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Relevant bibliographies by topics / Curtea-de-Argeș

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Academic literature on the topic 'Curtea-de-Argeș'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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Journal articles on the topic "Curtea-de-Argeș"

1

Bătrîna, Adrian. "Din nou despre identitatea defunctului aflat în mormântul 10 din Biserica domnească de la Curtea de Argeş." Studii şi Cercetări de Istorie Veche şi Arheologie 2022-2023, no. 73-74 (2024): 155–72. https://doi.org/10.59277/sciva.2022-2023.07.

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The author returns to this topic following the publishing of an unsatisfactory response (see A. Ioniţă, A. Simon, AL WA — Despre mormântul 10 din Biserica Domnească de la Curtea de Argeș la o sută de ani de la descoperirea sa, SCIVA 71, 3–4, 2020, p. 297–327) to the criticism regarding the way in which the aforementioned authors have understood to interpret some of the representations marked on the shoulder of the cameo ring discovered in the tomb no. 10 in the Princely Church from Curtea de Argeş, and seeks to identify the buried in it.

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2

Luca, Sabin Adrian, Raluca Maria Teodorescu, and Florentin Perianu. "Some data about an early neolithic worship place." Acta Terrae Septemcastrensis 20, no. 1 (2021): 103–17. http://dx.doi.org/10.2478/actatr-2021-0002.

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Abstract In this article we will partially analyze the place of worship consisting of 7 structures discovered following preventive research on the A1 highway, Sibiu – Pitești sector, Part 5, Curtea de Argeș-Pitești. The discoveries are part from site 2, surface 11.

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3

Giugea, Gheorghiţa Daniela. "ON THE VOTIVE PAINTINGS IN THE PRINCELY CHURCH OF CURTEA DE ARGEȘ: DESCRIPTION, MEANINGS, AND INTERPRETATIONS." International E-Journal of Advances in Social Sciences (IJASOS) 9, no. 27 (2023): 389–95. https://doi.org/10.5281/zenodo.10458992.

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<strong>Abstract</strong> Votive paintings are part of the iconographic program of our churches and date back to the fifth century, being spread in the Byzantine art, which opened their way to our culture as well. They represent the image of the founder of a place, offering valuable information about the respective era, about its clothing style or relish, about the artistic influences or the painting technique, etc. The oldest votive paintings are considered to be the famous mosaics of Emperor Justinian and Empress Theodora from San Vitale in Ravenna, which make a powerful impression thanks to

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4

Matei, Adrian, and Emeric Chiuzan. "Establishing the necessary measures for carrying out the activity in security conditions during the execution of work on the Iernut - Chetani highway alignment, Mures county." MATEC Web of Conferences 389 (2024): 00013. http://dx.doi.org/10.1051/matecconf/202438900013.

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The purpose of this work is to establish the regime of methane releases (explosive gas) following the execution of the underpass works of the Sibiu-Pitesti highway in the Curtea de Argeș-Pitesti sector. INSEMEX Petroșani executed during the period 01-04.11.2022 on-site measurements at four highway underpasses with a total length of 843m as well as in the areas adjacent to these underpasses, noting that these underpasses are from wells in operation and are connected to the SRM Merișani Station. Based on the measurements and observations made, the analysis of the elements taken into study, as we

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5

Mohanu, Dan. "The restitution of the narthex of the Royal Church in Argeș." CaieteARA. Arhitectură. Restaurare. Arheologie, no. 10 (2019): 179–206. http://dx.doi.org/10.47950/caieteara.2019.10.07.

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The narthex of the Royal Church in Curtea de Argeș offers us today an iconographic ensemble that is heterogeneous and confusing. The large incomplete surfaces of the mural paintings from the 14th century, the erosions and exfoliations provoked by infiltration and capillary humidity, have generated successive re-makings of the painted ensemble, starting from the middle of the 18th century and especially through the 19th century. The restoration from the beginning of the 20th century added the disastrous effect of the transformation of the inferior register of the narthex in an area designated f

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6

Rădulescu, Maria-Venera. "O scenă de dans ritual, de nuntă, redată pe cahle medievale descoperite la Curtea Domnească din Argeș (secolul al XV-lea)." Cercetări Arheologice 23, no. 1 (2016): 151–64. http://dx.doi.org/10.46535/ca.23.07.

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7

Nikolić, Jelena I. "PRENOŠENJE IDENTITETA NA PRIMERU KTITORSKOG PORTRETA VLAŠKOG VOJVODE NJAGOJA BASARABE U CRKVI USPENJA BOGORODICE MANASTIRA KURTEA DE ARĐEŠ." Nasledje, Kragujevac XXII, no. 60 (2025): 315–28. https://doi.org/10.46793/naskg2560.315n.

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Cultural contacts on the territory of the Principality of Wallachia at the beginning of the 16th century, the transmission and appropriation of identity through art and visual culture reflected the process of changes in the personal and collective identity of Wallachia, in which the Byzantine cultural conception in the encounter with the Slavic, Islamic and Renaissance world created a new identity.. Known facts from literary texts and the visual culture of Wallachia from the framework of the representation of the ruling family of prince Neagoe Basarab (1512–1521) and the Serbian prince Lazar H

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8

Minea, Cosmin. "The Monastery of Curtea de Argeș and Romanian Architectural Heritage in the Late 19th Century." sITA 2016, no. 4 (2016). http://dx.doi.org/10.54508/sita.4.13.

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Books on the topic "Curtea-de-Argeș"

1

Duicu, Sorin Sebastian. Mărturii de artă și cultură ortodoxă din Sfânta Mănăstire Curtea de Argeș: Sec. XVI-XX = Remnants of Orthodox art and culture from the Holy Monastery of Curtea de Argeș : 16th-20th centuries. Editura Universitaria, 2011.

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2

Ioniță, Adrian. AL WA - Prințul Negru al Vlahiei şi vremurile sale. Argonaut, 2017.

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