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Journal articles on the topic 'Dadaism'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Векслер, Ю. С. "György Ligeti and Dadaism." Журнал Общества теории музыки, no. 2(42) (November 8, 2023): 31–42. http://dx.doi.org/10.26176/otmroo.2023.42.2.002.

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Статья посвящена обоснованию связей творчества Д. Лигети с дадаизмом, одним из наиболее радикальных течений начала XX века. Лигети стал одним из тех, кто воспринял его влияние и воплотил его в своем творчестве, причем он оказался включен в традицию, идущую от дада через все дальнейшие этапы его развития. В статье рассматриваются четыре феномена дада в творчестве композитора: традиция звуковой поэзии (Lautpoesie), шум как материал музыкального искусства, беззвучная музыка (музыка tacet) и коллаж. При очевидном резонансе идей дада в творчестве Лигети вряд ли возможно безоговорочно причислить его

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2

Hartati, Yulia Sri. "GANGGUAN KEJIWAAN TOKOH-TOKOH DALAM NOVEL DADAISME KARYA DEWI SARTIKA." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 16, no. 1 Januari (2017): 18. http://dx.doi.org/10.21009/bahtera.161.02.

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Human beings have a body and soul. Secondly it is activities move men to do well. However, in social life sometimes found personal experience psychiatric disorders. This phenomenon has become an object that can be used by an author's work. One novel that tells a psychiatric disorder is a novel work of Dewi Sartika Dadaism. The problems in this article is how a psychiatric disorder figures in the novel Dada Dewi Sartika work. The purpose of this study to elaborate on psychiatric disorders characters in the novel Dada Dewi Sartika work. The research method used is a qualitative descriptive study

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Sri Hartati, Yulia. "GANGGUAN KEJIWAAN TOKOH-TOKOH DALAM NOVEL DADAISME KARYA DEWI SARTIKA." BAHTERA : Jurnal Pendidikan Bahasa dan Sastra 16, no. 1 (2017): 16–27. http://dx.doi.org/10.21009/bahtera.161.002.

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AbstrakManusia memiliki raga dan jiwa. Kedua hal tersebut menggerakkan manusia untuk melakukan aktivitasnya dengan baik. Akan tetapi, dalam kehidupan masyarakat terkadang ditemui pribadi yang mengalami gangguan kejiwaan. Fenomena ini menjadi objek yang dapat dijadikan karya oleh seorang pengarang. Salah satu novel yang menceritakan gangguan kejiwaan adalah novel Dadaisme karya Dewi Sartika. Rumusan masalah dalam artikel ini adalah bagaimanakah gangguan kejiwaan tokoh-tokoh dalam Novel Dadaisme karya Dewi Sartika. Adapun tujuan dari penelitian ini untuk menguraikan gangguan kejiwaan tokoh-tokoh

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Eichholz, Patrick. "Dadaism and Classicism in The Waste Land." Twentieth-Century Literature 67, no. 3 (2021): 269–92. http://dx.doi.org/10.1215/0041462x-9373720.

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Out of the wreckage of the First World War, classicism and dadaism charted two opposing paths forward. While one movement sought to overturn the institutions complicit in prolonging the war, the other sought to buttress these same institutions as a safeguard against the chaos of modern life. This essay studies the peculiar convergence of these contradictory movements in The Waste Land. The article provides a full account of Eliot’s postwar engagement with dadaism and classicism before examining the influence of each movement on The Waste Land. Walter Benjamin’s theory of baroque allegory will

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Abdullah, Kosrat Ali, and Farhang Muzafar Muhamad. "Effects of Dadaism in the Poems of Farhad Pirbal." Journal of University of Raparin 10, no. 1 (2023): 307–28. http://dx.doi.org/10.26750/vol(10).no(1).paper15.

