Academic literature on the topic 'Cuzco (Peru) in art'

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Journal articles on the topic "Cuzco (Peru) in art"

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Kubiak, Ewa. "Cuzco School Painting (Esquela Cusqueña) as a Manifestation of Andean Identity in the Past and Present." Roczniki Humanistyczne 67, no. 4 SELECTED PAPERS IN ENGLISH (2019): 33–57. http://dx.doi.org/10.18290/rh.2019.68.4-2en.

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The Polish version of the article was published in Roczniki Humanistyczne vol. 65, issue 4 (2017).
 Painting of the Cuzco school developed in the city proper and in the Cuzco region in the 17th and 18th centuries. Its influence was not limited to this area; information about the presence of paintings from Cuzco in distant regions of the Viceroyalty of Peru can be found in numerous sources. The tradition which acknowledged Cuzco painting to be a manifestation of cultural mestization is extremely strong. We can easily point at Spanish (colonial) as well as native (Indian) features in both f
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Cohen Suarez, Ananda. "Painting Andean Liminalities at the Church of Andahuaylillas, Cuzco, Peru." Colonial Latin American Review 22, no. 3 (2013): 369–99. http://dx.doi.org/10.1080/10609164.2013.851323.

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Chepstow-Lusty, Alex, Michael R. Frogley, Brian S. Bauer, Mark B. Bush, and Alfredo Tupayachi Herrera. "A late Holocene record of arid events from the Cuzco region, Peru." Journal of Quaternary Science 18, no. 6 (2003): 491–502. http://dx.doi.org/10.1002/jqs.770.

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Heggarty, Paul, and David Beresford-Jones. "Archaeology, Language, and the Andean Past: Principles, Methods, and the New "State of the Art"." Boletín de Arqueología PUCP, no. 14 (March 23, 2010): 29–60. http://dx.doi.org/10.18800/boletindearqueologiapucp.201001.002.

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This book emerges from the conference Lenguas y sociedades en el antiguo Perú: hacia un enfoque interdisciplinario, a gathering of linguists, archaeologists and anthropologists at the Pontificia Universidad Católica del Perú in August 2009. This chapter sets out first the raison d’être of our enterprise: why it seemed so important to foster a meeting of minds between these disciplines, to converge their disparate but complementary perspectives into a more coherent Andean prehistory.Next, it is asked how linguistics can inform us about prehistory at all, exploring some general methodological pr
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Arratia, Maria-Ines, and Marisol de la Cadena. "Indigenous Mestizos: The Politics of Race and Culture in Cuzco, Peru, 1919-1991." Anthropologica 44, no. 2 (2002): 315. http://dx.doi.org/10.2307/25606092.

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LUND, SARAH. "Bequeathing and quest. Processing personal identification papers in bureaucratic spaces (Cuzco, Peru)1." Social Anthropology 9, no. 1 (2007): 3–24. http://dx.doi.org/10.1111/j.1469-8676.2001.tb00133.x.

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Quave, Kylie E., Sarah A. Kennedy, and R. Alan Covey. "Rural Cuzco before and after Inka Imperial Conquest: Foodways, Status, and Identity (Maras, Peru)." International Journal of Historical Archaeology 23, no. 4 (2019): 868–92. http://dx.doi.org/10.1007/s10761-018-0483-0.

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Ruiz Romero, Zara. "De Cuzco a Berlín en el siglo XIX: el gabinete de curiosidades de María Ana Centeno." Revista de Humanidades, no. 42 (May 4, 2021): 179. http://dx.doi.org/10.5944/rdh.42.2021.27392.

