Relevant bibliographies by topics / Cyberfeminizm

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cyberfeminizm'

Author: Grafiati
Published: 24 April 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Cyberfeminizm.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Cyberfeminizm"

1

Umami, Rizka Hidayatul. "Cyberfeminisme: Counter atas Komodifikasi Tubuh Perempuan di Media Baru." Martabat: Jurnal Perempuan dan Anak 4, no. 1 (September 1, 2020): 111–36. http://dx.doi.org/10.21274/martabat.2020.4.1.111-136.

Full text
Abstract:
Keberadaan media baru telah mendorong setiap individu untuk ikut aktif berinteraksi di dalamnya. Cyberfeminisme merupakan salah satu gagasan penting yang lahir dari keberadaan media baru tersebut. Di mana media baru menjadi isu krusial yang diharapkan bisa menjadi wadah perempuan mencapai pembebasan. Namun, hadirnya media baru tidak lantas bisa secara otomatis menghapuskan adanya ketidakadilan gender di ruang publik. Problem baru muncul dari adanya usaha perempuan untuk secara total berdaya lewat ruang techno-budaya. Masalah tersebut hadir dalam bentuk komodifikasi tubuh perempuan dalam media baru, yang dilakukan oleh perempuan sebagai subjek. Sehingga yang terjadi justru pelanggengan patriarkhal dan kuasa pikiran laki-laki dalam media. Hal ini tentu menjadi pekerjaan rumah baru bagi para cyberfeminis. Tulisan ini fokus menguraikan bagaimana peran cyberfeminis dalam upaya meng-counter massifnya komodifikasi tubuh perempuan dalam media baru, yang juga terus dibayangi oleh diskursus maskulinitas atau dominasi laki-laki. Metode yang digunakan dalam penelitian ini adalah deskriptif-analitis, dengan menggunakan cyberfeminisme sebagai alat analisis. Adapun hasil penelitian ini mengungkapkan bahwa cyberfeminis setidaknya berhasil membuat jaringan literasi berbasis feminisme, eksis di media sosial sebagai upaya konter ideologi dari adanya discounted feminism oleh kapitalisme. Kata kunci: cyberfeminisme, media baru, komodifikasi, tubuh perempuan.
APA, Harvard, Vancouver, ISO, and other styles
2

Afanasov, Nikolai B. "Cyberfeminism as Science Fiction. Drawn in Japan." Galactica Media: Journal of Media Studies 4, no. 1 (March 21, 2022): 71–95. http://dx.doi.org/10.46539/gmd.v4i1.248.

Full text
Abstract:
In the 80’s representatives of the second wave feminist theory nurtured hopes that new technologies would become an effective instrument of liberating from binary oppositions of patriarchal culture. Donna Haraway saw the potential of social transformations in cybernetic technologies. The fusion of biological, mechanical and cybernetic was to have led to the emergence of new cyborg subjectivity. It should be capable of creating its own culture as well as a new world. Later this narrative would be widely criticized, but in this optimistic form it greatly affected science fiction of the period. The author makes an attempt to present the theoretical components of cyberfeminism as science fiction that engenders cognitive estrangement. Catchy images of cyborgs were born in the performative framework of cyberfeminist theory and popular culture. They continue to affect imagination to the present day. Japanese animation stood at the vanguard of this cultural process. The article considers the visions drawn in Japan as a narrative that represents historical evolution of cyberfeminism. The end of anime’s “golden age” meant the end of a thorough work with cyberfeminism in the language of popular culture. The findings of the study reveal that cyberfeminism is a part of general theory that has subsequently become a part of global discourse of a new posthuman subject. The article emphasises the other part of the phenomenon – cyberfeminist practice – that has successfully adapted to the modern world.
APA, Harvard, Vancouver, ISO, and other styles
3

Suharnanik. "Perempuan dan Teknologi Informasi dalam Perspektif Cyberfeminist." Journal of Urban Sociology 1, no. 2 (October 2, 2018): 4. http://dx.doi.org/10.30742/jus.v1i2.566.

