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Journal articles on the topic 'Daguerre'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 March 2023

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1

Glogower, Abigail. "Speculating Daguerre: art and enterprise in the work of L.J.M. Daguerre." Early Popular Visual Culture 11, no. 1 (2013): 89–91. http://dx.doi.org/10.1080/17460654.2012.757908.

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2

Batchen, Geoffrey. "Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre." History of Photography 37, no. 4 (2013): 459–62. http://dx.doi.org/10.1080/03087298.2013.808053.

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3

Collins, Kathleen. "Daguerre monument, 1890 Washington, DC." History of Photography 9, no. 4 (1985): 263–65. http://dx.doi.org/10.1080/03087298.1985.10443020.

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4

Keith I., Adamson P. "1839 — The year of Daguerre." History of Photography 13, no. 3 (1989): 191–202. http://dx.doi.org/10.1080/03087298.1989.10441188.

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5

Palenque, Marta. "El Álbum de las señoritas Daguerre. Mujeres (o)cultas entre la retórica del “Ángel del hogar” y la trama del poder político." SIGLO DIECINUEVE (Literatura hispánica), no. 25 (July 24, 2019): 91–118. http://dx.doi.org/10.37677/sigloxix.v0i25.5.

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Los álbumes decimonónicos son muestrarios de la poesía de salón o de circunstancias. Llegaron a ejercer una gran presión sobre los autores, que recibían numerosas solicitudes para escribir en ellos. Pero también fueron un medio para educar a las mujeres, a través de halagos y consignas sentimentales. Por otro lado, reflejan alianzas sociales y de poder político. En este artículo se da a conocer un álbum sevillano, que perteneció a la familia Gestoso-Daguerre, el Álbum de las señoritas Daguerre.

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6

Davidson, Michael W. "Pioneers in Optics: Louis Daguerre and George Eastman." Microscopy Today 18, no. 2 (2010): 48–49. http://dx.doi.org/10.1017/s1551929510000118.

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Born near Paris, France on November 18, 1787, Louis-Jacques-Mandé Daguerre was to become both a painter and the inventor of the first successful form of photography. Originally trained as an architect, Daguerre later became a pupil of E. M. Degotti at the Paris Opera and a thriving scene painter. In 1822, working with Charles Boulton, Daguerre helped develop the Diorama, a Paris illusionistic exhibition that contained paintings on large translucent screens, which seemed to come to life with skillful light manipulation.From humble beginnings, George Eastman revolutionized the field of photograp

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7

Leśniak, Kamila Katarzyna. "Technika, sztuka, „filozoficzny sen”? Początki fotografii a pytanie o naturę i historię medium." Annales Universitatis Mariae Curie-Sklodowska, sectio L – Artes 15, no. 2 (2018): 21. http://dx.doi.org/10.17951/l.2017.15.2.21.

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<p>Za datę wynalezienia fotografii przyjmuje się rok 1839, w którym François Arago ogłosił proces dagerotypii Louisa Daguerre’a. Jednakże początki fotografii są zagadnieniem złożonym. W najbardziej rozpowszechnionym ujęciu określa je historia technologicznej rywalizacji o prymat pierwszeństwa, w której prócz Daguerre’a ważne miejsce zajęli m.in. Nicéphor Niépce czy William Henry Fox Talbot.</p><p>Niniejszy artykuł dotyczy rozmaitych ujęć początków fotografii, pojmowanych jako alternatywne bądź uzupełniające się opowieści. Szczególna uwaga poświęcona została koncepcji „idei fo

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8

Clark, Catherine E. "Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre by Stephen Pinson." Technology and Culture 54, no. 4 (2013): 977–78. http://dx.doi.org/10.1353/tech.2013.0125.

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9

Nickel, Douglas R. "Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre: Stephen C. Pinson." Photography and Culture 6, no. 3 (2013): 365–68. http://dx.doi.org/10.2752/175145213x13638599213795.

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10

Agüero, Ana Clarisa. "Manfredo Tafuri, Fernando Aliata, Anahi Ballent, Alejandro Crispiani, Mercedes Daguerre, Adrián Gorelik, Jorge Francisco Liernur, Graciela Silvestri, Tafuri en Argentina." Prismas - Revista de historia intelectual 24, no. 1 (2020): 348–51. http://dx.doi.org/10.48160/18520499prismas24.1160.

