Relevant bibliographies by topics / Cyborgs in literature

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Cyborgs in literature'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Cyborgs in literature"

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Garry, Tony, and Tracy Harwood. "Cyborgs as frontline service employees: a research agenda." Journal of Service Theory and Practice 29, no. 4 (December 2, 2019): 415–37. http://dx.doi.org/10.1108/jstp-11-2018-0241.

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Purpose The purpose of this paper is to identify and explore potential applications of cyborgian technologies within service contexts and how service providers may leverage the integration of cyborgian service actors into their service proposition. In doing so, the paper proposes a new category of “melded” frontline employees (FLEs), where advanced technologies become embodied within human actors. The paper presents potential opportunities and challenges that may arise through cyborg technological advancements and proposes a future research agenda related to these. Design/methodology/approach This study draws on literature in the fields of services management, artificial intelligence, robotics, intelligence augmentation (IA) and human intelligence to conceptualise potential cyborgian applications. Findings The paper examines how cyborg bio- and psychophysical characteristics may significantly differentiate the nature of service interactions from traditional “unenhanced” service interactions. In doing so, the authors propose “melding” as a conceptual category of technological impact on FLEs. This category reflects the embodiment of emergent technologies not previously captured within existing literature on cyborgs. The authors examine how traditional roles of FLEs will be potentially impacted by the integration of emergent cyborg technologies, such as neural interfaces and implants, into service contexts before outlining future research directions related to these, specifically highlighting the range of ethical considerations. Originality/value Service interactions with cyborg FLEs represent a new context for examining the potential impact of cyborgs. This paper explores how technological advancements will alter the individual capacities of humans to enable such employees to intuitively and empathetically create solutions to complex service challenges. In doing so, the authors augment the extant literature on cyborgs, such as the body hacking movement. The paper also outlines a research agenda to address the potential consequences of cyborgian integration.
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Sever, Staša. "Prostheses, Cyborgs and Cyberspace – the Cyberpunk Trinity." ELOPE: English Language Overseas Perspectives and Enquiries 10, no. 2 (May 9, 2013): 83–93. http://dx.doi.org/10.4312/elope.10.2.83-93.

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This article will explore three elements that have collectively become the sine qua non of our lives: prostheses, cyborgs and cyberspace. The main concern of the article is to show the close connection between the technology-saturated reality of today and the literature of cyberpunk as the prototypical representative of merging the human and the technological. This will enable us to explore the interaction between literature and reality in the formation of the cyborg of today.
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Stojnić, Aneta. "Cyborgs from Fiction to Reality: Marginalized Other or Privileged First?" Identities: Journal for Politics, Gender and Culture 10, no. 1-2 (January 1, 2013): 49–53. http://dx.doi.org/10.51151/identities.v10i1-2.278.

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In this paper I will offer an analysis of cyber technology, cyberspace and cyborg from its appearance in fiction to its contemporary realizations, in order to show symbolic place of cyborg has changed, in the light of contemporary power relations. I will focus on the cyborg figure in literature and film, mainly the cyberpunk genre characteristic for fictionalization of the relations between individual, society and technology. Author(s): Aneta Stojnić Title (English): Cyborgs from Fiction to Reality: Marginalized Other or Privileged First? Journal Reference: Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013) Publisher: Institute of Social Sciences and Humanities – Skopje Page Range: 49-53 Page Count: 5 Citation (English): Aneta Stojnić, „Cyborgs from Fiction to Reality: Marginalized Other or Privileged First?,” Identities: Journal for Politics, Gender and Culture, Vol. 10, No. 1-2 (Summer-Winter 2013): 49-53.
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Azra Akhtar, Nighat Falgaroo, and Adil Hussain. "Beyond the Organic: Rupturing Maternal Constructs and Female Cyborg Identity in S.B. Divya’s <i>Machinehood</i>." Asiatic: IIUM Journal of English Language and Literature 18, no. 1 (June 26, 2024): 85–98. http://dx.doi.org/10.31436/asiatic.v18i1.3213.

