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Journal articles on the topic 'Cyrkon'

Author: Grafiati

Published: 24 April 2022

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1

Sacała, Elżbieta, Agnieszka Biegun, Anna Demczuk, and Edward Grzyś. "Effect of NaCI and supplemental calcium on growth parameters and nitrate reductase activity in maize." Acta Societatis Botanicorum Poloniae 74, no. 2 (2011): 119–23. http://dx.doi.org/10.5586/asbp.2005.016.

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In this study, investigated were the effects of NaCl (60 mmol/dm<sup>-3</sup>) and NaCl supplemented with different salts (5 mmol/dm<sup>-3</sup> CaCl<sub>2</sub>, CaSO<sub>4</sub>, CaCO<sub>3</sub>, KCl), on growth of two maize varieties (Cyrkon and Limko). After 7 days of cultivation in nutrient solution the growth response to salinity of both maize varieties was similar. NaCl led to a dramatic decrease in growth of plants (approx. 50% reduction in fresh and dry weight of root, and 70% reduction in fresh weight of shoot). Addition of extra Ca<sup>2+</sup> or K<sup>+</sup> to nutrient solution containing NaCl did not definitely improve the growth parameters of maize. However, among the tested salts, CaCl<sub>2</sub> had a beneficial visual effect on maize seedlings. In other cases the plants showed noticeable symptoms of salt damage. In long term exposure to salinity (two weeks) growth of Cyrkon was more inhibited than Limko. Comparison of growth responses in short-term exposure to salinity (7 days) with long-term (14 days) showed that in Cyrkon variety the negative effects of NaCl were intensified and addition of CaCl<sub>2</sub> to salinized solution had not positive effects on growth. On the contrary, in Limko variety, there was a significant improvement in growth (especially in root dry weight). This fact indicates that during longer exposure to salinity Limko was able to adapt to those conditions. Salinity caused a significant decrease in leaf nitrate reductase activity (60% and 30% reduction respectively in Limko and Cyrkon). Addition of CaCl<sub>2</sub> to salinized nutrient solution resulted in greater enzyme inhibition in Cyrkon (50% decline in relation to plants grown under sole NaCl), and 30% increase in Limko. Inhibition of nitrate reductase activity did not cause a decrease in concentration of soluble protein in maize leaves.

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2

Lewicka, Ewa. "Colour After Firing Versus Mineral Composition of Feldspar Raw Materials from the Sobótka Region." Gospodarka Surowcami Mineralnymi - Mineral Resources Management 29, no. 1 (March 1, 2013): 35–51. http://dx.doi.org/10.2478/gospo-2013-0001.

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Streszczenie Artykuł zawiera charakterystykę mineralogiczno-petrograficzną granitoidów występujących w czterech złożach eksploatowanych przez Strzeblowskie Kopalnie Surowców Mineralnych w Sobótce, ze szczególnym uwzględnieniem minerałów będących nośnikami żelaza oraz innych pierwiastków, których obecność ma wpływ na barwę kopaliny po wypaleniu. W tym celu wykonano badania mikroskopowe w świetle przechodzącym, analizę składu chemicznego oraz obserwacje przy użyciu mikroskopu scanningowego (SEM/EDS). Te ostatnie okazały się kluczowe dla pełnej identyfikacji składników mineralnych badanych skał. Stwierdzono, że głównymi nośnikami żelaza są: pobiotytowy chloryt i biotyt, jasne miki (serycyt, muskowit) oraz granaty i inne minerały ciężkie (rutyl, apatyt, epidot, monacyt, cyrkon, piryt, tytanomagnetyt, sfaleryt), występujące w postaci drobnych ziaren rozproszonych w skale bądź tworzące większe skupienia i wypełnienia przecinających ją spękań i szczelinek. Badania te wykazały również, że w strukturze zidentyfikowanych faz mineralnych tkwią inne pierwiastki barwiące, takie jak: mangan (granaty, chloryty, miki), tor i uran (monacyt, ksenotym, cyrkon), cer (monacyt), neodym (monacyt, ksenotym). Ich obecnością można tłumaczyć odmienne parametry barwy L*a*b* oznaczone dla badanych próbek po wypaleniu metodą spektrofotometryczną, mimo zbliżonej lub identycznej zawartości tlenku żelaza. Potwierdzenie tej hipotezy wymagałoby jednak przeprowadzenia badań składu chemicznego skał na zawartość pierwiastków podrzędnych i śladowych, a w szczególności oznaczenie Mn i REE (Ce, Pr, Nd). Minerały będące nośnikami tych pierwiastków występują bowiem w badanych kopalinach w niewielkich ilościach.