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This study is about ( Effects of Dadaism in the poems of Farhad Pirbal ). It is divided into two sections, The first category is devoted to theory, and it is divided into five subcategories: first, what is Dadaism, second, how it began, and third, publishing of Dadaisms. We'll speak about how and why it ended in the fourth subcategory. We shall briefly address Farhad Pirbal's revolt against the norms and Anti-Common in the fifth and final subcategory. The second aspect, which is a practical approach, is to classify certain of Farhad Pirbal's poetry as Dadaistic poems. And the outcomes are disp

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Onishchenko, Olena. "Dadaism in the Dynamics of the Development of European Avant-garde." Culturology Ideas, no. 16 (2'2019) (2019): 54–62. http://dx.doi.org/10.37627/2311-9489-16-2019-2.54-62.

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The article focuses on the history of development and the establishment on the European cultural territories of Dadaism. Based on the chronological approach, it shows the place of Dadaism in the dynamics of the first experiments of French (Fauvism) and Italian (Futurism) avant-garde. Despite the lack of consistency in the aesthetical and artistic orientations of the Dadaists, the scatteredness in individual articles and manifestos of their ideas, the starting points should be the theses on the relation of the “Dada” art and “reality”, which at the turn of the 19th – 20th centuries, was distort

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7

Richmond, Oliver P. "Dadaism and the Peace Differend." Alternatives: Global, Local, Political 32, no. 4 (2007): 445–72. http://dx.doi.org/10.1177/030437540703200404.

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This experimental essay attempts to show how alternative methods and approaches are valuable in interrogating the ways in which orthodox theories of international relations (IR) approach peace. Drawing on a broad variety of critical traditions, it seeks to encourage the development of creative and experimental interdisciplinary approaches as well as to underline the deficiencies of more instrumentalist theories and methods. It especially tries to show how eclectic and experimental theories and methods produce sophisticated insights that are capable of reorienting analysis so as to respond to d

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Button, Tim. "Dadaism: Restrictivism as Militant Quietism." Proceedings of the Aristotelian Society (Hardback) 110, no. 3pt3 (2010): 387–98. http://dx.doi.org/10.1111/j.1467-9264.2010.00293.x.

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Pelcher, J. Brandon. "Green Dada: Avant-Garde Aesthetics and Ecocritical Theory." Seminar: A Journal of Germanic Studies 60, no. 3 (2024): 191–209. http://dx.doi.org/10.3138/seminar.60.3.1.

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Ecocritical writer-activists have recently focused on the difficulties of representing climate, its slowly violent changes, and the ways human and more-than-human bodies inter- and intra-act within it. Though contextually dissimilar, various Dadaist aesthetics and praxes are likewise critically engaged with the intersection of deeply complex systems and their violent effects on bodies. I argue that there are useful imbrications, previously unexplored, of the ecocritical theories of slow violence and trans-corporeality in the idiosyncratic aesthetic practices of Dadaism. The Dadaist focus on “m

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10

Yoon, Young-Beam, and Sung-Hyun Kim. "A Study on Dadaism and Photomontage." Journal of the Korea Contents Association 13, no. 7 (2013): 110–19. http://dx.doi.org/10.5392/jkca.2013.13.07.110.

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Peric, Vladimir. "The image of Russia in Serbian dadaism." Nasledje, Kragujevac 14, no. 37-2 (2017): 161–70. http://dx.doi.org/10.5937/naslkg1702161p.

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Simmons, Sherwin. "Men of Nails: Monuments, Expressionism, Fetishes, Dadaism." Res: Anthropology and aesthetics 40 (September 2001): 211–38. http://dx.doi.org/10.1086/resv40n1ms20167547.

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Dewi, Agustina Kusuma, and Levita Dwinaya. "ANALYZING COLLAGE AS A COMMUNICATION ACT IN THE DIGITAL AGE BASED ON THE DADAISM RENEWAL MOVEMENT'S SPIRIT." International Journal of Humanity Studies (IJHS) 8, no. 1 (2024): 51–66. http://dx.doi.org/10.24071/ijhs.v8i1.7984.

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Collage combines the semiotic tradition of Roland Barthes, the phenomenological tradition of Edmund Husserl, the critical tradition of Karl Marx, and the point of view of Jurgen Habermas in visual communication. The collage technique creates trans-aesthetic elements and double codes, a Dadaist method of encoding signs. Building on previous research, this study explores collage art as a communication act and its process in the digital era. Digital photography technology and computer software facilitate quicker and easier creation of collage art, emphasizing the fundamental concept of "paste." T

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이병수. "Belle Epoque and Dadaism in the Modern Culture." Cross-Cultural Studies 33, no. ll (2013): 171–92. http://dx.doi.org/10.21049/ccs.2013.33..171.