Full text
Abstract:
Penelitian ini menggunakan perspektif cyberfeminis yang membahas tentang wanita sebagai pengguna teknologi informasi. Perspektif yang digunakan ini berpusat pada perempuan yang penggunaan teknologi informasi dalam mencapai pemberdayaan perempuan. Penggunaan teknologi informasi mampu membuka jalan baru yang menyediakan peluang kerja dan kreativitas bagi perempuan di mana tidak ada seksisme, rasisme dan penindasan. Dengan berkembang kemampuan perempuan di bidang teknologi informasi akan menurunkan superioritas pria terhadap wanita. Topik diskusi ini adalah bagaimana perempuan dan teknologi dapat terganggu dan perubahan sosial apa yang akan terjadi. Sebanyak 8 wanita dilibatkan dalam penelitian ini, latar belakang mereka sebagai guru, dokter, pengusaha dan ibu rumah tangga. Hasil penelitian ini menunjukkan bahwa teknologi informasi memiliki dampak besar pada keberhasilan wanita dalam jual-beli on-line. Informasi tersebut bukan untuk mencari identitas baru di dunia on-line tetapi informasi tersebut digunakan untuk bertahan hidup di sektor ekonomi. Kata Kunci: wanita, informasi, cyberfeminist.
APA, Harvard, Vancouver, ISO, and other styles
4

Kember, Sarah. "Reinventing cyberfeminism: cyberfeminism and the new biology." Economy and Society 31, no. 4 (November 2002): 626–41. http://dx.doi.org/10.1080/0308514022000020724.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Islam, Md Shafiqul. "Augmented Reality and Life in the Cyberspace in William Gibson’s Neuromancer." Advances in Language and Literary Studies 12, no. 4 (August 29, 2021): 30. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.30.

Full text
Abstract:
This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.
APA, Harvard, Vancouver, ISO, and other styles
6

Suchman, Lucy. "Wajcman Confronts Cyberfeminism." Social Studies of Science 36, no. 2 (April 2006): 321–27. http://dx.doi.org/10.1177/0306312706058828.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Batmanghelichi, K. Soraya, and Leila Mouri. "Cyberfeminism, Iranian Style." Feminist Media Histories 3, no. 1 (January 1, 2017): 50–80. http://dx.doi.org/10.1525/fmh.2017.3.1.50.

Full text
Abstract:
The June 2009 uprising following Iran's presidential election sparked the immediate scattering of its women's rights leaders across the globe. Activists living in exile took their activities online to pursue on-the-ground projects, initiating online campaigns and raising feminist awareness. Seven years later, this transition to cyberspace has had innumerable consequences for Iran's feminist movement. This article examines five Iranian rights-based platforms—Bidarzani, Women's Watch, Feminism Everyday, My Stealthy Freedom, and ZananTV—and their use of social media to vocalize and extend women's rights advocacy. Given the flourishing of cyberfeminist projects, it is worth investigating both the methodologies employed and the unforeseen constraints and costs that have emerged. For instance, do these undertakings challenge women's political and economic status in Iran? Is their activism a new and unique form of feminism? This paper explores their move online, tracing the shifts in Iran's women's rights movement, its current challenges, and its potential vulnerabilities.
APA, Harvard, Vancouver, ISO, and other styles
8

Mazur, Elizabeth. "Book Review: Cyberfeminism 2.0." Psychology of Women Quarterly 37, no. 3 (July 29, 2013): 411–12. http://dx.doi.org/10.1177/0361684313492951.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Champion, Sarah. "Book Review: Cyberfeminism 2.0." Media International Australia 147, no. 1 (May 2013): 165–66. http://dx.doi.org/10.1177/1329878x1314700126.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

James, Robin. "Sonic Cyberfeminisms, Perceptual Coding and Phonographic Compression." Feminist Review 127, no. 1 (March 2021): 20–34. http://dx.doi.org/10.1177/0141778920973208.

