Log in

Relevant bibliographies by topics / Cyborg Manifest / Journal articles

To see the other types of publications on this topic, follow the link: Cyborg Manifest.

Journal articles on the topic 'Cyborg Manifest'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 50 journal articles for your research on the topic 'Cyborg Manifest.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse journal articles on a wide variety of disciplines and organise your bibliography correctly.

1

Luckman, Susan, and Michelle Phillipov. "‘I’d (still) rather be a cyborg’: The artisanal dispositif and the return of the (domestic) goddess." International Journal of Cultural Studies 23, no. 4 (2020): 458–74. http://dx.doi.org/10.1177/1367877919899959.

Full text

Abstract:

This article identifies the rise of a series of tropes around authenticity, retreat and celebration of the artisanal as they manifest around the growing popularity of cooking and craft as activities that have become vehicles for a larger reimagining of ideal middle-class modes of living across much of the Global North. Through media examples of cooking and craft that valorise nostalgia and ‘dropping out’, and following McRobbie’s work on the creativity dispositif, we argue that these cultural practices are united by an artisanal dispositif that fetishises the ‘traditional’ in a context of inte

APA, Harvard, Vancouver, ISO, and other styles

2

Yu, Shiqi. "„More human than human?“ Eine vergleichende Analyse zur Cyborg-Figur und Leib-Seele-Dichotomie in den Filmen „Blade Runner (1982)“ und ”Blade Runner 2049 (2017)”." Studia Germanica Posnaniensia, no. 42 (August 1, 2023): 253–67. http://dx.doi.org/10.14746/sgp.2022.42.16.

Full text

Abstract:

Aus einer doppelten Dezentrierung wird das posthumane Subjekt als Alternative zum traditionellen Subjekt verstanden, welches seit der Aufklärung als liberal-humanistisches Subjekt (d.h. rational und autonom) definiert wird, und muss nicht nur den Anthropozentrismus beseitigen, sondern sich auch von der individualisierten, auf das Bewusstsein zentrierten Sicht des Subjekts lösen. In den zwei ausgewählten dystopischen Science-Fiction-Filmen Blade Runner (1982) und Blade Runner 2049 (2017) wird die aus Donna Haraways Manifest stammende Figur des Cyborgs behandelt und als neue Deutungsmöglichkeit

APA, Harvard, Vancouver, ISO, and other styles

3

Dehnert, Marco, and Rebecca Leach. "Becoming Human? Ableism and Control in Detroit: Become Human and the Implications for Human-Machine Communication." Human-Machine Communication 2 (January 15, 2021): 137–52. http://dx.doi.org/10.30658/hmc.2.7.

Full text

Abstract:

In human-machine communication (HMC), machines are communicative subjects in the creation of meaning. The Computers are Social Actors and constructivist approaches to HMC postulate that humans communicate with machines as if they were people. From this perspective, communication is understood as heavily scripted where humans mindlessly apply human-to-human scripts in HMC. We argue that a critical approach to communication scripts reveals how humans may rely on ableism as a means of sense-making in their relationships with machines. Using the choose-your-own-adventure game Detroit: Become Human

APA, Harvard, Vancouver, ISO, and other styles

4

Latimer, Joanna. "Review: Donna J Haraway, Manifestly Haraway: The Cyborg Manifesto, The Companion Species Manifesto, Companions in Conversation (with Cary Wolfe)." Theory, Culture & Society 34, no. 7-8 (2017): 245–52. http://dx.doi.org/10.1177/0263276417735160.

Full text

Abstract:

In this review of Donna J Haraway’s book, Manifestly Haraway, that brings together The Cyborg Manifesto, The Companion Species Manifesto and Companions in Conversation (with Cary Wolfe), the author aims to show how Haraway’s work taken together is inspiring and revolutionary, offering us a basis for thinking differently about how we can intervene in dominant power relations in ways that are not simply critical but constructive of new ways of doing and being a social scientist. Like Foucault before her, Haraway offers not just exceptional tropes to think with – the cyborg, the companion species

APA, Harvard, Vancouver, ISO, and other styles

5

Aboubacar, KONE. "Cyborgism And Social Enhancement: Shaping A New Rhetoric for Woman’s Participation in Contemporary Society as Represented in William Gibson’s Neuromancer (1984)." International Journal of Social Sciences and Humanities Invention 10, no. 12 (2023): 8060–65. http://dx.doi.org/10.18535/ijsshi/v10i12.01.

