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Journal articles on the topic 'Cyborgs'

Author: Grafiati

Published: 4 June 2021

Last updated: 26 July 2025

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1

Khvastunova, Yulia V. "CYBORG ARTS IN THE PROJECTS OF TRANSHUMANIST BIOHACKERS." Russian Studies in Culture and Society 7, no. 1 (2023): 131–43. http://dx.doi.org/10.12731/2576-9782-2023-1-131-143.

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Since the beginning of the 21st century, a new artistic direction has been formed in biohacking – “the cyborg art” (cyborgism), whose leaders (cyborg artist Moon Ribas and “transhuman” or “the first cyborg” Neil Harbisson), promote a transhumanist project of improvements or technological additions implanted directly into the human body. “The Cyborg Art” at the theoretical and practical levels implements the paradigm of the new art of man-machine. M. Ribas (a female seismographer) embodies transhumanist projects through art or spectacular events, positioning them as a deeper connection with nat

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Mufidah, Zakiyatul. "Post Human and Female Cyborg in The Perfect Wife Novel By J.P. Delaney." CaLLs (Journal of Culture, Arts, Literature, and Linguistics) 8, no. 2 (2022): 247. http://dx.doi.org/10.30872/calls.v8i2.7301.

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This study aims to reveal the situation of post human and the description of female cyborg in JP Delaney's novel The Perfect Wife, it also explains how the relationship between humans and cyborgs in this novel. The theory of cyborgism by Donna Harraway is applied to analyze the representation of post humanism as articulated through a female cyborg character. In addition, it is worth-studied as the female cyborg character is positioned in the context of husband-wife marriage. However, this study focuses on two descrition of the female cyborg who is predominantly influenced by typical gender ste

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Yu, Yipeng, Zhaohui Wu, Kedi Xu, et al. "Automatic Training of Rat Cyborgs for Navigation." Computational Intelligence and Neuroscience 2016 (2016): 1–12. http://dx.doi.org/10.1155/2016/6459251.

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A rat cyborg system refers to a biological rat implanted with microelectrodes in its brain, via which the outer electrical stimuli can be delivered into the brain in vivo to control its behaviors. Rat cyborgs have various applications in emergency, such as search and rescue in disasters. Prior to a rat cyborg becoming controllable, a lot of effort is required to train it to adapt to the electrical stimuli. In this paper, we build a vision-based automatic training system for rat cyborgs to replace the time-consuming manual training procedure. A hierarchical framework is proposed to facilitate t

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Gärtner, Klaus. "Why cyborgs necessarily feel." Technoetic Arts 20, no. 1 (2022): 51–64. http://dx.doi.org/10.1386/tear_00081_1.

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In this article, I argue for an essentialist account of cyborgs. This means that one condition for being a cyborg is to possess phenomenal consciousness, ‘what it feels like’ to undergo an experience. In this context, I make two related claims: (1) the metaphysical claim that it is essential to cyborgs to have phenomenal consciousness due to their being augmented human beings, and (2) the related claim that this metaphysical constraint need not apply to cyborg-like entities, which may or may not be augmented humans and so might not possess phenomenal consciousness. In support of these claims,

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Ding, Dingzhong. "Behind the Poetics of the Female Asian Cyborg: A Techno-Orientalist Other." Communications in Humanities Research 14, no. 1 (2023): 94–99. http://dx.doi.org/10.54254/2753-7064/14/20230414.

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In 1985, Donna Haraway conceived a political myth of the cyborg, a cybernetic organism, hybrid of machine and organism, that refuses to be attributed to existing definitions used to explain the human body. Over the years, Haraways cyborg has continued to find itself in the center of academic and creative discourse. Given the prominence of Haraways model, in this paper, I will examine the cyborg poetics of two contemporary female Asian poets, Franny Choi and Sally Wen Mao, under the framework of Haraways cyborg. Both liken their self to cyborgs. Both take the perspective of cyborgs. Both are eq

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Rivera, Lysa. "Los Atravesados." Aztlán: A Journal of Chicano Studies 35, no. 1 (2010): 103–33. http://dx.doi.org/10.1525/azt.2010.35.1.103.