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AVŞAR, Pelin, and Mehmet Yaşar TAŞÇI. "WOMEN ARTISTS AND THEIR HANDIWORKS BASED ON DADAISM MOVEMENT." INTERNATIONAL REFEREED JOURNAL OF HUMANITIES AND ACADEMIC SCIENCES 3, no. 9 (2014): 75. http://dx.doi.org/10.17368/uhbab.201498882.

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Peters, Michael A. "On the Edge of Theory: Dadaism, (Ca-Caism), Gagaism." Review of Education, Pedagogy, and Cultural Studies 34, no. 5 (2012): 216–26. http://dx.doi.org/10.1080/10714413.2011.620907.

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Usha Sharma and Dr Kalpana Kharade. "Reimagining Inclusion: Pre-service Teachers’ Transformative Use of Dadaist Art for LGBT Awareness." International Research Journal on Advanced Engineering and Management (IRJAEM) 2, no. 06 (2024): 1922–30. http://dx.doi.org/10.47392/irjaem.2024.0285.

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Dadaism is an art form which was always used to challenge conventional norms of our society. It has the power of attempting transformation through the strokes of colors on canvases. The controversial messages were passed through the common people through the artwork by Dadaists. Even today there are controversial issues like LGBTQ+ acceptance which cannot be discussed openly in the heteronormative society in the Indian context. The Dadaist art form is a powerful tool in such a case where one can express their beliefs through the medium of art. Teachers can be catalysts in bringing change in so

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DAVID, EMILIA. "TRISTAN TZARA’S SHIFT FROM SYMBOLISM TO FUTURISM, TO DADAISM, 1912-1916." Analele Universității București. Limba și literatură română 72, no. 1/2023 (2023): 33–51. http://dx.doi.org/10.62229/aubllrlxxii/23/3.

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My paper will present Tristan Tzara’s artistic development from his early Symbolist days via Futurism to his Dadaist days in Zurich. In particular, I shall discuss how Futurism lingered on in the first phase of Dadaism and in Tzara’s Dada poetics (1916-1918). I shall first analyse some traits of his Symbolist poetry, composed in the 1910s, until his departure from Romania. I shall argue that his orientation towards Futurism was possible thanks to his Symbolist beginnings, an aesthetic the young Tzara shared with many Futurists, including F.T. Marinetti. Following a reconsideration of the netwo

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Tanyushina, Alexandra Alexandrovna. "German Dada photomontage as art of the “real”: on the path towards “new realism”." Культура и искусство, no. 6 (June 2020): 47–59. http://dx.doi.org/10.7256/2454-0625.2020.6.31742.

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The subject of this research is such artistic practiced of German Dadaism as photography and photomontage. Relevance of this topic is associated not just with the growing interest of art historians, cultural critics and writers to the culture of Weimar Germany, but also active study by modern scholars of the peculiarities of functioning of the various visual practices, which emergence is substantiated by constant shift and mutual integration of different artistic mediums, among which special place belongs to photography and related photo techniques. Research methodology is of complex nature an

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Miroshnikova, E. V. "Balls of Count Etienne de Beaumont as an Element of the Social and Artistic Life of Paris in the 1920–1930s." Art & Culture Studies, no. 3 (October 2021): 522–41. http://dx.doi.org/10.51678/2226-0072-2021-3-522-541.

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In post-war Paris, there was an active search for a new philosophy of life and creativity — and at first it seemed that Dadaism could become such a basis for a new way of life. But the weak point of the Dadaists was that their concept of destruction and the foundations’ trampling did not offer anything in return besides an anarchy. Therefore, in parallel, the artists, actors and musicians, who were not attracted by the negative anarchist principles of Dadaism, tried to find some other prerequisites. One of the tendencies was the desire to present the game as the basis of the artistic process.

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Nailor, Hannah. "Anti-Body." Groundings Undergraduate 8 (April 1, 2015): 102–15. http://dx.doi.org/10.36399/groundingsug.8.211.