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Resumen: María Ana Centeno desarrolló su gabinete de curiosidades y antigüedades precolombinas en el Perú del siglo XIX, en un momento en que la creación de acervos de este tipo resultaba común entre la élite cuzqueña, cada vez más consciente de la importancia de las culturas precolombinas. Gran parte de la colección fue vendida por sus herederos al Museo Etnológico de Berlín, en una transacción determinada por el valor en alza de las piezas precolombinas en el mercado, y por el creciente interés de viajeros, científicos y exploradores por lugares como Perú, con manifestaciones culturales dign
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Brading, D. A. "The Incas and the Renaissance: The Royal Commentaries of Inca Garcilaso de la Vega." Journal of Latin American Studies 18, no. 1 (1986): 1–23. http://dx.doi.org/10.1017/s0022216x00011147.

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In 1572 the Viceroy of Peru, Francisco de Toledo, despatched an expedition to the stronghold of Vilcabamba to capture the last claimant to the Inca throne, Tupac Amaru. The unfortunate prince was brought to Cuzco and there before the assembled population executed in the main square. Determined to provide an historical justification for his brutal eradication of the Inca dynasty, Toledo had already earlier in the same year summoned representatives of the Inca nobility to hear a public reading of Sarmiento de Gamboa's Historia Indica, a work written with the express intention of demonstrating th
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López, Gori-Tumi Echevarría, and Luz Marina Monrroy Quiñones. "The applique, an ancient decorative expression from the early societies of Cusco, Peru." International Journal of Modern Anthropology 2, no. 17 (2022): 752–76. http://dx.doi.org/10.4314/ijma.v2i17.3.

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This article focuses on the study of the appliques found in the archaeological site of Marcavalle, an early settlement (1100 - 700 BCE) located at the Huatanay Valley in Cusco, Peru. For this research our sample consisted of the complete collection of appliques recovered during the archaeological work at the site in 2013, on which we practiced a functional classification establishing the structural and formal parameters of this series of artifacts. The results were discussed based on comparative, chronological, and provenance data, to establish propositions for the contextual consideration of
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Dissertations / Theses on the topic "Cuzco (Peru) in art"

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Farris, Daniel. "Intertextualization: An historical and contextual study of the battle villancico, El más augusto campeón." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12122/.

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This document addresses the cultural and significance of the battle villancico, El más augusto campeón, and its historical, social, and musical contexts within the villancico genre of the Latin American Baroque. This study focuses on the villancico, El más augusto campeón, and explores the possible origins of the text and its relevance to the political and social structure of Cuzco's San Antonio Abad Seminary. Other areas of investigation are the musical analysis of the score and performance practice issues that surface when making choices as a conductor. Considering the seminal position vi
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Mills, Scott DuPre. "Old World, New Media: Cross-cultural Explorations with Camera and Analytic Text in Cusco, Peru." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3454.

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Abstract OLD WORLD, NEW MEDIA: CROSS-CULTURAL EXPLORATIONS WITH CAMERA AND ANALYTIC TEXT IN CUSCO, PERU By Scott DuPre Mills, PhD. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2014 Major Director: Dr. Nicholas A Sharp, Assistant Professor, Department of English This dissertation draws on my field research in Cusco, Peru, documenting Old World methods of making Andean musical instruments. The cross-cultural interactions I engaged in are concret
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Palm, Juliane. "Ökotourismus in Peru : zwei unterschiedliche Ansätze im Vergleich /." Saarbrücken : VDM, Müller, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872398&prov=M&dok_var=1&dok_ext=htm.

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Baker, Geoffrey. "Music and musicians in colonial Cuzco." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268415.

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Grammon, Devin. "Acquiring Cuzco: Marginalized language, ideology, and study abroad in Peru." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153198451440002.

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Palm, Juliane. "Ökotourismus in Peru zwei unterschiedliche Ansätze im Vergleich." Saarbrücken VDM, Müller, 2004. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872398&prov=M&dok_var=1&dok_ext=htm.

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Wiens, Philippa Diane. "Micro-credit as a tool for development, the case of Cuzco, Peru." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/MQ33288.pdf.

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Lunt, Sara Wendy. "Inca and pre-Inca pottery pottery from Cusichaca, Department of Cuzco, Peru /." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1987. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.284041.

