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Journal articles on the topic 'Cyberfeminizm'

Author: Grafiati

Published: 24 April 2022

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1

Umami, Rizka Hidayatul. "Cyberfeminisme: Counter atas Komodifikasi Tubuh Perempuan di Media Baru." Martabat: Jurnal Perempuan dan Anak 4, no. 1 (September 1, 2020): 111–36. http://dx.doi.org/10.21274/martabat.2020.4.1.111-136.

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Keberadaan media baru telah mendorong setiap individu untuk ikut aktif berinteraksi di dalamnya. Cyberfeminisme merupakan salah satu gagasan penting yang lahir dari keberadaan media baru tersebut. Di mana media baru menjadi isu krusial yang diharapkan bisa menjadi wadah perempuan mencapai pembebasan. Namun, hadirnya media baru tidak lantas bisa secara otomatis menghapuskan adanya ketidakadilan gender di ruang publik. Problem baru muncul dari adanya usaha perempuan untuk secara total berdaya lewat ruang techno-budaya. Masalah tersebut hadir dalam bentuk komodifikasi tubuh perempuan dalam media baru, yang dilakukan oleh perempuan sebagai subjek. Sehingga yang terjadi justru pelanggengan patriarkhal dan kuasa pikiran laki-laki dalam media. Hal ini tentu menjadi pekerjaan rumah baru bagi para cyberfeminis. Tulisan ini fokus menguraikan bagaimana peran cyberfeminis dalam upaya meng-counter massifnya komodifikasi tubuh perempuan dalam media baru, yang juga terus dibayangi oleh diskursus maskulinitas atau dominasi laki-laki. Metode yang digunakan dalam penelitian ini adalah deskriptif-analitis, dengan menggunakan cyberfeminisme sebagai alat analisis. Adapun hasil penelitian ini mengungkapkan bahwa cyberfeminis setidaknya berhasil membuat jaringan literasi berbasis feminisme, eksis di media sosial sebagai upaya konter ideologi dari adanya discounted feminism oleh kapitalisme. Kata kunci: cyberfeminisme, media baru, komodifikasi, tubuh perempuan.

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2

Afanasov, Nikolai B. "Cyberfeminism as Science Fiction. Drawn in Japan." Galactica Media: Journal of Media Studies 4, no. 1 (March 21, 2022): 71–95. http://dx.doi.org/10.46539/gmd.v4i1.248.

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In the 80’s representatives of the second wave feminist theory nurtured hopes that new technologies would become an effective instrument of liberating from binary oppositions of patriarchal culture. Donna Haraway saw the potential of social transformations in cybernetic technologies. The fusion of biological, mechanical and cybernetic was to have led to the emergence of new cyborg subjectivity. It should be capable of creating its own culture as well as a new world. Later this narrative would be widely criticized, but in this optimistic form it greatly affected science fiction of the period. The author makes an attempt to present the theoretical components of cyberfeminism as science fiction that engenders cognitive estrangement. Catchy images of cyborgs were born in the performative framework of cyberfeminist theory and popular culture. They continue to affect imagination to the present day. Japanese animation stood at the vanguard of this cultural process. The article considers the visions drawn in Japan as a narrative that represents historical evolution of cyberfeminism. The end of anime’s “golden age” meant the end of a thorough work with cyberfeminism in the language of popular culture. The findings of the study reveal that cyberfeminism is a part of general theory that has subsequently become a part of global discourse of a new posthuman subject. The article emphasises the other part of the phenomenon – cyberfeminist practice – that has successfully adapted to the modern world.

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3

Suharnanik. "Perempuan dan Teknologi Informasi dalam Perspektif Cyberfeminist." Journal of Urban Sociology 1, no. 2 (October 2, 2018): 4. http://dx.doi.org/10.30742/jus.v1i2.566.

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Penelitian ini menggunakan perspektif cyberfeminis yang membahas tentang wanita sebagai pengguna teknologi informasi. Perspektif yang digunakan ini berpusat pada perempuan yang penggunaan teknologi informasi dalam mencapai pemberdayaan perempuan. Penggunaan teknologi informasi mampu membuka jalan baru yang menyediakan peluang kerja dan kreativitas bagi perempuan di mana tidak ada seksisme, rasisme dan penindasan. Dengan berkembang kemampuan perempuan di bidang teknologi informasi akan menurunkan superioritas pria terhadap wanita. Topik diskusi ini adalah bagaimana perempuan dan teknologi dapat terganggu dan perubahan sosial apa yang akan terjadi. Sebanyak 8 wanita dilibatkan dalam penelitian ini, latar belakang mereka sebagai guru, dokter, pengusaha dan ibu rumah tangga. Hasil penelitian ini menunjukkan bahwa teknologi informasi memiliki dampak besar pada keberhasilan wanita dalam jual-beli on-line. Informasi tersebut bukan untuk mencari identitas baru di dunia on-line tetapi informasi tersebut digunakan untuk bertahan hidup di sektor ekonomi. Kata Kunci: wanita, informasi, cyberfeminist.