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This essay examines how Guillermo Gómez-Peña’s ethno-cyborgs, performance personae that first appeared in his work in the mid-1990s, exploit and critique two overlapping cultural-political movements: the emergence of Internet technologies (cyberculture) and the passage of the North American Free Trade Agreement (NAFTA). After locating the conception of the ethno-cyborg following the 1994 production of Temple of Confessions, I trace their development throughout Gómez-Peña’s work in the 1990s, ending with the 1997 publication of Friendly Cannibals. I argue that the ethno-cyborgs reveal and chall

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7

Harper, Mary Catherine. "Incurably Alien Other: A Case for Feminist Cyborg Writers." Science Fiction Studies 22, Part 3 (1995): 399–420. https://doi.org/10.1525/sfs.22.3.0399.

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The fictions of feminist-oriented cyborg writers such as Pat Cadigan, Misha, Laura J. Mixon, Lisa Mason, and Sue Thomas indicate a critique and refiguration of the gendered humanist subject. However, the emerging subjectivity depicted in feminist cyborg literature is not necessarily as anti-humanist as cyberpunk literature. Instead, such novels as Synners, Red Spider White Web, Glass Houses, Arachne, and Correspondence entertain various ways of incorporating the marginalized, feminized body into what is traditionally constructed as the masculine transcendent mind. The cyborgs of these novels,

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Aboubacar, KONE. "Cyborgism And Social Enhancement: Shaping A New Rhetoric for Woman’s Participation in Contemporary Society as Represented in William Gibson’s Neuromancer (1984)." International Journal of Social Sciences and Humanities Invention 10, no. 12 (2023): 8060–65. http://dx.doi.org/10.18535/ijsshi/v10i12.01.

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In A manifesto for Cyborgs: Science, technology, and socialist feminism in the 1980s (2015), Australian scholar Donna Haraway develops a new feminist philosophy based on the possibilities offered by the cyborg, a cybernetic hybrid organism representing the coupling of organism and the machine, which is turned into an instrument for achieving all human aspirations. Drawing from this vision, we show through the study of Neuromancer (1984) by American writer William Gibson, that the trajectory of Molly Million, Gibson’s female protagonist is consistent to the cybor figure, and as such it is instr

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9

Stojnić, Aneta. "Cyborgs from Fiction to Reality: Marginalized Other or Privileged First?" Identities: Journal for Politics, Gender and Culture 10, no. 1-2 (2013): 49–53. http://dx.doi.org/10.51151/identities.v10i1-2.278.

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In this paper I will offer an analysis of cyber technology, cyberspace and cyborg from its appearance in fiction to its contemporary realizations, in order to show symbolic place of cyborg has changed, in the light of contemporary power relations. I will focus on the cyborg figure in literature and film, mainly the cyberpunk genre characteristic for fictionalization of the relations between individual, society and technology. Author(s): Aneta Stojnić Title (English): Cyborgs from Fiction to Reality: Marginalized Other or Privileged First? Journal Reference: Identities: Journa

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Viljanen, Mika. "A Cyborg Turn in Law?" German Law Journal 18, no. 5 (2017): 1277–308. http://dx.doi.org/10.1017/s2071832200022331.

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This Article deploys cybernetic theory to argue that a novel legal impact imaginary has emerged. In this imaginary, the subjects of legal interventions are performed and enacted as cybernetic organisms, that is, as entities that process information and adapt to changes in their environment. This Article, then, argues that in this imaginary, law finds its effectiveness—not by threatening, cajoling, educating, and moralizing humans as before, but by affecting the composition of cybernetic organisms, giving rise to new kinds of legal subjects that transcend the former conceptual boundary between

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11

Garry, Tony, and Tracy Harwood. "Cyborgs as frontline service employees: a research agenda." Journal of Service Theory and Practice 29, no. 4 (2019): 415–37. http://dx.doi.org/10.1108/jstp-11-2018-0241.

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Purpose The purpose of this paper is to identify and explore potential applications of cyborgian technologies within service contexts and how service providers may leverage the integration of cyborgian service actors into their service proposition. In doing so, the paper proposes a new category of “melded” frontline employees (FLEs), where advanced technologies become embodied within human actors. The paper presents potential opportunities and challenges that may arise through cyborg technological advancements and proposes a future research agenda related to these. Design/methodology/approach

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Earle, Joshua. "The Problem of the Sexy Cyborg: The Ethics of Cyborg Imagery." Journal of Ethics and Emerging Technologies 34, no. 1 (2024): 1–19. http://dx.doi.org/10.55613/jeet.v34i1.146.