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Petterson, Jonathan Cody. "All this dies with us the decline and revision of a Mestizo Gentry (Chumbivilcas, Cuzco, Peru) /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397779.

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Thesis (Ph. D.)--University of California, San Diego, 2010.<br>Title from first page of PDF file (viewed April 7, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 532-658).
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Glowacki, Mary. "Imperialism in the Middle Horizon: a reprisal of the classic paradigm, Cuzco, Peru." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113293.

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Traditionally, the Middle Horizon has been characterized by the presence or influence of Wari imperialism throughout ancient Peru. With lesser known areas of the Andes now being explored, this view is considered somewhat passé, monolithic, and lacking heuristic value. Although many Middle Horizon peoples may not have fallen under the rubric of direct Wari control, others certainly did, and it is this variability in degrees of administrative control across regions that is considered a classic hallmark of imperialism. With that said, Middle Horizon research in Cuzco offers a unique opportunity t
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Books on the topic "Cuzco (Peru) in art"

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Vizcarra, Juan Bravo. Mural histórico del Qosqo: Sustento histórico y arqueológico. Municipalidad del Qosqo, 1994.

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Vizcarra, Juan Bravo. Mural histórico del Qosqo: Sustento histórico y arqueológico. Municipalidad del Qosqo, 1994.

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Mo, Charles L. Splendors of the New World: Spanish Colonial masterworks from the Viceroyalty of Peru. Mint Museum of Art, 1992.

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Gonzales, Manuel Gibaja. El púlpito de san Blas: Historia, estética e iconografía. Arzobispado de Cusco, 2011.

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Institute of Andean Research (New York, N.Y.), ed. Inkawasi, the New Cuzco: Cañete, Lunahuaná, Peru. B.A.R., 1985.

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Decoster, Jean-Jacques. Justicia y poder: Cuzco, siglos XVI-XVIII : catálogo del Fondo Corregimiento (causas civiles), Archivo Departamental del Cuzco. Centro de Estudios Regionales Andinos "Bartolomé de las Casas", 1997.

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Donato, Amado, ed. Periódicos cuzqueños del siglo XIX: Estudio y catálogo del fondo del Archivo Departamental del Cuzco. Fundación Histórica Tavera, 1999.

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Mendoza, Zoila S. Creating our own: Folklore, performance, and identity in Cuzco, Peru. Duke University Press, 2008.

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Charles, Walker. Smoldering ashes: Cuzco and the creation of Republican Peru, 1780-1840. Duke University Press, 1999.

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de, Lavalle José Antonio, and González García José Alejandro, eds. The textile art of Peru: Collection. Industria Textil Piura, PIMAX, 1993.

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Book chapters on the topic "Cuzco (Peru) in art"

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Rudenstine, Sasha, and Sandro Galea. "Intermittent Protectors: Cuzco, Peru Earthquake – May 21, 1950." In The Causes and Behavioral Consequences of Disasters. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4614-0317-3_8.

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Prescott, William. "Disorders in Peru.-March to Cuzco.-Encounter with the Natives.—Challcuchima Burnt.-Arrival in Cuzco.—Description of the City.-Treasure Found There. (1533-1534.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-20.

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Prescott, William. "Almagro's March to Chili.—Sufferings of the Troops.—He Returns and Seizes Cuzco.—Action of Abancay.-Gaspar De Espinosa.-Almagro Leaves Cuzco.—Negotiations with Pizarro. (1535-1537.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-24.

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Crow, Joanna. "Machu Picchu and Cuzco: Marketing Inca Peru for International Consumption." In Itinerant Ideas. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-01952-4_6.

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Prescott, William. "First Civil War.—Almagro Retreats to Cuzco.—Battle of Las Salinas.-Cruelty of the Conquerors.—Trial and Execution of Almagro.-His Character. (1537-1538.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-25.