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Brittnacher, Hans Richard. "„[…] Denn mit dem Tode, Dem Genickbruch spielen sie alle.“ Die sprachlose Poetik des Zirkus in Thomas Manns Bekenntnisse des Hochstaplers Felix Krull." Roczniki Humanistyczne 69, no. 5 (June 16, 2021): 65–81. http://dx.doi.org/10.18290/rh21695-4.

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„Bo ze śmiercią, ze skręceniem karku igrają tam wszyscy”. Niema poetyka cyrku w powieści Tomasza Manna Wyznania hochsztaplera Feliksa Krulla Rozdział poświęcony cyrkowi w powieści Tomasza Manna Wyznania hochsztaplera Feliksa Krulla stanowi punkt wyjścia do rozważań na temat powinowactwa między sztuką cyrkową i hochsztaplerstwem. Artystyczne pokazy, podczas których wykonawcy podejmują śmiertelne ryzyko, skłaniają Feliksa Krulla do głębokich antropologicznych i estetycznych rozważań: Czy artyści cyrkowi, którzy igrają ze śmiercią i swoje ciała doprowadzają do granic fizycznych możliwości, oraz klowni rzucający wyzwanie prawom i normom są jeszcze ludźmi? Czy cyrkowe wrażenia i sadystyczną ciekawość publiczności można odpowiednio opisać za pomocą kategorii estetycznych? Typowy dla pokazów cyrkowych ekstremalny charakter lekceważenia konwencji ma wiele wspólnego z hochsztaplerstwem. Co różni obydwa zjawiska? Am Beispiel des Zirkuskapitels in Thomas Manns Roman Die Bekenntnisse des Hochstaplers Felix Krull untersucht der Beitrag die Affinität von Zirkus und Hochstapelei. Angesichts des tödlichen Risikos der artistischen Darbietungen gerät Felix Krull in tiefsinnige anthropologische und ästhetische Grübeleien: sind Artisten, die so bereitwillig ihr Leben aufs Spiel setzen, die ihrem Körper das Äußerste abverlangen, die mit clowneskem Übermut den Gesetzen der Norm trotzen, überhaupt Menschen? Sind die Sensationen des Zirkus und die sadistische Schaulust des Publikums noch mit den Begriffen der Ästhetik angemessen zu fassen? In seiner Missachtung der Konvention hat der Extremismus der zirzensischen Darbietung eine große Affinität zur eigenen Hochstapelei. Worin unterscheiden sie sich?

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Siedlecka, Sylwia. "Cyrk jako parodia komunizmu. Powieść "Kloktat dehet" Jáchyma Topola." Slavia Meridionalis 14 (November 27, 2014): 443–61. http://dx.doi.org/10.11649/sm.2014.021.