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In this article, I discuss two popular tropes about the cyborg in speculative fiction visual media: apotheosis — the pinnacle of human form and function; and grotesquerie — the violation of that perfection through fascinating horror. I look at these tropes in service of discussing the effects of such images and cultural understandings on actual cyborgs. The everyday or common cyborgs that are disabled people; the ones with prosthetics, who use wheelchairs, hearing aids, beta blockers, and Ritalin, who have artificial valves, knees, and pacemakers. I argue that the imagery of perfection and hor

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Yeoman, Ian, and Una McMahon‐Beattie. "Trends: cyborg games." Journal of Tourism Futures 1, no. 1 (2015): 74–77. http://dx.doi.org/10.1108/jtf-12-2014-0019.

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Purpose Wearable technologies are a near future concept and cyborgs are in fact reality. The authors’ proposition is how cyborgisation could and will occur. The paper aims to discuss this issue. Design/methodology/approach The approach used by this paper is a general review. Findings The authors explain how the line between humans and technology is becoming more and more blurred as this trends paper explores the concepts of singularity and cyborgs as a future state highlighting the world's first cyborg games. Originality/value The paper contributes to our understanding that science fiction is

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Azra Akhtar, Nighat Falgaroo, and Adil Hussain. "Beyond the Organic: Rupturing Maternal Constructs and Female Cyborg Identity in S.B. Divya’s <i>Machinehood</i>." Asiatic: IIUM Journal of English Language and Literature 18, no. 1 (2024): 85–98. http://dx.doi.org/10.31436/asiatic.v18i1.3213.

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This research paper delves into the nuanced portrayal of female cyborg identity and its intersection with motherhood in S.B. Divya’s novel Machinehood. Drawing inspiration from Donna Haraway’s foundational work “A Cyborg Manifesto,” we examine how Divya’s narrative navigates the complex interplay between technology and gender within the context of a futuristic society. Haraway’s concept of cyborgism serves as a theoretical framework to analyse the multifaceted nature of female cyborg characters in Machinehood. The paper explores how these characters negotiate the boundaries between the organic

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15

Norman, Donald A. "Cyborgs." Communications of the ACM 44, no. 3 (2001): 36–37. http://dx.doi.org/10.1145/365181.365185.

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Warwick, Kevin. "Creating practical cyborgs." Creativity, Cognition and Material Culture 22, no. 1 (2014): 159–81. http://dx.doi.org/10.1075/pc.22.1.09war.

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In this paper we consider the creative realisation of new beings — namely, cyborgs. These can be brought about in a number of ways, and several versions are discussed. A key feature is merging biological and technological sections into an overall living operational whole. A practical look is taken at how the use of implant and electrode technology can be employed to open up new paths between humans/animals and technology, especially linking the brain directly with external entities. Actual experimentation in each of the different cyborg forms perhaps defines the paper’s contents more than anyt

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Zhou, Ziqing. "Revisiting Haraway's Cyborg Myth: A Case Study of Female Cyborg Characters in Marvel Comics." Transactions on Social Science, Education and Humanities Research 10 (August 29, 2024): 131–36. http://dx.doi.org/10.62051/y1dcwq44.

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This paper revisits Donna Haraway's Cyborg Myth through a case study of female cyborg characters in Marvel Comics. Haraway's Cyborg Manifesto presents the cyborg as a hybrid entity that challenges traditional boundaries of gender, identity, and technology, offering a framework for feminist theory and posthumanism. By analyzing characters such as Misty Knight, Jocasta, and Lady Deathstrike, this study explores how these figures embody or challenge the cyborg myth and its feminist implications. The analysis reveals the nuanced portrayals of female cyborgs in Marvel, highlighting themes of empowe

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Gajewska, Grażyna. "Ludzie i rzeczy: poza binaryzmem. O książce Magdaleny Zdrodowskiej Telefon, kino i cyborgi. Wzajemne relacje niesłyszenia i techniki." Wielogłos, no. 2 (52) (2022): 113–34. http://dx.doi.org/10.4467/2084395xwi.22.007.15880.