Full text
Abstract:
I argue that sound-centric scholarship can be of use to feminist theorists if and only if it begins from a non-ideal theory of sound; this article develops such a theory. To do this, I first develop more fully my claim that perceptual coding was a good metaphor for the ways that neoliberal market logics (re)produce relations of domination and subordination, such as white supremacist patriarchy. Because it was developed to facilitate the enclosure of the audio bandwidth, perceptual coding is especially helpful in centring the ways that patriarchal racial capitalism structures our concepts and experiences of both sound and technology. The first section identifies sonic cyberfeminist practices that function as a kind of perceptual coding because they subject ‘sound’ and/or ‘women’ to enclosure and accumulation by dispossession. The second section identifies a type of sonic cyberfeminism that tunes into the parts of the spectrum that this perceptual coding discards, building models of community and aesthetic value that do not rely on the exclusion of women, especially black women, from both humanist and posthuman concepts of personhood. Here I focus especially on Alexander Weheliye’s ‘phonographic’ approach to sound, technology and theoretical text. This approach, which he develops in his 2005 book of that title and in recent work in collaboration with Katherine McKittrick, avoids fetishising tech and self-transformation and focuses on practices that build registers of existence that hegemonic institutions perceptually code out of circulation. I conclude with examples of such phonographic compression, including Masters At Work’s ballroom classic ‘The Ha Dance’ and Nicki Minaj’s ‘Anaconda’.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Cyberfeminizm"

1

Nichols, Kathryn A. "Female Flights: A Contemporary Approach to Cyberfeminism." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/cmc_theses/559.

Full text
Abstract:
This thesis problematizes early cyberfeminist claims that heralded the Internet as a liberating space for women. Cyberfeminism emerged in the early 1990s, at the dawn of the “Internet Age,” and is heavily influenced by Donna Haraway’s 1985 “A Cyborg Manifesto.” Haraway theorized a new way of looking at the nature of female identity, using the figure of the cyborg found in science fiction literature and films. Traditionally, women have been explained in terms of sexual difference and have been forced to uphold a gender binary that privileges men. By contrast, Haraway argues that the cyborg, a hybrid of human and machine, escapes binary logic, thereby resisting categories and hierarchies, and embraces a more fluid understanding of identity. This model contains powerful ramifications for women. Every day, we become more like Haraway’s cyborgs as our physical bodies become increasingly intertwined with modern technologies, specifically in our ever-growing relationship with the Internet. In online interactions, users are no longer confined to their physical bodies and are free to play with identity. Early cyberfeminists believe that this leads to a more fluid understanding of identity and, more importantly, allows for the deconstruction of gender. These claims, however, do not apply in practice as well as they do in theory. From the anonymous text-based spaces that early cyberfeminists describe to social networking sites like Facebook, Internet spaces tend to polarize the gender binary rather than blur it, and women are now colonized on a new front. This becomes increasingly dangerous as the boundaries between our virtual and real lives continue to blur.
APA, Harvard, Vancouver, ISO, and other styles
2

Milford, Trevor Scott. "Girls' Online Agency: A Cyberfeminist Exploration." Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/24926.

Full text
Abstract:
Cyberfeminist scholars have identified the Internet as a site where feminist issues are substantiated. This exploratory study investigates young women’s lived experiences of agency within online social networking, also looking at the ways in which their assertion of agency is constrained. Analysis identified four biographically consistent identity narratives within which participants experienced online agency, each with a unique operationalization of agency, constraints upon agency, and role of a heteronormative boyfriend. Identity narratives tended to invoke socially- and media-entrenched representations of how to ‘properly’ perform ‘girl’ online, including stereotypes of girls vigilantly managing online risk or portraying themselves as professional, ethically sensible, family-oriented, or popular and celebrity-oriented. However, these representations were also inherently conflictual, presenting incompatible expectations that were difficult to simultaneously negotiate. In conclusion, this study recommends that future research and policy abandon patriarchal, neoliberal underpinnings in favour of deconstructing problematic stereotyped representations of femininity within online spaces.
APA, Harvard, Vancouver, ISO, and other styles
3

