journal of Documentation 72, no. 5 (September 12, 2016): 961–86. http://dx.doi.org/10.1108/jd-10-2015-0123.
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PurposeThe purpose of this paper is to define and describe digital curation, an emerging field of theory and practice in the information professions that embraces digital preservation, data curation, and management of information assets over their lifecycle. It dissects key issues and debates in the area while arguing that digital curation is a vital strategy for dealing with the so-called data deluge.Design/methodology/approachThis paper explores digital curation’s potential to provide an improved return on investment in data work.FindingsA vital counterweight to the problem of data loss, digital curation also adds value to trusted data assets for current and future use. This paper unpacks data, the research enterprise, the roles and responsibilities of digital curation professionals, the data lifecycle, metadata, sharing and reuse, scholarly communication (cyberscholarship, publication and citation, and rights), infrastructure (archives, centers, libraries, and institutional repositories), and overarching issues (standards, governance and policy, planning and data management plans, risk management, evaluation, and metrics, sustainability, and outreach).Originality/valueA critical discussion that focusses on North America and the UK, this paper synthesizes previous findings and conclusions in the area of digital curation. It has value for digital curation professionals and researchers as well as students in library and information science who may deal with data in the future. This paper helps potential stakeholders understand the intellectual and practical framework and the importance of digital curation in adding value to scholarly (science, social science, and humanities) and other types of data. This paper suggests the need for further empirical research, not only in exploring the actual sharing and reuse practices of various sectors, disciplines, and domains, but also in considering the the data lifecycle, the potential role of archivists, funding and sustainability, outreach and awareness-raising, and metrics.
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Tammaro, Anna Maria, Krystyna K. Matusiak, Frank Andreas Sposito, and Vittore Casarosa. "Data Curator’s Roles and Responsibilities: An International Perspective." Libri 69, no. 2 (May 26, 2019): 89–104. http://dx.doi.org/10.1515/libri-2018-0090.
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Abstract The data-intensive research environment and the movement towards open science create demand for information professionals with knowledge of the research process and skills in managing and curating data. This paper is reporting the findings from a multiyear study entitled “Data curator: who is s/he?” initiated by the Library Theory and Research (LTR) Section of the International Federation of Library Associations (IFLA). The study aimed to identify the roles and responsibilities of data curators around the world and also focused on the terminology used to describe the new professional roles. The following questions were posed: R1: How is data curation defined by practitioners / professional working in the field? R2: What terms are used to describe the roles for professionals in data curation area? R3: What are primary roles and responsibilities of data curators? R4: What are educational qualifications and competencies required of data curators? To answer the research questions, the research team performed a comprehensive literature review and vocabulary analysis and conducted an empirical study using mixed-methods design. The study consisted of three stages: 1. Literature review and vocabulary analysis 2. Content analysis of position announcements 3. Interviews with professionals working in data curation and research data management- Findings confirm the results from previous research about the lack of common terminology and a variability of the position titles. The concept of data lifecycle highlighted the important role of data curators. However this study also found that many positions in practice were held by non library professionals. The findings indicate that data curation is an evolving sociotechnical practice that involves not only technical systems and services structured around research data life cycle but also a range of social activities around community building.
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Park, Sunghee, Jaehyeon Jun, and Heejun Park. "What Factors Affect to Curation Commerce Website Loyalty Intention: The Mediating Effects of Perceived Deception." Quality Innovation Prosperity 21, no. 3 (November 30, 2017): 95. http://dx.doi.org/10.12776/qip.v21i3.984.