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Prescott, William. "Pizarro Revisits Cuzco.—Hernando Returns to Castile—His Long Imprisonment.—Commissioner Sent to Peru.—Hostilities with the Inca.—Pizarro's Active Administration.—Gonzalo Pizarro. (1539-1540.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-26.

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Prescott, William. "Dismay in Gasca's Camp.—His Winter Quarters.-He Resumes his March.—Crosses the Apurimac.—Pizarro's Conduct in Cuzco.-He Encamps Near the City.—Rout of Xaquixaguana. (1547-1548.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-36.

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Prescott, William. "Gold Arrives for the Ransom.—Visit to Pachacamac—Demolition of the Idol.-The Inca's Favourite General.—The Inca's Life in Confinement.—Envoys' Conduct in Cuzco.—Arrival of Almagro. (1533.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-18.

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Prescott, William. "The Viceroy Arrives at Lima.—Gonzalo Pizarro Marches from Cuzco.—Death of the Inca Manco.—Rash Conduct of the Viceroy.—Seized and Deposed by the Audience.—Gonzalo Proclaimed Governor of Peru. (1544.)." In History of the Conquest of Peru. Routledge, 2023. http://dx.doi.org/10.4324/9781003369219-31.

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Białostocki, Jan. "On the Art of Early America. Mexico and Peru." In Universal – International – Global. Böhlau Verlag, 2023. http://dx.doi.org/10.7788/9783412520830.275.

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Conference papers on the topic "Cuzco (Peru) in art"

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Mendez-Galindo, Carlos, Juan Carlos Delgado Trejo, Julio Rojas-Palacios, et al. "State of the Art of Seismic Isolation Systems in Latin America." In IABSE Congress, San José 2024: Beyond Structural Engineering in a Changing World. International Association for Bridge and Structural Engineering (IABSE), 2024. https://doi.org/10.2749/sanjose.2024.0707.

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&lt;p&gt;This paper provides a review of seismic isolation systems in Latin America. Seismic isolation is essential for preventing structural damage and maintaining functionality during and after earthquakes, especially for critical infrastructure such as hospitals and bridges. Key systems, including lead rubber bearings and friction pendulum bearings, are analyzed for their effectiveness in controlling dynamic responses. The paper also highlights the increasing use of these systems in Latin America. Recent earthquakes in Chile, Mexico, and Peru demonstrate the success of seismic isolation in
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Lara-Herrera, Juan, and Luis Pimentel-Manrique. "Establishment of the maintenance and review processes of meteorological equipment at the international airport of Cuzco, Peru." In 2020 IEEE International Conference on Engineering Veracruz (ICEV). IEEE, 2020. http://dx.doi.org/10.1109/icev50249.2020.9289649.

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Neyra-Benites, Milagros, Silva Rua-Pomahuacre, Walter Alvites-Ruestas, et al. "Design of centroid-simplex mixture for the formulation of a high-protein energy bar based on the edible fungus Suillus Luteus (Cuzco-Peru)." In 4th LACCEI International Multiconference on Entrepreneurship, Innovation and Regional Development (LEIRD 2024): "Creating solutions for a sustainable future: technology-based entrepreneurship". Latin American and Caribbean Consortium of Engineering Institutions, 2024. https://doi.org/10.18687/leird2024.1.1.810.

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Quispe, Hanan, Jorshinno Sumire, Patricia Condori, Edwin Alvarez, and Harley Vera. "I see you: A Vehicle-Pedestrian Interaction Dataset from Traffic Surveillance Cameras." In LatinX in AI at Neural Information Processing Systems Conference 2022. Journal of LatinX in AI Research, 2022. http://dx.doi.org/10.52591/lxai2022112811.

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The development of autonomous vehicles arises new challenges in urban traffic scenarios where vehicle-pedestrian interactions are frequent e.g. vehicle yields to pedestrians, pedestrian slows down due approaching to the vehicle. Over the last years, several datasets have been developed to model these interactions. However, available datasets do not cover near-accident scenarios that our dataset covers. We introduce I see you, a new vehicle-pedestrian interaction dataset that tackles the lack of trajectory data in near-accident scenarios using YOLOv5 and camera calibration methods. I see you co
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JORDÁN, Régulo Franco. "Art, symbolism and power in Moche Society, North Coast of Peru." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-001.