Mongan, Shelby Fawn. "Cyborgs in the Pews: Proposing a Cyberfeminist Theology." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1438620717.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sayers, Tamara Michelle. "Cyberfeminism in Canada, women, women's organizations, the women's movement and internet technology." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0014/MQ31248.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

DONKOR, DORCAS A. "The Rise of Cyberfeminism in Africa: Pepper Dem Ministries’ Take on Ghana." Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597260157867617.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Wyer, Sarah. "Folk Networks, Cyberfeminism, and Information Activism in the Art+Feminism Wikipedia Edit-a-thon Series." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22752.

Full text
Abstract:
This thesis explores how the Art+Feminism Wikipedia Edit-a-thon event impacts the people who coordinate and participate in it. I review museum catalogs to determine institutional representation of women artists, and then examine the Edit-a-thon as a vernacular event on two levels: national and local. The founders have a shared vision of combating perceived barriers to participation in editing Wikipedia, but their larger goal is to address the biases in Wikipedia’s content. My interviews with organizers of the local Eugene, Oregon, edit-a-thon revealed that the network connections possible via the Internet platform of the event did not supersede the importance of face-to-face interaction and vernacular expression during the editing process. The results of my fieldwork found a clear ideological connection to the national event through the more localized satellite edit-a-thons. Both events pursue the consciousness-raising goal of information activism and the construction of a community that advocates for women’s visibility online.
APA, Harvard, Vancouver, ISO, and other styles
7

Kubik, Erica. "From girlfriend to gamer negotiating place in the hardcore/casual divide of online video game communities /." Bowling Green, Ohio : Bowling Green State University, 2010. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1260391480.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Nasir, Sumaiya. "Finding voice through social media? : a critical analysis of women's participation in the online public sphere in India." Thesis, University of Canterbury. School of Language, Social and Political Sciences, 2014. http://hdl.handle.net/10092/9679.

Full text
Abstract:
This thesis assesses the effectiveness of social media platforms, specifically Facebook and blogs, in facilitating women’s participation in the online public sphere in India. Discussion provides a literature review of the internet as a new public sphere and its impact and influence in enriching the existing public sphere in India. The study also reviews the relationship between the online public sphere and the role women play in this sphere through social media in India. The research is supplemented by a review study of the ‘India Against Corruption’ movement in order to demonstrate the case for the online public sphere. Moreover, the present study also provides a snap shot of how some blogs and Facebook pages are used by women. Taking as a case study the 2012 ‘Delhi gang rape’ incident, through a topical network analysis of the Facebook pages and blog articles, this research attempts to understand the role of these media in allowing women to discuss social issues and participate in the public sphere. Drawing from the analysis of blog contents and examining Facebook pages I demonstrate how the women’s voices inhabiting the online sphere are limited to a certain class and region. In the cases studied here respondents appeared to be predominantly urban and middle class. While the scope of the research is small, this is one of the first studies in the area, and the findings suggest that social media are becoming a significant communicative tool in India and that women are increasingly appropriating these technologies. The study also demonstrates that women are discussing issues which were previously considered as taboo like rape and sexual violence, albeit in small numbers. Lastly, I identify challenges limiting women’s participation in the emerging online public sphere in India.
APA, Harvard, Vancouver, ISO, and other styles
9

Mapes, Margarethe. "GLOBALIZED BACKLASH: WOMEN AGAINST FEMINISM’S NEW MEDIA MATRIX OF (ANTI) FEMINIST TESTIMONY." OpenSIUC, 2016. https://opensiuc.lib.siu.edu/dissertations/1163.