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Circus as parody of communism. Gargling with Tar by Jáchym TopolThis article deals with humanism in Jáchym Topol’s novel Gargling with Tar (Kloktat dehet, Prague, 2005). The Czech writer’s perspective is close to the concepts of German philosopher Peter Sloterdijk, who claims that the Romans were not only the authors of the idea of humanitas but also the inventors of bloody games such as circuses. In Topol’s novel, the circus is a holistic political project. The novel refers to the ideas developed in Russia in the 1920s, when a large number of circus theories and artistic manifestos were formulated. The circus was then officially recognised as the most important form of social entertainment (together with cinema) and it gained religious, aesthetic and political functions. By using the grotesque, fantasy and parody (Czechoslovakia as a giant circus), Topol’s novel creates an alternative narrative about the Prague Spring and “normalisation”. New meanings for notions such as progress, revolution and community are also revealed. Cyrk jako parodia komunizmu. Powieść Kloktat dehet Jáchyma TopolaArtykuł analizuje pojęcie humanizmu w powieści Kloktat dehet Jáchyma Topola (Praga 2005). Czeski pisarz jest bliski koncepcji Petera Sloterdijka, który pisał, że Rzymianie oprócz idei humanitas stworzyli także krwawe igrzyska – cyrki. W powieści Topola cyrk to projekt polityczny, w którym widać wyraźne nawiązania autora do koncepcji formułowanych od lat dwudziestych XX wieku w Związku Radzieckim, kiedy cyrk (obok kina) propagowano jako najważniejszą gałąź sztuki łączącą wszystkie grupy społeczne. Wykorzystując groteskę, fantastykę, ale przede wszystkim parodię (figura wielkiego cyrku socjalistycznego) autor Kloktat dehet buduje alternatywną historię Praskiej Wiosny i czechosłowackiej „normalizacji”, w której nowych sensów nabierają pojęcia postępu, rewolucji i wspólnoty.

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Prażmowski, M., and H. Paul. "The Effect of Stand-Off Distance on the Structure and Properties of Zirconium – Carbon Steel Bimetal Produced by Explosion Welding / Wpływ Odległości Blach Na Strukturę I Własności Bimetalu Cyrkon - Stal Wytworzonego Technologią Zgrzewania Wybuchowego." Archives of Metallurgy and Materials 57, no. 4 (December 1, 2012): 1201–10. http://dx.doi.org/10.2478/v10172-012-0134-0.

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This study focuses on the effect of the stand-off distance between the bonded plates on the properties of zirconium (Zr700) - steel (P355NL2) bimetal produced by explosion welding. Bonding trials were carried out in parallel arrangement at constant detonation velocity. The analyses of microstructural transformations occurring in the bond zone and mechanical properties of the clad were performed for as-bonded welds, i.e. immediately following explosion welding. A general description of the obtained welds was made (height and length of the wave was determined) and the quantitative fraction of the melt zones was calculated along the bond’s length. Using optical microscopy and scanning electron microscopy (SEM) enabled the assessment of the quality of the formed bonds, initial identification of phases and quantitative analysis of the individual phases on the longitudinal section. The microhardness results were used in the analysis of hardening changes at the interface area. The completed research proves the potential to obtain a proper bond for zirconium/carbon steel sheets. A strong effect of the stand-off distance on the strength properties of the fabricated plates was observed, and the ’direction’ of these transformations was pointed out. Optical microscopy and SEM examinations allowed determining the characteristic of the bond interface for diverse stand-off distances. It was established that increasing the stand-off distance between the plates causes the reduction of the melt area along the length of the bond, which improves strength properties of the bimetal. The analysis of the strength distribution performed based on the microhardness measurements showed that the changes occur within the distances up to 500µm from the bond interface and the highest hardening, for both zirconium and steel, is directly at the interface and then successively decreases.

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Wołowski, Witold. "Antynomie cyrku — na kanwie książki Cyrk w świecie widowisk." Roczniki Humanistyczne 66, no. 5 (2018): 203–7. http://dx.doi.org/10.18290/rh.2018.66.5-14.

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Jabbar, Maha, and Suha Dulaimi. "Effect of the combined zirconium dioxide surface treatment on the shear bond strength of a veneering ceramic to zirconium dioxide." Dental and Medical Problems 57, no. 2 (June 19, 2020): 177–83. http://dx.doi.org/10.17219/dmp/116409.

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8

Jantoń-Drozdowska, Elżbieta. "Edward Franciszek Cyrson." Ruch Prawniczy, Ekonomiczny i Socjologiczny 80, no. 3 (September 28, 2018): 261–62. http://dx.doi.org/10.14746/rpeis.2018.80.3.23.

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9

Soriano, Paul. "Cyrano." Médium 42, no. 1 (2015): 35. http://dx.doi.org/10.3917/mediu.042.0035.

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10

Dieguez, Sebastian. "Cyrano." Cerveau & Psycho N° 117, no. 1 (January 20, 2020): 94–97. http://dx.doi.org/10.3917/cerpsy.117.0094.