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Alania Guadalupe, Jordy, Darwin Auccapuri Quispetupa, Pastor David Chavez Muñoz, Yuri Pacheco Jurado, and Juan Paco Fernandez. "Development and implementation of an itinerant satellite Internet access station for the Inca Trail in Cusco-Machu Picchu - Perú." In 22nd LACCEI International Multi-Conference for Engineering, Education and Technology (LACCEI 2024): “Sustainable Engineering for a Diverse, Equitable, and Inclusive Future at the Service of Education, Research, and Industry for a Society 5.0.”. Latin American and Caribbean Consortium of Engineering Institutions, 2024. http://dx.doi.org/10.18687/laccei2024.1.1.802.

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Saldaña, Charles Huamani, Franklin Miranda Solis, Víctor Oré Montalvo, et al. "Possible association of stroke with higher whole blood viscosity: study in a high altitude (Cusco 3399 masl)." In XIII Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2021. http://dx.doi.org/10.5327/1516-3180.137.

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Background. Risk factors for stroke have been extensively studied, however, few studies have been carried out in high-altitude cities. Objectives. To evaluate the difference in blood viscosity, using direct methods, in stroke patients versus patients without stroke to discover any possible association. Design and setting. A cross-sectional study was carried out in the city of Cusco, Peru (3399 m.a.s.l). Methods: Participants included stroke patients with less than three days of illness and controls without stroke. Viscosity levels were measured in all patients using a cone-plate viscometer. Bl
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Van Waerebeek, Kenzo, Diego Linares, and Daniel Alejandro Subauste Oliden. "Design And Development Of An Augmented Reality Application For Art Galleries And Museums In Peru." In The 19th LACCEI International Multi-Conference for Engineering, Education, and Technology: “Prospective and trends in technology and skills for sustainable social development” “Leveraging emerging technologies to construct the future”. Latin American and Caribbean Consortium of Engineering Institutions, 2021. http://dx.doi.org/10.18687/laccei2021.1.1.378.

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Moya, John Erick Malpartida. "Managing Geohazards in Hard Conditions: Monitoring and Risk Assessment of Pipelines That Crosses Amazonian Jungles and the Andes." In ASME 2015 International Pipeline Geotechnical Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/ipg2015-8532.

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The hydrocarbon transmission system that belongs to Transportadora de Gas del Perú (TGP), comprise two parallel pipelines: a natural gas (NG) pipeline, which runs from the upstream facilities at Malvinas, in the Amazonian jungle of Cusco-Peru, to a reception station at Lurín (south of Lima); and a natural gas liquid (NGL) pipeline, which transports the condensed liquids from Malvinas to Pisco, on the coast of Peru. The right-of-way (ROW) crosses the Peruvian jungle with both pipelines in its first 200 kilometers, after climbs over the Andes Mountains at an elevation of 4860 masl, and descends
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Kaprielian, Gabriel. "Lima 2100: Collective Resilience Through Adaptive Urbanism." In 110th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2022. http://dx.doi.org/10.35483/acsa.am.110.80.

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Lima 2100: Collective Resilience through Adaptive Urbanism is a transdisciplinary project addressing issues of climate change, social equity, and urban health in Lima, Peru. The project was funded by the U.S. Department of State’s Bureau of Educational and Cultural Affairs as part of their American Arts Incubator, an international creative exchange program. Assistant Professor of Architecture Gabriel Kaprielian was selected as the Lead Artist and tasked with developing a month-long program through international collaboration and partnership of the ZERO1, the U.S. Embassy in Peru, the Contempor
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Reports on the topic "Cuzco (Peru) in art"

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Aguinis, Marcos, Salomón Lerner, and Darío Ruíz Gómez. The Essential Role of Ethics in the Developmen of Latin America: Convictions That Sabotage Progress: The Difficulty of Telling the Truth. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0007951.