Full text
Abstract:
Feminisms are oftentimes confronted with dissonance, resistance, and backlash. Invested in criticizing the cultural and institutional emergence of patriarchy and calls to re-order structures of inequality make feminism threatening to status quo power dynamics. “Women Against Feminism”—a social media phenomenon and space for women to post anti-feminist messages—began gaining notoriety in 2013. By 2015, “Women Against Feminism” expanded to multiple social media platforms, gained thousands of anti-feminist submissions, and received ample support and criticism across news outlets. This study explores “Women Against Feminism” as a potential site of 21st feminist backlash, noting nuanced rhetorical strategies that rely on fearing feminism, declarations of interpersonal and intrapersonal love, and co-opting feminist ideology to propagate anti-feminist narratives. I situate backlash as a communicative phenomenon of perception rather than a clear-cut movement reacting toward a stated goal of progress by a social group. In this way, feminist progress functions as an illusory cultural script where backlash reacts toward the perceived enactment of a feminist goal, rather than (although not excluding) the successful feminist execution of that goal. Thus, this study dually investigates what backlash strategies are used while also uncovering how differing audiences perceive feminism. Finally, I set forth a series of suggestive practical methods for feminist engagement across dissonance and difference.
APA, Harvard, Vancouver, ISO, and other styles
10

Van, der Schyff Karlien. "Screen bound/skin bound : the politics of embodiment in the posthuman age." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4139.

