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Journal articles on the topic 'Cynicism – Poetry'

Author: Grafiati

Published: 25 July 2024

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1

Croitoru, Corina. "Censure communiste et dérision poétique." Caietele Echinox 39 (December 1, 2020): 50–60. http://dx.doi.org/10.24193/cechinox.2020.39.04.

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"The study proposes a rereading of the Romanian poetry written during Communist regime, in order to see how practices of derision are used in a subversive manner in relation to political power and the realities of that era. The humor, irony, sarcasm or cynicism shown by this poetry are seen as means to circumvent censorship, entering, from this perspective, the field of a particular commitment against historical events."

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Widyaningsih, Lisa. "ANALISIS GAYA BAHASA DALAM KUMPULAN PUISI KEKASIHKU KARYA JOKO PINURBO: KAJIAN STILISTIKA." Academica : Journal of Multidisciplinary Studies 5, no. 1 (2021): 105–20. http://dx.doi.org/10.22515/academica.v5i1.4135.

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Poetry still exists today, through poetry the author can express his feelings and thoughts. In addition to being written, poetry can also be read, made into musicals, inserted in short stories, novels, and films. There are various studies that can be used to analize poetry, one of which is stylistics studies. Tyhrough this study, it can be seen the style of language used by the author in making poetry. The purpose of this study is to find the style of language in the collection of poems My Firl by Joko Pinurbo. This study uses a qualitative method. Data analysis was carried out using Miles and

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3

Hinduan, Najmah Al, Achmad Tohe, and Ibnu Samsul Huda. "Karakteristik dan Fungsi Puisi Arab pada Masa Transisi Pemerintahan Dinasti Umayyah ke Dinasti Abbasiyah." Alsina : Journal of Arabic Studies 2, no. 1 (2020): 51. http://dx.doi.org/10.21580/alsina.2.1.5127.

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<p class="ABSTRACT">The transition period of the Umayyad dynasty to the Abbasid dynasty occurred in a span of 100 years. There are fifteen great poets whose poetry represents the study of this research. The results of this study indicate that there are seven types of poetry found in the transition period, namely madh, hija, naqaidh, zuhud, gazal, khamriyyat, and fakhr. These seven poems have different characteristics to fulfill different functions. Among them are diction which uses connotative words, strong imagination, uses a lot of simile/tasybih, cynicism, sarcasm, personification, an

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J.Aziz, Javeria Aziz. "An important star of women's literature in Haripur." Rashhat-e-Qalam 2, no. 1 (2022): 35–43. http://dx.doi.org/10.56765/rq.v2i1.60.

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Sayyeda Bakhtawar shah Shafaq’s collection of poems has a lot of good traits and many characteristics of effective poetry. In Haripur, there is a dire need of an experienced poetess like her before. This essential necessity was fulfilled by her beautiful poetry having the qualities of thought provoking subjects creativity and impact on messes. The different aspect of her poetry are about the relationship of life with this material world, exploring the mysteries of humanity prevailed throughout the global and separation of the cherished people as well as of the things and how much impressive th

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Awhefeada, Sunny. "Motherhood and Sundry Preoccupations in Hope Eghagha's." Matatu 40, no. 1 (2012): 81–101. http://dx.doi.org/10.1163/18757421-040001006.

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A significant motif in African poetry which critics have ignored over the years is that of motherhood. This theme has been explored by many an African writer, depicting its various manifestations – physically, psychologically, and spiritually. However, the metaphoric aggregation of the many aspects of maternity has not been met with the appropriate critical response. The aim of this study is to examine the foregrounding of motherhood in Hope Eghagha's . What is revealed is not a romanticization of motherhood, but a tear-glazed threnodic articulation of a mother's last moments on earth, though

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A'yun, Loita Kurrota. "Gaya Bahasa Kiasan Dalam Puisi “Mansyūrātun Fidāiyyatun ‘Alā Judrāni Isrāīl”." Arabiyatuna : Jurnal Bahasa Arab 2, no. 2 (2018): 161. http://dx.doi.org/10.29240/jba.v2i2.549.