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People and Things: Beyond Binarism The article discusses Magdalena Zdrodowska’s book Telefon, kino i cyborgi. Wzajemne relacje niesłyszenia i techniki (Phone, cinema and cyborgs. Interrelations of deafness and technique). Using the posthuman concepts of subjectivity and disability, the author places Zdrodowska’s research within the perspectives of the antropology of things and the critical posthumanism.

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Liu, Yuqi. "Cyborgs, Feminism and Films in the Postmodernist Perspective: An Analysis of the Film Titane." Communications in Humanities Research 22, no. 1 (2023): 156–62. http://dx.doi.org/10.54254/2753-7064/22/20231675.

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The movie Titane, which won the Palme dOr at Cannes, caught the attention of the general public as a genre film that explores topics such as the family of origin, mechanical life, gender boundaries, and moral turmoil, to name a few. There are a number of points in the film that are close to Haraways assumptions in the Cyborg Manifesto, and this study is about to analyze its narrative textual content and significance from a postmodernist perspective, with a particular focus on postmodernist cyborgs, feminism, and cinematic works. It integrates postmodernist theories to analyze the narrative con

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Xu, Linxi. "A Research study on Lee Bul’s Cyborgs series – From a perspective of lighting." International Theory and Practice in Humanities and Social Sciences 2, no. 4 (2025): 419–35. https://doi.org/10.70693/itphss.v2i4.379.

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Whereas previous artist studies of Lee Bul's Cyborg Series have fixated primarily on tangible elements such as objects, displays, and space, the influential intangible element of lighting has proven neglected. By reviewing and categorizing previous reviews, critics, and interpretations from curators, scholars, and writers, this paper identifies this omitted perspective and constructs a unique research framework for analysis. Lee’s Cyborg series was impacted by the Cyborg Theory proposed by Donna Hoaraway, which had potentially huge implications for feminist art. Interpretations through lightin

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Hoquet, Thierry. "« Insaisissable Haraway »." Sociologie et sociétés 42, no. 1 (2010): 143–68. http://dx.doi.org/10.7202/043961ar.

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RésuméQui est Donna Haraway ? Historienne des sciences spécialiste des hominidés, théoricienne du féminisme cyborg, elle s’est récemment tournée vers les animaux domestiques. Nous analysons les dispositifs rhétoriques (tropes) et biologiques (métaplasmes, symbiose) par lesquels Haraway hybride les disciplines et trouble les frontières théoriques, sans tomber pour autant sous l’étiquette « postmoderne ». Haraway opère une critique des dichotomies conceptuelles qu’elle reconduit pourtant en partie en multipliant les mots-valises (naturecultures, cyborgs). Puis nous analysons la conception harawa

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Stamati, Ioanna Maria. "Sorgner, S. L. (2021). We have always been cyborgs: digital data, gene technologies, and an ethics of transhumanism." Journal of Posthumanism 3, no. 1 (2023): 75–79. http://dx.doi.org/10.33182/joph.v3i1.2881.

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The monograph We Have Always Been Cyborgs: Digital Data, Gene Technologies, and an Ethics of Transhumanism by Stefan Lorenz Sorgner aims to explain the most critical issues the Transhumanistic field has been dealing with, including gene technologies, cyborg technologies, gene-motivational technics, gene ethics, mind uploading, policy-making, the image and identity of the Transhuman community.

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Sever, Staša. "Prostheses, Cyborgs and Cyberspace – the Cyberpunk Trinity." ELOPE: English Language Overseas Perspectives and Enquiries 10, no. 2 (2013): 83–93. http://dx.doi.org/10.4312/elope.10.2.83-93.

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This article will explore three elements that have collectively become the sine qua non of our lives: prostheses, cyborgs and cyberspace. The main concern of the article is to show the close connection between the technology-saturated reality of today and the literature of cyberpunk as the prototypical representative of merging the human and the technological. This will enable us to explore the interaction between literature and reality in the formation of the cyborg of today.

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Hall, Joshua M. "iZombie Cyborg Dancers." Philosophy in the Contemporary World 26, no. 1 (2020): 105–26. http://dx.doi.org/10.5840/pcw2020261/25.

