Academic literature on the topic 'Daeninckx'

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Journal articles on the topic "Daeninckx"

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Daeninckx, Didier, and Yves Reuter. "Entretien avec Didier Daeninckx." Pratiques 65, no. 1 (1990): 113–24. http://dx.doi.org/10.3406/prati.1990.1609.

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Anderson, Kirk. "Galadio by Didier Daeninckx." French Review 85, no. 2 (2011): 394–95. http://dx.doi.org/10.1353/tfr.2011.0028.

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Gilroy, James P. "Missak by Didier Daeninckx." French Review 84, no. 3 (2011): 611–12. http://dx.doi.org/10.1353/tfr.2011.0250.

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Scotto, Fabio. "Gianfranco Rubino, Lire Didier Daeninckx." Studi Francesi, no. 164 (LV | II) (September 1, 2011): 460. http://dx.doi.org/10.4000/studifrancesi.5778.

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Donald Reid. "Didier Daeninckx: Raconteur of History." South Central Review 27, no. 1-2 (2010): 39–60. http://dx.doi.org/10.1353/scr.0.0085.

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Harzoune, Mustapha. "Didier Daeninckx, Municipales. Banlieue naufragée." Hommes & migrations, no. 1332 (January 1, 2021): 264–65. http://dx.doi.org/10.4000/hommesmigrations.12453.

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Harzoune, Mustapha. "Didier Daeninckx et Mako, Octobre noir." Hommes & migrations, no. 1295 (January 1, 2012): 181. http://dx.doi.org/10.4000/hommesmigrations.1098.

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STEELE, S. "DAENINCKX, QUAND LE ROMAN POLICIER PART EN GUERRE." French Studies Bulletin 20, no. 71 (January 1, 1999): 9–10. http://dx.doi.org/10.1093/frebul/20.71.9.

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Raboin, Thibaut. "Lorraine Noir: Didier Daeninckx and the writing of deindustrialization." Contemporary French Civilization 45, no. 2 (July 2020): 211–27. http://dx.doi.org/10.3828/cfc.2020.12.

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Ennaili, Leïla. "Galadiode Didier Daeninckx et la question de l'identité nationale." Modern & Contemporary France 23, no. 1 (November 21, 2014): 17–33. http://dx.doi.org/10.1080/09639489.2014.972922.

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Dissertations / Theses on the topic "Daeninckx"

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Bentolila, Éric. "Le roman policier français de 1970 et 2000 : une analyse littéraire." Thesis, Université Grenoble Alpes (ComUE), 2016. http://www.theses.fr/2016GREAL013/document.

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Le roman policier français entre 1970 et 2000. La thèse suivante procède à l’analyse littéraire de romans policiers français de la fin du XXème siècle. L’intention est alors de montrer que si ces romans policiers peuvent être analysés avec les outils de l’analyse littéraire, ces romans peuvent alors être considérés comme des œuvres littéraires et leurs auteurs comme des écrivains à part entière. Le corpus contient les principaux romans de quatre auteurs répartis sur les quatre dernières décennies du XXème siècle : Jean-Patrick Manchette, Frédéric H. Fajardie, Didier Daeninckx et Tonino Benacquista. Les outils d’analyses choisis sont ceux liés aux personnages de romans, aux lieux dans lesquels se déroulent ces romans et aux différents types d’intrigues proposées par les auteurs. Il s’agit des travaux d’Yves Reuter, d’Isabelle Krzywkowski ou Paul Larivaille. Ces auteurs ont permis l’analyse des textes choisis et ont aussi permis à l’auteur de confronter ces mêmes textes aux outils d’analyse littéraires en usage académique. C’est ainsi que l’analyse littéraire produite par l’auteur permet d’avancer l’idée que les textes des romans policiers, en étant analysés avec ces outils, peuvent faire partie du corpus ordinaire de la littérature
The French crime novel from 1970 to 2000The following thesis conducts literary analysis on French crime novels of the late twentieth century. The intention is then to show that if these detective novels can be analyzed with the tools of literary analysis, these novels can then be considered literary works and their authors as writers in their own right. The corpus contains the main novels of four authors spread over the last four decades of the twentieth century: Jean-Patrick Manchette, Frederick H. Fajardie, Didier Daeninckx and Tonino Benacquista. The tools selected for analysis are those related to novels characters, the places in which these novels take place and different types of plots offered by the authors. This is the work of Yves Reuter, Isabelle Krzywkowski and Paul Larivaille. These authors have allowed the analysis of selected texts and also allowed the author to confront these same texts to literary analysis tools in academic use.Thus literary analysis produced by the author allows him to advance the idea that the texts of detective novels, being analyzed with these tools, can be part of the regular corpus of literature
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Books on the topic "Daeninckx"

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Didier, Daeninckx. Daeninckx par Daeninckx. Paris: Cherche midi, 2009.