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This research paper delves into the nuanced portrayal of female cyborg identity and its intersection with motherhood in S.B. Divya’s novel Machinehood. Drawing inspiration from Donna Haraway’s foundational work “A Cyborg Manifesto,” we examine how Divya’s narrative navigates the complex interplay between technology and gender within the context of a futuristic society. Haraway’s concept of cyborgism serves as a theoretical framework to analyse the multifaceted nature of female cyborg characters in Machinehood. The paper explores how these characters negotiate the boundaries between the organic and the artificial, challenging traditional notions of femininity and motherhood. Haraway envisions the cyborg as a hybrid entity with the potential to subvert normative categories that becomes a lens through which we scrutinise the female cyborgs’ agency in shaping their identities and relationships. Central to our analysis is the examination of motherhood in the context of technological augmentation. In conclusion, the present paper aims to contribute to the evolving area of scholarship on science fiction literature, feminist theory, and cyborg studies. By leveraging Haraway’s ground breaking ideas, we illuminate the significance of female cyborg identity and its portrayal in Machinehood, shedding light on the transformative potential of technology in reshaping traditional gender norms and familial structures.
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Torres-Hostench, Olga. "Will translators be cyborgs? What would make a cyborg translator?" Tradumàtica: tecnologies de la traducció, no. 20 (December 21, 2022): 268–75. http://dx.doi.org/10.5565/rev/tradumatica.316.

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Previous literature on cyborg translators focus mainly on machine translation as the ultimate science fiction. In 2022 it is relevant to talk about cyborg translators beyond just machine translation to picture new challenges. The aim of this article is to invite the readers to reflect on the subject.
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Ferrández-Sanmiguel, María. "Resilient Cyborgs." Extrapolation: Volume 62, Issue 3 62, no. 3 (December 1, 2021): 247–68. http://dx.doi.org/10.3828/extr.2021.14.

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This article reads Pat Cadigan’s Arthur C. Clarke Award-winning novel Synners (1991) from the perspectives of trauma studies and posthumanism to analyze the representation of the cyborged (post)human in cyberspace. My main focus is Cadigan’s depiction of a posttraumatic world whose living conditions invite escape, and how this depiction emphasizes the fact that escape through technological transcendence is not an option, and neither is the rejection of technology altogether. Despite this bleak scenario, the novel leaves some room for optimism in the figuration of a posthuman form of resilience, inspiring reflection about future forms of engagement with technology. As this article attempts to prove, Synners uses the tropes of the cyborg and cyberspace to explore the implications of subjectivity and embodiment within technoscience. In so doing, the novel opens a critical space for interrogation of the relationship between trauma, the posthuman body, and digital technology.
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Bhanushali, Shivam. "Mumbai Cyborgs in Literature and Cinema." Motifs : A Peer Reviewed International Journal of English Studies 7, si (2021): 209–15. http://dx.doi.org/10.5958/2454-1753.2021.00038.6.

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Putra, Bagas Dwika, and Radea Yuli Ahmad Hambali. "Cyborgs dan Perempuan Menurut Pandangan Posthumanisme Donna J. Haraway." Jurnal Penelitian Ilmu Ushuluddin 3, no. 1 (January 10, 2023): 37–51. http://dx.doi.org/10.15575/jpiu.19521.

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There is a need to re-question the human condition today, and technology changes the history of human civilization and social development, so that the "condition" of Posthumanism and cyborgs is one of them. The vision of 'post-gender' cyborgs has sparked feminist interest in reclaiming technology as a tool of liberation, whose identity has always been biologically identical, but cyborgs view this differently. Because of cyborgs, women are able to create their own identity, and create a more ideal reality for women. This research uses qualitative methods and literature study approach. The data used in this study are primary data in the form of the work of Donna J. Haraway and secondary data in the form of books and journals related to the discussion of this research. The conclusion of this study is that women should use technology as a tool for liberation and as a "former" of non-biological identity.
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Christie, J. R. R. (John R. R. ). "A Tragedy for Cyborgs." Configurations 1, no. 1 (1993): 171–96. http://dx.doi.org/10.1353/con.1993.0001.