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Compulsive smartphone users’ psyches, today, are increasingly directed away from their bodies and onto their devices. This phenomenon has now entered our global vocabulary as “smartphone zombies,” or what I will call “iZombies.” Given the importance of mind to virtually all conceptions of human identity, these compulsive users could thus be productively understood as a kind of human-machine hybrid entity, the cyborg. Assuming for the sake of argument that this hybridization is at worst axiologically neutral, I will construct a kind of phenomenological psychological profile of the type of cybor

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Dos Santos, Victoria, and Humberto Valdivieso. "The Contemporary Cyborg." Techné: Research in Philosophy and Technology 25, no. 2 (2021): 195–207. http://dx.doi.org/10.5840/techne202167141.

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The aim of this article is to study and explore the cyborg as a metaphoric figure, as well as its semiotic correlation with the contemporary subject, an entity moving through a society developed by digital technologies. The cyborg paradigm is formed by the unification of existing dichotomies between human-machine, nature-culture, and science-magic, disrupting transcendental dualisms and fixed categories. These phenomena can be understood through the concept of intertextuality developed first by Julia Kristeva and then by Roland Barthes, both using the cyborg body as a textual construction, and

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Göcke, Benedikt Paul. "Christian Cyborgs." Faith and Philosophy 34, no. 3 (2017): 347–64. http://dx.doi.org/10.5840/faithphil201773182.

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Ferrández-Sanmiguel, María. "Resilient Cyborgs." Extrapolation: Volume 62, Issue 3 62, no. 3 (2021): 247–68. http://dx.doi.org/10.3828/extr.2021.14.

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This article reads Pat Cadigan’s Arthur C. Clarke Award-winning novel Synners (1991) from the perspectives of trauma studies and posthumanism to analyze the representation of the cyborged (post)human in cyberspace. My main focus is Cadigan’s depiction of a posttraumatic world whose living conditions invite escape, and how this depiction emphasizes the fact that escape through technological transcendence is not an option, and neither is the rejection of technology altogether. Despite this bleak scenario, the novel leaves some room for optimism in the figuration of a posthuman form of resilience

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Kotzee, Ben. "Educating Cyborgs." Philosophy of Education 73 (2017): 82–100. http://dx.doi.org/10.47925/73.082.

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Sidorkin, Alexander M. "Cyborgs Forever." Philosophy of Education 73 (2017): 101–6. http://dx.doi.org/10.47925/73.101.

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Johnson, Robin S. "Temp Cyborgs." Television & New Media 14, no. 2 (2011): 106–23. http://dx.doi.org/10.1177/1527476411428625.

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Bisschoff, Lizelle. "African Cyborgs." Interventions 22, no. 5 (2019): 606–23. http://dx.doi.org/10.1080/1369801x.2019.1659155.

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Olguín, B. V. "Contrapuntal Cyborgs?" Aztlán: A Journal of Chicano Studies 41, no. 1 (2016): 217–33. http://dx.doi.org/10.1525/azt.2016.41.1.217.

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P J, Arya, and Bhuvaneswari R. "Life and (non)Living: Technological and Human Conglomeration in Android Kunjappan Version 5.25." Studies in Media and Communication 11, no. 2 (2023): 58. http://dx.doi.org/10.11114/smc.v11i2.5943.

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In post-modern society, we (humans) share our space with machines. Though there is no doubt in the efficiency of the machines there is always a doubt in their reason. Machines being programmed cannot exercise reason like humans. Their assistance is limited to the commands designed by the engineer. The Malayalam movie Android Kunjappan Version 5.25 pictures the limitations and advantages of one such robotic creation. The movie narrates the tale of an old man and his association with a robot which becomes his solace and companion. The film questions the association between humans and machines. I

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Torres-Hostench, Olga. "Will translators be cyborgs? What would make a cyborg translator?" Tradumàtica: tecnologies de la traducció, no. 20 (December 21, 2022): 268–75. http://dx.doi.org/10.5565/rev/tradumatica.316.

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Previous literature on cyborg translators focus mainly on machine translation as the ultimate science fiction. In 2022 it is relevant to talk about cyborg translators beyond just machine translation to picture new challenges. The aim of this article is to invite the readers to reflect on the subject.