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<p><strong>Purpose:</strong> As the importance of information quality has become prominent in the internet commerce, curation techniques are also stands out as well. Therefore, many services on e-commerce applied with curation techniques to satisfy their consumers. However, besides the fact that plenty of advantages from curation commerce, the growth of curation commerce websites have been slowdown. Thus, this paper is to investigate factors influencing curatiaxon commerce websites’ consumer loyalty intentions for enhancing the competitiveness of curation commerce websites.</p><p><strong>Methodology/Approach:</strong> This study sets independent variables regarding provider recommendation and consumer review simultaneously and verifies to see how each factors affect to consumer’s loyalty intention through perceived deception and satisfaction in the curation commerce website. We applied structural equation model to verify the hypothesis and conduted a survey on consumer who had buying expriences in Korean curation commerce website.</p><p><strong>Findings:</strong> The results of this study show what fators significantly affect to loyalty intention. Consumers on curation commerce mostly tend to be affected by other consumers’ review and they only affected by presentation of product among provider recommedations. We conducted an important mediating effect of satisfaction between perceived deception and loyalty intention. Furthermore, because curation commerce is a relatively new concept, this attempt could form the basis for research on cuartion commerce.</p><p><strong>Research Limitation/implication:</strong> This research only collected sample data form curation commerce websites users in Korea and because young consumers onsistute the majority of the respondednts, generalizing the findings to individuals of all ages and nations is difficult.</p><strong>Originality/Value of paper:</strong> This paper is the first study applying product recommendation and consumer review simultaneouly as an independent variable. These attempts enable to reflect more specific and practical behavior of consumers. Effect of satisfaction on loyalty and relationship between deception and loyalty are well documented in the offline and online retail context. This study expands and verifies estabilshed relationship among the variables on the lastest commerce website.
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Candello, Heloisa, Claudio Pinhanez, Michael Muller, and Mairieli Wessel. "Unveiling Practices of Customer Service Content Curators of Conversational Agents." Proceedings of the ACM on Human-Computer Interaction 6, CSCW2 (November 7, 2022): 1–33. http://dx.doi.org/10.1145/3555768.
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Conversational interfaces require two types of curation: data curation by data science workers and content curation by domain experts. Recent years have seen the possibilities for content curators to instruct conversational machines in the customer service domain (i.e., Machine Teaching). The activities of curating specialized data are time-consuming. These activities have a learning curve for the domain expert, and they rely on collaborators beyond the domain experts, including product owners, technology expert curators, management, marketing, and communication employees. However, recent research has looked at making this task easier for domain experts with a lack of knowledge in the Machine Learning system, and few papers have investigated the work practices and collaborations involved in this role. This paper aims to fill this gap, presenting and unveiling practices extracted from eleven semi-structured interviews and four design workshops with experts in Banking, Technical support, Humans Resources, Telecommunications, and Automotive sectors. First, we investigate the articulation work of the content curators and tech curators in training conversational machines. Second, we inspect the curatorial and collaboration strategies they use, which are not afforded by current conversational platforms. Third, we draw the design implications and possibilities to support individual and collaboration curating practices. We reflect on how those practices rely on self and collaboration with others for curation, trust, and data tracking and ownership.
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Wagner, Travis L., Katrina Fenlon, and Amanda Sorensen. "“Garbage Bags Full of Files”: Exploring Sociotechnical Perceptions of Formats within the Recovery and Reuse of Scientific Data." Proceedings of the Association for Information Science and Technology 60, no. 1 (October 2023): 396–407. http://dx.doi.org/10.1002/pra2.798.
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ABSTRACTThis paper explores the social and technical perceptions of physical and digital formats as they relate to work in the recovery and reuse of scientific data, specifically historical, archival, and defunct data sources. Proprietary and obsolete formats, or formats that need significant transformation work, stand out as central challenges for scientists and data curators who are recovering reusable data from archival or legacy data sources. The challenges confronting data sharing and reuse of contemporary scientific data are already known to be myriad; formats often pose a major, compounding challenge to retrospective data curation research and practice. Based on 23 qualitative interviews with practitioners conducting data recovery and reuse, ranging from marine biologists to data librarians, we study how they understand, engage with, and utilize formats within their data curation work. This paper enumerates the formats deployed throughout the scientific data curation process and explores how practitioners creating and curating scientific data based on historical and archival materials encounter, make sense of, and utilize formats. The paper focuses on practitioner perceptions of formats around the following themes: how practitioners' historical relationships to certain challenging formats inform their ongoing curation practices; the importance of contexts in prioritizing or ignoring formats within scientific curation work; and how formats reveal larger sociotechnical issues. The paper concludes by with practical and theoretical implications of navigating formats within the recovery and reuse of scientific data and offers suggestions for reconfiguring formats within broader data curation lifecycles.