Full text

Abstract:

In A manifesto for Cyborgs: Science, technology, and socialist feminism in the 1980s (2015), Australian scholar Donna Haraway develops a new feminist philosophy based on the possibilities offered by the cyborg, a cybernetic hybrid organism representing the coupling of organism and the machine, which is turned into an instrument for achieving all human aspirations. Drawing from this vision, we show through the study of Neuromancer (1984) by American writer William Gibson, that the trajectory of Molly Million, Gibson’s female protagonist is consistent to the cybor figure, and as such it is instr

APA, Harvard, Vancouver, ISO, and other styles

6

Zhou, Ziqing. "Revisiting Haraway's Cyborg Myth: A Case Study of Female Cyborg Characters in Marvel Comics." Transactions on Social Science, Education and Humanities Research 10 (August 29, 2024): 131–36. http://dx.doi.org/10.62051/y1dcwq44.

Full text

Abstract:

This paper revisits Donna Haraway's Cyborg Myth through a case study of female cyborg characters in Marvel Comics. Haraway's Cyborg Manifesto presents the cyborg as a hybrid entity that challenges traditional boundaries of gender, identity, and technology, offering a framework for feminist theory and posthumanism. By analyzing characters such as Misty Knight, Jocasta, and Lady Deathstrike, this study explores how these figures embody or challenge the cyborg myth and its feminist implications. The analysis reveals the nuanced portrayals of female cyborgs in Marvel, highlighting themes of empowe

APA, Harvard, Vancouver, ISO, and other styles

7

Angus, Tim, Ian Cook, and James Evans. "A Manifesto for Cyborg Pedagogy?" International Research in Geographical and Environmental Education 10, no. 2 (2001): 195–201. http://dx.doi.org/10.1080/10382040108667439.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Cahyo, Pujo Sakti Nur, and Riyan Evrilia Suryaningtyas. "WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE." Lire Journal (Journal of Linguistics and Literature) 4, no. 1 (2020): 26–39. http://dx.doi.org/10.33019/lire.v4i1.65.

Full text

Abstract:

This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. Focusing on the analysis of narrative and non-narrative elements, this research seeks to reveal how the main character is portrayed as a female cyborg. As a result, the writers found that her shifting existence as a female cyborg in the movie is the representation of how women can be the subject by affiliating with technology. The assumption of women as the "object" of technology is no longer exist, and they are competent to have a career in

APA, Harvard, Vancouver, ISO, and other styles

9

Simon, Sunka. "Woman as Biocontrol: Rereading Donna Haraway through German Science Fiction." Women in German Yearbook: Feminist Studies in German Literature & Culture 24, no. 1 (2008): 119–41. http://dx.doi.org/10.1353/fgs.2008.a254028.

Full text

Abstract:

This article critically juxtaposes Donna Haraway's concept of the feminist cyborg with the remote controlled female cyborg figure in the 1984 German science fiction short story "Biocon" by Reinmar Cunis. It shows how both authors investigate their current societies' adaptation of the cyborg as a figure through which female sexuality and the disavowed fears and desires around self-engendering technology can be "both exorcized and reaffirmed" (Huyssen 81). In their writings, Cunis and Haraway demonstrate the continued sway that this structural paradox holds. Both are deeply committed to analyzin

APA, Harvard, Vancouver, ISO, and other styles

10

Cox, Lara. "Decolonial Queer Feminism in Donna Haraway's ‘A Cyborg Manifesto’ (1985)." Paragraph 41, no. 3 (2018): 317–32. http://dx.doi.org/10.3366/para.2018.0274.

Full text

Abstract:

This article explores the queer qualities of feminist scientist Donna Haraway's ‘A Cyborg Manifesto’ (1985). In the first part, the article investigates the similarities between ‘A Cyborg Manifesto’ and the ideas circulating in queer theory, including the hybridity of identity, and the disruption of totalizing social categories such as ‘Gay man’ and ‘Woman’. In the second part, it is argued that ‘A Cyborg Manifesto’ evinced a decolonial feminist form of queerness. The article references the African-American, Chicana and Asian-American feminist sociology, theory, literature and history that ‘A

APA, Harvard, Vancouver, ISO, and other styles

11

Liu, Yuqi. "Cyborgs, Feminism and Films in the Postmodernist Perspective: An Analysis of the Film Titane." Communications in Humanities Research 22, no. 1 (2023): 156–62. http://dx.doi.org/10.54254/2753-7064/22/20231675.

