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Dissertations / Theses on the topic 'Cuzco (Peru) in art'

Author: Grafiati

Published: 4 June 2021

Last updated: 27 July 2025

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1

Farris, Daniel. "Intertextualization: An historical and contextual study of the battle villancico, El más augusto campeón." Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc12122/.

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This document addresses the cultural and significance of the battle villancico, El más augusto campeón, and its historical, social, and musical contexts within the villancico genre of the Latin American Baroque. This study focuses on the villancico, El más augusto campeón, and explores the possible origins of the text and its relevance to the political and social structure of Cuzco's San Antonio Abad Seminary. Other areas of investigation are the musical analysis of the score and performance practice issues that surface when making choices as a conductor. Considering the seminal position vi

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2

Mills, Scott DuPre. "Old World, New Media: Cross-cultural Explorations with Camera and Analytic Text in Cusco, Peru." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3454.

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Abstract OLD WORLD, NEW MEDIA: CROSS-CULTURAL EXPLORATIONS WITH CAMERA AND ANALYTIC TEXT IN CUSCO, PERU By Scott DuPre Mills, PhD. A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy at Virginia Commonwealth University. Virginia Commonwealth University, 2014 Major Director: Dr. Nicholas A Sharp, Assistant Professor, Department of English This dissertation draws on my field research in Cusco, Peru, documenting Old World methods of making Andean musical instruments. The cross-cultural interactions I engaged in are concret

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3

Palm, Juliane. "Ökotourismus in Peru : zwei unterschiedliche Ansätze im Vergleich /." Saarbrücken : VDM, Müller, 2006. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872398&prov=M&dok_var=1&dok_ext=htm.

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4

Baker, Geoffrey. "Music and musicians in colonial Cuzco." Thesis, Royal Holloway, University of London, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.268415.

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5

Grammon, Devin. "Acquiring Cuzco: Marginalized language, ideology, and study abroad in Peru." The Ohio State University, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=osu153198451440002.

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6

Palm, Juliane. "Ökotourismus in Peru zwei unterschiedliche Ansätze im Vergleich." Saarbrücken VDM, Müller, 2004. http://deposit.d-nb.de/cgi-bin/dokserv?id=2872398&prov=M&dok_var=1&dok_ext=htm.

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7

Wiens, Philippa Diane. "Micro-credit as a tool for development, the case of Cuzco, Peru." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0027/MQ33288.pdf.

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8

Lunt, Sara Wendy. "Inca and pre-Inca pottery pottery from Cusichaca, Department of Cuzco, Peru /." Thesis, Boston Spa, U.K. : British Library Document Supply Centre, 1987. http://ethos.bl.uk/OrderDetails.do?did=1&uin=uk.bl.ethos.284041.

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9

Petterson, Jonathan Cody. "All this dies with us the decline and revision of a Mestizo Gentry (Chumbivilcas, Cuzco, Peru) /." Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397779.

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Thesis (Ph. D.)--University of California, San Diego, 2010.<br>Title from first page of PDF file (viewed April 7, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references (p. 532-658).

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10

Glowacki, Mary. "Imperialism in the Middle Horizon: a reprisal of the classic paradigm, Cuzco, Peru." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/113293.

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Traditionally, the Middle Horizon has been characterized by the presence or influence of Wari imperialism throughout ancient Peru. With lesser known areas of the Andes now being explored, this view is considered somewhat passé, monolithic, and lacking heuristic value. Although many Middle Horizon peoples may not have fallen under the rubric of direct Wari control, others certainly did, and it is this variability in degrees of administrative control across regions that is considered a classic hallmark of imperialism. With that said, Middle Horizon research in Cuzco offers a unique opportunity t

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11

Hey, Gillian Margaret. "Continuity and change in the formative period of the Cusichaca Valley, Department of Cuzco, Peru." Thesis, University College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.314073.

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12

Andrade, Rita de Cássia Gregório de. "Estruturação urbana e espaços comerciais em Cuzco - Peru : "En los terrenos del Seminario San Antonio de Abad, más un extraño se nos acerca" /." Universidade Estadual Paulista (UNESP), 2018. http://hdl.handle.net/11449/154569.