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4

Kember, Sarah. "Reinventing cyberfeminism: cyberfeminism and the new biology." Economy and Society 31, no. 4 (November 2002): 626–41. http://dx.doi.org/10.1080/0308514022000020724.

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5

Islam, Md Shafiqul. "Augmented Reality and Life in the Cyberspace in William Gibson’s Neuromancer." Advances in Language and Literary Studies 12, no. 4 (August 29, 2021): 30. http://dx.doi.org/10.7575/aiac.alls.v.12n.4.p.30.

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This paper attempts a cybercritical reading of William Gibson’s novel Neuromancer (1984) to explore the genesis of cyborgs in the novel, address issues pertaining to cyberpunks and scrutinize the portrayal of a cyberculture set in the futuristic dystopian city of Chiba. The relationship between humans and machines has gone through multiple phases of changes in the recent past. That is why instead of satirizing machinized-humans, science fiction writers have embraced different dimensions of man-machine relationships during the past few decades. ‘Cyborg’ is no longer represented as the ‘mutation of human capabilities’, but as ‘machines with Artificial Intelligence’. Gibson’s Neuromancer, a landmark piece of literary work in the sphere of Sci-Fi literature, specifically predicts a new height of man-machine relationship by employing both human and cyborg characters at the center of his story line. This paper shows how Gibson accurately prophesizes the matrix of machine-human relationship in his novel. It also explores Gibson’s depiction of female characters through the lens of cyberfeminist theories. In view of that, this paper uses contemporary critical and cultural theories including Donna Haraway’s idea of cyberfeminism, Baudrillard’s simulation and simulacra, Foucauldian discourse analysis, Jeremy Bentham’s concept of tabula rasa and other relevant theoretical ideas to examine and evaluate the transformative changes.

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6

Suchman, Lucy. "Wajcman Confronts Cyberfeminism." Social Studies of Science 36, no. 2 (April 2006): 321–27. http://dx.doi.org/10.1177/0306312706058828.

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7

Batmanghelichi, K. Soraya, and Leila Mouri. "Cyberfeminism, Iranian Style." Feminist Media Histories 3, no. 1 (January 1, 2017): 50–80. http://dx.doi.org/10.1525/fmh.2017.3.1.50.

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The June 2009 uprising following Iran's presidential election sparked the immediate scattering of its women's rights leaders across the globe. Activists living in exile took their activities online to pursue on-the-ground projects, initiating online campaigns and raising feminist awareness. Seven years later, this transition to cyberspace has had innumerable consequences for Iran's feminist movement. This article examines five Iranian rights-based platforms—Bidarzani, Women's Watch, Feminism Everyday, My Stealthy Freedom, and ZananTV—and their use of social media to vocalize and extend women's rights advocacy. Given the flourishing of cyberfeminist projects, it is worth investigating both the methodologies employed and the unforeseen constraints and costs that have emerged. For instance, do these undertakings challenge women's political and economic status in Iran? Is their activism a new and unique form of feminism? This paper explores their move online, tracing the shifts in Iran's women's rights movement, its current challenges, and its potential vulnerabilities.

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8

Mazur, Elizabeth. "Book Review: Cyberfeminism 2.0." Psychology of Women Quarterly 37, no. 3 (July 29, 2013): 411–12. http://dx.doi.org/10.1177/0361684313492951.

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9

Champion, Sarah. "Book Review: Cyberfeminism 2.0." Media International Australia 147, no. 1 (May 2013): 165–66. http://dx.doi.org/10.1177/1329878x1314700126.

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10

James, Robin. "Sonic Cyberfeminisms, Perceptual Coding and Phonographic Compression." Feminist Review 127, no. 1 (March 2021): 20–34. http://dx.doi.org/10.1177/0141778920973208.