Full text

Abstract:

The movie Titane, which won the Palme dOr at Cannes, caught the attention of the general public as a genre film that explores topics such as the family of origin, mechanical life, gender boundaries, and moral turmoil, to name a few. There are a number of points in the film that are close to Haraways assumptions in the Cyborg Manifesto, and this study is about to analyze its narrative textual content and significance from a postmodernist perspective, with a particular focus on postmodernist cyborgs, feminism, and cinematic works. It integrates postmodernist theories to analyze the narrative con

APA, Harvard, Vancouver, ISO, and other styles

12

Azra Akhtar, Nighat Falgaroo, and Adil Hussain. "Beyond the Organic: Rupturing Maternal Constructs and Female Cyborg Identity in S.B. Divya’s <i>Machinehood</i>." Asiatic: IIUM Journal of English Language and Literature 18, no. 1 (2024): 85–98. http://dx.doi.org/10.31436/asiatic.v18i1.3213.

Full text

Abstract:

This research paper delves into the nuanced portrayal of female cyborg identity and its intersection with motherhood in S.B. Divya’s novel Machinehood. Drawing inspiration from Donna Haraway’s foundational work “A Cyborg Manifesto,” we examine how Divya’s narrative navigates the complex interplay between technology and gender within the context of a futuristic society. Haraway’s concept of cyborgism serves as a theoretical framework to analyse the multifaceted nature of female cyborg characters in Machinehood. The paper explores how these characters negotiate the boundaries between the organic

APA, Harvard, Vancouver, ISO, and other styles

13

Nason, Dale. "Cyber Dada Manifesto." Leonardo 24, no. 4 (1991): 489. http://dx.doi.org/10.2307/1575540.

Full text

APA, Harvard, Vancouver, ISO, and other styles

14

P J, Arya, and Bhuvaneswari R. "Life and (non)Living: Technological and Human Conglomeration in Android Kunjappan Version 5.25." Studies in Media and Communication 11, no. 2 (2023): 58. http://dx.doi.org/10.11114/smc.v11i2.5943.

Full text

Abstract:

In post-modern society, we (humans) share our space with machines. Though there is no doubt in the efficiency of the machines there is always a doubt in their reason. Machines being programmed cannot exercise reason like humans. Their assistance is limited to the commands designed by the engineer. The Malayalam movie Android Kunjappan Version 5.25 pictures the limitations and advantages of one such robotic creation. The movie narrates the tale of an old man and his association with a robot which becomes his solace and companion. The film questions the association between humans and machines. I

APA, Harvard, Vancouver, ISO, and other styles

15

Stephanie Peebles Tavera. "Utopia, Inc.: A Manifesto for the Cyborg Corporation." Science Fiction Studies 44, no. 1 (2017): 21. http://dx.doi.org/10.5621/sciefictstud.44.1.0021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Orr, Jackie. "Materializing a Cyborg’s Manifesto." WSQ: Women's Studies Quarterly 40, no. 1-2 (2012): 273–80. http://dx.doi.org/10.1353/wsq.2012.0008.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Cheung, William. "Donna Haraway: Manifestly Haraway. The Cyborg Manifesto. The Companion Species Manifesto. Companions in Conversation (with Cary Wolfe). Minneapolis: U of Minnesota P, 2016. (Posthumanities 37). 360 pp." arcadia 52, no. 1 (2017): 267–69. http://dx.doi.org/10.1515/arcadia-2017-0021.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Tembo, Kwasu D. "Death, Innocence, and the Cyborg: Theorizing the Gynoid Double-Bind in Mamoru Oshii’s Ghost in the Shell II: Innocence." American, British and Canadian Studies 29, no. 1 (2017): 103–25. http://dx.doi.org/10.1515/abcsj-2017-0021.

Full text

Abstract:

Abstract In Donna Haraway’s “A Cyborg Manifesto” (1983), the author presents a discussion of the concept and praxis of the cyborg in emancipatory terms. Haraway presents the cyborg as a transgressive and latently mercurial figure that decouples and contravenes numerous exploitative ideological frameworks of repressive biopower that repress human being and reproduce the conditions of said repression. Using Mamoru Oshii’s Ghost in the Shell II: Innocence (2004) as a dialogic case study, this essay explores the manner in which the cyborg, particularly its figuration as female-gendered anthropic m

APA, Harvard, Vancouver, ISO, and other styles

19

Apriliani, Defina Dwi, and Mohammad Zaimil Alivin. "DIFFERENT CONCEPTS OF CYBORGS IN KAZUO ISHIGURO’S KLARA AND THE SUN." PARADIGM: Journal of Language and Literary Studies 7, no. 2 (2024): 88–99. https://doi.org/10.18860/prdg.v7i2.29423.