Full text
Abstract:
Thesis (MA (English))--University of Stellenbosch, 2010.
ENGLISH ABSTRACT: The end of the second millennium saw a sudden return to corporeality, especially within feminist scholarship, where embodiment and issues surrounding the body were, for the first time, made explicit. This study examines the corporeal body in relation to technology and the impact that newly emerging virtual technologies have on our understanding of the body, not only through examining representations of the technologically modified body, but also by exploring how contemporary cultural practices produce corporeal bodies that view themselves as somehow integrated with technology. It focuses on the material artefacts of contemporary culture in relation to explicitly virtual technologies, both arguing for a return to corporeality and contesting the pervasive trope of disembodiment that characterises so-called “posthuman” age. This study thus takes one of the most popular metaphors for the relationship between the corporeal body and technology as its starting point, namely Donna Haraway’s cyborg figures. Following the publication of Haraway’s “A Manifesto for Cyborgs” (1985), the female cyborg became an icon of emancipation for many feminist scholars, who utilised Haraway’s cyborg discourse as a means of discussing the cultural practices that both construct and limit female gendered identity. Through closely examining the metaphor of Haraway’s cyborg figures in relation to cultural representations of female cyborg bodies, this study argues that, ultimately, the metaphor of the cyborg is inherently neither challenging nor liberating. It then examines the failure of the cyborg as an icon of postgenderedness in terms of its negation of the corporeal, as cyborg figures paradoxically only strengthen the same Cartesian dualism Haraway’s cyborg discourse attempts to deconstruct. It explores representations of three female cyborg figures found in contemporary popular culture to illustrate how the cyborg body’s negation of the corporeal only results in the reiteration of conventional gendered stereotypes, rather than liberation from oppressive gendered practices. Finally, this study examines the crucial interplay between the corporeal and the technological, not only when speaking of more imaginary cyborg configurations and tropes, but also when speaking of the physical reality of lived bodies and embodied experiences. By examining the increasingly embodied nature of cyberspace, this study explores possible alternatives to the figure of the hypersexualised and disembodied cyborg, through investigating new figurations with which to describe the embodied postmodern subject and his/her dependence on technology. Since the central task for a feminist ethics of embodiment would be grounded in the project of representing the female body, in such a way that it constructs autonomous women’s representations without falling prey to patriarchal, stereotypical or estranging images of women’s bodies, this study concludes with more useful methods of representing the corporeal body in relation to virtual technology through an appeal to an ethics of embodiment.
AFRIKAANSE OPSOMMING: Die einde van die tweede millennium het ‘n skielike belangstelling in beliggaamdheid ontlok, veral binne feministiese vakgeleerdheid, waar beliggaamdheid en kwessies rondom die ligaam vir die eerste keer eksplisiet gestel is. Hierdie studie ondersoek die stoflike liggaam in verhouding tot tegnologie en die invloed wat nuwe, virtuele tegnologiëe op ons begrip van die liggaam het, nie slegs deur voorstellings van die tegnologies-gemodifieërde ligaam te ondersoek nie, maar deur ook te kyk na hoe kontemporêre kulturele praktyke beliggaamde subjekte produseer wat huself op een of ander wyse as geïntegreerd met tegnologie sien. Die studie fokus op die materiële artefakte van kontemporêre kultuur in verhouding tot eksplisiet virtuele tegnologiëe. Dit bevorder ‘n terugkeer tot beliggaamdheid, terwyl dit teen die sogenaamde “postmenslike” era se mees kenmerkende troop van ontliggaamdheid argumenteer. Die studie begin dus deur een van die mees populêre metafore vir die verhouding tussen die liggaamlike en die tegnologiese te ondersoek, naamlik Donna Haraway se siborgfigure. Sedert die publikasie van Haraway se “A Manifesto for Cyborgs” (1985), het verskeie feministiese vakgeleerdes die vroulike siborg-figuur beide as ’n ikoon vir emansipasie beskou en gebruik om die kulturele praktyke wat vroulike geslagsidentiteit gelyktydig konstrueer én beperk te bespreek. Deur Haraway se siborg-figure met kulturele voorstellings van vroulike siborg-liggame te vergelyk, kom hierdie studie tot die gevolgtrekking dat die metafoor van die siborg inherent nóg uitdaagend nóg bevrydend is. Gevolglik ondersoek die studie die onbevoegdheid van die siborg-figuur as ‘n ikoon vir postgeslagtigheid in terme van die siborg-liggaam se negering van beliggaamdheid, aangesien siborg-figure op ‘n paradoksale wyse die selfde Cartesiaanse dualisme versterk wat Haraway se siborg-diskoers wou dekonstrueer. Dit ondersoek voorstellings van drie vroulike siborg-figure in kontemporêre populêre kultuur om te illustreer hoe die siborgliggaam se negering van beliggaamdheid slegs konvensionele geslagstereotipes versterk, eerder as om ons van beperkende, patriargale geslagspraktyke te bevry. Ten slotte ondersoek hierdie studie die deurslaggewende tussenspel tussen die ligaamlike en die tegnologiese, nie slegs in terme van meer denkbeeldige siborg tropes nie, maar ook in terme van die fisiese reailiteit van konkrete, beliggaamde lewenservaringe. Deur die toenemend beliggaamde kwaliteit van kiberruimtes te ondersoek, stel hierdie studie moontlike alternatiewe maniere voor om die postmoderne subjek en sy/haar afhanklikheid van tegnologie te beskryf, eerder as om op ontliggaamde en hipergeseksualiseerde siborg-figure staat te maak. Aangesien ‘n feministiese beliggaamde etiek gegrond is in ‘n projek om die vroulike liggaam op só ‘n wyse voor te stel dat patriargale, stereotipiese of vervreemdbare beelde van die vroulike liggaam vermy word, eindig hierdie studie met meer nuttige metodes om die stoflike liggaam in verhouding tot virtuele tegnologie voor te stel deur ‘n beroep tot ‘n meer beliggaamde etiek te maak.
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Cyberfeminizm"