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This article was originally written for a course entitled ‘Body, Flesh, Subject’, taught by Dr. Kelli Fuery for Chapman University’s Honors Program. The course focused on considerations of the body as the grounds of phenomenological experience and examined both the physical and the socially-constructed borders between bodies. This article brings together those discussions through a history of Dadaism, a radical art movement beginning in World War I, and influencing performance art of the 1970s and of today. By focusing on one key figure in each of these periods, I will seek to demonstrate how

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Read, Simon. "Brautigan's Sombrero Fallout: A Cathartic Case for Absurdism in Pedagogical Learning." Writing in Practice 08 (January 29, 2022): 140–47. https://doi.org/10.62959/wip-08-2022-13.

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This essay examines the use of absurdist techniques as cathartic process in pedagogical environments, primarily contextualized by Richard Brautigan’s novel, Sombrero Fallout (1976). The essay will analyse Brautigan’s writing style with focus on juxtaposition, Dadaist concerns, and stream of consciousness effects on literary freedom. Dadaism, as a sub-category of absurdism, employs various literary techniques, such as the cut-up method, stream of consciousness, and syllabic malleability and I present these techniques as viable for modern-day pedagogic use. It will analyse how utilization of the

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Nishioka, Letícia Cristina da Silva. "BRITISH POP ART: THE INFLUENCE OF DADAISM ON RICHARD HAMILTON'S ARTISTIC PRODUCTION." Scientific Journal of Applied Social and Clinical Science 2, no. 19 (2022): 2–14. http://dx.doi.org/10.22533/at.ed.2162192226098.

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Fu, Zeya. "Art in the Dream World - Surrealism." Highlights in Art and Design 1, no. 1 (2022): 14–16. http://dx.doi.org/10.54097/hiaad.v1i1.1564.

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Surrealism advocates breaking through the concept of logic and reality, completely abandoning the logical and impressionistic image of reality and combining instinct and reality, the subconscious and dreams, to reveal the deepest world of the human psyche. A social thought and literary movement that emerged in France after the First World War and whose influence spread to all European countries. It involved all fields of literature, art, theatre and music. It absorbed anti-traditional and auto-creative ideas from Dadaism, but overcame the weaknesses of Dadaism's negation of everything and had

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Jin-Ho Shim. "William Carlos Williams and Dadaism in Kora in Hell and Spring and All." New Korean Journal of English Lnaguage & Literature 51, no. 2 (2009): 81–108. http://dx.doi.org/10.25151/nkje.2009.51.2.005.

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Векслер, Юлия. "Between Expressionism and Dadaism. Erwin Schulhoff in Dialogue with the Second Viennese School." Музыкальная академия, no. 3(779) (September 26, 2022): 98–115. http://dx.doi.org/10.34690/255.

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Судьба чешского композитора и пианиста Эрвина Шульхофа (1894-1942) показательна для второго поколения представителей новой музыки - тех, кто начал свой творческий путь после окончания Первой мировой войны, в период Веймарской республики. На протяжении многих лет Шульхоф вынашивал свою идею музыкальной революции, начало которой положили концерты «музыки будущего» в Дрездене. Затем последовали контакты с берлинскими дадаистами и венскими экспрессионистами, увлечение джазом; потом возникли и симпатии коммунистическим идеям. Особое значение для Шульхофа, который искал единомышленников среди радика

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Thiher, Allen, and Eric Sellin. "Reflections on the Aesthetics of Futurism, Dadaism, and Surrealism: A Prosody Beyond Words." World Literature Today 68, no. 4 (1994): 786. http://dx.doi.org/10.2307/40150642.

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Grynyshyna, Maryna. ""Expressive Dance" as a Form of Approbation of the "Anti-theatre" Programme of Zurich Dadaism." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 125–31. https://doi.org/10.31866/2410-1176.47.2022.269620.

