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Relevant bibliographies by topics / Dacia Maraini

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Academic literature on the topic 'Dacia Maraini'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Dacia Maraini"

1

Hostert, Anna Camaiti. "INTERVISTA CON DACIA MARAINI." Forum Italicum: A Journal of Italian Studies 28, no. 1 (March 1994): 111–15. http://dx.doi.org/10.1177/001458589402800110.

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González Rodríguez, Begoña. "RESEÑA: BUIO. DACIA MARAINI." RAUDEM. Revista de Estudios de las Mujeres 7 (September 14, 2020): 259. http://dx.doi.org/10.25115/raudem.v7i0.3258.

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Los doce relatos que Dacia Maraini expone en Buio muestran a través de sus protagonistas crudas realidades a las que mujeres o niños se exponen. La escritora busca denunciar una serie de violencias que, como es habitual afectan a los más desamparados.

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González, Begoña. "Relaciones violentas en Voci de Dacia Maraini." Revista Internacional de Culturas y Literaturas, no. 23 (2020): 61–73. http://dx.doi.org/10.12795/ricl.2020.i23.04.

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El objetivo de este artículo es un análisis de las difíciles relaciones que se establecen entre los personajes femeninos de una misma familia, madre e hijas, a causa de la violencia machista en la novela Voci de Dacia Maraini. Esta aparente novela negra, en realidad narra la violencia visible e invisible contra las mujeres, atrapadas en una red de secretos, mentiras y silencios para esconder una relación incestuosa por parte del padre.

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Wood, Sharon, and M. Grazia Sumeli Weinberg. "Invito alla lettura di Dacia Maraini." Modern Language Review 91, no. 2 (April 1996): 500. http://dx.doi.org/10.2307/3735079.

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Translated by Monica Seger. "Dacia Maraini: The 2011 Puterbaugh Fellow." World Literature Today 89, no. 3-4 (2015): 56. http://dx.doi.org/10.7588/worllitetoda.89.3-4.0056.

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Lazzaro-Weis, Carol, and M. Grazia Sumeli Weinberg. "Invito alla lettura di Dacia Maraini." Italica 73, no. 1 (1996): 133. http://dx.doi.org/10.2307/480048.

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Weinberg (book author), M. Grazia Sumeli, and Anne Urbancic (review author). "Invito alla lettura di Dacia Maraini." Quaderni d'italianistica 16, no. 2 (October 1, 1995): 320–22. http://dx.doi.org/10.33137/q.i..v16i2.10363.

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González Rodríguez, Begoña. "Dacia Maraini: Hijos abusados y madres silenciadas." Ambigua: Revista de Investigaciones sobre Género y Estudios Culturales, no. 7 (December 14, 2020): 185–97. http://dx.doi.org/10.46661/ambigua.5302.

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Dacia Maraini ha trasladado a sus obras la cruda realidad de muchos niños que viven atrapados en las redes de hombres que cometen sobre ellos abusos sexuales y con quienes comparten su día a día. De manera indirecta las madres de esos niños también son prisioneras de esa violencia por parte de sus parejas. Este trabajo pretende analizar a través de cuatro relatos de Dacia Maraini, el papel de las madres ante el abuso sexual de sus hijos. Tanto si son cómplices, como si se enfrentan a los abusadores, poniéndose de parte de los hijos, las madres cargan con el peso de la culpa, lo que supone a veces la destrucción de sus propias vidas.

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MIRALLES GUARDIOLA, ALMUDENA. "Dacia Maraini y el género epistolar: Chiara d'Assisi. Elogio della Disobbedienza." Estudios Románicos 28 (December 19, 2019): 99–113. http://dx.doi.org/10.6018/er/372141.