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Submitted by RITA DE CASSIA GREGORIO DE ANDRADE (ritagandrade@gmail.com) on 2018-07-23T18:01:25Z No. of bitstreams: 1 TESE DA RITA.pdf: 20877085 bytes, checksum: 68d60fbc8fe46b3e97812ad6af9d3aa2 (MD5)<br>Approved for entry into archive by ALESSANDRA KUBA OSHIRO ASSUNÇÃO (alessandra@fct.unesp.br) on 2018-07-23T18:49:30Z (GMT) No. of bitstreams: 1 andrade_rcg_dr_prud.pdf: 20877085 bytes, checksum: 68d60fbc8fe46b3e97812ad6af9d3aa2 (MD5)<br>Made available in DSpace on 2018-07-23T18:49:30Z (GMT). No. of bitstreams: 1 andrade_rcg_dr_prud.pdf: 20877085 bytes, checksum: 68d60fbc8fe46b3e97812ad6af9

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13

Ségalini, Laurent. ""Les fils de Manco" ou la fabrique des ancêtres : organisation sociale et construction politique de l'identité dans le Cuzco préhispanique (Pérou)." Paris 3, 2008. http://www.theses.fr/2008PA030161.

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Depuis plusieurs décennies, l’histoire dynastique inca recueillie par les chroniqueurs espagnols est l’objet d’un débat : faut-il considérer les souverains de Cuzco comme des personnages historiques, ou bien comme l’expression mythique de l’organisation sociale, politique et religieuse de la capitale impériale ? Bien que divergentes, ces différentes interprétations trouvaient un appui commun dans l’existence d’un ensemble de groupes sociaux censés rassembler les descendants des souverains successifs, et qui constituait le noyau de la société cuzquénienne. Cette étude montre que contrairement à

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14

MacKay, W. Iain. "The development of pre-Hispanic art forms in Peru : seen as an outgrowth of textile techniques and their influence upon art forms and depiction of symbols." Thesis, University of St Andrews, 1988. http://hdl.handle.net/10023/7359.

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Pre-Hispanic geometric art forms In Peru and the Andean Area are taken to be an outgrowth of textile techniques. Textiles and fibre arts predate ceramics by several millennia In the Central Andean Area. The artist who created these textiles developed an art style which was to go largely unaltered until the arrival of the Spaniards. The foundations of the Andean art form date to the Pre-ceramic. The restrictive, rather Inflexible nature of the warp and the weft of the cloth (the geometric grid) was to influence the methods of represention that were to follow. Geometric designs were well suited

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15

Castelli, González Amalia. "Damian, Carol. The Virgin of the Andes. Art and Ritual in Colonial Cuzco. Grassfield Press, Miami Beach, 1995." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121850.

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16

Arce, Sotelo Manuel. "Les wankas de Tarcuyo : chants et rituels dans les Provinces Hautes de Cusco (Pérou)." Thesis, Paris 10, 2012. http://www.theses.fr/2012PA100174.

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Pour les communautés d’altitude des Andes du Sud, la pomme de terre est bien plus qu’un simple produit alimentaire. Traitée comme un être vivant, sa culture fait l’objet d’une série d’offrandes rituelles tout au long de son cycle agricole. Au village de Tarcuyo (Province d’Espinar - Cusco) les semailles de ce tubercule se font avec le concours de chanteuses rituelles connues comme les wankas. Leurs vers en quechua s’adressent en premier lieu aux plants afin d’activer leur croissance, puis à d’autres destinataires telle que la Pachamama (« terre mère »), les travailleurs ou différents éléments

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17

Broughton, Rachel E. "Cut and Paste: The Art and Sociopolitics of Fanzine Production in Lima, Peru." Ohio University Honors Tutorial College / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1587661904856729.

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18

Jamieson, Ross W. "The Potential for Colonial Period Archaeology in La Libertad, Peru." W&M ScholarWorks, 1990. https://scholarworks.wm.edu/etd/1539625578.