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BONDIOLI, FEDERICA, VALERIA CANNILLO, ELENA FABBRI, and MASSIMO MESSORI. "Preparation and characterization of epoxy resins filled with submicron spherical zirconia particles." Polimery 51, no. 11/12 (November 2006): 794–98. http://dx.doi.org/10.14314/polimery.2006.794.

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12

Londré, Felicia Hardison, Edmond Rostand, and Felicia Hardison Londre. "Cyrano de Bergerac." Theatre Journal 37, no. 4 (December 1985): 501. http://dx.doi.org/10.2307/3207530.

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13

Apostolidès, Jean-Marie. "Ubu et Cyrano." L’Annuaire théâtral, no. 43-44 (May 25, 2010): 15–30. http://dx.doi.org/10.7202/041703ar.

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Les années 1896-1897 marquent un tournant dans l’histoire du théâtre en France. Deux spectacles importants sont alors produits : d’une part, la présentation d’Ubu roi au Théâtre de l’Oeuvre; d’autre part, celle de Cyrano de Bergerac au Théâtre de la Porte Saint-Martin. La première représentation est porteuse d’avenir, autant dans l’esthétique de la mise en scène que dans l’écriture dramatique; la seconde marque le triomphe du théâtre romantique, presque un demi-siècle après la fin de ce mouvement littéraire. En analysant en détail ces deux productions contemporaines, on parvient non seulement à opposer le désordre de la première à l’ordre de la seconde; on met également au jour deux types de spectacle : le spectacle de rupture et le spectacle de réconciliation. C’est dans la tension entre rupture et réconciliation que se déroulera la vie théâtrale française pendant tout le XXe siècle.

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Dolamore, C. E. J., Edmond Rostand, Geoff Woollen, and Edward Freeman. "Cyrano de Bergerac." Modern Language Review 92, no. 4 (October 1997): 977. http://dx.doi.org/10.2307/3734256.

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Rodden, John. "Cyrano at 400." Society 57, no. 2 (April 2020): 206–10. http://dx.doi.org/10.1007/s12115-020-00466-7.

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Bączkowski, Bohdan, Anna Ziębowicz, Bogusław Ziębowicz, Elżbieta Wojtyńska, and Elżbieta Mierzwińska-Nastalska. "Assessment of the microhardness and roughness of zirconium oxide used in the production of individual ceramic implant abutments." Prosthodontics 70, no. 1 (March 2, 2020): 33–42. http://dx.doi.org/10.5114/ps/118641.

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Forato, Thaís Cyrino de M. "Vida: nuevas fronteras de la existencia." Prometeica - Revista de Filosofía y Ciencias, no. 3 (December 1, 2010): 4–5. http://dx.doi.org/10.24316/prometeica.v0i3.56.

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Górowski, Krzysztof, Magdalena Orczykowska, and Małgorzata Pihut. "Advanced zirconium oxide materials: optical and mechanical properties – literature review." Prosthodontics 71, no. 4 (December 15, 2021): 392–400. http://dx.doi.org/10.5114/ps/143489.

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Pawłowska, Maja. "L’amitié dans „Les États et Empires de la Lune” de Cyrano de Bergerac." Romanica Wratislaviensia 64 (October 27, 2017): 47–55. http://dx.doi.org/10.19195/0557-2665.64.5.

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FRIENDSHIP IN CYRANO DE BERGERAC’S LES ÉTATS ET EMPIRES DE LA LUNEIn his novel Les États et Empires de la Lune Other Worlds, or the States and the Empires of the Moon, Cyrano de Bergerac describes imaginary visits to New France and to the Moon, and he portrays in a burlesque way the society of his time. The encounters of the narrator with alien Lunarian cultures lead to his disappointment. The writer questions all the moral standards, ideals and scientific facts available in his century. Friendship is the only value he does not criticise but estimates.

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Wiastuti, Rachel, and Dwi Devani Sunggiardi. "Pengaruh social media marketing activities terhadap ekuitas merek di cyrano café bogor." Jurnal Ilmiah Hospitality Management 12, no. 1 (December 31, 2021): 25–37. http://dx.doi.org/10.22334/jihm.v12i1.187.