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The purpose of the article is to formulate the basic principles of the “anti-theatre” programme of Zurich Dadaism, using the concept of “expressive dance” by Rudolf van Laban as a form of their approbation. The research methodology is based on a basic combination of historical-reconstructive, structural-analytical and comparative methods. Results. The article presents the practice of Hugo Ball’s Cabaret Voltaire in Zurich, from which the history of the most radical art movement of the “historical” avant-garde began in 1916, and arti

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จันทิลาด, วิละสัก. "ศิลปะแห่งการประชดประชันเสียดสีสังคม". Silpa Bhirasri (Journal of fine arts) 6, № 2 (2019): 46–67. https://doi.org/10.69598/sbjfa163578.

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จากการศึกษาครั้งนี้มีวัตถุประสงค์เพื่อวิเคราะห์และเปรียบเทียบแนวคิด วิธีการสร้างสรรค์ผลงานของศิลปินที่แสดงออกถึงสภาพสังคมแต่ละยุคสมัย อันเกิดจากผู้คนขาดศีลธรรมในใจ ซึ่งเป็นสาเหตุหลักที่ทำให้สังคมเสื่อมถอยลงทุกวัน ท่ามกลางสังคมที่เต็มไปด้วยความเลวร้ายในด้านต่างๆ เช่น สังคมที่บีบคั้นการดำรงชีวิตของมนุษย์ให้มีความละโมบ ไม่รู้จักพอเพียง พอดี สร้างนิสัยการเอารัดเอาเปรียบระหว่างชนชั้น ความไม่เท่าเทียม และไม่เป็นธรรมของสังคม ที่ผู้คนต่างคิดว่าตนเองอยู่เหนือคนอื่น หวังแย่งชิงเพื่อให้ได้มาซึ่งผลประโยชน์ จนเกิดการทุจริตคอรัปชั่นในภาครัฐและเอกชน โดยมีแนวทางในการศึกษาและวิเคราะห์มาจาก ข้อมูลจากตำรา หนังสื

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Coronato, Vívian De Camargo. "BRASIL-DADÁ: na era da pós-verdade." Revista Observatório 4, no. 1 (2018): 271. http://dx.doi.org/10.20873/uft.2447-4266.2018v4n1p271.

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O presente artigo discorre sobre o movimento dadaísta e relaciona a sua vertente berlinense, ocorrida no início da República Weimar, com a situação brasileira contemporânea e a pós-verdade. Para tanto, apresenta um panorama da situação da Alemanha entre sua unificação e a ascensão do nazismo e compara com a atual crise brasileira iniciada com os protestos de 2013.  PALAVRAS-CHAVE: dadaísmo; pós-verdade; Brasil, Berlim.   ABSTRACT This article discusses the Dada movement and relates its Berlin aspect, which occurred at the beginning of the Weimar Republic, wi

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Kim Hong Joong and 김도연. "A Study of Dadaism in 1980’s China - Regarding Huang Yongping’s works during Xiamen Dada Period -." Korean Journal of Art and Media 15, no. 1 (2016): 83–106. http://dx.doi.org/10.36726/cammp.2016.15.1.83.

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Wang, Mingcheng. "Take Layout Design as an Example: Analysis of the Influence of Dadaism on Visual Communication Design." Highlights in Art and Design 4, no. 2 (2023): 48–51. http://dx.doi.org/10.54097/hiaad.v4i2.12503.

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In the development process of historical society, the relationship between art and design has been mutual influence and common development. Contemporary art, with its avant-garde artistic status, plays a very important role in the development of visual communication design, among which Dada, Cubism and surfactionism provide nourishment and reference for visual communication design in form. On the whole, it plays an important role in promoting visual communication. This influence makes the visual communication design carry the charm of many contemporary arts, and also makes the visual communica

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Sida, Cristian, and Smaranda-Sabina Moldovan. "Cyclicity in creation: from abstraction to figurative, from figurative to abstract." Klironomy 1, no. 1 (2021): 127–37. https://doi.org/10.47451/art2021-04-003.

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The paramount focus of this article shall be on painting, mainly that of contemporary artists, but apprehending back to their modern predecessors without which some of the aforementioned contemporary painting figurative/abstract would have been inconceivable. The research of the identification of some directions in painting, both in the creative process and in the educational one, is a difficult objective to achieve. The hierarchy and classification of some tendencies, as plastic formulas, represents a challenge only if we consider that any artist crosses over, during his artistic career, seve

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Ganzarolli de Oliveira, João Vicente. "Two words about Cecília Meireles, a name to be remembered." Journal of Historical Archaeology & Anthropological Sciences 4, no. 5 (2019): 175–76. http://dx.doi.org/10.15406/jhaas.2019.04.00198.