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19

Girard, Margaux. "Les Andes péruviennes à l'heure des agricultures durables : Réflexions sur la transition agroécologique et ses verrouillages socio-techniques à Cusco." Electronic Thesis or Diss., Orléans, 2017. http://www.theses.fr/2017ORLE1156.

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Depuis la fin du XXème siècle, des modèles d’agriculture durable (agriculture biologique, agroécologie, permaculture, etc.) sont proposés au Nord comme au Sud pour répondre à la crise systémique contemporaine. La région de Cusco, au coeur des Andes péruviennes, s’affirme comme l’archétype d’un territoire mondialisé où se rencontrent influences endogènes et exogènes, modernes et traditionnelles et constitue en cela un parfait laboratoire pour analyser ce processus de transition vers des systèmes agro-alimentaires plus durables. Les agricultures durables s’y sont d’abord développées pour répondr

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20

Trever, Lisa Senchyshyn. "Moche Mural Painting at Pañamarca: A Study of Image Making and Experience in Ancient Peru." Thesis, Harvard University, 2013. http://dissertations.umi.com/gsas.harvard:11013.

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This dissertation is a study of the late Moche murals found within the adobe temples of Pañamarca, Peru (ca. 600-850 CE). This project was designed to redress the problem of iconographic decontextualization of the Pañamarca paintings that, through limited documentation and repetitive scholarly publication, had become effectively untethered from their material moorings and spatial settings. New fieldwork succeeded in contextualizing and conserving remains of all known mural paintings. This field research also resulted in the discovery of a new corpus of paintings at the site. Together these pai

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21

Nicewinter, Jeanette Louise. "Cajamarca Ceramic Spoons from Northern Peru: Forming a Symbolic Function." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4200.

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Ten painted Cajamarca-style ceramic spoons form the foundation for an investigation of the way that these seemingly utilitarian objects were bestowed with economic and symbolic value both within and outside of the borders of the Cajamarca region, located in the north highlands of present-day Peru. Since the ceramic spoons have been recovered from sites associated with large and powerful societies and states, such as the Moche of the north coast and the Wari of the central highlands, an analysis of the form, style and imagery present on these spoons reveals how these objects transcended cultura

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22

Pena, Jose Luis. "Pottery Production during the Late Horizon in the Huancabamba Valley, Cajamarca - Peru." Scholar Commons, 2013. http://scholarcommons.usf.edu/etd/4559.

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Elemental analysis of pottery sherds provided insights on the ceramic production in the Huancabamba Valley (northern highland-Peru) and the way in which the Incas administrate the provinces. The pottery sherds from six archaeological sites selected for elemental analysis indicated the use of similar clay sources in the manufacture of pottery. The production of ceramic vessels took place at the local level without the strict control of the Inca state. The Incas built administrative structures in the Huancabamba Valley in order to maintain control of their road system, which connected the north

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23

Costa, Roberto. "The domestication of the cross symbolism and images in Andean Peru /." Theological Research Exchange Network (TREN), 1995. http://www.tren.com.

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24

Wolkowicz, Vera. "Inventing Inca music : indigenist discourses in nationalist and Americanist art music in Peru, Ecuador and Argentina (1910-1930)." Thesis, University of Cambridge, 2018. https://www.repository.cam.ac.uk/handle/1810/274908.

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The Latin American centennial celebrations of independence (ca.1909-1925) constituted a key moment in the consolidation of national symbols and tropes, while also producing a renewed focus on transnational affinities that generated a series of discourses on continental unity. At the same time, a boom in archaeological explorations, within a general climate of scientific positivism, provided Latin Americans with new information about their ‘grandiose’ former civilisations, such as the Inca and the Aztec, which some then argued for as an American equivalent to ancient Greek and Egyptian cultures

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25

Alexander, Amanda S. "Collaboratively Developing a Web site with Artists in Cajamarca, Peru: A Participatory Action Research Study." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276529007.