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Manfredo Tafuri, Fernando Aliata, Anahi Ballent, Alejandro Crispiani, Mercedes Daguerre, Adrián Gorelik, Jorge Francisco Liernur, Graciela Silvestri, Tafuri en Argentina, Santiago de Chile, ARQ ediciones, 2019, 274 páginas

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11

Garnerin, Aude. "Daguerre et les miroirs qui se souviennent." La Gazette des archives 180, no. 1 (1998): 99–106. http://dx.doi.org/10.3406/gazar.1998.3515.

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12

Turazzi, Maria Inez. "O 'homem de invenções' e as 'recompensas nacionais': notas sobre H. Florence e L. J. M. Daguerre." Anais do Museu Paulista: História e Cultura Material 16, no. 2 (2008): 11–46. http://dx.doi.org/10.1590/s0101-47142008000200002.

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Este artigo apresenta e contextualiza uma correspondência inédita, encontrada no Centre des archives diplomatiques de Nantes (França), sobre a invenção da "polygraphia" pelo francês Antoine Hercule Romuald Florence (1804-1879). Florence residia no Brasil, na vila de São Carlos, atual cidade de Campinas, quando encaminhou ao Ministério do Interior da França, em 1831, um pedido de recompensa por ter inventado um processo de impressão multifuncional. Ele jamais receberia qualquer resposta do governo francês para essa petição. Mesmo assim, dedicou o resto de sua vida a outras invenções e experimen

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13

Richet, G. "Daguerre, Donné et Foucault : trois francs-tireurs créent la microphotographie." médecine/sciences 13, no. 1 (1997): 45. http://dx.doi.org/10.4267/10608/299.

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14

Schanke, Robert A. "Images of Eva Le Gallienne: Reflections of Androgyny." Theatre Survey 34, no. 2 (1993): 43–54. http://dx.doi.org/10.1017/s0040557400009959.

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Twenty years after Louis Jacques Daguerre. invented modern photography, Dion Boucicault incorporated the camera as a crucial plot device in his play, The Octoroon. When his character Salem Scudder discovers a freshly taken photograph lying by the body of a murder victim, he holds up the picture as evidence and cries: “Jacob M'Closky, ‘t was you murdered that boy! Here you are, in the very attitude of your crime….’ Tis true! The [camera] can't lie.”

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15

Wolska, Anna. "HISTORY OF PHOTOGRAPHY ON THE EXAMPLE OF SELECTED PHOTOGRAPHIC TECHNIQUES. A PHOTOGRAPH AS AN OBJECT." Muzealnictwo 61 (August 26, 2020): 192–200. http://dx.doi.org/10.5604/01.3001.0014.3639.

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In the first part of the paper, the focus is on historical and technical aspects of the invention of photography, beginning with the first research works conducted by J.N. Niépce up to the patenting of daguerreotype in 1839 by L. Daguerre. In the further section of the paper emphasis is put on the fast spread of photography; short profiles of the first Polish photographers who contributed to promoting photography: J. Giwartowski, K. Beyer, W. Rzewuski, and M. Strasz, are given. Furthermore, the early-19th-century discourse between the artistic and photographic circles is briefly discussed, wit

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16

BÖCEKLER, Burcu. "Louîs-Jacques-Mandé Daguerre Ve Charles Marie Bouton’un Dioraması Ve Tarihsel Kökenleri." Sanat Tarihi Dergisi 24, no. 2 (2016): 139–60. http://dx.doi.org/10.29135/std.273893.

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17

Lerner, Jillian. "The Drowned Inventor: Bayard, Daguerre, and the Curious Attractions of Early Photography." History of Photography 38, no. 3 (2014): 218–32. http://dx.doi.org/10.1080/03087298.2014.939825.

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18

Salama, Dr Yousra Mohamed. "EGYPT IN THE EYES OF THE FIRST FRENCH PHOTOGRAPHERS." Journal of Historical Studies 1, no. 1 (2020): 1–18. http://dx.doi.org/10.47941/jhs.357.