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Glimp, David. "Moral philosophy for cyborgs." postmedieval: a journal of medieval cultural studies 1, no. 1-2 (March 2010): 72–79. http://dx.doi.org/10.1057/pmed.2010.9.

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Dissertations / Theses on the topic "Cyborgs in literature"

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Mentor, Steven. "A dissertation for cyborgs : the birth of a technoscientific monster , 1948-1985 /." Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/9460.

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Willis, Victoria E. "From Orators to Cyborgs: The Evolution of Delivery, Performativity, and Gender." Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/english_diss/66.

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@font-face { font-family: "Cambria"; }p.MsoNormal, li.MsoNormal, div.MsoNormal { margin: 0in 0in 0.0001pt; font-size: 12pt; font-family: "Times New Roman"; }div.Section1 { page: Section1; } The purpose of this project is to provide a thorough account of delivery by tracing the history and evolution of delivery from antiquity to the present day in order to expose the spread and transmission of proto-masculine ideologies through delivery. By looking at delivery from an evolutionary perspective, delivery no longer becomes a tool of rhetoric, but the technology of rhetoric, evolving over time in the same way the system of rhetoric itself has evolved. Contemporary scholarship on delivery continues to look at delivery as a tool—as the ink, the paper, the computer screen, the keyboard, the font, the hypertext, the web design, and so forth—of communication. Contemporary scholarship re-works the classical definition of delivery to fit into a contemporary context, and consequently ignores the proto-masculinity embedded into classical delivery and its spread from public speaking to all speaking situations—and the larger consequence of this approach is that proto-masculinity remains embedded and idealized. Focusing specifically on delivery’s history and evolution into a post-human, cyborg technology demonstrates how proto-masculinity has operated within delivery and how proto-masculinity has been spread through delivery instruction. The importance of re-situating delivery within the rhetorical canons affects rhetoric as a whole because it demonstrates that not only is delivery still crucial to rhetoric, and possibly still the most important rhetorical canon, but also because it de-naturalizes the proto-masculine imperatives embedded within delivery and conveyed through delivered language performances.
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Volschenk, Jacolien. "Fusions of the feminine and technology : exploring the cyborg as subversive tool for feminist reconstructions of identity." Thesis, Stellenbosch : University of Stellenbosch, 2008. http://hdl.handle.net/10019.1/2013.

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Thesis (MA (English))--University of Stellenbosch, 2009.
In this dissertation the dominant metaphor for the fusion between the feminine and technology, the cyborg, will be examined through various texts to assess the value the cyborg has for feminism as a tool to exposes the constructedness of boundaries of identity and gender, thereby enabling a reconstruction of a new feminine identity in a subversive and transgressive space. The main themes which will be addressed are those that often feature in feminist science fiction: reproduction, sexuality, the construction of identity and gender through science, culture and ideology, and the power relations between men and women. Other related concepts which will be dealt with are language, self and Other, representation and perspective. Feminist science fiction and theory attempt to destabilise conventional boundaries concerned with gender and identity and the texts which this dissertation deals with are all, to varying degrees, concerned with this destabilisation, each offering a unique perspective on feminine identity and the attempted transformation of current gender categories which will be explored in detailed analysis.
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Williams, Britni Marie. ""A Creature the Capitol Never Intended to Exist": Katniss Everdeen, Muttations, and the Mockingjay as Cyborgs in The Hunger Games Trilogy." University of Akron / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=akron1428258245.

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Campbell, Stuart. "Fabricating humans: From H.G. Wells' Morlock to Karel Čapek's Robot via Zamyatin's OneState & E.M. Forster's Machine." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2009. https://ro.ecu.edu.au/theses/1867.