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Penelitian ini bertujuan untuk mengetahui pengaruh social media marketing activities terhadap ekuitas merek di Cyrano Cafe Bogor. Penelitian ini menggunakan pendekatan kuantitatif. Data dikumpulkan melalui survei dengan menggunakan kuesioner 5 poin skala Likert dan pertanyaan tertutup. Sample dari penelitian berjumlah 100 konsumen Cyrano Café, dihitung dengan rumus slovin dan dikumpulkan dengan sampling secara acak. Data dianalisis dengan desktiptif statistik, uji korelasi, regresi liniear sederhana, dan uji hipotesis yang menggunakan program statistik SPSS. Hasil penelitian menunjukkan bahwa social media marketing activities berpengaruh signifikan terhadap ekuitas merek sebesar 30,7% dimana keduanya memiliki hubungan yang positif dan cukup kuat.

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Forato, Thaís Cyrino de Mello. "SIMETRÍAS, IRREVERSIBILIDAD DEL TIEMPO E IMPONDERABILIDAD EN LA FÍSICA." Prometeica - Revista de Filosofía y Ciencias, no. 4 (February 1, 2011): 90–95. http://dx.doi.org/10.24316/prometeica.v0i4.53.

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Sołtysik, Barbara. "Catalytic properties of zirconium compounds Katalityczne właściwości związków cyrkonu." PRZEMYSŁ CHEMICZNY 1, no. 8 (August 5, 2016): 132–36. http://dx.doi.org/10.15199/62.2016.8.28.

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Ruiz García, Claudia. "Cyrano de Bergerac y el relato de viajes." Anuario de Letras Modernas 14 (July 31, 2009): 71–85. http://dx.doi.org/10.22201/ffyl.01860526p.2008.14.675.

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This article presents Cyrano de Bergerac’s Voyage dans la lune as one of the most important planetary utopias in the modern age. First, the text handles the construction of Cyrano de Bergerac himself as a literary myth; afterwards it discusses Bergerac’s utopia and how it has been transformed and mutilated throughout the history of its publication. Cyrano’s tale is an excuse to question the astronomical theory of Ptolemy, in favor of thesis such as Copernicus’s, Galileo’s or Kepler’s. Throughout Voyage dans la lune several biblical stories are criticized and caricaturized, and so are the Christian moral, the belief in miracles belief, the notion of immortality and the existence of God.

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Tourrette, Éric. "Cyrano et la concaténation." L'Information Grammaticale 105, no. 1 (2005): 32–33. http://dx.doi.org/10.3406/igram.2005.3758.

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TOURETTE, Eric. "Cyrano et la concaténation." L'Information Grammaticale 105 (April 1, 2005): 32–33. http://dx.doi.org/10.2143/ig.105.0.562949.

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Sankey, Margaret. "On (Re)reading Cyrano." Australian Journal of French Studies 33, no. 3 (September 1996): 388–402. http://dx.doi.org/10.3828/ajfs.33.3.388.

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Sweetser, Eve. "Whose rhyme is whose reason? Sound and sense in Cyrano de Bergerac." Language and Literature: International Journal of Stylistics 15, no. 1 (February 2006): 29–54. http://dx.doi.org/10.1177/0963947006060553.

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This article proposes a new interpretation of the relationship between poetic form and literary interpretation in Rostand's Cyrano de Bergerac, focusing on the special affordances of rhyme and meter in dramatic verse and on Rostand's virtuosic exploitation of poetic blending possibilities in Cyrano. I claim that poetic blends play a thematically essential role in this work, at a level far beyond their thematic contribution to most verse drama. Such a reading of Cyranomay thus help to expose general aspects of poetic blending which may be less visibly present in other texts. It also has consequences for our understanding of verbal humor and irony. In the final section of the article, I propose an extension of my analysis of metric and rhyming blends to the beginnings of a cognitive poetic treatment of intertextuality as blending.

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Emamieh, Shila, Mahya Elahi, and Amir Ghasemi. "Effect of two universal adhesives on microshear bond strength of resin cement to zirconia." Dental and Medical Problems 56, no. 3 (July 23, 2019): 245–49. http://dx.doi.org/10.17219/dmp/109349.