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The French invasion of Egypt sparked a national passion for all of Egypt's ancient Pharaonic history. Napoleon not only came to invade Egypt, but brought with him more than 150 scientists, cartographers, artists, naturalists and even musicians and painters; Observing the details of ancient sites and existing customs, the result was the huge work "Description of Egypt", published between 1809 and 1829, in twenty volumes, containing about 900 inscriptions. The French scientist François Arago (1786 - 1853) regretted that photography had not been invented yet. As he announced in Paris on January 7

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19

Bernard-Nouraud, Paul. "Steffen Siegel, 1839. Daguerre, Talbot et la publication de la photographie. Une anthologie." Questions de communication, no. 39 (December 10, 2021): 455–56. http://dx.doi.org/10.4000/questionsdecommunication.26039.

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20

Albera, François. "Steffen Siegel, 1839. Daguerre, Talbot et la publication de la photographie. Une anthologie." 1895, no. 93 (May 1, 2021): 225–28. http://dx.doi.org/10.4000/1895.8434.

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21

Kozachuk, M. S., T. K. Sham, R. R. Martin, A. J. Nelson, and I. Coulthard. "Eyeing the past: synchrotron µ-XANES and XRF imaging of tarnish distribution on 19th century daguerreotypes." Journal of Synchrotron Radiation 26, no. 5 (2019): 1679–86. http://dx.doi.org/10.1107/s1600577519006313.

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Louis-Jacques-Mandé Daguerre introduced the first successful photographic process, the daguerreotype, in 1839. Tarnished regions on daguerreotypes supplied by the National Gallery of Canada were examined using scanning electron microscopy energy-dispersive X-ray spectroscopy and synchrotron-radiation analysis. Synchrotron X-ray fluorescence imaging visualized the distribution of sulfur and chlorine, two primary tarnish contributors, and showed that they were associated with the distribution of image particles on the surface. X-ray absorption near-edge structure spectroscopy determined the tarn

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22

Szczypiorska-Chrzanowska, Magdalena. "„Wszyscy wyszliśmy z wody”." Załącznik Kulturoznawczy, no. 6 (2019): 409–26. http://dx.doi.org/10.21697/zk.2019.6.21.

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This essay is an attempt of meditation over the phenomenon of photography, its philosophy and practice. Questions are put forward about the ontological status of the subject captured on the picture, about what is – and what might be – time in photography, what is a photographic moment, what is a photographic ‘reality’ and ‘fiction’. The starting point and the photo-literary background of the essay is a juxtaposition of a daguerreotype from the literary fiction (from One Hundred Years of Solitude by Gabriel Garcia Marquez) and a daguerreotype from the real photography (Boulevard du Temple by Ja

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23

Jung, Won. "Early History of Photography - A Comparative Study of the Inventions of Daguerre and Talbot." CONTENTS PLUS 18, no. 2 (2020): 19–31. http://dx.doi.org/10.14728/kcp.2020.18.02.019.

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24

Czekalski, Stanisław. "Talbotowski paradygmat wizualności fotografii." Artium Quaestiones, no. 28 (May 22, 2018): 5–32. http://dx.doi.org/10.14746/aq.2017.28.1.

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The concept of visuality proposed by Norman Bryson, which refers to conscious perception determined by a system of concepts and knowledge of the visible, is related in the paper to the relationship between two kinds and ideas of photography, introduced respectively by Louis J. Daguerre and William H. Fox Talbot. The discourse about daguerrotypy stresses the quasi-telescopic properties of the picture whose visually ungraspable surface triggers an effect of reaching with the eye far beyond it toward even the farthest details, invisible without a looking glass but still clearly visible in the pic

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25

Manaia, João. "A Fotografia no Portugal Oitocentista." Convergences - Journal of Research and Arts Education 14, no. 28 (2021): 161–68. http://dx.doi.org/10.53681/c1514225187514391s.28.101.