1

Oesterhagen, Line. Cyberfeminism. London: LCP, 2001.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Cyberfeminism 2.0. New York: Peter Lang Pub., 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cyberfeminism and artificial life. New York: Routledge, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

name, No. Domain errors!: Cyberfeminist practice ; a subRosa project. Brooklyn, NY: Autonomedia, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Lenhard, Monika. Netzöffentlichkeit in Russland: Die Nutzung des Internet durch die russländische Frauenbewegung. Bremen: Forschungsstelle Osteuropa an der Universität Bremen, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Paterson, Nancy. Cyberfeminism: Mediaworks by Nancy Paterson : the Art Gallery of Peterborough, April 23-May 28, 1995. Peterborough, Ontario: The Gallery, 1995.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Bonder, Gloria. The new information technologies and women: Essential reflections. Santiago, Chile: ECLAC, Women and Development Unit, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

(Editor), Claudia Reiche, and Verena Kuni (Editor), eds. Cyberfeminism: Next Protocols. Autonomedia, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Claudia, Reiche, and Kuni Verena, eds. Cyberfeminism: Next Protocols. New York: Autonomedia, 2004.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Kember, Sarah. Cyberfeminism and Artificial Life. Routledge, 2003. http://dx.doi.org/10.4324/9780203299159.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Cyberfeminizm"

1

Hall, Kira. "Cyberfeminism." In Pragmatics & Beyond New Series, 147. Amsterdam: John Benjamins Publishing Company, 1996. http://dx.doi.org/10.1075/pbns.39.12hal.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ramírez, Sandra Abd’Allah-Álvarez. "Practices of resistance and cyberfeminism in Cuba." In Practices of Resistance in the Caribbean, 215–26. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315222721-12.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Paasonen, Susanna. "From Cybernation to Feminization: Firestone and Cyberfeminism." In Further Adventures of the Dialectic of Sex, 61–83. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230109995_4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Weber, Jutta, Irene Aterido, Iskra Dimitrova, Claudia Draude, Miriam Engelhardt, Monika Graus, Martina Kenk, et al. "Cyberfeminism Crossover: Talking about Intercultural and Interdisciplinary Experiences." In Feminist Challenges in the Information Age, 135–46. Wiesbaden: VS Verlag für Sozialwissenschaften, 2002. http://dx.doi.org/10.1007/978-3-322-94954-7_11.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Gillis, Stacy. "Neither Cyborg Nor Goddess: The (Im)Possibilities of Cyberfeminism." In Third Wave Feminism, 185–96. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230523173_16.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Cunningham, Carolyn M., and Heather M. Crandall. "Social Media for Social Justice: Cyberfeminism in the Digital Village." In Feminist Community Engagement, 75–91. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137441102_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Woodard, Ben. "A Fly in the Appointment: Posthuman-Insectoid-Cyberfeminist-Materiality." In Lacan and the Posthuman, 89–111. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-76327-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Matsutoya, Mari. "Queering Miku. Cyberfeminism and the Art of Queering a Virtual Pop Star." In Jahrbuch für Musikwirtschafts- und Musikkulturforschung, 115–32. Wiesbaden: Springer Fachmedien Wiesbaden, 2020. http://dx.doi.org/10.1007/978-3-658-29706-0_7.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Klepikova, Tatiana. "(Trans-)Forming Gender Ideologies Through Performance in Russia: Cyberfeminist Somatexts of the Maailmanloppu Theatre." In The Palgrave Handbook of Queer and Trans Feminisms in Contemporary Performance, 303–24. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69555-2_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

"Cyberfeminism." In Key Concepts in Gender Studies, 25–27. 1 Oliver’s Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2017. http://dx.doi.org/10.4135/9781473920224.n8.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Cyberfeminizm"

1

Kandou, Alura Stacia, and A. G. Eka Wenats Wuryanta. "GENDER ENOUGH?: Cyber Identity and Gender Integrity in Cyberspace with Cyberfeminism Perspectives." In International Conference on Anti-Corruption and Integrity. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009400100760081.

Full text
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Cyberfeminizm' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography