Academic literature on the topic 'Cyborg Manifest'

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Journal articles on the topic "Cyborg Manifest"

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Luckman, Susan, and Michelle Phillipov. "‘I’d (still) rather be a cyborg’: The artisanal dispositif and the return of the (domestic) goddess." International Journal of Cultural Studies 23, no. 4 (2020): 458–74. http://dx.doi.org/10.1177/1367877919899959.

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This article identifies the rise of a series of tropes around authenticity, retreat and celebration of the artisanal as they manifest around the growing popularity of cooking and craft as activities that have become vehicles for a larger reimagining of ideal middle-class modes of living across much of the Global North. Through media examples of cooking and craft that valorise nostalgia and ‘dropping out’, and following McRobbie’s work on the creativity dispositif, we argue that these cultural practices are united by an artisanal dispositif that fetishises the ‘traditional’ in a context of inte
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Yu, Shiqi. "„More human than human?“ Eine vergleichende Analyse zur Cyborg-Figur und Leib-Seele-Dichotomie in den Filmen „Blade Runner (1982)“ und ”Blade Runner 2049 (2017)”." Studia Germanica Posnaniensia, no. 42 (August 1, 2023): 253–67. http://dx.doi.org/10.14746/sgp.2022.42.16.

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Aus einer doppelten Dezentrierung wird das posthumane Subjekt als Alternative zum traditionellen Subjekt verstanden, welches seit der Aufklärung als liberal-humanistisches Subjekt (d.h. rational und autonom) definiert wird, und muss nicht nur den Anthropozentrismus beseitigen, sondern sich auch von der individualisierten, auf das Bewusstsein zentrierten Sicht des Subjekts lösen. In den zwei ausgewählten dystopischen Science-Fiction-Filmen Blade Runner (1982) und Blade Runner 2049 (2017) wird die aus Donna Haraways Manifest stammende Figur des Cyborgs behandelt und als neue Deutungsmöglichkeit
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Dehnert, Marco, and Rebecca Leach. "Becoming Human? Ableism and Control in Detroit: Become Human and the Implications for Human-Machine Communication." Human-Machine Communication 2 (January 15, 2021): 137–52. http://dx.doi.org/10.30658/hmc.2.7.

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In human-machine communication (HMC), machines are communicative subjects in the creation of meaning. The Computers are Social Actors and constructivist approaches to HMC postulate that humans communicate with machines as if they were people. From this perspective, communication is understood as heavily scripted where humans mindlessly apply human-to-human scripts in HMC. We argue that a critical approach to communication scripts reveals how humans may rely on ableism as a means of sense-making in their relationships with machines. Using the choose-your-own-adventure game Detroit: Become Human
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Latimer, Joanna. "Review: Donna J Haraway, Manifestly Haraway: The Cyborg Manifesto, The Companion Species Manifesto, Companions in Conversation (with Cary Wolfe)." Theory, Culture & Society 34, no. 7-8 (2017): 245–52. http://dx.doi.org/10.1177/0263276417735160.

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In this review of Donna J Haraway’s book, Manifestly Haraway, that brings together The Cyborg Manifesto, The Companion Species Manifesto and Companions in Conversation (with Cary Wolfe), the author aims to show how Haraway’s work taken together is inspiring and revolutionary, offering us a basis for thinking differently about how we can intervene in dominant power relations in ways that are not simply critical but constructive of new ways of doing and being a social scientist. Like Foucault before her, Haraway offers not just exceptional tropes to think with – the cyborg, the companion species
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Aboubacar, KONE. "Cyborgism And Social Enhancement: Shaping A New Rhetoric for Woman’s Participation in Contemporary Society as Represented in William Gibson’s Neuromancer (1984)." International Journal of Social Sciences and Humanities Invention 10, no. 12 (2023): 8060–65. http://dx.doi.org/10.18535/ijsshi/v10i12.01.

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In A manifesto for Cyborgs: Science, technology, and socialist feminism in the 1980s (2015), Australian scholar Donna Haraway develops a new feminist philosophy based on the possibilities offered by the cyborg, a cybernetic hybrid organism representing the coupling of organism and the machine, which is turned into an instrument for achieving all human aspirations. Drawing from this vision, we show through the study of Neuromancer (1984) by American writer William Gibson, that the trajectory of Molly Million, Gibson’s female protagonist is consistent to the cybor figure, and as such it is instr
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Zhou, Ziqing. "Revisiting Haraway's Cyborg Myth: A Case Study of Female Cyborg Characters in Marvel Comics." Transactions on Social Science, Education and Humanities Research 10 (August 29, 2024): 131–36. http://dx.doi.org/10.62051/y1dcwq44.

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This paper revisits Donna Haraway's Cyborg Myth through a case study of female cyborg characters in Marvel Comics. Haraway's Cyborg Manifesto presents the cyborg as a hybrid entity that challenges traditional boundaries of gender, identity, and technology, offering a framework for feminist theory and posthumanism. By analyzing characters such as Misty Knight, Jocasta, and Lady Deathstrike, this study explores how these figures embody or challenge the cyborg myth and its feminist implications. The analysis reveals the nuanced portrayals of female cyborgs in Marvel, highlighting themes of empowe
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Angus, Tim, Ian Cook, and James Evans. "A Manifesto for Cyborg Pedagogy?" International Research in Geographical and Environmental Education 10, no. 2 (2001): 195–201. http://dx.doi.org/10.1080/10382040108667439.

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Cahyo, Pujo Sakti Nur, and Riyan Evrilia Suryaningtyas. "WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE." Lire Journal (Journal of Linguistics and Literature) 4, no. 1 (2020): 26–39. http://dx.doi.org/10.33019/lire.v4i1.65.

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This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. Focusing on the analysis of narrative and non-narrative elements, this research seeks to reveal how the main character is portrayed as a female cyborg. As a result, the writers found that her shifting existence as a female cyborg in the movie is the representation of how women can be the subject by affiliating with technology. The assumption of women as the "object" of technology is no longer exist, and they are competent to have a career in
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Simon, Sunka. "Woman as Biocontrol: Rereading Donna Haraway through German Science Fiction." Women in German Yearbook: Feminist Studies in German Literature & Culture 24, no. 1 (2008): 119–41. http://dx.doi.org/10.1353/fgs.2008.a254028.

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This article critically juxtaposes Donna Haraway's concept of the feminist cyborg with the remote controlled female cyborg figure in the 1984 German science fiction short story "Biocon" by Reinmar Cunis. It shows how both authors investigate their current societies' adaptation of the cyborg as a figure through which female sexuality and the disavowed fears and desires around self-engendering technology can be "both exorcized and reaffirmed" (Huyssen 81). In their writings, Cunis and Haraway demonstrate the continued sway that this structural paradox holds. Both are deeply committed to analyzin
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Cox, Lara. "Decolonial Queer Feminism in Donna Haraway's ‘A Cyborg Manifesto’ (1985)." Paragraph 41, no. 3 (2018): 317–32. http://dx.doi.org/10.3366/para.2018.0274.

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This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’ (1985). In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist sociology, theory, literature and history that ‘A
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Dissertations / Theses on the topic "Cyborg Manifest"

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Goolsby, Julie Malinda. "A Manifest Cyborg: Laurie Anderson and Technology." unrestricted, 2006. http://etd.gsu.edu/theses/available/etd-07252006-204355/.

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Thesis (M.A.)--Georgia State University, 2006.<br>Title from title cover. Mary Hocks, committee chair; Susan Richmond, Gregory Smith, Maria Gindhart, committee members. Electronic text (65 p.) : digital, PDF file. Description based on contents viewed June 21, 2007. Includes bibliographical references (p. 63-65).
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Dubery, Emma. "Chiho Aoshima, Cyborgs and Yōkai: Recoding the Present Through the Past." Scholarship @ Claremont, 2019. https://scholarship.claremont.edu/scripps_theses/1402.

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My thesis aims to map the art historical, religious and cultural influences in Chiho Aoshima’s work, particularly in her 2015 solo show Rebirth of the World at Seattle Asian Art Museum. I will start with an outline of the artist’s overall oeuvre, focusing specifically on her aesthetic development. This will set up an introduction of the main elements I see in her work (Shinto beliefs, yōkai/ukiyo-e aesthetic references, and references to A Cyborg Manifesto). The thesis will essentially be a case study of Rebirth of the World, using specific mediums as evidence for the presence of these influen
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Books on the topic "Cyborg Manifest"

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Schneider, Jacquelyn, and Julia Macdonald. The Hand Behind Unmanned. Oxford University Press, 2024. https://doi.org/10.1093/9780190064419.001.0001.

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Abstract What explains the current US arsenal of unmanned systems? Why, for example, is the contemporary arsenal dominated by aerial unmanned systems versus the munitions that dominated earlier developments? This book challenges traditional explanations for the proliferation of unmanned systems that focus on capacity or structure. Instead, this book argues that beliefs and identities shape the structures and capacities chosen when the United States invests in weapon systems. In particular, it traces beliefs about technological determinism and military revolutions, force protection and casualty
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Haraway, Donna J. Manifesto Cyborg. Feltrinelli, 1995.

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Pohl, Rebecca, and Christien Garcia. Donna Haraway's a Cyborg Manifesto. Taylor & Francis Group, 2018.

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Donna Haraway's a Cyborg Manifesto. Taylor & Francis Group, 2018.

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A Cyborg Manifesto: Science, Technology, and Socialist-Feminism. Feltrinelli, 1985.

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Haraway, Donna, Nathalie Magnan, Delphine Gardey, and Laurence Allard. Manifeste cyborg et autres essais : Sciences - Fictions - Féminismes. Exils Editeur, 2007.

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Manifestly Haraway. Univ Of Minnesota Press, 2016.

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Manifesto-declaration technological cyber-marxism: Манифест кибер-марксизма. 2-ге вид. WWW, 2021.

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Pohl, Rebecca. Donna Haraway’s A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century. Macat Library, 2019. http://dx.doi.org/10.4324/9781912453269.

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Luree. Cyber Warrior: The Ultimate Manifesto For Internet Usage and Profiteering. Uphill Publishers Ltd, 1998.

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Book chapters on the topic "Cyborg Manifest"

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Haraway, Donna J. "A Cyborg Manifesto." In The Transgender Studies Reader Remix. Routledge, 2022. http://dx.doi.org/10.4324/9781003206255-45.

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Wiedermann, Jiří, and Jan van Leeuwen. "Towards Minimally Conscious Cyber-Physical Systems: A Manifesto." In SOFSEM 2021: Theory and Practice of Computer Science. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67731-2_4.

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Haraway, Donna J. "A Cyborg Manifesto: Science, Technology, and Socialist-Feminism in the Late Twentieth Century." In Posthumanism. Macmillan Education UK, 2000. http://dx.doi.org/10.1007/978-1-137-05194-3_10.

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Stanescu, James. "Review of Patricia MacCormack, Posthuman Ethics." In Speculations VI. punctum books, 2015. https://doi.org/10.21983/p3.0122.1.14.

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Early in Patricia MacCormack’s Posthuman Ethics: Embodiment and Cultural Theory, she explains “Posthuman Ethics could have been called Posthuman Bodies” (1). This switch, from ethics to bodies, is important. It lets the reader know that the book is not going to be concerned with a normative understanding of ethics. Instead, ethics here is a Spinozian ethics, in other words a moral physics, a relation-ship of bodies to each other and how they affect one another. If that is the ethics, the posthuman should be understood in two senses. First, it means a position that exists, as Cary Wolfe has put
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Tumino, Stephen. "3. Globality." In Thinking Blue / Writing Red. Open Book Publishers, 2024. http://dx.doi.org/10.11647/obp.0324.03.

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Chapter Three ("Globality") contests the discourse of neoliberal globalization that has been endlessly repeated across the political spectrum over the past 40 years from the left as much as the right, in the academy as much as in the mainstream media: the claim that the world has entered a "post- class" moment in which class struggle is over because of the new "knowledge" economy and all that is left is to make do with capitalism. In this familiar story, cultural changes like the Internet and the new eco-friendly lifestyle politics are supposed to have empowered the people against totalitarian
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Blas, Zach, Melody Jue, and Jennifer Rhee. "Introduction: Chart of Transitions." In Informatics of Domination. Duke University Press, 2025. https://doi.org/10.1215/9781478060581-001.

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Informatics of Domination draws on genealogies of domination and diagramming to analyze modes of power—particularly as they manifest through forms of technical systems, networks, and computation. The collection’s title and organizing concept comes from Haraway’s classic essay “A Manifesto for Cyborgs” (1985). While the essay is celebrated for launching the cyborg as a feminist figure imbricated in networks of techno-scientific patriarchy, the manifesto also narrates a wide-ranging shift in the operations of power, marking a move from social relations predominantly structured by industrial capi
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"A Manifesto for Cyborgs." In Cyborg. The MIT Press, 2024. http://dx.doi.org/10.7551/mitpress/13864.003.0007.

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Haraway, Donna J. "A Cyborg Manifesto." In Manifestly Haraway. University of Minnesota Press, 2016. http://dx.doi.org/10.5749/minnesota/9780816650477.003.0001.

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Haraway, Donna J. "Afterword: Pandemics of Transformation for Livable Worlds." In Informatics of Domination. Duke University Press, 2025. https://doi.org/10.1215/9781478060581-040.

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Özdemir, Berceste Gülçin. "Titane Tracking Violence With Cyborg Women." In Advances in Social Networking and Online Communities. IGI Global, 2022. http://dx.doi.org/10.4018/978-1-6684-5426-8.ch002.