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Grünnagel, Christian. "La politique selon La Mort d’Agrippine de Cyrano de Bergerac : conspiration, athéisme et libertinage érudit sur scène." Romanica Wratislaviensia 67 (July 23, 2020): 107–19. http://dx.doi.org/10.19195/0557-2665.67.8.

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The present article examines the vision of politics, especially linked to religion, in the only known tragedy by French author Cyrano de Bergerac. Provoking a major scandal during its premiere due to several dialogues considered as atheist by contemporary authorities, this complex piece of dramatic art provides some insights into the political thought of a 17th-century philosophical (un-derground) tendency known as libertinage érudit. As I try to show, one of the major problems we face in the tragedy’s (political) interpretation is its overall composition, which Cyrano based on baroque principles like (dis)simulation, illusion, and manipulation, turning the whole piece into a dramatic trompe-l’œil. Focusing on the close reading of some crucial dialogues that involve three of the tragedy’s protagonists (Agrippina, Emperor Tiberius, and Sejanus), this article postulates two axes as central to politics according to Cyrano: (1) religion is useful for political enterprises and the foundation of the state, but has no basis in itself since the gods do not exist — they are mere creations of the human mind. (2) At least in Cyrano’s Rome, there simply are no good politicians (‘good’ understood in a moral sense), only brilliant liars and deceivers, Machiavellian rulers, cruel emperors, and equally cruel conspirators. Politics is perceived as a dirty business where there is no space for morals — scandalous conclusions explaining the immediate suppression of any further representations of La Mort d’Agrippine after its tumultuous premiere.

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Nédélec, Claudine. "Cyrano et sa « burlesque audace »." Littératures classiques. Supplément 53, no. 1 (2004): 253–71. http://dx.doi.org/10.3406/licla.2004.2082.

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Mallinson, G. J., and Haydn Mason. "Cyrano de Bergerac: L'Autre Monde." Modern Language Review 82, no. 2 (April 1987): 474. http://dx.doi.org/10.2307/3728476.

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Mason, Haydn. "Cyrano de Bergerac's Space-Inventions." Romance Studies 4, no. 1 (June 1986): 21–33. http://dx.doi.org/10.1179/ros.1986.4.1.21.

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Raffi, Maria Emanuela. "Edmond Rostand, Cyrano de Bergerac." Studi Francesi, no. 188 (LXIII | II) (August 1, 2019): 384–85. http://dx.doi.org/10.4000/studifrancesi.20136.

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Mason, Haydn. "Cyrano de Bergerac's Space-Inventions." Romance Studies 3, no. 2 (December 1985): 21–33. http://dx.doi.org/10.1179/026399086786621719.

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Noonan, Mary. "The Man Who Was Cyrano: A Life of Edmond Rostand, Creator of Cyrano de Bergerac." French Studies 59, no. 3 (July 1, 2005): 416–17. http://dx.doi.org/10.1093/fs/kni181.

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Mallo Lapuerta, Ana Mª. "AUDIOVISUAL TRANSLATION: THE CHALLENGE OF DUBBING A WORLD CLASSIC." Entreculturas. Revista de traducción y comunicación intercultural, no. 7-8 (January 1, 2016): 719–31. http://dx.doi.org/10.24310/entreculturasertci.vi7-8.11363.

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La obra teatral de Cyrano de Bergerac, se estrenó en París en 1897, y está basada en la vida del personaje real Cyrano de Bergerac. Se trata de una obra de gran belleza estética ya que está compuesta por un total de 2.570 versos y se dispone en pareados de alejandrinos, alternando las rimas según los cánones del teatro clásico y romántico francés.Resulta de interés para la traducción audiovisual, y más en concreto para el doblaje, la dificultad para mantener en el trasvase lingüístico la idiosincrasia del verso y rima de la obra teatral original y de la versión cinematográfica dirigida por Jean-Paul Rappeneau. El análisis lingüístico de la obra audiovisual en su totalidad, según el tipo y procedimientos de traducción utilizados, y teniendo en cuenta las modificaciones discursivas y pragmáticas de la fase de traducción en el doblaje del francés a español, arroja interesantes resultados desde el punto de vista de la traducción.

