Academic literature on the topic 'Cypriot Love poetry'

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Journal articles on the topic "Cypriot Love poetry"

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Jakubowska, Joanna, and Marlena Krupa-Adamczyk. "Dialog o miłości mistycznej." Między Oryginałem a Przekładem 28, no. 2(56) (2022): 45–60. http://dx.doi.org/10.12797/moap.28.2022.56.03.

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DIALOGUE ABOUT THE MYSTICAL LOVE: SAINT JOHN OF THE CROSS, CYPRIEN DE LA NATIVITÉ DE LA VIERGE AND PAUL VALÉRY This article concerns the timeless dialogue between Saint John of the Cross OCD, Spanish mystic of 16th century, Cyprien de la Nativité de la Vierge OCD, the 17th-century translator of his poems, and Paul Valéry, who delves into their texts as a reader, poet, and translator. Valéry shares his insights about Saint John’s text and its translation by the mentioned French Carmelite monk in the Introduction, which he writes to the jubilee edition of the Spiritual Canticle (1941). In this a
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Daszyk, Krzysztof K. "Jak połamana „olbrzymia szablica”… O patriotyczno-politycznej symbolice Wisły w literaturze polskiego romantyzmu." Prace Historyczne 151, no. 3 (2025): 499. https://doi.org/10.4467/20844069ph.24.031.21447.

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In 1921, an outstanding literature historian and literary critic Wacław Borowy published an exquisite several dozen-paged study Wisła w poezji polskiej (Vistula in the Polish poetry). It the study – “having examined one after another” poems dedicated to the “queen of Polish rivers” (or at least mentioning it more broadly) that appeared in our literature within the span of about four hundred years: from the 16th century to the first two decades of the 20th century – the author concluded that “Vistula poetry” reached its magnificence “with the Romantics who considered love towards nature as one
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Myronova, Valentyna, and Mariia Lastovets. "MYTHOLOGICAL CHARACTERS IN THE LATIN POETRY OF THE UKRAINIAN BAROQUE." Bulletin of Taras Shevchenko National University of Kyiv. Literary Studies. Linguistics. Folklore Studies, no. 31 (2022): 40–42. http://dx.doi.org/10.17721/1728-2659.2022.31.08.

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The article examines the peculiarities of mythological characters in the Latin poetry of the baroque period in Ukraine. This period contributed a lot to intercultural relations between Ukraine and Western Europe and gave a birth to the phenomenon of the baroque Ukrainian poetry, written in Latin language. In the present paper much research has been devoted to the poetic works of Theophan Prokopovych, Grygoriy Vyshnevsky and Ilarion Yaroshevytsky; their poetic texts are found in printed editions ("Elegia paraenetica", "Epinikion", "Elegia Alexii", "Comparatio vitae monasticae", "Descriptiuncula
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Kowalska, Magdalena. "When every debut is a farewell. My last sonnet by Norwid and Adieux à la poésie by Louise Ackermann." Studia Norwidiana 39, English Version (2024): 151–66. https://doi.org/10.18290/sn.2020.39.7en.

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This article offers a comparative interpretation of two poems: Ostatni mój sonet [My Last Sonnet] by Cyprian Norwid and Adieux à la poésie by Louise Ackermann. Although these two authors differ in terms of sex, nationality, artistic style as well as the national and European reception of their work, their two poems are only four years apart. Both prove to be interesting material for study due to their simultaneous “debut” and “late” character – they describe gestures of bidding farewell to poetry in some specific aspect and in general. The lonely existence of the lyrical “I” in Ackermann’s poe
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Иванова, Ирина, and Irina Ivanova. "Time and image of Phaedra in the works “Hippolytus” by euripides, “Phaedra” by Jean Racine and in the lyrics by Marina Tsvetaeva." Servis Plus 9, no. 3 (2015): 70–79. http://dx.doi.org/10.12737/12542.

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The article tells about the transformation of a wandering ancient story about the passion of a mother to her stepson, shows how each era brings about changes in the depiction of the heroine, set in a boundary situation between happiness and duty. In the tragedy of Euripides "Hippolytus" the main character is the king´s son, and Phaedra is a performer of the will of the goddess Cypris. Without knowing, Hippolytus violated ethics law that prescribed to honor equally all the gods and goddesses: he loved to worship the goddess of the hunt Artemis and didn´t bring
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KARAKUŞ, Ahmet. "FEATURED ELEMENTS IN THE POET OF NEVZAT YALÇIN FROM HISAR POETS." Karadeniz Uluslararası Bilimsel Dergi, September 15, 2022, 31–46. http://dx.doi.org/10.17498/kdeniz.1145104.

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There are many literary societies in the field of New Turkish poetry. One of them is the literate community gathered around the magazine called Hisar, which is more commonly remarkable for Mehmet Çınarlı. Nevzat Yalçın is a Cypriot poet and belongs to this group. He is a Hisar poet who studied Turkish Language and Literature in Ankara and has poetry books called "A' Street" and "Sun and Man." When the poems of this Hisar poet are read collectively, it is seen that some elements come to the fore. These elements are "Highlighting Some Colors," "Foreign Places and Longing for Lover," "Tradition,"
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Sistakou, Evina. "Cyclic Stories: The Reception of the Cypria in Hellenistic Poetry." Philologus 151, no. 1 (2007). http://dx.doi.org/10.1515/phil-2007-0106.

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AbstractThis paper considers the Hellenistic poets' attitude towards pre-Trojan war myths; in particular, it examines the Hellenistic reception of six narratives from the Cypria: the marriage of Peleus and Thetis; the duel between the Dioscuri and Idas and Lynceus; the story of Telephus; the love affair between Achilles and Deidameia; the abandonment of Philoctetes on Lemnos; and the involvement of the Achaeans with the priest Anius and his daughters, the Oenotropae. Furthermore, it is argued that the reception of these stories from the Cypria may be seen as a metaliterary comment upon epic po
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Books on the topic "Cypriot Love poetry"

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Poemas de amor chipriotas del siglo XVI. Centro de Ediciones de la Diputación de Málaga, Servicios de Publicaciones, 2002.

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Book chapters on the topic "Cypriot Love poetry"

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Carbonaro, Giovanna. "Lirica d’amore in greco volgare e musica: dai Ποιήματα ἔμνοστα vindobonensi al Canzoniere cipriota marciano." In Libri, storie, persone e parole fra Venezia e la Grecia Miscellanea di scritti in memoria di Mario Vitti. Fondazione Università Ca’ Foscari, 2024. http://dx.doi.org/10.30687/978-88-6969-868-2/006.

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This contribution focuses on the Ποιήματα ἔμνοστα of the cod. Vindob. Theol. gr. 244, love poems collection (first half of the fifteenth century) of probable Cretan origin, and on the Petrarchan Cypriot Canzoniere (late fifteenth-mid sixteenth century) handed down from the cod. Marc. gr. IX, 32 (= 1287). Fine testaments of love poetry in demotic Greek and coming, although almost a century apart from each other, from Crete and Cyprus, diamond tips of the Venetian Stato da Mar, the two collections seem to find common denominator both in fifteenth-sixteenth century Venice and in Italian lyric poe
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