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Martín Hernández, Tomás. "La amenaza de la máquina que habita en mí:." Neuróptica, no. 2 (May 17, 2021): 75–94. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.202025420.

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Resumen: Un cíborg es un ser humano mejorado mediante implantes, que si bien nació en la tecnociencia ha sido muy utilizado por la ficción. Mientras que en la realidad el cíborg representa la solución a algunos retos, en la ficción es representado como una amenaza. El cómic y el cine, en la mayoría de los casos, han proyectado una visión del cíborg como un ataque contra la normalidad. La ciencia ficción ha empleado al cíborg como un reflejo de nuestra ambigua relación con las máquinas. Pretendemos ser fieles a nuestro origen natural, pero la integración con la tecnología es cada vez más releva

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Kath, Elizabeth, Osorio Coelho Guimarães Neto, and Marcelo El Khouri Buzato. "POSTHUMANISM AND ASSISTIVE TECHNOLOGIES: ON THE SOCIAL INCLUSION/EXCLUSION OF LOW-TECH CYBORGS." Trabalhos em Linguística Aplicada 58, no. 2 (2019): 679–703. http://dx.doi.org/10.1590/0103181386558805282019.

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ABSTRACT In this paper, we elaborate on the consequences of a post-humanist perspective to the problem of physical disability by approaching the use of assistive technologies (AT) by disabled people as the introduction of a low-tech cyborg in the world. In doing so, we highlight examples of communication ATs and provide analogies between ATs and languages in the constitution of selves and social contexts. ATs are informed ideologically, so they can be seen both as a way to “fix” an “impaired” person, or as a strategy to overcome a physical and social context that disables some people and makes

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Cahyo, Pujo Sakti Nur, and Riyan Evrilia Suryaningtyas. "WOMAN AND TECHNOLOGY: A STUDY ON GENDER PORTRAYAL OF A FEMALE CYBORG IN GHOST IN THE SHELL (2017) MOVIE." Lire Journal (Journal of Linguistics and Literature) 4, no. 1 (2020): 26–39. http://dx.doi.org/10.33019/lire.v4i1.65.

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This study aims to analyze gender portrayal in Ghost in the Shell (2017) movie by applying Donna Haraway’s concept of cyborgs as in her Cyborg Manifesto. Focusing on the analysis of narrative and non-narrative elements, this research seeks to reveal how the main character is portrayed as a female cyborg. As a result, the writers found that her shifting existence as a female cyborg in the movie is the representation of how women can be the subject by affiliating with technology. The assumption of women as the "object" of technology is no longer exist, and they are competent to have a career in

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Tatman, Lucy. "I'd Rather be a Sinner than a Cyborg." European Journal of Women's Studies 10, no. 1 (2003): 51–64. http://dx.doi.org/10.1177/1350506803010001796.

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Upon which Christian theological metaphors and models is Donna Haraway's understanding of `cyborg' ontologically dependent, and how and why might it matter? This article explores the possibility that Haraway's cyborg is a saviour-figure, made partially in the image of a transcendent God. It suggests that cyborgs do have an origin story, and that their story is inseparably linked to the theological development of Heilsgeschichte, or salvation history, which is itself linked, arguably, to the technological developments of the Industrial Revolution. Taking Haraway at her word, or at least her Chr

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Aayush, Mehta, Sharma Jai, and Deepak Chahal Dr. "Overview of Cyborg Technology." International Journal of Trend in Scientific Research and Development 4, no. 3 (2020): 936–39. https://doi.org/10.5281/zenodo.3892794.

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In this research paper we will focus on the cyborg technology in cybernetic. Cyborg in cybernetic is a part of Artificial Intelligence AI . Artificial Intelligence is area of computer science that deals with the creation of intelligent machines or software that work and react like a human being. Cybernetic is the basic science of control system and communication in both areas that cover machines as well as living things. This paper will mainly be focusing on how Cybernetics and Artificial Intelligence work together. This paper will also include evaluation of cyborg technology in real world, be

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Khan, Yaseen, Surendra Thakur, Obiseye Obiyemi, and Emmanuel Adetiba. "Identification of Bots and Cyborgs in the #FeesMustFall Campaign." Informatics 9, no. 1 (2022): 21. http://dx.doi.org/10.3390/informatics9010021.