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O presente artigo trata da fotografia oitocentista em Portugal, focando-se na figura ímpar de Carlos Relvas. Este artigo é iniciado com breves considerações sobre a história da fotografia, realçando as figuras de Joseph Nicéphore Niépce, Louis Jacques Mandé Daguerre, William Henry Fox Talbot e George Eastman, os inventores da fotografia, passando pelo enquadramento da introdução da fotografia na cultura portuguesa oitocentista. Carlos Augusto de Mascarenhas Relvas e Campos desempenhou um papel tutelar na fotografia portuguesa a partir da década de 1870, foi no seu tempo, o fotógrafo português

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26

Roubert, Paul-Louis, and Siegel Steffen. "Siegel, Steffen. 2020 (dir.). 1839. Daguerre, Talbot et la publication de la photographie. Une anthologie." Histoires-monde de la photographie, no. 3 (July 7, 2022): 200–201. http://dx.doi.org/10.54390/photographica.692.

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27

Wood, R. Derek. "A state pension for L. J. M. Daguerre for the secret of his Daguerreotype technique." Annals of Science 54, no. 5 (1997): 489–506. http://dx.doi.org/10.1080/00033799700200461.

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28

Quero, Fabrice. "Blandine Daguerre, Passage et écriture de l’entre-deux dans El Pasajero de Cristóbal Suárez de Figueroa." Bulletin hispanique, no. 123-2 (December 20, 2021): 381–84. http://dx.doi.org/10.4000/bulletinhispanique.14554.

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29

Medina, Mar Venegas. "When Children Become Parents: Welfare Responses to Teenage Pregnancy - Edited by Anne Daguerre and Corinne Nativel." Social Policy & Administration 41, no. 7 (2007): 791–93. http://dx.doi.org/10.1111/j.1467-9515.2007.585_3.x.

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30

Wicks, Frank. "Picture This." Mechanical Engineering 126, no. 07 (2004): 32–35. http://dx.doi.org/10.1115/1.2004-jul-3.

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This article highlights that the adage, a picture is worth a thousand words, is a flawed understatement. Our memories, knowledge, and opinions rely heavily on pictures. Words can only provide an explanation to information contained in a good picture. Time always moves forward, but a picture allows us to look back to some prior moment in time. Photography, which means writing with light, would require replacing the artist’s paper with a chemically coated screen, exposing the screen to the image, and then stabilizing the resulting picture. The first practical photographic process was announced i

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31

Blanco, Manuel, and Delia Mihaela Cristea. "La metáfora visual en el universo del fotógrafo Tatsuya Tanaka." Fotocinema. Revista Científica de Cine y Fotografía, no. 26 (January 31, 2023): 309–28. http://dx.doi.org/10.24310/fotocinema.2023.vi26.15571.

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La obra del fotógrafo japonés Tatsuya Tanaka (1981) ha suscitado mucho interés en los últimos tiempos. Su discurso parte de la metáfora visual (de la que tantos fotógrafos han bebido a lo largo de la historia desde los inicios de la fotografía, y especialmente en las vanguardias) pero, a diferencia de éstas, la circunscribe a un entorno cultural netamente japonés: con unas miniaturas que pueblan sus imágenes que vinculan su obra al mitate artesanal nipón, y a los dioramas que ya formulara Daguerre, que reconstruían escenas sugerentes de la vida cotidiana. Estudiaremos cuatro piezas con una met

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32

Pérez Escolano, Víctor, and Carlos Plaza. "Tafuri en Argentina. Libro de Manfredo Tafuri+Fernando Aliata, Anahi Ballent, Alejandro Crispiani, Mercedes Daguerre, Adrián Gorelik, Jorge Francisco Liernur, Graciela Silvestri." Astrágalo. Cultura de la Arquitectura y la Ciudad, no. 28 (2021): 219–26. http://dx.doi.org/10.12795/astragalo.2021.i28.12.

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33

Navarro Pérez, M., F. Carro Gil, and M. Mompó García. "Hospital de Venecia - Feria de Valencia: pas de deux (1965-2002)." LC. Revue de recherches sur Le Corbusier, no. 2 (October 7, 2020): 90. http://dx.doi.org/10.4995/lc.2020.13838.