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This thesis traces the inter-relation between human/machine hybrid figures, imagination and “human” subjectivity through the early science fiction of H. G. Wells, Yevgeny Zamyatin’s We, E. M. Forster's “The Machine Stops” and Karel Čapek's R.U.R.. It demonstrates how the “human” operates in a state of flux, in parallel with its environment which both defines and is defined by the “human.” I argue that all four writers use social satire and machine tropes to explore and critique the effects of industrialization upon, and the tension between, society as a whole and the individual in society. I argue that in The Time Machine, When the Sleeper Wakes, The First Men in the Moon, We, and “The Machine Stops,” Wells, Zamyatin and Forster create worlds where technocratic authorities apply science to create closed-system, totalitarian states. The thesis explores how these authors privilege creativity as crucial to “human” existence and use fantasy to create future societies critical of industrialization’s dehumanization of the individual. In these early twentieth century texts, network models are interrupting the clockwork. If one applies N. Katherine Hayles’ pattern/randomness dialectic, emergent human behaviours are noise disrupting the rigid pattern of the closed-system state, causing it to assume a higher complexity. In the late twentieth century, Donna Haraway, and others, wrote against technocratic authority’s employment of network models, focusing upon cybernetics. Yet prior to World War Two, Wells, Zamyatin, Forster and Čapek also wrote against technocratic totalitarianism, centring their fiction upon mechanical engineering and the machine (rather than information theory) to create versions of industrial/mechanical man. Thus, this thesis demonstrates that Haraway’s ‘cyborg’ is an echo of these earlier industrial anti-authoritarian figures—robots. The driving force in these narratives is the realization of technocracy’s application of science to completely control the individual, eliminate diversity and facilitate totalitarianism.
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Amsberg, de Almeida Aline 1983. "A carne que resta : manifestações do híbrido na literatura de ficção científica contemporânea." [s.n.], 2015. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270053.

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Orientador: Márcio Orlando Seligmann Silva
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
Made available in DSpace on 2018-08-27T09:32:47Z (GMT). No. of bitstreams: 1 AmsbergdeAlmeida_Aline_D.pdf: 2414928 bytes, checksum: a2de1de008fab71b5cbdfa9fc0ad9efa (MD5) Previous issue date: 2015
Resumo: O elemento técnico e a carne se unem para formar o corpo. De acordo com os conceitos de ciborgue e de híbrido, pensados aqui como facetas do pós-humano, pretendo mapear as manifestações desse corpo em algumas obras da literatura de ficção científica publicada a partir do início dos anos 90. O recorte temporal se deve à finalização do auge do movimento conhecido como cyberpunk que, por um lado, deixou resquícios na literatura de ficção científica e, por outro, ainda não pode ser dado como terminado. Utilizo para estas reflexões principalmente as ideias de desterritorialização e reterritorialização (Deleuze e Guattari), de antropodescentrismo (Roberto Marchesini), e de hospitalidade (Jacques Derrida), além do conceito de ciborgue (Donna Haraway) e de híbrido (Bernard Andrieu). O método rizomático e alguns princípios da Teoria do Caos permitem a problematização das manifestações corporais nas obras escolhidas para o corpus. Os conceitos de "corpo", "carne" e "elemento técnico" são esboçados com a finalidade de tornar esse híbrido possível no campo conceitual e, assim, na prática de análise
Abstract: The technical element and the meat/flesh join to built the body. According to the concepts of cyborg and hybrid, here conceived as aspects of the posthuman, I intend to map the manifestations of that body in some works of literary Science Fiction (SF) published since the early 90¿s. Such a choice of the date is due to the down of the cyberpunk movement which, on one hand, left marks and residues in SF literature and, on the other, cannot be declared dead. For these thoughts I use mainly the ideas of deterritorialization and reterritorialization (Deleuze e Guattari), anthropo-decentrism (Roberto Marchesini), and hospitality (Jacques Derrida), as well as the concept of cyborg (Donna Haraway) and hybrid (Bernard Andrieu). The rhizome method and somen of the Caos Theory allow to question the bodily manifestations in the chosen corpus. The concepts of "body", "meat/flesh" and "technical element" are sketched aiming to make possible this hybrid on the conceptual field and, therefore, the analytical practice
Doutorado
Teoria e Critica Literaria
Doutora em Teoria e História Literária
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Ben-Ezzer, Tirza. "Naming the Virtual: Digital Subjects and The End of History through Hegel and Deleuze (and a maybe few cyborgs)." Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1626919557257155.