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A poet often uses the style of language in composing poetry in order to achieve the desired beauty. Likewise with one of the famous Arab poets in the modern era, namely Nizar Qabbani. He often uses language styles, one of which is the figurative language style, to compose verses in his poems. One of his works which contains a lot of this style of figurative language is his poem entitled "Mansyūrātun Fidāiyyatun ā Al Judrāni Isrāīl". This study aims to analyze the style of figurative language used in the poem. In this study, researchers used stylistic analysis, to be able to find out the types

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Laxmiprasad, P. V. "The Poetry of T.VASUDEVA REDDY: A Critique on Bucolic Representation." American Research Journal of English and Literature 7, no. 1 (2021): 1–8. http://dx.doi.org/10.21694/2378-9026.21008.

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ndian English Poetry is replete with both ancient and modern elements. Pre-independent and post-independent India marked two different phases in poetry. Poets predominantly dealt with conventional themes in the past. But, one distinguishing feature of Post –independent poetry has been to portray a diversified representation of multiple themes. A careful analysis of thoughts, feelings, and psyche of the poets not only genuinely but eloquently reveals urban ‘cynicism and anguish’ and reveals ‘hope and anticipation’ quite aptly. Poets differed according to the age in which they had lived but ulti

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8

France, Peter. "Scott Moncrieff's First Translation." Translation and Literature 21, no. 3 (2012): 364–82. http://dx.doi.org/10.3366/tal.2012.0088.

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C. K. Scott Moncrieff, famous as the translator of Proust, began his translating career in 1918 with La Chanson de Roland. Knowing nothing of Old French, he encountered this classic text while recovering from a war wound; the work of translation was a ‘solace’ in time of war, but also a homage to his friend Wilfred Owen and others who had ‘met their Rencesvals’ as the war drew to a close. Scott Moncrieff was no jingoist, but against the cynicism of Siegfried Sassoon's war poetry, he used the Old French epic to celebrate the positive values embodied in the idea of vassalage. Like his Proust, hi

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9

Anemone, Anthony. "Konstantin Vaginov and the Death of Nikolai Gumilev." Slavic Review 48, no. 4 (1989): 631–36. http://dx.doi.org/10.2307/2499787.

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In his “Poetic Responses to the Death of Gumilev,” Ivan Martynov has chronicled the repercussions of Gumilev's execution by the Cheka in August 1921 in the poetry of his contemporaries. Martynov recalls those poets who remained faithful to Gumilev and marked his death with memorable poems as well as the opportunists who publicly and loudly praised his executioners. Among those who betrayed Gumilev for selfish reasons, Martynov cites such former close friends as Elizaveta Polonskaia, Mikhail Zenkevich, Larisa Reisner, and Sergei Gorodetskii. Their cynicism and cowardice were, however, more than

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LOCHMELIS, E. R. "REINTERPRETATION OF IMAGES FROM DOSTOEVSKY’S NOVEL CRIME AND PUNISHMENT IN RUSSIAN ROCK POETRY." Lomonosov Journal of Philology, no. 2, 2024 (June 16, 2024): 166–76. http://dx.doi.org/10.55959/msu0130-0075-9-2024-47-02-11.

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Russian rock poets focus on Dostoevsky’s novel Crime and Punishment and its characters: the old woman pawnbroker, Svidrigailov and Raskolnikov. The hero of rock poetry lives in the initially given anti-space, where the state is a well-organized structure that exists due to the suppression of personality. The classic interpretation of the novel’s idea - the fall and subsequent resurrection of the human soul - is impossible for the rock poet, who is painfully focused on the root cause of social injustice, symbolically embodied in the ‘eternal’ image of the old woman pawnbroker. The emphasized mo

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11

Buana, Cahya. "Budaya Satire pada Masa Dinasti Umayyah dalam Syair Hijā’ Al-Farazdaq." Buletin Al-Turas 25, no. 2 (2019): 209–26. http://dx.doi.org/10.15408/bat.v25i2.11744.