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El género epistolar ha sido muy frecuentemente elegido por Dacia Maraini como un recurso atractivo y eficaz a la hora de hacer llegar el mensaje al lector. El presente trabajo propone un recorrido por las distintas obras en las que la escritora italiana se ha decantado por este formato y lleva a cabo un análisis de la intención de Maraini al elegir el intercambio epistolar en una de sus novelas más recientes: Chiara d’Assisi. Elogio della disobbedienza. The epistolary genre has profusely been chosen by Dacia Maraini as an appealing and effective resource when it comes to transmit the message to the reader. The present paper suggests a tour through the several works in which the Italian writer has opted for this format and carries out an analysis of Mariani’s intention when choosing the epistolary exchange in one of his most recent novels: Chiara d'Assisi. Elogio della Disobbedienza.

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Guida, Patrizia. "La ricostruzione dell'io nell'itinerario poetico di Dacia Maraini." Italica 78, no. 1 (2001): 74. http://dx.doi.org/10.2307/480223.

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Dissertations / Theses on the topic "Dacia Maraini"

1

Heinzius, Barbara. "Feminismus oder Pornographie? : zur Darstellung von Erotik und Sexualität im Werk Dacia Marainis /." St. Ingbert : Röhrig Universitätsverl, 1995. http://catalogue.bnf.fr/ark:/12148/cb40179145h.

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Standen, Alex May. "Re-thinking the victim : representations of gender violence in the narratives of Dacia Maraini." Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2914/.

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This thesis explores representations of gender violence in the works of Dacia Maraini, tracing a pathway from early novels in which her protagonists suffer predominantly non-physical oppression, to later works which foreground victims of more extreme bodily violence. Taking a chronological approach, it contextualises her work and situates individual texts in their broader cultural framework, highlighting the changes and continuities that these differing backgrounds have provoked. Maraini’s unique position as both author and social commentator is similarly established, with the interplay of her narrative and feminist commitment emerging as a central concern. Fundamental to the thesis is the figure of the female victim, through whom motifs that are recurrent in Maraini’s oeuvre are identified and analysed. The thesis proposes two main lines of argument. Firstly, that there is a change in the way in which Maraini represents gender violence: from signifying one manifestation of women’s overall oppression under patriarchy, it becomes the dominant theme in a number of texts, presented as a specific phenomenon to be understood and exposed. Secondly, that whilst in many of her early texts her protagonists develop strategies for resisting their abusive situations, Maraini’s later female victims demonstrate little agency and, moreover, appear to submit to the violence they undergo.

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Manson, Christina Siggers. "Donna in guerra, uomo in crisi : familial roles and patriarchal legacies in Dacia Maraini and Natalia Ginzburg." Thesis, University of Kent, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.497692.

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Carton-Vincent, Alison. "Écriture du corps et féminismes : genre, sexualité et maternité dans l’oeuvre narrative à la première personne de Dacia Maraini." Thesis, Aix-Marseille, 2013. http://www.theses.fr/2013AIXM3034.

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Avec l’essor du néo-féminisme en Italie à la fin des années 1960, un genre littéraire se développe rapidement : le roman féministe. Souvent relaté à la première personne, il présente des parcours de femmes aux prises avec une société patriarcale qui les opprime et dont elles tentent de se libérer. Dès ses premières oeuvres, Dacia Maraini s’inscrit dans cette veine narrative. Elle en fournira les exemples les plus célèbres (notamment avec Donna in guerra en 1975) et en assurera la diffusion même après la fin du féminisme militant dans les années 1980 avec des oeuvres moins marquées idéologiquement mais toujours inscrites dans une visée de dénonciation des inégalités. À mi-chemin entre création littéraire et engagement politique, les récits féministes à la première personne de Dacia Maraini s’attachent tout particulièrement à la question du corps, interface entre soi et les autres, entre le privé et le politique. Considérant la période 1962- 2001, ce travail montre comment l’auteure investit et questionne les territoires du genre, de la sexualité et de la maternité par le biais de fictions mais aussi d’oeuvres autobiographiques. Dans une optique pluridisciplinaire empruntant à la fois les outils de l’analyse littéraire et de l’histoire des idées, le je des récits du corpus est analysé en tant que modalité énonciative spécifique mais aussi en tant qu’instrument performatif de diffusion du féminisme marainien, dans un rapport circulaire entre art et société, entre culture et pouvoir
With the rise of neo-feminism in Italy in the end of the 1960's, a new literary genre quickly developed: the feminist novel. The first-person narrative was frequently used to portray women who fought against an oppressing patriarchal society from which they tried to get free. From her first works, Dacia Maraini followed this narrative style. She provided its most famous examples (especially in Donna in guerra, in 1975) and she guaranteed its propagation – even after the end of activist feminism in the 1980's – through works that were not as ideologically engaged as the first ones but that still aimed at denouncing inequalities. Halfway between literary creation and political commitment, the first person feminist narrative of Dacia Maraini particularly focuses on the topic of the body, as a link between one and the others, between the personal and the political. I will study the 1962-2001 period, and I will show how the author concentrates on the territories of gender, sexuality and motherhood and how she questions them through fiction and autobiographical stories. I choose a multidisciplinary perspective that takes the tools of both literary analysis and the history of ideas, in order to analyse the use of the first person as a specific enunciative modality and as a performative instrument for the propagation of Marainian feminism in a circular relationship between arts and society, between culture and power