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Bots (social robots) are computer programs that replicate human behavior in online social networks. They are either fully automated or semi-automated, and their use makes online activism vulnerable to manipulation. This study examines the existence of social robots in the #FeesMustFall movement by conducting a scientific investigation into whether social bots were present in the form of Twitter bots and cyborgs. A total of 576,823 tweets posted between 15 October 2015 and 10 April 2017 were cleaned, with 490,449 tweets analyzed for 90,783 unique persons. Three separate approaches were used to

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Dahal, Madhav Prasad. "Workings of Cyborg: Bridging Humans and Machines in The Matrix." Humanities and Social Sciences Journal 14, no. 1 (2022): 26–39. http://dx.doi.org/10.3126/hssj.v14i1.57991.

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Machines are human-made objects and subservient to humans. However, the simulated world dominated by cyborgs has led the humanity to postmodern fluidity. The cyborg, an artificially intelligent machine works with extra super power either inspired by divinity or satanic impulse. This article studies how The Matrix (1999), a science fiction film, blurs the distinction between human beings and simulated reality. The Wachowskis, the writers and directors, bring fusions between humans and the machines. The film unfolds the dynamics of human–machine interface in which humans ultimately remain subser

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Heudin, Jean-Claude. "Demain tous cyborgs ?" Territoire en mouvement, no. 12 (January 1, 2012): 46–55. http://dx.doi.org/10.4000/tem.1469.

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Steinberg, Funda Bilgen. "Cyborgs Redefining Humanity." European Journal of Social Science Education and Research 5, no. 2 (2018): 223. http://dx.doi.org/10.26417/ejser.v5i2.p223-229.

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Lumbreras Sancho, Sara. "Robótica y cyborgs." Pensamiento. Revista de Investigación e Información Filosófica 78, no. 298 S. Esp (2022): 535–46. http://dx.doi.org/10.14422/pen.v78.i298.y2022.014.

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Uno de los principales retos del transhumanismo lo encontramos en su antropología. Nos encontramos ante un reduccionismo en el que el cuerpo aparece despojado de su dignidad y el espíritu no existe. El ejemplo que más me llama la atención de esto es el de la endogénesis: no se valora el hecho de que el ser humano sea gestado dentro del vientre de otro ser humano; para ellos sería preferible tener una máquina que pudiese hacer la misma misión, en lugar de que el embarazo sea un acto de amor que tiene impacto en toda la vida de la persona. Creo que este es el mayor obstáculo en el que nos encont

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Steinberg, Funda Bilgen. "Cyborgs Redefining Humanity." European Journal of Social Science Education and Research 5, no. 2 (2018): 246–52. http://dx.doi.org/10.2478/ejser-2018-0052.

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Abstract Jeanette Winterson, in her novel “The Stone Gods” that consist of three parts that look like different novellas within actually deals with three main themes that are repeated in three of them which are that the universe is an imprint, human kind’s incapability to learn from its mistake and therefore its destiny to be doomed, and the representation of love of different kinds as the only way human soul could be rescued in this futurist dystopia. In parallel with Donna Harraway’s “A Cyborg Manifesto” which denies the distinctions such a male and female, human and non-human, Winterson sug

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Whitney, Elizabeth. "Cyborgs Among Us." Journal of Bisexuality 2, no. 2-3 (2001): 109–28. http://dx.doi.org/10.1300/j159v02n02_08.

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von Rekowski, Elke. "Die Cyborgs kommen." VDI nachrichten 78, no. 21 (2024): 23. http://dx.doi.org/10.51202/0042-1758-2024-21-23.

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Toon, Adam. "EMPIRICISM FOR CYBORGS." Philosophical Issues 24, no. 1 (2014): 409–25. http://dx.doi.org/10.1111/phis.12040.

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Shaw, Debra Benita. "Streets for Cyborgs." Space and Culture 18, no. 3 (2014): 230–42. http://dx.doi.org/10.1177/1206331214560105.

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Jensen, Casper Bruun. "Developing/development cyborgs." Phenomenology and the Cognitive Sciences 7, no. 3 (2008): 375–85. http://dx.doi.org/10.1007/s11097-008-9101-7.

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