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Perry, Anja, and Sebastian Netscher. "Measuring the time spent on data curation." Journal of Documentation 78, no. 7 (February 9, 2022): 282–304. https://doi.org/10.1108/JD-08-2021-0167.
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<strong>Purpose</strong> Budgeting data curation tasks in research projects is difficult. In this paper, we investigate the time spent on data curation, more specifically on cleaning and documenting quantitative data for data sharing. We develop recommendations on cost factors in research data management. <strong>Design/methodology/approach</strong> We make use of a pilot study conducted at the GESIS Data Archive for the Social Sciences in Germany between December 2016 and September 2017. During this period, data curators at GESIS - Leibniz Institute for the Social Sciences documented their working hours while cleaning and documenting data from ten quantitative survey studies. We analyse recorded times and discuss with the data curators involved in this work to identify and examine important cost factors in data curation, that is aspects that increase hours spent and factors that lead to a reduction of their work. <strong>Findings</strong> We identify two major drivers of time spent on data curation: The size of the data and personal information contained in the data. Learning effects can occur when data are similar, that is when they contain same variables. Important interdependencies exist between individual tasks in data curation and in connection with certain data characteristics. <strong>Originality/value</strong> The different tasks of data curation, time spent on them and interdependencies between individual steps in curation have so far not been analysed.
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Ahnaf, Fikra. "From listening to curating: Anthropological curatorship toward music playlist practices." ETNOSIA : Jurnal Etnografi Indonesia 8, no. 2 (December 30, 2023): 271–89. http://dx.doi.org/10.31947/etnosia.v8i2.30162.
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Currently, the curatorial approach is expanding its influence beyond the limitations of museums and art galleries, transforming the experiences and significance of our daily existence. That is embodied, for example, in the curatorial practices of music playlists. In making a music playlist there must be a sound curation process where the songs to listen to are selected and included in the music playlist. Accordingly, this study aims to describe how users of analog (mixtapes) and digital (Spotify playlist) music playlists conduct their music curation process and perceive the relationships behind them. The curation process is analyzed using curatorial and anthropological frameworks, which also attempt to provide a fascinating background on preference formation and the curation process. Qualitative data was collected from a virtual ethnographic approach, with observations and unstructured-semi-structured interviews—offline and online—of 19 informants aged 21–55 living in Yogyakarta and Bandung and a literature review. The data obtained through this study focuses on two outcomes. First, sociocultural circumstances provide the basis for preference formation in selecting, curating, and making music playlists. Second, the particulars of each user's music playlist are related to self-discovery and individual identity. As a result, sociocultural circumstances persuade music playlist users' habits that attach to the curation process.
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Dupuis, Chris. "Dance curation as choreographic practice." Dance Articulated 6, no. 1 (June 24, 2020): 89–110. http://dx.doi.org/10.5324/da.v6i1.3640.
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Dance curators (or programmers, as they are often called) have a significant impact on the dance field throughtheir selection processes: elevating certain works, practices, and artists, while effectively excluding others. Through this, they have a considerable hand in shaping what kinds of dance pieces a local audience has access to,effectively writing dance history over time. But their working processes remain poorly understood, and there have been limited attempts to theorize their practice. This article begins with an exploration of the etymology of the term curator and the historical emergence of the curator in both the fine arts and dance. It then goes on to examine the role of the curator as mediator in two common models for dance presentation (the festival and the theater season) and explores two alternative curatorial models (the focus program at Brussels venue Beursschouwburg and the uncurated model of Amsterdam festival Come Together). Finally, it explores the practice of dance curation as a form of choreography itself. It concludes that contextualizing dance curation asa form of choreography could be an effective starting point for theorizing the practice, hopefully paving the way for further study.