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This article addresses some relevant facts of the Brazilian writer, educator and poet Cecília Meireles (1901-1964), unfairly forgotten by not a few of her compatriots. Used to deal with odd situations, Cecília did not care about following trends and fashions; her poetry is usually considered “Modernist”, what is not without reason, given her unfailing readiness to make it new, as touchstone of the movement (actually an Ezra Pound’s injunction) goes. She did not, however, said a radical no to the culture of the past, as rejecting it as a something merely “obsolete”, as many of her contemporarie

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Pedroso-Herrera, Tomás. "Joan Brossa and cinema." Comunicar 14, no. 27 (2006): 233–37. http://dx.doi.org/10.3916/c27-2006-35.

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The relationship between poetry and cinema has always been very fruitful. A special case is that of Joan Brossa, a Catalanian contemporary poet, whose work is rich in poems about cinema, and whose artistic production includes writing cinematographic scripts. J. Brossa was interested in the far out movements, especially in Dadaism, with its objective poetry and visual creation. His interest in the cinema, both the European far.out cinema and the commercial Nonh American cinema, springs from these three sources. In this work it is possible to find poems in which the poetical production (the blan

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Rimpau, Laetitia. "<i>A noir – O bleu !</i> Von Laut und Schrift zur Fläche. Joan Miró und seine Methode der <i>peinture-poétique</i>." Zeitschrift für Katalanistik 21 (July 1, 2008): 121–50. http://dx.doi.org/10.46586/zfk.2008.121-150.

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Summary: Joan Miró is a towering figure in the landscape of modern art. In the 1920s, when the Catalan painter came to Paris, he totally renewed his conception of techniques and aesthetics. Generally, the works of this period are regarded as “dream pictures”, “automatic paintings”, as a constant part of French Surrealism. The following study tries, in opposition to the current approach, to show that Miró was sceptical about the surrealistic theories and practise of art, conceding having only “une tendance surréaliste”. In the Écrits, Miró offers details about important origins of inspiration:

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Kamil Ajal, Zhiro, and Idrees Abdulla Kurdish. "Philosophical Pessimism in Contemporary Kurdish Poetry with the Example of the Poems of (Jamal Ghambar, Barzan Hastyar, Abdullah Pashew)." Journal of University of Raparin 10, no. 4 (2023): 424–48. http://dx.doi.org/10.26750/vol(10).no(4).paper20.

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This research is entitled "Philosophical Pessimism in Contemporary Kurdish Poetry with the Example of the Poems of (Jamal Ghambar, Barzan Hastyar, Abdullah Pashew)". The paper discusses philosophical pessimism as a multidimensional subject in modern Kurdish poetry and the root of pessimism in Kurdish and other languages. Specific concepts and themes of pessimistic philosophy such as nihilism, death-loving and doubt have also been theorized and practiced. Finally, we have reached several conclusions that philosophical pessimism in contemporary Kurdish poetry is a pessimism that has emerged unde

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Golubitskaya, Nika V. "“Dada’s God is dancing”: Dance and Poetry in the Dadaist Aesthetics." Izvestiya of Saratov University. New Series. Series: Philology. Journalism 19, no. 4 (2019): 427–32. http://dx.doi.org/10.18500/1817-7115-2019-19-4-427-432.

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Векслер, Ю. С. "Erwin Schulhoff ’s Dadaist Ballets: From Mystery to Grotesque." OPERA MUSICOLOGICA 15 / 3, no. 15/3 (2023) (2023): 8–27. http://dx.doi.org/10.26156/om.2023.15.3.001.