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Rheeder, Elle-Sandrah. "Pathologies of vision : representations of deviant women and the cyborg body." Thesis, Rhodes University, 2015. http://hdl.handle.net/10962/d1020319.

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This thesis investigates the figure of the cyborg as conceptualised by Donna Haraway in The Cyborg Manifesto (1991). The figure of the cyborg, as a transgressive figure in the late twentieth century within socialist feminist discourse, is problematized with regard to its efficacy as a creature that challenges the constructed nature of gender and contests the boundary between human and machine through its ambiguous nature. Haraway’s notions of the cyborg, which she bases partly on cyborg characters from Science Fiction literature, deny the ocularcentric traditions that have structured gender and the body. Similarly, Haraway does not engage adequately with the figure of the cyborg with regard to situating it historically. This thesis unpacks both the visual and the historical aspects that have structured the cyborg body. By engaging with these concepts, the cyborg emerges as a figure that is identified through visual signifiers of female deviance and pathology. By reading female deviance and pathology on the body of the nineteenth-century hysteric, similarities can be drawn between the hysteric and the cyborg. Through a reading of Alien (1979); Blade Runner (1982); and Star Trek: First Contact (1996) key cyborg texts of the late twentieth century, the figure of the cyborg, and its relation to the deviant pathologised female can be understood when read against the body of the hysteric and how it was visually coded and communicated
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Lupold, Eva Marie. "Literary Laboratories: A Cautious Celebration of the Child-Cyborg from Romanticism to Modernism." Bowling Green State University / OhioLINK, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1339976082.

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Rogerson, Charles W. "Clockwork oranges : the development of the cyborg as fictional character /." The Ohio State University, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487757723996083.

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Books on the topic "Cyborgs in literature"

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Beecroft, Simon. Super humans: A beginner's guide to cyborgs. London: Franklin Watts, 1998.

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Lira, André. Poética e morte na era do ciborgue. Rio de Janeiro: Tempo Brasileiro, 2012.

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Edyta, Lorek-Jezińska, ed. Cyborg: Technologia w literaturoznawstwie i studiach kulturowych. Toruń: Uniw. Mikołaja Kopernika, 2011.

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Broncano, F., and David A. Hernández de la Fuente. De Prometeo a Frankenstein: Autómatas, ciborgs y otras creaciones más que humanas. Madrid]: Evohé, 2012.

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Beecroft, Simon. Superhumans: A beginner's guide to bionics. Brookfield, Conn: Copper Beech Books, 1998.

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Beecroft, Simon. Superhumans: A beginner's guide to bionics. Brookfield, Conn: Copper Beech Books, 1998.

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Guidotti, Francesca. Cyborg e dintorni: Le formule della fantascienza. Bergamo: Bergamo University Press, 2003.

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Larue, Ïan. Libère-toi cyborg!: Le pouvoir transformateur de la science-fiction féministe. Paris: Cambourakis, 2018.

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Nikolic, Misa. Subjectivity and globalisation: A philosophical examination of science fiction. [Edmonton]: Funbook, 2008.

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Edgar, Slusser George, and Shippey T. A, eds. Fiction 2000: Cyberpunk and the Future of Narrative. Georgia: University of Georgia Press, 1992.

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Book chapters on the topic "Cyborgs in literature"

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Brown, J. Andrew. "Life Signs: Ricardo Piglia’s Cyborgs." In Science, Literature, and Film in the Hispanic World, 87–107. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1057/9780230601963_6.

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Shakeshaft, Richard. "Supermen, Cyborgs, Avatars and Geeks: Technology and the Human in Contemporary Young Adult Fiction." In Modern Children’s Literature, 234–50. London: Macmillan Education UK, 2014. http://dx.doi.org/10.1007/978-1-137-36501-9_16.

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Dexl, Carmen, and Silvia Gerlsbeck. "Of Cyborgs, Aliens, and Tricksters: Posthumanist Perspectives on the Male Body in Caribbean Speculative Literature." In The Male Body in Representation, 239–61. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-88604-2_11.

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Fink, Dagmar. "Literatur." In Cyborg werden, 272–89. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458556-007.