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<p>La Feria de Valencia de Guillermo Jullian de la Fuente, sigue a partir de 1967 un camino paralelo al desarrollo del proyecto para el Hospital de Venecia de Le Corbusier. Su construcción materializó, a gran escala, inquietudes arquitectónicas ensayadas por el Maestro en el proyecto para Venecia, que sus últimos colaboradores llevaron a cabo tras su muerte. Ambas obras podemos entenderlas como el trabajo de un taller de arquitectura, en el que bajo la inspiración de Le Corbusier, se cuenta con la aportación creativa de sus colaboradores: el propio Jullian como “jefe de taller” pero tamb

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34

Salles, Anne. "ANNE DAGUERRE, CORINNE NATIVEL (eds) When Children Become Parents : Welfare State Responses to Teenage Pregnancy Bristol, Policy Press, 2006, 254 pages." Critique internationale 39, no. 2 (2008): 205. http://dx.doi.org/10.3917/crii.039.0205.

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35

LINDSAY, COLIN. "A. Daguerre (2007), Active Labour Market Policies and Welfare Reform: Europe and the US in Comparative Perspective. Basingstoke: Palgrave. £45.00, pp. 208, hbk." Journal of Social Policy 38, no. 1 (2009): 180–82. http://dx.doi.org/10.1017/s0047279408002638.

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36

Stănescu, Mihai. "From Daguerreotype to Autochrome: An Incursion in European, Colonial and Romanian Pharmaceutical and Medical Photography." Studia Universitatis Babeș-Bolyai Historia 66, no. 1 (2022): 159–70. http://dx.doi.org/10.24193/subbhist.2021.1.08.

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"Pharmacists have the ability to be chemists and that is the reason they possess the knowledge to make photographs. For that purpose, especially in the 19th century, some pharmacists were photographers, so the two professions are related to a certain extent. The daguerreotype was an invention that was brought to the attention of the public in the summer of 1839 in Paris by Louis Daguerre. Although it was a French invention, it enjoyed a huge success in the United States, and for that purpose the most numerous daguerreotypes derive from the American continent. Some daguerreotypes from the pharm

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37

Bishi, Amos. "Digitisation of audio-visual archives at the National Archives of Zimbabwe." ESARBICA Journal: Journal of the Eastern and Southern Africa Regional Branch of the International Council on Archives 41 (January 19, 2023): 32–37. http://dx.doi.org/10.4314/esarjo.v41i.3.

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This research pursues bringing to light the modern landscape of administering audio-visual archives at the National Archives of Zimbabwe (NAZ) and getting it on the journey towards digital preservation. The Victorian era paved the way to analogue technological evolution in the audio-visual archiving fraternity. A technological breakthrough initiated by a Frenchman, Louis Daguerre, led to the invention of a photographic image on a silver-coated copper plate medium in 1839. Again, in 1927, the outstanding Thomas Alva Edison positively documented audio on a rotating tin foil cylinder carrier. The

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38

Dunworth, M. "When Children Become Parents: Welfare State Responses to Teenage Pregnancy, * Anne Daguerre and Corinne Nativel (eds), * Bristol, Policy Press, 2006, pp. ix + 252, ISBN 1861346786, 56.99 (hbk), 24.99 (pbk)." British Journal of Social Work 37, no. 5 (2006): 958–59. http://dx.doi.org/10.1093/bjsw/bcm082.

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39

TORRÉNS, JAVIER, and JOHN M. HERATY. "A new genus of Eucharitidae (Hymenoptera: Chalcidoidea), with notes on life history and immature stages." Zootaxa 3630, no. 2 (2013): 347–58. http://dx.doi.org/10.11646/zootaxa.3630.2.9.

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Neolirata new genus (Eucharitidae: Eucharitini) is recognized based on males and females, with new descriptions of eggs, planidia and pupae. Redescriptions are provided for N. alta (Walker) and N. daguerrei (Gemignani) (comb. nov. trans-ferred from Lirata) and a new description of N. furcula sp. nov. is presented. Females of N. alta deposit their eggs on the underside of leaves of Pseudabutilon virgatum (Cav.) Fryxell (Malvaceae) and N. daguerrei on the underside of Urvillea chacoensis Hunz (Sapindaceae). A key to species is included.

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40

Bate, David. "Daguerre’s Abstraction." Photographies 9, no. 2 (2016): 135–46. http://dx.doi.org/10.1080/17540763.2016.1185881.