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Статья посвящена двум балетам чешского композитора Эрвина Шульхофа (1894–1942), написанным в 1920-е гг. Они вобрали в себя как его опыт в области джаза, так и многие идеи дадаизма — движения, к которому он примкнул в конце 1910-х. Шульхофа привлекали упругие ритмы и откровенная сексуальность танцевально-джазовой музыки, он рассматривал ее как действенное средство обновления музыкального искусства. Дадаисты пробудили его интерес к примитивным культурам, неевропейской экзотике. Важными оказались и контакты дадаистов с создателями так называемого «выразительного танца» — Рудольфом фон Лабаном и М

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Sinapi, Michèle. "The punk cut." Social Science Information 45, no. 3 (2006): 373–85. http://dx.doi.org/10.1177/0539018406066532.

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The punk movement, seen through its “riddle-like” texts, appears as a thoroughly singular and eminently political moment. Acting as an echo-chamber for a certain number of former cultural events such as Dadaism, or more contemporary ones such as Anglo-American psychoanalysis, this movement, closely attuned to post-war mutations, invented a number of minimalist formal means that managed to enact the collapse of ideals without succumbing to nihilism. Turning their backs on ideology of every stripe, the punks radicalized cultural criticism and held out a mirror to British (and European) society i

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Joo Hee Seo and 김진오. "A Study on the Effect of Modern Art Movements on Floral Art - With a Focus on Realism, Dadaism, Minimalism and Surrealism -." Journal of Digital Design 15, no. 2 (2015): 577–89. http://dx.doi.org/10.17280/jdd.2015.15.2.055.

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Caracchini, Cristina. "Laughter and the Manifesto: Aldo Palazzeschi’s Counter-Futurist Futurist Il controdolore." Quaderni d'italianistica 36, no. 2 (2016): 103–26. http://dx.doi.org/10.33137/q.i..v36i2.26901.

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Literary history made a Futurist out of Palazzeschi, and he himself said about his manifesto, Il controdolore (published in Lacerba in 1914) that it represented his “modest and direct” contribution to Marinetti’s movement. This article situates Il controdolore among other mainly contemporary texts devoted to laughter. Referring to theories of manifestos, it looks at Palazzeschi’s text as a theatrical space, underlining its literary and non-pragmatic nature. I intend to show that, in this iconic work, we start to recognize certain recurring features and ideas that position Palazzeschi’s very an

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Matveeva, Yu V. "Miljkovic, N. (2022). Three conversations about Poplavsky: Boris Poplavsky’s poetics through the prism of intertextuality. Belgrade, Sevojno: Faculty of Philology, Grafičar. (In Russ.)." Voprosy literatury, no. 5 (October 17, 2024): 172–77. http://dx.doi.org/10.31425/0042-8795-2024-5-172-177.

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The review is devoted to a monograph about the Russian émigré poet Boris Poplavsky written by the Serbian scholar Nikola Miljkovic. Marking the 120th anniversary of Poplavsky’s birth, the book is the author’s third study of the poet. Miljkovic justly recognizes Poplavsky’s legacy as a unique literary phenomenon with its own ontological, existential, historical, and aesthetical roots. The book’s structure corresponds to the scholar’s threefold objective: to explore various modifications of Poplavsky’s lyrical self; to examine the influence of various aesthetical paradigms (Romanticism, the Deca

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Miller, Tyrus. "Modernism Under Review: Reyner Banham's Theory and Design in the First Machine Age (1960)." Modernist Cultures 12, no. 3 (2017): 331–44. http://dx.doi.org/10.3366/mod.2017.0177.

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This essay reconsiders Reyner Banham's classic study of early twentieth-century architecture and design, Theory and Design in the First Machine Age, originally published in 1960. Banham surveyed the architecture, design, and visual arts of the ‘first machine age’, characterized by industrial production and motorized transportation, from a self-consciously thematized perspective within the ‘second machine age’, populated by expendable consumer technologies and images. This revisionist perspective enabled Banham to challenge long-standing myths propagated by the dominant figures of the modern mo

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Călinescu-Gărniță, Alexandra. "De la futurism la spectacolul multimedia contemporan. Elemente în evoluția hibridității formelor artistice." Cercetări teatrale 2, no. 2 (2021): 141–51. http://dx.doi.org/10.46522/ct.2021.02.07.