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Hijā’ atau satire adalah salah satu genre syair yang mengandung konten sinisme atau ejekan. Jenis puisi ini berkembang pesat pada masa Dinasti Umayyah. Penyair yang sangat terkenal dengan genre ini di antaranya adalah al-Farazdaq. Kajian ini bermaksud untuk mengungkap jenis budaya satire yang berkembang pada masa Bani Umayyah melalui syair al-Farazdaq serta latar belakang munculnya budaya tersebut. Untuk mencapai tujuan tersebut, saya akan menggunakan metode penelitian qualitatif melalui pendekatan budaya dan sejarah pada teks-teks syair hija al-Farazdaq. Berdasarkan hasil analisis terungkap b

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Jarzębski, Jerzy. "Obszary Ameryki w „Świetle dziennym” Czesława Miłosza." Ruch Literacki 53, no. 3 (2012): 295–304. http://dx.doi.org/10.2478/v10273-012-0018-y.

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Summary Daylight has a special place in Miłosz’s poetic work: it is the first volume of poetry after his defection to the West, but it contains texts written during his first visit to the United States in the late 1940s. At that time he held a post at the Polish Embassy and looked at America from the other shore of ideology and personal experience. The article examines the author’s selection of poems for the successive editions of Daylight. The first, full edition of that volume is critical of both European nihilism and American primitivism (the latter refers to lack of concern about the horro

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13

Mysovskikh, Lev Olegovich. "The Existential paradigm of M. Lermontov's creativity and cultural transition in Russian literature of the 1830s–1840s." Философия и культура, no. 6 (June 2023): 116–27. http://dx.doi.org/10.7256/2454-0757.2023.6.40939.

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The article presents an analysis of the existential paradigm of M. Lermontov's creativity in the light of the existential theories of S. Kierkegaard and K. Jaspers, which is considered in the context of the cultural transition in Russian literature of the 1830s-1840s. It is argued that Lermontov radically changed the nature of his literary activity by the mid-1830s, overcoming his own existential ambivalence and abandoning the subjective emotionality and exoticism of his youthful poetry in favor of objective observations and research of the surrounding world. Lermontov was aware of his existen

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14

Langlands, Rebecca. "Latin Literature." Greece and Rome 62, no. 2 (2015): 224–31. http://dx.doi.org/10.1017/s0017383515000091.

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James Uden's impressive new study of Juvenal's Satires opens up our understanding not only of the poetry itself but also of the world in which it was written, the confusing cosmopolitan world of the Roman Empire under Trajan and Hadrian, with its flourishing of Greek intellectualism, and its dissolution of old certainties about identity and values. Juvenal is revealed as very much a poet of his day, and while Uden is alert to the ‘affected timelessness’ and ‘ambiguous referentiality’ (203) of the Satires, he also shows how Juvenal's poetry resonates with the historical and cultural context of

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15

Mittelstadt, Michael C. "The Thucydidean Tragic View: The Moral Implications." Ramus 14, no. 1 (1985): 59–73. http://dx.doi.org/10.1017/s0048671x00005063.

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No Greek of any calibre, at least in the fifth century, could remain intellectually or spiritually altogether unconditioned by a conscious feeling for, or awareness of, the tragic in human affairs. His poetry and his art, indeed his history, were saturated with the idea of the tragic. Thucydides is certainly no exception, and the most uninformed reader of his History will come away from the work with a keen sense of the immediately perceptible tragic coloration with which it is permeated. Interpreted from any leading, unifying thematic idea the explanation of Thucydides' work must include as c

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16

Huttunen, Tomi. "От "словообразов" к "главокадрам": имажинистский монтаж Анатолия Мариенгрофа [From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof]". Sign Systems Studies 28 (31 грудня 2000): 181–98. http://dx.doi.org/10.12697/sss.2000.28.10.

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From "word-images' to "chapter-shots": The imaginist montage of Anatolij Mariengof. The article discusses the three dominant imaginist principles of Anatolij Mariengofs (1897-1962) poetic technique, as they are translated into prose in his first fictional novel Cynics (1928). These principles include the "catalogue of images", a genre introduced by Vadim Shershenevich, i.e. poetry formed of nouns, which Mariengof makes use of in his longer imaginist poems. Another dominant imaginist principle, to which Mariengof referred in his theoretic articles and poetic texts, is similar to the creating of

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17

Huttunen, Tomi. "Montage in Russian Imaginism: Poetry, theatre and theory." Sign Systems Studies 41, no. 2/3 (2013): 219–29. http://dx.doi.org/10.12697/sss.2013.41.2-3.05.