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I argue that sound-centric scholarship can be of use to feminist theorists if and only if it begins from a non-ideal theory of sound; this article develops such a theory. To do this, I first develop more fully my claim that perceptual coding was a good metaphor for the ways that neoliberal market logics (re)produce relations of domination and subordination, such as white supremacist patriarchy. Because it was developed to facilitate the enclosure of the audio bandwidth, perceptual coding is especially helpful in centring the ways that patriarchal racial capitalism structures our concepts and experiences of both sound and technology. The first section identifies sonic cyberfeminist practices that function as a kind of perceptual coding because they subject ‘sound’ and/or ‘women’ to enclosure and accumulation by dispossession. The second section identifies a type of sonic cyberfeminism that tunes into the parts of the spectrum that this perceptual coding discards, building models of community and aesthetic value that do not rely on the exclusion of women, especially black women, from both humanist and posthuman concepts of personhood. Here I focus especially on Alexander Weheliye’s ‘phonographic’ approach to sound, technology and theoretical text. This approach, which he develops in his 2005 book of that title and in recent work in collaboration with Katherine McKittrick, avoids fetishising tech and self-transformation and focuses on practices that build registers of existence that hegemonic institutions perceptually code out of circulation. I conclude with examples of such phonographic compression, including Masters At Work’s ballroom classic ‘The Ha Dance’ and Nicki Minaj’s ‘Anaconda’.

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11

Lagesen, Vivian Anette. "A Cyberfeminist Utopia?" Science, Technology, & Human Values 33, no. 1 (January 2008): 5–27. http://dx.doi.org/10.1177/0162243907306192.

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12

Goh, Annie, and Marie Thompson. "Sonic Cyberfeminisms: Introduction." Feminist Review 127, no. 1 (March 2021): 1–12. http://dx.doi.org/10.1177/0141778920967624.

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13

Gillis, Stacy. "Cyberfeminism and Artificial Life (review)." NWSA Journal 17, no. 3 (2005): 209–10. http://dx.doi.org/10.1353/nwsa.2005.0061.

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14

Gajjala, Radhika. "'Third World' perspectives on cyberfeminism." Development in Practice 9, no. 5 (November 1999): 616–19. http://dx.doi.org/10.1080/09614529952774.

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15

Gajjala, Radhika, and Annapurna Mamidipudi. "Cyberfeminism, technology, and international 'development'." Gender & Development 7, no. 2 (July 1999): 8–16. http://dx.doi.org/10.1080/741923122.

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16

Alatas, Salim, and Vinnawaty Sutanto. "Cyberfeminisme dan Pemberdayaan Perempuan Melalui Media Baru." Jurnal Komunikasi Pembangunan 17, no. 2 (July 1, 2019): 165–76. http://dx.doi.org/10.46937/17201926846.

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In the era of new media, every individual and social, cultural, economic and political groups must require themselves to interact actively with new media. This is done not only to express the identity of individuals or groups, but more importantly how then each group uses new media as a means of communication to empower or liberate themselves. Feminism as a liberation movement for women has included new media and their application as important issues in their movements; cyberfeminism is an important outcome of this application. New media in the view of cyberfeminism has provided a large area, a region with an arena of objectives of cyber space, namely a process of technology that is rendered, by empowering women through techno-culture. Cyberfemists argue that women are naturally suitable for using new media. Cyberfemists also make efforts to work towards empowering women through new media by fighting various male-dominated discourses that surround technology use. This paper generally wants to discuss the concept of "cyberfeminism" and how feminists (cyberfeminists) use new media as a vehicle to empower and free themselves from male-dominated discourses. This paper also wants to provide alternatives about how women should be optimally use new media for empowerment. The approach of this research is qualitative-descriptive by conducting library research, this study specifically wants to describe how the concept of cyberfeminism is used by women's groups in the context of liberation and empowerment.

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17

Wise, Patricia. "Review: CyberFeminism: Connectivity, Critique and Creativity." Media International Australia 100, no. 1 (August 2001): 190–92. http://dx.doi.org/10.1177/1329878x0110000123.

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18

Brophy, Jessica E. "Developing a corporeal cyberfeminism: beyond cyberutopia." New Media & Society 12, no. 6 (February 9, 2010): 929–45. http://dx.doi.org/10.1177/1461444809350901.

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19

Puente, Sonia Núñez. "From cyberfeminism to technofeminism: From an essentialist perspective to social cyberfeminism in certain feminist practices in Spain." Women's Studies International Forum 31, no. 6 (November 2008): 434–40. http://dx.doi.org/10.1016/j.wsif.2008.09.005.