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26

Dohmen, Renate. "The raw and the cooked in common places : art, anthropology and relational aesthetics between Thailand, Euro-America, India and Peru." Thesis, University of Newcastle Upon Tyne, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.438324.

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27

Totten, Kelley D. "Crafting memories in the Mantaro Valley of Peru : performance and visual representation in craftswomen's souvenir production /." Connect to title online (Scholars' Bank), 2009. http://hdl.handle.net/1794/10081.

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28

Ahn, SungHee. "Participation-based public art & design project model for culture-led urban regeneration." Thesis, Brunel University, 2014. http://bura.brunel.ac.uk/handle/2438/13873.

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In recent years, public art has evolved to take a central role in urban regeneration in public places and, more recently, has been integrated into city branding. Published research and selected reports revealed that public art frequently opens up sensitive issues like social acceptance, ownership and cultural relevance, and showed that a participation-based approach can be used to address these issues. The literature review confirmed the main issues and the need for a theoretical platform to support future practice. The researcher has been a professional practitioner in the field for many year

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29

Girard, Margaux. "Les Andes péruviennes à l'heure des agricultures durables : Réflexions sur la transition agroécologique et ses verrouillages socio-techniques à Cusco." Thesis, Orléans, 2017. http://www.theses.fr/2017ORLE1156/document.

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Depuis la fin du XXème siècle, des modèles d’agriculture durable (agriculture biologique, agroécologie, permaculture, etc.) sont proposés au Nord comme au Sud pour répondre à la crise systémique contemporaine. La région de Cusco, au coeur des Andes péruviennes, s’affirme comme l’archétype d’un territoire mondialisé où se rencontrent influences endogènes et exogènes, modernes et traditionnelles et constitue en cela un parfait laboratoire pour analyser ce processus de transition vers des systèmes agro-alimentaires plus durables. Les agricultures durables s’y sont d’abord développées pour répondr

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30

Panbehchi, Michael J. "The Triumphs of Alexander Farnese: A Contextual Analysis of the Series of Paintings in Santiago, Chile." VCU Scholars Compass, 2014. http://scholarscompass.vcu.edu/etd/3628.

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This dissertation examines a series of nine paintings depicting the battles of Alexander Farnese in Flanders created by the Cuzco School of Painters in eighteenth-century Peru. This research asks why and how paintings depicting sixteenth-century European battles were meaningful in the eighteenth century. Due to an absence of archival documentation on the authorship, production and patronage of the series, the research method is contextual. Starting with a formal and iconographic analysis of the paintings centered on a comparison between the paintings and the engravings upon which they are base

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31

Callen, Tara Ashmore. "Video Art and Photography in Creation of Autobiographical Narratives with Adolescent Girls Aging out of an Orphanage (Hogares de Ni?as) in Peru." Thesis, Teachers College, Columbia University, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10689108.

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<p> This dissertation was designed using a qualitative research mode of inquiry that utilized a mixed methodology approach. This dissertation was an ethnographic narrative study tracking eight young women who were “aging out” or forced to leave their orphanage in Peru, where most of them had spent a majority of their lives. The study examined the way in which a collaborative art community could support the participants as they narrated their lives over a 16-month period of time through photojournaling and social media outlets. </p><p> This study relied upon interviews, on-site ob

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32

Kaulicke, Peter. "Paul, Anne, comp. Paracas Art and Architecture. Object and Context in South Coastal Peru. University of lowa Press. Iowa City 1991.445 p." Pontificia Universidad Católica del Perú, 2014. http://repositorio.pucp.edu.pe/index/handle/123456789/121758.

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Hurt, Lee Anne. "The Huacas of Machu Picchu : Inca stations for the communion between humanity and nature /." VCU Scholars Compass, 2006. http://hdl.handle.net/10156/1718.

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34

Willey, Paul F. "The art of riverine warfare from an asymmetrical approach." Thesis, Monterey, Calif. : Springfield, Va. : Naval Postgraduate School ; Available from National Technical Information Service, 2004. http://library.nps.navy.mil/uhtbin/hyperion/04Mar%5FWilley.pdf.