Full text

Abstract:

This study aims to find the difference between the representation of Klara's character and the concept of Cyborg Manifesto by Donna Haraway in the novel Klara and the Sun by Kazuo Ishiguro. This research discusses how Klara engages in the traditional organic family concept without an Oedipal project, without psychological dynamics such as conflict or emotional dependence on parental figures as in humans. It also explores how Klara remains respected despite having no awareness or understanding of the cosmos, a spiritual or philosophical perspective on the universe that is often the basis of hum

APA, Harvard, Vancouver, ISO, and other styles

20

Salsabila, Wahdah Kamelia, and Pujo Sakti Nur Cahyo. "TECHNOLOGY-ENABLED HEROINE: AN ANALYSIS ON WOMAN CYBORG IN ALITA: BATTLE ANGEL FILM." PARADIGM: Journal of Language and Literary Studies 7, no. 2 (2025): 113–27. https://doi.org/10.18860/prdg.v7i2.29294.

Full text

Abstract:

This study closely examines the character of Alita in the film Alita: Battle Angel to determine whether she represents women’s empowerment. Heroines are often portrayed as powerful and independent figures who challenge traditional gender roles. To analyze Alita's character, this study utilizes Greimas' actantial model of narrative structure and Donna Haraway’s concept of the cyborg from A Cyborg Manifesto. Greimas' model helps dissect the narrative roles and relationships, while Haraway's concept aids in understanding the intersection of technology and gender. The analysis reveals that Alita e

APA, Harvard, Vancouver, ISO, and other styles

21

Gane, Nicholas. "When We Have Never Been Human, What Is to Be Done?" Theory, Culture & Society 23, no. 7-8 (2006): 135–58. http://dx.doi.org/10.1177/0263276406069228.

Full text

Abstract:

This interview reconsiders Donna Haraway’s Cyborg Manifesto 21 years after it was first published. It asks what has become of the three boundary breakdowns around which the Manifesto was structured - those between animals and humans, animal-humans (organisms) and machines, and the ‘physical and non-physical’. Against this backdrop, this interview examines the connection between the Cyborg Manifesto and Haraway’s more recent writings on companion species, along with what it means to read or write a ‘manifesto’ today. Recent notions of the ‘posthuman’ are also placed into question.

APA, Harvard, Vancouver, ISO, and other styles

22

Steinmann, Brigitte. "Donna Haraway, Manifeste cyborg et autres essais. Sciences, fictions, féminismes." L'Homme, no. 187-188 (October 3, 2008): 479–81. http://dx.doi.org/10.4000/lhomme.20592.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Sanna, Maria Eleonora. "Donna Haraway, Manifeste cyborg et autres essais. Sciences – Fictions – Féminismes." Clio, no. 32 (December 31, 2010): 291–93. http://dx.doi.org/10.4000/clio.9952.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

SCHUURMAN, NADINE. "Women and technology in geography: a cyborg manifesto for GIS." Canadian Geographer/Le Géographe canadien 46, no. 3 (2002): 258–65. http://dx.doi.org/10.1111/j.1541-0064.2002.tb00748.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

25

Spencer, Cara, Kelsey Loehr, and Abby Byrd. "Patient and Family Perpetrated Cyber-Incivility and Cyber-Aggression Within Healthcare: A Cross-Sectional Descriptive Study." SAGE Open Nursing 9 (January 2023): 237796082311589. http://dx.doi.org/10.1177/23779608231158970.

Full text

Abstract:

Introduction Verbal violence may manifest in written form as cyber incivility within patient portal communications. As a form of digital technology, patient portal messages create a physical and emotional distance leading the sender to be disinhibited and disassociated from the recipient nurse. Written patient portal messages may contain uncivil language deemed verbally violent when the content escalates beyond professional standards. When these messages are encountered as part of patient care, they may lead to nurses’ psychological distress. Although cyber-incivility has been studied within s

APA, Harvard, Vancouver, ISO, and other styles

26

Dalvin, Nesie. "Limitations of Cyborg feminism in India and Misinterpretation of feminism in Western Cyborg science fiction movies in the light of Haraway’s The Cyborg Manifesto." Journal of Humanities and Education Development 5, no. 3 (2023): 01–04. http://dx.doi.org/10.22161/jhed.5.3.1.