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41

Haston, Elspeth. "Trees of Panama and Costa Rica. R. Condit, R. Pérez & N. Daguerre. Princeton & Oxford: Princeton University Press. 2010. 494 pp., 438 colour plates. ISBN 978 0 691 14710 9. US$45. doi:10.1017/S0960428611000345." Edinburgh Journal of Botany 68, no. 3 (2011): 483–84. http://dx.doi.org/10.1017/s0960428611000345.

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42

Spira, S. F. "Ford's Daguerrean Gallery." History of Photography 12, no. 4 (1988): 385. http://dx.doi.org/10.1080/03087298.1988.10442158.

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43

Źakowicz, A. "Daguerre's Brochure in Polish." History of Photography 15, no. 1 (1991): 26. http://dx.doi.org/10.1080/03087298.1991.10443125.

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44

Brunet, François. "Le «romance» daguerrien de Hawthorne." Romantisme 29, no. 105 (1999): 85–90. http://dx.doi.org/10.3406/roman.1999.4351.

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45

Mary Thierry. "MIRROR, MIRROR: AMERICAN DAGUERREAN PORTRAITS." Princeton University Library Chronicle 73, no. 3 (2012): 421. http://dx.doi.org/10.25290/prinunivlibrchro.73.3.0421.

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46

Vasconcellos, Sidney Moraes de. "Revisão dos gêneros Prionolopha e Securigera (Orthoptera, Romaleidae, Romaleinae)." Iheringia. Série Zoologia 95, no. 2 (2005): 133–49. http://dx.doi.org/10.1590/s0073-47212005000200004.

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Realizamos a revisão dos gêneros Prionolopha Stål, 1873 e Securigera Bolívar, 1909, baseada no exame da morfologia externa de machos e fêmeas, espermateca e complexo fálico. Consideramos Prionolopha daguerrei Liebermann, 1935 e P. evoneoi Piza, 1981 sinônimos de P. serrata (Linnaeus, 1758). Transferimos Alcamenes cristatus Bruner, 1906 para o gênero Securigera Bolívar, 1909. Incluímos figuras de cada espécie e o mapa de distribuição geográfica.

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47

Guha, Hazel. "Trees of Panama and Costa Rica201228Richard Condit, Rolando Pérez and Nefertaris Daguerre. Trees of Panama and Costa Rica. Princeton, NJ: Princeton University Press 2011. 494 pp., ISBN: 978 0 691 14707 9 (hdbk); 978 0 691 14710 9 (pbck) £59 $85 (hbck); £39.95 $45 (pbck)." Reference Reviews 26, no. 1 (2012): 38. http://dx.doi.org/10.1108/09504121211195324.

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48

Torréns, Javier. "A Review of the Biology of Eucharitidae (Hymenoptera: Chalcidoidea) from Argentina." Psyche: A Journal of Entomology 2013 (2013): 1–14. http://dx.doi.org/10.1155/2013/926572.

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All the members of Eucharitidae are parasitoid of ants. Argentina has 14 genera and 41 species, but little is known about their biology. Herein are provided new data for host associations (host ant and/or host plant) ofGalearia latreillei,Kapalaspp.,Latina rugosa,Orasema aenea, andOrasemasp. A revision of the most relevant biological aspects ofDicoelothorax platycerus,Latina rugosa,Neolirata alta,N. daguerrei,Lophyrocera variabilis,Orasema argentina,O. salebrosa,O. simplex,O. susanae,O. worcesteri, andO. xanthopusis included. New records ofK. sulcifacies,Lo. plagiata, andOb. semifumipennisin A

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Calcaterra, L. A., J. A. Briano, and D. F. Williams. "New Host for the Parasitic Ant Solenopsis daguerrei (Hymenoptera: Formicidae) in Argentina." Florida Entomologist 83, no. 3 (2000): 363. http://dx.doi.org/10.2307/3496358.

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Wood, R. Derek, and Pierre C. Harmant. "Daguerre's Demonstrations in 1839 at the Palais d'Orsay." History of Photography 16, no. 4 (1992): 400–401. http://dx.doi.org/10.1080/03087298.1992.10442579.

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