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Didier, Daeninckx. Daeninckx par Daeninckx. Paris: Cherche midi, 2009.

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Rubino, Gianfranco. Lire Didier Daeninckx. Paris: A. Colin, 2009.

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Lire Didier Daeninckx. Paris: A. Colin, 2009.

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Le roman noir à l'encre de l'histoire: Vásquez Montalbán et Didier Daeninckx, ou, Le polar en su tinta. Paris, France: Harmattan, 2006.

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Jacquot, Claude. Max Alhau, Janine Boissard, Nadine Brun-Cosme, Georges-Olivier Châteaureynaud, Xavier Company, Florence Delaporte, Catherine Derbin, Shirley Dollé, Laure Fardoulis, Didier Goupil, Charles Le Quintrec, Anita Valléjo, Michel Host, Chantal Portillo, Didier Daeninckx, Monique Debruxelles, Hubert Haddad, Jacques Mazeau, Claude Pujade-Renaud, Laurine Rousselet, Frédérick Tristan, Cécile Wajsbrot et le bord de mer. Lévignacq: C. Jacquot, 2003.

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Daeninckx, D. Daeninckx. Gallimard, 1999.

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1949-, Daeninckx Didier, ed. Willy Ronis: Didier Daeninck : Belleville, Ménilmontant. Paris: Hoëbeke, 1999.

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Ombres blanches: 10 auteurs de polars inspirés par le photographe Daniel Nouraud : Raynal, Daenineckx, Benacquista, Gandon, Pouy, Libiot, Lebrun, Kristy, Villard, Riondet. [Paris]: Syros/Alternatives, 1992.

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Book chapters on the topic "Daeninckx"

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Fricke, Dietmar. "„Morde zum Gedächtnis“ — Didier Daeninckx’ Schreiben gegen Vergessen und Verdrängen — Gesprächsaufzeichnungen mit dem Autor." In Frankreich-Jahrbuch 2001, 189–206. Wiesbaden: VS Verlag für Sozialwissenschaften, 2001. http://dx.doi.org/10.1007/978-3-663-10091-1_12.

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Chaulet Achour, Christiane. "D comme Daeninckx." In Abécédaire insolite des francophonies, 91–96. Presses Universitaires de Bordeaux, 2012. http://dx.doi.org/10.4000/books.pub.3596.

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Gorrara, Claire. "Historical Investigations: Didier Daeninckx, Meurtres pour mémoire (1984)." In The Roman Noir in Post-War French Culture, 73–89. Oxford University Press, 2003. http://dx.doi.org/10.1093/acprof:oso/9780199246090.003.0005.

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"Flipping, Zipping, Switching, Grazing: gesammelte literarische kurzgeschichten in zapping von didier daeninckx (1992)." In Transpositionen des Televisiven, 119–42. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839409381-005.

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McKinney, Mark. "Bande dessinée." In Postcolonial Realms of Memory, 403–10. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620665.003.0038.

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Some contemporary French cartoonists have published comics that either themselves serve as post-colonial lieux de mémoire in place of disappeared colonial people, places, events or objects, or that otherwise recall colonial lieux de mémoire. The graphic novel Cannibale (2009), adapted by Emmanuel Reuzé from Didier Daeninckx's eponymous prose novel (1998), returns to the International Colonial Exhibition in Paris, which has become a post-colonial lieu de mémoire. The 1931 event, staged at the zenith of French imperial rule, and overseen by Maréchal Lyautey, was grandiose in conception, size and scope, and racist too, in fact. Both versions of Cannibale feature a Kanak narrator sent to perform as a New Caledonian cannibal in the Parisian exhibition. This essay analyzes how Reuzé uses cartooning techniques such as visual symbolism, subjective viewpoints, visual and verbal narration, inset images, and visual rhymes to critique French colonialism and to commemorate its victims.
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