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Salomón Lerner (1944-), Peruvian philosopher, Rector of Pontifical Catholic University of Peru (1994-2004), Angel Escobar Jurado National Human Rights Award (2003). Marcos Aguinis (1935-), Argentine physician, former Minister of Culture in Argentina, Planeta Prize (Spain), Grand Prize of Honor by the Argentine Society of Writers. Darío Ruiz Gómez (1935-), Colombian art and literary critic, former Professor of Architecture in Medellín, published four books of poetry and five books of short stories.
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Art of the Print. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0005899.

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The Organization of American States (OAS) joined with other Washington D.C. institutions to feature programs dedicated to printmaking during the month of March 2005. The exhibit Art of the Print was organized to welcome participants in the Southern Graphics Council's International Conference being held in Washington D.C. The show exhibited works of 60 artists representing Argentina, Brazil, Bolivia, Colombia, Chile, Costa Rica, Cuba, El Salvador, Guatemala, Mexico, Peru, Panama, Puerto Rico, Trinidad and Tobago, Uruguay, Venezuela, and the United States. The IDB Cultural Center co-sponsored th
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Tradition and Entrepreneurship: Popular Arts and Crafts from Peru. Inter-American Development Bank, 2004. http://dx.doi.org/10.18235/0008268.

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Presents an exhibition of folk objects and crafts from Peru, representing various regions in which tradition has evolved within oldage artistic expressions, was be presented at the Art Gallery of the Cultural Center of the InterAmerican Development Bank, in Washington, D.C., from February 26 to April 30. The exhibit also includes objects that reflect recent innovations introduced by artisans and entrepreneurs with the idea of making such expressions more economically sustainable.
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On Occasion of the 9th Anniversary of the Inter-American Development Bank Cultural Center: Art of the Americas. Inter-American Development Bank, 2001. http://dx.doi.org/10.18235/0006228.

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It is uncommon to find in Washington, D. C. such a wide variety of works in a single collection from which 25 pieces were displayed that reveal the artistic talent and creativity of the people from the Americas. The works were chosen from the IDB Art Collection and represented Argentina, Bahamas, Canada, Colombia, Cuba, Chile, Ecuador, Guatemala, Honduras, Nicaragua, Peru, Suriname, United States, and Uruguay with twenty-three artists including Robert Rauschenberg (United States), Canadians Mayureak Ashoona and Kananginak Pootoogook, Rodolfo Abularach (Guatemala), Fernando de Szyszlo (Peru), M
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First Latin American and Caribbean Video Art Competition and Exhibit. Inter-American Development Bank, 2002. http://dx.doi.org/10.18235/0005915.

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An exhibition of video art from Latin America and the Caribbean, the first ever presented in Washington, featured 53 videos, under five minutes each, selected by an international jury from among 235 from 21 countries. Two award winners, four honorable mentions, and five People's Choice awards went to artists from Brazil, Colombia, Costa Rica, Mexico, Panama, Paraguay, Peru, and Venezuela. The objectives of the competition were to broaden the discussion of economic and social factors that affect Latin America and the Caribbean through the use of technology-based visual media. The competition an
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Nikkei-Latin American Artists of the 20th Century. Inter-American Development Bank, 2005. http://dx.doi.org/10.18235/0008269.

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Abstract:
Presents the exhibition pays tribute to Japan and to more than a century of relations between Japan and Latin America. This paper presents selected art works "painting, drawing, engraving and installation" by 10 artists of Japanese descent from Argentina (Kasuya Sakai), Brazil (Tikashi Fukushima, Manabu Mabe, Tomie Ohtake, Yutaka Toyota and Kazuo Wakabayashi), Mexico (Luis Nishizawa) and Peru (Arturo Kubotta, Carlos Runcie Tanaka and Venancio Shinki).
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