Full text

Abstract:

In the light Donna Haraway’s work The Cyborg Manifesto this paper analyses the difficulties of adapting Cyborg model of feminism in a developing country like India. Initially the concept of cyborg feminism (Bell, 108) as introduced by Haraway is used to analyse the implicit ideology of Western cyborg science fiction movies. Through the analysis of popular western cyborg movies like Alita: Battle Angel (2019) and Blade Runner 2049 (2017), the absence of gender duality in cyborg world as predicted by Donna Haraway is proved wrong. Later the concept of cyborg feminism in the present society is sh

APA, Harvard, Vancouver, ISO, and other styles

27

Gardey, Delphine. "Au cœur à corps avec le Manifeste Cyborg de Donna Haraway." Esprit Mars/avril, no. 3 (2009): 208. http://dx.doi.org/10.3917/espri.0903.0208.

Full text

APA, Harvard, Vancouver, ISO, and other styles

28

Kumar, Anil. "Contesting Subjectivity: A Posthuman Perspective in Margaret Atwood’s The Year of The Flood." International Journal of Language, Literature and Culture 4, no. 4 (2024): 30–36. http://dx.doi.org/10.22161/ijllc.4.4.4.

Full text

Abstract:

The COVID-19 pandemic has challenged the anthropocentric position in which human being assumed itself as the forerunner of the civilization and to rest, whether it is nature or any form of life, he believed, as a subject of domination. Feminist school of criticism according to Black feminist Kimberlé W. Crenshaw identifies patriarchy as one of these structures which dehumanizes females on the basis of Intersectionality. The intersectional positions, according to her, divide human beings from one another based on their identity of colour, gender, religion and so on. In this context, the paper s

APA, Harvard, Vancouver, ISO, and other styles

29

Dydrov, Artur A., and Regina V. Penner. "Digital Anthropology Manifesto." Galactica Media: Journal of Media Studies 6, no. 2 (2024): 17–51. http://dx.doi.org/10.46539/gmd.v6i2.466.

Full text

Abstract:

The manifesto format was not chosen by chance. As a rule, manifestations are not acceptable in the scientific community and are practiced to proclaim a new order of things. Historically, social groups have declared their intentions in manifestos of various kinds. This circumstance is also true for contemporary cases such as manifestos of cyborgs, hackers, “Evolution 2045”, etc. Digital anthropology as a subject of manifestation looks anomalous, since it is not related to the interests of a specific social group or force. The intentions of the authors of this manifesto are to proclaim an altern

APA, Harvard, Vancouver, ISO, and other styles

30

Shields, Rob. "Flânerie for Cyborgs." Theory, Culture & Society 23, no. 7-8 (2006): 209–20. http://dx.doi.org/10.1177/0263276406069233.

Full text

Abstract:

As a literary figure or conceit, Haraway’s cyborg is kin to Dumas’ and Balzac’s flâneur. As a social science fiction, crossing and mixing categories, the cyborg is an abject quasi-body who does not fit the Enlightenment model of the political subject and actor. The ‘Manifesto’ has a geography of sites - Home, Market, Paid Work Place, State, School, Clinic-Hospital and Church - which this article updates and to which it adds the Body and the Web. However, Haraway’s ‘cyborg-analysis’ directs attention to the nanotechnological scale of biotechnology. The spatialization implied in the ‘Manifesto’

APA, Harvard, Vancouver, ISO, and other styles

31

Yumartov, Dmitry A. "The Concept of Political Myth in Philosophy of Donna Haraway." Alma mater. Vestnik Vysshey Shkoly, no. 10 (October 2022): 44–49. http://dx.doi.org/10.20339/am.10-22.044.

Full text

Abstract:

The article examines the concept of “political myth” in Donna Haraway’s essay “A Cyborg Manifesto”. Based on Haraway’s ontology on the material-semiotic unity and interconnection, it’s argued that she understands the political myth as a semantic interpretation of material and social reality, which later becomes a collective consciousness and transforms (customizes) reality for itself. Two types of political myths are distinguished in Haraway’s philosophy. Firstly, these are the myths of the past, hidden and unconscious identities (concept of man, woman, nature, culture, objectivity), where sub

APA, Harvard, Vancouver, ISO, and other styles

32

Damour, Franck. "Le cyborg est-il notre avenir ?" Études Tome 411, no. 11 (2009): 475–84. http://dx.doi.org/10.3917/etu.115.0475.

Full text

Abstract:

Résumé A la différence du robot, le cyborg est un être hybride, mixte d’humain et de machine. La technicisation accélérée du corps, par la multiplication des prothèses, par l’impact des nouvelles technologies de communication, multiplie questions et défis que l’auteur analyse à travers l’étude d’un texte fondateur, le Manifeste cyborg de Donna Haraway.

APA, Harvard, Vancouver, ISO, and other styles

33

Hayles, N. Katherine. "Unfinished Work." Theory, Culture & Society 23, no. 7-8 (2006): 159–66. http://dx.doi.org/10.1177/0263276406069229.