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Green, Dawn. "Imagining the past [electronic resource] : contemporary Italian women's historical fiction /." Full text available, 2001. http://images.lib.monash.edu.au/ts/theses/greend.pdf.

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Marchais, Nathalie. "La figure maternelle dans la littérature féminine italienne des quarante dernières années." Thesis, Paris 10, 2010. http://www.theses.fr/2010PA100231/document.

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Depuis l’essor du féminisme dans les années soixante-dix, les écrivaines ont commencé à occuper une place importante dans le panorama littéraire italien. Parmi les thématiques les plus souvent traitées, celle de la mère et de la maternité représentent un intérêt constant. Loin de reproduire l’habituel stéréotype de la mamma italienne, les écrivaines ont contribué à une déconstruction progressive des mythes inhérents à cette figure centrale dans la culture et la société. Les années soixante-dix ont été caractérisées par le refus de la maternité en tant que vocation naturelle de la femme, en lien avec les revendications féministes de disposer de son corps, (légalisation de l’avortement, développement de la contraception, révision du droit de la famille). Dans les années quatre-vingt et jusqu’au milieu des années quatre-vingt-dix, le thème de la relation mère-fille s’est imposé comme une réhabilitation des mères du passé. Le genre autobiographique s’est affirmé dans cette phase sous d’autres formes. Depuis le milieu des années quatre-vingt-dix et jusqu’à nos jours, la nouvelle génération d’écrivaines tend à faire de la mère dans les récits une femme tourmentée, inadaptée, instable voire un être monstrueux qui peine à remplir son rôle et met la vie de ses enfants en danger. Dans cette optique, une partie des héroïnes font d’ailleurs le choix de ne pas devenir mères. Parmi les auteures analysées : Dacia Maraini, Carla Cerati, Giuliana Ferri, Gina Lagorio, Francesca Duranti, Francesca Sanvitale, Fausta Cialente, Elena Ferrante, Simona Vinci, Letizia Muratori, Alina Marazzi, Cristina Comencini
Since feminism emerged in the seventies, women writers have occupied an increasingly important place in the Italian literary panorama. Among the most dealt with subjects, those of the mother and motherhood have been of constant interest. Far from reproducing the usual stereotype of the Italian mamma, women writers have contributed to a progressive deconstruction of the myths inherent to that central figure of the culture and society. The seventies were characterized by the refusal of motherhood as a natural vocation of women, in connection with the feminist claims to own and control their own bodies, (abortion right, development of contraception, revision of the family law). In the eighties and until the middle of the nineties, the theme of the mother-daughter relationship imposed itself as a rehabilitation of the mothers of the past. The autobiography asserted itself at that stage under other forms. Since the middle of the nineties and until today, the new generation of women writers has tended to turn the mother of the narrative into a tormented, maladapted and unstable woman, even a monstrous being who fails to play her role, and puts her children’s lives in danger. This might be the reason why some heroines actually make the choice not to become mothers. Among the women writers studied: Dacia Maraini, Carla Cerati, Giuliana Ferri, Gina Lagorio, Francesca Duranti, Francesca Sanvitale, Fausta Cialente, Elena Ferrante, Simona Vinci, Letizia Muratori, Alina Marazzi, Cristina Comencini