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20

Hoofd, Ingrid. "Xenofeminist Hope and Dread, or How to Move Beyond Patriarchal Technocapitalism." Hypatia 37, no. 1 (2022): 210–15. http://dx.doi.org/10.1017/hyp.2021.73.

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Who said manifestos are dead? Some thirty years after the publication of Donna Haraway's illustrious A Cyborg Manifesto (Haraway 1991), fifty years after Valerie Solanas's angry and delightful SCUM Manifesto (Solanas 1967), and 170 years after Karl Marx and Friedrich Engels's influential Communist Manifesto (Marx and Engels 1848), a new manifesto in town in fact bears traces of all these and then some: The Xenofeminist Manifesto. This manifesto, which comes in a gorgeously designed booklet version as well as in a colorful and nostalgic 80s computer-culture website with nerdy hexadecimal page numbers and related Twitter account, is a work from the “xenofeminist” collective Laboria Cuboniks. The name of this collective, whose members are from various parts of the globe, is actually an anagram of “Nicolas Bourbaki,” a largely French collective of mathematicians in the early 1900s who sought to affirm abstraction, rigor, and generalization (Laboria Cuboniks 2014). Together with a firm foot in cyberfeminism and a strong penchant for the abstract and universal by way of the logic of computing against the arguably flawed universal of “nature,” the manifesto also clearly bears the marks of feminist ecocriticism, new materialism, queer theory, and technological accelerationism. The two books under review bring various activisms and insights together in an original way, and do so clearly with an eye toward reviving the cyberfeminist spirit through, among others, ideas from Shulamith Firestone's Dialectics of Sex (Firestone 1970). This pairing certainly had me excited, since, as I argue elsewhere, I am, together with Haraway's original cyborg manifesto, firmly of the opinion that feminisms of all kinds should intervene in and contribute even more radically to contemporary techno-culture and philosophy of technology. This is because clearly, new media and genetic technologies are at present some of the most powerful techniques by which we live and probably will live in the near future, and because these technologies are intimately interwoven with Eurocentric masculinism, heterosexism, militarism, and capitalism (Hoofd 2016, 225, 229).

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21

Kenway, Jane, and Helen Nixon. "CYBERFEMINISMS, CYBERLITERACIES, AND EDUCATIONAL CYBERSPHERES." Educational Theory 49, no. 4 (December 1999): 457–74. http://dx.doi.org/10.1111/j.1741-5446.1999.00457.x.

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22

Jessie Daniels. "Rethinking Cyberfeminism(s): Race, Gender, and Embodiment." WSQ: Women's Studies Quarterly 37, no. 1-2 (2009): 101–24. http://dx.doi.org/10.1353/wsq.0.0158.

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23

Conley, Verena Andermatt. "Whither the virtual slavoj žižek and cyberfeminism." Angelaki 4, no. 2 (August 1999): 129–36. http://dx.doi.org/10.1080/09697259908572041.

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24

Wilding, Faith, and Critical Art Ensemble. "Notes on the Political Condition of Cyberfeminism." Art Journal 57, no. 2 (1998): 46. http://dx.doi.org/10.2307/778008.

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25

Wilding, Faith. "Notes on the Political Condition of Cyberfeminism." Art Journal 57, no. 2 (June 1998): 47–60. http://dx.doi.org/10.1080/00043249.1998.10791878.

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26

Benítez-Eyzaguirre, Lucía, and Sandra Arencón-Beltrán. "Epistemología feminista y digital en el análisis de la comunicación del ciberfeminismo." Revista científica de información y comunicación, no. 17 (2020): 369–94. http://dx.doi.org/10.12795/ic.2020.i17.16.

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Las movilizaciones feministas más recientes muestran la emergencia de la demanda de la justicia y la igualdad de las mujeres con la ocupación sistemática y cada vez más intensa del espacio digital y el espacio público. Para el análisis de este fenómeno, se busca un marco conceptual coherente, a partir de la epistemología feminista y digital como una revisión crítica y sistemática del conocimiento racionalista y de la investigación positivista

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27

Gruber, Sibylle. "Communication Gone Wired: Working Toward a "Practiced" Cyberfeminism." Information Society 15, no. 3 (August 1999): 199–208. http://dx.doi.org/10.1080/019722499128501.

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28

Standish, Paul. "ONLY CONNECT: COMPUTER LITERACY FROM HEIDEGGER TO CYBERFEMINISM." Educational Theory 49, no. 4 (December 1999): 417–35. http://dx.doi.org/10.1111/j.1741-5446.1999.00417.x.