Full text

Abstract:

The cyborg that Donna Haraway appropriated in ‘Manifesto for Cyborgs’ as a metaphor for political action and theoretical inquiry has ceased to have the potency it did 20 years ago. While Haraway has turned from a central focus on technoculture to companion species, much important cultural work remains to be done, especially in networked and programmable media. Problems with the cyborg as a metaphor include the implication that the liberal humanist subject, however problematized by its hybridization with cybernetic mechanism, continues as a singular entity operating with localized agency. In a

APA, Harvard, Vancouver, ISO, and other styles

34

Dr., G. Surya. "RESONATING CYBERFEMINST MANIFESTO WITH REFERENCE TO THE WITCHER 3: WILD HUNT." International Journal of Interdisciplinary Research in Arts and Humanities (IJIRAH) 7, no. 2 (2022): 4–8. https://doi.org/10.5281/zenodo.6791236.

Full text

Abstract:

Cyberfeminism is a postmodern concept that emphasizes the relationship between cyberspace, the Internet, and technology. It describes an international, unofficial group of female thinkers, coders, video gamers, and media artists who began connecting online. The rationale of this research paper is to examine how women are treated in video games and to examine the perspectives of Cyberfeminism in The Witcher 3: Wild Hunt. Gender stereotypes and intensive gender normative policing are common in online games, which are often characterised by gender preconceptions and intense gender normative polic

APA, Harvard, Vancouver, ISO, and other styles

35

Franklin, Sarah. "The Cyborg Embryo." Theory, Culture & Society 23, no. 7-8 (2006): 167–87. http://dx.doi.org/10.1177/0263276406069230.

Full text

Abstract:

It is useful on the occasion of the 21st anniversary of the ‘Cyborg Manifesto’ not only to reconsider its lessons in the context of what is frequently described as the re-engineering of ‘life itself’, but to look at Haraway’s earlier work on embryos. In this article I begin with Haraway’s analysis of embryology in the 1970s to suggest her cyborg embryo was already there, and has, if anything, gained relevance in today’s embryo-strewn society. I argue further, as the title suggests, that the cyborg embryo has been crucial in defining our path to what I am calling here, building on Haraway’s not

APA, Harvard, Vancouver, ISO, and other styles

36

Haraway, Donna. "Manifeste Cyborg : Science, technologie et féminisme socialiste à la fin du XXe siècle." Mouvements 45-46, no. 3 (2006): 15. http://dx.doi.org/10.3917/mouv.045.21.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Erica, Soares Silva, and Cardoso Andrade Emile. "Ciborgues são elas, alienígenas são os outros: reflexões sobre gênero e sci-fi em A mão esquerda da escuridão, de Ursula K. Le Guin." Via Litterae [ISSN 2176-6800]: Revista de Linguística e Teoria Literária 13, no. 1 (2021): 112–26. https://doi.org/10.5281/zenodo.5592333.

Full text

Abstract:

<strong>Resumo</strong>: O embate da diversidade na produção e consumo de Ficção Científica apenas ganhou notoriedade no final dos anos 1960. Elementos como a representatividade feminina-feminista e as narrativas deslocadas dos dualismos hierárquicos, foram explorados nas obras de FC por escritoras como Ursula K. Le Guin. Neste seguimento, o presente estudo discute as relações de alteridade na produção de Ficção Científica por autoras mulheres e como o romance <em>A mão esquerda da escuridã

APA, Harvard, Vancouver, ISO, and other styles

38

Lei, Shiyu. "Cyber, Body, and Communication." Lecture Notes in Education Psychology and Public Media 40, no. 1 (2024): 219–27. http://dx.doi.org/10.54254/2753-7048/40/20240757.

Full text

Abstract:

The emerging phenomenon of virtual idols, a product of the technological era, has gradually become a new segment in the idol market. In the cyber world, the embodiment of virtual idols is primarily manifested in five aspects: world body, social body, political body, consumer body, and medical body. As a representative product of cyborgs, virtual idols connect their own bodies to the cyber world through scientific and technological means. Due to the unique composition of virtual idols, they project reality into the cyber world and construct the world body of virtual idols through interaction wi

APA, Harvard, Vancouver, ISO, and other styles

39

Walker-Jones, Arthur. "Eden for Cyborgs: Ecocriticism and Genesis 2–3." Biblical Interpretation 16, no. 3 (2008): 263–93. http://dx.doi.org/10.1163/156851508x288977.