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The mass media and the data processing system are the technologies of our modern society, being born simultaneously and developing simultaneously. I am going back to the invention of photography and the PC’s precursor, continuing with the birth of cinema, to finally arrive at the modern computer, the one that blends all the information and transforms it into numeric data. Among the main influences of the contemporary performance, we find the experiments led by the modernist avant-garde at the beginning of the 20th century – futurism, constructivism, expressionism, dadaism and surrealism – whil

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Pucherová, Dobrota. "Cabaret Theatre in Communist Czechoslovakia 1960s–1980s as Political Resistance: The Case of Milan Lasica and Július Satinský." Miscellanea Posttotalitariana Wratislaviensia 5 (June 12, 2017): 39–53. http://dx.doi.org/10.19195/2353-8546.1(5).4.

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The article analyses the cabaret theatre of Milan Lasica 1940– and Július Satinský 1941–2002, also known as L+S, in socialist Czechoslovakia in the 1960s–1980s as a form of resistance against communist totalitarianism. Rather than conventional political satire, which would have been impossible at the time, their texts subverted the political discourse by focusing on the word, the prime instrument of state propaganda, to expose its falseness through linguistic games and free play with associations. The essence of their satire, which can be most closely described as a mixture of theatre of the

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Liu, Ruixue, Baoyang Chen, Xiaoyu Guo, Meng Chen, Zhijie Qiu, and Xiaodong He. "Another AI? Artificial Imagination for Artistic Mind Map Generation." International Journal of Multimedia Data Engineering and Management 10, no. 3 (2019): 47–63. http://dx.doi.org/10.4018/ijmdem.2019070103.

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This article presents a novel real-time, collaborative, and interactive AI painting system, Mappa Mundi, for artistic Mind Map creation. The system consists of a voice-based input interface, an automatic topic expansion module, and an image projection module. Imagination is one of the most important factors which makes an artistic painting unique and impressive. With the rapid development of artificial intelligence, more and more researchers try to create painting with AI technology. However, lacking imagination is still a main problem for AI painting. This research proposes a novel approach t

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Marino, Davide. "The Tao of Julius Evola." Vienna Journal of East Asian Studies 16, no. 1 (2024): 111–41. https://doi.org/10.30965/25217038-01501015.

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Abstract This article analyses two “translations” of the Dàodéjīng by Julius Evola (1898–1974), published in 1923 and 1959, respectively. Evola had no knowledge of the Chinese language, and his works were retranslations of materials available at his time to which he added his own personal ideas. By a comparison of the two editions of the Daoist classic, it is demonstrated how Evola changed his cultural points of reference over time, moving from an interpretation of the Dàodéjīng characterised by a mix of Dadaism, Hegelian Idealism, and occultism to a version in line with René Guénon’s (1886–19

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MUŞKARA, Üftade, Oylum TUNÇELLİ, and Serpil ŞAHİN. "ART AND ARCHAEOLOGY CLOSE ENCOUNTERS OF THE THIRD KIND." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 732–49. http://dx.doi.org/10.7456/11102100/024.

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Art and archaeology have a growing interaction, which is expressed mainly in displaying the material culture of ancient civilizations. The post-modernist concept suggests that art is for everyone. Likewise, archaeologists recognize the idea that archaeological narratives are supposed to be everyone to understand and enjoy. Today, many museum displays and special exhibitions consist of contemporary design features of art. The technology-driven exhibition techniques applied in the “Curious Case of Çatalhöyük” exhibition and Göbeklitepe Animation Center to increase the perception of visitors

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Lipiński, Kamil. "W kręgu idei fotogenii i cine-rayografu." Studia Filmoznawcze 43 (February 2, 2023): 87–108. http://dx.doi.org/10.19195/0860-116x.43.5.

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In this article, the author revisits the history of French film movements with a particular focus on the re-inscription of random objects derived from everyday life in the film structure on one hand, and on the other, on the relationship between storytelling and visual poetry. The origin of the idea of correspondence of arts can be traced to the overlapping definitions of Surrealism and Dadaism and in the debate on the photogenic nature of film work. Historical study offers an essential context for understanding the shifting ideas from the idea of pure cinema to surreal and Dada cinema. The ar

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