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Levesque, Mathilde. "Cyrano de Bergerac et l'expérimentation imitative." Littératures classiques N° 74, no. 1 (2011): 141. http://dx.doi.org/10.3917/licla.074.0141.

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Descotes, Dominique. "Quelques remarques sur Cyrano et Mersenne." Littératures classiques. Supplément 53, no. 1 (2004): 115–35. http://dx.doi.org/10.3406/licla.2004.2074.

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Descotes, Dominique. "Les machines de Cyrano de Bergerac." Dix-septième siècle 240, no. 3 (2008): 535. http://dx.doi.org/10.3917/dss.083.0535.

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Wallensten, Jenny. "Aprodite, by M.S. Cyrino (Book review)." Opuscula. Annual of the Swedish Institutes at Athens and Rome 6 (November 2013): 349–51. http://dx.doi.org/10.30549/opathrom-06-17.

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Husein-ElAhmed, Husein, Maria-Isabel Soriano-Hernandez, Jacinto Orgaz-Molina, Jose-Carlos Ruiz-Carrascosa, and Rosa Ortega-DelOlmo. "A case of Cyrano-nose haemangioma." Journal of Paediatrics and Child Health 48, no. 4 (April 2012): 360. http://dx.doi.org/10.1111/j.1440-1754.2012.02438-1.x.

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Phil Van Groeschel. "Cyrano de Bergerac (review)." Theatre Journal 60, no. 2 (2008): 306–7. http://dx.doi.org/10.1353/tj.0.0016.

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Assis Brasil, Luiz Antonio De, Maria Eunice Moreira, and Fábio Varela Nascimento. "Os acervos literários e a construção do texto biográfico: o caso Cyro Martins / The Literary Collections and the Construction of the Biographical Text: The Case Cyro Martins." O Eixo e a Roda: Revista de Literatura Brasileira 28, no. 4 (December 5, 2019): 13. http://dx.doi.org/10.17851/2358-9787.28.4.13-28.

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Resumo: Este trabalho aborda a relevância dos acervos literários no processo de construção de textos biográficos – especialmente no caso da escrita da biografia do psicanalista e escritor gaúcho Cyro Martins (1908-1995). Em um primeiro momento, o foco do artigo recai sobre a importância dos materiais preservados no Acervo Cyro Martins, localizado no Delfos – Espaço de Documentação e Memória Cultural da Pontifícia Universidade Católica do Rio Grande do Sul –, para a escrita de uma futura biografia. Depois, são ressaltadas as potencialidades de outros acervos guardados no Delfos, pois Cyro Martins se relacionou de alguma forma com figuras intelectuais cujos arquivos também estão preservados na instituição: Dyonélio Machado, Lila Ripoll, Moysés Vellinho, Manoelito de Ornellas e João Otávio Nogueira Leiria.Palavras-chave: acervos literários; construção biográfica; Cyro Martins.Abstract: This work deals with the relevance of literary collections in the process of constructing biographical texts – especially in the case of writing the biography of psychoanalyst and writer Cyro Martins (1908-1995). At first, the article focuses on the importance of the materials preserved in the Cyro Martins Collection, located at Delfos – Espaço de Documentação e Memória Cultural of the Pontifícia Universidade Católica do Rio Grande do Sul, for writing a biography in the future; secondly, the potentialities of other collections stored in Delfos are highlighted, as Cyro Martins has related in some way to intellectual figures whose archives are also preserved in the institution: Dyonélio Machado, Lila Ripoll, Moysés Vellinho, Manoelito de Ornellas and João Otávio Nogueira Leiria.Keywords: literary collections; biographical construction; Cyro Martins.

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Scott, P. "Cyrano de Bergerac: l'ecrivain de la crise." French Studies 67, no. 4 (September 27, 2013): 552. http://dx.doi.org/10.1093/fs/knt163.