Full text

Abstract:

AbstractThis article begins by introducing the work of a leading feminist theorist, Donna Haraway, especially her classic article, "A Manifesto for Cyborgs," and its relevance for ecocriticism of the Hebrew Bible. Building on the work of Hilary Klein, Haraway argues that Marxism, feminism and technoscience often work out of origin stories that reinscribe the dualisms that feminists seek to overcome. She refers to all contemporary origin stories as Eden stories. Her analysis of Jane Goodall's work at Gombe is an example. Haraway seeks myths or figures that blur the boundaries between the dualis

APA, Harvard, Vancouver, ISO, and other styles

40

Hsu, Aurie, and Steven Kemper. "Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin?" Leonardo Music Journal 29 (December 2019): 83–87. http://dx.doi.org/10.1162/lmj_a_01069.

Full text

Abstract:

In “A Cyborg Manifesto,” Donna Haraway explores implications of the increasing hybridization of humans and machines. While society has long been concerned with the encroachment of technology onto human activity, Haraway challenges this concern, suggesting instead a kinship between organism and machine, a hybrid body. A sonic-cyborg performance realizes this understanding of the human-machine hybrid through movement and sound, incorporating a “kinesonic” approach to composition and an exploration of “mechatronic” expression. In this article, the authors describe their approach to enacting sonic

APA, Harvard, Vancouver, ISO, and other styles

41

Haraway, Donna. "A manifesto for Cyborgs: Science, technology, and socialist feminism in the 1980s." Australian Feminist Studies 2, no. 4 (1987): 1–42. http://dx.doi.org/10.1080/08164649.1987.9961538.

Full text

APA, Harvard, Vancouver, ISO, and other styles

42

Tordo, Frédéric. "Cybersexualité. De la trans@sexualité aux métamorphoses de l’identité de genre sexuel." psychologie clinique, no. 49 (2020): 16–28. http://dx.doi.org/10.1051/psyc/202049016.

Full text

Abstract:

La cybersexualité concerne une sexualité qui utilise les outils technologiques. Plusieurs formes peuvent être décrites (cybersexualité proprement dite, cybersexualité passive, cybersexualité interactive, cybersexualité connectée et techno-sexualité). Pourtant, une autre forme cybersexuelle advient, liée aux nouveaux usages de la technologie qui privilégient une traversabilité permanente entre la réalité physique et la réalité numérique. Elle est nommée par l’auteur comme Trans@sexualité, décrite comme une sexualité hybride et transitionnelle, qui fait pont entre cybersexualité (qui se déroule

APA, Harvard, Vancouver, ISO, and other styles

43

Warren, Hannah V. "Monster of the Week: Manufactured by Machine, and: Rhythmic Chant." Colorado Review 50, no. 3 (2023): 7–10. http://dx.doi.org/10.1353/col.2023.a912425.

Full text

Abstract:

Abstract: Through a lens of horror and abjection, “Rhythmic Chant” explores linguistic and identity development, from childhood to adulthood. “Manufactured by Machine” considers human subjectivity as linked to Donna Haraway’s A Cyborg Manifesto: when does the body slip from human to machine?

APA, Harvard, Vancouver, ISO, and other styles

44

You, Seung-a. "Mapping Posthuman Body through Cyborg beings: Focus on Contemporary Korean Performance Art." Sookmyung Research Institute of Humanities 14 (June 30, 2023): 129–48. http://dx.doi.org/10.37123/th.2023.14.129.

Full text

Abstract:

Mapping Posthuman body through Cyborg beings is a research project that examines the meaning of the posthuman through monster- like figures and cyborg beings, often used as symbolic representations of a cyborg in Korean performance art. The project manifests a critical view of transhumanism, which adheres to the same dichotomous division emphasized by humanism, and examines the posthuman being as “materially embodied, embedded in the environment, and intertwined with the world” as well as the ‘worlding-with’ method as a mode of posthuman existence. In particular, she turns to Donna Haraway's c

APA, Harvard, Vancouver, ISO, and other styles

45

Dortseva, E. V. "Intellectual manifestos of modern feminist sociologists." Moscow State University Bulletin. Series 18. Sociology and Political Science 28, no. 1 (2022): 88–109. http://dx.doi.org/10.24290/1029-3736-2022-28-1-88-109.