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In the film, which attempts to make sense of the inner world of a young woman named Adrien, the aspect of violence is elevated to the central theme. The audience's perspective on the main character, concerns of identification with her, and the main female protagonist's cyborg status are all discussed in conjunction with the patriarchal world order. The study's fundamental themes are drawn from Donna Haraway's Cyborg Manifesto (1991). The study raises questions on discussions about the role of violence in film narratives by referencing these discourses and the opinions of sociologist and politi
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Conference papers on the topic "Cyborg Manifest"

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Sattar, Dr Sanyat, and Abu Saleh Md. Rafi. "The Cyborg Entity in Gibson’s Neuromancer An Idealistic “Cyborg Manifesto?”." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.75.

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Сметана, Владимир Васильевич. "THE EMERGENCE OF NEW FORMS OF INTELLIGENT BEINGS: PHILOSOPHICAL IMPLICATIONS." In Современные научные разработки. Инновационный аспект: сборник статей международной научной конференции (Санкт-Петербург, Ноябрь 2024). Crossref, 2025. https://doi.org/10.58351/241121.2024.14.22.004.

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Данная статья посвящена философскому анализу феномена постчеловека и киборга, возникающих в контексте стремительного развития технологий и расширения границ человеческого существования. В работе исследуются исторические корни идеи постчеловека, начиная от философских размышлений античности и заканчивая современными трансгуманистическими концепциями. Особое внимание уделяется этическим и социальным импликациями появления постчеловека и киборга. Анализируются проблемы неравенства, моральной ответственности, сохранения человеческой идентичности в условиях радикального преобразования человеческой
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Krishnamurthy, Sudha, Soumik Sarkar, and Ashutosh Tewari. "Scalable Anomaly Detection and Isolation in Cyber-Physical Systems Using Bayesian Networks." In ASME 2014 Dynamic Systems and Control Conference. American Society of Mechanical Engineers, 2014. http://dx.doi.org/10.1115/dscc2014-6365.

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Anomalies in cyber-physical systems may arise due to malicious cyber attacks or operational faults in the physical devices. Accurately detecting the anomalies and isolating their root-causes is important for identifying appropriate reactive and preventive measures and building resilient cyber-physical systems. Anomaly detection and isolation in cyber-physical systems is challenging, because the impact of a cyber attack on the operation of a physical system may manifest itself only after some time. In this paper, we present a Bayesian network approach for learning the causal relations between c
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Wendrich, Robert E. "Integrated Creativity and Play Environments in Design and Engineering Processes." In ASME 2015 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2015. http://dx.doi.org/10.1115/detc2015-47214.

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The umpire whispers: “Please Play”. We sort of play. But it’s all hypothetical, somehow. Even the ‘we’ is theory: I never get quite to see the distant opponent, for all the apparatus of the game [1]. We find no reason to abandon the notion of play as a distinct and highly important factor in the world’s life and doings. All play means something. If we call the active principle that makes up the essence of play, ‘instinct’, we explain nothing; if we call it ‘mind’ or ‘will’ we say too much. However we may regard it, the very fact that play has a meaning implies a non-materialistic quality in th
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Sherstneva, A. V. "Peculiarities of Cultural Practices in Digital Transformation." In International Conference on Finance, Economics, Management and IT Business (FEMIB 2024). Crossref, 2025. https://doi.org/10.63550/iceip.2025.79.60.001.

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The concept of digital transformation and its key component “digital culture” are presented. It is emphasised that raising the status of digital transformation to the level of a key strategy is impossible without the formation of a community of practice, cross-functional teams, training of employees and partners, formation of platform thinking in order to institutionalise change and create a culture of digital transformation. The basic artefacts and phenomena of today's digital world are presented. Such a trend in computer technologies as generative artificial intelligence, the tools of which
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Stănescu, Dan Florin, and Marius Constantin Romașcanu. "VUCA n+1. To the Infinity and Beyond!" In World Lumen Congress 2021, May 26-30, 2021, Iasi, Romania. LUMEN Publishing House, 2022. http://dx.doi.org/10.18662/wlc2021/59.

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Starting from the observation that nowadays, the need to operate in a world described by Horney et al. (2010) as a world characterized by its volatility, uncertainties, complexity, and ambiguity has become more evident than ever, we aim at identifying and reveal the need for a ceaseless VUCA model. During the last decade, the term VUCA has easily migrated in other areas, being transformed into a common expression due to rapid change manifested in the technological, political, financial, and administrative fields (Sarkar, 2016). In this context, we have analyzed the existing VUCA models and pro
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