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de Gois, Miruna Raimundi, Daniela Novelli, and Lucas da Rosa. "Metartisanry: Fashion, Metaverse, and the Future of Artisanry in Brazil." In Fashion Communication in the Digital Age, 27–36. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-38541-4_3.

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AbstractThis article reflects on the future of artisanry in the context of the Metaverse in Brazil, considering artisanry relationship with fashion. Hence, the Metaverse is described through NFTs, blockchain, as well as avatars and cyborgs. Then, artisanry, especially in Brazil, and its relationship with fashion in contemporaneity are described. This study aimed to answer the following research question: considering the profile of Brazilian artisans, how would their artisanal production adapt to the Metaverse? To achieve the results, we used bibliographic, descriptive, and qualitative research to analyze the literature and to develop discussions based on distinctive ways of building objects in virtual universes. We concluded that artisans will have to develop interdisciplinary skills linked to computerized technology to remain competitive in the market, added to investments and stimuli from public and private institutions.
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Nestvold, Ruth. "Androgyne, Amazonen und Cyborgs: Science Fiction von Frauen." In Frauen Literatur Geschichte, 219–30. Stuttgart: J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03218-8_16.

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Gradinari, Irina. "Cyborg als (kein) Anderes." In Interkulturalität. Studien zu Sprache, Literatur und Gesellschaft, 229–52. Bielefeld, Germany: transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839464571-012.

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Musgrave, Megan L. "Cyborg Bodies in Illness and Disability Narratives." In Digital Citizenship in Twenty-First-Century Young Adult Literature, 1–46. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58173-0_1.

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Musgrave, Megan L. "Cyborg Minds at Play in Participatory Cultures, or, Going Public in Private." In Digital Citizenship in Twenty-First-Century Young Adult Literature, 47–88. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-58173-0_2.

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Liao, Huiling. "Research on the Application of Interaction Design from the Perspective of Cyborg." In Proceedings of the 2022 4th International Conference on Literature, Art and Human Development (ICLAHD 2022), 1013–20. Paris: Atlantis Press SARL, 2023. http://dx.doi.org/10.2991/978-2-494069-97-8_129.

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Conference papers on the topic "Cyborgs in literature"

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Sattar, Dr Sanyat, and Abu Saleh Md. Rafi. "The Cyborg Entity in Gibson’s Neuromancer An Idealistic “Cyborg Manifesto?”." In Annual International Conference on Language, Literature and Linguistics. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2251-3566_l315.75.

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Almeida, Bruno. "A Problemática dos Afetos em Tecnologias Contemporâneas e na Ficção Científica: universos maquínicos, imaginação e vida psíquica." In Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.2101.

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O presente artigo investiga duas questões: os afetos presentes nas interações homens e objetos técnicos no âmbito das tecnologias atuais, e o tratamento dado por autores de ficção científica para composições homens máquinas. O primeiro eixo vale-se da obra de Gilbert Simondon e de seu trabalho sobre a evolução dos objetos técnicos, da cultura técnica e da psicossociologia da tecnicidade. O afeto faz uma espécie de mediação entre homem e objeto, bem como constitui o elo de agenciamento entre individuação, técnica e desejo. O segundo eixo trabalha com diferentes possibilidades para relações entre homens e máquinas na literatura de Philip Dick, James Ballard, Bruce Sterling, William Hodgson e Max Barry. Os afetos, nesse caso, indicam diferentes possibilidades para relações entre homens e máquinas e para os hibridismos aí implicados: robôs, cyborgs, andróides e monstros. Os universos maquínicos das tecnociências contemporâneas produzem novas subjetivações, recriando cibertemporalidades e ciberespacialidades. Os afetos mobilizam a imaginação e, portanto, estão na base do ato criativo e da vida psíquica. A autonomia dos afetos, expressão de Brian Massumi, desdobra-se na autonomia das máquinas, na redução das margens da intersubjetividade e no fim do eu. Políticas da imaginação e recriação poética da vida psíquica sinalizam a importância dos afetos na construção de novas possibilidades subjetivas.
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