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29

Ajjan, Haya, Stefanie Beninger, Rania Mostafa, and Victoria L. Crittenden. "Empowering Women Entrepreneurs in Emerging Economies: a Conceptual Model." Organizations and Markets in Emerging Economies 5, no. 1 (May 30, 2014): 16–30. http://dx.doi.org/10.15388/omee.2014.5.1.14239.

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Cyberfeminism is a woman-centered perspective that advocates women’s use of new information and communications technologies for empowerment. This paper explores the role of information technologies, in particular the role of social media, in empowering women entrepreneurship in emerging economies via increased social capital and improved self-efficacy. A conceptual model is offered and propositions are explicated.

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30

Yates-Richard, Meina. "‘Hell You Talmbout’: Janelle Monáe’s Black Cyberfeminist Sonic Aesthetics." Feminist Review 127, no. 1 (March 2021): 35–51. http://dx.doi.org/10.1177/0141778920973648.

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This article explores the ways in which Janelle Monáe’s audiovisual performances leverage black female flesh to trouble historically constituted imaginings of ‘the human’. Tracking Monáe’s audiovisual aesthetics across ‘Many moons’ and Dirty Computer, I interrogate acoustic and imagistic resonances that recall the repeating horrors of bondage, and which also constitute performative ‘fabulations’ whereby freedoms that are engendered specifically by and within black female flesh might be imagined. Monáe ‘enfleshes’ the cyborg to critique cyberfeminist and posthumanist theories that advocate for material dissolution as a framework for liberation, as well as to trouble black women’s historical relationships to the category ‘human’. Rather than understand Dirty Computer as a (re)turn to the human Monáe, I contend that the project extends the artist’s longstanding critical engagement with the black female cyborg and black sonic cyberfeminist liberatory potentialities.

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31

Amy Chan Kit Sze. "When Cyberfeminism Meets Chinese Philosophy: Computer, Weaving, and Women." Gender, Technology and Development 7, no. 3 (November 2003): 379–97. http://dx.doi.org/10.1177/097185240300700304.

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32

Sze, Amy Chan Kit. "When Cyberfeminism Meets Chinese Philosophy: Computer, Weaving, and Women." Gender, Technology and Development 7, no. 3 (January 2003): 379–97. http://dx.doi.org/10.1080/09718524.2003.11910088.

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33

Andarwulan, Trisna. "Cyberfeminis: Wajah Baru Pembebasan Diri Kaum Perempuan." Kafa`ah: Journal of Gender Studies 7, no. 1 (June 22, 2017): 93. http://dx.doi.org/10.15548/jk.v7i1.160.

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34

Lestari, Nicky, Andi Nur Fadilah, and Eka Wenats Wuryanta. "Empowered Women & Social Media: Analyzing #YourBeautyRules in Cyberfeminism Perspective." Jurnal ASPIKOM 5, no. 2 (July 15, 2020): 280. http://dx.doi.org/10.24329/aspikom.v5i2.664.

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35

Everett, Anna. "On Cyberfeminism and Cyberwomanism: High‐Tech Mediations of Feminism’s Discontents." Signs: Journal of Women in Culture and Society 30, no. 1 (September 2004): 1278–000. http://dx.doi.org/10.1086/422235.

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36

Figueroa, Libertad. "Experimental Sound Creation, Cyberfeminism and Virtual Communities in Latin America." Feminist Review 127, no. 1 (March 2021): 114–18. http://dx.doi.org/10.1177/0141778920963767.

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37

Biglia, Barbara, and Edurne Jiménez. "The challenges of cyberfeminist pedagogy : a case study." Athenea Digital. Revista de pensamiento e investigación social 12, no. 3 (November 6, 2012): 71. http://dx.doi.org/10.5565/rev/athenea.1072.

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Biglia, Barbara, and Edurne Jiménez. "The challenges of cyberfeminist pedagogy : a case study." Athenea Digital. Revista de pensamiento e investigación social 12, no. 3 (November 6, 2012): 71. http://dx.doi.org/10.5565/rev/athenead/v12n3.1072.

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39

Gajjala, Radhika. "Woman and Other Women: Implicit Binaries in Cyberfeminisms." Communication and Critical/Cultural Studies 11, no. 3 (June 12, 2014): 288–92. http://dx.doi.org/10.1080/14791420.2014.926241.