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Iodice, Francesco, and Andrea Brendler. "Interview mit Dacia Maraini über Namen." 2003. https://ul.qucosa.de/id/qucosa%3A31393.

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Books on the topic "Dacia Maraini"

1

Cruciata, Maria Antonietta. Dacia Maraini. Fiesole (Firenze): Cadmo, 2003.

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Dacia Maraini. Fiesole (Firenze): Cadmo, 2003.

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3

Ruscica, Agata. Christine Reimann introduce Dacia Maraini. Siracusa: Ombra Editrice, 1989.

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Weinberg, M. Grazia Sumeli. Invito alla lettura di Dacia Maraini. Pretoria: University of South Africa, 1993.

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Scrittura civile: Studi dell'opera di Dacia Maraini. Roma: G. Perrone, 2010.

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6

Maraini, Dacia. Conversazione con Dacia Maraini: Il piacere di scrivere. Roma: Òmicron, 1995.

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Marinelli, Gioconda. Dacia Maraini in scena: Con Marianna, Veronica, Camille e le altre. Pescara: Ianieri, 2008.

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8

Esordienti: Lavori in corso : da Dacia Maraini a Paolo Giordano : trenta consigli d'autore. Roma: G. Perrone, 2011.

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Lettere d'amore: Lettere di Gabriele D'Annunzio in una cornice teatrale di Dacia Maraini. Roma: G. Perrone, 2012.

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Mariti e regine: Il gioco violento delle coppie nel teatro di Luigi Pirandello e Dacia Maraini. Bari: Progedit, 2007.

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Book chapters on the topic "Dacia Maraini"

1

Kleinert, Susanne. "Maraini, Dacia." In Metzler Autorinnen Lexikon, 329–30. Stuttgart: J.B. Metzler, 1998. http://dx.doi.org/10.1007/978-3-476-03702-2_230.

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Heinzius, Barbara. "Dacia Maraini (* 1936) und Italien." In Frauenliebe Männerliebe, 260–65. Stuttgart: J.B. Metzler, 1997. http://dx.doi.org/10.1007/978-3-476-03666-7_58.

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Standen, Alex. "Telling Lives, Staging Silences: Dacia Maraini’s “Biographical” Theater." In Writing and Performing Female Identity in Italian Culture, 153–74. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-40835-4_8.

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Lago, Eva María Moreno. "DACIA MARAINI (1936)." In Poetas italianas contemporáneas en la Querella de las Mujeres, 149–92. Dykinson, 2018. http://dx.doi.org/10.2307/j.ctv153k4x7.8.

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Fuchs, Gerhild. "Von der generationenund schichtenumspannenden Macht weiblichen Erzählens bei Dacia Maraini." In Der Generationenroman, 735–49. De Gruyter, 2021. http://dx.doi.org/10.1515/9783110612356-047.

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Rodríguez, Begoña González. "La violencia sexual contra las niñas en la obra de Dacia Maraini." In Construcciones culturales y políticas de género, 571–85. Dykinson, 2020. http://dx.doi.org/10.2307/j.ctv153k46c.34.

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"MYSTERY, AUTHORITY AND THE PATRIARCHAL VOICE IN DACIA MARAINI’S VOICES." In Notions of Otherness, 77–84. Anthem Press, 2019. http://dx.doi.org/10.2307/j.ctvg5bsnk.11.

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"Chapter 4. Walking in the Shoes of Another: Dacia Maraini’s Departures and Returns." In Rewriting the Journey in Contemporary Italian Literature. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689015-006.

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