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The article discusses the concept of montage as used by the Russian Imaginist poetic group: the montage principle in their poetry, theoretical writings and theatre articles. The leading Imaginist figures Vadim Shershenevich and Anatolij Mariengof were active both in theorizing and practising montage in their oeuvre at the beginning of the 1920s. Shershenevich’s application of the principle in poetry was called “image catalogue”, a radical poetic experiment in the spirit of both Walt Whitman and Sergei Eisenstein. Mariengof ’s main contribution to the montage poetics was his first fictional nov

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18

Safana, Iftinan Rose Putri. "THE ENVIRONMENTAL VALUE IN SNYDER’S MOTHER EARTH: WHALES." PARADIGM: Journal of Language and Literary Studies 6, no. 1 (2023): 75–88. http://dx.doi.org/10.18860/prdg.v6i1.21217.

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Protecting nature is important to prevent disasters. It is necessary to shape the environmental values in a person to encourage nature preservation to have positive attitudes and behavior toward nature. The positive attitudes and behavior toward nature can be expressed through literature in poetry. Snyder's Mother Earth: Whales is a poem that promotes environmental values. Therefore, this study aimed to investigate how literary devices reveal environmental values in Snyder's Mother Earth: Whales. This study used an Ecocriticim approach and environmental values concept by Stern and Dietz to ana

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Brodňanská, Erika, and Adriána Koželová. "Ethical teachings of Classical Antiquity philosophers in the poetry of Saint Gregory of Nazianzus." Ethics & Bioethics 9, no. 3-4 (2019): 98–105. http://dx.doi.org/10.2478/ebce-2019-0014.

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Abstract The paper focuses on the ethical teachings of Classical Antiquity philosophers in the poetry of Saint Gregory of Nazianzus, especially on the parallels between the author’s work and the Cynics and the Stoics. The syncretic nature of Gregory’s work, reflected in the assimilation of the teachings of ancient philosophical schools and the then expanding Christianity creates conditions for the explanation and highlighting of basic human virtues. Gregory of Nazianzus’ legacy also draws on the teachings of such philosophers as Plato and Aristotle, but he always approaches them from the persp

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20

Campbell, Charles S. "LEONIDAS OF TARENTUM AND CYNICISM - (M.) Solitario Leonidas of Tarentum. Between Cynical Polemic and Poetic Refinement. (Quaderni 19.) Pp. vi + 110. Rome: Edizioni Quasar, 2015. Paper, €31. ISBN: 978-88-7140-607-7." Classical Review 67, no. 2 (2017): 368–70. http://dx.doi.org/10.1017/s0009840x17000245.

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21

Šuvaković, Miško. "Between New Sensibility and Transgression: Slovenian Alternative Artistic Practices – OHO and NSK." Primerjalna književnost 43, no. 3 (2020). http://dx.doi.org/10.3986/pkn.v43.i3.04.

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The article conducts a comparative discussion on the strategic poetic and political similarities/differences between the respective contexts of neo-avant-garde and retro-avant-garde practices in relation to aesthetic, artistic, and cultural revolutions. I juxtapose two revolutionary potentials and effects of their actualisation: the utopias and projections of the international revolution relating to the “new sensibility” and the unity of “art and life” of 1968, and several projects and practices that undermine totalitarian systems, from punk cynicism to the national revolutions of 1989 that ov

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22

Sánchez, Rebecca. "Hart Crane’s Speaking Bodies: New Perspectives on Modernism and Deafness." M/C Journal 13, no. 3 (2010). http://dx.doi.org/10.5204/mcj.258.

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I. The early twentieth century may seem, at first glance, a strange place to begin a survey of attitudes towards deafness. At this point, the American Deaf community was just forming, American Sign Language was not yet recognised as a language, and most Americans who did consider deafness thought of it as a disability, an affliction to be pitied. As I will demonstrate, however, modernist writers actually had a great deal of insight into issues central to the experience of many deaf people: physical and visual language. While these writers were not thinking of such language in relation to deafn

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