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Nédelec, Claudine. "Cyrano de Bergerac, entre science et fiction." L'information littéraire Vol. 57, no. 1 (March 1, 2005): 20–27. http://dx.doi.org/10.3917/inli.571.0020.

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Šuler Galos, Jasmina. "Sojusz artystyczno-cyrkowy w filmie "Tratwa Meduzy"." Panoptikum, no. 25 (September 14, 2021): 87–100. http://dx.doi.org/10.26881/pan.2021.25.05.

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The film The Raft of the Medusa (1980, directed by Karpo Godina) attempts a recreation of a short part of the day in the life of avant-garde artists belonging to the “Zenit” group. The director aims to re-create the energy of artists‘ actions, and to analyse the reasons behind the movement‘s downfall. Central to the plot is the question of the possibility of revolutionary art in the remote, muddy plazas and roads of the newly established Kingdom of Serbs, Croats and Slovenes. His search for an answer to that question eventually turns into a stance in the fierce discussion on the independence of art and its right to interfere in politics, which raged in the Socialist Federative Republic of Yugoslavia at the time of the movie‘s making. The figure of the athlete Alojz Žnidaršič is of particular importance to the message of the movie. As a symbolic type, he needs no external justification – his self-sustaining artistic act has a direct, if limited, impact on reality.

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Perfetti, Amalia. "L'hypothèse atomistique dans L'Autre Monde de Cyrano de Bergerac / The atomistic hypothesis in Cyrano de Bergerac's Autre Monde." Revue d'histoire des sciences 55, no. 2 (2002): 215–38. http://dx.doi.org/10.3406/rhs.2002.2150.

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Unwin, Timothy A. "The Man who was Cyrano: A Life of Edmond Rostand, Creator of "Cyrano de Bergerac" (review)." Nineteenth Century French Studies 33, no. 1 (2004): 218–19. http://dx.doi.org/10.1353/ncf.2004.0078.

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Bellemare, Alex. "« Ces animaux qu’on appelle hommes ». Animalité et monstruosité chez Cyrano et Foigny." Voix Plurielles 12, no. 2 (December 12, 2015): 59–75. http://dx.doi.org/10.26522/vp.v12i2.1271.

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Au dix-septième siècle, la querelle de la « nouvelle philosophie », qui oppose Descartes à Gassendi, repose notamment sur la question, polémique, de la différenciation entre l’homme et l’animal. En effet, toute définition de l’animal engage aussi et parallèlement une réflexion sur l’homme. Les répercussions de ce débat philosophique s’observent dans la littérature viatique au sens large, mais plus particulièrement dans sa variante libertine et antichrétienne. En misant sur l’indécision formelle du genre viatique, qui oscille entre fiction romanesque et réalité testimoniale, les récits de voyage libertins tirent philosophiquement profit du principe relativiste que le genre impose par définition. Or, la médiation de l’inconnu par le connu se manifeste de manière encore plus brutale lorsque le voyage s’effectue dans l’ailleurs utopique. De la même façon que le récit de voyage met à distance la culture du voyageur entrant en contact avec celle de l’autre, le discours sur l’animal reflète également le discours sur soi. Dans l’Autre monde (1657) de Cyrano de Bergerac et la Terre australe connue (1676) de Gabriel de Foigny, deux romans hybrides qui mêlent récits de voyage et discours utopique, la frontière qui sépare ontologiquement l’homme de la bête s’atténue et se trouble. En souterrain, toute une anthropologie libertine s’esquisse chez Cyrano et Foigny, qui correspond à une expression singulière du « moi ».

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Yao, Shan-kun, Ying Qian, Zheng-qing Qi, Chang-gui Lu, and Yi-ping Cui. "A smart two-photon fluorescent platform based on desulfurization–cyclization: a phthalimide–rhodamine chemodosimeter for Hg2+ NIR emission at 746 nm and through-bond energy transfer." New Journal of Chemistry 41, no. 22 (2017): 13495–503. http://dx.doi.org/10.1039/c7nj02814h.

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In this work, a smart two-photon fluorescent platform based on desulfurization–cyclization was developed, in the construction of TBET-based fluorescent chemodosimeter CyRSN towards Hg²⁺ in near-infrared region at 746 nm.

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