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40

Sierra-Rivera, Judith. "Afro-Cuban Cyberfeminism: Love/Sexual Revolution in Sandra Álvarez Ramírez’s Blogging." Latin American Research Review 53, no. 2 (2018): 330–43. http://dx.doi.org/10.25222/larr.323.

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41

Sádaba, Igor, and Alejandro Barranquero. "The social networks of cyberfeminism in Spain: identity and action repertoires." Athenea Digital. Revista de pensamiento e investigación social 19, no. 1 (January 1, 2019): 2058. http://dx.doi.org/10.5565/rev/athenea.2058.

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42

Gur-Ze'ev, Ilan. "CYBERFEMINISM AND EDUCATION IN THE ERA OF THE EXILE OF SPIRIT." Educational Theory 49, no. 4 (December 1999): 437–55. http://dx.doi.org/10.1111/j.1741-5446.1999.00437.x.

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43

Graham, Elaine. "CYBORGS OR GODDESSES? Becoming divine in a cyberfeminist age." Information, Communication & Society 2, no. 4 (January 1999): 419–38. http://dx.doi.org/10.1080/136911899359484.

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44

MUNSTER, ANNA. "Is there Postlife after Postfeminism? Tropes of Technics and Life in Cyberfeminism." Australian Feminist Studies 14, no. 29 (April 1999): 119–29. http://dx.doi.org/10.1080/08164649993371.

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45

Sefyrin, Johanna. "Cyberfeminism in Northern Lights: Digital Media and Gender in a Nordic Context." Information, Communication & Society 12, no. 6 (September 2009): 961–62. http://dx.doi.org/10.1080/13691180902866026.

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46

Luvizotto, Caroline Kraus, Carolina Bortoleto Firmino, Ana Carolina Trindade, and Heloísa Souza dos Santos. "CIBERFEMINISMO EM HOLLYWOOD." Revista Relicário 7, no. 13 (March 6, 2021): 152–73. http://dx.doi.org/10.46731/relicario-v7n13-2020-158.

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Resumo O ciberativismo oferece ao movimento feminista ferramentas e possibilidades de expansão e conscientização. #MeToo e Time’sUp se tornaram símbolos contra a cultura do assédio em Hollywood. A partir da análise de enquadramento, analisam-se publicações da Revista Marie Claire quanto a proposta editorial e aos conteúdos acerca dos movimentos. Palavras-chave: Ciberfeminismo. Assédio. #MeToo. Time’s Up. Abstract Cyberactivism offers the feminist movement tools and possibilities for expansion and awareness. #MeToo and Time’s Up have become symbols against the culture of harassment in Hollywood. From the framework analysis, publications from Revista Marie Claire are analyzed regarding the editorial proposal and content about the movements. Keywords: Cyberfeminism. Harassment. #MeToo. Time’sUp.

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47

SHAW, RHONDA. "'Our Bodies, Ourselves', Technology, and Questions of Ethics: Cyberfeminism and the Lived Body." Australian Feminist Studies 18, no. 40 (March 2003): 45–55. http://dx.doi.org/10.1080/0816464022000056367.

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48

Matos, Carolina. "New Brazilian feminisms and online networks: Cyberfeminism, protest and the female ‘Arab Spring’." International Sociology 32, no. 3 (March 17, 2017): 417–34. http://dx.doi.org/10.1177/0268580917694971.

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In the last decades, the region of Latin America has been through many changes, with the reduction of inequality levels and a political trend which has seen the election of female politicians throughout the continent, including a revival of gender politics and feminist movements. Countries like Brazil are still home to gender discrimination and inequality, with high levels of domestic violence towards women, low levels of political representation, a culture of machismo and the predominance still of stereotypical gender representations in the media. Questions asked include how the media can better contribute to assist in gender development and nation-building. How can online platforms make a difference? This article provides a critical summary of feminist theoretical perspectives on the potential of online communications for the advancement of women’s rights, further providing a brief case study of contemporary Brazilian feminism and the mobilization around women’s rights, particularly in 2015.

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McAdam, Maura, Caren Crowley, and Richard T. Harrison. "Digital girl: cyberfeminism and the emancipatory potential of digital entrepreneurship in emerging economies." Small Business Economics 55, no. 2 (January 7, 2020): 349–62. http://dx.doi.org/10.1007/s11187-019-00301-2.

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Tess Pierce. "Singing at the Digital Well: Blogs as Cyberfeminist Sites of Resistance." Feminist Formations 22, no. 3 (2010): 196–209. http://dx.doi.org/10.1353/ff.2010.0027.

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