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35

Bastos, Moira Anne Bush. "Poética da cabaça : fruto de tradição, arte e comunicação /." São Paulo : [s.n.], 2010. http://hdl.handle.net/11449/86937.

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Orientador: Geralda Mendes Ferreira Silva Dalglish<br>Banca: Dilma de Melo Silva<br>Banca: José Leonardo do Nascimento<br>Banca: Milton Terumitsu Sogabe<br>Banca: Cláudia Fazzolari<br>Resumo: Esta dissertação trata da coleção de mates burilados, que constitui parte do acervo do Memorial da América Latina, no Pavilhão da Criatividade, em São Paulo, que estiveram expostos ao público, entre os anos de 2005 e 2009. Os estudos desenvolvidos sobre os mates burilados são para valorizar a cabaça como jóia ou livro circular, considerada patrimônio cultural peruano por representar a mais antiga tradição

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36

Kramer, Alice. "DIMENSIONS OF IDENTITY." Master's thesis, University of Central Florida, 2009. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2896.

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Imagination and fantasy environments created by writers and artists have always drawn people into their worlds. Advances in technology have blurred the lines between reality and imagination. My interest has always been to question the validity of these worlds and their cultures and to transcend the evolving virtual dimension by fusing it with what we perceive to be reality.<br>M.F.A.<br>Department of Art<br>Arts and Humanities<br>Studio Art and the Computer MFA

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Vaudry, Élodie. "Présence et usages des arts précolombiens dans les arts décoratifs en France de 1875 à 1945." Thesis, Paris 10, 2016. http://www.theses.fr/2016PA100156.

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Cette thèse traite de la présence et des usages des arts précolombiens dans les arts décoratifs en France. Le point de départ de la recherche se situe en 1875, avec le premier Congrès des américanistes ; elle s’achève en 1945, avec la fin de la Seconde Guerre mondiale et la mort d’un des principaux artistes du corpus, Jean Puiforcat. Globalement, il s’agit de contribuer à l’histoire des transferts culturels entre le Mexique, le Pérou et la France, en mettant d’abord l’accent sur les liens entre les intérêts diplomatiques et le développement culturel de l’américanisme. À partir de là, le regard

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Bastos, Moira Anne Bush [UNESP]. "Poética da cabaça: fruto de tradição, arte e comunicação." Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/86937.

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Made available in DSpace on 2014-06-11T19:22:28Z (GMT). No. of bitstreams: 0 Previous issue date: 2010-08-24Bitstream added on 2014-06-13T18:08:21Z : No. of bitstreams: 1 bastos_mab_me_ia.pdf: 4764593 bytes, checksum: 6b31254d53f07f52a1ccfe3293462dde (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Esta dissertação trata da coleção de mates burilados, que constitui parte do acervo do Memorial da América Latina, no Pavilhão da Criatividade, em São Paulo, que estiveram expostos ao público, entre os anos de 2005 e 2009. Os estudos desenvolvidos sobre os mates buri

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Mamet, Roxanne. ""De lo europeo a lo hispanoamericano" : origines, fondements théoriques et pratiques de la peinture dans les Andes coloniales (XVIe-XVIIIe siècle)." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA160.

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L'objectif de cette thèse est d'analyser la façon dont les pratiques picturales des Andes coloniales se nouent et se dénouent autour d'une « matière » européenne. La nature d'un tableau répond à des exigences politiques occidentales (l'évangélisation des Indigènes) mais sa fonction va progressivement être démembrée au profit d'une peinture qui s'américanise.C'est d'abord en étudiant le contexte artistique de l'Europe des XVIe et XVIIe siècles, ses pratiques ainsi que ses transferts humains et matériels dans la vice-royauté péruvienne que l'on peut par la suite juger des différences, des nouvea

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Cabrera-Osorio, Luis-Francisco. "Ampliación del Museo de Arte de Lima." Bachelor's thesis, Universidad de Lima, 2017. http://repositorio.ulima.edu.pe/handle/ulima/4333.