Full text

Abstract:

The article is devoted to the analysis of the sociological work of famous researchers — Ann Oakley, Donna Haraway, Shulamit Firestone and Judith Butler, who worked within the framework of the feminist paradigm in sociology, which interprets social phenomena and processes from a femininocentric point of view. The work of these women sociologists has become a kind of intellectual manifesto — a written statement of the scientific principles of the feminist trend in sociology, based on the belief in the constant discrimination of women in all spheres of social life.Ie author analyzes the works of

APA, Harvard, Vancouver, ISO, and other styles

46

Hoofd, Ingrid. "Xenofeminist Hope and Dread, or How to Move Beyond Patriarchal Technocapitalism." Hypatia 37, no. 1 (2022): 210–15. http://dx.doi.org/10.1017/hyp.2021.73.

Full text

Abstract:

Who said manifestos are dead? Some thirty years after the publication of Donna Haraway's illustrious A Cyborg Manifesto (Haraway 1991), fifty years after Valerie Solanas's angry and delightful SCUM Manifesto (Solanas 1967), and 170 years after Karl Marx and Friedrich Engels's influential Communist Manifesto (Marx and Engels 1848), a new manifesto in town in fact bears traces of all these and then some: The Xenofeminist Manifesto. This manifesto, which comes in a gorgeously designed booklet version as well as in a colorful and nostalgic 80s computer-culture website with nerdy hexadecimal page n

APA, Harvard, Vancouver, ISO, and other styles

47

Chandler, Katherine Fehr. "A Drone Manifesto: Re-forming the Partial Politics of Targeted Killing." Catalyst: Feminism, Theory, Technoscience 2, no. 1 (2016): 1–23. http://dx.doi.org/10.28968/cftt.v2i1.28832.

Full text

Abstract:

Debates about today’s unmanned systems explain their operation using binary distinctions to delimit “us” and “them,” “here” and “there,” and “human” and “machine.” Yet the networked actions of drone aircraft persistently undo these oppositions. I show that unmanned systems are dissociative, not dualistic. I turn to Haraway’s “A Cyborg Manifesto” (1991) to reflect on how drones rework limits ranging from the scale of bodies to geopolitical territories, as well as the political challenges they entail. The analysis has two parts. The first considers how Cold War drones fit into cybernetic discour

APA, Harvard, Vancouver, ISO, and other styles

48

Vanderborg, Susan. "Gendering “Otherspace”: The “Martian Ty/opography” of Johanna Drucker and Brad Freeman." Science Fiction Studies 35, Part 1 (2008): 88–104. https://doi.org/10.1525/sfs.35.1.0088.

Full text

Abstract:

This essay analyzes an sf text that challenges stereotypes about women and language transmission through its experiments with stylistic features of the book form—not only narrative conventions, but also rules of typography, margins, and page layouts. The text is Otherspace: Martian Ty/opography, a 1992 collaboration by book artists Johanna Drucker and Brad Freeman. The presentation of different verbal and visual passages on its page spreads is examined, with an eye to the gender politics of the authors’ revisions of the story of Hélène Smith, a nineteenth-century medium. I note parallels betwe

APA, Harvard, Vancouver, ISO, and other styles

49

Canovas, Océane, Louise Conan, Pablo Gille, et al. "La nature en guerre contre la vie. Une expérimentation d’écriture cyborg entre Guattari et Haraway." Sextant 41 (2024): 37–52. https://doi.org/10.4000/131o5.

Full text

Abstract:

Cet article prend pour point de départ l’assertion de Guattari selon laquelle « [d]e tous les temps, la “nature” a été en guerre contre la vie » et tente de l’élucider à la lumière de la critique de la catégorie de nature dans le Manifeste cyborg de Haraway. Ainsi, la nature productrice de binarité fait face à la vie comme production cyborg non binaire, échappant à cette machine de normativisation, notamment par le biais d’écritures subversives permettant aux corps d’écrire leurs espaces. Ces mécanismes de subversion montrent dès lors que les questions de genre sont éminemment écologiques, app

APA, Harvard, Vancouver, ISO, and other styles

50

Deikun, Ilya D. "Queerisation of Medium. To the Queer Plasticity of Sign Structure." Galactica Media: Journal of Media Studies 2, no. 1 (2020): 168–83. http://dx.doi.org/10.46539/gmd.v2i1.101.

Full text

Abstract:

This article focuses on the study of emancipatory strategies and reveals contradictions between the rhetorical strategy in the Cyborg Manifesto and its pragmatics, on the one hand, and the discrepancy between the content and the social reflection of the concept of “multiple gender” developed by Judith Butler in Gender trouble, on the other. The author started to unfold this problematic in the paper Fleeing Queer (Vita Cogitans, 2019). The author argues that the main reason for these contradictions is the inherent neglect of sign-medium specificity by structuralists. Following the critici

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!