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Esta investigación tiene como objetivo principal explorar y definir los lineamientos de las intervenciones contemporáneas en edificios históricos, y servir de guía para la elaboración de un programa de ampliación para el Museo de Arte de Lima.<br>Tesis

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41

Church, Rebecca. "The Influence of Culture and Arts on the Development of Peruvian Children." University of Toledo / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=toledo1271384749.

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Cornejo, Happel Claudia A. "Decadent Wealth, Degenerate Morality, Dominance, and Devotion: The Discordant Iconicity of the Rich Mountain of Potosi." The Ohio State University, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=osu1404653562.

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Moretti, Alexia. "La sculpture recuay : signification iconographique et fonction sociale d’un marqueur territorial dans la sierra nord centrale du Pérou (100-700 ap. J.-C.)." Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL174.

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Dès lors que les explorations voient le jour sur le territoire péruvien au XIXème siècle, les sculptures en pierre recuay suscitent un intérêt certain. Les toutes premières esquisses et descriptions formelles réalisées à cette époque se voient très rapidement enrichies par la véritable première étude iconographique et archéologique des sculptures qui sera menée au début du XXème siècle par Julio Tello, le père de l’archéologie péruvienne. Toutefois, les études ultérieures, largement influencées par les travaux pionniers de Tello, se pencheront majoritairement sur l’aspect stylistique et iconog

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Burns, Kathryne Jane. "Convents, culture, and society in Cuzco, Peru, 1550-1865." 1993. http://catalog.hathitrust.org/api/volumes/oclc/30787669.html.

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Kánepa, Koch Gisela E. "Geopolitics and geopoetics of identity : migration, ethnicity and place in the Peruvian imaginary fiestas and devotional dances in Cuzco and Lima /." 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3097090.

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De, la Cadena María Soledad. "Race, ethnicity, and the struggle for indigenous self-representation de-indianization in Cuzco, Peru, 1919-1992 /." 1996. http://catalog.hathitrust.org/api/volumes/oclc/34883890.html.

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Thesis (Ph. D.)--University of Wisconsin--Madison, 1996.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 621-644).

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Heffernan, Kenneth James. "Limatambo in late prehistory : landscape archaeology and documentary images of Inca presence in the periphery of Cusco." Phd thesis, 1989. http://hdl.handle.net/1885/116110.

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This study combines the results of surface archaeological survey and early historic documentary information to examine the expansion of the Inca polity and its interaction with local socio-economic systems in the Apurimac Basin near Limatambo from about AD 1000 to the arrival of the Spaniards in Cusco during 1533. The respective roles and limitations of the two sources of information are discussed and give rise to the organization of chapters in four groups. Chapters 1 to 3 discuss the modes and degrees of Inca presence throughout the Andes and their measurement for comparison with the

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"The Mobile Image: Prints and Devotional Networks in Seventeenth- and Eighteenth-Century South America." Tulane University, 2018.

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Rataj, Vlastimil. "Andská španělština jako produkt kontaktu s kečuánštinou a ajmarštinou." Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342321.

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Andská španělština jako produkt kontaktu s kečuánštinou a ajmarštinou Andean Spanish as a product of contact with Quechua and Aymara Disertační práce Vedoucí práce: Vlastimil Rataj 2014 prof. PhDr. Bohumil Zavadil, CSc. Abstrakt Andská španělština je varianta španělštiny používané v andských oblastech od jižní Kolumbie po severozápadní Argentinu a vznikla jako produkt kontaktu s místními indiánskými jazyky, kečuánštinou a ajmarštinou. V této práci, na základě kvalitativního zpracování části korpusu získaného při terénním výzkumu v jižním Peru (Cuzco), analyzuji některé typické rysy místní ands

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Dean, Carolyn Sue. "Painted images of Cuzco's Corpus Christi social conflict and cultural strategy in viceregal Peru /." 1990. http://catalog.hathitrust.org/api/volumes/oclc/22533745.html.

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